#Croydon Central

[insidecroydon]

Sadiq Khan's last-gasp appeal for donations: 'I'm really worried'

Lonely task: there have not been many Labour canvassers out and about in Croydon for this year’s London elections – and they admit that they still have 90,000 leaflets to deliver Political editor WALTER CRONXITE has obtained internal Labour correspondence that suggests some pre-election panic for the party With the London elections just days away, Labour has sent begging letters to members…

[britomart]

[ID: tags reading #Love trains in England bc they’re just like ‘This train is for: Trimble. Stopping at: Pobb. Crumpton. Chortle-upon-Smythe. Dickhole. Newcastle. Oldcastle. Badger’s. Glen. And: Thrimbing” /end ID.]

trains will announce you're stopping in places you never knew existed

[news-buzz]

Giant Elf on the Shelf coming to Croydon this Christmas in 'London first' News Buzz

A giant Elf on the Shelf will appear in Croydon this Christmas in what has been dubbed a ‘London first’. The 15-foot festive character will appear on many of the borough’s best-known landmarks, from the Whitgift Shopping Centre to Croydon Town Hall, between November 29 and Christmas Eve. The installation, in collaboration with the Croydon Business Improvement District (BID), comes after other…

[plumrltd]

Top 5 Common Plumbing Issues in UK Homes and How to Prevent Them

Maintaining your home's plumbing system is essential for avoiding costly repairs and keeping your household running smoothly. Specific plumbing Solutionin the UK, especially in older homes, tend to crop up more frequently. Understanding these common problems and how to prevent them can save homeowners from stress and expense. This article will cover UK homeowners' top 5 plumbing issues and provide helpful prevention tips.

1. Leaking Taps and Faucets

One of the most common issues faced by homeowners is leaking taps. Over time, wear and tear on seals, washers, or taps can lead to persistent drips. While it may seem like a minor inconvenience, leaking taps can waste significant amounts of water and raise utility bills.

Consequences: On average, a leaking tap can waste over 5,000 liters of water annually, leading to higher bills.

Prevention tips: Regularly inspect your taps and faucets for signs of wear. Replace worn washers and seals early to avoid larger issues. If the problem persists, seek plumber services in Morden for professional repairs.

2. Blocked Drains

Blocked drains are another frequent issue, often caused by a buildup of food, grease, hair, and soap residue in sinks, showers, and toilets. Over time, these substances can form a blockage that prevents proper drainage, resulting in slow-moving water or even complete clogs.

Consequences: Left untreated, blocked drains can cause foul odors and even damage the plumbing system.

Prevention tips: Use drain covers to catch hair and food particles, avoid pouring grease down the sink, and clean your drains regularly. If you face recurring blockages, consider calling plumber services in Sutton to address the issue effectively.

3. Low Water Pressure

If you're experiencing weak water flow in your taps or shower, it's likely due to low water pressure. It can result from limescale buildup in pipes, faulty fixtures, or leaks within your plumbing system.

Consequences: Low water pressure makes daily tasks like washing dishes and showering more time-consuming and frustrating.

Prevention tips: Descale faucets regularly and clean aerators to maintain good water pressure. If the problem persists, it may be a sign of a more severe issue, such as a leak, in which case you should seek help from plumbers in Wallington for a thorough inspection.

4. Burst Pipes

In colder months, burst pipes are a common concern for homeowners. When water freezes in pipes, it expands, causing them to crack or burst, leading to significant water damage.

Consequences: A burst pipe can cause extensive damage to walls, floors, and belongings, resulting in expensive repairs. The average cost of heat per month in South London can also increase during winter as you may need extra heating to prevent pipes from freezing.

Prevention tips: Insulate your pipes, especially those in unheated areas like attics or garages. Keep your home's heating constant during freezing weather and allow taps to drip slightly to prevent freezing. If a pipe does burst, seek burst pipe repairs in South London immediately to avoid further damage.

5. Running Toilets

A running toilet is not only annoying but also wastes a significant amount of water. This issue is typically caused by a faulty flapper valve or failure of another internal toilet tank component to close correctly.

Consequences: A running toilet can waste up to 200 liters daily, leading to higher water bills.

Prevention tips: Regularly inspect the components inside the toilet tank and replace any faulty parts as needed. If you cannot fix it, contact plumber services in Wallington for assistance.

Conclusion

Plumbing issues are common in UK homes, but many can be avoided with regular maintenance and early detection. Whether you have a leaking tap, blocked drains, or low water pressure, taking preventive steps will save you time, money, and stress in the long run. For more complex issues like burst pipes or boiler installation in South London, always consult a professional plumber to ensure the job is done right.

By investing in professional plumber services in Morden, Sutton, and Wallington, you can keep your home’s home's system in excellent condition and avoid costly repairs down the line. Regular servicing, especially for heating systems like Worcester Bosch boiler service & repair in South London, will ensure you’re not in the cold when winter arrives.

Frequently Asked Questions (FAQs):

1. How can I tell if I have a hidden plumbing issue?

Answer: Signs of hidden plumbing issues include unexplained increases in water bills, damp spots on walls or ceilings, mold growth, or reduced water pressure. If you notice any of these signs, it’s essential to contact a plumber for an inspection to prevent further damage.

2. What should I do if I have a burst pipe in my home?

Answer: First, turn off your home’s home's supply to prevent further damage. Then, call a professional plumber immediately for burst pipe repairs in South London. In the meantime, drain any remaining water from your taps and clean up the excess water to avoid flooding.

3. How often should I check my plumbing for leaks?

Answer: It’s recommended to check your plumbing every six months. Regular inspections of your pipes, taps, and drains can help identify potential problems early. Scheduling annual plumbing maintenance with plumber services in Wallington or other local professionals can also prevent significant issues from occurring.

4. Why is my water pressure suddenly low, and how can I fix it?

Answer: Low water pressure could be caused by clogged pipes, leaks, or limescale buildup in your faucets and fixtures. To fix it, clean or replace clogged aerators and check for leaks. If the problem persists, contact plumbers in Wallington to investigate further.

5. How can I prevent my pipes from freezing during winter?

Answer: To prevent frozen pipes, insulate your pipes, especially those in unheated areas like basements, attics, or garages. Keep your home’s hehome'son consistently and allow taps to drip during freezing weather to relieve pressure in the pipes. In case of a burst, immediately seek burst pipe repairs in South London.

6. How often should I service my boiler to avoid breakdowns?

Answer: You should have your boiler serviced annually to ensure it’s functioning efficiently and safely. Regular servicing, especially for specific models like Worcester Bosch boiler service & repair in South London, can help you avoid costly repairs or replacements in the future.

