#Crowley's lament
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diavalkitty · 5 months ago
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davidtennantgenderenvy · 2 months ago
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BABE WAKE UP CROWLEY'S LAMENT FIRST LIVE PERFORMANCE DROPPED
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skateorwell · 8 months ago
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Today at my university, there were several posters for writing phrases from series/books, as well as for drawing. Everything was going great... But I found this and God!I barely read it and obviously remembered the last 15 minutes, I almost started crying. 😞✨🫂
The translation (it is in Spanish) would be "No nightingales" - Crowley
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catsteinbooks · 8 months ago
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Crowley's Lament
This is incredible! Everyone give it a listen and give the creator some serious kudos!
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rhinostudios11 · 3 months ago
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skateorwell · 4 months ago
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🥺💔
Today we are thinking of Aziraphale, constantly working at his tiny desk in Heaven for days and days, until the first moment of quiet and peace, when the silence around him makes it so clear that he's alone that he breaks down crying
And Crowley, sitting alone at a table at the Ritz with his dark glasses on. There is no food on the plates, just one single glass of wine that he's not drinking, and he stays there motionless as people around him go on with their lives
Today we are also crying 😭
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linipikk · 1 year ago
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They really spent a lot of time pointing to the second coming for Apolaypse 2 electric boogaloo
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all 3 minisodes are about ... humans dying and being brought back to life, or more like, how that is not possible...and how Heaven and Hell have worked around that
In A Companion to Owls, Job kids never died even when they should have, Heaven didn't know enough to distinguish that they were the same children and Sitis quickly got that the miracle was... that their children didn't die to begin with. Once they are dead it is game over and Crowley and Aziraphale refused to let them die
In The Resurrectionists (it is literally called The Resurrectionists!!) and it is how one girl is shot and they can't do anything once she is dead. And Crowley still goes off of his way to make sure the other one doesn't kill herself, risking everything. And we know hell's extreme sanctions are probably what makes him ask for insurance, for holy water. On the other hand, this episode is called The ResurrectionistS, plural, but we meet only one of them ..while in the other side of the sign is Christ himself.
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THEN in 1941, we have ZOMBIES, the literal living dead walking around, and Furfur states that he can't make them living people again due to a clause and just leave them as zombies to roam the earth. We see how cursed they are, rotting and bound to eat brains but not human.
EVEN! From episode 1, we get a big Clue: miracles are measured in lazarii, and resurrecting someone is no easy feat. They were telling us to watch out about coming back to life... and how only the mightiest of archangels are able to use that amount of power (or an angel and a demon holding hands...)
and I do want to point out that part of the things Gabriel remembered was this line
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Job kids didn't die, in victorian england Wee Morag died falling in the hands of a resurrectionist, and the Germans died and came back- just not quite alive. Every day it is getting closer,
... they are telling us that the second coming is afoot, but they are also showing us that there is no second opportunity on this earth. Once you are dead, you are dead.
and Crowley, in the direst time when Aziraphale is breaking his little demonic heart, says
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And now, the plan to resurrect one human to make the end of the world happen is in Aziraphale's hands.
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beebopboom · 7 months ago
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Acrostic ✨Clues ✨
So a neat little thing Good Omens did for the promo for s2 was create some character playlist.
Very quickly though it was discovered that each and every one of them contained a hidden clue word. By taking the first letter of the first word of the song a word related to the character would emerge. For the two examples below the words were “Ineffable” and “Tempting”.
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Now this technique is called Acrostic,
Acrostic - a composition usually in verse in which sets of letters (such as the initial or final letters of the lines) taken in order form a word or phrase or a regular sequence of letters of the alphabet
it’s a technique mostly seen in poems to contain hidden words, often the authors name.
but I wouldn’t be bringing this back up if it wasn’t for nothing and that’s because we see this technique in the show as well.
When Jim is really embodying his role as Assistant Bookseller he takes it upon himself to reorganize the books by the first letter of the first word of the first sentence - sounds familiar.
