#DMX-45

[omegaremix]

Sunday Records, 2022.

It’s early June and I’m in the middle of eleven days off from work. I cannot tell you how stunning these last few weeks have been for me. For the first time in a long time I’ve been feeling great about many things. I have been at the top of my game. Relaxed, tranquil, and level like never before. I went to Sacred Bones’ 15th Anniversary and experienced a feeling like no other. I’ve met a few friends from the alternative-music circle whom I haven’t seen in years. I’ve been tasked to do an amazing amount of summer radio shows at WUSB. The Roman goth girl who’ve I’ve been in contact with since February taught me to face my fears, to not be afraid of bad news, and see the greatest, truest value in people. It’s not even halfway to June and I feel something great is yet to happen.

I’ve been spending money on music without worry. It’s a winner-take-all tour of Long Island’s record stores and at this point I’ve hit up three so far with astonishing results. Sunday Records would be my fourth on the list to visit and it had to be. It’s my only Sunday off in the foreseeable future and, still true to its name, only opens on that one day. I didn’t have a choice, did I? It took me only 30 minutes to get there and closing time was 5PM. It’s 2PM as I walked through those doors so I had three hours to Autobahn it through the entire store. No shelf or rack was left unsifted by me.

The layout of Sunday Records hasn’t changed one bit. Nothing’s re-arranged. Upper wall racks of 7” singles and 45’s hovered above the 12” vinyl bins. There was a maze of LP’s front to back, side to side, and in the middle. What also hasn’t changed was the owner’s system of classifying records unique to the store. If not a genre, it’s chart position, week, and radio station. Brian (the owner) was obsessive to detail and nostalgic like that. Then again, so am I.

There’s a section on the front left side of the entrance. It’s where the electronic, dusty classics, and un-priced arrivals sections were. Less than .01% of its stock was electronic and I sure wasn’t going to waste time sifting through Fifties and Sixties jazz greats. I just knew. I turn to my right and there were plenty of funk, groove, and R&B LP’s and 12” singled there. I looked under the bins and there were boxes of records not priced out. That’s where I found various hip-hop and rap singles, uncharacteristic for a store that specialized in vintage jazz, Seventies radio rock, and everything Eighties. It was all fair game and I took what I could. Unstickered singles by Black Moon, Big Daddy Kane, Kurtis Blow, Jeru The Damaja, Fu-Schnickens, Double XX Posse, and an early pre-fame DMX e.p. (“Born Loser”). I knew Brian wasn’t the type who was into West Coast jams or boombox anthems and made me think why he took them in the first place. No matter. It was a lucky out for someone like me to easily stock up on hip-hop and rap vinyl.

Now the 45’s. Sunday Records was always good with pricing them on the cheap. What I purchased in 7” singles from West Babylon’s Looney Tunes, I tripled that here. These 7” singles of Eighties hits from my Atari / Nintendo childhood meant not having to purchase full albums for one or two songs. Why not acquire them? Plenty of synth-pop, new wave, and pop rock. One 7” I might have passed up the last time around was Re-Flex’ “The Politics Of Dancing”. The single that gave me these Sunday vibes was finally in my hands. This visit’s surprises? Gary Numan’s “I Die: You Die” b/w “Down In The Park” and Killing Joke’s “Adorations” for $4.00. Then I came across The Normal’s “T.V. OD” b/w “Warm Leatherette” The good news was that I discovered it. The bad news? It was a $14.00 hit…and without an original artwork sleeve. The price you pay to take home synthpop history.

When that was over, I took a deep breathe and dove into all the vinyl inventory. The great thing about Brian was that almost nothing was out of place. He’s incredibly meticulous in that everything was in alphabetical order and with almost nothing in the wrong bin. Also with Looney Tunes, a good amount of records were alphabetized or sorted by artist, allowing me to fly right over large chunks of sections and straight to the others. What wasn’t hip-hop / rap and categorized by chart position, week, and radio station ended up on the lesser expensive side. Like the 45’s, I sped through furiously through the LP bins and acquired a lot of hits from my childhood. A recent discovery now in my hands? Captain Sensible’s “Wot” for $5.00.

And what I made up in value, I would lose later with some essential finds. That’s even avoiding the new vinyl section. Towards the end of searching was where it started to hurt. The least of my worries? The Cars’ Panorama for $8.00. The Shirts’ debut and Anti-Nowhere League’s The Perfect Crime for $9.00 each. But that’s not all. I found essentials in The Young Gods and Pere Ubu where it stopped at the $10.00.

Now the heavy stuff. No one remembers or know who The Innocent was. The Roman goth girl I mentioned earlier? She’s insanely obsessed with Tent Reznor. While doing a Nine Inch Nails run, I learned he was part of said band right after leaving Option 30. The Innocent’s only album was found in one of the bins and I grabbed it for $14.00. Had I not known about them, I would’ve zipped past it without even knowing. One album I passed up during my last record-store tour was Cabaret Voltaire’s The Crackdown. I found it twice in unopened condition for $20.00 at several stores and gave it up at least twice, thinking I could l buy it for less. Well, four years later I was right on that one. I finally found it again and for $14.00 opened I wasn’t going to pass it up a second time. While there, Sunday Records still maintained a good selection of other industrial and related releases. They had more Cabaret Voltaire records including The Pressure Company (!) and even the new ones (Shadow Of Fear and Dekadrone) which I was impressed that Brian carried. Front 242 e.p.’s were also in the bins and several Ministry records starting with Work For Love (the overseas pressing of With Sympathy), some Twitch-era singles, and all the way up to Psalm 69.

Here comes another unexpected hit in the kneecaps: Kraftwerk’s The Man-Machine for $20.00. Any time I buy Kraftwerk on vinyl I pay that price; nothing less. That’s how much I paid for a used copy of Radio-Aktivitat at a record fair held in Amityville’s veteran hall. Again, take no chances. Finally, a record that I hoped to find in the wild because it was so good: The Raveonettes’ Pe’ahi; $20.00 asking price. Decisions had to be made but not necessarily now. I held on to it for the time being, having to decide to take it now or pass it up and find it again somewhere else for less. Looks like I will take my chances.

