#Dark Phoenix
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delphinetsthjm · 2 months ago
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Dark Phoenix is my least favourite x-men film, can you tell?
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wwwpoolverinecom · 3 months ago
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Dark Phoenix (2019) ends with Charles and Erik on a coffee date and Erik asking Charles to move in with him. Deadpool & Wolverine (2024) ends with Logan and Wade on a shawarma date and Wade asking Logan to move in with him. Close enough, welcome back Cherik
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venus0fl0v3 · 1 month ago
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I was watching a video about dark Phoenix and my mom walked in during the paris chess scene and asked me if they were gay 💀
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I told her yes well mmmm idk
Then she proceeded to say , look st the way he looks at him, definitely gay
😭
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damn-this-pool · 3 months ago
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💙💛Had fun drawing more Nightcrawler💛💙
Sometimes you just have to make your own content when there’s not much of your fav around
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illyanarasputinfan · 2 months ago
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👻 Happy Halloween! 🎃
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Artist: Seye Sanyaolu
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cloverfiend · 5 months ago
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enter: THE PHEONIX!
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comicedit · 7 months ago
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DARK PHOENIX // JEAN GREY.
art source -> lucas werneck.
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angel8kisses · 3 months ago
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"Professor X, where have you buried all your children?"
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marvelilovebucky · 15 days ago
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Spot the difference🔍… you can’t
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acidkoipond · 5 months ago
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They can be a little evil as a treat
🔥 🔥 🔥
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bobjackets · 6 months ago
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Artist Tran Nguyen.
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kainathan · 8 months ago
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fire and life incarnate
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cassidyconner · 4 months ago
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Deadpool and Wolverine(and the Phoenix?) 1/?
Wolverine x black!reader
(Slight spoilers)
Having a hard time finding Logan, Wade sneaks back into the TVA to get a Jean Grey variant because the Wolverine always got a thing for Jean Grey.
Except this variant unintentionally caused the destruction of several timelines.
“I know you’re probably wondering why the fuck did I come back here?” Deadpool jokes with Mr. Paradox.
She stares at the chatty red suit mercenary and she questions why did he decided to release her from her confinement. Mr Paradox didn’t say anything, merely letting the man speak his ramblings.
“Turns out finding a Wolverine is wee bit harder than I thought, so I remember ‘Hey! What attracts a Wolverine? Jean Grey!’
Mr Paradox raises his eyebrow. “And you decided this variant is the one, Mr Wilson?”
Deadpool looks from Mr Wilson to her for a moment and back to Mr Paradox. “This variant is a beautiful black queen, you racist fuck! Plus she got the red hair. Wolverine loves red hair!”
“This variant has little control of her powers. She is a destroyer of worlds.”
Deadpool throws his hands in the air. “Well duh shit for brains it’s apart of Jean Grey lore. She dies, she comes back, she dies again, she comes back-“
She watches as the TVA agent begins to surround them as Deadpool continues to ramble on.
“Hey I get you like to talk but I think we should-“
“Oops my bad. Here I am going on like a villain monologuing.”
Deadpool opens a portal and pulls her into whatever universe they entered.
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flowersforbucky · 14 days ago
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sucker for you
peter maximoff x reader
word count: 1.2k
i can't stop thinking about how peter would react to reader taking his lollipop from him and putting it in her mouth so here's a little drabble about that
a/n: i should be working on this bucky piece that i started like 3 weeks ago but i just needed to get this out of my system first
warnings/tags: language, use of alcohol (everyone is 21+!!), no use of y/n, peter's pov, and some ✨️tension✨️
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Peter didn't know it was possible to get so flustered over a human being.
He's never exactly considered himself to be a ladies man, but around you? He's hopeless. A lost cause. Every time he's near you, it feels like his first very day ever interacting with another person.
From the way that your smile reaches your eyes whenever he makes you laugh with a stupid joke to the way that you always smell sweeter than the candy that he eats too much of, he's been a goner for you since the day he first met you.
And the worst part? You seem to know exactly how to make him blush.
As per usual on Friday nights, yours and Peter's group of friends is hanging out in the woods behind the mansion. You're all lounging around a bonfire that Scott works to keep going strong, talking amongst yourself in pairs.
"You know, I heard Warren telling Scott that he's planning on asking you to the winter gala," Jean snickers to you.
Peter isn't trying to eavesdrop, really. Jean just has zero volume control when she has any amount of alcohol in her system. He'd be able to hear every word she's saying even if you and her weren't sitting right next to him.
