#Dear god someone help me

[kiynania]

Let me just.

AU where LBD twists and manipulates Macaque's mind after resurrecting him

Here he's completely on LBD's side and helps her willingly(at least that's what he thinks) to create a world without pain

LBD's ability to twist his mind gets stronger as her power grows

When she first resurrects Macaque, she's really only able to heavily influence his emotions since she's locked away. After she's freed and releases her mech, she's actually able to erase and add fake memories in Macaque's mind, along with his emotions. By the time LBD(somewhat) possesses Wukong, she can completely erase who Macaque is and import a whole new person into him, and in a way, 'break Wukong's hold over him'

The process of this is actually really painful for Macaque, so to keep him calm, LBD hums a lullaby that Wukong also hummed to Macaque back then(she knows it as it was the same lullaby she heard Macaque humming back in the Diyu)

Macaque eventually grows more and more confused as to what's really happening to him, but it really doesn't matter as the mayor's there to keep him in line

No one besides LBD and the mayor is aware of this until much later on

If you wanna know more, asks are open :3

[drwhomstvede]

Two hours left until the rift closes besties!

[queerdiscowing]

So many future man thoughts but im unable to make anything coherent out of them

[peggingprowl]

I thought about First Aid giving me a genital piercing and nearly passed out from horniness

[andy-wandy]

me when i didn't think my pedro pascal obsession could get worse than it was last year

then i realize the last of us AND the mandalorian come out this year.

[turntableart]

I am fighting for my life in here

[artscapism]

Making your first animatic moodboard

[fellow-hooman]

When your doing biology and your answer choices are no joke

UAACGCCGUUCGUCA

AUUGCGGCAAGCAGU

IIe-Ala-Ala-Ser-Ser

Thr-Val-Val-Ser-Arg

Ser-Ser-Ala-Ala-Thr

This looks like a keyboard smash what is going on

[box-of-slugs]

I have almost every single part of my comic planned out to every flaw and intricacies for characters and how every word will be said. Never ever going to make that bitch real

[ladybridgers]

I absolutely love being alone, I don't have to know , feel , or worry what someone thinks about me or how I'm perceived or how I look at the moment that's because I am alone

[jellyfishlightbulbs]

My absolute unit of a fat cat just stepped on my diaphragm and has decided that breathing is now optional

[poisonheadcrabsalesman]

NOOOOO! I was talking our OCs!!!!! Can a cargoplane and an autozam hold hands you fuckers! I'm not fucking robot racist!

do you think two bots with extremely different alt modes could be.....conjunxes?

Don't tell anyone -- but I think they can!

[little-pondhead]

I forgot about this.

The whole reasoning behind the Supervillain Danny AU sketches was that his villain persona was the complete opposite of his normal, sane self and hero persona. Danny plays into the Fenton name really hard, and ramps up the “mad scientist” bit, taking inspiration from both his normal civilian life and his parents, thus using just his last name as a villain.

And then I wanted to add what Sam and Tucker might look like if they joined in on his shenanigans. To keep with the “opposite of their normal life” bit, let’s throw in some ghostly artifacts that help the two keep up with Fenton’s madness.

Sam would get an angel’s halo that helps her form ghostly wings, and she’d play into the good-two shoes angelic look, and then she opens her mouth and verbally assaults you. She pins her bangs back and wears clothes that better fit a celestial aesthetic and uses all the etiquette training her parents taught her. Manson looks like some sort of regal angel and people expect her to be the nicest out of all of them. She’s not. Manson is the sneakiest and most bloodthirsty one, and heroes regularly wonder if she has actually committed murder or not.

Tucker takes inspiration from his time as a pharaoh. He has a metal postiche that enhances his physical ability. (Maybe it gives him dreadlocks too, but I like to think Tucker is just wearing a whole ass wig.) He wears a strange mix of street wear and his pharaoh outfit, and throws his tech-obsessed self out the window. Fenton is the nerdy one here, so now Foley is the muscle. Foley plays up meathead American bully stereotype hard. He delights in throwing hands, and hunts down supers just for the sake of a fun spar. (For him not for the supers.) Foley’s favorite people to fight so far is Killer Croc and Superman. Heroes are concerned about what would happen if Foley fought for real, but then they saw what he did to the Joker “as a joke” and decided not to ask any more questions.

Basically, the trio looked at their civilian lives and picked out what they considered “villainous traits” from the people around them that they then played into as villains themselves. If that makes sense. Sam hates how her parents want a perfect child, so she makes herself look like one. She speaks in backhanded comments and has a snooty attitude, which she learned from other rich people. Tucker is constantly confronted by bullies everyday, and all the rogues that come to Amity are always fighting, so that’s what he decides to mimic. Yeah, he now gets to be the big and strong protector of the group, but all his experience with fighting have been bad ones, and that reflects in his style. And finally, Danny. Why does he take after his parents and play into the family name? Because the Fentons are one of the biggest obstacles and source of anxiety in his life. Danny associates mad scientists to pain and other bad things, so even if all he’s being helpful in a really annoying way as a villain, his parents and the threat of the GIW still influence how he presents himself. Because to Danny, those two things are far more scary than a kid with a pirate ship or a man wearing a bat fursuit.

