#Cuban co-productions

[notesonfilm1]

Thinking Aloud About Film: Stronger Than Love/ Más fuerte que el amor (Cuba/ Mexico, Tulio Demicheli, 1955)

Another fascinating film showing on MUBI; part of the ‘Spectacle Every Day: The Many Seasons of Mexican Cinema’ program; a lurid and very entertaining melodrama; interesting to compare with its contemporary Hollywood variant but perhaps best seen as an example of Spanish speaking transnational cinema. The director Tulio Demicheli is from Argentina, Jorge Mistral is Spanish, Miroslava originates…

[beardedmrbean]

Growing evidence makes this clearer by the day: Diversity, equity and inclusion (DEI) does not help American institutions attain progress or profit.

It’s time for all institutions to get back to their basic duties and stop pushing extreme agendas on the American people. This is especially important for American corporations that have a fiduciary obligation to make decisions in the best financial interests of their shareholders.

A growing chorus of Americans recognizes the acute challenges of DEI. Even the co-founder and CEO of a prominent DEI consulting firm laments assuming the role of “moral authority” on the subject and regrets labeling people who disagree with DEI as “bad” people.

The controversy over DEI has also captured the attention of two well-known businessmen, Mark Cuban and Bill Ackman, both of whom have engaged in a tense exchange on X, formerly Twitter.

Cuban, the Dallas Mavericks owner and star of “Shark Tank,” wrote, “Diversity—means you expand the possible pool of candidates as widely as you can. Once you have identified the candidates, you hire the person you believe is the best.”

“That’s exactly what I thought until I did the work,” said Ackman, the founder of Pershing Square Capital Management and Democrat mega-donor. “I encourage you to do the same and revert. DEI is not about diversity, equity or inclusion. Trust me. I fell for the same trap you did.”

In the same post, Ackman explained that DEI is “a political advocacy movement on behalf of certain groups that are deemed oppressed under DEI’s own methodology.”

In simplest terms, what Ackman and others critical of DEI have identified is the inherently flawed nature of the ideology. By insisting that our institutions are irredeemable and cannot escape past wrongs or that people groups should be divided into two camps — oppressed and oppressor — the adherents of DEI are compelled to use the levers of those very same institutions to manipulate outcomes based on identity rather than merit. 

This conduct is dangerous when you consider its effects on our economy and our public corporations.

Good business is ultimately about producing a good product, not pushing an agenda. DEI unnecessarily complicates that winning American formula. Rather than focus on improving production and goods, companies are now choosing to divert resources and attention to internal race and identity-based policies that neither improve return on investment to shareholders nor result in better products for consumers. 

Corporations adopting policies that prioritize social engineering over corporate responsibility do not serve the interests of all Americans. Instead, they appease the extreme desires of a few, thereby eroding confidence in the ability and competency of our institutions. 

It is neither profitable for businesses nor sustainable for the American people.

Along the same lines, those in the financial services industry must understand that fiduciaries must have a single-minded purpose in the returns on their beneficiaries’ investments.

State and federal law have long recognized fiduciary duties for those who manage other people’s money. The Employee Retirement Income Security Act, for example, demands that a fiduciary “discharge that person’s duties with respect to the plan solely in the interests of the participants and beneficiaries, for the exclusive purpose of providing benefits to participants and their beneficiaries …”

As attorney general of Kentucky, I was one of 22 state attorneys general who signed a letter warning financial services companies that they may be violating their fiduciary responsibility to shareholders by agreeing to radical activism in their environmental proposals. I also issued a legal opinion outlining why government-sponsored racial discrimination and so-called “stakeholder capitalism” was unlawful.

We’ve collectively witnessed some of the consequences of extreme ideology taking priority over responsible corporate governance. After Bud Light’s infamous foray into the culture wars, its sales collapsed, forcing one of its executives to step down. We’ve also seen prominent fund managers like Vanguard drop ESG-driven investments — another ideological blunder at the corporate level — because they have not been profitable and have exposed their investors to greater losses.

DEI objectives have moved some of our business so far from their purpose that even those on the left like Ackman are compelled to speak out, underscoring that the adverse reaction to DEI is not a partisan issue. 

Most Americans want our corporate institutions to move away from extreme ideologies. It’s time to return to the American formula of producing great products and services, not pushing agendas.

Daniel Cameron is the former attorney general of Kentucky and the current CEO of the 1792 Exchange.

[sinceileftyoublog]

Victoria Canal Album Review: Slowly, It Dawns

(Parlophone/Elektra)

BY JORDAN MAINZER

Gen-Z singer-songwriter Victoria Canal has lived all over the world and channeled her experiences into music for half of her time on Earth. On her debut album Slowly, It Dawns, she thusly presents a pensive and wise collection about growing up, growing older, and growing into yourself. Throughout the record, Canal's at times insecure and regretful, other times confident and forward-looking, conflicting states that can nonetheless subsist side-by-side through a series of individual moments, a life greater than the sum of its parts.

You'd think a piece titled Slowly, It Dawns, from an artist exploring her own heritage and queerness, would receive its name in reference to something as abstract as the process of learning about oneself. Instead, it's from a song about the beer fear, when you've left the party and are now obsessing over the quality of the conversations you had while in a potentially drunken stupor. "Slowly, it dawns, I'm a pain in the ass / Is everyone happy I'm leaving?" Canal asks on "15%". Importantly, she gives these ephemeral instances of self-doubt the same level of weight as the blossoming of first romances, or shifts in mindset about what she wants. Her co-production with Eg White and Kevin Farzad mostly stays out of the way, letting Canal's words shine through. "June Baby" and "Talk" sport gentle, layered vocals and straightforward, strummed guitars. The crunchy percussion of "15%" recalls the subtle touch of Blake Mills, while the looped acoustic guitar melody of "Vauxhall" perfectly soundtracks time-bending reflections on the possibilities of quieter days ahead.

The album's most exciting songs are, naturally, its least aesthetically expected. On "California Sober", Canal's waiting for a lover to come over, get high, and have sex. The song's Cuban music influence asserts itself from the get-go, but the way it journeys from emphasizing White's mandolin and piccolo flourishes to a Latin rap arrangement to Canal's powerhouse vocal turn, wavering from sultry to impassioned, is thrilling. Then there's "Cake", structured such that the narrator engaging in debauchery can practically feel their hangover the next morning. Midway through, a drum-and-bass shuffle interrupts Canal's Billie Eilish-style coos, and the chaotic swaths of instrumentation generate a collective noise that mirrors the singer's shoulder-devil-and-angel arguing over one more drink, one more club. It's another one of those points on Slowly, It Dawns where Canal holds up a magnifying glass to minutiae. "We're all solar systems, we're so fucking small," she later sings on "Barely", dumbfounded at the contradictions within ourselves.

Impressively, it's an old song that ties together the whole album. Canal wrote "swan song", which originally appeared on her Elegy EP, when her father was diagnosed with terminal cancer. When introducing the song live, she's mentioned hearing children's author Kate DiCamillo talk about four things to say before you die: "Thank you, I love you, I forgive you, can you forgive me?" Ultimately, Canal realizes that no matter what happens--her romantic partners, her dwellings, her modes of thought--she can turn to DiCamillo's words. "Who knows how long we've got?" Canal sings. "As long as I am breathing, I know it's not too late to love."

[rapt-re]

꧁ Intro Post! ꧂

Mainly cos i desire mutuals but hi i’m Devon, I’m 19 and i’m an insufferable teenage girl!!

some fun shit about me:

✵ I’m a massive nerd about everything (mainly music, biology/parasitology, classic literature, old silent films, horror movies)

✵ My main interests with this blog are photography, media discussion, art and just posting into the void

✵DNIs: any graphic edblr/shblr (i’m in recovery), no TCC let me like KMFDM and 90s counterculture shit in PEACE i can and will block u

✵ I’ve been on tumblr on and off since I was 12, so i’ve been here in some form for 6 years but this acc is pretty new :)

✵ My favourite animals are cats, but i also love silky anteaters, pangolins, armadillos and spiders!

✵ I love gothic western, ‘morute,’ sometimes coquettish aesthetics!!

