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darkestwolfx · 5 years ago

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Bolt from the Blue - Re-Review #42

“Isn’t that something else?”

Yes, because when has a giant, blue laser in the sky transmitting solar energy down to Earth ever been a good idea in the world of Thunderbirds Are Go? Oh no, nobody panic, this is a completely innocent piece of machinery.

Look at Parker getting all technical.

“Mr Kinnear!”

This poor man just can’t catch a break can he? He finally came to his senses and left behind the waste of space that is Fischler - honestly I wouldn’t have stayed working for that man as long as this guy did - only to end up with what seems like his sister?

And after all this, he ends up saying;

“This still beats working at Fischler Industries!”

That, can only tell us what an absolutely terrible employer Fischler was. Considering we don’t see him again I’m wondering if the GDF finally did something about him...

“Don’t you worry your pretty little head about that. We have some... safety overrides to make sure nothing could possibly go wrong.”

And you were saying? Honestly, this show has jinxes everywhere.

Did Miss Edmunds remind anyone else of another familiar face that makes your skin crawl? I’ll leave you a hint.

So, I love this episode. It might partially be because there’s a panda in it - and yes, I work with pandas - but there are other reasons too and I’m sure we’ll get to them.

Firstly let us address the plane struck by ‘lightning’.

“The plane’s gilding but losing altitude. There are four in need of evacuation. Two pilots, one child.”

“That’s only three. Who’s the fourth?”

“Brains, you want to tell them?”

“It’s transporting a rare giant panda in the cargo bay.”

“Ok, four to save, one’s a panda.”

Scott - honestly the way he says that line gets me every time!

“Gordon can go with Virgil and help with the evacuation.”

“Yes! I’ve always wanted to see a giant panda up close!”

“That’s not likely to happen.”

“You’re crushing my dreams, Brains!”

“But it’s in a sealed, environmentally controlled container-”

“La la la la la - I can’t hear you!”

Honestly, weren’t Gordon and EOS made for each other? They could encourage each other to be like children forever.

And so now we’ve got to another of those reasons I mentioned - it’s Gordon’s facial expressions (throughout the whole episode). So, this is officially the world’s most disappointed face.

“They appear to be highly charged plasma bolts.”

Hoorah for that... Just what we need. Well, we’ve never had a rescue like it, that’s for sure.

“Can’t you see I’m in the middle of a pre-sentation?”

“Perhaps you should see what he wants.”

“Oh I’m sure it can wait. The safety commission will shut us down without your approval. So I want to make sure you approve.”

Yeah... definitely a relation to Fischler.

Brains, John already got what they were without you.

"A solar collector.”

Shall we send Thunderbird Three to investigate?”

“We may not have to. Lady Penelope’s already on board.”

“John, to what do I owe the pleasure?”

Not sure it’s a pleasure to nearly be torn apart by plasma bolts, but hey.

“Hang on Captain, we’ll get you out of there.”

I think this is a speak too soon moment.

“We’re about to go critical.”

“Does that mean ka-bloom then?”

“ka-bloom”, I love that, it’s very Parker.

“Surely you have a way to reset something like this?”

“I’m a sales director, not an engineer! Did I mention we have three delightful colours to chose from?”

No you didn’t until now, and please don’t mention it again. I think the colour of the episode is set at blue anyway.

This episode really does get off to a dramatic run.

“Thunderbird One’s been hit!”

“Same here! We’re all going down!”

“No one panic! That bolt must have overloaded our circuit breakers. We’ll try rebooting.”

I love how Scott is completely in control here. I mean, it’s believable considering that TOS always made him out to be a honoured pilot. We saw him save Anderbad City with some pretty good flying to in ‘Fight or Flight’. Also, as the eldest we would expect him to have more experience and considering he’s taking over as leader from their dad, you would have expected him to have a pretty level head. This is a complete change however to his reactions in ‘Up from the Depths’ and a little in ‘Heavy Metal’ where he was reliant on others to help him fix his own ship and flight pattern. Either we’re meant to see that he learnt from these events, or that these are anomalies in the writing process.

“Gordon, flip the switch.”

“No problem, just like when your hairdryer blows a fuse at Tracy Island.”

“What? What do you mean my hairdryer!”

Another nice little TOS reference here - in ‘Operation Crash Dive’, Gordon saves Fireflash by treating it like fixing a fuse before he later fixes the TV on Tracy Island, claiming the same.

“Gordon has flight control. Try to keep us in the air!”

“Relax, if more plasma bolts hit, I’ll use your hairdryer trick again.”

“One time. One time that happened!”

Admittance is still admittance, Virgil. I love how Gordon can get things out of people by just being persistently annoying.

Just taking some air, ey, Virgil? Big brother to the rescue. I sense Scott likes doing that.

“Scott... little help!”

“I’m jetting down now. Try not to move.”

“Ready, step!”

“Got it! Thanks for the boost.”

“Any time.”

In fairness, I think this scene is a little piece of genius and it’s another scene that contributes towards my love of this episode. So, here come the reasons;

1. I think it would take an awful lot for Virgil to ask for help, even from his brothers. Even in ‘Skyhook’ and ‘Earthbreaker’ when Thunderbird Two was going down, he didn’t ask for help. He accepted it yes, but he didn’t actually ask for anyone to come and save him.

2. So, accidentally, Virgil ended up in danger of either falling into the ocean, or worse, being hit my a plasma beam. As a result of that, Scott’s comes to his rescue. Now this, puts Scott in danger too, because if either of them took a direct hit there would be bad things. But this isn’t even thought about or discussed, which totally fits in character (especially for these two). The level of reaction here is what matters, and the danger they throw themselves into for each other will be thought about later.

3. The worry and relief. You can tell they have shared worries about this and the dialogue projects this so, so well. In those five lines is everything we need to know about their emotional states.