[erinwantstowrite]

Erin it might be my TikTok but your TikTok’s don’t have captions

????????????? this is the fifth person to tell me this are we kidding,,, guys i put so much effort into my captions are we saying i DON'T HAVE THEM ON??? i see them on my tiktoks?????? guys please what??????

[onlyfrags]

Yoru with a male s/o who's radiant powers give him draconic features and powersof the elements. Their on a date but people keep pointing out and staring at reader features like his horns, eyes or tail etc..

A/N I apologize for this taking forever! Yoru might be a bit OOC and I did not proof read this well, apologies. Its 4:30 AM and I have not slept so :D

Yoru with a Draconic Male Significant Other | Yoru x Male Radiant Reader

Yoru had always been a very prideful man. He took pride in everything. Be that his looks, his skills, and his ancestry. So of course, his pride would further extend to his relationship.

That extended to you.

Initially, he had little interest in you when you first joined the protocol. Sure, your appearance was definitely one of the more shocking or jarring Radiants he had ever seen, but you were just another teammate to him.

For a while, he listened to Phoenixs comments about you. About how odd your eyes were to him and how your stare gave him the creeps. How unnerving it was when he saw how your skin seemed to have visible scales. How your nails almost seemed like claws, and the many many questions about why you would have a tail. It was all so much for the poor man when all he wanted was to get some extra training in.

Then he went on a mission with you. He saw your powers in action. You in action. How you were able to aid Phoenix in guiding his fire a bit farther than before. How you took some of the water from Harbors wall to blind the enemies. How you joined Jett in dashing across the air. How the ground shook to reveal the people who hid.

He was entranced, though he would never admit that out loud.

As more and more missions happened, Brimstone was able to identify how well you both worked together. With you to aid in distractions, Yoru could thrive. You had a deep trust in the rift walker, and you had gained Yorus respect. Something that many weren't able to achieve.

You became inseparable. A duo that the omega universe would theorize about in hushed whispers that sent chills down fellow agents spines.

It was thrilling for Ryo. Exciting. Something that kept his heart racing and spirits high out on the battlefield.

Soon enough, The friendly banter turned to teasing jokes and witty remarks. Competitions would break out between the two of you to see who would achieve more on the field, and then it bled into training as well.

It was only a matter of time truly before someone had made the first move.

You had been relaxing with Yoru in his room, watching the other man from his couch with a mischievous look that he knew all too well. Before he could question it, you flicked your finger in the air causing a small spray of water into his face from the cup he had been holding. The poor man sputtered and coughed as he shook his head. His wet hair fell into his eyes which only further irritated the man.

Next thing you know, he was on top of you. The cup long abandoned as his knees dug into the cushion that was next to your thighs. He pushed you back against the couch, starting a playful wrestling match the same way he had many times before. All the while he loudly complained about his hair having been messed up, and about how he had to change clothes all while trying to pin you to the couch.

Somehow, with a few squirmy movements, you knocked Yoru off balance so he landed in your arms. Trapping him in an embrace, you couldn't help but grin as the smaller man tried to free himself before eventually giving up. His damp hair now pressed under your jaw as you felt him relax a little in your arms. A few moments later, he wrapped his arms around your torso and rested his hands above your tail.

It was silent. Though you knew Yoru could hear your heart pound against your chest. Despite this, not a word was spoken.

Instead, you felt something feather light against your collarbone. And then again. And once more a little farther up against your throat.

Your own breath hitched when you realized that Yoru was peppering you with gentle kisses where your scales met exposed skin. Hearing your little noise only made the man let out one of his signature chuckles before he moved to press one last kiss against your jaw.

His hands gave your waist a little squeeze before he mumbled, "You always were cute when you have your guard down~." His ego showed as he pulls away to admire you with a look of pride. Pride at how he had you flustered, and pride from his own actions.

After that day, you were an unspoken couple. In front of the others, nothing had seemingly changed. The competitiveness remained between the both of you as did your trust in each other. But behind closed doors you found yourself at the mercy of Ryo. A man who struggled with words but showed he cared about you with his actions. A man who was proud of the work you did together. A man who was proud of you.

Eventually, you and Ryo had managed to acquire a few days off. Perfect timing since he had been wanting to take you to Japan for a while now. He wanted you to see his homeland and experience the place he loved.

Yet the trip didn't go exactly as Ryo had hoped it would.

By this time, he had completely forgotten that your appearance made you stand out a bit. Your horns, tail, scales, and slitted eyes had others staring.

Some whispered in hushed voices. Some pointed at you and grimaced, throwing judgmental glances before turning away when you looked back at them. A few people even ran up to ask for pictures with you, asking about your appearance or how you did your makeup. It was an uncomfortable experience. Uncomfortable for you, and uncomfortable for Ryo.

After about half an hour of the stares and whispers as you walked with him to various different places in Tokyo, Ryo was done with it. He huffed loudly, taking your hand in his as he drags you down several different alleys and streets until he stops in front of a small building. A little hole in the wall place that seemed to be fairly empty from the looks of it.