7. Are blocked drains something I can fix, or do I need a plumber?

Answer: Minor blockages can often be cleared using DIY methods like a plunger or drain cleaner. However, for severe or recurring blockages, it’s best to contact plumber services in Sutton to prevent long-term damage to your plumbing system.

8. How do I know if I need to replace or repair my tap?

Answer: If your tap leaks after replacing the washer or O-ring, it may be time for a total replacement. Taps that are corrupted, outdated, or severely damaged should also be replaced. A professional plumber can assess whether repair or replacement is the best option.

9. What causes running toilets, and how can I stop it?

Answer: Running toilets are often caused by faulty flapper valves, damaged floats, or worn-out components in the tank. You can stop them by checking these parts and replacing them if necessary. If you can’t fix them, contact plumber services in Morden for assistance.

10. Can regular plumbing maintenance prevent major plumbing issues?

Answer: Yes, regular plumbing maintenance is vital in preventing significant issues. Routine checks and early detection of minor problems like leaks, worn seals, or clogged drains can save you from expensive repairs in the future. Hiring professionals for regular inspections, such as plumber services in Wallington, ensures your plumbing system stays in good condition year-round.

[denimbex1986]

'The good people at the David Lean have devised a two-hour amble around Sanderstead and Riddlesdown to show off the locations that play a key part of one of the best recent British-made movies...

The David Lean Cinema crew are doing their utmost to bring films to life, and next month they are going on a special walking tour of the locations used in the making of Andrew Haigh’s acclaimed 2023 movie, All Of Us Strangers.

Haigh came to Croydon earlier this year to talk about the film, and Croydon’s role in it, which was recorded an Under The Flyover podcast. The David Lean Cinema will be screening All Of Us Strangers again next month (on Wednesday, September 11).

Now volunteers from the David Lean Cinema are offering a guided tour of the film’s locations, on Saturday September 14, from 1.45pm meeting at Riddlesdown Station.

“The tour will be stopping off at some of the main locations that were used for the filming of All of Us Strangers,” they say.

“The tour end point will be Sanderstead Station around 4pm.”

Places are limited, with only 20 spaces available.

Caitlin Clifford describes the film as “a beautiful ode to both family and home”.

Filmed in the summer of 2022, All Of Us Strangers features not only Haigh’s old home on Purley Downs Road, but other locations around Sanderstead, including the railway station, the Recreation Ground and the high street.

It also shows bona fide stars Scott, Foy and Bell leisurely making their way through the Whitgift Centre – a shot that received laughter and cheers from the Croydon audience during the April screening at the David Lean. The guided walk won’t be extending to a shopping trip in central Croydon, though...'

[ceevee5]

Local government will run out of money if Starmer doesn’t restore some funding from central government. Thurrock, Croydon, Birmingham, Nottingham and Woking will only be the beginning.

[modernism-in-metroland]

We are very pleased to announce Modernism Beyond Metro-Land, our follow up to A Guide to Modernism in Metro-Land, an exploration of modernism in London’s eastern and southern suburbs, from Waltham Forest in the NE to Kingston in the SW

Modernism Beyond Metro-Land will include the architects such as Charles Holden, Berthold Lubetkin, Owen Luder, Richard Rogers and many others. The guide will feature art deco cinemas, modernist tube stations, brutalist office blocks, stunning post war houses and much more. 

As with the first guide, Modernism Beyond Metro-Land will feature colour photographs, detailed descriptions and maps of each area, as well as extended sections exploring a specific group of buildings such as Redbridge’s Central Line stations and Croydon Town centre 

Publication of the guide is being crowdfunded with Unbound, who also published A Guide to Modernism in Metro-Land. To support the new book and choose from various pledge rewards follow the link in our bio or visit the Unbound website

Publication of the guide is being crowdfunded with Unbound, who also published A Guide to Modernism in Metro-Land. To support the new book and choose from various pledge rewards follow this link https://unbound.com/books/modernism-beyond-metro-land/

[master-john-uk]

Advanced security cameras which have been in use in central London for over five years are now being installed in several outer-London areas.

After the system went live in Croydon recently, 11 suspects were quickly arrested, eight of which had failed to appear in court for violent offences.

[ufonaut]

do you have any reccomendations for places to buy comics in london ?

DO I!!!!!!!!!!!!!! I'VE DEDICATED MY LIFE TO IT!!! here's a bunch of my faves in no particular order:

forbidden planet - the london megastore is said to be the biggest comic book shop in the uk (it's pretty damn big!) and my go-to place for weeklies. they don't have back issues unless you're looking for something that's a couple months old at the very best but they do have tons of merch/toys of all kinds, crazy sales, trades like you wouldn't believe and general books. practically my home away from home, i'm at forbidden planet pretty much every wednesday to pick up new releases. also: very frequent free signings with some of the biggest names you can think of!

gosh! comics - home of the indie comics & weeklies, gosh! is a couple streets away from fp in soho and probably one of my favourite places to waste an hour or two in. the good folks at gosh! still believe in zines and they've got plenty of them, as well as comic mags of the british & american variety, comic theory & history, pretty decent sales on trades, and a huge supply of back issues downstairs. their back issues are what i consider pricey (£3-10 range) but they're remarkably well organised and well stocked. this is the place to be if you wanna move away from the big two or towards the history/study side of things, and they've got very frequent signings too!

the notting hill comic exchange - just around the corner from the notting hill gate tube station, this is probably my favourite place in the world for back issues. you can find any indv issue youve ever dreamed of for 50p - £1 at the exchange and they've got boxes & boxes of 'em, especially now that the shop has extended into the notting hill book exchange next door and there's a couple beautiful beautiful cheap boxes in there too. they've also got comic collections (indv issues of an arc in one bag), comic-related books, adult comics, magazines and trades at less reasonable prices (for my standards, anyway) but it's heaven for back issues!

a place in space - a little ways away from the croydon shopping centre, a place in space has alphabetized boxes of individually priced back issues and weeklies as well as trades and action figures. while they don't have any designated cheap boxes, the prices tend to be fantastic (£1-5) and they've been remarkably well-stocked every time i've been there, especially if you're looking for modern age anything (nineties especially). i'm not a very frequent visitor solely because i can almost always be found around leicester square/central london but man, if i don't just love this shop!

krypton comics & books - a five min walk from the blackhorse road tube station on the victoria line, krypton comics started as a small stall in camden market back in the eighties and has since become a wonderful little shop with amazing prices. while they don't seem to employ any sort of method of organizing... anything, they've got about ten boxes filled to the brim with 50p comics and you better believe i've spent many an afternoon digging through those & walking away with some incredible stuff! they're only open three days per week so better check the website before visiting but trust me, it's as worth it as it gets!

mega city comics - over in camden and literally across the street from the tube, mega city has back issues & weeklies as well as tons of non-western comics. they're a little pricey for my taste and often tend towards silver age rarities but there's discount boxes as well and it's definitely worth a look if you're in the area!

a moment of silence for orbital comics and 30th century comics, which were once the loves of my life and have gone online post-lockdown, and a honorary mention to piranha comics in bromley. i would also recommend checking out the london comic mart, which is held once every two months at the royal national hotel in russell square and has quite literally 100+ booths with 25p/50p/75p back issues of all eras (the literal highlight of my entire life, obviously)! local charity shops such as most oxfam locations also carry comics for incredible prices, and i've definitely gotten a good chunk of my collection from the one down the street from my place.

so, that's pretty much it! i hope i've helped a lil, enjoy!!!!!!