"What?" Jean demands when you offer no response other than some giggles and a shake of your head. "You've already turned two people down. You're kinda running low on options at this point.”
He twists the stem of the cherry flavored lollipop that he's sucking on, trying and failing to focus on whatever it is that Kurt's rambling on about. His body is angled away from yours, but he can feel the vibration of your low laughter from where your shoulder rests against his.
Peter had heard that you've been asked to the gala that Charles throws in the name of the X-Men every year. He couldn't lie, he was relieved when he'd found out that you had shot down the suitors - not that he'd ever have the balls to ask you himself. He had no desire to be added to the list of people that you've rejected to a glorified prom.
“So? I can go alone. Going alone is better than going with anyone who isn't the person that I actually want to go with,” you answer with a shrug of your shoulders.
Peter tenses at your words, his stomach doing a somersault.
“And who would that be?” Jean asks in a teasing voice, almost like she already knows the answer.
Before you can respond, Peter quickly shoots to his feet. Kurt comes to a sudden stop in the middle of a sentence, and both you and Jean turn to look up at him from where you still sit on the old, fallen tree that is being used as a bench.
“Where're you going?” You ask. Peter knows it's probably wishful thinking, but he can't help but think that there's a hint of disappointment in your voice.
“Back to the mansion. I've gotta take a whiz,” he retorts, hoping he sounds casual. Truthfully, he can't stand the thought of having to hear you say some dude's name in response to Jean's question.
“Since when are you above pissing in the woods?” Scott laughs as he piles some more branches onto the bonfire.
Peter shoots him an obscene gesture, about to bolt in the direction of the mansion when he feels your hand wrap around his from beneath him. You begin to get up, and he instinctively helps pull you into a standing position.
“I'll walk back with you,” you tell him as you drop his hand. “I'm going to grab a few more beers.” You smile at him in the orange glow of the fire and he forgets how to speak. He motions as if to say after you and you begin walking in the direction of the mansion.
He's fully aware that he could have the two of you back to the school in a split-second, but despite how nervous he gets around you, he'd never pass up the opportunity to spend a few moments alone with you. Living here, you're both almost always surrounded by other people. If it's not Jean, it's Storm. If it's not Storm, it's Raven or Hank. If it's it's not –
“I just had to get away from that,” you sigh when the two of you are out of earshot from the others. “I love her, but Jean can be kind of relentless,” you add with a small laugh.
“You can say that again,” he agrees, his voice mumbled from the lollipop stuffed between his teeth and his check. “Just the other day she was saying that I should ask someone.”
“Yeah?” You quip, a curious edge to your tone. “And are you going to?”
“Nah,” Peter shrugs, trying to play it cool. “Like you said, it's better to go alone than to go with someone who isn't the person you really like.”
“So what's stopping you from asking her? Is she already going with someone else?”
“No,” he answers, coming to a stop in the middle of the moonlit path the two of you are walking on. “She's not. But she's already turned down basically everyone in the school, so I don't think I stand much of a chance.”
Sometimes Peter starts a sentence without knowing where it’s going, but right now even he's shocked by his words. He's not quite sure where the bravery came from, but he can't exactly take it back now. You're not stupid - he knows you can read between the lines to deduce who he's talking about.
You come to a halt, turning back to look at him. He offers a small, nervous smirk and resists the urge to dash away before you can reply to his confession.
“Three people isn't basically everyone in the school,” you chuckle with one of those grins that could bring Peter to his knees. You take a few slow steps towards him, stopping when your chest is just inches from his. Your gaze flickers from his eyes and down to his mouth before you reach a hand up to his face and pinch the stem of his lollipop between your thumb and index finger, plucking it from his mouth.
His eyes widen in surprise, all but bulging out of his head when you pop what's left of the red lollipop into your own mouth. You swirl it around in your mouth, your plump lips wrapped around the stick.
“But for what it's worth, the whole school could ask me and there's only one person who would get a yes out of me.”
You pull the lollipop from between your lips and hold it back up to Peter's mouth, resting it against his bottom lip until he parts them - to speak or to accept the sucker, he's not sure. But he doesn't do anything to stop you when you guide it back inside his mouth, the flavor of the cherry candy and your saliva infiltrating his senses when it meets his tongue.
“Just in case you were wondering,” you shrug, and turn to continue your walk back to the mansion as if you didn't just make his heart combust in his chest.
He speeds after you, deciding that maybe Jean has a point - maybe he should ask someone after all.