4. It’s not often these boys have to rescue each other, but when they do (like with Alan&John in ‘EOS’, the instant response seems to be to cover up the fear; “Thanks Alan, I was really sweating there at the end.” “I noticed.” And this dialogue is doing the same thing. The clock is ticking, the situation is precarious and yet what we get is the use of simple words as part of a conversation meaning something completely different. The power of words is transformative, and whenever they can be used with double meanings, they carry so much more strength. People in real life often never say things as they mean. It’s like with death - we don’t often use the word in conversation, we’ll refer to it as something else, and this is exactly what the Tracy boys do - they face danger head on, and they skirt around the less nice possibilities, whilst knowing what they are potentially confronting the whole time, just without saying it. Because we all know once things are said, they are hard to take back.

5. Childlike brotherhood. The nature of this scenes very much takes me back to imagining a younger Scott and Virgil helping each other out with the simplest of things like learning to ride a bike. There’s a very clear, well-built, brotherly relationship shown in this scene, and that comes across so well, in the dialogue that could refer to nearly any other situation, than hanging for your life from a doomed plane only miles above the ocean with plasma bolts trying to hit you.

So, who was the mastermind behind this excellent scene? Elly Brewer is mainly known for writing episodes for the Tracy Beaker series’, which is a completely different kettle of fish to something like Thunderbirds Are Go. She wrote ‘Lost Kingdom’ which was another fantastic episode, and this is (unfortunately) the only other script she wrote for this series. I think this is an absolute shame as her handle on the brother’s was perfect, and her use of dialogue was perfectly balanced out to disguise/contain other feelings whilst commenting on the action. A someone who also has ambitions to be a writer, she is a real example of how to write character interaction. I believed every inch of this script - not only for this scene, but for every scene and every character - and okay, the acting brought it to life, but a good script often allows for good acting, so they come as a pair most of the time.

I’ve already mentioned above my feelings regarding Scott in this episode (who is portrayed again, as a really strong pilot, just like how Dan Berlinka wrote him in ‘Fight or Flight’.) I’m not trying to slate or show anyone up here, but I feel like compared to Ben Townsend, Brewer and Berlinka had a much better handle on the character of Scott Tracy. Don’t mistake me here, Townsend has written some amazing scripts for Thunderbirds Are Go - ‘Heavy Metal’, ‘Up from the Depths’, ‘Brains Vs. Brawn’ (and more I won’t list them all) - but interestingly two of the above I’ve mentioned, are also the two episodes where I felt the discrepancies with Scott’s skills as a pilot creeping in. I love both episodes for their content and some perfect moments, but it definitely feels like Townsend is uncomfortable or at conflict writing for Scott (in places, because he did give us some amazing moments like Scott&Ned, but I think there are definitely points where I question his decisions, especially against strong episodes like this and ‘Fight or Flight’ which put Scott very much in the driving seat). ‘Inferno’ -which I think is one of the best scripts written for this series, with it’s realism and excellent interactions - is also one of Townsend’s works for this series and (apart from maybe ��Up from the Depths’) is what I consider to be his best work. It is interesting that Scott does not appear here though.

Remember that this is all only my opinion, and as always, I’m more than happy for you to disagree with me. That’s the whole point of discussions, and please feel free to discuss it (I will reply, although it might be at some point later in the week). Dropping it to my ask box may be easier than in the comments if you do with to have a full length discussion.

“Virgil, we’re almost at the water!”

“Release the plane and pull out. Repeat, pull out!”

Some of that quick thinking made towards an awesome rescue. I mean, the plane went down, but really who cares about that? There was nothing in it, and a plane can be rebuilt.

“Sorry Brains.”

“For what?”

“It’s time for you to go.”

Lady Penelope has way better aim than I do!

“Careful Parker, the walls are burning up!”

“You don’t ‘ave to tell me twice. hOh boy, hit’s ‘ot hin ‘ere. Blast! Missed.”

“Go on, Parker! I’ve got you!”

“Much hobliged, M’Lady.”

Parker is just a grade one badass. Look at him go! And Parker and Lady Penelope are an absolute perfect duo. Their teamwork is always spot on and their relationship is brilliantly explored in scenes like this. Lady Penelope has always been a considerate character, but high society (in the past at least) have always been assumed to have had a lack of care for those below them (I’m sure there were those who did, but history just records the majority). Lady Penelope has such care for Parker - probably as much as he has for her - and scenes like this are perfect for showing exactly what makes their partnership work. It’s very give and take, even when it seemed like Parker is just driving her around. She’s always got his back and it was lovely to have another scene showing that off.

Still think it’s “a perfect take your daughter to work day”? They definitely picked a day!

“Woah, I’m in Thunderbird Two!”

“The panda’s doing just fine. I heard him munching on bamboo.”

“Aww!”

Look at that thinking face of love and affection.

“Thank you for saving him.”

“You’re welcome. We love having satisfied customers.”

“Yeah, furry or otherwise.”

“Mmm-hmm.”

“Oh...”

“Thank you.”

“Can I go see Mr Panda now?”

“I think he’ll like you.”

“Really?!”

And this is the world’s happiest face! Gordon has achieved his dream. Having seen pandas myself, I can completely understand why it was a dream of his. Also, the Gordon and Virgil interaction (in this whole episode, but especially here where words aren’t even needed) is just absolute perfection!

And now to tie up some loose ends;

“I may lose my job over this, but I am not gonna lose my life!”

I think you might have lost that anyway. I mean, I think the GDF are gonna be putting her on trial for this.

“Oh now, isn’t that sweet! I didn’t expect a welcome back committee!”

“She realises that we’re arresting her, doesn’t she?”

“I don’t know.”

Don’t worry mate, I don’t think any of us would really know how to deal with her. She’s positively crazy.

See what I did there? Her annoying talking has rubbed off on me!

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sonatanotwo · 5 years ago

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Gonna jot down couple quick some thoughts for todays ep. =D

(Yeah, I wrote WAY more than I thought I would. Oops, this ep gave me a lotta thoughts somehow. lol)

Looking forward to rewatching this cause uh... >.> the uh stream I had to use today... for some reason they had described video turned on. x.x Visual surprises were spoiled. 😂 And made a busy ep kinda feel even busier, I think.