✵ My parents are british and french but i was raised in new jersey and now study in england! i speak some french but not too well :/

✵ My favourite authors are Oscar Wilde, Ottessa Moshfegh, Edgar Allan Poe, Shirley Jackson, Daphne du Maurier, Jeanette Winterson and Sylvia Plath

✵ I also love Shakespeare

✵ I’m obsessed with vintage shit and I’ve got a small collection of vintage porcelain dolls (the oldest of which is from the 1910s)!! I also have a collection of vintage teacups, and replica antique guns

✵ I love music!! so much!! my favourite bands include:

Skinny Puppy, KMFDM, Nine Inch Nails, Cubanate, Leæther Strip, PIG, Genitortuters, X, Killing Joke, The Cure, Bauhaus, Mudhoney, Joy Division, Air, Sleater-Kinney, Sonic Youth, Hole, Black Sabbath, The Cramps, Kittie, Pixies, Babes in Toyland, Corpore, Garbage, London After Midnight, Alien Sex Fiend, Soft Cell. I also love theatre and musical theatre, i’ve worked as a techie in a bunch of hs productions

✵ some of my favourite movies are:

The Cabinet of Dr. Caligari, The Fly, Hellraiser, Le Viol du Vampire, Bram Stoker’s Dracula, Suspiria, Natural Born Killers, Paris Texas, Reservoir Dogs, Buffalo ‘66, Bones and All, Shutter Island, Inglorious Bastards, The Lost Boys, A Girl Walks Home Alone at Night, Martyrs, The House That Jack Built, the ‘Firefly’ film series, The Texas Chainsaw Massacre, Desperado, There Will Be Blood

✵I’m an amateur taxidermist (as a hobby, definitely not career or commission standard)

✵random misc shit: i’m 4ft 9 (i hate it), i know how to ride horses pretty well and grew up around them, i’m getting a degree in biochemistry, i have a pet frog + a lurcher (technically, when im not at uni they live with my parents!), i’ve broken both of my legs 3 times so far, i get nosebleeds a lot

[lboogie1906]

Juano G. “Juano” Hernández (July 19, 1896 - July 17, 1970) Hollywood’s first Afro-Latino actor, was a polylingual self-educated Puerto Rican stage and film actor who was born in San Juan, Puerto Rico to a father from San Juan and a mother from Rio de Janeiro, Brazil. He lived in both Puerto Rico and Brazil growing up.

In 1914, he made his silent picture debut as an actor in The Life of General Villa. He appeared in a Rio de Janeiro circus as an acrobat. He co-starred in radio’s first all-Black soap opera, We Love and Learn. He was in the chorus of the show Showboat on Broadway and Strange Fruits.

He portrayed the only Latino character, “Gomez, the Cuban racketeer,” in Oscar Micheaux’s controversial film, Girl from Chicago. It was Micheaux’s first “talkie” film. He portrayed a police officer in Harlem Is Heaven.

In 1949, He played Lucas Beauchamp, a Mississippi Black farmer accused of killing a white neighbor in the film adaptation of Intruder in the Dust. His performance garnered His first and only nomination for a Golden Globe award for “New Star of the Year.”

In 1950, he was cast in the western, Stars In My Crown. He appeared in the drama Young Man With a Horn. In 1958, he was cast in Machete. He appeared in two films, the Nat King Cole biopic St. Louis Blues and The Mark of the Hawk. This was followed by The Alfred Hitchcock Presents production of the Ambrose Bierce short story An Occurrence at Owl Creek Bridge in 1959, where he was a principal actor.

His last movies were in 1969 and 1970 respectively. He was in The Extraordinary Seaman, followed by They Call Me Mister Tibbs!

He was posthumously honored at Paseo de la Fama in San Juan. #africanhistory365 #africanexcellence

[singeratlarge]

MY SONG OF THE WEEK: “Night Garden” https://johnnyjblairsingeratlarge.bandcamp.com/track/night-garden-featuring-mike-garson-beyondo I was playing cruise ship gigs and a bass line kept flowing out of me. Every time I played this groove, musicians would start jamming, people would start dancing… It turned into this psychedelic Cuban-jazzified pop song. Latin and Caribbean music is animated and easeful to me, rhythmically and harmonically, making me feel I’m moving with confidence no matter what’s going on in the world. My lyrics were inspired after reading an airline magazine article by Lee May, a journalist from Atlanta who was passionate about gardening. His wonderful words about “plant life that blooms at only night” left an impression. As to the lyrics, Donald Fagen says he chooses words because they suit the shape of his mouth and the lure of a melody—words flow and find their own meaning. That was my approach: Like winding tendrils, words and melody twined into “a song novelette” about a pair of lovers heading south of the border, on the lam because of an unspecified crime. 

 

The music bed was recorded in Brooklyn, Los Angeles, and Williamsport PA (final mix by Xavier Francis). It features the brilliant drum/trumpet/co-production work of Eric Biondo (a.k.a. Beyondo) + magnificent piano by Mike Garson, a composer-artist in his own right but also known as David Bowie’s longtime keyboardist. 

https://johnnyjblairsingeratlarge.bandcamp.com/track/night-garden-featuring-mike-garson-beyondo

 

#nightgarden #gardening #flowers #davidbowie #mikegarson #leemay #atlanta #journalist #caribbean #latin #cuba #mexico #psychedelic #piano #exotica #ericbiondo #beyondo #trumpet #donaldfagen #steelydan #airline #cruiseship #johnnyjblair #singeratlarge #dance #brianwilson #smile #beachboys #kokomo 

[gerogerigaogaigar]

Crosby, Stills, Nash & Young - Déjà Vu

The first Crosby, Stills & Nash album was good. It showcased the tight harmonies and floaty melodies that the three superstars could produce when put together. But the addition of Neil Young to the group was the catalyst that elevated their second album to new heights. The tight harmonies remain, and many songs have the same lighthearted floatiness, but the album is now tempered by Young's melancholy. Hits like Teach Your Children and Our House still carries that corny optimism and that's good, it gives the album variety. But it's the edgier tracks, Almost Cut My Hair, Woodstock, and Country Girl that make the album stand apart from it's contemporaries.

Raekwon - Only Built 4 Cuban Linx

Compared to other Wu Tang solo albums Only Built 4 Cuban Linx is the most dedicated to the kayfabe of inner city gangsta attitudes. The album has a loose concept based around the idea of pulling off one more heist before retiring and this lends it cohesiveness. Ghostface Killah is notably featured on nearly every track and I'm not gonna complain. Any two members of Wu Tang Clan have incredible chemistry but Rakwon and Ghost are completely in sync on this album. RZA must be shouted out as usual bringing in his punchiest, most aggressive beats mixed with his signature piano and a touch of string to suggest film music. It should also be noted that Criminology is the best Wu Tang song period. Ghost and Raekwon are showing off their GOAT status with the lyricism, flow, and speed and RZA has given them his best beat ever.

TLC - CrazySexyCool

With one of their members in rehab and tensions running high within the group it's hard to imagine that TLC would pull off one of the best albums of the 90s. But with CrazySexyCool they managed to reinvent themselves as a serious and sensual R&B group with strong hip hop overtones. They also earned a cast of promising guests including production by Sean Combs and Phife Dawg and features by Andre 3000 and Busta Rhymes. Unfortunately due to being in rehab Left-Eye only has a couple of verses on the album, but they are all winners. It's an album that it funky with deep bass grooves but drums that are very danceable. And the beats have to be deep and powerful to match T-Boz and Chili's rich full voices. It cannot be overstated how incredible TLCs vocals are. It's the perfect album for blasting from your car stereo in 94.

Oasis - Definitely Maybe

I don't think I'd go so far as to say Oasis is a good band, but this is at least their best record. Imagine is The Stone Roses second album had been far less disappointing than the one we got but still a little disappointing. That's Definitely Maybe. Oasis' greatest flaw will always be in their production. No band puts out flatter less interesting mixes than Oasis. I'm actually impressed at how they get worse with each album. Definitely Maybe suffers from a lot of the same problems, mainly that it's over compressed and everything is sitting in the exact same place in the mix causing every instrument to vie for your attention with equal weight at all times. It makes it hard to know what you are hearing sometimes. I hate it. But at least this album is aiming for a shoegazey kind of sound so it sometimes works. It's a kind of enjoyable album. I wouldn't ask someone to turn it off.

Elliott Smith - Either/Or

Listen imma have to be real, I cannot review this album. Not really. It's too personal. like do I recommend Either/Or? Yes. Top ten album for me personally. See the things Elliott Smith says and the way he says them resonate with me in a way that I'm not really always comfortable with. He, like myself, struggled with ADHD and chronic depression so the vibe I get of disconnect, dispassion is too relatable. Sometimes depression takes the form of detachment from things that are supposed to be enjoyable and Either/Or plays in that emotional space a lot. This album sees me. There is emotional sincerity and fragility here that cuts me to the core and hurts me. But like, I've stewed on these songs for a long time. I've gone back to them repeatedly and torn them apart to get as much out of them as possible. I have no idea what you might get out of them on a first listen. I guess in all the emotional uncertainty it's worth noting that the album ends on a positive note. Say Yes, where the singer does not expect his love to be reciprocated but it is. Where his depression tells him that he is unlovable but he wakes up to a world where he is loved anyway.

