#Composite fillings (white fillings)
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Your helpful guide to composite white filling for the tooth
If the statistics are to be believed on the average an adult Briton has about seven fillings in the teeth. As such dental fillings happen to be one the most frequently performed treatments in restorative dentistry...
Read more: https://www.bipsandiego.com/your-helpful-guide-to-composite-white-filling-for-the-tooth
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#Composite Bonding#Bonding and White Fillings#Dental Bonding Cheshire#Dental bonding#Dental Bonding in Cheshire#Dentist Cheshire CT#Dentist in Cheshire#dentist#Dentist Cheshire
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White Fillings Versus Metal Fillings for Your Need
If you have tooth cavities, then fillings are a good option to solve your problem. Talk to your dentist and find out if white fillings are better than metal ones
Read More: https://www.wimbledon.dentist/blog/white-fillings-versus-metal-fillings-for-your-need
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Other Dental Services Offered | Smile Dental Clinic - Dr Ashish Jain
We look forward to meeting you in person and address your questions and concerns. Our team of experts are always here to help you! Please fill out the following form to request an appointment or contact us directly on the provided details.
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White Dental Fillings Cost in Gurgaon @9289288848
Repair decayed or damaged tooth white dental fillings. Call us @9289288848 to know about procedure, treatment, cost of white Dental fillings in Gurgaon. Give your teeth the best care and treatment
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Dentists in Margate
Anele De Novo is one of the highest-rated Dentists in Margate and Herne Bay, Kent. At Anele de Novo dental practice, we welcome NHS and private patients for routine and emergency dental care. For more detail contact us online at https://www.aneledenovo.com
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↻ ROMANTIC PARTNERS' APPEARANCE FROM YOUR CHART
basics of vedic astrology. ask box. masterlist.
while there exist many peculiarities and details that may be considered for analysing one's partner, i will be sticking to a certain method here to avoid overcomplicating things. note that i consider more factors when we talk about spouse explicitly, but consider this to be representative of both spouse and other partners.
for those seeking a female partner- check your venus
for those seeking a male partner- check your mars
i use this as a general rule but i haven't had the chance to check this for lesbians / gay / trans people etc so i would recommend following the same rule, unless you have a solid reason not to.
note that for skin colours, undertones and shades, general heights etc, always consider what is considered the norm in your family or bloodline. like for most english people, white skin tone is the norm so when we say 'light skinned', we mean a milky, snow like complexion. when we say 'dark skinned', we mean a tanned complexion. don't go by country, go by what is the norm in your own family or a certain race / nationality that your partner could be most likely from.
MARS / VENUS THROUGH THE SIGNS
MARS / VENUS IN ARIES — the partner's skin is light, and sensitive to strong sunlight. their skin would easily develop a reddish tint in sunlight, and they would have a strong skull with scars present on their upper body. they would be average in height, and walk in long strides. they could have small ears, or small hands. they would be sensitive to the partner's emotional needs and try to cater to it, but are naturally inclined to stubbornness and anger.
MARS / VENUS IN TAURUS — the partner's skin is an earthly, warm shade of brown. it seems to resemble earthly tones and has a fresh touch to it. their face is square in shape, and symmetric; their face is aesthetically pleasing in terms of symmetry and overall body composition. everything appears to be in proportion, and their height may be from short to medium. they could have a love for food and be attracted to luxurious resting places. they would be stubborn, and it would be difficult to convince them. they don't change themselves for others.
MARS / VENUS IN GEMINI — the partner's skin appears to be sun-kissed, as though they are standing in the sun at all times. due to this they may appear to 'wilt' in extremely modernised or rigid surroundings; it doesn't sit with their composition. tanned, naturally warm skin with a tendency towards walking or talking quick. they would be medium to averagely tall in height. they could have a protruding face. they would be extremely unstable in terms of decision making and go from being the wisest saint to the most stubborn person you have ever seen. they are also professional yappers.
MARS / VENUS IN CANCER — the partner's skin would be fair, and their face structure would resemble the moon. either in shape or in marks; beautifully marked. they could have acne, or freckles. they would be short in height and have a disposition towards shyness. they could either be mentally weak or extremely strong, no middle point. they could even be manipulative at times. they would dislike rigidity is structure and would be adjusting in nature themselves to ensure others feel at home. marital bliss can be restricted for female partner seeking natives.
MARS / VENUS IN LEO — their skin could have a glowing look. note the minor difference between gemini and leo, gemini appears to be shining under the sun so artificial environments filled with white lights takes away their shine. leo, on the other hand, is the shine itself so it shines even under scrutiny and artificiality. nothing stops them, and nothing tops them. stubborn people and unwilling to change their ways, even at others' expense. they are medium in height and enjoy bed pleasures. they adore being adored, and are in love with loving.