[ezdriverentals]

24 Hour Car Rental: Affordable & Convenient Options for Every Journey

Renting a car for a day can provide the freedom and flexibility needed for both business and leisure trips. Whether you're travelling for work, a quick getaway, or simply need a vehicle for a short-term move, 24 hour car rental services offer convenience and affordability. In this guide, we’ll explore various 24 hour car rental options available in key locations, such as Clapham Junction, Croydon, Canterbury, Canary Wharf, London Gatwick, and Liverpool Street Station. We’ll also delve into the costs, benefits, and tips for a seamless rental experience.

Why Choose 24 Hour Car Rental?

24 hour car rental services cater to those who need a vehicle for a single day. This type of rental service is particularly useful for:

Short-Term Trips: Whether you need a car for a business meeting, a special event, or a day out, 24-hour rentals offer the flexibility you need.

Emergency Situations: Sometimes, having access to a car at short notice can make all the difference when your regular transportation options are unavailable.

Travel Convenience: Renting a car for a day can often be more cost-effective and efficient than relying on public transport or taxis.

Popular Locations for 24 Hour Car Rental in the UK

1. 24 Hour Car Rental Clapham Junction

Clapham Junction, a major transport hub in London, is one of the best places to rent a car for the day. With convenient access to both local and national routes, renting a car here allows you to easily reach different parts of London or explore the wider UK. The area is well-served by various car hire companies, offering a range of vehicles from compact cars to luxury options. If you're looking for flexibility, you’ll find services that allow you to pick up your car at any time during the day.

2. 24 Hour Car Rental Croydon

Located in South London, Croydon is another excellent area for 24 hour car rentals. The area offers competitive rates and is an ideal location if you're travelling to or from Gatwick Airport. With easy access to the M25 and other major roads, you can take your rental car on a journey to explore the countryside or head into central London with ease.

3. 24 Hour Car Rental Canterbury

For those in or around Kent, Canterbury provides another great option for 24-hour car hire. The historic city is perfect for those looking to explore the local area, with stunning landscapes and a wealth of attractions nearby. Renting a car for a day allows you to visit the nearby coastal areas or take a road trip to other parts of the county, all at your own pace.

4. 24 Hour Car Rental Canary Wharf

Canary Wharf, London's bustling business district, is a popular choice for 24 hour car rental, especially for professionals who require a car for business meetings or work-related travel. With several car hire locations in the area, you can easily access your rental vehicle, whether you need a standard car for your commute or a luxury vehicle for a client meeting.

5. 24 Hour Car Rental London Gatwick

London Gatwick Airport is one of the busiest airports in the UK, with numerous car hire options available for both short and long-term rentals. For those arriving at Gatwick and needing a vehicle for just a day, there are several convenient services nearby. Renting a car from Gatwick is ideal for reaching locations outside London or for a quick trip to the coast.

6. 24 Hour Car Rental Liverpool Street Station

Liverpool Street Station, located in the heart of London, offers easy access to car hire services. This area is perfect for those needing to rent a vehicle for a day, whether you're in town for business or planning a short trip. The station’s central location makes it easy to pick up your car and explore the city or travel further afield.

How Much to Rent a Car for a Day in the UK?

The cost of renting a car for a day in the UK can vary depending on several factors, including the type of car, location, and rental company. On average, you can expect to pay anywhere from £20 to £60 for a basic economy car for 24 hours. However, the prices can rise for luxury vehicles, vans, or cars with specific features.

Factors that influence car rental costs include:

Car Type: Economy cars are generally cheaper, while SUVs, luxury cars, or vans can be more expensive.

Location: Rental prices can be higher in major cities like London or near airports due to demand.

Rental Duration: Although the car is rented for 24 hours, some companies offer discounts for longer bookings.

Insurance and Add-ons: Additional insurance, GPS, or extra drivers can raise the total cost.

It’s always a good idea to compare prices across different rental companies to ensure you’re getting the best deal.

Tips for a Smooth 24 Hour Car Rental Experience

Book in Advance: While walk-ins are often available, booking in advance ensures that you get the vehicle you want at a better price.

Check the Fuel Policy: Many car hire services operate on a full-to-full fuel policy, meaning you pick up the car with a full tank and return it full. Make sure to check this to avoid additional charges.

Review Insurance Options: Car rental companies typically offer different levels of insurance. Understand the coverage before you sign the rental agreement to avoid hidden fees or unexpected charges.

Consider Additional Drivers: If you're planning on sharing driving duties, make sure to inform the rental company and ensure that the additional driver is added to the agreement. There may be an extra fee for additional drivers.

Inspect the Vehicle: Before driving off, check the vehicle for any existing damage and report it to the rental company. This will help avoid any disputes when returning the car.

Know the Rental Terms: Each rental company may have different terms regarding mileage, deposits, and charges for returning the vehicle late. Familiarise yourself with these terms to avoid surprises.

24 Hour Car Rental with EZDrive Rentals

One of the most popular choices for 24 hour car rental is EZDrive Rentals. With a wide range of vehicles available at various locations, including airports and major city centres, EZDrive Rentals makes it easy to rent a car for a day. The company’s app also allows you to book and manage your rentals on the go, offering further convenience for travellers.

Why Choose Car Hire in London?

London is a top destination for both tourists and business professionals, and renting a car for a day can provide flexibility and ease when exploring the city. Whether you're visiting iconic landmarks, attending meetings, or simply need a break from public transport, car hire in London offers numerous advantages:

Freedom of Movement: Having a car at your disposal allows you to visit multiple places in a day without waiting for trains, buses, or taxis.

Convenience for Meetings: If you're in London for business, renting a car allows you to travel between meetings without relying on expensive taxis or navigating public transport.