[cleverhottubmiracle]

We independently evaluate all recommended products and services. Any products or services put forward appear in no particular order. if you click on links we provide, we may receive compensation. Collars and Co has flipped the script on business casual. Launched in 2021, the brand made its name with the Dress Collar Polo™—a sharp, structured collar sewn onto a buttery-soft performance polo. It’s the kind of hybrid design that solves a problem you didn’t know you had: looking crisp under a blazer without the bulk, sweat, or restriction of a traditional dress shirt. In this Collars and Co review, we’re looking at how the brand has grown since landing a Shark Tank deal with Mark Cuban and Peter Jones, generating over $20 million in revenue and expanding its lineup to include stretch dress shirts, tailored chinos, and Italian-inspired layering pieces—all engineered for comfort, polish, and versatility. Whether you’re commuting to the office or dialing into a client call from home, Collars & Co delivers a look that means business without feeling like it. Key Takeaways Collars and Co is a modern menswear brand known for its patented Dress Collar Polo™, blending the comfort of performance polos with the formality of dress shirts. Backed by Shark Tank investors, the brand has achieved over $20 million in revenue since its 2021 launch. Products are made with lightweight, 4-way stretch fabric and feature structured collars that hold up under sweaters and jackets. Customers love the elevated feel and versatility, though sizing and fit can vary slightly depending on the item. Ideal for guys who want to look sharp without sacrificing comfort—perfect for hybrid work, travel, or casual Fridays. Overview Of Collars & Co. About the Brand In a menswear market overcrowded with stiff collars and outdated dress codes, Collars & Co has emerged as a smart, modern disruptor. Founded by entrepreneur Justin Baer in 2021, the brand went viral for its Dress Collar Polo™—a shirt that pairs the structure of a dress collar with the ease of a performance polo. The concept was so well-received it landed Baer a deal on Shark Tank with Mark Cuban and Peter Jones, and helped drive over $20 million in sales within two years. What sets this label apart—and what makes it worth covering in any honest Collars and Co review—is its commitment to functional tailoring. Every shirt is built to perform, with OEKO-TEX-certified fabrics, wrinkle resistance, and sweat-wicking stretch blends. Add in endorsements from the likes of NFL legend Tiki Barber and golf icon Nick Faldo, and you’ve got a brand that’s not just chasing trends—it’s rewriting the rules of business casual. Product Overview At the heart of any Collars and Co review is one simple question: Can a polo shirt really replace your dress shirt? With their hero product, the answer is yes. Their English Spread Collar Polo is the standout—a clean-cut shirt built with a proprietary four-way stretch performance fabric and a reinforced collar that doesn’t collapse under pressure. Whether layered under a blazer or worn solo, it holds its shape and delivers sharp lines from Zoom to cocktail hour. Other offerings include the Cutaway and Semi-Spread polos, performance dress shirts, and lightweight layering pieces like their Lucca Luxury Touch tees and Maverick Blazer. All materials are engineered for real life—meaning they’re breathable, quick-drying, and machine-washable. The shirts blend polyester, viscose, and elastane for structure and softness, and collar stays come standard for that extra polish. Most items are updated seasonally, with color drops that skew professional and versatile—think navy, white, sand, and light blue. Comfort and Fit If you’ve ever peeled off a sweat-soaked Oxford after a long day, you’ll understand the appeal. Collars & Co shirts are built like athletic wear disguised as business attire. That four-way stretch fabric is a frequent favorite in customer reviews, praised for its flexibility, softness, and surprising breathability. In comfort terms, this isn’t just a performance upgrade—it’s a lifestyle one. You can wear these shirts on a plane, at a meeting, or out to dinner and still feel like you’re in a tech tee. The collars do lean more structured—great for aesthetics, though some guys who prefer ultra-relaxed necklines may find them slightly rigid at first wear. Sizing Guidance Sizing at Collars & Co runs from Small to 4XL, with most items offering a gently tailored silhouette—not too boxy, not aggressively slim. Based on thousands of customer reviews, the fit generally holds true to size, especially if you’re used to brands like Bonobos or UNTUCKit. That said, if you’ve got a broader chest or thicker arms, you may want to size up in the polos, as the shoulder fit can run snug. The brand’s online size charts are detailed and accurate, helping take the guesswork out of first-time orders. Still, without physical retail stores in most cities, there’s no option to try before you buy—an area for improvement as the company scales. Value Analysis Let’s be honest: at $60–$90 per shirt, this isn’t bargain bin pricing. But Collars & Co lands in that rare sweet spot where price meets long-term payoff. The shirts look like luxury, wear like loungewear, and hold up after dozens of washes. Compared to mid-range staples like Charles Tyrwhitt, Mizzen+Main, or Brooks Brothers, the value is strong—especially when factoring in the brand’s patented collar tech and performance-focused fabrics. That said, there are trade-offs. The shirts are made from a synthetic blend—not luxe natural fibers like Pima or Egyptian cotton—so traditionalists might find the hand-feel less premium. And while Collars & Co frequently runs sitewide sales, still some shoppers may find full-price a stretch unless they’re prioritizing performance and polish over fabric origin. There’s also the matter of fit and availability. The core lineup leans classic and clean—think crisp whites, soft blues, and seasonal earth tones. If you’re looking for bold patterns or formal French cuffs, you won’t find them here (yet). And with limited brick-and-mortar locations, trying before you buy isn’t always possible—though the 30-day return policy does soften that limitation. Ideal Customer Profile This Collars and Co review makes one thing clear: the brand is made for modern professionals who want to dress well without overthinking it. If you’re a hybrid worker, frequent traveler, or someone who values looking sharp with minimal effort, Collars & Co nails the brief. It’s especially ideal for guys who layer polos or shirts beneath sweaters and blazers—thanks to that stay-put collar that actually holds its shape. On the flip side, purists who prefer classic cotton dress shirts or hate synthetic blends may not vibe with the performance fabric feel. But for most guys tired of stiff collars, ironing boards, and sweat stains? This might just be your new uniform. Pros And Cons When weighing Collars & Co’s offerings, there are notable advantages and drawbacks that shape the overall customer experience. Pros Innovative collar design: The patented structured “English spread” collar consistently delivers a polished look, staying crisp under sweaters and blazers, according to hundreds of verified customer reviews. This addresses a frequent complaint with standard polos and dress shirts that lose their shape throughout the day. Four-way stretch fabric: The shirts combine polyester, viscose, and elastane, resulting in impressive flexibility and comfort that rivals many performance brands. This material excels in breathability and offers a soft feel, allowing for ease of movement at the office or on the go. Wrinkle-resistant and easy care: Collars & Co shirts require little to no ironing, making them an excellent pick for busy professionals or frequent travelers. Most users report the shirts maintain their structure and finish after multiple washes. Strong value for modern professionals: Priced between $60 and $90, these shirts occupy a strategic middle ground between mass-market brands and luxury offerings. The combination of convenience, comfort, and style often justifies the investment. Versatile design: With styles that blend dress shirt sharpness and polo comfort, Collars & Co items transition well from conference room to casual settings. The product line covers core staples along with trendy seasonal releases. Cons Synthetic feel may not suit all: While the four-way stretch fabric offers performance benefits, some users—especially those accustomed to high-thread-count cotton—find the synthetic blend less luxurious. Sensitive skin types occasionally report the material can feel less natural. Fit can be restrictive for some: The tailored, athletic cut flatters many, yet buyers with broader shoulders or more muscular builds sometimes need to size up. Tall individuals may find sleeve lengths slightly short. The silhouettes are trimmer than typical retail brands. No fully natural fiber options: The dependence on synthetic blends means Collars & Co is not an optimal choice for customers who prefer 100% natural fabrics for breathability or sustainability reasons. Higher price than some synthetic competitors: Despite strong value, the pricing remains higher than many mass-market or budget options offering synthetic or blended shirts, which may deter price-sensitive shoppers. Limited in-store experience: As a direct-to-consumer brand, Collars & Co is mainly available online. Those who prefer trying products in-store before buying must deal with shipping and returns for sizing adjustments. Final Verdict After digging into this Collars and Co review, one thing is clear: this brand understands the modern man’s wardrobe dilemma—and solves it with style. The combination of structured, stay-put collars and performance-level comfort hits a rare balance that most dress shirts miss entirely. These aren’t just clothes; they’re tools for looking sharp without the extra effort. Are they for everyone? Not quite. If you’re all about natural fibers or prefer more traditional tailoring, the synthetic stretch blend may not check every box. But for the vast majority of professionals—especially those navigating hybrid work, frequent travel, or just tired of ironing—the value proposition is strong. Collars & Co delivers a crisp, tailored look with zero fuss, and in today’s menswear landscape, that’s more than enough to earn a spot in regular rotation. If you’re after shirts that can handle boardrooms, date nights, and red-eyes without losing shape or comfort, this brand should be on your radar. The editorial team at FashionBeans is your trusted partner in redefining modern men’s style. Established in 2007, FashionBeans has evolved into a leading authority in men’s fashion, with millions of readers seeking practical advice, expert insights, and real-world inspiration for curating their wardrobe and lifestyle.Our editorial team combines over 50 years of collective experience in fashion journalism, styling, and retail. Each editor brings specialized expertise—from luxury fashion and sustainable style to the latest grooming technology and fragrance science. With backgrounds ranging from GQ and Esquire to personal styling for celebrities, our team ensures every recommendation comes from a place of deep industry knowledge. Source link