MARS / VENUS IN VIRGO —— they have warm and naturally soft skin, slightly tanned and on the brownish side. they are usually on the taller side and the female partner is usually rather finicky. they could be extremely detail oriented and unwilling to change their decisions. however they are emotionally perceptive, so if you give them enough reasons, they might adjust with you. they are rather complex with emotions too, and can have a tendency to unintentionally hurt others with their critical nature which stems from their self hurt and extends outwardly.
MARS / VENUS IN LIBRA — the partner's skin tone is dark, but it has a burnt shade to it. like imagine those warm brown shades that make you feel all fuzzy inside. they are quite tall in height and have a certain striking beauty mark or distinct feature about them. perhaps a beauty mark placed perfectly, or symmetric lips, a well tipped and high rise nose, beautiful hands etc. it usually does not influence the hair, eyes, ears and bust. most men having this placement have wives with an hourglass proportion or wider hips. they would have an agreeable personality and be of sacrificing nature for the general good.
MARS / VENUS IN SCORPIO — the partner's skin tone is light, but with a muddy undertone to it. they have an average height and strong shoulders. some sort of scar or mark on the body is present, which may include stretch marks or growth marks as well. they could be unwilling to give up and be extremely stubborn. but don't push them too much, or else they might end up emotionally isolating themselves. they would be lean, and problematic around elders at times.
MARS / VENUS IN SAGITTARIUS — the partner's skin tone is light too, but with deep brown undertones. they could have oily skin, and facial hair in case of a male partner. they are tall in height, and are of dual nature. they keep diverting their opinion about whether or not they wish to change; switching as they will between liberal in the relationship and bring preachy about how the partner should be. they would, regardless, have a certain glow that self assurance and knowledge brings in a person. this is a good placement to have.
MARS / VENUS IN CAPRICORN— the partner's skin tone is muddy brown, and may appear to be blemished in a quiet way. like er, think about skin that has those small dot things which aren't really acne, but not really negligible either. they are on the taller side, and may have hooded eyes with bags under them, the skin there might be bluish or veins might show, but they are quite good looking regardless. seriously overworked, or may have sleeping issues. they are adjusting and caring by nature, but they could be lazy and sullen.
MARS / VENUS IN AQUARIUS — the partner has muddy brownish red skin which accumulates dust quickly. they are quite tall, and of an eccentric style. this is not limited to funky colours; anything that goes against norm and gives them the excitement to be rebellious. like kawaii, punk or goth styles, glitter makeups, or just anything that isn't common in their culture. like in conserved societies like india, even wearing revealing dresses is rebellious. but in more open societies, well it takes more than a revealing dress for a scandal. so apply that as you will. again, the partner will be rigid in their ways and may not see the problem with their approach to life.
MARS / VENUS IN PISCES — the partner's skin tone is fair in the upper portion of the body and grows darker as you move downwards. they have well formed feet, and with strong legs. they appear short when they put on weight and tall when they lose it. their face is narrow at the start and beautifully formed. they are of dual nature and indecisive, often not able to decide how they are supposed to approach matters that inconvenience them but are uncomfortable to speak of.
MARS / VENUS RECEIVING ASPECTS FROM PLANETS
SUN— they could have gallbladder disease. the influence of sun makes them such that they draw others' attention, but it is dependent on their own nature whether or not they are able to retain it. they could have beautiful round eyes that easily entrance others.
MOON— they would be fond of travelling. they could be night owls, due to which they may have eyebags. they could have clear skin, or a pleasant face.
MARS (for venus only) — they could have strong, well built arms and shoulders. they could be built like a bull, or be physically active. this aspect can also lead to fights.
MERCURY— they could have foxy features like a tipped nose, small ears, quickly moving eyes etc.
VENUS— they could have symmetric facial features and have a conventionally attractive physique. people would be easily attracted to them.
JUPITER— they could have a fleshy waist or even a potbelly, not that it's a bad thing. they could have thin hair, or poor hair quality. they could neglect their physical appearance at times.
SATURN— they could have a bluish tinge under the eyes and appear exhausted most of the times. they could be extremely beautiful too, or just be sullen and lazy. that is, if saturn lets you marry at all.
KETU— they could have some sort of beauty cut. like around the eyebrows, or lips etc. it could be natural, or even done by themselves for aesthetic value.
RAHU— they could have moles or beauty marks. they could have seductive or sultry eyes and be of calm disposition, which is mostly a façade.