Comfort and Privacy: Renting a car ensures comfort, privacy, and flexibility throughout your trip, especially if you're carrying luggage or travelling with others.

Renting a Car Near Me

If you’re wondering, "Where can I find 24 hour car rental near me?", it's easy to locate rental locations in most cities across the UK. Major cities like London, Manchester, Birmingham, and Edinburgh, as well as airport hubs like Heathrow, Gatwick, and Stansted, offer multiple car rental options. Simply search for "24 hour car rental near me" and you’ll find nearby locations offering quick and easy rental services.

Conclusion

Whether you're in London, Canterbury, Croydon, or any other city, 24 hour car rentals offer flexibility, convenience, and affordability. With a variety of options available for every type of traveller, you can easily rent a car for a day to explore, attend meetings, or handle urgent business. Remember to compare prices, check insurance options, and understand the terms of the rental agreement for a smooth experience. Car hire can be the ideal solution for those who need a vehicle for a short time without the long-term commitment.

Renting a car for the day can open up endless possibilities for both work and leisure—without the hassle or cost of traditional transport. Whether you’re visiting London for the first time or heading to a local meeting, the convenience of 24 hour car rental is unmatched.

Frequently Asked Questions (FAQs)

Q: How much does it cost to rent a car for 24 hours in the UK?

A: The cost of renting a car for 24 hours typically ranges from £20 to £60, depending on the car type, location, and rental company. Luxury cars or vans can cost more.

Q: Can I rent a car at airports like Gatwick or Heathrow for a day?

A: Yes, both Gatwick and Heathrow airports offer 24 hour car rental services with a variety of vehicles available for short-term hire.

Q: What do I need to rent a car for a day in the UK?

A: You’ll need a valid driving licence, a credit or debit card for payment, and sometimes proof of address. Be sure to check the rental company’s requirements.

Q: Are there any additional charges for 24 hour car rental?

A: Additional charges may apply for things like extra drivers, insurance, fuel, and late returns. Always review the rental agreement to understand all fees.

Q: Can I pick up and drop off the car at different locations?

A: Yes, many rental companies allow you to pick up the car at one location and drop it off at another, but there may be an additional fee for this service.

[insidecroydon]

Party animal Pelling looks to run in Croydon East - for LibDems

ELECTIONS 2024: The former MP is hoping to stage a comeback in the new parliamentary seat by joining his third political party. EXCLUSIVE by our political editor, WALTER CRONXITE Three strikes and out: Andrew Pelling the ex-Tory, former Labour, now FibDem politician Andrew Pelling, a former Conservative MP and Labour councillor in Croydon, now wants to try his luck as the Liberal Democrat…

[thecostoflivingintheuk]

Living in London: A Cost Breakdown for Potential Londoners

London: the city of history, iconic landmarks, and endless possibilities. As the UK’s capital, it’s also one of the most expensive cities, but don’t let that scare you! London offers a range of lifestyles to suit different budgets, from housing and transport to groceries and entertainment. Here’s what you need to know if you’re thinking of moving to—or simply curious about—the cost of life in this incredible city.

1. Housing: From Central Luxury to Outer-Area Savings

Housing is likely to be your biggest expense in London. The city is divided into zones, with prices rising as you approach the central areas. If you’re looking to balance location and cost, consider renting a bit further out and commuting in.

Central London: Living in the heart of London comes at a premium. Renting a one-bedroom apartment can cost between £1,500 and £3,000 per month. Popular central neighborhoods like Kensington, Soho, and Shoreditch carry some of the highest price tags.

Outer Boroughs: For those on a budget, outer areas like Croydon, Wembley, or Barking offer more affordable options, often between £900 and £1,500 per month for a one-bedroom flat. These areas have easy transport links, making them a viable option for commuters who want lower costs.

2. Food: Groceries, Markets, and Dining Out

London’s food scene is incredibly diverse, and so are the costs. You’ll find everything from affordable street food to luxurious fine dining, depending on where and how you shop and eat.

Groceries: Monthly grocery expenses average between £150 and £300 for an individual. Supermarkets like Tesco, Sainsbury’s, and Lidl offer affordable choices, while Waitrose and Marks & Spencer cater to more premium tastes. London’s local markets, like Borough Market and Brixton Market, are great for finding fresh produce and unique ingredients, often at lower prices.

Eating Out: London’s culinary landscape offers options for every budget. A meal at a mid-range restaurant might cost around £15-£30 per person, while high-end dining in places like Mayfair or Covent Garden can quickly soar above £100. For budget-friendly bites, check out the food trucks and market stalls that pepper the city or opt for popular chains with affordable menus.

3. Transportation: Navigating the City Efficiently

London’s transportation system is extensive, offering buses, trains, the Underground (Tube), and bike rentals. For most Londoners, a monthly travel card is a must, making it easier and more affordable to navigate the city.

The Oyster Card: A monthly travel card covering zones 1 and 2 costs about £150, and it includes unlimited access to buses, trains, and the Tube within these areas. If you live in outer zones, expect to pay a bit more, with prices increasing depending on how many zones you cross.

Biking and Walking: For the eco-conscious (and budget-conscious), cycling is becoming more popular thanks to London’s expanding bike lanes. Santander Cycles (a bike-share program) offers rentals starting at £1.65 for a 30-minute ride, and walking is always an option, especially in central areas.

Parking in central London can be expensive, with hourly rates often reaching £4-£6. For those with a car, the city also imposes a congestion charge of £15 per day in central areas, so many find public transport more practical.

4. Utilities and Internet: Essentials for London Life

Utilities in London tend to vary based on property type, size, and season, but you can expect average monthly bills for gas, electricity, and water to fall between £100 and £200. Living in a smaller flat or flat-sharing can reduce these costs significantly.

Internet: A decent broadband package with providers like BT, Virgin, or Sky costs around £25-£40 per month. Mobile data plans in London are competitively priced, with options from networks like EE, Vodafone, and Three, allowing you to stay connected on the go.

5. Entertainment and Social Life: Culture on Every Corner

London’s entertainment scene is one of the best in the world, and the city’s size means there are activities for every budget. The secret to enjoying London without overspending? Take advantage of its free cultural offerings!

Museums and Galleries: Many of London’s best museums, including the British Museum, Tate Modern, and the Natural History Museum, are free to enter. These cultural hubs are perfect for a weekend activity that doesn’t break the bank.

Theatre and Cinema: London is famous for its West End, and while top tickets can cost upwards of £70, last-minute apps like TodayTix offer discounted seats. For film buffs, cinema tickets are around £12-£18, with student discounts available.