[norajworld]

We independently evaluate all recommended products and services. Any products or services put forward appear in no particular order. if you click on links we provide, we may receive compensation. Collars and Co has flipped the script on business casual. Launched in 2021, the brand made its name with the Dress Collar Polo™—a sharp, structured collar sewn onto a buttery-soft performance polo. It’s the kind of hybrid design that solves a problem you didn’t know you had: looking crisp under a blazer without the bulk, sweat, or restriction of a traditional dress shirt. In this Collars and Co review, we’re looking at how the brand has grown since landing a Shark Tank deal with Mark Cuban and Peter Jones, generating over $20 million in revenue and expanding its lineup to include stretch dress shirts, tailored chinos, and Italian-inspired layering pieces—all engineered for comfort, polish, and versatility. Whether you’re commuting to the office or dialing into a client call from home, Collars & Co delivers a look that means business without feeling like it. Key Takeaways Collars and Co is a modern menswear brand known for its patented Dress Collar Polo™, blending the comfort of performance polos with the formality of dress shirts. Backed by Shark Tank investors, the brand has achieved over $20 million in revenue since its 2021 launch. Products are made with lightweight, 4-way stretch fabric and feature structured collars that hold up under sweaters and jackets. Customers love the elevated feel and versatility, though sizing and fit can vary slightly depending on the item. Ideal for guys who want to look sharp without sacrificing comfort—perfect for hybrid work, travel, or casual Fridays. Overview Of Collars & Co. About the Brand In a menswear market overcrowded with stiff collars and outdated dress codes, Collars & Co has emerged as a smart, modern disruptor. Founded by entrepreneur Justin Baer in 2021, the brand went viral for its Dress Collar Polo™—a shirt that pairs the structure of a dress collar with the ease of a performance polo. The concept was so well-received it landed Baer a deal on Shark Tank with Mark Cuban and Peter Jones, and helped drive over $20 million in sales within two years. What sets this label apart—and what makes it worth covering in any honest Collars and Co review—is its commitment to functional tailoring. Every shirt is built to perform, with OEKO-TEX-certified fabrics, wrinkle resistance, and sweat-wicking stretch blends. Add in endorsements from the likes of NFL legend Tiki Barber and golf icon Nick Faldo, and you’ve got a brand that’s not just chasing trends—it’s rewriting the rules of business casual. Product Overview At the heart of any Collars and Co review is one simple question: Can a polo shirt really replace your dress shirt? With their hero product, the answer is yes. Their English Spread Collar Polo is the standout—a clean-cut shirt built with a proprietary four-way stretch performance fabric and a reinforced collar that doesn’t collapse under pressure. Whether layered under a blazer or worn solo, it holds its shape and delivers sharp lines from Zoom to cocktail hour. Other offerings include the Cutaway and Semi-Spread polos, performance dress shirts, and lightweight layering pieces like their Lucca Luxury Touch tees and Maverick Blazer. All materials are engineered for real life—meaning they’re breathable, quick-drying, and machine-washable. The shirts blend polyester, viscose, and elastane for structure and softness, and collar stays come standard for that extra polish. Most items are updated seasonally, with color drops that skew professional and versatile—think navy, white, sand, and light blue. Comfort and Fit If you’ve ever peeled off a sweat-soaked Oxford after a long day, you’ll understand the appeal. Collars & Co shirts are built like athletic wear disguised as business attire. That four-way stretch fabric is a frequent favorite in customer reviews, praised for its flexibility, softness, and surprising breathability. In comfort terms, this isn’t just a performance upgrade—it’s a lifestyle one. You can wear these shirts on a plane, at a meeting, or out to dinner and still feel like you’re in a tech tee. The collars do lean more structured—great for aesthetics, though some guys who prefer ultra-relaxed necklines may find them slightly rigid at first wear. Sizing Guidance Sizing at Collars & Co runs from Small to 4XL, with most items offering a gently tailored silhouette—not too boxy, not aggressively slim. Based on thousands of customer reviews, the fit generally holds true to size, especially if you’re used to brands like Bonobos or UNTUCKit. That said, if you’ve got a broader chest or thicker arms, you may want to size up in the polos, as the shoulder fit can run snug. The brand’s online size charts are detailed and accurate, helping take the guesswork out of first-time orders. Still, without physical retail stores in most cities, there’s no option to try before you buy—an area for improvement as the company scales. Value Analysis Let’s be honest: at $60–$90 per shirt, this isn’t bargain bin pricing. But Collars & Co lands in that rare sweet spot where price meets long-term payoff. The shirts look like luxury, wear like loungewear, and hold up after dozens of washes. Compared to mid-range staples like Charles Tyrwhitt, Mizzen+Main, or Brooks Brothers, the value is strong—especially when factoring in the brand’s patented collar tech and performance-focused fabrics. That said, there are trade-offs. The shirts are made from a synthetic blend—not luxe natural fibers like Pima or Egyptian cotton—so traditionalists might find the hand-feel less premium. And while Collars & Co frequently runs sitewide sales, still some shoppers may find full-price a stretch unless they’re prioritizing performance and polish over fabric origin. There’s also the matter of fit and availability. The core lineup leans classic and clean—think crisp whites, soft blues, and seasonal earth tones. If you’re looking for bold patterns or formal French cuffs, you won’t find them here (yet). And with limited brick-and-mortar locations, trying before you buy isn’t always possible—though the 30-day return policy does soften that limitation. Ideal Customer Profile This Collars and Co review makes one thing clear: the brand is made for modern professionals who want to dress well without overthinking it. If you’re a hybrid worker, frequent traveler, or someone who values looking sharp with minimal effort, Collars & Co nails the brief. It’s especially ideal for guys who layer polos or shirts beneath sweaters and blazers—thanks to that stay-put collar that actually holds its shape. On the flip side, purists who prefer classic cotton dress shirts or hate synthetic blends may not vibe with the performance fabric feel. But for most guys tired of stiff collars, ironing boards, and sweat stains? This might just be your new uniform. Pros And Cons When weighing Collars & Co’s offerings, there are notable advantages and drawbacks that shape the overall customer experience. Pros Innovative collar design: The patented structured “English spread” collar consistently delivers a polished look, staying crisp under sweaters and blazers, according to hundreds of verified customer reviews. This addresses a frequent complaint with standard polos and dress shirts that lose their shape throughout the day. Four-way stretch fabric: The shirts combine polyester, viscose, and elastane, resulting in impressive flexibility and comfort that rivals many performance brands. This material excels in breathability and offers a soft feel, allowing for ease of movement at the office or on the go. Wrinkle-resistant and easy care: Collars & Co shirts require little to no ironing, making them an excellent pick for busy professionals or frequent travelers. Most users report the shirts maintain their structure and finish after multiple washes. Strong value for modern professionals: Priced between $60 and $90, these shirts occupy a strategic middle ground between mass-market brands and luxury offerings. The combination of convenience, comfort, and style often justifies the investment. Versatile design: With styles that blend dress shirt sharpness and polo comfort, Collars & Co items transition well from conference room to casual settings. The product line covers core staples along with trendy seasonal releases. Cons Synthetic feel may not suit all: While the four-way stretch fabric offers performance benefits, some users—especially those accustomed to high-thread-count cotton—find the synthetic blend less luxurious. Sensitive skin types occasionally report the material can feel less natural. Fit can be restrictive for some: The tailored, athletic cut flatters many, yet buyers with broader shoulders or more muscular builds sometimes need to size up. Tall individuals may find sleeve lengths slightly short. The silhouettes are trimmer than typical retail brands. No fully natural fiber options: The dependence on synthetic blends means Collars & Co is not an optimal choice for customers who prefer 100% natural fabrics for breathability or sustainability reasons. Higher price than some synthetic competitors: Despite strong value, the pricing remains higher than many mass-market or budget options offering synthetic or blended shirts, which may deter price-sensitive shoppers. Limited in-store experience: As a direct-to-consumer brand, Collars & Co is mainly available online. Those who prefer trying products in-store before buying must deal with shipping and returns for sizing adjustments. Final Verdict After digging into this Collars and Co review, one thing is clear: this brand understands the modern man’s wardrobe dilemma—and solves it with style. The combination of structured, stay-put collars and performance-level comfort hits a rare balance that most dress shirts miss entirely. These aren’t just clothes; they’re tools for looking sharp without the extra effort. Are they for everyone? Not quite. If you’re all about natural fibers or prefer more traditional tailoring, the synthetic stretch blend may not check every box. But for the vast majority of professionals—especially those navigating hybrid work, frequent travel, or just tired of ironing—the value proposition is strong. Collars & Co delivers a crisp, tailored look with zero fuss, and in today’s menswear landscape, that’s more than enough to earn a spot in regular rotation. If you’re after shirts that can handle boardrooms, date nights, and red-eyes without losing shape or comfort, this brand should be on your radar. The editorial team at FashionBeans is your trusted partner in redefining modern men’s style. Established in 2007, FashionBeans has evolved into a leading authority in men’s fashion, with millions of readers seeking practical advice, expert insights, and real-world inspiration for curating their wardrobe and lifestyle.Our editorial team combines over 50 years of collective experience in fashion journalism, styling, and retail. Each editor brings specialized expertise—from luxury fashion and sustainable style to the latest grooming technology and fragrance science. With backgrounds ranging from GQ and Esquire to personal styling for celebrities, our team ensures every recommendation comes from a place of deep industry knowledge. Source link