•••••
thanks for reading! this was my first time writing for peter, i'd very much appreciate comments/reblogs 💕
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emmafrostdefender · 3 months ago
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a fine line between god and animal | logan howlett x fem reader
chapter 1 - biting the apple | masterlist | read the prologue first
two new mutants arrive at the mansion.
i am churning this thing out and i have a very specific direction that i'm going to take it. the story does not really follow the canon plot because that would be boringgg. trust me, i know where this bus is heading. i hope you stay along for the ride! figuratively and literally! wink wink
warnings: cursing, religion, religious trauma, fighting, canon typical violence, 5.5k words
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“Before you all leave, I want to give you food for thought. One of the heaviest themes of Frankenstein revolves around the idea of nature versus nurture. Is the creature inherently evil, or was his treatment by society what turned him into a monster?” You pose the question to your students as class comes to a close.
The similarities to your own existence is not lost on you. You hope the metaphor clicks in their minds as it did yours when you first read the classic novel. Charles made it assigned reading when he taught comparative literature at the school. When you were old enough, you took the job. And you were inspired by some of his lessons, of course.
“We will be discussing this theme next week, so those of you that haven’t done your reading…” You don’t finish your sentence, but make a face that communicates all they need to know.
Your students leave the classroom and you slump against your desk. Despite your outside calm, inside your thoughts are racing. 
Scott and Ororo aren’t back yet and you feel as if you could break something. Or a million somethings. 
The reasonable part of you knows that if something bad happened, Charles would know and tell you immediately. But the unreasonable part of you wants to drain your energy source to find them. To sneak your mind around the globe until you pick up on their footsteps crunching the ground or their signature heartbeats sending pulses into the air.
Before you can stop yourself, your feet are carrying you to the door that leads to the underground base of the X-Men. You’re going stir crazy.
Earlier in the day, before classes started, you assisted Jean in refining her powers. She wasn’t able to move a car with her mind, but she managed to start the engine without a key in the ignition. To you, that seemed more impressive. To the professor, it was exactly what he didn’t want. He wanted her to control her powers.
That word again. Control.
His reactions to Jean’s issues made you all the more wary to reveal your own struggles. With the recent revelation of Magneto’s scheme to abduct you, hesitancy bubbled up in your chest at adding anything more to Charles’ metaphorical plate. You would just be a burden.
Exiting the elevator, you enter the completely metal hallway, something of a labyrinth to newcomers. Your shoes echo against the metal and you look from left to right. No one else graces your path as you walk to the training room. There is another one upstairs that the students use when training with Scott, but you personally prefer this one. Far away from onlookers.
Your abilities don’t necessarily lend themselves to you having any physical prowess, but you managed to get trained up quite well in your years at the mansion. “The metaphysical is very much so connected to the physical. The health of your powers could very well depend on the health of your body,” Charles told you long ago. 
With nothing to do but wait, you change into the clothes from your locker and wrap your knuckles with tape. The large room is empty and you approach a punching bag. You begin. 
The rhythm you find is steady and fast. Hit after hit, blow after blow. The bag swings on its chain, bouncing back and forth between your hands. You punch and punch and punch, feeling anger build in your system. In your mind's eye, you see the bloody heart that was stolen from your chest. You see the chains holding you down. You see your mother’s face, staring at you in disgust. You see vines. Thousands of vines, each reaching to wrap themselves around your body, your arms, your legs, your neck. They rip the cross from your necklace, leaving a stinging brand there. You see your father’s lifeless form. 
And you feel your skull starting to split open when a voice says your name.
You nearly scream at the intrusion and your head flies around. “Holy shit, Jean! I could’ve killed you!”
“Yeah, I can see that,” she says with hesitancy. She’s looking at you like you’re a wounded animal about to lash out. Her eyes flit to the punching bag over your shoulder.
You look at it and gape at your handiwork. The bag ripped at the seams and sand spilled from the tears onto the ground. 
“Imagining Scott’s head?” She jokes, but it sounds strained. You hardly hear it.
You still stare at the punching bag, not quite sure what to make of this. You losing control was as infrequent as pigs flying, so…never.
A soft hand touches your shoulder. “Are you okay?” Jean asks so caringly.
You rip your gaze from the bag and look at her. You change your expression from one of near tears to one of slight amusement. “Must’ve gotten a little too enthusiastic.”
She analyzes you quickly, so quick you might’ve missed it if you didn’t know her so well. “I wanted to let you know that the jet is on its way back. They were able to locate the mutants.” You feel something in your chest relax. “Not in record time, though.”
You smirk. “Of course not. They didn’t have me.”
