#Dario Grandinetti

[howardhawkshollywoodannex]

Dario Grandinetti as Marco Zuluaga in Talk to Her (2002). Dario was born in Rosario, Argentina, and has 101 acting credits from a 1980 Argentinian tv episode to eight episodes of a 2023 Spanish tv series. It looks like all his credits are in Spanish.

[thomas-querqy]

Hierro, série policière en 14 épisodes réalisée par Jorge Coira, écrite par Pepe Coira, avec Candela Peña, Dario Grandinetti... (2019-2021) 😍

Disponible jusqu'au 30/04/2025

[byneddiedingo]

Wild Tales (Damián Szifron, 2014)

Screenplay: Julian Loyola, Damián Szifron, Germán Servidio. Cinematography: Javier Julia. Production design: José Massolo, María Clara Notari. Film editing: Pablo Barbieri Carerra, Damián Szifron. Music: Gustavo Santaolalla.

Cast: "Pasternak" -- Maria Marull, Dario Grandinetti, Mónica Villa. "Las ratas" -- Julieta Zylberberg, César Bordón, Rita Cortese. "El más fuerte" -- Leonardo Sbaraglia, Walter Donado. "Bombita" -- Ricardo Darín, Nancy Dupláa. "La propuesta" -- Oscar Martinez, Maria Onetto, Osmar Nuñez, Diego Velázquez. "Hasta que la muerte nos separe" -- Érica Rivas, Diego Gentile

We don't see the "anthology film" of the type represented by Wild Tales much any more, except in movies like Pulp Fiction (Quentin Tarantino, 1994) that take a group of somewhat interrelated stories and intercut them with one another. Damián Szifron's movie is unabashedly a group of six short films that bear no essential relation to one another, except that they all deal with people at the breaking point and they all produce a macabre laughter. The movie was Argentina's entry in the best foreign language film category for the 2014 Oscars. (It lost to Pawel Pawlikowski's Ida.) Wild Tales takes off even before the credits with the mood-setting "Pasternak," in which a group of passengers on a plane all discover that, though they are strangers to one another, they are all in some unfortunate way acquainted with the plane's pilot who has ingeniously managed to get them on board together. (The pilot's murderous and suicidal intent is such an eerie foreshadowing of the May 2015 crash of Germanwings Flight 9525 that some theaters showing the film posted a warning.) My favorite  of the episodes is "El más fuerte" ("The Strongest"), in which a road-rage incident snowballs to a deadly and hilarious conclusion reminiscent of a Warner Bros. cartoon in which Bugs Bunny and Daffy Duck try to annihilate each other. My least favorite is probably the concluding one, "Hasta que la muerte nos separe" ("Until Death Us Do Part"), which depicts a wedding reception gone splendidly awry. It goes on too long, I think, but like all of the episodes it scores some satiric hits on its target, the wedding business. Other targets include the urban bureaucracy (everyone who has ever grumbled at the DMV will appreciate this one), the legal establishment, and the media's headlong rush to judgment.  

[tallysdhericky]

Sinopse: "O filme reúne seis histórias de vingança vividas por personagens que são confrontados com situações que os deixam à beira de perder o controle." Dirigido por Damian Szifron Escrito por Damian Szifron Produzido por Agustín Almodóvar, Pedro Almodóvar, Esther García, Matías Mosteirin, Felipe Photiades, Gerardo Rozín, Hugo Sigman Estrelando: Ricardo Darin Oscar Martinez Leonardo Sbaraglia Érica Rivas Rita Cortese Julieta Zylberberg Dario Grandinetti Gênero: Comédia / Drama Países: Argentina / Espanha Linguagem: Espanhol 🎥 Companhias Produtoras: Kramer & Sigman Films / El Deseo / Telefe Productions / Corner Contenidos 🎬 Distribuído por Warner Bros. Pictures 🎞 Tempo de execução do Filme: 2h 2m 📅 Data de lançamento: 23 de outubro de 2014 (Brasil) ⚠️ Classificação Indicativa: 🚫 14 Anos 🚫 Avaliação:R (Linguagem|Breve Sexualidade|Violência) 🟡IMDb: 8,1 / 10 🧑🏻‍💻Eu: ⭐️⭐️⭐️ ( 3/5 | 7 ) 🍅Rotten Tomatoes: 94% de Aprovação 🍅 CONSENSO CRÍTICO: "Perversamente hilário e deliciosamente perturbado, Wild Tales é uma sátira subversiva que funciona como um filme de antologia uniformemente divertido." #wildtales #relatosselvagens #relatosselvajes #warnerbros #warnerbrospictures #espanha🇪🇸 #argentina #espanhol #Drama #comida #recomendaciones #recomendado #damianszifron (em Brazil) https://www.instagram.com/p/CoosIzTOUyD/?igshid=NGJjMDIxMWI=

[momentsofmovies]

Julieta - Pedro Almodóvar 2016

[almeriamovies]

“Talk to Her” AKA Hable con ella by Pedro Almodóvar (2002) Darío Grandinetti in Playa de Mónsul, Cabo de Gata

[margueriteduras]

Bodas de Papel (2008) dir. André Sturm

[letterboxd-loggd]

Julieta (2016) Pedro Almodóvar

June 2nd 2020

[peter-ash]

[facepalminmovies]

Hable con ella (Pedro Almodóvar, 2002) 

[notesonfilm1]

Talk to Her/ Habla con ella (Pedro Almodóvar, Sapin, 2002)

Talk to Her/ Habla con ella (Pedro Almodóvar, Sapin, 2002)

Originally published in: Arroyo, Jose.Sight and Sound; London Vol. 12, Iss. 9,  (Sep 2002): 76,78,3.