[jammysanderson]

Tobacco and Cigars in Mumbai: A Look at the Premium Market

Introduction

Mumbai, India’s financial capital, is also home to a thriving premium cigar and tobacco market. While smoking has long been part of various cultures, the demand for luxury cigars has significantly increased among enthusiasts and collectors in the city. From high-end cigar lounges to specialty stores offering exclusive international brands, the city is embracing the fine art of cigar smoking.

In this article, we’ll explore the tobacco and cigars Mumbai market, including the top cigar brands available, the best places to buy, local regulations, and expert insights into enjoying a premium smoking experience.

The Rise of Premium Cigars in Mumbai

Understanding the Luxury Cigar Culture

Premium cigars are more than just a smoking choice; they represent status, sophistication, and craftsmanship. Unlike mass-produced cigarettes, premium cigars are handcrafted, aged, and meticulously curated for an exceptional smoking experience.

Why Mumbai is Becoming a Hub for Premium Cigars

Mumbai’s luxury lifestyle, growing interest in fine cigars, and the rise of cigar lounges have contributed to the increasing demand for premium tobacco products. High-net-worth individuals, business executives, and cigar aficionados frequently visit specialized stores and lounges to explore their collections.

Key Factors Driving the Demand

Growing Affluence – A wealthier demographic is investing in luxury smoking experiences.

International Influence – Mumbai’s global exposure through business and travel has expanded its cigar culture.

Cigar Lounges & Boutiques – The emergence of high-end cigar lounges has fueled demand.

Online Availability – The ability to buy premium cigars online in Mumbai has made access easier.

Where to Buy Tobacco and Cigars in Mumbai

Top High-End Cigar Shops in Mumbai

For those seeking tobacco and cigars Mumbai, several specialty shops and exclusive boutiques cater to cigar connoisseurs. Some of the most reputable stores include:

Cigar Conexion – Offers a variety of Cuban and non-Cuban cigars.

The Smoke Company – Known for its premium selection of imported cigars.

Habanos India – Official distributor of Cuban cigars in India.

Luxury Cigar Boutique – Specializes in high-end cigars and smoking accessories.

Buying Premium Cigars Online in Mumbai

With digital convenience, many cigar lovers prefer purchasing cigars online. Reputable platforms ensure authenticity, offer a broader selection, and provide discreet delivery. Key factors to consider when buying online:

Verify authenticity and importer details.

Check customer reviews.

Ensure proper packaging and humidity control.

Tobacco and Cigars Mumbai: Legal Aspects and Regulations

Understanding Import and Sales Restrictions

India imposes strict regulations on tobacco imports, sales, and advertising. Cigars are subject to customs duties and regulations under Indian law. Retailers must comply with:

Legal age restrictions for purchasing tobacco (21+ in Maharashtra).

Packaging and health warnings mandated by Indian law.

Import duty fees and taxation on foreign cigars.

Where Can You Smoke in Mumbai?

Smoking is regulated in Mumbai, with restrictions on public smoking areas. However, exclusive cigar lounges and private clubs provide a legal and comfortable setting for enthusiasts.

Exclusive Cigar Lounges and Luxury Smoking Spots

Top Cigar Lounges in Mumbai

Cigar lounges provide a refined setting for premium smoking experiences. Some of the best cigar lounges include:

The Harbour Bar – One of the city’s oldest and most luxurious smoking lounges.

Grape Expectations – Known for its premium cigar collection and wine pairings.

Private Members' Clubs – Several elite clubs cater to cigar connoisseurs with exclusive collections.

Pairing Cigars with Fine Spirits

A premium cigar is best enjoyed with the right drink. Popular pairings in Mumbai include:

Whiskey & Cigars – The smokiness of whiskey complements bold cigars.

Cognac & Cigars – Aged cognac enhances the cigar’s depth of flavor.

Wine & Cigars – Full-bodied red wines go well with medium to strong cigars.

Conclusion

The tobacco and cigars Mumbai market is flourishing, offering enthusiasts access to premium products and exclusive experiences. Whether you’re a seasoned smoker or a newcomer to the world of luxury cigars, Mumbai’s high-end stores, cigar lounges, and online platforms make it easier than ever to enjoy the finest cigars available.

From Cuban classics to contemporary blends, the city’s cigar culture continues to evolve, creating a sophisticated space for those who appreciate the finer aspects of premium smoking.

FAQs

Where can I buy premium cigars in Mumbai?

You can find premium cigars at specialty tobacco shops, cigar boutiques, and online platforms that cater to Mumbai’s luxury market.

Are Cuban cigars available in Mumbai?

Yes, Cuban cigars are available in Mumbai through authorized suppliers such as Habanos India and high-end cigar boutiques.

Is it legal to smoke cigars in Mumbai?

Yes, but smoking is restricted in public areas. Cigar lounges and private smoking areas provide legal options.

What are the best cigar brands available in Mumbai?

Some popular premium brands available in Mumbai include Cohiba, Montecristo, Romeo y Julieta, and Arturo Fuente.

How do I ensure I’m buying an authentic cigar in Mumbai?

To ensure authenticity, purchase from authorized dealers, check for correct packaging, and verify import documentation.

Unique FAQs

How do cigar lounges in Mumbai maintain cigar quality?

High-end lounges use humidors to store cigars at optimal humidity and temperature, preserving their quality.

What is the average price of a premium cigar in Mumbai?

Prices vary based on the brand and origin. A Cuban cigar can range from ₹2,000 to ₹10,000+ depending on its rarity and quality.

Can I order cigars online for home delivery in Mumbai?

Yes, several licensed online stores deliver premium cigars across Mumbai while ensuring compliance with tobacco laws.

What accessories do I need for a premium cigar experience?

Essential accessories include a cigar cutter, lighter, ashtray, and a humidor for proper storage.

Do cigar shops in Mumbai offer cigar-tasting experiences?

Some premium boutiques and lounges offer cigar-tasting events where enthusiasts can explore different flavors.

[theworldcigarr]

Where to Find the Best Cigar Shop Near South Mumbai

Introduction

Mumbai, often called the City of Dreams, is a vibrant metropolis that caters to diverse tastes and preferences. Among the many indulgences the city offers, cigars hold a special place for connoisseurs. Whether you’re a seasoned smoker or a curious enthusiast, finding the best cigar shop near South Mumbai can enhance your experience. This guide explores the top spots, local insights, and must-know tips for cigar lovers in the area.

Why Choose South Mumbai for Your Cigar Needs

South Mumbai is synonymous with luxury, heritage, and sophistication. This bustling part of the city is home to iconic landmarks and high-end establishments, making it an ideal destination for cigar enthusiasts. Here’s why South Mumbai stands out:

A Hub of Luxury and Elegance

South Mumbai boasts a collection of premium lounges, exclusive clubs, and luxury stores that align perfectly with the cigar lifestyle. From Marine Drive to Colaba, every corner exudes an air of opulence.

Accessibility to Premium Brands

Many international cigar brands recognize South Mumbai as a key market, ensuring a steady supply of high-quality products. Whether it’s Cuban classics or new-age blends, the selection here is unparalleled.

Rich Heritage

South Mumbai’s colonial history and cultural diversity contribute to its charm, making it a favorite among aficionados seeking a sophisticated ambiance to enjoy their cigars.

Top Spots to Find the Best Cigar Shop Near South Mumbai

If you’re in search of premium cigars and accessories, South Mumbai doesn’t disappoint. Below, we delve into the top locations to satisfy your cigar cravings.