Ryo, also noticing this, took a deep breath and sighed before squeezing your hand a little. A sign that he was there for you despite what all happened, before he let go. Giving you a reassuring head nod, he goes to open the door for you and follows you inside.

Ryo explained that this was his favorite place to come to, a small family owned restaurant that he claimed made the best cold soba noodles to help relax after a long day of being in the sun

"…or dealing with idiots who stare." He grumbled under his breath

And he was right. The noodles and dumplings were easily some of the best you had ever had, and the lack of people around made Ryo much more comfortable as well. The man who usually doesn't say much, babbled. He talked about the different foods he shared with you, the memories he had with the restaurant, and even told you about the history of each dish.

By the time you both finished your food, had a beer or two, and paid for it all, the sun had already began to set. Ryo would hum a little before carefully taking your hand in his own once again. Little actions like this were so uncommon that you couldn't help but feel your heart race.

His fingers laced with your own before looking back at you with a small smile. Taking a step forward, he did the unthinkable. He pressed a kiss to the corner of your lips and gave your hand another squeeze.

He would smile gently at you before he began pulling you down the street once more. This time, he was taking you to the place you'd both be staying so you didn't have to deal with prying eyes, and he could hold you close without fear of others seeing.

[mooseyspooky]

Songs Moz says he wrote about Johnny:

-Angel, Angel Down We Go Together

Meanwhile, all the songs that I think are actually about Johnny, or in some way referring to him:

-Hand In Glove (1983)

-No, it's not like any other love. This one is different, because it's us.

-So, hand in glove I stake my claim. I'll fight to the last breath. If they dare touch a hair on your head, I'll fight to the last breath. For the good life is out there somewhere. So stay on my arm, you little charmer, but I know my luck too well. Yes, I know my luck too well. And I'll probably never see you again.

-Reel Around The Fountain (1983)

-Fifteen minutes with you. Well, I wouldn't say no. Oh, people said that you were virtually dead, and they were so wrong.

-I dreamt about you last night, and I fell out of bed twice. You can pin and mount me like a butterfly, but, "Take me to the haven of your bed" was something that you never said. Two lumps, please. You're the bee's knees but so am I.

-What Difference Does It Make? (1982)

-All men have secrets and here is mine. So let it be known. For we have been through hell and high tide. I think I can rely on you, and yet you start to recoil. Heavy words are so lightly thrown, but still I'd leap in front of a flying bullet for you.

-But now you know the truth about me. You won't see me anymore. Well, I'm still fond of you.

-But I'm still fond of you. Oh, my sacred one.

-Miserable Lie (Linder/Johnny) (1982)

-I know I need hardly say how much I love your casual way. Oh, but please put your tongue away. A little higher and we're well away. The dark nights are drawing in, and your humor is as black as them. I look at yours, you laugh at mine, and "love" is just a miserable lie. You have destroyed my flower-like life. Not once - twice. You have corrupt my innocent mind. Not once - twice.

-This Charming Man (1983)

-When in this charming car. This charming man.

-Why pamper life's complexity when the leather runs smooth on the passenger seat?

-This man said, "It's gruesome that someone so handsome should care."

-These Things Take Time (1982)

-Mine eyes have seen the glory of the sacred wunderkind.

-But I can't believe that you'd ever care, and this is why you will never care.

-I'm spellbound, but a woman divides, and the hills are alive with celibate cries. But you know where you came from, you know where you're going, and you know where you belong. You said I was ill and you were not wrong.

-The alcoholic afternoons when we sat in your room - they meant more to me than any than any living thing on earth. It had more worth than any living thing on earth. Vivid and in your prime. You will leave me behind.

-Handsome Devil (1982)

-You ask me the time, but I sense something more. And I would like to give what I think you're asking for.

-You handsome devil. Oh, you handsome devil. Let me get my hands on your mammary glands, and let me get your head on the conjugal bed.

-I crack the whip, and you skip, but you deserve it. And when we're in your scholarly room, who will swallow whom?

-Please Please Please Let Me Get What I Want (1984)

-So for once in my life let me get what I want. Lord knows it would be the last time.

-I Want The One I Can't Have (1984)

-On the day that your mentality decides to try to catch up with your biology - come 'round. 'Cause I want the one I can't have, and it's driving me mad. It's all over, all over, all over my face.

-And if you ever need self-validation just meet me in the alley by the railway-station. It's all over my face.

-That Joke Isn't Funny Anymore (1984)

-Park the car at the side of the road. You should know time's tide will smother you - and I will too. When you laugh about people who feel so very lonely their only desire is to die - well, I'm afraid it doesn't make me smile.

-It was dark as I drove the point home, and on cold leather seats - well, it suddenly struck me. I just might die with a smile on my face after all.

-Well I Wonder (1983/1984)

-Do you hear me when you sleep? I hoarsely cry.

-Do you see me when we pass? I half-die.

-Please keep me in mind.