It’s not an understatement when I say this, but 99.99% of Sunday’s stock was all vinyl. The other .01% were used cassettes and CDs placed right near its listening station at the front-right of the entrance. I passed it all up as nothing there interested me. So far, Sunday- is the only store where it was all vinyl.

Ten minutes to closing. It’s about time to make some decisions. Brian greeted me and started counting everything up. Of the 75 I had in my arms, I gave five back to him including the Raveonettes album. He was amazed. He tried selling it back to me because he also knew it was a great album. Oh, I agreed. But as I told each and every one of you, I held off just in case. His laptop lost its’ juice so there was no easy way for him to add it all up and keep track of what he sold me. He ended up taking photos of everything I bought and took him about a good fifteen minutes to calculate it all. Then I gave in. I’d take the Raveonettes’ album after all. Take no chances, right?

“You should come here more often!” he told me in an exasperated manner. “Really?” I laughed. It’s not every year that I do this, Brian. I’d try real hard to keep up if I did. Now I knew why he said that.

“That’ll come to $348.00”. Yikes. That was at least triple of what I spent at my last visit here. I was sweating like Rodney Dangerfield on his worst night. (Plot twist: he never had one.) Despite Brian giving me all the hip-hop records for $20.00, the other records made up for it. No coupons, either. But, I had all the confidence in the suburbs to spend with no worry. The stack was so hefty that Brian got me a box from the back to hold all the 12” records in and bagged all of my 45’s so that they wouldn’t slip out of position. I was relieved in the end to nail that Sunday like I wanted to. But the day wasn’t over yet.

After I thanked Brian for everything, I loaded my purchase in the trunk. I had plans on seeing Candy, a Jewish ginger whom I haven’t seen since we left Brentwood. She has a family-owned restaurant out in Calverton and I promised I’d visit the next time I was nearby. I went west on Route 25 and started the peaceful, sunny journey to her eatery. It’s not every day I’m out in Riverhead or Calverton. I took all the time in the world driving through the scenic route of vast farmland and sparse local businesses along the long, quiet roads; ready to catch up with her and walk down a beautiful but bittersweet and tattered memory lane.

Prince: “1999” b/w “How Come U Don’t Call” 7”

Re-Flex: “The Politics Of Dancing” b/w “Flex It” 7”

Normal, The: “TV Overdose” b/w “Warm Leatherette” 7”

Gary Numan: “I Die: You Die” b/w “Down In The Park” 7”

Pet Shop Boys: “It’s A Sin” b/w “You Know Where You Went Wrong” 7”

Robert Palmer: “Simply Irresistible” b/w “Nova” 7”

Pet Shop Boys: “What Have I Done To Deserve This” b/w “A New Life” 7”

Bananarama: “Cruel Summer” 7”

Belinda Carlisle: “Heaven Is A Place On Earth” 7”

Dead Or Alive: “Brand New Lover” 7”

Joan Jett: “Little Liar” 7”

Killing Joke: “Adorations” b/w “Exile” 7”

Mike & The Mechanics: “Silent Running (On Dangerous Ground) b/w “Par Avion” 7”

Tone Loc: “Funky Cold Medina” 7”

Suzanne Vega: “Luka” 7”

Human League: “Don’t You Want Me” b/w “Seconds” 7”

Escape Club: “Wild Wild West b/w “We Can Run” 7”

Erasure: “Chains Of Love” b/w “Don’t Suppose” 7”

Don Henley: “All She Wants To Do Is Dance” b/w “Building The Perfect Beast” 7”

Starship: “We Built This City” b/w “Private Room” (ins.) 7”

Todd Rundgren: “Hello It’s Me” b/w “Cold Morning Light” 7”

Huey Lewis: “Stuck With You” b/w “Don’t Ever Tell Me That You Love Me” 7”

Stevie Winwood: “The Finer Things” 7”

Wings: “With A Little Luck” b/w “Backwards” 7”

Robert Palmer: “Addicted To Love” b/w “Let’s Fall In Love Tonight” 7”

Bananarama: “Venus” b/w “White Train” 7”

Joan Jett: “I Hate Myself For Loving You” 7”

Mike & The Mechanics: “Through The Living Years” b/w “Too Many Friends” 7”

Stevie Winwood: “Higher Love” 7”

Don Henley: “Dirty Laundry” b/w “Lilah” 7”

J.J. Fad: “Supersonic” 12”

Black Moon: “I Got Cha Opin” b/w “Reality” 12”

Big Daddy Kane: Raw ‘91 12”

Kurtis Blow: “If I Ruled The World” 12”

Jeru The Damaja: “Come Clean” b/w “D. Original Dirty Rotten Scoundrel” 12”

Fu-Schnickens: “Ring The Alarm” 12”

Young MC: “Bust A Move” 12”

Chaka Khan: “Crush Groove (Can’t Stop The Street)” 12”

Big Daddy Kane: “I Get The Job Done” 12”

Double XX Posse, The: “not Gonna Be Able To Do It” b/w “The Pure Thing” 12”

Domino: “Sweet Potato Pie” 12”

Masta Ace Incorporated: “Jeep Ass Niguh” b/w “Saturday Night Live” 12”

Fonda Rae: “Over Like A Fat Rat” 12”

River Ocean ft. India: The Tribal EP

Grandmaster & Melle Mel: “White Lines” b/w “Melle Mel’s Groove” 12”

DMX: “Born Loser” 12”

Grandmaster Flash & The Furious Five: “On The Strength” 12”

Anti Nowhere League, The: The Perfect Crime 12”

Mr. Mister: “Is It Love b/w “Broken Wings” 12”

Thompson Twins: “Lies” 12”

Roxette: “The Look” 12”