1. Luxury Lounges and Exclusive Stores

The Taj Mahal Palace Lounge

This iconic hotel in Colaba offers a curated selection of fine cigars. Paired with exceptional service, it’s a haven for those seeking a luxurious smoking experience.

Witty’s Cigar Shop

Located in the heart of Fort, Witty’s is renowned for its diverse collection of cigars, including Cuban and Dominican varieties. The knowledgeable staff is always ready to assist, ensuring a tailored experience.

2. Specialized Cigar Retailers

Havana Smoke Co.

Havana Smoke Co., situated near Churchgate, specializes in premium cigars and smoking accessories. Their walk-in humidor is a treat for enthusiasts, offering an immersive shopping experience.

Casa Del Habano

An international chain with a branch in South Mumbai, Casa Del Habano is synonymous with authenticity. Known for its extensive Cuban cigar selection, it’s a must-visit for connoisseurs.

3. Online Platforms Serving South Mumbai

In the digital age, convenience is key. Several online platforms cater to South Mumbai residents, offering a wide range of cigars delivered to your doorstep.

Smokehouse.in

A popular choice among locals, Smokehouse.in provides an impressive array of cigars and accessories. Their user-friendly interface and reliable delivery service make them a favorite.

Indian Tobacconist

Known for sourcing rare blends, Indian Tobacconist ensures cigar enthusiasts in South Mumbai have access to exclusive options not available in physical stores.

Understanding the Local Cigar Scene

Cultural Preferences

South Mumbai’s diverse population has contributed to a unique cigar culture. While Cuban cigars dominate the scene, there’s growing interest in boutique blends and innovative flavors.

Popular Cigar Brands

Cohiba

A staple in the world of cigars, Cohiba’s Cuban origin and rich flavors make it a top choice.

Romeo y Julieta

Known for its balanced profile, this brand caters to both novices and seasoned smokers.

Montecristo

Montecristo’s complex blends are a favorite among those seeking depth and character in their smoking experience.

What Makes the Best Cigar Shop Near South Mumbai Stand Out

Curated Selection

Top cigar shops offer a meticulously curated selection, catering to varying tastes and budgets.

Expert Guidance

Knowledgeable staff who can provide insights and recommendations are a hallmark of a premium shop.

Ambiance and Amenities

The best shops often feature walk-in humidors, comfortable lounges, and a welcoming atmosphere that enhances the buying experience.

Tips for Selecting the Right Cigar Shop

Check Reviews and Recommendations

Online reviews and word-of-mouth recommendations are invaluable in finding trusted cigar shops.

Prioritize Authenticity

Always opt for stores with a reputation for selling authentic products. Counterfeit cigars can ruin your experience.

Explore Accessories

A good cigar shop doesn’t just sell cigars. Look for options that offer high-quality cutters, lighters, and humidors.

FAQs About Finding the Best Cigar Shop Near South Mumbai

Frequently Asked Questions (From "People Also Ask" Boxes)

1. Where can I buy Cuban cigars in Mumbai?

You can find Cuban cigars at specialty stores like Casa Del Habano and Witty’s Cigar Shop in South Mumbai. Online platforms like Smokehouse.in also offer a wide selection.

2. Are there any cigar lounges in South Mumbai?

Yes, several luxury lounges, such as The Taj Mahal Palace Lounge and Havana Smoke Co., provide an upscale environment to enjoy cigars.

3. How do I identify authentic cigars?

Authentic cigars usually come with detailed packaging, a proper seal, and a recognizable aroma. Trusted retailers like Casa Del Habano ensure authenticity.

Original FAQs

4. What is the price range for premium cigars in South Mumbai?

The price range varies depending on the brand and type. On average, premium cigars can cost between ₹500 to ₹20,000 per piece.

5. Are there any cigar-tasting events in South Mumbai?

Occasionally, luxury lounges and specialty shops host cigar-tasting events. Keep an eye on their social media channels for updates.

6. Can beginners find suitable options at these stores?

Yes, most stores cater to beginners by offering mild and well-balanced cigars, along with guidance on selection and smoking techniques.

Unique Insights for the Discerning Smoker

Pairing Cigars with Local Cuisine

Experimenting with pairings can elevate your cigar experience. South Mumbai’s culinary landscape offers numerous options, from fine wines to local delicacies like kebabs and seafood platters.

Exploring South Mumbai’s Cigar Heritage

The city’s colonial past has contributed to a long-standing appreciation for cigars. Visiting historic clubs and lounges can provide a glimpse into this rich tradition.

Conclusion

Finding the best cigar shop near South Mumbai is about more than just the product; it’s about the experience. From luxurious lounges to specialized retailers, South Mumbai offers a plethora of options for every cigar enthusiast. Whether you’re a local or a visitor, this guide ensures you’ll enjoy an unparalleled smoking experience in the city’s most sophisticated locales. So light up, relax, and savor the journey!

[singeratlarge]

SONG OF THE WEEK: “Night Garden” https://johnnyjblairsingeratlarge.bandcamp.com/track/night-garden-3 

I was playing cruise ship gigs and a bass line kept flowing out of me. Every time I played this groove, musicians would start jamming, people would start dancing… It turned into this psychedelic Cuban-jazzified pop song. Latin and Caribbean music is animated and easeful to me, rhythmically and harmonically, making me feel I’m moving with confidence no matter what’s going on in the world. My lyrics were inspired after reading an airline magazine article by Lee May, a journalist from Atlanta who was passionate about gardening. His wonderful words about “plant life that blooms at only night” left an impression. As to the lyrics, Donald Fagen says he chooses words because they suit the shape of his mouth and the lure of a melody—words flow and find their own meaning. That was my approach: Like winding tendrils, words and melody twined into “a song novelette” about a pair of lovers heading south of the border, on the lam because of an unspecified crime.

The music bed was recorded in Brooklyn, Los Angeles, and Williamsport PA (final mix by Xavier Francis). It features the brilliant drum/trumpet/co-production work of Eric Biondo (a.k.a. Beyondo) + magnificent piano by Mike Garson, a composer-artist in his own right but also known as David Bowie’s longtime keyboardist.

https://www.youtube.com/watch?v=9KanYucaQUk

#nightgarden #gardening #flowers #davidbowie #mikegarson #leemay #atlanta #journalist #caribbean #latin #cuba #mexico #psychedelic #piano #exotica #ericbiondo #beyondo #trumpet #donaldfagen #steelydan #airline #cruiseship #johnnyjblair #singeratlarge #dance #brianwilson #smile #beachboys #kokomo

[monkeyssalad-blog]