-I Know It's Over (1985)

-I know it's over - still I cling. I don't know where else I can go.

-Sad veiled bride, please be happy. Handsome groom, give her room. Loud, loutish lover, treat her kindly. Though she needs you more than she loves you.

-I know it's over, and it never really began, but in my heart it was so real. And you even spoke to me, and said: "If you're so funny then why are you on your own tonight? And if you're so clever then why are you on your own tonight? If you're so very entertaining then why are you on your own tonight? If you're so very good-looking why do you sleep alone tonight?"

-Love is natural and real, but not for you, my love. Not tonight, my love. Love is natural and real, but not for such as you and I, my love.

-Never Had No One Ever (1985)

-Now I'm outside your house - I'm alone. And I'm outside your house. I hate to intrude.

-The Boy with the Thorn in His Side (1985)

-How can they look into my eyes, and still they don't believe me? How can they hear me say those words - still they don't believe me? And if they don't believe me now will they ever believe me?

-How can they see the love in our eyes, and still they don't believe us? And after all this time they don't want to believe us. And if they don't believe us now will they ever believe us?

-There Is a Light That Never Goes Out (1985)

-Driving in your car. I never, never want to go home. Because I haven't got one anymore.

-Driving in your car. Please don't drop me home.

-And if a double-decker bus crashes into us - to die by your side is such a heavenly way to die. And if a ten ton truck kills the both of us - to die by your side...well, the pleasure, the privilege is mine.

-Take me out tonight. Take me anywhere, I don't care. And in the darkened underpass I thought, "Oh God, my chance has come at last." But then a strange fear gripped me, and I just couldn't ask.

-Stretch Out and Wait (1985)

-All the lies that you make up...what's at the back of your mind? Your face I can see, and it's desperately kind - but what's at the back of your mind?

-Amid concrete and clay, and general decay, nature must still find a way. So ignore all the codes of the day. Let your juvenile impulses sway...God, how sex implores you to let yourself lose yourself.

-Stretch out and wait. Let your puny body lie down. As we lie, you say...stretch out and...

-Shakespeare's Sister (1985)

-But I'm going to meet the one I love. So, please don't stand in my way, because I'm going to meet the one I love.

-I can smile about it now, but at the time it was terrible.

-Sweet and Tender Hooligan (1986)

-He said that he'd never, never do it again, and of course he won't - not until the next time.

-Would you look into those motherly eyes? I love you for you, my love, you, my love.

-Is It Really So Strange? (1986)

-And I can't help the way I feel. You can kick me, and you can punch me, and you can break my face, but you won't change the way I feel. 'Cause I love you.

-Is it really so strange? I say no, you say yes - and you will change your mind.

-London (1986)

-Smoke lingers 'round your fingers. Train a-heave on to Euston. Do you think you've made the right decision this time?

-You left your girlfriend on the platform with this really ragged notion that you'll return, but she knows that when he goes, he really goes. And do you think you've made the right decision this time?

-Ask (1986)

-So if there's something you'd like to try...Ask me, I won't say no, how could I?

-Because if it's not love then it's the bomb...that will bring us together.

-Nature is a language, can't you read?

-I Started Something I Couldn't Finish (1987)

-The lanes were silent. There was nothing, no one, nothing around for miles. I doused our friendly venture with a hard-faced, three-word gesture.

-I started something, I forced you to a zone - and you were clearly never meant to go. Hair brushed and parted, typical me...I started something, and now I'm not too sure.

-I grabbed you by guilded beams. That's what tradition means. And I doused another venture with a gesture that was absolutely vile.

-Stop Me If You Think You've Heard This One Before (1987)

-Nothing's changed. I still love you, oh, I still love you...only slightly, only slightly less than I used to, my love.

-Who said I'd lied to her? Who said I'd lied, because I never...

-Last Night I Dreamt That Somebody Loved Me (1987)

-Last night I dreamt that somebody loved me. No hope, no harm. Just another false alarm.

-Last night I felt real arms around me. No hope, no harm. Just another false alarm.

-I Won't Share You (1987)

-I won't share you, no. I won't share you. With the drive and ambition. The zeal I feel, this is my time.

-Life tends to come and go. That's okay...as long as you know.

-I'll see you somewhere. I'll see you sometime, darling.

-I Keep Mine Hidden (1987)

-Hate, love and war force emotions to the fore, but not for me of course, of course. I keep mine hidden.

-But it's so easy for you...because you let yours flail into public view.

-The lies are so easy for you, because you let yours slide into public view.

-Alsatian Cousin (1987)

-Were you and he lovers? And would you say so if you were?

-A note upon his desk. "P.S. Bring Me Home And Have Me!" Leather elbows on a tweed coat -is that the best you can do? So came his reply: "But on the desk is where I want you."

-Angel, Angel Down We Go Together (1987)

-Note: I personally believe that this song is Johnny speaking to Morrissey shortly after the breakup.