SO my instinct says this was still a jam filled ep that struggled a bit with pacing, but I’m not gonna take too many points away... we’ll see how I feel after a second viewing though. XDDD But also I mean... even if didn’t entirely WORK they still we’re trying to keep moving a plot along, so they can have a you tried star if nothing else. lol

The writer here was Dan Berlinka... he’s written 3 other eps for the series... Tunnels of Time, Fight or Flight and Long Haul.

BUT yeah, it did feel like they were trying to move plot, BUT still have some nice character moments... but felt like tried to squish in a bit TOO much to point felt a bit unnatural. BUT. Again, need a rewatch cause had constantly an extra outside voice. XDDD

Was very fun to see Kayo and Scott interact for longer than a few mins or without the other boys around. If I recall right, Kayo is actually meant to be around Virgil’s age, so that does kinda explain why there’s a bit more teasing happening here from Scott (and Virgil having a fair laugh at the end.) She’s usually the one teasing with Gordon and Alan... and course her and John are pretty all the serious when interacting. lol SO yeah. There’s a bit more of a even playing field I imagine here... much like Scott and Virgil. Very interesting~

And man... Scott at the start... That is just so... Scott. (AND SUCH AN ARIES, GOOD LORD.) I think I got it pretty right... we’re kinda seeing some of that same kinda mess of feelings we saw in a lot of S1!Scott show up again here. He’s frustrated and anxious, and having trouble dealing with those feelings. And GOSH... most often Brains does defer to Scott, but nice to see him kinda show he really is older than Scott here. (I think it’s often forgotten... Brains built the TV-21... when Scott called himself ‘just a kid’ when it met it’s end. Even if Scott considered that 12-15ish... Brains is likely at the very, VERY LEAST 5 years older than Scott... but I’d honestly suspect 10-15 years even.)

Seeing him just deflate under Brains there guiding him off.

I get the feeling Scott does realize there he’s not acting very rational. =(a

But man. Scott. Buddy. “I can’t handle waiting around, not able to do anything...” I feel ya. :( I don’t handle that well either. 😂

(Poor Scott though... he looks like he needs a hug. lol Scott you need some time with Virgil, clearly.)

Too bad don’t get to see who was co-piloting. lol

And DAMMIT. I was excited when they said ‘Medical Bay’ ...but it was just inside the module. 😂 😂 😂 😂 😂 I guess was where the writer was hoping it was a thing, but budget didn’t allow for another TB2 interior design at this point. lolol SIGH. XD But did get a bit of Virgil medicing! HOHO. +o+

Penelope was a bit odd briefly... maybe all those mystery dinner parties have gotten to her. 😂 But second Higgins appears, she snaps to her usual self so. lol

...Poor Peter Davison. He... didn’t have a whole lot of lines did he? lol Proving there was a lot they wanted to get to in this ep and it didn’t work as maybe they’d hoped.

ALSO there was that call back to Avalanche. ‘I’ve been through this before... we won’t get near it.’ LOLOLOLOL

BUT ALSO. LIKE. Virgil, were you really in danger? If a SPIDER can puncture your suit... why are you wearing it into SPACE??? 😂 (Shoulda had it on his shoulder or something. lol)

AND G’OL VIRGIL showing up RIGHT when he’s needed. XDDD

And... I. Really love Scott’s first thought after omg butterflies is... I have to tell Virgil. 🤣 And then them LAUGHING together like that. OMG. 😭 THEY ARE SUCH BEST FRIENDS. 😭😭😭😭😭 Kayo’s gonna make them regret it so much, isn’t she?

...Yeah, the pacing was weird, but certainly some enjoyable bits in here. XDa

#~OOC Post #Virgil Mun Speaks #Thunderbirds Are Go #TAG Spoilers #Spoilers #Episode: Venom #I was gonna just pop out a few thoughts #but ended up really long lololol #OOPS #even though Virg is in this ep #this ep gave me so many Scott feelings GOSH #ugh I wish could ramble more #but gotta get some sleep #my 2 year old niece will be up in an hour prolly #creeping into my room to find my cats lololol #(who hide from her still lol)

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sparkwithinme · 5 years ago

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Oho~! SO Film Review Online has the lowdown for Venom up!

Season 3 Episode 23 “Venom”

Production Number 2/2131/0075/001

Story Teaser: When a rare spider bites a scientist, Scott must locate the anti-venom carrier drone in a dense rainforest.

Cast

Tom Furnier… Tom Haywood Higgins… Peter Davison Scott & Alan Tracy… Rasmus Hardiker Virgil Tracy… David Menkin Kayo… Angel Coulby Professor Moffat And Medic… Teresa Gallagher Lady Penelope… Rosamund Pike Parker… David Graham Havoc… Aimee-Ffion Edwards Brains… Kayvan Novak The Mechanic… Chris Jarman

Production Credits

Writer… Dan Berlinka Director... Ben Milsom (Aaaaaaaaaaaaaaaaa YES! The ep with Peter Davison \o\ /o/ \o/)

Further spoilers and rambling continuing here... Description from the guest list they posted at the start of part C... “Peter Davison voices Higgins, a long-time employee of Brains’ close friend Professor Moffatt, who is one in a number of suspects to have potentially stolen a precious fuel required by International Rescue.” Interesting. :D Does seem like could be another ep like Buried Treasure appears to have some elements relating to the Zero-X things. ^^ And after this, think there’d be one more ep that’ll have Tanya Moodie the fire chief and fires... so the clips from the trailer we saw with Scott and forest fire... which is I’m sure the ep. we’ll be seeing the Crablogger in. :D

#Thunderbirds Are Go #Thunderbirds Season 3 #TAG Spoilers #Spoilers #Episode: Venom #talking about some other spoilers for upcoming eps here too XD #well by spoilers I mean things from trailers and info dropped in the guest list #but yeah XD

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newsconduct · 2 years ago

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The A List Season 3: Will There Be A Season 3 For A List?