T’Pau: “Heart And Soul” 12”

Dire Straits: Extended Dance EP 12”

Flora Purim: “Stories To Tell” 12”

Raveonettes, The: Pe’Ahi 12”

Orchestral Manoeuvres In The Dark: “If You Leave” b/w “La Femme Accident” 12”

Nu Shooz: “Point Of No Return” 12”

Falco: “Vienna Calling” b/w “Rock Me Amadeus” 12”

Shirts, The: self-titled 12”

Belinda Carlisle: “I Get Weak” 12”

Captain Sensible: “Wot!” 12”

Young Gods, The: self-titled 12”

Men Without Hats: “The Safety Dance” 12”

Level 42: “Something About You” 12”

Killing Joke: “Sanity” b/w “Eighties” 12”

Pere Ubu: The Art Of Walking 12”

Kraftwerk: The Man-Machine 12”

Innocent, The: Livin’ In The Street 12”

XBXRX: Gop Ist Minee 12”

Cabaret Voltaire: The Crackdown 12”

Cars, The: Panorama 12”

[sindirimba]

found a list that bummed me out

Trugoy the Dove (54, 2023) Coolio (59, 2022) Grand Daddy IU (54, 2022) DJ Kay Slay (55, 2022) (DJ, not rapper) Gift of Gab (50, 2021) Prince Markie Dee of the Fat Boys (52, 2021) DMX (50, 2021) Shock G of Digital Underground (57, 2021) Black Rob (52, 2021) MF DOOM (49, 2020) 5th Ward Weebie (42, 2020) Ecstasy of Whodini (56, 2020) Malik B of the Roots (47, 2020) Bushwick Bill of the Geto Boys (52, 2019) Jimmy Spicer (61, 2019) Lovebug Starski (57, 2018) Craig Mack (46, 2018) Prodigy of Mobb Deep (43, 2017) Phife Dawg of A Tribe Called Quest (45, 2016) Sean Price (43, 2015) Hussein Fatal (42, 2015) (car accident) Pumpkinhead (40, 2015) Koopsta of Three Six Mafia (40, 2015) Big Bank Hank (57, 2014) Tim Dog (46, 2013) Nate Dogg (42, 2011) Lord Infamous of Three Six Mafia (40, 2013) Heavy D (44, 2011) GURU (40, 2010)

:(

[rashapofessional]

How to Choose the Right LED PAR Lights for Your Event?

Selecting the perfect LED PAR lights for your event can significantly impact the atmosphere and overall success. With a variety of options available, it’s essential to understand the key factors that will help you make the best choice. Here’s a comprehensive guide to choosing the right LED PAR lights for your event.

What Are LED PAR Lights and Why Use Them?

Understanding LED PAR Lights LED PAR lights, short for Parabolic Aluminized Reflector lights, are a type of stage and event lighting that uses LED technology. They are known for their energy efficiency, long lifespan, and versatility in creating vibrant lighting effects.

Benefits of LED PAR Lights LED PAR lights are more energy-efficient than traditional lights, reducing power consumption and heat output. They offer a wide range of colors and effects, making them ideal for various events such as concerts, weddings, and corporate functions.

What Factors Should You Consider When Choosing LED PAR Lights?

Brightness and Output Consider the brightness and output of the LED PAR lights. Measure the lumens or wattage to ensure they provide adequate illumination for your event space. The larger the venue, the more powerful the lights you'll need.

Beam Angle The beam angle determines the spread of light. A narrow beam angle (10-25 degrees) is ideal for spotlighting specific areas or objects, while a wider beam angle (25-45 degrees) covers larger areas, perfect for general stage lighting or creating ambient effects.

Color and Effects Evaluate the color options and effects available with the LED PAR lights. Many LED PAR lights offer RGB (Red, Green, Blue) or RGBW (Red, Green, Blue, White) color mixing, allowing for a vast spectrum of colors. Some models also include built-in effects like strobe, fade, and chase patterns.

Control Options Determine how you want to control the LED PAR lights. Options include manual control, remote control, or integration with DMX (Digital Multiplex) systems. DMX control is ideal for more complex setups, offering precise control over multiple lights and effects.

How Many LED PAR Lights Do You Need?

Assessing Your Space Calculate the number of LED PAR lights needed based on the size and layout of your event space. For small to medium venues, a few strategically placed lights may suffice. Larger venues may require more lights to ensure even coverage and desired effects.

Planning the Layout Create a lighting plan that outlines the placement of each LED PAR light. Consider the height, angle, and distance between lights to achieve the desired illumination and effects. Proper planning ensures a professional and visually appealing setup.

What Is Your Budget?

Setting a Budget Determine your budget for LED PAR lights. Prices can vary significantly based on features and brand. Set a realistic budget that balances quality and affordability, ensuring you get the best value for your investment.

Comparing Brands and Models Research different brands and models within your budget. Read reviews, compare specifications, and seek recommendations from industry professionals to make an informed decision.

How Do You Ensure Proper Setup and Maintenance?

Installation Tips Follow manufacturer guidelines for installing and setting up your LED PAR lights. Ensure they are securely mounted and correctly connected to power sources and control systems. Test the lights before the event to verify everything is working correctly.

Regular Maintenance Perform regular maintenance to keep your LED PAR lights in optimal condition. Clean the lenses and housings, check for any loose connections, and update software or firmware if applicable. Proper maintenance extends the lifespan of your lights and ensures consistent performance.

Conclusion

Choosing the right LED PAR light for your event involves careful consideration of factors such as brightness, beam angle, color options, control methods, quantity, budget, and maintenance. By understanding these elements and planning accordingly, you can create a stunning lighting setup that enhances the atmosphere and success of your event. Whether you’re hosting a small gathering or a large-scale production, the right LED PAR lights can make all the difference.