-Angel, angel. Don't take your life tonight. I know they take, and that they take in turn. And they give you nothing real for yourself in return, but when they've used you and they've broken you, and wasted all your money, and cast your shell aside - and when they've bought you and they've sold you, and they've billed you for the pleasure, and they've made your parents cry. I will be here, oh, believe me. I will be here, believe me. Angel, don't take your life. Some people have got no pride. They do not understand the urgency of life. But I love you more than life.

-Late Night, Maudlin Street (1987)

-Note: In a similar vein, I think this is Morrissey's side of the conversation from Angel, Angel Down We Go Together. It is the very next song on the album (Viva Hate). This song is a mix of movie quotes, description of movie scenes, and (more or less) spoken word pieces. Those spoken word pieces I think are Moz' response to Johnny in Angel, Angel. 'Don't take your life, tonight.' 'I took strange pills, but I never meant to hurt you,' ect.

-Love at first sight. May sound trite, but it's true, you know. I could list the details of everything you ever wore, or said, or how you stood that day.

-Truly I do love you. Oh, truly I do love you.

-When I sleep with that picture of you framed beside my bed...Oh, it's childish and it's silly, but I think it's you in my room by the bed. Yes, I told you it was silly, and I know I took strange pills, but I never meant to hurt you. Oh, truly I love you.

-The last bus I missed to Maudlin Street. So, he drove me home in the van, complaining, "Women only like me for my mind..."

-And so we crept through the park. No, I cannot steal a pair of jeans off a clothesline for you...but you without clothes. Oh, I could not keep a straight face. Me, without clothes? Well, a nation turns its back and gags.

-Oh, truly I do love you...wherever you are.

-Suedehead (1987)

-Why do you come here? And why, why do you hang around? I'm so sorry...Why do you come here when you know it makes things hard for me? ...Why do you telephone? And why send me silly notes? I'm so sorry.

-You had to sneak into my room just to read my diary. "It was just to see, just to see." All the things you knew I'd written about you. Oh, so many illustrations. But I'm so very sickened. I am so sickened now...Oh, it was a good lay, good lay.

-Break Up the Family (1987)

-The strange logic in your clumsiest line - it stayed emblazoned on my mind. You say, break up the family, and let's begin to live our lives.

-Yes, you found love, but you weren't at peace with your life. Home late, full of hate. Despise the ties that bind.

-I Don't Mind If You Forget Me (1987)

-I don't mind - I don't mind if you forget me.

-So now you send me your hardened 'regards' when once you'd send me 'Love.' Sincerely I must tell you your mild 'best wishes' - they make me suspicious.

-The pressure to change, to move on was strange, and very strong. So this is why I tell you - I really do understand. Bye bye.

-Rejection is one thing, but rejection from a fool is cruel.

-I Know Very Well How I Got My Name (1987)

-A child in a curious phase. A man with sullen ways. I know very well how I got my name. You think you were my first love. You think you were my first love, but you're wrong. You were the only one. Who's come and gone.

-Treat Me Like a Human Being (1987)

-It's hard, but try...for once, just for once...Leave all your hate behind you. It's still all so strange and obscene for you to look and see one who is real and who feels life.

-Three words could change my life. So once, just for once...let the night pass with ease, son. Treat me like a human being. I'd like to know how this feels.

-Three words could change my life, yet you treat me like you never care.

-Happy Lovers at Last United (1988)

-Happy lovers, back together, and I do feel proud. Happy lovers, reunited, and I do feel proud now. I'm not the type to boast as you know, though it was me who brought them back together. He is so kind, and she is so clever, but they don't want me now, hanging around.

-I rang to her to explain of how he really wants to see you again. I said more or less the same thing to him too, which wasn't true. And now they walk, hand in hand, all is planned, by the silent glance I believe, that only lovers share. And I'm proud to have done something good for once. And she is so kind, and he's so clever, but they don't need me now, hanging around.

-Will Never Marry (1988)

-For whether you stay, or you stray, an inbuilt guilt that catches up with you - and as it comes around to your place at 5 a.m., wakes you up, and it laughs in your face.

-He Knows I'd Love to See Him (1989)

-He knows, he knows, or...I think he does. 'Cause when I lived in the arse of the world...he knows, he knows. He knows I'd love to see him happy, or as close as is allowed.

-Oh, my name still conjures up deadly deeds, and a bad taste in the mouth.

-He doesn't know...

-Yes, I Am Blind (1989)

-Love's young dream. I'm the one who shocked you. I'm the one who stopped you, 'cause in my sorry way I love you.

-Love's young dream...aren't you sorry for what you've done? Well, you're not the only one, and in my sorry way I love you.

-Yes, I am blind, but I do see evil people prosper over the likes of you and me always.

-Oh Phoney (1989)

-May this lovely letter reach its destination...if only. Question one is why do you pretend that you like me? Oh Phoney. See how the outside contradicts what's inside.

-Who can make Hitler seem like a bus conductor? You do, oh Phoney you do. You sing a lovely song to a scale, and the words spell out my name. Oh Phoney. But then you kick me down below, 'cause you know it won't show. How could you?

-King Leer (Linder?/Johnny) (1990)

-Your boyfriend, he went down on one knee...Well, could it be he's only got one knee?