Nightlife: Pubs are a big part of London’s social scene, and a pint of beer costs about £5-£6 in most areas. In the trendier parts of the city, prices can go a bit higher, but happy hours and free entry bars offer budget-friendly options.

6. Healthcare and Education: Covered by the NHS

Thanks to the NHS, London residents have access to free healthcare services, including GP visits and emergency care. For those needing prescriptions, standard charges apply, with the current cost around £9 per prescription. London is also home to some of the world’s best universities, though international tuition fees vary. For families, public schools are available at no cost, while private schooling requires substantial fees.

7. Final Thoughts on London Living Costs

So, is London expensive? Yes. But the city’s abundant opportunities, energy, and unique experiences make it possible to find a budget that fits your lifestyle. Whether you’re a young professional, student, or retiree, a little savvy planning goes a long way in making the most of life in London. From quirky markets to historic museums, there are countless ways to explore and enjoy this iconic city without breaking the bank.

Curious if London (England)’s right for you? With its vibrant neighborhoods and never-ending list of things to do, it’s no wonder the city draws people from all around the globe. Just keep an eye on your Oyster Card balance, embrace the joys of budget eats, and you’re set to enjoy London’s fast-paced charm!

[jumpstartcar8]

Affordable and Reliable Jump Start Cost in London - What You Need to Know

Introduction: Why a Jump Start Service is Essential for London Drivers

London, a city bustling with traffic and activity, is not immune to the occasional car trouble, particularly dead batteries. Whether you're a commuter, a business professional, or just running daily errands, the inconvenience of a car that won't start can disrupt your day. This is where reliable jump start services come into play, providing prompt assistance to get your vehicle back on the road. But before you find yourself in such a situation, it’s worth knowing the jump start cost in London and what factors influence these fees.

Understanding the costs can help you prepare for such emergencies without breaking the bank. This article delves deep into what you can expect to pay for jump-start services across London, the factors that can affect the price, and tips for choosing a trustworthy service provider.

What Influences the Cost of Jump Start Services in London?

While the jump start cost in London varies, several key factors influence the price you might end up paying. Let's break down the most common ones:

Location: Your geographical location within London plays a significant role in the cost. Jump start services in central areas like Westminster or Covent Garden may cost more due to higher demand and accessibility challenges, compared to outer areas like Croydon or Barnet.

Time of Service: Most companies offer 24-hour services, but fees may fluctuate depending on whether you need assistance during peak hours or off-hours (late nights and weekends). Early morning rush hours or late-night emergencies can result in higher charges due to the inconvenience and traffic congestion that service providers must navigate.

Type of Vehicle: The kind of vehicle you're driving can also impact the cost. Standard cars generally require a basic jump start service, but larger vehicles like vans, SUVs, or trucks may demand specialized equipment or more powerful batteries, leading to higher fees.

Distance Travelled by the Service Provider: The further the service provider has to travel to reach your location, the higher the charge will likely be. Companies typically account for fuel and time when calculating the final fee, so if you're stranded far from central London, this could be reflected in the cost.

Service Provider Reputation: Like with most services, you often get what you pay for. Established companies with high ratings and long-standing reputations may charge slightly more, but they also bring reliability, faster response times, and often, no hidden fees. In contrast, cheaper providers may offer more budget-friendly rates, but there’s always the risk of lesser quality service or additional charges.

Average Jump Start Cost in London

Now that we’ve outlined the factors influencing the price, let’s explore the average jump start cost in London. Generally, you can expect to pay between £50 and £100 for a jump start, depending on the aforementioned variables. Here’s a more detailed breakdown:

Standard vehicles: For a regular car, a typical jump start costs around £50-£70, provided it’s during normal hours and in an easily accessible area.

Larger vehicles: For vans, SUVs, or trucks, the price might increase to £80-£100 because of the need for more powerful equipment and the complexity of the task.

Emergency and off-hours services: If you require a jump start late at night, on the weekend, or during a holiday, you could expect the price to increase by an additional £10-£20, bringing the total to around £80-£120.

It’s also important to consider that these prices may differ slightly depending on the service provider and the specific circumstances of your breakdown. Some companies may offer fixed rates, while others may have sliding fees based on distance or time.

Benefits of Using a Professional Jump Start Service

When your car battery dies unexpectedly, you might be tempted to seek help from a passerby or try jump-starting the car yourself if you have the necessary equipment. However, there are clear advantages to using a professional service, particularly in a busy city like London:

Quick and Convenient Service: A professional service guarantees a quick response, often within 30-45 minutes, minimizing the time you’re stranded. This is particularly important in areas of high traffic where being stuck could cause additional stress or even pose safety risks.

Expert Knowledge: Jump starting a car might seem simple, but doing it incorrectly can damage both the dead vehicle and the assisting vehicle. Professionals are trained to handle various types of vehicles and know the specific techniques to use, ensuring your car is started safely without further damage.

Reliable and Hassle-Free: Hiring a jump start service means you won’t have to rely on the availability of someone else, like a friend or passerby, to help you out. You get guaranteed assistance, reducing the anxiety of being stuck in a busy or unfamiliar location.

Peace of Mind: Many service providers, especially reputable ones, offer guarantees or warranties on their work, providing extra peace of mind. This means if something goes wrong, they’ll take responsibility for fixing it, ensuring your car and battery are in safe hands.

How to Choose the Right Jump Start Service in London

With so many options available, selecting the right jump start service in London can seem overwhelming. Here are some key tips to help you make an informed decision:

Check Online Reviews: One of the best ways to gauge the quality of a service provider is to read reviews and testimonials from past customers. Websites like Trustpilot or Google Reviews provide valuable insights into the reliability, punctuality, and professionalism of various companies. Look for services with consistently positive feedback and high ratings.

Transparent Pricing: Always opt for companies that are upfront about their costs. Some less reputable providers might advertise low initial rates but tack on additional charges for mileage, fuel, or even equipment usage. Be wary of companies that refuse to provide a clear breakdown of their fees over the phone or via their website.

Availability and Response Time: Emergencies don’t follow a schedule, so it’s essential to choose a service that operates 24/7. Before booking a service, ask about their average response time. A reliable provider should reach you within an hour at the most, regardless of the time or location.

Check Their Equipment: Not all jump start services are equipped to handle every vehicle type. If you drive a larger vehicle or one with specific battery needs, inquire whether the company has the necessary equipment to jump-start your vehicle safely and effectively.

Local Knowledge: Hiring a local service provider with extensive knowledge of London’s roads can save you time and hassle. A company familiar with your area will be able to navigate traffic more efficiently and find you faster, especially in harder-to-reach locations.