[subtlesolitude-tailoredtaste]

Method Man Reveals ‘The Wire’ Origin Story, Jay-Z & DMX Stories, Team USA Rap Comps & More

7PM in Brooklyn with Carmelo Anthony & Kid Mero

8.4K

Likes

307,068

Views

Mar 14

2024

Rap legend Method Man spent some time in Brooklyn with the guys to share untold stories about touring with DMX and Jay-Z, how a missed audition led to his classic Wire character, as well as how he’s been able to navigate for over two decades in Hollywood. Tap In!

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.

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New episodes drop every Thursday.

Subscribe to the podcast on Spotify, Apple, or wherever you get your podcasts, and follow the show on Instagram, Twitter, and TikTok for all the best moments from the show.

Download the full podcast here:

Spotify: https://open.spotify.com/show/4sEy5p8...

Apple: https://podcasts.apple.com/us/podcast...

Amazon: https://music.amazon.com/podcasts/6f0...

Follow 7PM in Brooklyn on Social Media: hoo.be/7pminbrooklyn

0:00 - Intro

3:35 - Meth Connecting with Younger Generation

7:00 - Meth on Power Book II Role

9:21 - Origins of Meth’s ‘The Wire’ Character: ‘Cheese’

16:06 - Love for the Anti-Hero in Film & TV

25:25 - Carmelo’s Acting on ‘Sons of Anarchy’

28:23 - Melo on the Difficulties of Acting

29:20 - Melo’s Dream Role & Movie Goals

30:33 - Meth on Problems in Hollywood for Black Creatives

39:15 - Why Method Man Decided to Pursue Acting Full-Time

44:20 - Method Man’s Dream Role

50:20 - Method Man in the Marvel Cinematic Universe?

57:19 - Rap Still A ‘Young Person’s Game’?

1:11:11 - Method Man’s Favorite Duo

1:18:55 - How Method Man Battled Depression

1:35:20 - Going on Tour with DMX & Jay-Z

1:45:00 - Melo on Superstars of ’08 Redeem Team

1:52:10 - The Kid Mero Story of First Meeting Method Man

1:54:34 - FWIorFOH

2:13:05 - Outro

[nightcoremoon]

why don’t we call de la rocha of rage a racist because he uses rap vocal techniques despite not being a black man?

well obviously because a black man is the one responsible for the musical backing tracks behind the rapping.

so y’all white SJWs are ok with rage against the machine but not with eminem even tho dj head, dr dre, mel-man, denaun, 45 king, royce 5’9”, snoop dogg, xzibit, nate dogg, obie trice, 50 cent, nicki minaj, kanye, jay z, rihanna, wayne, kendrick, redman, tech n9ne, dmx, and dozens of other incredibly high profile black artists in the hip hop scene have worked with him and supported his work. just seems a little like you’re all just uneducated clout-chasers speaking about things you don’t understand in order to get gold stars from strangers congratulation you on having “the correct opinion”.

[flushthethrone]

SVR EPISODE #376!!!

Episode 376 - Southern Vangard Radio

BANG! @southernvangard #radio Ep376! We’re back after a 2 week hiatus but don’t FRET, STRESS or SKRUGGLE for one second - the dynamic duo got jokes and joints galore on deck this week. As an extra added bonus this week - go check out the latest episode of SOUNDCHECK - our pals DJ RHETTMATIC & D-STYLES of THE BEAT JUNKIES had us on their show to talk about the book amongst other thangs. Rhett also cooked up a SUPER DOPE tribute mix for the occasion. Hit the the link in our bio for the goods and say THAAAAANK YAA and we’ll say YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard #YouWaaaaalcome // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK

Recorded live October 1, 2023 @ Dirty Blanket Studios, Marietta, GA

southernvangard.com

@southernvangard on all platforms

#SmithsonianGrade #WeAreTheGard

twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks

Pre-Game Beats - Bhramabull

Talk Break Inst. - "Shy Role" - DJ Premier

"You Know My Style" - Czarface ft. Nems

"Hand Me Down" - Spit Gemz, Aye Wun & True Cipher

"38 Corridor (Money Mix)" - SmooVth & Giallo Point

"Furious Styles' Newports" - Sleep Sinatra X Original Super Legend

"Lullaby" - Rasheed Chappell ft. Rome Streetz & 38 Spesh

"More Dainja (Original Version)"  -  & Marco Polo (cuts Shy The BeatYoda)

Talk Break Inst. - "Really" - DJ Premier

"Grey Sheep" - Torae & Marco Polo ft. Dres Of Black Sheep

"Reflection" - RhymeStyleTroop X The Dead Poetz Society

"Mother Load" - DJ Akil & Starvin B ft. Foul Monday & Spent D'Nero

"Chain Swingin" - Dios Negasi

"When They See Us" - Rasheed Chappell ft. STL GLD (prod. Arcitype)

"Malice At The Palace" - Lord Sko

"Ruff N Rugged" - Ras Kass & Tragedy Khadafi

Talk Break Inst. - "DMX Bark 'N Growl" - DJ Premier

"Procall" - Rome Streetz (prod. Evidence)

"Cross The Line" - Mickey Diamond & Camoflauge Monk ft. Snotty & Pro Dillinger

"Dodge Caravan" - Estee Nack x Mike Shabb ft. Stove God Cook$

Talk Break Inst. - "In Moe" - DJ Premier

"Black Babies" - Estee Nack x Mike Shabb ft. Ankhlejohn

"Crow Feathers" - Daniel Son & Wino Willy

"Penitentiary Chances" - Jus-P & BodyBagBen

"Disclosure" - Swab ft. M.A.V.

