#Creole Giselle

[margotfonteyns]

Virginia Johnson in Creole Giselle, Dance Theatre of Harlem, 1987

[dozydawn]

[gillianthecat]

I found this 8 minute documentary that Dance Theatre of Harlem put together about the creation of Creole Giselle.

https://fb.watch/rIsmkx_R7w/?mibextid=w8EBqM

[aspiringbelle]

I need to see this!!

I’d really recommend watching this, one of the best performances of Giselle I’ve seen. A gorgeous production. 

[visitorsfromvenus]

BEYONCÉ

Η Beyoncé Giselle Knowles-Carter (/biˈɒnseɪ/ ⓘ bee-ON-say, γεννημένη στις 4 Σεπτεμβρίου 1981) είναι Αμερικανίδα τραγουδίστρια, τραγουδοποιός και επιχειρηματίας. Με το όνομα «Queen Bey» και εξέχουσα πολιτιστική προσωπικότητα του 21ου αιώνα, έχει αναγνωριστεί για την τέχνη και τις ερμηνείες της, με το Rolling Stone να την χαρακτηρίζει ως μία από τις μεγαλύτερες τραγουδίστριες όλων των εποχών. Ως παιδί, η Beyoncé άρχισε να παίζει σε διάφορους διαγωνισμούς τραγουδιού και χορού. Έγινε φήμη στα τέλη της δεκαετίας του 1990 ως μέλος του συγκροτήματος κοριτσιών R&B Destiny's Child, ενός από τα κοριτσίστικα γκρουπ με τις μεγαλύτερες πωλήσεις όλων των εποχών. Στην παύση τους κυκλοφόρησε το ντεμπούτο άλμπουμ της Beyoncé, Dangerously in Love (2003). Στη συνέχεια ακολούθησε με τα νούμερο ένα σόλο άλμπουμ των ΗΠΑ B'Day (2006), I Am... Sasha Fierce (2008) και 4 (2011). Αφού δημιούργησε τη δική της εταιρεία διαχείρισης Parkwood Entertainment, η Beyoncé απέσπασε κριτική για τα πειραματικά οπτικά άλμπουμ Beyoncé (2013) και Lemonade (2016), τα οποία εξερευνούσαν θέματα όπως ο φεμινισμός και ο γυναικείος. Με το χορευτικό της άλμπουμ Renaissance (2022) εμπνευσμένο από queer, έγινε η πρώτη σόλο καλλιτέχνης που έκανε το ντεμπούτο των επτά επτά άλμπουμ της στο νούμερο ένα στις ΗΠΑ.

[swanlake1998]

virginia johnson photographed performing as giselle in creole giselle by dth archives

[degasdyke]

lyrics from vampire empire by big thief // ballet.

ekaterina maximova and an unnamed teacher talking to each other during rehearsal / nardia boodoo sitting in an empty studio / george balanchine and suzanne farrell rehearsing swan lake / amandine albisson and audric bezard rehearsing renaissance by sebastien bertaud / nikisha fogo and natascha mair in ballet class / unnamed dancer photographed mid-pirouette by leon neal / christopher wheeldon and wendy whelan rehearsing together / natalia osipova resting during a rehearsal of romeo and juliet / virginia johnson in dance theater of harlem's creole giselle / fumi kaneko and william bracewell performing romeo and juliet

[ajasinterlude]

THEY COULDN'T CATCH YOU AND THEY NEVER WILL..

+ THEMES; CRIME, SLOW BURN, VIOLENCE, THE BODYGUARD BASED (sorta), POTENTIAL AGE GAP, F/M.