The second season of “The A-List” premiered on Netflix on June 25, 2021. We’ll fill you in on where Season 3 of The A-List, a British teen thriller, currently stands. You may think you’ve seen it all when it comes to teen dramas, but The A-List offers a fresh and intriguing take on the genre. Dan Berlinka and Nina Metivier manage to make something fresh out of familiar elements from the horror,…

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universalmovies · 5 years ago

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The A List, la recensione del teen-drama targato Netflix

Dal 30 Agosto 2019 è disponibile sul catalogo Netflix il nuovo teen-drama The A List, realizzato da Dan Berlinka e Nina Metivier. Questa è la nostra recensione.

Un gruppo di adolescenti approda su un’isola remota per passare alcune settimane di vacanza in un campo estivo. Mia, la protagonista della storia, fatica ad ambientarsi in un contesto che non le appartiene e la sua permanenza sarà…

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#Netflix #The A List

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toplistspedia · 4 years ago

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The A List Season 2, Episode 1 release date, cast, plot and Why is Mia immune to being controlled?

The A list, a thriller teen drama created by Dan Berlinka and Nina Metivier, follows the story of group of teenagers arrives to a mysterious island for summer camp but find themselves in a twisted nightmare. The series was first launched on BBC iPlayer before getting an international release on Netflix.

The A list cast of season 2 Eliie Ducklesas Amber, main antagonist of the series.Miaas…

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#netflix

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geoffvster · 5 years ago

Video

vimeo

MunQi Trailer from Blue Zoo on Vimeo.

Trailer for an animated series in development.

Legend tells of three "fallen angels", cast out of the celestial realm for their misdemeanors and banished to the mortal world on a quest for enlightenment, so seek redemption and to kick some serious demon butt... Could this bizarrely dysfunctional trio actually be a match made in heaven?

Directors: Oli Hyatt & Adam Shaw

Producers: Dan Berlinka & Andy Williams

Art direction: Chris Rais

Storyboards: Adam Beer

Modeling: Tom Hales, Chris Rais

Rigging: Sam Berry

Animation: Jude Brownbill, Chris Rais

Lighting & Rendering: Simon Lower

Music: Ben Lee-Delisle

Voice: Rupert Degas

Sound: Tambourine

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laplaylistes · 5 years ago

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'The A-List': aventuras exóticas en Netflix que van más allá de una mera 'Lost' para adolescentes

https://www.bloggia.es/the-a-list-aventuras-exoticas-en-netflix-que-van-mas-alla-de-una-mera-lost-para-adolescentes/

'The A-List': aventuras exóticas en Netflix que van más allá de una mera 'Lost' para adolescentes

Haz click aquí para consultar este artículo en Espinof.

Se menciona de forma repetitiva, casi como una convención inevitable, la inspiración que ‘Lost’ supone para ‘The A-List’, serie de BBC abiertamente orientada al público juvenil y que narra las vicisitudes de un grupo de chavales (con comportamientos muy propios de chavales) que investigan una serie de sucesos extraños, claro, en una isla.

Podría decirse, sin embargo, que todas las similitudes terminan ahí, con un grupo de protagonistas que no se conocen entre sí y que llevan cada uno su secreto a cuestas, un tropo heredado del whodunit y que ha sido reformulado en tantas ocasiones que resulta absurdo responsabilizar de ello a ‘Lost’. En cuanto a la propia isla, ‘Escuela de robinsones’ de Julio Verne ya era un protolost (además de ‘La isla misteriosa’, claro), y en televisión ‘La isla de Gilligan’ ya explotó el concepto en clave ligera.

Hay elementos de ‘Lost’ que aparecen en ‘The A-List’, claro, pero sobre todo porque los resortes de género popularizados por la serie de JJ Abrams y Damon Lindelof aún colean. Sin embargo, ‘The A-List’ juega más a encandilar al público adolescente, y trufa su desarrollo de desplantes amorosos, de declaraciones de popularidad e influencia por encima de cualquier otro valor, de primeras experiencias a muchos niveles, de ausencia de adultos y de una constante atmósfera de mutación, cambio y desconcierto. Aquí haciendo malabares con suavísimos elementos sobrenaturales.

De hecho, a lo que realmente se acerca ‘The A List’ es a los juegos de poder de ‘Heathers’ o, sobre todo, ‘Chicas malas’, pero con menos ojo clínico para el retrato de las dinámicas sociales de instituto (tampoco es su intención). Aquí conoceremos a Mia (Lisa Ambalavanar), una atractiva adolescente que llega a un campamento de verano en una isla donde es consciente de que rápidamente se convertirá en la más popular.

En Espinof

Las 26 mejores series de 2019 que puedes ver en Netflix

Eso es hasta que aterriza Amber (Ellie Duckles), claro, una enigmática rubia que pronto se convierte en la reina abeja del campamento, y de la que solo Mia parece percatarse de sus malas artes manipulativas… acompañadas de una inquietante habilidad para transformar a su antojo las percepciones de quienes la rodean. Por supuesto, ese es solo el principio de los misterios de la isla: voces enigmáticas, apariciones inexplicables… y apocalipsis hormonal.

‘The A-List’: La isla de los monstruos

Modesta y desenfadada, ‘The A-List’ tiene el desparpajo propio de las mejores ficciones young adult, capaces de tomarse muy en serio su propio disparate, pero también de ironizar sobre ello. Por ejemplo, en un momento en el que se desencadena algún diálogo de revelaciones traumáticas, uno de los personajes corta en pocos segundos la deriva de la conversación a la orden de “suficiente drama adolescente por hoy”. Y las citas metareferenciales bienhumoradas están a la orden del día, de ‘Carrie’ a la citada ‘Chicas malas’, en algún caso de forma frontal.

En cualquier caso, estamos lejos de ‘El señor de las moscas’, la otra obvia referencia pre-Lost de ‘The A-List’. Aunque los sucesos que se narran aquí sacarían de quicio a cualquier persona sensata (de citas románticas frustradas por la brujería a baños en pintura roja por un quítame allá ese traje de lentejuelas), esta banal pero consistente producción (bien dialogada, muy certera en su descripción de personajes) nunca pierde de vista a su público objetivo, eminentemente juvenil. Y por ello, el trauma se convierte a menudo en giro insensato y huida hacia adelante.