Polaire in Pauline à Paris (1902) by Truus, Bob & Jan too! Via Flickr: French postcard by Phototypie Pierre Coltman, Paris. Photo: Manuel. Publicity still for the stage production Claudine à Paris by Willy. French singer and actress Polaire (1874-1939) had a career in the entertainment industry which stretched from the early 1890s to the mid-1930s, and encompassed the range from music-hall singer to stage and film actress. Her most successful period professionally was from the mid-1890s to the beginning of the First World War. Polaire was a French singer and actress, born Émilie Marie Bouchaud on May 14, 1874 in Agha (Algeria). According to her memoirs she was one of eleven children of whom only four survived – and eventually only two, Émilie and her brother Edmond. When her father died of typhoid her mother temporarily placed the children under the care of Polaire’s grandmother in Algiers. In 1891, at age 17 she came to Paris to join her brother Edmond who performed there in the café-concerts under the name of Dufleuve. She had already sung in cafes in Algiers and continued on this path, eventually becoming a popular music-hall singer and dancer, performing e.g. the French version of Ta-ra-ra Boom-de-ay: Tha ma ra boum di hé - her greatest success, already from the start. She became a big name and was e.g. portrayed by Henri de Toulouse-Lautrec in the magazine Le Rire in 1895. Not only her singing and dancing qualities were remarkable, Polaire also distinguished herself by her particular physique, having an exceptional wasp waist, at a time when women tortured themselves with tight corsets to refine their waist. After a first failed attempt to conquer New York as singer, Polaire returned to Paris where she expanded her range with prose theatre as well. She managed to get the role of Claudine in Colette’s play Claudine à Paris, performed at the Bouffes-Parisiens in 1902 and again performed in the US in 1910. This time she was a big hit in the US and came back loaded with money. Her obtaining of the part of Claudine was not so easy, Polaire writes in her memoirs, as Willy at the time reclaimed the rights of Colette’s novels, and didn’t consider this music-hall singer as fit for this serious part. But a dashing and headstrong Polaire managed to convince Willy in person that she was Claudine, so she got the part. Claudine à Paris was performed some 120 times in France, with great success. Colette herself was very satisfied about the result. Willy even managed to exploit the success by a whole line of merchandising. Afterwards Polaire would consider him her substitute father. From 1909, Polaire appeared in several film roles. After two films at Pathé frères, Moines et guerriers (Nuns and warriors, Julien Clément) and La tournée des grand-ducs (The Grandduke’s Tour, Léonce Perret 1910) – in the latter she aptly played a dancer - she went to Germany to play a Cuban lady in Zouza (Reinhard Bruck, 1911), in which future film director Richard Oswald was one of her co-stars. Back in France she acted again at Pathé in Le visiteur (The Visitor, Albert Capellani, René Leprince, 1911), but she mostly was active at the Éclair film company between 1911 and 1914, starting with Le poison de l’humanité (The Poison of Humanity, Émile Chautard, Victorin Jasset, 1911). From 1912 to 1914 she did a series of six films with then young and upcoming film director Maurice Tourneur, working for Éclair: Les gaîtés de l'escadron (The Funny Regiment, 1913), based on the novel by Georges Courteline; Le dernier pardon (1913), a comedy written by Gyp; La dame de Monsoreau (1913), after Dumas père; Le Friquet (1914), after Gyp and with Polaire in the title role; Soeurette (The Sparrow, 1914); and the mystery film Monsieur Lecoq (1914), after Émile Gaboriau. Her copartners in these films were often Maurice de Féraudy, Charles Krauss, Henry Roussel and Renée Sylvaire. Le Friquet was restored by the Cinémathèque française in the mid-1990s and shown in international festivals It deals with a poor trapeze worker who loses her lover to a rich, immoral lady and then commits suicide during her trapeze act. It was based on a play Polaire had performed herself in 1904. NB IMDB mixes up things by not making a distinction between Polaire and Pauline Polaire. In the 1920s a younger actress named Giulietta Gozzi (1904-1986), niece of the Italian diva Hesperia (Olga Mambelli), performed under the name of Pauline Polaire in several Italian silent films with the forzuti such as Maciste and Saetta. Polaire became a wealthy lady with a house on the Champs-Elysées and a country house in the Var, Villa Claudine. Well into the 1920s she continued to gamble away huge fortunes. After World War I, Polaire dedicated herself primarily to the stage. During her career, she recorderd many of her songs as Tha ma ra boum di hé (her greatest success, already from the start), La Glu (based on a poem by Jean Richepin), Tchique tchique by Vincent Scotto, the telephone song Allo ! Chéri!, song with her partner Marjal, and she recited Charlotte prays to Our Lady by Jehan Rictus. Polaire died October 11, 1939 at age 65 in Champigny-sur-Marne (Val-de-Marne). "Mademoiselle Polaire" is cited by the Guinness Book of Records as co-holder (with the British Ethel Granger) of the thinnest waist of 33 cm. She herself says in her memoirs to have repeatedly circled her waist by a fake collar of the "normal size” of 41 or 42 cm. Polaire posed for various painters such as Antonio de La Gandara, Henri de Toulouse-Lautrec, Leonetto Cappiello, Rupert Carabin and John / Juan Sala. The latter became in 1893 the portraitist of Parisian society. His life-sized portrait of Polaire (1910) was auctioned at Drouot's in Paris on 28 June 2016. Sources: English, French and Dutch Wikipedia, IMDB, deesk.pagesperso-orange.fr/polaire-1900/c_polaire_biograp..., www.dutempsdescerisesauxfeuillesmortes.net/fiches_bio/pol....

[candy-floss-crazy]

There aren't a great deal of amusement ride manufacturers that started life building aeroplanes. The American Eyerly Aircraft CO. was initially set up to manufacturer training aids for pilots. The first was the curiously entitled 'Whiffle Hen', an airplane which only used two gallons of fuel per hour of flight. The craft derived it's name from a bird thought to be good luck that appeared in the Popeye cartoons, everyone thinks Popeye gained his strength from eating spinach, but in the early days he used to rub the whiffle hen instead. Lee Eyerly's dream was to make flight available to all classes, not just the rich. He was responsible for building Salem Airport, and ran a flight training school, as well as taking people up in his own plane at fairs and events. His second great invention was the Orientator, basically and airplane fuselage suspended between what looked like a giant tuning fork. The wind from the propellor streamed across the aircraft wings and surface controls and allowed the pilot to bank climb and roll, just like in a real aircraft but without the cost and danger associated. A few were sold (including four to the Cuban air force), but sales began to slow down. It was suggested by someone who remains unrecorded by history, that he take the device to a local funfair, or Midway as our American cousins refer to them. Allegedly he also sold rides in a real aeroplane that he flew, but soon noticed that the queue for the Orientator was far longer than for the real plane. That lighbulb moment saw the focus of his company switch to amusement ride manufacturing. The trainer was re christened the Acroplane and was sold purely as an amusement device. Line Of Amusement Rides This was just the beginning. The ride was quickly followed by the Loop-O-Plane, Roll-O-Plane, Spider, Fly-O-Plane, all designed to give people a taste of what it was like to fly, just at that period in history when Aviation was beginning to take off, excuse the pun. The Rock O Plane was invented in 1947, and the ride type still survives on many funfairs today. Some in the original style, others have been modified to create a slightly more thrilling and up to date ride. The Octopus Perhaps his most popular ride was the Octopus. Little seen nowadays on the modern fairground, there are still a few doing the vintage circuit at shows and rally's, but it is considered a bit tame for the modern generation of thrill seekers. The company continued in the business up until the mid 1980's. Sadly in 1988 at a Florida fair, an arm on an Octopus ride snapped. The arm was suffering from metal fatigue. The crack was paint covered and unnoticed by both the ride owner and the State inspector. A 17 year old girl died from head injuries. In the wake of the lawsuit that followed, the company closed its doors in 1990. The genesis of the Eyerly Aircraft Company was certainly unique as ride manufacturers go. Sources; Consumer Product Safety Commission https://www.cpsc.gov/manufacturer/eyerly-aircraft-company Wikipedia https://en.wikipedia.org/wiki/Eyerly_Aircraft_Company Lagoon History https://lagoonhistory.com/project/eyerly-aircraft/ Atlas Obscura https://www.atlasobscura.com/articles/classic-carnival-rides-are-flight-simulators-in-disguise Read the full article

[back-and-totheleft]

"I don't assume I have any power"

Robert Downey Jnr, no stranger to nocturnal excess, once observed how an evening out with Oliver Stone was 'like pagan Rome, 26AD'. When I meet the director at lunchtime in a hotel room in Edinburgh he looks very much as if he is regretting just such a night-before. His eyes seem wary of the light; his big gap-toothed grin could equally be a wince; he reaches with some fervour for coffee.

In fact, Stone's fatigue is innocently explained. He has, he says, flown in the previous night from Bangkok where he has been scouting locations for his life of Alexander the Great, starring Colin Farrell, which goes into production next month. (Stone is not a man to shy away from the big subject: having made his obsessive epics on JFK and Nixon, there are not that many ways to up the stakes, but Alexander is possibly one.)

'We're doing the stage work in England,' he says, 'a lot of other stuff in Thailand and Morocco. It's a fast shoot. We have to do the whole thing in a hundred days. So it's going to be like an old-fashioned military machine.'

In the past year, Stone has had a good deal of first-hand experience of how just such an operation might work. He is in Edinburgh to launch the documentary film he has made about Castro's Cuba, Comandante, the result of an unprecedented three days of interviews with the dictator. The film was scheduled to be shown by the HBO network in America in May. 'But unfortunately,' Stone explains, apparently surprised, 'it got politicised by the Cuban American lobby in Miami. Millions of emails were sent to HBO. They really pounded it. And, of course,' he adds, 'Castro gave them some juice by arresting these dissidents in April.' HBO pulled the film.

The irony of this is, Stone suggests, straightfaced, that he was not at all trying to make anything 'political'. 'I mean, I ask him a few questions. But it was a broad picture of a strong man, a comandante. I wanted to ask him his feelings about life and death, about the future, about globalisation, philosophy rather than politics…'

The best moments of their encounter offer little human insights, as Stone's neurotic camera dwells on the detail of Castro's life: the dictator's boots with a Nike logo, the exercise regime he undergoes in his office, keeping in shape, at 75, for his people; his coy admission of having enjoyed Titanic and Gladiator and how Sophia Loren was his pin-up. Sometimes, too, Stone's bluff line of questioning works. 'Everyone seems to like you, Fidel. Why don't you hold an election?'

Often though, Stone's film threatens to take its place alongside the key sycophantic interviews of our times, Clive James on Barbra Streisand, say, or Tony Benn on Saddam Hussein. In part this seems a technical fault. The intimacy Stone is afforded by the use of digital cameras does not sit well with his love of bold gesture and grand emotion; he struggles with subtlety and contradiction and wit. Damien Hirst, oddly, once said that 'Oliver Stone had no irony, and I applaud him for that'. That lack is very much to the fore in Comandante.