Alternatives to Professional Jump Start Services

While professional jump start services are the most reliable option, there are some alternatives if you're looking to save money or prefer to be self-sufficient:

Portable Jump Starters: Investing in a portable jump starter allows you to get your car running without needing external help. These devices can be kept in your boot and used whenever necessary. They range in price from £50 to £150, depending on the model and power capacity.

Roadside Assistance Plans: Many auto insurance companies or third-party organizations offer roadside assistance plans that include jump-start services as part of their coverage. These plans typically cost between £30 and £100 per year, making them a cost-effective solution if you’re concerned about frequent battery issues.

Ask a Friend: If you’re in a non-urgent situation, asking a friend or family member for help might be a more budget-friendly option. However, this method relies on their availability and knowledge of how to jump-start a vehicle correctly, so it's not always the most convenient solution.

Contact Information:

📍 Locations: Essex, London, and Across the UK

📞 Phone: +44 20 8088 4136

📧 Email: info@jump-start-car.co.uk

🌐 Website: https://jump-start-car.co.uk/

🔍 Google Maps: https://g.co/kgs/sr9MQxd

Service Links

✔️ https://sites.google.com/view/jump-start-car-uk/home

✔️ https://sites.google.com/view/jump-start-car-uk/jump-start-cost-in-london

✔️ https://sites.google.com/view/jump-start-car-uk/car-starting-service-near-me

✔️ https://sites.google.com/view/jump-start-car-uk/24-hour-jump-start-london

✔️ https://sites.google.com/view/jump-start-car-uk/emergency-jump-start-london

✔️ https://sites.google.com/view/jump-start-car-uk/jump-start-service-london-uk

✔️ https://sites.google.com/view/jump-start-car-uk/reliable-jump-start-london

✔️ https://sites.google.com/view/jump-start-car-uk/affordable-jump-start-london

Blog Links

📝 https://jump-start-car-uk.blogspot.com/

📊 https://jump-start-car-uk.blogspot.com/2024/10/Budget-Friendly-Jump-Start-Services-in-London.html

🌟 https://jump-start-car-uk.blogspot.com/2024/10/Best-Car-Starting-Service-Near-Me.html

🚀 https://jump-start-car-uk.blogspot.com/2024/10/Jump%20Start-London-Services-for-Any-Emergency.html

Conclusion: Be Prepared for the Unexpected

Having access to a dependable jump start service in London is crucial, especially with the city's fast-paced lifestyle and constant traffic. Knowing the jump start cost in London, as well as the factors that affect it, ensures you’re prepared in case your vehicle battery dies unexpectedly. While prices generally range between £50 and £100, investing in a reliable, professional service offers peace of mind, especially during stressful situations.

The key takeaway is to always be prepared and have a trusted service provider on hand for emergencies. Whether you choose to rely on professionals or opt for alternatives like a portable jump starter, being proactive can save you time, stress, and money in the long run.

[denimbex1986]

'THE POWER OF LOVE

When lensing an amalgamation of haunting and precious memories and heartbreak, director Andrew Haigh and cinematographer Jamie D. Ramsay SASC wanted to avoid being too heavy handed with nostalgia, instead opting for a subtle and organic visual expression of reminiscence and relationships.

Much like the journey of reflection and discovery that unfolds in author Taichi Yamada’s novel Strangers – a traditional Japanese ghost story of love, loss, the afterlife, and treasured and sometimes painful memories – the process of translating the book for the screen took writer-director Andrew Haigh (Lean on Pete, 45 Years, Weekend) on his own emotional voyage.

In Haigh’s cinematic reimagining, All of Us Strangers, we meet Adam (Andrew Scott), a 40-something gay screenwriter who lives alone in a high-rise flat in London. Still impacted by grief from the traumatic incident in his childhood which claimed the lives of his parents, when Adam meets Harry (Paul Mescal), who lives in the same block of flats, the love that grows has a transformational power.

Returning to his childhood home, Adam is transported back to the ‘80s and as past and present collide in a nostalgia-infused dreamlike world, he has the opportunity to spend moments with his parents who have been frozen in time at the age they were when they passed away. Memories of those he has lost and feelings of grief and suffering are revisited as Adam has conversations he wished he could have experienced if his parents had lived to see him reach adulthood.

In the telling of an ethereal tale of the power of love, Haigh wanted to “pick away” at his own past in the same way as protagonist Adam, even choosing to shoot the scenes with Adam’s parents at the director’s childhood home in Croydon, South London. “I was interested in exploring the complexities of both familial and romantic love, but also the distinct experience of a specific generation of gay people growing up in the ‘80s,” says Haigh, wanting “to move away from the traditional ghost story of the novel and find something more psychological, almost metaphysical.”

Speaking on a panel session following a BAFTA screening of the film which British Cinematographer attended, Haigh spoke of his interest in “the need to connect, or to soften whatever the pain is that you carry around with you.” While some changes were made to the story that unfolds in Yamada’s book, the central idea of the protagonist getting the chance to meet his parents, and “go back in time to have those conversations again, get to know them and them get to know him” felt really powerful to Haigh.

“I wanted to incorporate the idea of a love story into that and see how those two things connect and bounce off each other,” says the director. “There is a sense of yearning – he has lost his parents and is yearning for them as well as yearning to find someone to give him comfort and love. His parents are also yearning to be alive again and to spend more time with their child.”

A fresh narrative

The script stood out as extraordinary to Jamie D. Ramsay SASC, a cinematographer who finds it “rare to come across a piece of literature in script form that excites you, feels fresh and unlike something you’ve seen before.” He was fascinated by exploring the way people deal posthumously with trauma. “It touched me because there’s a lot of emotion attached to the subject, especially for those who grew up feeling prejudice against homosexuality and uncomfortable to come out to their parents. That was a childhood trauma that stuck with Adam, coupled with the grief he experienced,” says Ramsay, speaking to us from the location of his next production.

The feeling and “the way the movie moves you” always come first for the cinematographer, and is then “serviced by the next layer which is the choice of lights, glass, and style. “So in this film, there’s the feeling of loss as well as the emptiness of never being able to get the acceptance of the two most important people in your life. The relevance of the story to the current day when isolation is all too common struck a chord with me, and I also wanted to be part of making the movie because I love Andrew’s previous work – he’s an incredible filmmaker.

“He’s a rare director who has impeccable taste and direct sharp vision about what he wants to do. However once you have aligned with him and understand what he’s looking for creatively, he hands it over to you and trusts you completely.”