Sus guionistas (Dan Berlinka y Nina Metivier) tienen experiencia en series de BBC como alguna temporada reciente de ‘Doctor Who’, y se nota. El humor afilado pero para todos los públicos, la aparente capa de intrascendencia bajo la que subyacen algunas ideas potentes y su honesto y juguetón sentido de la aventura son los grandes valores de una serie que solo quiere proporcionar diversión sin mayores complicaciones. Objetivo más que conseguido.

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Venecia 2019: ‘Dinero sucio’ (‘The Laundromat’), ambigua comedia negra sobre los Papeles de Panamá que invita a darse de baja de Netflix

– La noticia ‘The A-List’: aventuras exóticas en Netflix que van más allá de una mera ��Lost’ para adolescentes fue publicada originalmente en Espinof por John Tones .

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123mkvbest · 5 years ago

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The A List S01 Dual Audio Complete Series 720p HDRip HEVC x265

Genre: Thriller Size: 150MB

Language: English 2.0 – Hindi 2.0 Quality : 720p BRRip x265 HEVC Directed by: Dan Berlinka, Nina Metivier Starring: Lisa Ambalavanar, Ellie Duckles, Rosie Dwyer

Story…. The A List is set in what appears to be an idyllic island summer camp, but where dark secrets will turn the “holiday of…

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amorespsicodelicos · 5 years ago

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CRÍTICA - THE A LIST - DAN BERLINKA E NINA METIVIER

CRÍTICA – THE A LIST – DAN BERLINKA E NINA METIVIER

A nova série da BBC, exibida pela Netflix internacionalmente, já está disponível desde o final de agosto e traz consigo dramas adolescentes, mistérios, elementos sobrenaturais e ciência.

A narrativa acompanha a personagem Mia (Lisa Ambalavanar) que acaba de ir para a Ilha Peregrino passar as férias escolares. Mia acredita que aquele será o melhor momento de sua vida e, por isso, não se importa em…

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#adolescentes #BBC #crítica the a list #dramas adolescentes #Fantasia #Netflix #serie #the a list #the a list netflix

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filmreviewonline · 7 years ago

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Thunderbirds Are Go 222 “Long Haul” - Meltdown in space, Lowdown & Clip

New Post has been published on https://filmreviewonline.com/2017/11/22/thunderbirds-are-go-222-long-haul-meltdown/

Thunderbirds Are Go 222 “Long Haul” - Meltdown in space, Lowdown & Clip

In Thunderbirds Are Go 222 “Long Haul” an incident at an orbiting space hub requires a massive International Rescue overhaul to put Thunderbird Two into space!

In the clip an emergency docking goes wrong! The core is breached and cooling system is offline. They’re going into meltdown!

Thunderbirds Are Go Season 2 Episode 22 will first air on UK’s ITV Saturday November 25th 2017 at 8:30am – 9:05am with a second showing on CITV on Sunday November 26th 2017.

The series is also available on Amazon Prime where they will be referring to this batch as Season 4!

Thunderbirds Are Go 222 – Clip

‘An emergency docking goes wrong!’

https://filmreviewonline.com/wp-content/uploads/2017/11/T222-Long-Haul-Going-into-Meltdown-FRO.mp4

Thunderbirds Are Go 222 “Long Haul” – Gallery

Click on an image for a larger view. Use arrow keys or swipe through the gallery.

Thunderbirds Are Go 222 “Long Haul” – Lowdown

Season 2 Episode 22 “Long Haul”

An incident at an orbiting space hub requires a massive IR overhaul to put Thunderbird Two into space.

Cast

Virgil & Gordon Tracy David Menkin John Tracy Thomas Brodie-Sangster Scott & Alan Tracy Rasmus Hardiker Space Controller Conrad Asa Btterfield Brains Kayvan Novak Transporter Captain Stuart Mcara

Production Credits

Writer Dan Berlinka Head Writer Rob Hoegee Created by Gerry & Sylvia Anderson Composers Barry Gray, Ben & Nick Foster Voice Director Dave Peacock Producers Stuart Mcara & Teresa Reed Director Karl Essex Executive Producers Estelle Hughes, Giles Ridge, Clive Spink, & Richard Taylor

More about Thunderbirds are Go Season 2 on our website.

#Asa Btterfield #Dan Berlinka #David Menkin #Karl Essex #Kayvan Novak #Rasmus Hardiker #Stuart Mcara #Thomas Brodie-Sangster #Thunderbirds Are Go (2015 tv)#Thunderbirds Are Go (2015 tv) Season 2

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darkestwolfx · 5 years ago

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Fight or Flight - Re-Review #38

The perfect scenery for an episode which is taking it’s title from an old saying relating to the natural instincts of animals and humans - the fight or fight instinct; whether you stay and hold your ground (a little like Kayo), or whether you try and run in fear of your life (I can imagine Gordon having to do this quite often when he is caught pranking his brothers). Oh, but did we mention, it’s actually in the air? Yeah, it took two minutes to get to that point!

So, because this episode darts around all over the place, I’m doing this review (again) in sections according to character and storyline, because I like everything to be all neat and tidy, okay? I’m thinking of all of you here by giving you ease of access to a complicated and jam packed episode - you should be thanking me.

Also, I will apologise in advance now for the fact that this review is mostly picture based - literally I think this section here is the wordiest of all.

So, moving away from the ominous cargo hold, which is no doubt bound to be full of idiots - because let’s face it, that is just the way that things work in TAG - let’s start with the fact that we are opening in space again! Yay, John’s domain. And the scenery is pretty damn right on this one. I love how if you look really carefully you can make out the different shapes of the continents below.

And here we have a space spider - someone call Gordon and Alan, it’s an alien! Oh wait, no, hang up, it’s only Brains. A rather nervous Brains - obviously the ‘flight’ part behind the title of this episode. It’s nice to see him up in (or on) Thunderbird Five again. It happened in TOS in ‘The Cham-Cham’.

“I’m just having a little trouble adjusting to being weightless.”

“It was the same for me when I started. You get used to it.”