“Can you come help me prep the bay for when they get here?”
You nod. “Just let me change and I’ll meet you there.”
She turns to walk away and you watch her leave. Your gaze drops to your hands, where the tape did nothing to prevent the bruises forming around your knuckles. Looking at the clock hanging above the entrance, you realize two hours have passed. It’s nearly ten o’clock. 
As you enter the locker room, you swear you can still feel burning skin where your cross lays. 
You enter the loading dock of the jet in your regular attire and are greeted by Jean and the professor. They seem to be in deep discussion when you arrive, but snap their heads up the second they sense you coming. You can tell they were talking about you. 
You plaster a smile on your face and say sarcastically, “Looks like they managed to find them without me, after all.”
“They would’ve been here an hour after they left if you were with them, I’m sure,” Jean says with a playful roll of her eyes.
“Obviously.”
You shift your attention to Charles, who has begun using a computer to track the jet’s movements. Jean starts working the switchboard. You ask, “How many mutants did they pick up?”
His gaze does not move from the computer. “Two. A young girl and an older man. They were on separate paths until they met and started traveling together.” 
Your eyebrows furrow. “What made you think to bring them here?”
Charles has always been slightly particular when choosing the people to bring to his school. And even more hesitant to bring fully grown adults. At your question, his eyes shift to yours. “Why did I bring you to this school?”
You blink.
“To offer you protection. To offer you safety from a world that hurt you repeatedly. And to help you understand your abilities and use them for good. Not just to teach you Latin and calculus,” he adds with a smile. 
You nod, but still have a lingering question. “But why--”
He cuts you off, “Why am I bringing an adult man to our mansion as well?” He pauses. “Because he is extremely powerful. That kind of power can either be used toward the greater good, or harnessed for evil.”
By Erik.
“I see,” you say, hand mindlessly playing with your necklace.
Charles returns to the computer and says to you and Jean, “Get ready, they are nearly here.”
You are usually a part of the retrieval missions, making you less used to assisting with arrivals. However, you bring out two stretchers from the medical room and place them neatly by the door after getting a call from the jet. “They were in a rough fight with one of the members of the Brotherhood and the man is out cold. We think he has regenerative abilities so he isn’t badly injured, but the girl was with him when they got into a car accident. She’ll need attention. She’s jarred, but not unresponsive,” Ororo says.
Another of your jobs on the team is designated medic. You have innate knowledge of the human body and medical herbs because of your powers. It was never something you questioned when you were younger. If you scratched your arm or busted your lip open, you would skip into the woods and find something natural to heal yourself. Still, you begged Charles not to assign you to teaching biology. You despised the subject.
The ceiling of the hangar opens to reveal a velvety night sky. You feel the jet before you see it, the push it has on the trees around the mansion tingle your fingertips. The trees' movements stir your power source in your stomach, a warm, buttery feeling. The sleek aircraft lowers gently into the bay, your hair being pushed over your shoulders by the air movement. You feel relief at the sight of your friends returning from the mission; they exit the jet and you smile. Your grin droops at the sight of their expressions.
“We need you to look over these two, stat,” Scott says with urgency. 
You hurriedly bring the stretchers to the jet’s ramp and enter the main compartment with Scott and Ororo. Inside, they point you to a young girl, maybe sixteen years old, with brown hair and a soft face sitting in one of the seats. The two of them work to remove the man who sits slouched over in one of the front seats. The way they grunt, you’d think he weighs a ton.
The girl’s hands are wrapped tightly around the straps keeping her to the chair. When you approach, she jumps and stares at you with terrified eyes. “Hi, honey,” you say calmly. You introduce yourself. “I’m going to be taking care of you, okay? I just need you to undo these straps.”
She shakes her head tightly. “I can’t.”
“You can’t or you won’t?” You ask. 
She thinks between the two options and asks, “Am I safe?”
Your heart breaks. Upset coils in your stomach at the thought of all the people who have hurt this little girl. “Yes. You’re safe here.”
She seems to think this over and makes her decision. Her hands shakily unlatch themselves from the straps and move to unbuckle herself. You reach to help her, but she flinches. “Don’t touch me, please,” she says with desperation.
Your hands retract immediately.
“I just, it’s my…” she struggles with the words. “I hurt people when they touch me.”
You nod in understanding. That must have been a terrifying revelation for her. “That’s okay. We’ll get you all sorted out here. You are okay.”
She seems to relax a bit. You look over your shoulder and see your two friends lugging the man down the ramp and rolling him onto the stretcher. If this were any other scenario, you would laugh at Scott for struggling so much. 