Muse A is the mob mother of the LaMothe family creole mafia and has been successful since her father, the original boss has been doing time for twenty years but trouble is brewing and Muse A has caught wind of said trouble by her father who's heard through the grapevine of plans of stealing the paradise she has build along with all assets she has accumulated. Muse A has had quite a few bodyguards, keeping them around to guard the neighborhood and her other properties where business takes place but she needs a right hand man to jump before she can fix her lips to speak. Muse B is known in the underworld of crime as someone quiet and deadly, taking assignments from well known criminals and even special requests to get rid of abusive spouses to earn a decent living. Work became slow until Muse A's father puts in a word seeking out Muse A. Muse A is picky and hesitant about this one but can't turn Muse B down because she knows her father knows only the best. Somewhere down the line Muse A gains trust in Muse B and they slowly open up more. Side by side with arms grazing each other, nights on the balcony yapping away as Muse A grips a glass of chardenay, Muse B gripping his gun, random intense glances..something is abrewing but perhaps it isn't bad...

MUSE A; Giselle LaMothe, leader/mob mother. Muse B; Atticus Vaghel, the bodyguard.

[milfzatannaz]

It may not be related to your fandoms, but have you ever seen the ballet Creole Giselle? If so, what are your thoughts?

No I haven’t! I actually haven’t rlly seen a lot of stage stuff outside of hs theater and one production of the nutcracker :/

[friendlymathematician]

public service announcement: creole giselle by dance theatre of harlem is (temporarily) available on youtube for free:

[derorakeisha]

Giselle Delilah Jones, Beyoncé Giselle Knowles... see how this illuminati creole lady is everywhere

[ulkaralakbarova]

A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house’s dark past. Credits: TheMovieDb. Film Cast: Caroline Ellis: Kate Hudson Violet Devereaux: Gena Rowlands Luke Marshall: Peter Sarsgaard Ben Devereaux: John Hurt Jill: Joy Bryant Bayou Woman: Marion Zinser Mama Cynthia: Maxine Barnett Hallie: Fahnlohnee R. Harris Desk Nurse: Deneen Tyler C.N.A.: Ann Dalrymple Nurse Trula: Trula M. Marcus Madeleine Thorpe: Jen Apgar Robertson Thorpe: Thomas Uskali Grace Thorpe: Jamie Lee Redmon Martin Thorpe: Forrest Landis Nurse Audrey: Tonya Staten Creole Gas Station Owner: Isaach De Bankolé Creole Mother: Christa Thorne Papa Justify: Ronald McCall Mama Cecile: Jeryl Prescott Frail Customer: Lakrishi Kindred Luke’s Secretary: Sabah Paramedic: Joe Chrest Party Guest: David J. Curtis Party Guest: Tiffany Helland Party Guest: Brian Ruppert Film Crew: Producer: Stacey Sher Set Decoration: Beauchamp Fontaine Original Music Composer: Ed Shearmur Costume Design: Louise Frogley Producer: Iain Softley Director of Photography: Dan Mindel Art Direction: Drew Boughton Producer: Michael Shamberg Unit Production Manager: Clayton Townsend Casting: Ronna Kress Production Design: John Beard Producer: Daniel Bobker Editor: Joe Hutshing Writer: Ehren Kruger Costume Supervisor: Joyce Kogut Producer: Lorenzo P. Lampthwait Steadicam Operator: Colin Anderson Carpenter: Leo Lauricella Sound Mixer: Peter J. Devlin Set Production Intern: Hiro Taniguchi Key Hair Stylist: Susan Germaine Gaffer: Adam Harrison Sound Designer: Harry Cohen Standby Painter: Andrew P. Flores Location Manager: M. Gerard Sellers Production Supervisor: Gary R. Wordham Visual Effects Coordinator: Stephanie Pollard Greensman: Ronald S. Baratie Key Grip: Thomas Gibson Craft Service: Chris Winn Stunt Coordinator: Buddy Joe Hooker Lighting Technician: Greg Etheredge Supervising Sound Editor: Wylie Stateman Construction Foreman: Chuck Stringer Painter: Andrew M. Casbon III Stunts: Liisa Cohen Transportation Captain: Louis Dinson Scoring Mixer: Chris Fogel Video Assist Operator: Greg Mitchell Special Effects Supervisor: Jason Hamer Thanks: Michelle Guish Post Production Supervisor: Tania Blunden Stand In: Lexi Shoemaker Digital Compositors: Sean McPherson Art Department Coordinator: Stephanie Higgins Frey Makeup Artist: June Brickman Set Costumer: Laurel Frushour Set Dressing Artist: Dale E. Anderson Propmaker: William Davidson Rigging Gaffer: Martin Bosworth Production Manager: Kimberly Sylvester Music Supervisor: Sara Lord Leadman: Jason Bedig Leadman: Brad Bell Grip: Gordon Ard Production Intern: William Jackson Transportation Coordinator: Ed Arter Set Designer: Mick Cukurs First Assistant Camera: John T. Connor Visual Effects Supervisor: Karl Herbst Script Supervisor: Elizabeth Ludwick-Bax Best Boy Electric: Larry Cottrill Production Coordinator: Zoila Gomez Still Photographer: Merrick Morton Special Effects Coordinator: Bob Stoker Editorial Production Assistant: Jen Woodhouse Foley: Craig S. Jaeger Dolby Consultant: Thom ‘Coach’ Ehle Art Department Assistant: Amanda Fernald Jones Sculptor: Fred Arbegast Aerial Director of Photography: Phil Pastuhov Orchestrator: Robert Elhai Visual Effects Supervisor: Dan DeLeeuw Construction Coordinator: Dave DeGaetano Seamstress: Giselle Spence Driver: Bill C. Dawson Property Master: Peter C. Clarke Publicist: Patti Hawn ADR Supervisor: Hugh Waddell Sound Effects Editor: Christopher Assells Assistant Art Director: Jann K. Engel Hairstylist: Kathryn Blondell First Assistant Director: Gary Marcus First Assistant Editor: Davis Reynolds Electrician: Jimmy Ellis Production Accountant: Gregory D. Hemstreet I/O Supervisor: Ryan Beadle Set Medic: John Lavis Visual Effects Producer: Gary Nolin Rigging Grip: Mike Nami Jr. Boom Operator: Kevin Cerchiai Casting Associate: Courtney Bright Stunt Coordinator: Tom Bahr Stunts: Conrade Gamble Stunts: Annie Ellis ADR Mixer: Jeff Gomillion Camera Production Assistant: Alex Scott Storyboard Artist: Richard K. Buoen Assistant Location Manager...