Except he’s doing alphabetically not to contain a hidden word you say? 
Well hold on to that real quick while I point out another clue Jimbriel says,
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“There will come a tempest, and darkness, and great storms. And the dead will leave their graves and walk the earth once more. And there will be great lamentations."
Well now that I brought that quote back to your attention we are just going to focus on one particular word, Lamentations.
because what if I told you that the first four poems in the Book of Lamentations are written in an acrostic style.
Not just any style either but where each poetic verse begins with a letter of the Hebrew Alphabet. 
Now the Book of Lamentations is separated into five poems from different pov’s about the destruction of Jerusalem in 587 B.C. by the Babylonians.
The organization and rigid structure to the first four poems was really meant to contrast from the grief and disorder the people were going through. Structure that the last poem loses. Hm Interesting.
(we are not going to be looking into what this book is about I am just pointing out structure similarities here)
Expect this not the only way this structure can be used.
Acrostic structure’s are also often used as a mnemonic device. This is a learning technique that helps with memory retrieval or retention by associating things with something easier to remember, like say trigger words.
So then is it really a surprise that Jim, our Amnesiac Archangel, keeps using this structure subconsciously?
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noxnightingales · 10 days ago
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down on his knees fingers laced to appease Crowley could no longer hesitate when it came to his Angel and their fate one question caused him to fall not even seeing God's face to ask at all nor even an answer did he receive never once did this demon ever grieve except for now in this hour of need
"I care not for your answer to me when I asked all those years, just to see.. I do believe that you still owe love is my Angel and I think you know deliver him to me, if you please"
Crowley remained down on his knees feeling his prayers unheard, or at least he believed he was losing all hope, and he paused perhaps it would be best to ask Santa Claus
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skateorwell · 7 months ago
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Es que es tan real! 😞
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Crowley aún está en negación después de la partida de Aziraphale
Posteo en español por qué no quiero traducir todo ese texto jaja
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drconstellation · 10 months ago
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First-Order Archangels
Part 3: Seeing Eye to Eye
Part 1: Maybe You'll See An Archangel Part 2: Foils of War
This is a topic I've wanted to address for some time (ha!) concerning a discussion around Jim's moments of lilac-eyed possessed prophecy and Crowley not wearing his sunglasses around Jim inside the bookshop in S2. I've had rough thoughts about what's going on at these times, but because its more of a sub-textural implication, rather than being overtly stated I guess I've hesitated somewhat and wanted to think it through properly first. Then I started writing this, and as I starting checking things, one thing led to another...and it's tripled in size. Enjoy the juicy long length!
I've decided to included this meta as part of the First-Order Archangel series as it will focus on Gabriel and Crowley, and their connection with time and prophecy. Both of them wear wristwatches - Gabriel seems to wear one instead of an angel ring, which I find most curious. Both have moments where they talk about the future that has been revealed to them. But when it comes to the Great Plan of the Almighty, they couldn't be more opposite.
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The Seer and the Herald
Time is Crowley's domain. He can stop it for short periods, and he seems to know about fragments of human science and technology in the future. For example, he suggests to Mr Dalrymple that a change in hygiene might be beneficial, upon meeting him. It could also be said that he acts an oracle, as he gives advice and counsel, both here with Mr Dalrymple and in 1941 when he warns the Nazi's to flee before the bomb arrives, and that they won't like what comes after. (Although, 1941 was a case of Crowley actively manipulating the outcome of the future, so perhaps that doesn't count.)
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Crowley: You might want to think about washing your hands. It's gonna be all the rage in a few years, I'm telling you.