You turn back to the girl and say, “And what’s your name?”
“Marie-- I mean, Rogue.” The way she says it makes you think she is still trying out the name for size.
“It’s very nice to meet you, Rogue.” You look her over and ask, “Are you able to walk or do you need help?”
She has undone the straps and sits a bit more forward in her chair. “I think I can stand.”
Rogue puts weight on her leg as she moves to stand up, but winces at the feeling and immediately sits back down. 
“Can I touch your clothes or is that also a problem?”
“You can. It’s just my skin.”
You sling her arm over your shoulder, careful not to touch any exposed skin, and help her out of the chair. “Just put your weight on me, hon’.”
She does as you say and leans against you completely. When you have exited the jet, you help her sit on the stretcher. The others have left, presumably to attend to the man. Charles is the only one left and he moves his wheelchair over to greet the young girl. “What is this place?” she asks after his introduction.
“It’s a place for people like you. And me. And her.” He points to you and you feel yourself smile. “It’s somewhere safe.”
Your gloved hand moves carefully over Rogue’s legs, feeling for any fractured bones or torn skin invisible to the eye.
She’s been relatively quiet for the duration of her examination, but she asks, “So, what can you do?”
You look up at her and grin. “I can do a lot of things.” You stand and walk to the shelves of potted plants on the wall to your right. You hold up one of the more pathetic looking plants and say, “See how this one is all wilted?”
Rogue nods. 
You pull your glove off with your teeth. “Watch this.”
Once your hand rests delicately against the plant’s stem, its wilting flowers perk up. A lush green color returns to its body, becoming perfectly healthy again. You look over at her and her mouth is gaping at the sight. “But why do you keep all the plants here if they’ll die without you?”
You put the plant back in its place and slip your glove back on. As you make your way back to the examination table, you say, “That’s exactly why. The professor used it as a tool to help me understand my importance here. To help me distinguish between the big parts of my powers and the smaller, more delicate parts.” You shrug as you grab some medical tape meant to alleviate and correct sprains. “I also like having company when I’m down here.”
“Company?” she asks when you kneel before her again to start wrapping her ankle.
“They talk to me,” you say, slightly mischievously.
Her mouth gapes again. “So, that’s your mutation? Talking to plants?”
“It’s a lot deeper than that. The Earth and I are like two sides of the same coin. Through our connection, I can track people if they are grounded. I can grow and heal things, but also kill them. I can create beauty, but also take it away. And I’m recently starting to realize I’m much more connected to humans than I thought.”
She considers this as you finish wrapping her ankle. 
You laugh a little. “Most of those are Professor X’s words, not mine.”
Charles arrives after a few minutes of comfortable silence, asking Rogue to come with him. You give her a small smile and tell her, “Make sure to drink those herbs with water once every day. It’ll help the pain.”
She gives you a tentative smile back. 
Before she leaves, you squeeze her gloved hand. “You’re gonna do great.”
Once the two of them are gone, you decide it's time to check on Jean and the man. She took him to the laboratory where digital scans of mutants’ brains and bodies could be completed. You walk down the hall and enter the door to the left, seeing Jean in her white lab coat. She is analyzing what looks to be brain waves on the monitor in front of her. “Oh, good,” she says when she turns to see you. “I wanted you to take a look at him. See if there’s anything I’m missing.”
You approach the table where he lays and take your first real look at him.
He is shirtless to allow the nodes and wires access to his chest. You scan over his body, seeing no obvious outer injuries. His face is calm in his induced state of comatose, but etched with what seems like a permanent line between his eyebrows. You have the urge to smooth it with your thumb.
“His name is Logan Howlett. He has extremely impressive regenerative abilities.”
Your eyes continue to study the ridges of his face. “Is that his mutation?” The thought of Charles saying he is a very powerful mutant crosses your mind. 
“That’s part of it. Once he wakes up, we'll give him a chance to tell us more. And then we’ll do a full body scan; Charles thinks there’s something else to him. He’s not wrong. Logan’s brain activity is far different from anyone I’ve ever seen,” she says in slight awe.
You continue to gaze at him. There is something else to him. Something you can’t quite place.
“Could you check his vitals for me? I didn’t notice anything strange, but I want to be sure,” Jean asks.
Hesitancy fills your body. For some reason, you don’t want to touch him. Some sort of dread pits in your stomach. Something will happen. 