Stone the interviewer is predictably anxious to be a co-star, sporting a dictator's moustache, and stranded somewhere between acolyte and best buddy. Much of the fascination of Comandante thus comes from his increasingly clumsy efforts to establish a kind of locker-room banter with Castro.

At one point Stone, with a leery grin, offers to break the American blockade by smuggling Castro some Viagra (as if, we are invited to understand, either man would ever require it?). In a limo, Stone becomes Ruby Wax and starts rummaging through the stuff on the back seat. Inevitably, he comes up with a gun. 'Do you still know how to use it, Fidel?' he wonders, his arm around the older man's shoulder. Just for a moment Castro looks tempted to remind himself.

Despite appearances, the pair had met only once before, in 1989 at the Havana film festival, which featured Salvador, Stone's first film. 'I thought he was a charming man,' he recalls, 'and a movie star, no question about it. The hard part of Comandante was cutting. We could have used almost anything from the 30 hours of film. I was amazed at his inner strength. His morality. He really believes in a dream. It's like Don Quixote.'

And is he as naive as Quixote at times, too?

'No, he reads voluminously. He reads the internet, he reads books, he loves writers, he's friends with [Gabriel García] Márquez. He's an introspective man. He talks about the terrible effects of global warming…'

And he also would have sanctioned a nuclear war…

'He had a good life, but he chose a hard path, and he has stuck with it. Stayed in power. The truth is, it seems to me, the people like him.'

In conversation, as in his work, Stone is not inclined to shades of grey. In the film he happily lets Castro get away with his assertion that Cuba is the 'most democratic country on earth' and explain how he has furthered the cause of gay liberation (Castro expelled many gays, along with 'other scum' in 1980, and they are not allowed to join his party). I wonder whether Stone decided not to press him on these issues because he thought it important simply to give Castro a platform?

'Whether he is in denial or not, my job is not to judge the veracity of his answers,' Stone says. 'My job is to try to open him up, really like a movie director tries to open up an actor. If you see deception, it is up to you. If you see him lying about torture or about gays, then that is up to you. I did not see it, but I present it for you to judge.'

He suggests there are some freedoms in Cuba that are not enjoyed in America, the freedom to see his film for a start. Could he work there, live there, do a Hemingway?

'No,' he says, with slightly belligerent illogic, 'because I was raised in the North, in North America. But if I grew up in Cuba I would grow up healthy, with an education, no doubt a foreign language, whereas if I grew up in Honduras or Guatemala I would probably get sick, likely die before I was three. I'd be scared shitless of government troops coming through and taking my mom and dad out and saying, "Who did you vote for in the last election?"'

But Castro has been in a position to create proper democracy?

'The people in these places do not care about elections,' Stone says. 'They care about good water and healthcare. The things of life. The things that Iraq for example needs now. No one there is wondering about voting, they want electric ity and sanitation. That's what matters.'

It would be fair to say that Stone, the Vietnam veteran, has never run away from a controversy. (Rather, he's prepared to fly half way around the world to promote one.) Comandante, of course, offers him another chance to expose some raw nerves at home, and for good measure he has just completed a similar film about Yasser Arafat. These are the latest chapters in a career in which he has spent Oscar night with Mexico's Zapatista guerrillas and been sued for responsibility in the murders committed in America by a young pair of teenage lovers who had stayed up all night watching his film Natural Born Killers. (The case was thrown out, but the film, a glamorously violent 'attack' on glamorised violence, struggled to recover.)

Though he is reluctant to say so, Stone's element is this kind of scandal. It allows him to indulge his maverick self-image. In some respects he proves, according to Michael Douglas (who won an Oscar in his film Wall Street) 'that in Hollywood you can be an artist and a capitalist at the same time', though Stone's critics would dispute the first description and he would take exception to the latter.

For a while, at least, he seemed to have understood the trick of making powerful issue-led films (Salvador, Born on the Fourth of July) that also appealed to the box office. (Platoon, his 'anti-establishment' Vietnam film, made $160 million.) He says he sees all of his films as coming out of the same place. 'I work from a need to dramatise what I see in the world around me,' he says, a vision that typically involves an element of megalomania, a dose of paranoia, and a liberated relationship with historical fact.

Are his insights about Castro feeding into his idea of Alexander the Great?

'Being with a world leader, seeing him work, has given me more insight into power, certainly. It is interesting to feel it, that power. The thing about these people, be it JFK or Nixon or Castro, is that the things that they are dealing with are the things we all deal with except on a much grander scale. I mean Nixon's government, it seemed to me, was a result of his childhood demons. Castro had a very happy childhood. And that seems to be the root of his sense of morality. He has married just one time; he may have many other children, but he has stayed true to that idea of marriage.'

In this (arguable) propriety, Stone has suggested, Castro reminded him of his late father, Louis. If he were making a film of his own life - and perhaps all his films are that to a degree - you are left in little doubt that his father would figure centrally in it. Louis was a successful Wall Street broker; the family had Jewish roots, a fact which Oliver was told to deny because of his father's fears of persecution. Pointedly, Stone dedicated both Nixon , his study in paranoia, and Wall Street , his morality play on greed, to his father (whose evening Scotch Oliver once laced with LSD); the films could be seen, in turn, as a working through of his own demons.

Despite his apparent obsession with powerful men, though, Stone does not believe that he is in thrall to power himself, still less trying to force the world to fit his idea of it. 'I don't for one second assume I have any power,' he says. 'I can make a movie that has an effect on the world, like JFK say. But real power is something you build on, can hold on to. In movies you start over every fucking time. I am concerned about power, but I have no power.'

I quote to him something his wife once said - 'I don't think Oliver could make a movie without being completely in love with the main character' - and wonder if that applied to Castro?

'To a degree,' he says. 'But that does not mean that I would be in love with a dictator if I did not admire him. I mean I'm not going to fall for Saddam Hussein. But I would try to humanise him. Nixon was the greatest liar of all. But I tried to humanise him. We should not get into the Hollywood thing of always having a sympathetic hero, because it undermines drama. Can we really say we like Oedipus? Or Lear? But they make great drama. America sentimentalises drama.'

There must, given his engagement in the here and now, be a temptation to bring his own American vision up to date? Has he thought about doing an Iraq film, or an al-Qaeda film?

'Well, I think a terrorist film would be an important thing to do,' he says, 'but you know even Comandante can't get on the air in America. The British are much more independent-minded: you see that in this inquiry that is going on. In America it is much more easy to float a stupid idea - you know, Iraq is the source of the 9/11 attacks - and people in the main will buy into that without questioning it too much.'

The great challenge for someone like him, in this environment is, he says, to stay true to himself. He hopes that, in 20 years' time, at 75, he will still stand for something, like Castro. 'It is very hard to maintain a vision and a voice. Nobody wants singular statements.'

Stone is pessimistic about his prospects of getting his own singular statements financed because he believes these attitudes are hardening. 'There's a danger,' he says, 'that we are turning into a giant lynch mob, you know, that mentality. The greatest film to be made at the moment would be a version of The Ox-Bow Incident, that Henry Fonda movie. A movie about hanging three people in a cowboy town. That blind vigilantism is what you see everywhere in America now, in the media, in the people. America wants to see Schwarzenegger wiping up the baddies. They wanted vengeance for 9/11. They wanted to kill Arabs. That was why Bush got away with it. It was a lie, that war, and as Goebbels I think said, the bigger the lie, the more they will believe it.'

However much you think that phrase could happily sum up the director's career, Stone is one of the few Americans prepared, eager, to say that the reaction to 11 September was 'disproportionate and hysterical'. What we need, he says, is a Costa-Gavras to come along and make a big film about terrorism and imperialism. Part of him certainly wishes he could do it but he believes there 'would be so much pre-judgment of it, no one would want to go near it'.

Instead, Stone is looking forward to finding some contemporary resonance in Alexander the Great's imperial progress. Baz Luhrmann is making a film about Alexander too (with Leonardo DiCaprio as the lead) and you imagine the pair will offer, if nothing else, a compelling contrast in style: Stone's polemical realism against Luhrmann's insistent light-footedness.

Stone says, of course, that there is no element of competition, though it is hard to imagine him not relishing it. The only thing he admits to be racing against is the script. 'You could tell any number of stories about Alexander because he is such a powerful character. But we are going to make an attempt at one. It's a big-budget movie, but of course,' he says, grinning, 'I will be shooting it like a guerrilla, I guess.' He likes that idea. 'No rest for one hundred days!' For a moment, the prospect seems to wake him up.

-Tim Adams, "Oliver's One Man Army," The Observer, Aug 31 2003