Gabriel, as the Herald, is also given knowledge of the future. It was said he spoke to Daniel several times, explaining the visions Daniel had, which were of things to yet to come, and he was tasked with the "foretelling" of the births of John the Baptist and Jesus to their prospective mothers. I realize none of these examples are GO canons (yet,) but there is also the interesting parallel character in S1 of the lawyer Giles, who delivers the second manuscript of Agnes Nutter to Newt and Anathema the day after the Nopocalypse in S1 who is definitely Gabriel-coded and "heralding" the future possibilities there.
Tense Moments
There are two times during S2 that Jim is possessed by a divine spirit that takes over his corporation, turning his eyes back to Supreme Archangel Gabriel-lilac and putting words into his mouth.
The first instance is about the past: in S2E2 Jim recites a verse from Job 38:7 - and Aziraphale and Crowley both remember it, because they were there when the words were said.
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The second instance, towards the end of S2E3, is about the present...
"There will come a tempest, and darkness, and great storms."
...and the future.
"And the dead will leave their graves and walk the earth once more. And there will be great lamentations."
Past, present, and future. For both of them, Crowley has his sunglasses off and he is peering into Jim's face.
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I have some notes about which verses these are supposed to be from (Hebrews 12:18 for the first half and Matthew 27:53 for the second half) but upon checking them I'm wondering if they are actually correct, even if we take into account they have probably been re-written for the show, like the lines from the Book of Job were paraphrased in the Job minisode. But that aside, we can still deal with them within their temporal frames of reference - the former describing the not-insignificant piece of weather-work that Crowley had just stirred up, and the latter is pointing to the Second Coming, with the resurrection of the dead.
Both halves have words of significance: The first half has the word tempest, and the second half has the word lamentations.
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The Foreshadowing Storm
Storms are often used as a trope to foreshadow trouble in the future of a story. I don't think we tend to see Crowley's rain storm as foreshadowing of what is to come as he was in control of that storm and it was for a particular reason - which failed. But Jim's words contained the future tense of "will" - There will come a tempest - so lets have a look at some possible connotations.
A tempest is a violent storm or thunderstorm, but it can also be an situation in which people are very angry or excited, an upset, calamity, or some unexpected misfortune.
And you could say that did happen by the end of S2.
There is also Shakespeare's play, The Tempest, which our demon would no doubt be aware of (it's considered a romance - you know, once of the funny ones.) In it there is a wizard of sorts, Prospero, the former Duke of Milan, who was usurped from his position, and fled with his infant daughter to an island. Many years later the King of Naples and the Duke's brother are passing in a ship, so Prospero magically whips up a storm and shipwrecks them on the island with him and his now teenage daughter, Miranda. He then tries to manipulate a romance between the King's son and heir and Miranda. Other stuff happens as well but in the end they all escape the island and there is a kind of happy ending, and forgiveness.
The Book of Lamentations
Back to the second half, that is supposed to be from Matthew 27:53, but probably more likely Matthew 27: 52-54. Yes, these verses do describe the dead rising from the grave, but the use of "great lamentations" here is a paraphrasing flag being waved in our faces.
A lament is a passionate expression of grief or sorrow. It can also be a complaint, or an expression of regret or disappointment.
Biblically, a lament is a prayer expressing sorrow, pain or confusion.
And with that, we can go back and re-contextualize a scene from S1.
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The Book of Lamentations in the Bible contains five chapters describing the destruction of Jerusalem by the Babylonians in 587 B.C. after a long siege. Each chapter is a poem from a different viewpoint about this event.
But what do we have in S1E4 instead? We have Crowley with a book of things he helped to build, expressing sorrow and pain at their imminent destruction, and that of the humans and the Earth. He prays to God, asking questions in vain hope of finding answers to his confusion as to why it seems it must all end with such finality.
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Jerusalem was destroyed a second time, in 70 C.E. by the Romans. The city was rebuilt, and still stands today, but the Temple of Solomon wasn't, and this is a topic of contention in some beliefs. This also fits in with the theme of Memento mori, "Remember that you die," a reminder that life is brief, and there is a cycle to life and death.