Despite your body’s strange resistance, you nod curtly. You approach the table and lean over him. His scent fills your nose. It’s woodsy and smokey, all mixed with something metal that twinges your nostrils. You close your eyes and inhale, pressing your hand to his chest. In a second, you’ve been pulled to him, a vice grip around your wrist. Jean yells and starts pulling at your shoulders. Your body goes alive and you twist your arm around and headbutt him, causing him to loosen his grip on you. However, the moment your skull collides with his, you nearly pass out from the impact. It feels like he’s made of metal. 
“Oh, my God,” you groan, collapsing to the floor. Your head is throbbing.
Before you or Jean can react, he’s jumped off the table. It looks like he’s grabbed six knives and placed them between his fingers. “Where the hell am I?” he shouts.
Jean holds up her hands, but you’re still recovering on the floor, holding your forehead in your hands. Jesus, fuck. You hope He will excuse your language.
“You’re at Xavier’s School for Mutants in New York. We aren’t going to hurt you,” Jean says calmly. “Well, not anymore.” Her eyes flick down to you and you make a face.
“It wasn’t my fault he fucking attacked me,” you say with narrowed eyes. You glance at him, annoyance replacing the pain that had swept across your forehead. “What’s with the claws?” you ask, now realizing that what you thought were knives were actually thin metal spikes protruding from between his knuckles.
He stares at you, chest heaving. Then back at Jean. Fury clouds his eyesight, but you know there’s fear in there, too. 
“Look, we’re not going to hurt you. You’re safe here,” Jean says again. “I just need you to calm down and we can talk.”
The throbbing has eased and you make your way to stand. 
Something like a sarcastic grin falls on his lips. “Oh, sure, we can talk.” 
You position yourself, readying for a fight. “Get Scott,” you say to Jean quietly. 
“You sure?” she whispers back.
“Yeah, I’ve got this.”
She looks between the two of you for a moment, then runs out of the room. You hear her shoes echo in the hallway. 
“You really want to do this, bub?” he asks in a voice so quiet, you nearly miss it.
You watch him carefully. You know that you’ll never beat him, but you can keep him occupied until reinforcements arrive. “Do you really want to do this?” you respond with a grin.
Something lights in his eyes, something thrilling that makes your heart pound. He pounces, jumping over the table, his claws aiming for your throat. You dodge the attack, rolling to the side. You are back on your feet in an instant, crouching low to the ground. “Got anything else in you, big boy?” you tease, grin spreading wider at his fuming expression.
He yells, running at you with a speed you wouldn’t think him capable of. He shoves you to the ground with retracted claws and you grunt at the impact, but kick his legs out from under him, causing him to fall to the floor as you crawl away. He yanks your leg, making you stumble once more. You kick with all your might, but he won’t let go. Thinking you might be the stupidest person alive, you let him drag you so you’re pinned beneath him. “Sexy,” you say with a wink.
You can feel his steady heartbeat this close. "You're annoying," he hisses. You see his eyes drop to the cross around your neck and take that as your opportunity to kick him in the groin. He grunts and his hold around you weakens. You shove him off of you and stand to make a move for the door. You don’t think he’ll kill you, but you don’t want to take that chance.
Before you reach the door, an arm wraps around your waist and pulls you harshly against a solid body. You hadn’t noticed before, but he’s tall. Very tall. “Where do you think you’re going?” he whispers in your ear.
It sends a thrill down your spine.
“Are you always this friendly?” you whisper back, hand coming up to touch his arm. Your fingers hardly wrap around his forearm.
In the blink of an eye, he has detached himself from you, falling to the floor. Your fingers tingle from the use of your power, slowing his heart rate enough that he would go unconscious, but not enough to kill him. With his regenerative abilities, though, you assume he’ll be back on his feet in about five minutes. You hardly ever use that ability, finding it invasive. With this man, however, you think your actions are justified.
You nudge his leg with your foot when Jean and Scott come running in. “Holy shit, you took him out yourself?” Scott asks incredulously. 
“I just slowed his heart rate so that he wouldn’t break all the bones in my body. I appreciate your faith in me, though, Scott,” you say, wiping your brow.
He approaches the man on the floor, coming to stand beside you. “Are you alright?”
“Yeah, I’m fine. He nearly broke my skull, though.”
Scott raises a brow. 
“How are we going to get him adjusted if he won’t speak to us without starting a fight?” Jean asks as she starts to fix the state of the room.
“I think our best bet is to leave him alone,” you say.
Scott looks at you. His visor blocks his eyes, but you can tell they are looking at you as if you are crazy. “Leave him alone? He’ll wreak havoc trying to find a way out.”