[howardhawkshollywoodannex]

Talk to Her (2002) was written and directed by Pedro Almodovar. This is Pedro's second honorable mention, after All About My Mother.

[pacingmusings]

Seen in 2019:

Rojo (Benjamin Naishtat), 2018

[byneddiedingo]

Javier Cámara, Leonor Watling, Rosario Flores, and Dario Grandinetti in Talk to Her (Pedro Almodóvar, 2002)

Cast: Javier Cámara, Darío Grandinetti, Leonor Watling, Rosario Flores, Mariola Fuentes, Geraldine Chaplin, Pina Bausch, Malou Airaudo, Caetano Veloso, Roberto Álvarez. Screenplay: Pedro Almodóvar. Cinematography: Javier Aguirresarobe. Production design: Antxón Gómez. Film editing: José Salcedo. Music: Alberto Iglesias.

Pedro Almodóvar won a well-deserved Oscar for his screenplay -- an award that's rarely given to someone writing in a language other than English -- and was nominated for best director for Talk to Her. It's an extraordinarily challenging film -- even for Almodóvar, who loves to challenge filmgoers -- that works on several levels. First, it's an absorbing narrative about the boundaries between life and death: The protagonists, Benigno Martín (Javier Cámara) and Marco Zuluaga (Darío Grandinetti), are both in love with women who are in comas, unresponsive but undeniably still present, trapped between life and death. Second, it's a film about the boundaries between the sexes. At least two of the characters have jobs that are traditionally held by members of the opposite sex: Benigno is a nurse, and Lydia González  (Rosario Flores) is a bullfighter, and each has encountered the stereotyping that labels them as anomalous. Benigno is easily stereotyped as gay: He studied nursing, cosmetology, and hairdressing so he could take care of his mother, with whom he lived until her death. And he is trusted with the intimate care of the beautiful, comatose Alicia (Leonor Watling) because he is thought to have no sexual interest in her. But even Marco has "feminine" characteristics: He cries easily, for one thing. In the first scene of the film, he is seen sitting next to Benigno at a performance of Pina Bausch's Tanztheater piece, Café Müller, with tears rolling down his face. Benigno, who doesn't yet know Marco, is moved but dry-eyed, and he recalls Marco's  tears later when he tells his fellow employees about the performance. Benigno and Marco finally meet after Lydia is gored by a bull and left in a coma. She is hospitalized just down the hall from Alicia, and Benigno advises Marco to talk to Lydia -- advice he scorns because he's been told that she's brain-dead. Benigno, on the other hand, believes that Alicia listens to him and even mysteriously consoles him: He knows from an encounter with her before the accident that left her comatose that she was a dancer who loved traveling and silent movies, so he tells her about dance performances he attends, reads to her from travel guides, and describes the movies he sees. One of the movies is called The Shrinking Lover, and Almodóvar creates it for us: A female scientist (another gender-role switch) creates a potion that causes her lover to shrink, and in a final, Buñuelesque scene, we see the tiny lover's body disappear into her enormous vagina. Shortly thereafter, Alicia is found to be pregnant, and although it's never confirmed that Benigno raped her, he is sent to prison. The extraordinary thing about Talk to Her is that Almodóvar manages to keep all of the elements of his film in a delicate balance, so that even the absurd and surreal moments maintain plausibility, and the bittersweet ending feels integral to what has gone before. The tone of the film is lightly melancholy where it might have been crude and sensational, and it's maintained by a lovely score by Alberto Iglesias and a beautiful sequence in which Caetano Veloso sings "Cucurrucucú Paloma," about a man weeping for his lost lover, as a tearful Marco recalls his love for Lydia. The excellent performers also include Geraldine Chaplin as Alicia's dance teacher.

[lekandchap]

Serie Hierro - Movistar +

[lifeisacinemahall]

‘Rojo’ review: a frightening look at the societal reaction to dictatorship

‘Rojo’ review: a frightening look at the societal reaction to dictatorship

There’s a reason why in a layered structure of any kind, the mid-section is the weightiest. Be it the myocardium of the human heart, the mantle inside the earth’s surface, or the middle class in societies, this thick layer forms the core of functions, paying its debt in the overall scheme of functioning. Minus the middle layer, any structure faces imminent collapse because it’s a designed…