ॐ नमो भगवते वासुदेवाय नमः
#astrocartography#astrology observations#ashlesha#vedic astrology#astro observations#astrology#astro notes#astro tumblr#astro placements#astrology notes#astro community#astrology community#astrology blog#spouse astrology#18+ astrology#astrology readings
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ᴋɪɴᴋᴛᴏʙᴇʀ — ᴅᴇɢʀᴀᴅᴀᴛɪᴏɴ & ᴘʀᴀɪꜱᴇ
KNEELING LAMIA | Witch hunter!Harry x Witch!reader
There's too much tension in this cat-and-mouse. Inevitably, it stretches too taut and snaps.
★18+
This is ᴋɴᴇᴇʟɪɴɢ ʟᴀᴍɪᴀ for the KINKTOBER projects. Witch x Witch hunter au.
If you enjoy this, consider checking out my patreon masterlist, constantly being updated, with loads of exclusive content. If you would like to see the other KINKTOBER projects and join the taglist for upcoming projects, do so here.
CONTENT/WARNINGS: enemies. p-in-v. degradation. praise. pussy slapping (light). dom/sub undertones. rough sex. bro is simply kind of an asshole, but it's in an attractive way imo.
WC: 3.7K
You hate him.
You hate him, you hate the grease in his derisory, lopsided smile, the one, two-tick at the corners of his mouth, like an omen on the hollow barrel of a cocked gun. The stupid white straightness of them, slick with spit and glimmering off the glowing oil lantern.
The soft humanness in his unchiseled eyes. When they’re narrowed into slits, the color is so soft, so delicate, that they don’t feel nearly as sharp as he intends. The preternatural juxtaposition of a human having eyes that are so mesmerizing is absurd— the pink-rimmed oil painting of his irises, mounted in white, under the tarp of his lashes (they’re long, dark, and cast shadows across the green sfumato). You can nearly find sunstones flecking like gold flakes wading the surface of a pool, if you look close enough.
But the bands are eroded now. Lacking. You always thought his eyes were like the moss speckling the grove in your back garden. Now, the vibrancy of it, crawling up the trunks, feels like a distant memory.
Smeared, pupils bleeding wide like spilled ink.
(You loathe the way his green reminds you of the malachite scattered across your window sill.)
You hate his hands, too. His fingers. The way they notch on reins, and the steel hilt of a gun. The way his pointer stretches across the metal trigger— click— and the way the aim is off. Misses. A bole eats the bullet, and you think, after so many tries, he has to not miss.
He has to not miss.
But he misses, and misses, and misses— the cat and mouse is an old, familiar game, but a fractured part of you thinks he misses on purpose. And you wonder who’s really the cat; when he’ll finally admit you’ve been filling his shoes out in the hunt, long before his time.
But you hate his hands most because of the way they touch you. The way they feel good. Pinching your bones in place, thumbprints carving into your skin.
Pressure points— he’s no good with a gun, but he’s good at finding pressure points, scoping them with his fingertips. Squeezing in.
You hate his teeth, because you hate him, and he hates you, and you want to sweep them off the floor when you fracture every little bone in the composite of his skull with your palms and shatter them out with your fingers. The way they chew into your nipples and stab a crushed squeak out of you.
(It’s the nature of the game— a double helix. Taijitu. Water and oil. You’re meant to despise each other, because dark has to exist to balance light. There has to be a villain in every story, otherwise the narrative collapses—)
You can’t stand the way his stupidly fat cock splits you on him, around him. The way when he groans, the way it starts as a hum between his ribs, and metastasizes into that yawning pry of his mouth, his soft lips.
(Conflict. Resolution. Recycle.)
His hand pawing at a handful of your breast, like kneading dough. Testing the heft when it shakes under the pressure of his hips slamming in wet squelches, sack slapping to your sticky cunt. The blunt of his nails scraping down your sides, prying in where your waist tapers, and wrapping the barbs of his fingers around, where the rungs sit at your back, to lug you against him in filthy, wet smacks. Again— again.
(Fuck, fuck, fuck—)
“—Fuck,” you mewl, scratching out at his temple, fingertips curling into the burnt umber tufts they can reach, pulling, tangling. Scraping. Your thumb grazes his cheekbone. He bites down on your nipple, instead, where he’s been rolling it between his teeth with his tongue, and grunts. It makes you squirm on the table and arch.
When he unlatches and lurches up to loom over you, he looks wild. Like an untamed beast— reminds you of the wolf that lingers by your doorstep— that you’ve lugged along into your kitchen. Let him splay you across the big, oak table that squeals and rattles under the punishing pace he’s set with his hips.
