#DAVID SMALL

[doyouknowthisjewishcharacter]

Do you know this Jewish character?

[nats-reads-reviews]

Stitches: A Memoir by David Small 5/5 ⭐️

I have been meaning to read this graphic novel for a while. I was really blown away by the storytelling and the illustrations that Small created for his memoir. He dives into deep, personal moments of his upbringing that show a great deal of resilience and strength to overcome. The illustrations were so well detailed and his drawing style is so unique. Anyone interested in exploring graphic novels outside of comic books/manga should really check out Stitches.

[godzilla-reads]

🌙 The Werewolf at Dusk and Other Stories by David Small

Rating: ⭐️⭐️⭐️/5

This collection of three short stories in graphic novel format includes “The Werewolf at Dusk”, “A Walk in the Old City”, and “The Tiger in Vogue. The second story in the collection was my favorite because the other two are renditions of other stories by other authors, but “A Walk in the Old City” is based off a dream David Small had. I liked the ongoing themes of age and confronting something inside ourselves. They felt like they all belonged to a dreamscape of sorts which gave it an interesting flow to read.

The last story, “The Tiger in Vogue” is one where I didn’t really get the overlapping symbolism or themes and motifs. I think that it was well done, but from a visual standpoint. I understand what the story was trying to say after reading about it, but I honestly just didn’t understand it up until then.

[marinaslibrary]

Reasons to love Sarah Stewart :

- She writes stories straight from the heart.

Her books even the ones featuring magical elements (the money tree) are at their very core human. Magic while existing is never the main focus, all the attention is drawn at the main characters.

- The illustrations of her books are wonderful.

The fact that they are drawn by her husband adds even more warmth and meaning at them. There is nothing more romantic than two people creating together, and the fact that the illustrations are both beautiful and simultaneously simple is. It's wonderful.

- the existence of love

The books all focus on daily life, and most importantly on love. Love that has a niece create a garden in the apartment complex she shares with her uncle just so she can see him smile. Love for books. Love for your neighbor. The love shared within the family. Love for your friend, to the point where one books entire focus is the friendship shared between an old maid and the lonely little girl she looks after, as well as one of her books concluding with the main character living her happy ever after platonically with her best friend. Too often I find that most books and authors prioritize romance and while yes, romantic love is important the exploration of other types of love are so precious and need to be explored more.

Anyways if you wish to check out her novels they are all freely available on internet archive<3

( I heavily recommend the library and the friend)

[comicbookclub]

Comic Book Club: David Small, Steve Morger, And Dennis Robinson

On this week's live show podcast, guests Steve Morger (Lake Como Comic Art Festival), Dennis Robinson ("Lycan: Solomon's Odyssey Chapter 3"), and David Small ("Werewolf at Dusk").

On this week’s live show podcast, guests Steve Morger (Lake Como Comic Art Festival), Dennis Robinson (“Lycan: Solomon’s Odyssey Chapter 3”), and David Small (“Werewolf at Dusk”). SUBSCRIBE ON RSS, APPLE, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Powered by RedCircle David Small Bio: David Small is the author…

[comicbookclublive]

Comic Book Club: David Small, Steve Morger, And Dennis Robinson

On this week's live show podcast, guests Steve Morger (Lake Como Comic Art Festival), Dennis Robinson ("Lycan: Solomon's Odyssey Chapter 3"), and David Small ("Werewolf at Dusk").

On this week’s live show podcast, guests Steve Morger (Lake Como Comic Art Festival), Dennis Robinson (“Lycan: Solomon’s Odyssey Chapter 3”), and David Small (“Werewolf at Dusk”). SUBSCRIBE ON RSS, APPLE, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Powered by RedCircle David Small Bio: David Small is the author…

[vangreunen-art]

8 hour painting💚 @neil-gaiman

[fuckyeahgoodomens]

SFX Magazine Issue 372 - Designing Good Omens ❤ 😊

PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON

WORDS: DAVE GOLDER

Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.

“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”

GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”

But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”

For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.

But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.

“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.

“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”

Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.

“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.

“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.

“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”

(look at the description under this, they called him 'Azi' hehehehe :D <3)

Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.

“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.

“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”

Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.

“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”

It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”

Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.

The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.

“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”

[bilaudad]

wing stuff!

experimenting with a more cartoon style, idk what i'm doing loll

tagging: @goodomensafterdark <3

[metalmiez]

It's ineffable, my dear

With a content sigh, the demon slung his left arm around the angel. He snaked his head across Aziraphale's right shoulder and nuzzled his nose against his cheek.

"Whatcha doin', angel?" Crowley murmured lazily and pressed a kiss against Aziraphale's temple. He felt the angel lean into the soft touch, humming softly.

"About to put the kettle on for my afternoon tea. Did you have a nice nap, dear?" His warm hand wrapped around Crowley's and tenderly caressed the skin on his wrist.

"Mrm. Would've been nicer if someone had allowed me to sleep around his neck."

Aziraphale chuckled.

"You nearly discorporated me last time, when you turned back into your human shape in your sleep, darling."

Crowley grinned about this particular memory. He wanted to tease his angel more, but his silly thoughts derailed when he felt Aziraphale's right hand reaching out and caressing his hair. The demon hummed appreciatively and leaned his face against the soft fabric of his sky-blue shirt. For Satan's sake, it shouldn't feel so nice to bask in Aziraphale's warmth and tender touch - he was a demon after all.

But on the other hand. He had grown quite comfortable in Aziraphale's presence. Every soft touch, every kiss, every affectionate nickname had burned away a tiny bit of Crowley's millennia-old defense. Truth be told, he really liked the tender affections, and to be soft and vulnerable and gentle. If he ever felt the urge to be demonic, he still had his plants to threaten.

With another sigh, he closed his eyes and leaned closer.

I felt the urge to draw some tooth rotting fluff again, and the urge to grin like an idiot was strong with this one. Hopefully, it gives you the same amount of dopamine as it gave me while drawing it <3

[hansoeii]

little crowley sketch I did in class today!

[ch3rryguts]

I feel like I know her, but sometimes my arms bend back.

[marinaslibrary]

Obsessesed with this book actually.

[brightbuildart]

this fanart took me so long im dead now

[we-are-inevitable]

woke up in a cold sweat to remind people that while davey has it better than jack and the other newsboys, he is still poor. he is still a child working on the streets. he is still a child who had to drop out of school, put his life on hold, to feed his family. he’s not well-off by any means and i am a little baffled at how many people seem to think he’s the “rich one.” in reality, they were probably struggling for a long time before davey stopped going to school- i can’t imagine esther and mayer would just spring this on him, or even want him to lose his education- and they were using every last penny to make it work but it just wasn’t enough. davey, sarah, and les leaving school was a last resort because the jacobs family is poor. they are poor. davey is not the rich one. davey is not the mom friend just because he has a family. davey is a scared teenage boy who wants to do right by the people he loves, who has the world on his shoulders, who is desperate to help his family out of the hole the systems in power have pushed them into. david jacobs is not the rich one.

[lamour-est-la-force]

Me: Once Upon a Time season 1 is so cozy and comforting :)

ouat s1: government corruption, a woman almost having to give her baby away against her will, a mine collapsing with a child inside, a girl locked in a mental hospital, arson, homeless children needing to steal to survive, said homeless children almost getting separated in the foster care system, infidelity, drugging and kidnapping, attempted muder, actual murder, a murder trial that has nothing to do with the real actual murder, a man slowly and painfully turning into wood, etc.