But of course, they can’t even manage to do repairs and maintenance without something coming there way!

“Your databases are offline because I started a systems check. It’s ok, I backed everything up onto MAX.”

“Atta boy, MAX.”

Thank goodness for MAX, ey?

And here’s the situation;

“A cargo carrier experienced a missives systems failure. The ship is on a crash course for Anderbad City.”

Anderbad City first appeared in the TOS episode ‘Perils of Penelope’, with Anderbad being a play on Gerry and Sylvia Anderson’s surname. It was given notable features such as the Anderbad Tunnel and the Anderbad Express, but it was never shown in full. TAG have added a Flight Control Tower, so we can assume that Anderbad is a big city with travel at the centre.

So, here we go, I thought I’d go back to the cargo hold first which is a little backwards I know, but I’m doing it because... just because okay? Reviewers choice.

Run for your lives! The machinery is striking back!

Scott nearly getting hit and then running back for the flight deck is absolutely hilarious.

“We have a new problem.”

And I won’t deal with that part, I’ll choose to fly the zeppelin, is probably what Scott was thinking. Because, yes, that option seems so much better!

“Looks like we’ll need that back up, Kayo.”

It was probably a good thing that she was ready and waiting in this instance, because Scott couldn’t have done that much multitasking, great though he is.

“How are you guys doing in there?”

“Oh you know, just playing hide and seek with a giant bone crushing claw. You know, no big deal.”

Yeah, you’re right, the bigger deal is that you might die anyway, so playing hide and seek is probably the least of your worries right about now. In fact, that might be preferable depending on your viewpoint. At least that might be marginally more entertaining than sitting and waiting for death to come.

“How does a giant, mechanical loading claw take it’s tea?”

“I don’t know.”

“With a pinch of sugar.”

“That’s the worst joke I’ve ever heard.”

I have to admit, I’m with her on that one. Who even thought that joke up! And who heard that joke and then thought ‘hey, that’s a good one to go in the script!’ I didn’t even laugh, I will be perfectly honest.

“Don’t worry. I’ll get them out.”

“Why would I worry?”

Hmm, maybe because it’s a life threatening situation? Just hazarding a guess here.

Kayo should be happy anyway - she got to show off her bad-guy chasing gymnastic skills, even if it was only against machinery.

“International Rescue. Time to go. Follow me!”

“You’re kidding right?”

“No, I’m pretty serious.”

“We can’t jump and flip around like you just did!”

No, I don’t imagine you can.

“I’ll distract the claw so you can make a run for it.”

Literally the point of this episode, isn’t it? Running for it?

I have a theme song for it - look up ‘Run for It’ by (you won’t regret it).

“Where does that lead?”

“Emergency exit.”

“This definitely qualifies as an emergency.”

Hell yes, I would think it does!

“Kayo, you need to get out.”

“Great idea, Scott, thanks for the suggestion!”

No need to be sarcastic - he’s just looking out for you, remember?

As a side note, look at the robot! I want one... I bet its more environmentally friendly than my car.

“The ship’s loosing altitude faster than my projections. But why?”

“It looks like the liquid hydrogen fuel cells have cracked open.”

“And I’m guessing that’s bad?”

Yes, Scott, that’s bad.

“The tanks keep the fuel isolated. but if an electrical fire starts on impact, you’ll get what we scientists call a big ka-boom. Which is also what my insides feel like.”

“What’s the time frame?”

“John says I’ll feel better once I get used to zero gravity.”

“I think he means before the zeppelin crashes.”

“Oh right. Factoring in altitude, wind speed, ship weight, adjusting for cargo, and letting x equal the rate of fuel loss, we get... oh my!”

“Scott, you’re gonna’ need to move. Fast.”

“FAB. And Brains, that means feel better soon.”

Yeah... that conversation gets me every time. They never said how fast Scott needed to move, but hey, it’s okay, because he listened. Considering the zeppelin appeared seconds later.

“Thunderbird two could nudge the ship and change course that way.”

Of course that is the first suggestion that Scott comes up with. Just shove it out the way and be done with it. Good plan.

“I would strongly caution against that. Those leaking fuel cells could easily rupture.”

Or not.

“Ka-boom, got it. Ok, I’m gonna’ need to get on board. Maybe I can regain some control of this thing.”

Yay, we get to see Scott pilot a zeppelin! That’s a change.

“Hey, Virgil, just taking a little air!”

“I’ve got Thunderbird One slaved to my controls.”

Yeah... because a line like that always means good things are coming. I love how Virgil at least knew what it meant - take Thunderbird One.

“All systems critical. We’re on auxiliary power with almost no altitude control or steering. I can’t risk landing with that fuel leak. I’m gonna’ point her down and bail out. She’ll crash safely into the lake before reaching the city.”

You can’t say something like that without expecting trouble.

“Crash course set, ready to bail out.”

“Hello? Anyone there? We’re stuck! We can’t get out! Trapped!”

“Hello? Can you hear me? John, did you get that? I thought everyone was off this ship?”

“Me too. Hang on. The numbers don’t match. They messed up their count.”

Great! And so we revert to the cargo hold, which I’ve already covered.

“Do we have time to get the crew out before we reach the city?”

“Negative. You’re gonna’ have to fly over the city, and bring it down in the open countryside on the other side.”

“We’ll never make it. We’re still losing height.”

“If you offload 90% of the fuel, there’s a chance you’ll be light enough to make it over the city.”

A chance? I suppose we have to take it because there’s no other option really.

“Ok, I’ll keep flying. Virgil, you start pumping out that fuel.”

Yeah, because that will buy us lots of non-existent time! At least it’s better than nothing.

“Oh, it’s going to be tight.”

“Tight, but we should make it tight? Or John’s space suit tight?”

“I don’t know if I know how to answer that question in a way that’s reassuring.”

“Space suit tight.”

Scott’s doing a really good job of flying under pressure here, I would just like to say.

“I think it should be enough.”

“You think or you know?”

“I think I know.”

Very reassuring Brains. I feel very non-reassured.

“That should do it, Scott.”

“Got to be sure.”