Nonetheless, the Second Coming is connected with a New Jerusalem, a walled garden (a paradise) where those with their names written in the Book of Life will reside, with access to the Tree of Life in the middle.
Within the Walls of The Garden
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The bookshop is Aziraphale's modern day re-creation of the Garden of Eden. Within it's walls he has gathered knowledge that he protects, there is a circular "gate" at the entrance, and he's made it a sanctuary for him and Crowley from other supernatural beings, particularly demons.
During S2 we see Crowley spend quite a bit of time inside the bookshop, and more often than not, he has his sunglasses off here.
While we can understand Crowley not wearing his sunglasses around Aziraphale, its perhaps more surprising that he doesn't seem to worried to not wear them around Jim either. He gets into Jim's face, eye to eye, but they don't agree with one another. It takes a lot of questions, from both sides, to turn this around.
The Great Plan
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There's the Great Plan, and the Ineffable Plan.
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Gabriel would never dream of deviating from the Plan.
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At least he didn't, until he said "no" to the second Apocalypse.
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Gabriel: Anyway, Armageddon the Sequel, that's a nah.
His own plan went awry when he forgot where he was going.
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AZIRAPHALE: Then why did you come to my shop? GABRIEL: I don't know. I just thought I should. You know what it's like when you- when you don't know anything at all, and yet you're totally certain that everything would be better if you were just near one particular person?
And with his memories gone it was time to relearn things from the beginning. Good thing the original teacher from The Beginning was on hand to give some lessons, because we seem to be repeating some things from S1 and the beginning again here.
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Right. So who's got a plan? Who's not seeing it this time? Are you actually questioning Crowley's plan, Jim? That's not like you to question plans. Maybe you are finally learning something.
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Crowley's other plan was give "Jim" a test, to see if Gabriel was really there. This time Jim was prepared to follow instructions without questions. The gravity of the situation was kind of lost on him, and Crowley had to stop him before it was too late.
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Too Early, Too Late
Prophecies are not just about who, what and where, they are also about when.
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Crowley makes an angry threat to Jim in reaction to Shax's visit to the bookshop but backs off to enigmatically remark that "it's always too late." There is also the 1827 Resurrectionist minisode, where Crowley stops Aziraphale from healing wee Morag after she is shot with the grave guns, telling him it is too late there, and I think there is even a mention of too late by Shadwell in S1, but I can't remember where (plus Crowley's watch in the book, that has a time-zone in Another Place that is always Too Late.) We are kind-of left hanging here - what is too late? Too late to stop what is already in motion?
Except when its early, and early seems to be associated with destruction as well in the Good Omens AU. We have the examples of Job's house being destroyed, and the arrival of the baby Antichrist, which heralds the destruction of the Earth.
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CRAWLEY: Oh. They've started early. Well… Might as well get comfortable. [sniffs wine and pours a glass]
Here, when the Antichrist is delivered in S1E1, Crowley expresses dismay that the time has come so soon.
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CROWLEY: "No. Already?"
Could it actually be that the Nopocalypse was too early? And was that why it didn't go to Plan?
The Chosen One
The Antichrist is a sub-trope of The Chosen One tropes, which in itself is prophecy trope. The Chosen One is needed to fulfill the prophecy. We could do a whole line of discussion on how Crowley and Aziraphale then try to subvert this by raising the said Chosen One, only they raised the Wrong One. Instead, I want to point out that Crowley was also a Chosen One. He was chosen to deliver the Antichrist to the satanic nuns on the appointed night. But why? Why didn't Hastur and Ligur just do it?
Ah, you missed that, did you? I don't blame you, and Frances was trying to distract you with a game of three-card monte with the babies as well (and there have been many discussions about that, too!)
This then makes an interesting parallel for Gabriel being the Herald of the first Christ, and Crowley being the Herald for the Anti-Christ. (Or, some meta-ops might even argue, the Second Christ! But that is yet to be determined. How far away is S3 again...?)