"The Unidentified Flowing Object" - UFO Fev

Talk Break Inst. - "In Moe" / "Eiht 45" - DJ Premier

SOUNDCLOUD

https://on.soundcloud.com/d6Mxr (SHORT LINK)

APPLE PODCASTS

SPOTIFY PODCASTS

YOUTUBE

GOOGLE PODCASTS

http://bit.ly/svrgooglepodcasts

TWITCH

MIXCLOUD

ARTIST HASHTAGS

#SouthernVangard #DJJonDoe #EddieMeeks #Bhramabull #DJPremier #Czarface  #Nems #SpitGemz #AyeWun  #TrueCipher #SmooVth  #GialloPoint #SleepSinatra #OriginalSuperLegend #RasheedChappell  #RomeStreetz #38Spesh #Torae  #MarcoPolo #ShyTheBeatYoda #Dres #BlackSheep #RhymeStyleTroop #TheDeadPoetzSociety #DJAkil  #StarvinB #FoulMonday  #SpentDNero #DiosNegasi #RasheedChappell  #STLGLD  #Arcitype #LordSko #RasKass  #TragedyKhadafi #Evidence #MickeyDiamond  #CamoflaugeMonk  #Snotty  #ProDillinger #Estee Nack #MikeShabb  #StoveGodCooks #Ankhlejohn #DanielSon  #WinoWilly #JusP  #BodyBagBen #Swab  #MAV #UFOFev

[southernvangard]

SCR EPISODE #376!!!

Episode 376 - Southern Vangard Radio

BANG! @southernvangard #radio Ep376! We’re back after a 2 week hiatus but don’t FRET, STRESS or SKRUGGLE for one second - the dynamic duo got jokes and joints galore on deck this week. As an extra added bonus this week - go check out the latest episode of SOUNDCHECK - our pals DJ RHETTMATIC & D-STYLES of THE BEAT JUNKIES had us on their show to talk about the book amongst other thangs. Rhett also cooked up a SUPER DOPE tribute mix for the occasion. Hit the the link in our bio for the goods and say THAAAAANK YAA and we’ll say YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard #YouWaaaaalcome // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK

Recorded live October 1, 2023 @ Dirty Blanket Studios, Marietta, GA

southernvangard.com

@southernvangard on all platforms

#SmithsonianGrade #WeAreTheGard

twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks

Pre-Game Beats - Bhramabull

Talk Break Inst. - "Shy Role" - DJ Premier

"You Know My Style" - Czarface ft. Nems

"Hand Me Down" - Spit Gemz, Aye Wun & True Cipher

"38 Corridor (Money Mix)" - SmooVth & Giallo Point

"Furious Styles' Newports" - Sleep Sinatra X Original Super Legend

"Lullaby" - Rasheed Chappell ft. Rome Streetz & 38 Spesh

"More Dainja (Original Version)"  -  & Marco Polo (cuts Shy The BeatYoda)

Talk Break Inst. - "Really" - DJ Premier

"Grey Sheep" - Torae & Marco Polo ft. Dres Of Black Sheep

"Reflection" - RhymeStyleTroop X The Dead Poetz Society

"Mother Load" - DJ Akil & Starvin B ft. Foul Monday & Spent D'Nero

"Chain Swingin" - Dios Negasi

"When They See Us" - Rasheed Chappell ft. STL GLD (prod. Arcitype)

"Malice At The Palace" - Lord Sko

"Ruff N Rugged" - Ras Kass & Tragedy Khadafi

Talk Break Inst. - "DMX Bark 'N Growl" - DJ Premier

"Procall" - Rome Streetz (prod. Evidence)

"Cross The Line" - Mickey Diamond & Camoflauge Monk ft. Snotty & Pro Dillinger

"Dodge Caravan" - Estee Nack x Mike Shabb ft. Stove God Cook$

Talk Break Inst. - "In Moe" - DJ Premier

"Black Babies" - Estee Nack x Mike Shabb ft. Ankhlejohn

"Crow Feathers" - Daniel Son & Wino Willy

"Penitentiary Chances" - Jus-P & BodyBagBen

"Disclosure" - Swab ft. M.A.V.

"The Unidentified Flowing Object" - UFO Fev

Talk Break Inst. - "In Moe" / "Eiht 45" - DJ Premier

SOUNDCLOUD

https://on.soundcloud.com/d6Mxr (SHORT LINK)

APPLE PODCASTS

SPOTIFY PODCASTS

YOUTUBE

GOOGLE PODCASTS

http://bit.ly/svrgooglepodcasts

TWITCH

MIXCLOUD

#SouthernVangard #DJJonDoe #EddieMeeks #Bhramabull #DJPremier #Czarface  #Nems #SpitGemz #AyeWun  #TrueCipher #SmooVth  #GialloPoint #SleepSinatra #OriginalSuperLegend #RasheedChappell  #RomeStreetz #38Spesh #Torae  #MarcoPolo #ShyTheBeatYoda #Dres #BlackSheep #RhymeStyleTroop #TheDeadPoetzSociety #DJAkil  #StarvinB #FoulMonday  #SpentDNero #DiosNegasi #RasheedChappell  #STLGLD  #Arcitype #LordSko #RasKass  #TragedyKhadafi #Evidence #MickeyDiamond  #CamoflaugeMonk  #Snotty  #ProDillinger #Estee Nack #MikeShabb  #StoveGodCooks #Ankhlejohn #DanielSon  #WinoWilly #JusP  #BodyBagBen #Swab  #MAV #UFOFev

[trillag]

1:45 am

yes I know like why am I starting this off with "yes I know"... CAUSE I know better & its the most annoying thing when you know you can be better and your not. Life.. bit me harder than Tyson. Depression.. fucked me harder than DMX in belly. BUT Motivation.. was passed onto me like a bad jaw line.

No matter what though.. Ive always smiled. The cup was always half full and you niggas will never convince me otherwise.