You shrug. “I think there’s someone who might be able to convince him to stay.”
“Better than getting a face full of claws,” Jean says, glancing at his limp body.
Exhaustion washes over you when you take the elevator back upstairs. It’s three in the morning and the events of the day are finally hitting you square in the chest.
You slump against the metal railing of the elevator, relishing in the silence. Jean and Scott stayed with Logan to put him in a state of deep sleep so that he wouldn’t go stalking around the mansion at night. You could imagine how some poor child would react to running into such a large and imposing man in the middle of the night. It would be terrifying.
You run your fingers through your hair and pinch the bridge of your nose. His smell lingers around you, crowding your space. 
What a prick.
Fighting you like that when all you wanted to do was help him? What was he going to do? Kill you?
A part of you wants to believe that he wouldn’t do that, but another part of you understands that he would’ve done anything to get out of here.
Logan.
You test the name out on your tongue. You wonder if he has another name, too. Something all of his enemies know by heart.
Deciding that that was enough thinking for the night, you shut your brain off and exit the elevator. You make your way to your bedroom and collapse on your bed, sleep hitting you like a bus.
You wake, body aching and head throbbing. Although you managed to escape the fight with no outer wounds, your body protests as you remove yourself from your bed. Thank God it’s Saturday.
Thankfully, your mind allowed you a break from the night terrors that plagued you so frequently, instead replacing them with dreams of walking through a forest. As you walked farther into the dank, the trees began to die, but you woke before anything else could happen. 
You get ready for the day and make your way downstairs. In the kitchen, you see Ororo sitting at the counter with a mug of coffee in her hands. Before you can voice your question, she says, “There’s some in the pot.”
You grin and pour the coffee into your bright pink mug along with the creamer that sits by the pot. Scott calls the shade an affront to the color pink. “So…” you start.
“He isn’t awake yet. Charles thinks he’ll be up in an hour or so.”
Relief slumps your shoulders and you take a seat across from her, moving the coffee around in your mug before you take a sip. “He is crazy strong, Ororo,” you scoff. “It felt like his skeleton was made of metal. And his claws…” You shake your head.
“Charles thinks he’ll be useful to us.”
“I know. I just hope he calms down a bit.” 
Ororo gives you a sheepish smile. “You have to admit, he is handsome, though.”
You laugh. “That’s the impression he gave you?”
She shrugs. “I might have a different one if I had to fight him.”
You contemplate her statement. You suppose he was handsome, but it didn’t startle you when you first saw him. It was the kind of beauty that creeps up and you don’t realize it until you’ve been staring at them for too long. He was rugged, yes, but there was something enticing about his looks. A boyish quality. You remember the smirk that donned his face when he challenged you to a fight.
You shake your head. “Yeah, he definitely made an interesting impression.”
The two of you leave the kitchen once some of the older students begin filing in, many making their own breakfasts instead of eating the provided meal with the other students in the dining room. “Are we training today?” you ask as the two of you walk down the main hall.
“I think Charles wants us to wait until he’s spoken with Logan. Wants us to meet him properly.”
You roll your eyes. ‘Meet him properly.’ Tackling someone to the ground isn’t a proper greeting?
“Be nice,” you hear someone say behind you. Jean falls into stride with the two of you. 
“Jean! Don’t read my thoughts,” you say, pushing her lightly.
“But you think so loudly,” she complains.
The three of you make your way outside, deciding to steer clear of the mansion until Logan has had his conversation with Charles. “I really don’t want to run into him again. It would not be conducive to a healthy future relationship,” you mutter.
“He is kind of volatile, isn’t he?” Jean asks rhetorically. “I mean, he attacked with no real provocation.”
“Waking up in a room you’ve never been in with two strangers isn’t provoking enough?” Ororo asks, taking a seat at one of the lawn tables. You join her, leaning back in your chair.
Being in nature calms your nerves, but also sets them alight. Your senses come to life again and you hear the running water of the fountain, the wind whistling through the trees, and the small animals stepping in the grass. As Jean and Ororo continue their conversation, you close your eyes and lean your head back and allow yourself to connect. It is only the second day after the full moon, which means your sensitivity to everything around you is still high. You pull at the energy from the ground, letting it throb through your body. You feel the aching in your body disappear, feel your muscles rejuvenated, feel the blood pumping through your veins.
You hear the humming of a man’s voice, scratchy and slightly off-key. It’s a voice you haven’t heard in years. He’s humming something that only graces your ears in dreams. It scratches your scalp and kisses your forehead. Dad.