“Now, Scott, get out!”

Listen to John, for goodness sake, Scott.

Fly for your lives! There’s an explosion!

You know, Wolfie definitely understands the reason for this episode title now. They were being really clever - well done Dan Berlinka.

In my opinion, this is one of the closest calls that they’ve showed us, and I really appreciated that. TOS did it a few times in ‘City of Fire’ and ‘Danger at Ocean Deep’ (I’m talking proper close calls here, because I know there are many near misses), and TAG have done it quite often with Gordon, but this one was a really nice show of skill and panic, and absolute expertise at the end of it all.

“Yes! He made it!”

Hooray! We’ve succeeded! Let’s all go home!

After a hug... but maybe remember to not hug John... he looks like he’s feeling a little awkward there, Brains.

“Nice work everyone. We limited the damage at Anderbad city to one billboard.”

That poor billboard. But yes, successful.

And look what’s waiting at home!

I was wondering where Gordon and Alan had got to... “on a supply run”... yeah right, who’s great idea was that. They only have themselves to blame for what the boys bring back. Interestingly, they never said where Scott and Alan were at the end of the last episode (and I was waiting for that), so it was nice to actually see the pair pop up right at the end.

“Hey guys!”

“How was the supply run?”

“Routine. But wait till you see what me and Alan picked up at an antiques store on the way back.”

“It’s the same game John used to play all the time.”

A nice little reference back to ‘Skyhook’ here. Continuity at it’s best.

“You grab prizes with the claw!”

Yes, we do have eyes, thank you, Alan.

“Who wants to go first?”

Cue mass exodus of the lounge... And a tumbleweed to roll through in the wake of it all. (Actually, could some one get me a tumbleweed please? I feel like my cat would appreciate it. Shes called Munchies, by the way.)

“What did I say?”

“We should have brought some prizes.”

This is funny, because Alan probably said that, and Gordon probably ‘ignored’ him.

“Oh, claw machine needs prizes!”

“No wonder they didn’t want to play!”

I don’t think that was quite it, but hey, let’s not disappoint them anymore. Look at Gordon’s face.

P.S. This ended up more wordy and longer than I had expected! I’ve outdone myself for midnight pieces of work (and a very dodgy internet connection).

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tuseriesdetv · 5 years ago

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Noticias de series de la semana: HBO renueva 'Euphoria'

Renovaciones

HBO ha renovado Euphoria por una segunda temporada

Netflix ha renovado The Society por una segunda temporada

ITV ha renovado Grantchester por una quinta temporada

Netflix ha renovado 13 Reasons Why por una cuarta temporada

TNT ha renovado Vota Juan por una segunda temporada

Amazon ha renovado Absentia por una tercera temporada

Disney+ ha renovado The Mandalorian por una segunda temporada

Noticias cortas

Katherine McNamara (Mia Smoak) será regular en la octava y última temporada de Arrow.

Olivia Swann (Astra) será regular en la quinta temporada de Legends of Tomorrow.

Star cerrará sus tramas con una película.

La tercera temporada de On My Block depende de la negociación salarial de sus protagonistas.

Incorporaciones y fichajes

Katherine Heigl (Grey's Anatomy, Roswell) protagonizará Firefly Lane, adaptación de la novela de Kristin Hannah para Netflix. Será Tully, una de las dos amigas inseparables que rompen su relación por culpa de una impensable traición.

Gina Rodriguez (Jane the Virgin, Annihilation) será recurrente en Diary of a Female President como la versión actual de Elena (Tess Romero). Charlie Bushnell, Selenis Leyva (Orange Is the New Black, Maniac) y Michael Weaver (Here and Now, Ouija: Origin of Evil) serán el hermano y la madre de Elena y un abogado que comienza una relación con la madre.

Carrie-Anne Moss (The Matrix, Jessica Jones) será Rebecca, la madre de Ashley (Natalie Alyn Lind), en la segunda temporada de Tell Me a Story. Danielle Campbell regresa a la serie con el papel de Olivia, relacionada con la historia de la Bella durmiente.

Tony Goldwyn (Scandal, Ghost) será Samuel Braithwhite, patriarca que ve a la gente como objetos y a los forasteros como inferiores, en Lovecraft Country.

Colin O'Donoghue (Once Upon a Time, The Rite) sustituye a Joe Dempsie en el papel de Gordon Cooper en The Right Stuff. Dempsie tuvo que abandonar el proyecto por problemas de visado.

Angelica Ross (Pose, Claws), Matthew Morrison (Glee, The Good Wife), DeRon Horton (American Vandal, Dear White People) se unen a American Horror Story: 1984, que contará con el regreso de Billie Lourd, Leslie Grossman y Cody Fern.

Katherine Waterston (Fantastic Beasts, Alien: Covenant) sería Jess, compañera de Sam (Jude Law) en la isla, en The Third Day.

Aya Cash (You're the Worst, Fosse/Verdon) está en conversaciones para interpretar a Stormfront en la segunda temporada de The Boys si es renovada.

Kyle Bornheimer (Casual, Brooklyn Nine-Nine) y Jessica St. Clair (Playing House, American Housewife) se unen como recurrentes a Avenue 5.

Ryan Destiny (Star, Low Winter Sun) será recurrente en la tercera temporada de Grown-ish como Jillian, una estudiante trasladada de una HBCU (Historically Black Colleges and Universities) para estudiar producción cinematográfica.

Rory Cochrane (CSI Miami, Argo), Craig Tate (Snowfall, Aquarius), Wavyy Jonez (Unsolved, See You Yesterday) y Shane Callahan (Outsiders, Under the Dome) se unen como regulares a Reprisal.

Alison Steadman (Orphan Black, Gavin & Stacey), Peter Davison (Doctor Who, Gentleman Jack), Adrian Lester (Hustle, Riviera), Victoria Hamilton (The Crown, Doctor Foster) y Rachael Stirling (Detectorists, The Bletchley Circle) protagonizarán Life, drama de Mike Bartlett (Doctor Foster, Trauma) sobre un edificio de apartamentos en Manchester que explora qué ocurre cuando sus residentes abandonan su propio espacio personal y se fijan en la vida de otras personas.