-Your boyfriend, he has the gift of the gab, or, could it be...the gift of the grab?

-Your boyfriend, he has displayed to me more than just a real hint of cruelty.

-Found Found Found (Peter Hogg?/Johnny) (1990)

-Found, found, found...someone who's worth it in this murkiness. Someone who's never seeming to be scheming...(Oh, but if I'd never found)...I do believe that the more you give your love, and I do believe that the more you give your trust...the more you're bound to lose. (Oh, but if I'd never found)...Somebody who wants to be who wants to be with me...all the time.

-The Loop (1990)

-I just want to say I haven't been away. I'm still right here, where I always was. So one day, if you're bored by all means call. Because you can do...but only if you want to. I just want to say I haven't been away. I am still right here, where I always was. So one day, when you're bored by all means call. Because you can do...but you might not get through.

-My Love Life (1991)

-Come on to my house. Come on and do something new. I know you love one person so why can't you love two? (Note: Moz once changed this line to "I know you love one person, but why don't you love two?")

-Give a little something...give a little something to my love life.

-I know you love one person so why don't you love two, love? Love two (Note: Moz once changed this line to "I know you love one person, but why can't you love two?")

-Seasick, Yet Still Docked (1992)

-Wish I knew the way to reach the one I love. There is no way. Wish I had the charm to attract the one I love, but you see, I've got no charm.

-Tonight I've consumed much more than I can hold. Oh, this is very clear to you. And you can tell I have never really loved. You can tell by the way I sleep all day, and all of my life no one gave me anything...My love is as sharp as a needle in your eye. You must be such a fool to pass me by.

-I Know It's Gonna Happen Someday (1992)

-My love, wherever you are, whatever you are - don't lose faith. I know it's gonna happen someday to you. Please wait...

-You say that the day just never arrives, and it's never seemed so far away. Still, I know it's gonna happen someday to you.

-Tomorrow (1992)

-All I ask of you is one thing that you never do - would you put your arms around me? I won't tell anyone. Tomorrow...does it have to come?

-And what must come before. Oh, the pain in my arms. Oh, the pain in my legs. Oh, my shiftless body. Tomorrow. It's surely nearer now. You don't think I'll make it. I never said I wanted to - well, did I?

-All I ask of you is would you tell me that you love me. Tell me, tell me that you love me. Ah, I know you don't mean it.

-I'd Love To (1993)

-Again I lay awake, and I cried because of waste. I'd love to, but only with you...Oh, time is gonna wipe us out. There, I've said it loud and clear so that you will hear. There's no one in view. Just you...and time will never wipe you out. Now I've had enough. I've had more than could be my rightful share of nights I can't bear. How can it be fair? Time must wipe them out. So, again, I lay awake in a trance. Oh, I just want my chance, but only with you...that's all...

-Spring-Heeled Jim (1993)

-Spring-heeled Jim lives to love. Now kissing with his mouth full, and his eyes on some other fool. So many women - his head should be spinning. Ah, but no!

-Spring-heeled Jim slurs the words: "There's no need to be so knowing. Take life at five times your average speed, like I do."

-Billy Budd (1993)

-Say, Billy Budd. So you think that you should? Everyone's laughing! Since I took up with you. Things have been bad. Yeah, but now it's twelve years on. Now it's twelve years on. Yes, and I took up with you.

-Yes, and it's all because of us. Oh, and what was in our eyes...I said, Billy Budd I would happily lose both of my legs...I would lose both of my legs if it meant you could be free.

-Hold On to Your Friends (1993)

-A bond of trust has been abused. Something of value may be lost. Give up your job. Squander your cash - be rash. Just hold on to your friends. There are more than enough to fight and oppose. Why waste good time fighting the people you like? Who will fall defending your name?

-But now you only call me when you're feeling depressed. When you feel happy I'm so far from your mind. My patience is stretched. My loyalty vexed.

-Be mad, be rash. Smoke and explode. Sell all of your clothes. Just bear in mind: Oh, there just might come a time when you need some friends.

-Speedway (1993) (Johnny/Issues with the NME)

-And when you slam down the hammer can you see it in your heart? All of the rumors...keeping me grounded. I never said, I never said that they were completely unfounded.

-So when you slam down the hammer can you see it in your heart? Can you delve so low? And when you're standing on my fingers can you see it in your heart? And when you try to break my spirit it won't work, because there's nothing left to break...anymore.

-You won't sleep until the earth that wants me finally has me. Oh you've done it now. You won't rest. Until the hearse that becomes me finally takes me...And you won't smile until my loving mouth is shut good and proper. Forever.

-And all those lies, written lies, twisted lies. Well, they weren't lies. They weren't lies...I never said...I could have mentioned your name. I could have dragged you in. Guilt by implication. By association. I've always been true to you in my own strange way. I've always been true to you in my own sick way. I'll always stay true to you.

-You Must Please Remember (1994)

-A small boy, big ideas. You must please remember. A long road, with no turn-off. Oh, you must remember. Caught in your headlights like a frightened animal. You must remember. Someone cries twice nightly. Of course, I do remember. Someone cries, and you think quite rightly so, but you refuse to remember.