The South African/British cinematographer is familiar with lensing heart wrenching stories with sensitivity and creative flair, having won the Bronze Frog at Camerimage 2022 another adaptation of a book – Oliver Hermanus’ Living which sees a civil servant reflect on his life and how to spend his remaining days when faced with a fatal diagnosis. Ramsay’s work on All of Us Strangers also struck a chord with audiences and immersed them in another emotional story, resulting in the film being selected in this year’s Main Competition at Camerimage and scooping multiple British Independent Film Awards including Best Cinematography, Best Film, and Best Director.

Discovering the look

It is the smooth-flowing conversation between director and DP during the five-week prep and five-week shoot which Ramsay believes was key in the creative process and a result of Haigh being “super smart and knowing what he wants.” For Ramsay, a DP is “a visual ideas engine which the director then guides into place” and as Haigh knew so specifically what he wanted in terms of the story being told, the pre-production period of fleshing out their approach to the film was a joy.

“Andrew didn’t have a fixed idea of what it should look like though, which is great for me because I love the process of finding out what it should look like with the director,” adds Ramsay. “When the director is autonomous and has a strong visual idea, it’s difficult for you to collaborate and truly imprint your personality onto the film. We discovered it together through deep conversation, starting with what the narrative was really about, who the characters were, and then just talking about the references that appealed to us over the years.”

These inspirations included Ingmar Bergman productions such as Swedish period drama Cries and Whispers (1972) due to its unsettling movement, even though the narrative themes differed to All of Us Strangers. Taking creative influence from that production subconsciously and “allowing it to sit in the background” of their decision making, the filmmakekodrs explored Haigh’s wish to “create a sense of nostalgia but not be too heavy handed with it,” producing a subtle memory of sadness.

While Yamada’s book was a strong influence on Haigh, when shooting an adaptation of a novel, Ramsay “tries to avoid being affected by outside sources besides the script” and rarely reads the book because it “overprescribes your creativity and imagination”.

Discussions led them to explore the organic feeling of memories, and decide that those recollections of the filmmakers’ and protagonist Adam’s past would feel analogue. “We knew it would probably be things like 35mm prints from the ‘80s and early ‘90s, 300g printed records, a photo diary, or a tape deck which are all indicative of the era we grew up in, and the era in which the lead character went through this trauma,” says Ramsay.

The duo agreed this organic and analogue feeling would drive the visual approach – they wanted “to feel the dust on the negative, to feel that human touch to the film. We never wanted something that felt overly structured and overly perfect, it had to feel flawed.” With the touch of the filmmakers behind the lens combined with the creations of the art department shaping the final result on screen, the choice to shoot on 35mm 3-perf film was made quickly, working with Arricam LT and Kodak VISION3 500T, 250D and 50D film stocks and processing, scanning and dailies colour carried out at Cinelab.

“You can’t argue the value of shooting on 35mm film and I had great support from the teams at Kodak and Cinelab in terms of the tests and the dailies. Choice of film stock was largely driven by function as much as aesthetic. When you don’t have a huge budget for lighting and you’re using a lot of practical light, having the speed of 500T is really useful,��� says Ramsay. “From a light perspective, we also did a lot of transitionary filming and having the extra bit of love out of the 250D allowed us to transition between day into night smoothly. For a lot of our daily life sequences we went for 50D because we love the robust strength it offers.”

The more vintage aesthetic was paired with cutting-edge technology in line with the filmmakers’ aim to “not be overly dramatic with the feeling of nostalgia.” Already venturing into a more organic technique of shooting on film, they wanted to avoid “adding another layer by using vintage lenses to achieve flares”. Instead they sought “the reality and responsibility of a sharp set of lenses, offset with the romance and organic nature of film” which led them to test multiple options before landing on Zeiss Master Primes.

“That contrast played with the analogue versus digital, the pastels versus the primaries which we kept leaning into,” says Ramsay. Colour palette was largely inspired by the era, selecting signifying tones that felt aesthetically pleasing as well as true to the time period. “We then worked out the evolution of those tones in a contemporary context. And whenever we went back in time, we imprinted those tones onto those moments,” says Ramsay.

A “journey of colour” that was birthed in Adam’s childhood found its way into his apartment in adulthood. “From the art department through to the camera and lighting crew, we all wanted to convey the feeling that Adam never quite grew up. He got Peter Pan syndrome and was locked into an area of his life he couldn’t move past.”

Haigh and production designer Sarah Finlay spoke about the design of the film needing to look quite naturalistic and avoid jumping in and out of the different time periods visually. Haigh’s childhood home needed to be modified in some ways to look as he had remembered it. He “wanted the past and present to bleed into each other and a lot of the design was more about feeling the past.”

Vintage meets cutting-edge

Both Haigh and Ramsay are fans of the look and feel of film, but they also wanted to create a “feeling of being out of touch with reality – a symptom of the self-induced isolation and loneliness Adam experienced.” This resulted in a collision between the analogue and digital filmmaking world, and Adam’s apartment being built in a studio at Wembley Park Studios in London. Incorporating virtual production techniques, the set was surrounded by an LED wall comprising ROE Visual Ruby 2.3mm (running on the Helios processing platform), upon which all of the views from Adam’s apartment were displayed. The 120ft by 50ft volume was built with the help of the team at Creative Technology – which supplied the LED screens – and plates were captured in and around Stratford, East London.

“In doing so, we could manage the time of day, luminance, position of the view, cloud structure, movement of traffic, or whether we wanted to do a time lapse with the clouds,” says Ramsay. “It just allowed us to put the reality a little bit outside of the realm of normal, just beyond his apartment. This helps create a slightly strange feeling in his apartment, which is a significant location as it’s where 30 minutes of the movie takes place.”

Ramsay enjoyed a harmonious combination of old and new technology, using ARRI SkyPanel LED lights to create an ambience matching the colour of clouds displayed on the LED wall in addition to 12K or 24K ARRI T12 or T24 tungsten fresnel lights to create the feeling of a sunset illuminating the room.

“I haven’t been able to achieve that with any other light besides the fresnel tungsten head which have a warmth and analogue feel,” he says. “My sweet spot is a specific combination between old and new such as using 35mm film against the LED wall to soften the wall. And by embracing LED technology to marry the colour tone of the wall with the ambience, you then create an interesting synergy with the analogue feel of an old fresnel.”

Helping Ramsay achieve this synergy was Warren Ewen, a gaffer the DP has collaborated with a number of times in the UK, who “goes above and beyond” and is “one of the strongest hands on set.” Working with a stellar lighting crew, the DP learnt about safeguarding himself from an exposure perspective and making sure there is enough lighting in place to service what is needed when shooting on film.