#trillag

[alexegan]

Interview / Video / Audio: http://offtherecord.net/phonica-friends-family-mix-series-13alex-egan/ Tracklist: 01. The FLK – We Know Where The Time Goes (Part 1) (Excerpt) [Utter] 02. Cheb Runner – 3097.7 km / 3097.7كم [Oddball Fantasies] 03. Cass. & Niklas Wandt – Schicht um Schicht [Candomblé] 04. DJ Plead – RT3 [Boomkat Editions] 05. Golden Axe – Yaatra [Arma] 06. Zazou / Bikaye / CY 1 – Ey! Yaye [Crammed Discs] 07. Carcass Identity – Things To Forget [Phase Group] 08. Black Merlin – Scape One [Artificial Dance] 09. Waak Waak Djungi – Mother I’m Going [Efficient Space] 10. Luis – Timmy Chalamet [AD 93] 11. Boards Of Canada – In A Beautiful Place Out In The Country [Warp] 12. CiM – Cable Car [Delsin] 13. DMX Krew – Archimedes [Expanding Vision] 14. Internal/External – Trespass [Kode] 15. Single Gun Theory – Open The Skies (Extended Remix) [Nettwerk] 16. Uni Son – Untitled For Now [We Play House] 17. Le Petit – Niente [Maga Circe Musica] 18. Frank Rodas – Ritual (Forthcoming on Utter) 19. J.S.Zeiter – B2 [Expanding Vision] 20. Delia Gonzalez & Gavin Russom – Relevee (Carl Craig Remix) [DFA] 21. Anatolian Weapons – Acid Research 63 [Byrd Out] 22. Rolando Simmons – Yes It’s That Pluzz [Analogical Force] 23. Submersible Machines – When  Whales Fall [Lunar Disko] 24. Tin Man – Jack It Acid [Acid Test] 25. Akasa – One Night In My Life (Nectar Mix) [WEA] 26. Skatebård – The Bells Of Mist [Balsa Wood] 27. Experimental Products – Glowing In The Dark [Vinyl-On-Demand] 28. Amor Fati – Stanton Carlisle [Forthcoming on Deep Cover #7]* 29. Sepehr – Servants Taunt [Squirrels On Film] 30. Mr. Fingers – Inner Acid (Aleksi Perälä Remix) [Alleviated Records] 31. Biochip – Bremerton [WéMè Records] 32. Alden Tyrell – Shift Cycle [Dub Recordings] 33. Mike Ash – Robotik [Ozone Recordings] 34. Mathew Jonson – Ultraviolet Dream [M_nus] 35. Paradise 3001 – Sunspots (Solenoid Version) [Sound Metaphors] 36. Nathan Fake – Outhouse (Fluffy Mix) [Border Community] 37. Bochum Welt – Radiopropulsive [Rephlex] 38. MNLTH – Meadow [Organic Analogue Records] 39. Misha Sultan – Kaleidoscope [DIG] 40. Hans Berg – A Floor Of Stars [Klasse Wrecks] 41. Böhm – Single Scene [Dolly] 42. Quad – Spires ‘n’ Towers [Casting Shadows] 43. DMX Krew – Orange Cat Milk [Under The Radar] 44. Furyon – Trance Exploder (Trance Out Mix) [Stroom] 45. Vein Melter – When You Feel It (Remix) [La Bella Di Notte] 46. Priori Presents RED – The Hammer [Garmo] 47. A∞x – Ceramic City [Nduja] 48. Modern Art – Hello/Goodbye [Domestica] 49. Steffi Grafs Innere Ruhe – Gute Freizeit [The News Cycle] 50. Krampfhaft – Meanwhile At The Old Warehouse [030303] 51. Black Point – Forest Lore [Out To Lunch] 52. Poly Chain – Cobalt [Die Orakel] 53. Vangelis – Tears In Rain [Audio Fidelity] 54. DJ Lostboi – Little Prince [Self-Released] 55. Piero Piccioni – It Means Love [Dirty] 56. Chris & Cosey – Melancholia [Conspiracy International] 57. Brian Eno – Final Sunset [E.G. Records] 58. Acoustic High-End Research – Nature Ensemble [Running Back] 59. Coil – Strange Birds [Dais] 60. Sandra Cross – The MMs Bar Recordings [Trunk]

[poshexpressrentals]

$199 / All Day Rental 18 Wireless RGB Uplighting & DMX Wireless Controller Gold Package Uplighting rentals are the perfect addition to any event! Uplighting adds depth and a personal touch to your event space by literally painting your reception hall with light. You can transform any event space into a beautiful canvas of light with Up-Lights with a large selection of colors to choose from. Uplights are placed every 5ft, 10ft, or 15ft apart along any wall, columns, or focal points. Place uplights 10 feet apart for a beautiful look, or 5 feet apart for a dramatic look. Use uplighting around an entire room, or to highlight specific areas like a head table wall, registration area, etc. These wireless Par Uplights are easy ton control through DMX, Sound Active, or with our wireless DMX Controller. We specialize in providing party and event rental services, and we offer a comprehensive range of items required to make your upcoming occasion a success. 👍Follow Us on Instagram & Facebook @poshexpressrentals 📲 Call Today: 702-743-2424 💻 Book Online: www.poshexpressrentals.com 📧 Email Us: info@poshexpressrentals.com 🔸Party Rentals🔸Photo Booths🔸Event Rentals🔸Tables & Chairs🔸Canopies🔸Giant Games 🔸 Wedding Rentals🔸Uplights🔸Audio & Video🔸Nerf Wars 🔸Dance Floor🔸Linens🔸 Weddings ⋆ Birthdays ⋆ School Events ⋆ Religious Events ⋆ Corporate Events ⋆ Conventions ⋆ Graduation Parties ⋆ Festivals ⋆ Conferences ⋆ Homeowner Events ⋆ Hotel Events ⋆ Baby Showers ⋆ Bridal Showers ⋆ Family Reunions ⋆ Quinceaneras ⋆ Sweet 16 ⋆ Retirement Parties ⋆ Trade Shows ⋆ Bar /Bat Mitzvahs ⋆ Holiday Parties ⋆ Photo Shoots ⋆ Anniversaries ⋆ Santa Villages & more An authorization credit card hold is required to secure your reservation. To ensure a smooth setup, please allow our staff enough time and access to the location before the event to set up equipment. They also require 45 minutes after the event to remove equipment.

