#Daisy von Scherler Mayer

[forsapphics]

YELLOWJACKETS (2021 —)

S01, E09: Doomcoming — directed by Daisy von Scherler Mayer

[lunabenedicta]

Party Girl (1995) dir. Daisy Von Scherler Mayer

[genevieveetguy]

. Can I have a falafel with hot sauce, a side order of Baba Ghanoush and a seltzer, please?

Party Girl, Daisy von Scherler Mayer (1995)

[lejazznik]

PARTY GIRL (Daisy von Scherler Mayer, 1995) 

[o-the-mts]

[thereferencebinder]

Yellowjackets - Doomcoming (S01E09)

First shot: I love the color palette here. Sweet and innocent; heavily contrasting with what came afterwards.

Second shot: POV shot with a blurry effect to show the effects of the shrooms.

[folditdouble]

Women in Film Challenge 2023: [7/52] Some Girl(s), dir. Daisy von Scherler Mayer (USA, 2013)

That’s the deal when you’re a writer, I guess. Doesn’t matter how much it stings or how painful it is for the other people in your life, you just can’t let shit go. You got to turn it over, study it, poke it, you know?

[boardchairman-blog]

**Shots of the Episode**

Yellowjackets (2021)

Season 2, Episode 1: “Friends, Romans, Countrymen” (2023) Director: Daisy von Scherler Mayer Cinematographer: Shasta Spahn

[warningsine]

"Blue Velvet" (David Lynch) // "Yellowjackets" S02E01 (Daisy von Scherler Mayer)

[thereferencebinder]

Yellowjackets - Friends, Romans, Countrymen (S02E01)

First frame: Love the atmosphere. Usually, shots like this would be shown from a different angle, or positioning the house on the right side of the frame and leaving an open, inviting space in front of the door to make it seem welcoming. However, the opposite is done here. The cabin is positioned on the left, leaving almost no space in the front part. This isn't a nice place to be, you don't wanna join them. Also, its completely surrounded by trees, making it feel trapped; they're out in the wilderness, but still, they can't run away.

Second frame: Beautiful composition, production design and lighting.

Third frame: This entire sequence is creepy and disturbing. I love the way they reveal the corpse for the first time. This frame, in particular, is very interesting. Once the "plot twist" is revealed; you realize you're watching a very intimate moment for Shauna. It's not just a silly conversation between two friends. It's a deep part of her brain, full of grief, guilt, fear and the impossibility of letting go. The framing of the characters, using those leaves, give the viewer the sensation of spying on her, of watching something we definitely shouldn't be watching.

[wornoutspines]

The Last Thing He Told Me (Pilot Review) | Surprisingly Faithful

I watched #TheLastThingHeToldMe when it premiered, because I like how it is cast and love the potential the story has but I'm surprised by show. #JenniferGarner #AngourieRice #AppleTVPlus #NikolajCosterWaldau

Creators: Laura Dave (Novel) & Josh SingerCASTJennifer GarnerAngourie RiceNikolaj Coster-WaldauAisha TylerGeoff StultsJohn Harlan KimAugusto Aguilera Review The end starts at the beginning and the beginning starts at the end. If you’ve read the book this will make sense in conjunction with the first minutes of the two-episode premiere. The show has a sleek look that gives makes it a little more…

[boardchairman-blog]

**Shots of the Episode**

The Marvelous Mrs. Maisel (2017)

Season 5, Episode 3: “Typos and Torsos” (2023) Director: Daisy von Scherler Mayer Cinematographer: M. David Mullen

[raphlecia]

Parker Posey's thoughts on personal style in a 25th anniversary article on Party Girl (1995) dir. Daisy von Scherler Mayer 

[miwtual]

#YJWEEK2023 | day one ➙ favorite episode ↳ 1x09 “Doomcoming” — dir. Daisy von Scherler Mayer

[davidhudson]

Happy 55th, Parker Posey.

Daisy von Scherler Mayer’s Party Girl (1995).

[sheryl-lee]

We want to blame the world for our pain - the parents who didn’t support us, the lover who didn’t love us back - but the truth is, we are the ones making ourselves sick. And the rest of it... doesn’t matter. It doesn’t matter. Right? Because it isn’t real. It isn't real.

Yellowjackets (2021-) 2.01 - Friends, Romans, Countrymen dir. Daisy von Scherler Mayer