In addition to the benefits Ramsay and the crew enjoyed when working with the virtual set, the cast expressed their appreciation for having a visual context of the outside world displayed on the LED wall in contrast to their experiences of green screen shoots. However, Ramsay’s greatest challenge when shooting on the volume was occasionally discovering moiré in the dailies. “It gave me sleepless nights because when we got our dailies moiré might be introduced in the strangest situations – in reflections on the set as if a glass, mirror or wall was acting as a sensor,” he explains.

“That’s still a mystery that needs to be solved. It’s the hard thing about seeing your dailies 16 hours later when shooting on film. But Andrew was so collaborative and supportive throughout, knowing we were going down the 35mm and virtual production route and the emotional turmoil we might encounter along the way. But the results were well worth it.”

Prior to shooting commenced Ramsay explored technical challenges that might arise for scenes which were to be shot against the LED wall with his longtime colour collaborator, Joseph Bicknell, colourist at Company 3. “After understanding the story in broad strokes and Jamie’s perspective on it, I like to create a strong show LUT for him to load in camera during tests, so he can see live how it might react before photography,” says Bicknell. “Once we have that test footage we’ll dial in the look further, I’ll make a few adjustments and he shares his thoughts which we built into the final show LUT. The overarching look of the film didn’t end up straying far from this in the final grade.”

Bicknell felt the production was a “masterpiece” from the first time he watched the cut without final mix or colour as “all the mood and intensity was there”. Haigh and the cinematographer’s shorthand was so strong that Ramsay had a clear idea of the visual vibe the director desired when it came to collaborating with Bicknell again in the final grade. “Andrew is very supportive in that way and has a lot of confidence in the HODs he’s picked because he loves what they do. He trusts them and that’s why it’s wonderful to work with him,” says Ramsay.

Exploring the film’s emotional qualities, in the grade Bicknell and Ramsay worked with DaVinci Resolve to achieve a “light blend of magical realism to help the audience travel through the story”. On specific scenes they used colour to more forcefully convey emotion, for example during moments of distress such as the sequences that take place on the underground. “Inspiration for this was partly taken from the performances but also what was happening in the sound design,” says Bicknell.

Reacting to the moment

The majority of the narrative plays out in Adam’s childhood home, which Haigh was keen to shoot in the house he grew up in. But, as Ramsay highlights, shooting in quite restrictive spaces such as those in the house location with low ceilings and small windows would have been tricky even when working with small digital cameras. “The fact we are shooting on 35mm cameras with 1,000 foot loads made filming and lighting tough,” he says. “We managed to get permission from the property’s current owner to cut out a doorway to extend the lounge but it was still very challenging.”

Wanting to work within a wider frame to allow themselves the option to isolate characters, but also centralise characters in important moments led the cinematographer and director to adopt a 2.39: 1 aspect ratio. “There are scenes where we isolate the characters on either side of the 2:39 aspect ratio and others where we centralise the character and tighten the eyeline to a great extent,” says Ramsay, using the sequence where Adam and his parents are all in bed together as an example. Haigh and Ramsay wanted this to be an uncut scene, and to hide when the cast members in the bed needed to switch and move, creating a beautiful yet strange and jarring experience.

“This was difficult as we were on location at the house in Croydon and needed to build a cage inside the bedroom from which we could suspend the 35mm camera with a 1,000 foot mag above the characters,” says Ramsay, who likes to operate and “react to the feeling of a moment”, and was behind the camera for All of Us Strangers. “I had my grip Kevin Fraser seven inches above this rigging, operating the dual slider as the scene developed. It’s tough to find 35mm familiar crew but Kevin’s very comfortable with rigging film gear.”

Meanwhile, Ramsay was on the zoom, timing it precisely to push in so another character disappeared from the frame. “Each time they had to leave the bed without us feeling the bed move, and then another character got in and they were revealed. Building a structure to support the 35mm gear on location was difficult but what was most important to us was having absolutely no cuts in that sequence, so there was no chance to lose the audience’s attention, locking them in this dream.”

As well as not being too heavy handed with the sense of nostalgia, Haigh wanted to avoid being overbearing with the suggestion of Adam’s different states of mind, wanting the subtlety to almost make the audience question where they were and whether it was the past or present. “The only time we pushed it was the club sequence where Adam is intoxicated and that feeling was motivated more by the drugs he had taken than by the state of mind and the presence of ghosts in his life,” says Ramsay. “For the club scene, we had more free rein to really push the lighting, transitions, use reflections and break the fourth wall by Adam looking into the camera, confusing the situation.”

While pushing the camera movement and making it more confusing in that sequence, the filmmakers wanted everything else to be fairly stable, with a “slight movement and breath to it” achieved by shooting on zoom lenses and moving “constantly in and out of the zoom, to make everything feel like it was breathing a little and slightly strange.”

Difficult locations to control where the crew were at the mercy of what already existed included the Whitgift Centre shopping centre in Croydon. Shooting there demanded the crew carefully pick the time of day they were filming due to the large glass ceiling through which the sun would shine.

“Sequences that were fun to work out included the tube scenes which were shot on a tube line we had access to for a certain amount of time and could go back and forth on,” says Ramsay. “Adam’s journey always needed to appear to be in one direction, so I needed to work out when to mirror his placement on the tube and when to switch extras, so he always seemed like he was going in the right direction.”

In scenes taking place on the train, reflection was an important motif because “reflection is your self-identity” and the filmmakers “wanted to represent the decay of Adam’s psychology through the way he was seeing himself in those moments.” In line with Haigh’s subtle storytelling, the director wanted the use of reflections to be gentle and quiet rather than overbaked. “So, it was a case of choosing when to do it and leaning into what exists in reality,” says Ramsay. “For example, tube windows morph your face naturally, so we thought let’s lean into what happens in this environment and use it as a tool.”

Haigh emphasises the importance – “especially when lensing a story with queer identity at the heart of it – that the reflection a person gives to the world can be very different to how they feel. It can be quite problematic and traumatic.” The director felt it was important that Adam sees himself in a different light each time he looks at his reflection “and things are changing and he’s learning or coming to terms with things.” Another central and constant theme running through the film for crew and cast was conveying the power of love and that “long after you’re gone, that feeling of love remains.”'

[greenphs]

Emergency Boiler & Central Heating Repair - Green PHS

Green Plumbers & Heating Services Ltd is your go-to solution for Emergency Boiler Repair and Central Heating Repairs in Clapham and Wandsworth. Whether you're facing no heating or hot water, our 24-hour emergency team is ready to help!. Serving areas across South London including Battersea, Dulwich, Balham, Sutton, Croydon, Banstead, and Coulsdon.

Call us today: 02080505913