The Earth is a Libra
One final prediction, from the very beginning...
Do you recall this seemingly random daily star sign reading from the opening of S1E1?
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Most of it makes sense.
A friend is important to you.
uh huh.
Help could come from an unexpected source.
uh huh.
You may be vulnerable to a stomach upset today, so avoid salads.
wot?
I had to kick myself after while on this one, because I was being all smug to myself about catching a quick mention of liver between Madame Tracy and Shadwell at one point, and any mention of a bodily organ is a reference to an emotion and/or virtue. The first thing one must do with deciphering organs is determine whether you are looking at a western or eastern philosophy, as that is most important, but because this is GO we also need too include any biblical influence.
And whoeee - jackpot! There is indeed some symbolism around the stomach in a biblical sense; it is a place of transformation and renewal, where food is broken down and transformed into new energy and the renewing of minds. It emphasizes the need for continual growth and spiritual renewal.
That should ring some bells with you straight away, I would hope.
And the salad? A salad is a mix of different foods together. Foods not separated. (Keep your angels and demons on different sides of the plate, please, no mixing - and don't play with your food!)
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iam-sol-emnlyswear · 1 year ago
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Aziraphale as "The Lament of Eustace Scrubb" by the Oh Hellos
Brother, forgive me We both know I'm the one to blame
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'Cause when I saw my demons
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I knew them well and welcomed them I knew them well and welcomed them
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But I'll come around I'll come around
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Father, have mercy I know that I have gone astray
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'Cause when I saw my reflection It was a stranger beneath my face It was a stranger beneath my face
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But I'll come around I'll come around Someday
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When I touch the water
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They tell me I can be set free
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davidtennantgenderenvy · 9 months ago
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ATTENTION GOOD OMENS ARTISTS!!! POTENTIAL COMMISSION
I'm currently working on the Good Omens fan song to end all Good Omens fan songs: Crowley's Lament, an 8 minute MT/rock opera that takes us on a journey through his character, from pulsing piano-fueled frustration with the Almighty to romantic longing to crushing heartbreak. It's swaggering. It's dark. It's dramatic. It's funny. It's devastating. It's Crowley. I truly think you guys are gonna love it, and I'm hoping to have a demo fully produced and on Youtube sometime within the next few months. This song is in need of a THUMBNAIL!!! The idea I have in mind is Crowley dramatically sprawled out on a piano, and I don't think any other art like this exists. So if you're interested, please DM me with your going rate, and I'll look at your art and choose based on whoever's style fits what I have in mind! I can't wait to see what you come up with!
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its-haughty · 1 year ago
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Duos or somethin
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theangel-aziraphale · 7 months ago
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Toxic Love from Ferngully: The Last Rainforest
Crowley’s Lament by Lauren Rogers
The Ballad of Jane Doe from Ride The Cyclone
Pat-A-Pan - Traditional French Carol
Escape the Lost City by Alan Lee Silva
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Oh! These sound wonderful thank you... however... Crowley's Lament? When did he have that commissioned?
- One Listening Session Later -
That was incredible!? Thank you Violin Anonymous! Beautiful! Amazing! all of those recommendations but especially Crowley's... gosh.
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furfurs-fotos · 1 year ago
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What's that? Is that a corset or a vest?
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Back when I was dating Crowley the first time, during the Glorious Revolution, it felt as if he was never fully committed to our relationship--or the Cause for that matter.
He kept talking about this other angel on the other side of the Great War, Azirapapapa or something. How big his flaming sword was, how sexy his dadbod was, and how he just wanted to take a nap on his soft belly.
Well, I thought I could have a belly too. So I went out and bought this detachable belly. Sure, it's meant to simulate pregnancy. But I always dreamed of having a family with Crowley before he ghosted and started acting like he doesn't know who I am.
Perhaps you and I can have a family one day, @skotch-meow, since we're married? Or you could at least take a nap on my detachable belly.
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