[gajjarequipments]

Asphalt Hot Mix Plant in Zimbabwe

Gajjar Equipments Private Limited Offers Asphalt Hot Mix Plant in Zimbabwe. Our Registered office and Manufacturing Unit is in Ahmedabad, Gujarat, India. We are manufacturer, supplier, and exporter of Asphalt Mixing Plants, Concrete Batching Plants, Wet Mix Macadam Plants, Bitumen Pressure Distributors, Bitumen Decanters, Road Sweeping Equipment, Material Handling Conveyors, Feeding Systems, Storage Systems, Pavement Mixing Plants. Gajjar Equipments Private Limited stands out as a top choice for asphalt hot mix plant manufacturers and exporters in the country. We use high-quality materials to build our asphalt batch mix plants/asphalt hot mix plant, ensuring they are durable and resistant to corrosion. Our plants are known for their outstanding performance and reliability, which has earned us a strong reputation both nationally and internationally. We pride ourselves on delivering timely services to our customers, making sure that we meet their needs efficiently and effectively. We offer a range of Asphalt Drum Mix Plants, including both Asphalt Batch Mix Plants and Continuous Asphalt Plants. Key Components of Our Asphalt Batch Mix Plant: Cold Aggregate Bin Feeder: For accurate feeding of cold aggregates. Drying and Mixing Drum: Essential for heating and mixing materials. Burner Unit: Provides the necessary heat for the drying process. Load Out Conveyor: Transports the final mix to storage or delivery. Bitumen Tank: Stores bitumen for the mixing process. Available Models: DMX-30 DMX-45 DMX-50 DMX-60 DMX-65 Benefits of Asphalt Hot Mix Plant: Containerized Design: Reduces transportation costs by allowing for efficient shipping. Robust Construction: Built with a strong, durable, and rugged structure for reliability. Optimal Design and Function: Engineered for superior performance and efficiency. Efficient Operation: Low noise and reduced fuel consumption for cost savings. Modular Design: Simplifies transportation and installation with easy-to-handle components. Bitumen Weighing System: Streamlines calculations for precise measurements. Minimized Civil Work: Reduces the need for extensive groundwork. Advanced Control Panel: Features modern technology for enhanced control and monitoring. User-Friendly: Designed with ease of use in mind for operators. Gajjar Equipments Private Limited Offers Asphalt Hot Mix Plant in Zimbabwe including locations like Harare, Bulawayo, Chitungwiza, Mutare, Epworth, Gweru, Kwekwe, Kadoma, Masvingo, Chinhoyi, Norton, Marondera, Ruwa, Chegutu, Zvishavane, Bindura, Beitbridge, Redcliff, Victoria Falls, Hwange, Rusape, Chiredzi, Kariba, Karoi, Chipinge, Gokwe, Shurugwi. For more information and inquiries, feel free to contact us. View Product: Click Here Read the full article

[doubleshotsundayepisodes]

EP 45 - GUEST MIX WITH GIBRANPVD - 02272023

Episode 45 - Guest mix with GIBRAN PVD - February 26 2023 Playlist

N.E.R.D, Gucci Mane & Wale - Voilà N.E.R.D & Kendrick Lamar - Don't Don't Do It! N.E.R.D - 2 Fly or Die N.E.R.D - Wonderful Place / Waiting for You N.E.R.D - Deep Down Body Thurst Lupe Fiasco - Streets On Fire Lupe Fiasco - Hi-Definition Kid Cudi - Ashin' Kusher Kid Cudi - Make Her Say (Ft. Kanye West and Common) Kid Cudi - Is There Any Love (feat. Wale) Lupe Fiasco - Hip-Hop Saved My Life Lupe Fiasco - Gold Watch Black Star - Thieves in the Night Nas - One Love Jay-Z - Feelin' It (feat. Mecca) A Tribe Called Quest - Electric Relaxation Cam'ron - Horse & Carriage (feat. Mase) [QH] Puff Daddy - All About The Benjamins (Puff & Big Only - QH) Jermaine Dupri - Money Ain't A Thang (feat. Jay-Z) [QH - Clean] Puff Daddy - Can't Nobody Hold Me Down (feat. Mase) [Intro] The Lox - Ryde Or Die Chick (feat. Eve) [Intro - Clean] Foxy Brown - I'll Be (Feat. Jay Z) Redman - I'll Bee Dat (QH - Clean) Ice Cube - Check Yo Self Snoop Dogg - Who Am I [What's My Name] [Intro] Mobb Deep - Quiet Storm Remix (feat. Lil' Kim) [QH] Missy Elliott - The Rain (Supa Dupa Fly) DMX - Get at Me Dog [QH] Wu-Tang Clan - Shame On a Nigga (Intro) Run-DMC - Walk This Way (feat. Aerosmith) LL Cool J - Mama Said Knock You Out Jay-Z - Money, Cash, Hoes (feat. DMX) [Intro] 2Pac - 2 Of Amerikaz Most Wanted (feat. Snoop Dogg) [Intro]

[jullisonpostsled-blog]

Choose the Stunning RGB Recessed Lighting Canless

Choosing recessed light fixtures is an activity that tests one's aesthetic and practical senses. Ideal task lighting can be provided for each task, while ambient lighting can be used to draw attention to the room's decor. Recessed ceiling lighting can serve a dual purpose of being both functional and visually interesting.

Today's recessed lighting fixtures provide virtually infinite gradations in brightness, allowing you to perfectly illuminate any room. Fortunately, you can complete the style of your lighting by purchasing lighting trim for can lights from Lowe's. The reflective trim improves lighting by reflecting and refracting light, while the baffles soften the rgb recessed lighting canless and prevent eyestrain. Whether it's an artwork or an architectural feature, the eyeball, gimbal, and wall-wash trim may help you showcase it.