-Low-lights and long nights. I try hard to not remember. And you - too beautiful. I can't look. I've done so very many stupid things. It's too late.

-Honey, You Know Where To Find Me (1994)

-Honey, I'm not gonna cry for the things that never occurred. So do not remind me. Happy to be as I was in the first place. Honey you know where to find me...Kicking away from the mundane everyday. The envy is beyond me. I'm not gonna pine for the things that can never be mine. Do not expect me to. I'm happy to be who I was in the first place.

-Whatever Happens I Love You (1994)

-Names, secret names, but never in my favour. But when all is said and done - it's you I love. Cold loving prose. We stole each other's clothes, but when all is said and done - it's you I love. Yes, yes, yes, oh, yes. (Note: Moz often sings this as 'we wore each other's clothes')

-Fights for rights. Everyone's oh so quick with advice, and when they've all said their piece - it's still you I love. Now just like then...yes, yes. No, yes, yes, yes, yes, yes.

-You Should Have Been Nice to Me (Jake?/Johnny) (1994/1995)

-You could have told me at the right time. You could have introduced me proudly. Never need to have to kiss me. Never need to ever touch me, but you should have been nice to me. It would have been so easy. And on the moments when I was down you could have been there. You could have once just spoke in favor. You'd never need to ever touch me. But you should have been nice to me...It wouldn't cost you money. And on the moments when I fell down - not for you to say, oh, I told you so. You could have waited...

-Trouble Loves Me (1996/1997)

-Trouble loves me. Trouble needs me. Two things more than you do, or would attempt to. So, console me. Otherwise, hold me. Just when it seems like everything's evened out, and the balance seems serene...

-Trouble loves me. Walks beside me. To chide me. Not to guide me. It's still much more than you'll do.

-Go to waste in the wrong arms. Still running 'round. Trouble loves me. Seeks and finds me. To charlatanize me, which is only as it should be. Oh, please fulfill me. Otherwise, kill me.

-Then at midnight I can't get you out of my head. A disenchanted taste...still running 'round.

-Heir Apparent (1996/1997)

-It's all changed. You were there. Departing, starting a trek I had once took. With that "no-one's gonna stop me when I feel this way" look.

-You think it's so easy, I tell you - it isn't. But you may change minds with your winning smile.

-So I tried to make my way back to the station. You were still there, gleaming and leaving. Wide-eyed and awestruck, saying "How can anybody hate me if I love them first off?"

-Heir apparent. You say that you want it, I'm sure that you'll get it. They'll seduce your heart, and then they'll slap your arse.

-The Edges Are No Longer Parallel (1997)

-All of the things you said...so meaningful. They are all so suddenly meaningless. And the looks you gave...so meaningful. They are all so suddenly meaningless.

-My only mistake is I keep hoping...

-I Like You (Jake/Johnny) (2000-2002)

-Something in you caused me to take a new tact with you. You were going through something I had just about scraped through. Why do you think I let you get away with the things you say to me? Could it be I like you? It's so shameful of me - I like you. No one I ever knew or have spoken to resembles you. This is good or bad all depending on my general mood.

-Magistrates who spend their lives hiding their mistakes - they look at you and I, and envy makes them cry. Envy makes them cry. Forces of containment. They shove their fat faces into mine. You and I just smile, because we're thinking the same line.

-You're not right in the head, and nor am I, and this is why...you're not right in the head, and nor am I, and this is why...this is why I like you.

-Let Me Kiss You (Jake?/Johnny?) (2000-2002)

-There's a place in the sun for anyone who has the will to chase one. And I think I've found mine...so close your eyes. And think of someone you physically admire, and let me kiss you.

-Say, would you let me cry, on your shoulder. I've heard that you'll will try anything twice. (Note: Moz often sings this as 'you'll try anyone twice')

-But then you open your eyes, and you see someone that you physically despise. But my heart is open. My heart is open to you.

-Friday Mourning (2004)

-For years, I warned you. Through tears, I told you.

-This dawn raid soon put paid to all the things I'd whispered to you at night time. And I will never stand naked in front of you, or if I do, it won't be for a long time. Look once to me, look once to me - then look away. Look once to me, then look away.

-The Never-Played Symphonies (2004)

-I can't see those who tried to love me, or those who felt they understood me. And I can't see those who very patiently put up with me. All I can see are the never-laid, or the never played symphonies.

-You were one, you meant to be one. And you jumped into my face and laughed and kissed me on the cheek. And then were gone forever. Not quite.

-You were one, you knew you were one. And you slid right through my fingers. No, not literally, but metaphorically. And now you're all I see as the light fades.

-I Am Two People (2004)

-I love you. It's murder. I am two people. One you know, but don't like. The other one you don't know, but you don't want to.

-I love you. It's pointless. In my soul if I live or die this life.

-I have two faces. One of which you know. The other one, for your sake, I never would show. It's just because I love you. I cannot bear to be around you, and if only one or the other of us would drop down dead.