[seositetool]

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[gillianthecat]

Virginia Johnson as Giselle, dancing the mad scene in Dance Theatre of Harlem's Creole Giselle, filmed for television in 1987.

[courtingasenorita]

It is sort of a weird time. I am nearly accomplishing nothing. My days are full of white noise. The Haitian girls soaked the restaurant with a mangada or hose. Now the downstairs apartment ceiling is peeling and I have a reservation for that apartment. So I'm scraping it again. As the last haitain girl did the same thing. The girls are in navarete buying cheap clothes to sell here. I don't know what thier intentions are here. They say things are uncomfortable with thier new step dad and they just want to listen to music here and sleep at thier mom's. But the mom has suggested I marry them. And one day I woke up and they were in my bed and said some things. I ran to my guarage real quick and started washing the car. Later they came to the guarage and I think we all just pretended it didn't happen. Now I lock the door when I sleep. Unfortunately the oldest just doesn't listen. It is exactly like gisell. The younger one washes my hands before lunch and puts my shoes on my feet. Just beautiful 🥺 but she doesn't speak one word of Spanish. Only creol, she is practicing Spanish on my computer. It is honestly as though I have 2 children. They ask to cook something and we go to the store and get the ingredients and they cook very well, then they eat cookies or something and leave the kitchen trashed and leave the gas running 🤣 the older one throws tantrums if I do not tell her she is beautiful. I do not know how old they are. A couple times they've said something weird and I drag them up the mountain to thier mother's house and sit them down and ask thier mother what was actually said. With gisell there was a story in my house of the family being mean, or suggesting gisell was owed a small house or something. And when she was there there was a fake sad story about what I had said about the family. So I've decided if I have to argue with anyone it will be in the families house. The break is nice but they sing beautiful songs and make the house feel alive. Well I better get back to scraping. I love you mama. ❤️

[miss-mollys-ballet-blog]

Virginia Johnson in Creole Giselle.