Consider recessed LED lighting with a long lifespan if you need energy-saving and budget-friendly illumination. LED bulbs last much longer and use less energy than traditional bulbs, yet the latter are more commonly used because of their convenience. Recessed lighting is a great long-term option to consider while redecorating because it will never go out of style.

An unfiltered and unibody fixture, a canless recessed light connects directly to your home's electrical circuitry. In contrast, canless recessed lighting often consists of slim discs with built-in LED lights rather than light bulbs. This means that the entire outdoor smart recessed lighting 6 inch fixture must be replaced if even a handful of the LEDs fail.

In what ways do recessed lights that don't use cans excel over conventional methods?

Canless lighting, which uses LEDs instead of incandescent bulbs, is typically more energy efficient than traditional can lighting. Without a fixture to act as an air leak, and with LED lighting's superior efficiency compared to traditional bulbs, you'll see a significant reduction in your heating and cooling costs.

RGB LED recessed light with over 16 million colour options, four trim Finish colours, and the ability to be linked together with our patented Low Voltage Easy Connect in/out FC connector technology. Faster connection, safe operating voltage, simpler cable management, and energy-efficient LED lighting are all goals of the design process of the Recessed RGB LED Lighting System. It works with a wide range of commercially available DMX and RGB controllers. The RGB LED Recessed Lights System makes it simple to adjust the brightness of your recessed LED lighting.

How long do LED can-less lights normally last?

While the LEDs won't abruptly die and leave you in the dark, their light output will diminish with time. They have a lifespan of 50,000 hours, which is 45 years if used for three hours every day. This means that you may stop worrying about it now.

[strip-led-colors]

S-shaped LED strip brings new models

Would like the light to follow your thoughts and flow like the lines from your pencil?

COLORS S-shaped LED strip winds its way, together with its new RGB, DMX and CCT models, eager to have that try.

1 Add organic rhythm and grace to space With 45°/90° arc profiles or profiles that can be twisted 90°/180° left/ right & S-shaped led strips compatible with all radians. Circles, modestly rounded rectangles, simple arcs and winding forms all become possible. Light can now flow with the same grace as lines drawn from your pencil.、

2 Match with all radians, less stock stress & easy installation Our S-shaped led strip can match with all radians. You don’t have to cut and splice led strips one after another, or try to customize led strip of a certain radian just to match with profiles of different radians any more.

3 Colorful lights, more vigor to space Available in white light, RGB, DMX and CCT. Curve lighting in a variety of novel styles adds layering and dimension to space, and colorful lights can double the effect, adding vigor to space.

Want to see how LED strip performs to excite? Samples are ready, contact us if any interest.

[travis-lee2-blog]

[레트로/CD] Nas – I Am... : 진부한 후크가 없고, 서정적이고 완벽한 비트 안녕하세요. 이영감입니다. ​​방문해 주셔서 감사합니다. 오늘은 코로나 때문에 정말 오랜만에 보는 동생들과 한잔 예정이에요. 힙합과 함께 하는 동생들 그래서 오늘의 포스팅은 올드스쿨 중 하나를 골라봤어요. ​레이블: Columbia – CK 68773 형식: CD, Album, Stereo 국가: Canada 발매됨: 1999년 장르: Hip Hop 스타일: Thug Rap CD 케이스 상태는 VG 외부에 잔흠집이.. ᄃᄃ CD 케이스를 구매해서 교체를 좀 해줘야겠네요. 케이스 안쪽은 다행히 깨끗합니다. 북클립은 상태는 EX(excellent) + 깨끗하게 잘 보존됐네요. 다행입니다. ​CD는 상태 EX(excellent) 조금 아쉽습니다. ​트랙 목록입니다. 1. Album Intro 2:51 2. N.Y. State Of Mind II 3:36 Producer – DJ Premier 3. Hate Me Now 4:44 Featuring – Puff Daddy Producer – D-Moet, Pretty Boy (2) 4. Small World 4:45 Producer – Carlos "Six July" Broady, Nashiem Myrick 5. Favor For A Favor 4:07 Featuring – Scarface (3) 6. We Will Survive 5:01 7. Ghetto Prisoners 4:00 Producer – Grease* 8. You Won't See Me Tonight 4:23 Featuring – Aaliyah Producer – Timbaland 9. I Want To Talk To You 4:36 10. Dr. Knockboot 2:25 11. Life Is What You Make It 4:05 Featuring – DMX 12. Big Things 3:40 Producer – Alvin West* 13. Nas Is Like 3:57 Producer – DJ Premier 14. K-I-S-S-I-N-G 4:15 15. Money Is My Bitch 4:03 Producer – Alvin West* 16. Undying Love 4:23 ​ 진부한 후크가 없고, 서정적이고 완벽한 비트 가사가 완벽하게 전달되는 랩 트랙 중 하나인 곡입니다. 역시 nas구나 알게 해주는 대표곡이죠. 생생한 스토리텔링, 지적인 가사, 놀라운 이미지, 내용, 깊은 가사 오늘 밤은 올드스쿨과 함께 오랜 친구들과 함께 좋은 시간을 가져야겠네요. Nas - Nas Is Like https://www.youtube.com/watch?v=VC4ORS5n9Hg 그럼 다음에 또 만나요. 광고문의는 이메일, 재능기부는 팩스 연락처를 알려드립니다. 하하하 농담입니다. 문의나 질문은 언제나 환영입니다. ​ ​이영감 유튜브 채널 https://www.youtube.com/c/brainstormLee 이영감 인스타그램 https://www.instagram.com/brainstorm_lee 이영감 블로그 https://blog.naver.com/naze01 문의 : vicious29a@gmail.com #Nas #​NasIsLike #NasIAm #oldschool #레트로 #힙합 #2000년대힙합 #올드스쿨 #외힙 #youtube #brainstormLee #이영감 #CDRecord_brainstormLee #시디_이영감 https://www.instagram.com/p/CjpBj6rhwKT/?igshid=NGJjMDIxMWI=

[wintswag]

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