You steady your breathing, trying to latch onto his voice. You’ve never experienced this in the daytime; it usually only happens when you’re asleep or in a deep meditative state. The words of your friends fade away.
In your mind’s eye, you stand from the table and follow the humming into the woods. You stumble over fallen branches, but your unusual miscoordination doesn’t prick the logical part of your brain. All you can think of is your father. His voice roaming through the trees, taking you deeper into the woods. And suddenly, you are somewhere else.
The church. 
His voice is gone.
“No,” you whimper, turning into a young girl again. 
You feel the shackles of the past lock around your wrists, forcing you to your knees. A screech escapes your throat at a forcible yank of your hair backwards. You look up to see your mother staring down at you. Her eyes are pitch black. “Your father rejects you. Even in death, he will not visit your wretched soul,” she says with a sneer, pulling your hair farther back. It feels as if she is trying to rip it from your skull.
“He never rejected me,” you spit.
“Are you so sure?”
You open your eyes with a deep inhale. It wasn’t real. You remind yourself.
Jean and Ororo stare at you, waiting for your response to something. You subtly shake your head of the images conjured by your mind and ask, “Sorry, what were we talking about?”
You hope they assume your exhaustion from last night got the better of you and you simply dozed off for a moment. “Logan is ready to meet us,” Jean says, her eyes a reflection of worry. Not toward meeting Logan, to your dismay.
“Oh, great.”
Despite a desire to remain calm, your heart thunders in your chest. You worry your cross between your fingers. You have no idea what to expect from him; you fully believe he will pounce at you again. 
Ororo holds your hand as the three of you enter Charles’ study. Scott sits on the armrest of one of the chairs in the room, arms folded over his chest. Charles is behind his desk and sitting ever so casually on the edge of the desk, is Logan.
He wears a gray X-Men sweatshirt and the jeans he had on when he arrived at the mansion. His eyes fall to yours immediately, recognition filling his gaze. You break eye contact dismissively, going to sit on the other armrest of the chair Scott sits on. You keep your eyes strictly on Charles, but you feel Logan’s on you. Your heart doesn’t steady.
“Everyone, this is Logan Howlett. The Wolverine,” Charles says, gesturing to the man sitting on his desk.
Scott huffs a laugh. “Wolverine? Like the animal?”
You nudge him in the side. “As if Cyclops is any better.”
Charles clears his throat. “Please.”
“We are the X-Men, some of which you have already met.” Charles gives you a pointed look. You throw your hands up in defense. “I promise you not all of your introductions will be so…violent.”
Scott snickers. 
“Shut the hell up,” you hiss. Your eyes flick to Logan’s. He watches the interaction between you two carefully.
Charles goes around the room, introducing each of your friends to the stranger. When he gets to you, Logan’s stare bears into you heavier than it had before. It intimidates you, but doesn’t scare you. Charles tells him your name, following with, “Others know her as Proserpina, the Roman goddess of spring.”
You don’t expect him to say anything, but his voice fills your ears for the first time since last night. “The goddess of spring is who knocked me out cold last night?”
“It’s not just nature I can manipulate,” you say tersely. “Bub.”
His eyes narrow as his lips turn up in a smirk.
Charles finishes the introductions and tells the team that training will commence in thirty minutes. The second his spiel is over, you stand. Deciding to jump into the fire, you approach Logan. “Sorry about last night,” he says.
It takes you by surprise. You expected more of a fight from him.
“Uh, it’s okay,” you say, shaking your head slightly. “You gave me some much needed practice.”
You sense your friends watching your interaction from afar. Although they are conversing casually, you feel their eyes on you.
“Yeah, you seemed a little rusty, Pro.”
You narrow your eyes. “And you seemed a little overzealous, Wolverine.”
He grunts. “If that’s overzealous, then I worry for your boyfriend.” He points to Scott on the word boyfriend.
“Scott?” You laugh. “Now, that’s a good joke. You’re funny.”
A look of confusion crosses his face and you leave him like that, feeling content with how the conversation ended. Screw a healthy relationship.
━━━━━━━━━━☆━━━━━━━━━━━
i had to get this out of my brain or i was going to go crazy. i hope you enjoyed! im excited to keep writing them :)
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xxplastic-cubexx · 1 month ago
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was talking to my brother the other day after i rewatched dark phoenix and he was like 'why is everyone so mean to charles in this movie?? were they always this mean to him ?? is it cause he's bald now- he lost his pretty privilege??' and i fear i havent recovered
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