-You Have Killed Me (2005)

-Pasolini is me. 'Accattone' you'll be. I entered nothing and nothing entered me 'til you came with the key. And you did your best, but as I live and breathe - you have killed me.

-And there is no point saying this again - there is no point saying this again, but I forgive you, I forgive you. Always I do forgive you.

-Life is a Pigsty (2005)

-And once again I turn to you. Once again, I do. I turn to you.

-Life is a pigsty. And if you don't know this then what do you know? Every second of my life I only live for you. And you can shoot me, and you can throw me off a train. I still maintain...

-I can't reach you. I can't reach you. I can't reach you anymore. Can you please stop time? Can you stop the pain? I feel too cold. And now I feel too warm again. Can you stop this pain? Can you stop this pain? Even now in the final hour of my life I'm falling in love again...again.

-I Just Want to See the Boy Happy (2005)

-I want to see the boy happy with some hope in his pale eyes. Is that too much to ask?

-I want to see the boy happy with his arms around his first love. Is that too much to ask? Before I die I have one final dream. For my own life I don't care anything. And I just want to...I want to see this boy happy. Why is this such a bad thing?

-To Me You Are A Work of Art (Jake?/Johnny?) (2005)

-I see the world. It makes me puke. But then I look at you and know that somewhere there's a someone who can soothe me.

-To me you are a work of art. And I would give you my heart - that's if I had one.

-Black Cloud (2007)

-The one I love is standing near. The one I love is everywhere. I can woo you. I can amuse you, but there is nothing I can do to make you mine. Black cloud, black cloud. The one I love roosts in the mind. Can snap this spell, or increase hell. I can chase you, and I can catch you, but there is nothing I can do to make you mine.

-I play the game of favorites now. I can, I must. I will, I do. I can please you, or I can freeze you out, but there is nothing I can do to make you mine. Black cloud, black cloud, black cloud...I can choke myself to please you, and I can sink much lower than usual. But there's nothing I can do to make you mine.

-Sorry Doesn't Help (2007)

-Sorries pour out of you. All wide-eyed simple smiles. Certain to see you through like a QC full of fake humility. You say: "Oh, please forgive..." You say: "Oh, live and let live..." But sorry doesn't help us, and sorry will not save us, and sorry will not bring my teen years back to me any time soon. Forced back, it springs right out. Seasoned, you have no doubts. You lied about the lies that you told - which is the full extent of what being you is all about.

-Sorry will not bring my love into my arms as far as I know...

-Sorry is just a word you find so easy to say...So you say it anyway. Sorry doesn't help us. Sorry won't protect us. Sorry won't undo all the good gone wrong, my love.

-I'm Ok By Myself (2007)

-Now this might surprise you, but I find I'm ok by myself. And I don't need you, or your morality to save me.

-Now this might disturb you, but I find I'm ok by myself, and I don't need you or your benevolence to make sense.

-After all these years I find I'm ok by myself. And I don't need you, or your homespun philosophy. No, no, no, no...This might make you throw up in your bed: I'm ok by myself! And I don't need you, and I never have, I never have.

-Forgive Someone (2010-2014)

-Use a weapon of words, or a fight with your fists. But can you forgive someone? Stand your ground and persist, and be the last one to blink - but can you forgive someone? And if you do...I'll run to you. Betray you? With a word? I would slit my own throat first of all, I will. The black peat of the hills...when I was still ill. See this mess and forgive someone, and then recall if you can...how all this even began.

-Our truth will die with me. Our truth will die with me...Shorts and supports and faulty shower heads. At track and field we dreamt of our beds. In the bleachers you sit with your legs spread, smiling: "Here's one thing you'll never have." Our truth will die with me.

-Home is a Question Mark (written 2003, released 2017)

-I hug the land but nothing more, because I haven't met you. I've wined and I've dined with every bogus music mogul. No sign of you.

-I have been brave. Deep in every shaven cave. None were you.

-If I ever find home...if I get there, would you meet me? Wrap your legs around my face just to greet me.

-My Love, I'd Do Anything for You (possibly?) (2017)

-My love, I'd do anything for you. Society's hell. You need me just like I need you.

-You know me well. My love, I'd do anything for you.

-We all go our own ways, separately in the same direction, and here am I every night of my life always missing someone. I'd like to be rotted out just before I become aware of the pain. The more I wish in my heart for someone less likely they come.

-Never Again Will I Be A Twin (2017) (Possibly?)

-Never again will I be a twin. The operation went well, but the patient died. Never again will there be a smile to wipe off my face once it's too much. In a twin-like realm, in the plastic arts of falling in love, what a joke that was. What a joke that was.

-Darling, I Hug A Pillow (2020)

-Darling, I hug a pillow in absence of you. Darling, I hug a pillow to replace your face. Loving you is a trauma no one else should face, or sit still for. Why can't you give me some physical love?

-Darling, you will cry for me in the years to come. In the hope of a moment that cannot return...thankfully. Why can't you bring figs all pulpy and moist? Roasted in passion and salty in voice? No longer keeping a secret of your secret place.

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