Alana De La Garza (Criminal Minds: Beyond Borders, Forever) se une como regular a la segunda temporada de FBI. Será Isobel Castile, papel que interpretará también en FBI: Most Wanted pero finalmente como recurrente.

Poorna Jagannathan (The Night Of, Big Little Lies) y Maitreyi Ramakrishnan protagonizarán la comedia de Mindi Kaling para Netflix.

Amy Farrington (Faking It, Beyond) se une como regular a SWAT en su tercera temporada. Será la detective Lynch, teniente elegida por el alcalde.

Pósters

Nuevas series

Spectrum desarrolla una serie de ficción centrada en la vida de Brittany Wagner, la protagonista de las dos primeras temporadas de la docuserie de Netflix Last Chance U. Estará producida y protagonizada por Courteney Cox (Friends, Cougar Town).

Pop ha encargado Best Intentions, comedia sobre un padre soltero dolorosamente torpe que es el orientador de su hijo en el instituto y está enamorado de otra profesora. Protagonizada por David Fynn (Undateable, Whiskey Cavalier), Daniel Rashid (Being Frank, Stargate Origins) y Lindsey Gort (The Carrie Diaries, Impastor). Escrita por Adam Herz (American Pie).

BBC One encarga Sitting in Limbo, inspirada en el caso Windrush, el escándalo político de 2018 en el que al menos ochenta y tres personas de origen caribeño fueron injustamente detenidas y deportadas de Reino Unido.

Paramount ha encargado la precuela de la película británica Sexy Beast (2000), que contará el origen de los criminales Gal Dove, Teddy Bass y Don Logan, interpretados en la película por Ray Winstone, Ian McShane y Ben Kingsley, durante los vibrantes y cambiantes años 90. Escrita por Michael Caleo (The Sopranos, Rescue Me).

Series commitment de Amazon a Paper Girls, drama basado en la novela gráfica de Brian K. Vaughan. En ella, cuatro chicas jóvenes que reparten periódicos en la mañana después de Halloween de 1988 se ven en medio de una guerra de bandos contrarios de viajeros en el tiempo que las envía a una aventura para salvar al mundo donde encontrarán versiones pasadas o futuras de ellas mismas. Escrita por Stephany Folsom (Toy Story 4, Star Wars Resistance). Producida por Folsom y Vaughan.

Netflix ha encargado trece episodios de la británica The A List, que explora la amistad, el amor, la lealtad y la traición entre adolescentes. Está protagonizada por Mia (Lisa Ambalavanar, Doctors), que llega a un campamento de verano esperando ser la abeja reina y se encuentra con una pesadilla con la llegada de Amber (Ellie Duckles, Safe). Escrita por Dan Berlinka (Shaun the Sheep, Thunderbirds Are Go!) y Nina Metivier (Doctor Who).

Amazon ha encargado una comedia creada, escrita y producida por Tracy Oliver (Girls Trip, The First Wives Club) que sigue el sexo, las relaciones y los sueños de cuatro mujeres negras que se conocieron en la universidad de Nueva York. Producida por Amy Poehler (Broad City, Russian Doll).

HBO Europa encarga ocho episodios de Wilderness, dramedia noruega sobre un pueblo en medio de la nada en el que una mujer deja a su marido y desencadena una cadena de venganza que involucra a todo el pueblo. Escrita por Kim Fupz Aakeson (Cold Pursuit, Feed the Beast) y dirigida por Dagur Kári (The Good Heart).

Fechas

La segunda temporada de Mindhunter se estrena el 16 de agosto

La tercera y última temporada de The Deuce se estrena el 9 de septiembre

Tráilers y promos

BH90210

youtube

Another Life

youtube

Light as a Feather - Temporada 2

youtube

Power - Temporada 6

youtube

Lodge 49 - Temporada 2

youtube

Succession - Temporada 2

youtube

Mayans - Temporada 2

youtube

Deep Water

vimeo

#series tv #television

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filmreviewonline · 7 years ago

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Thunderbirds Are Go 222 “Long Haul” - Meltdown in space

New Post has been published on https://filmreviewonline.com/2017/11/22/thunderbirds-are-go-222-long-haul-meltdown/

Thunderbirds Are Go 222 “Long Haul” - Meltdown in space

In Thunderbirds Are Go 222 “Long Haul” an incident at an orbiting space hub requires a massive International Rescue overhaul to put Thunderbird Two into space!

In the clip an emergency docking goes wrong! The core is breached and cooling system is offline. They’re going into meltdown!

Thunderbirds Are Go Season 2 Episode 22 will first air on UK’s ITV Saturday November 25th 2017 at 8:30am – 9:05am with a second showing on CITV on Sunday November 26th 2017.

The series is also available on Amazon Prime where they will be referring to this batch as Season 4!

Thunderbirds Are Go 222 – Clip

‘An emergency docking goes wrong!’

https://filmreviewonline.com/wp-content/uploads/2017/11/T222-Long-Haul-Going-into-Meltdown-FRO.mp4

Thunderbirds Are Go 222 “Long Haul” – Gallery

Click on an image for a larger view. Use arrow keys or swipe through the gallery.

Thunderbirds Are Go 222 “Long Haul” – Lowdown

Season 2 Episode 22 “Long Haul”

An incident at an orbiting space hub requires a massive IR overhaul to put Thunderbird Two into space.

Cast

Virgil & Gordon Tracy David Menkin John Tracy Thomas Brodie-Sangster Scott & Alan Tracy Rasmus Hardiker Space Controller Conrad Asa Btterfield Brains Kayvan Novak Transporter Captain Stuart Mcara

Production Credits

More about Thunderbirds are Go Season 2 on our website.

#Asa Btterfield #Dan Berlinka #David Menkin #Karl Essex #Kayvan Novak #Rasmus Hardiker #Stuart Mcara #Thomas Brodie-Sangster #Thunderbirds Are Go (2015 tv)#Thunderbirds Are Go (2015 tv) Season 2

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