“Fuck— no,” Harry grunts, and slams your wrist down onto the table, beside your head, your stuttering pulse. Cuffed in his grip. Your fingers twitch. His throat bobs when he swallows.
The tip of his tongue flicks out, drags across his lips, and you think of a scenting serpent. He huffs.
“Ought to declaw you,” he muses, hunching over you, narrowed eyes oscillating from your nails to your face. Voice a husk that oozes condescension. As if you’re an animal— a feral cat that needs its talons extracted.
“Fuck you,” you spit, and the words— the petulant tone, the way your chest rattles when his cock throbs inside of you— are enough to crook the corners of his pink mouth. Wry. Acid across his lips, in the ridges between his teeth.
He sticks his thumb in your mouth, but not really; presses in against the flat of your front tooth when you bare your canines, squeezing at your cheeks. Pressure points— under the side of your mandible, beneath your cheekbone.
“Better watch that mouth,” he taunts. When his eyebrows climb, three ruckles seep across his forehead. Maybe evidence of how he means it, how firm his resolve is, but the way he tips his head down at you, it's goading—
Your chest rolls. “Fuck— you.”
And you get it. You do. Coexisting is an absurd, incompatible fantasy. Deluded, when you cup your teeth around the world and still feel hungry. It only stretches so wide before he’s under your teeth, too, and nobody wants to live in a hungry, sharp mouth. It’s a means of resource. Sanctum; I want sanctum, and you my friend, are preventing that like gum jammed into a lock on a gate.
This slow dance is called perfect, incongruous symbiosis, like a winter coat and the hot sun. You don’t fit together. You’ll never work— not in tandem.
It’s just that he doesn’t get that it’s the circle of life.
A snake and a mouse. That works. It’s unpleasant, but it doesn’t have to be watched.
But it’s ugly. You get the angry men with the pitchforks. You get him— vigilante, here to stab the head off the python with a wooden stick and wring his hands out after, like the hero he’ll be if he manages to tame the beast (glorified pest control— snub the snake in the backyard). You accepted a long time ago that all the little people would get mad that you were eating their little people.
Nasty, vicious thing in the back garden— get rid of it.
But hey— that’s life. The ugly, vicious wasp nest dangling off a poplar tree deserves to exist, too, because that’s the anomalous, hideous shape mother nature’s hand squeezed it into. And that’s, you think, the disconnect. The electrical cord spitting white-hot, fizzing sparks from where it’s been gnawed down the middle.
You swallow. His eyes are blade-sharp. So unco. Contemplating, calculating.
You get all that. What you can’t wrap your mind around is the untethered snap between you, like a bungee cord lugging you into a collision. It makes you feel feverish. The fracture in the foundation below you, every atom bred from this, predestined narrative. The sizzle beneath your skin— a charred brand in the shape of his kiss under the layers of your dermis— (a lowly mimicry of what lovemaking is, all teeth). It’s brutal. Sharp. A skirt of canines across your collarbone. A notch across the bone. A means to satiate, a compound of loathing, and pining, and the cozening haze of desire. The yearning curdled in the spiral of the communal pool of your animosity.
Because he smells like the rain rapping across your roof when you stand out with the door propped, sticking to the fireweed in rivulets under your porch steps. Like suede. Musk. The wilting coriander sprig on your altar. Your resolve is wicker snapping under his thumb. A melting glacier under the heavy heat dripping from his eyes. You don’t like it. You can’t get enough.
You tip your chin up and his thumb snags on the blunt edges, smushes into your lower lip. When his heavy cock slips out of you and slaps up against his belly, a whine prickles at the back of your mouth. You encase it with your throat like a dirty secret left to write on paper. You won’t whine for him. But he’s thick. His cock is stupidly fat, and it throbs like he can feel the encroaching emptiness between your legs for himself.
You won’t whine, but you feel hollow, and it makes your hips cant up involuntarily. Forward. To him— you hate that— but the stamp of his palm to your cunt makes your thought process crumble apart like notes plummeting off their bars on a sheet of music. A smack of skin on skin is the aria of your twisted affection stretching and collapsing.
It doesn’t hurt. Not really. There’s a dull pang that blooms there, under his touch, but it feels smothered under the white-hot lightning streak of shock that jolts your shoulders and sculpts your face. The mortified, blistering heat that spumes your cheeks when the whites of your eyes pool a little wider. You flounder up at him wordlessly.
Harry hums. It’s haughty, and mocking, and it makes something ripple in your underbelly. “Say that again, little girl?”
You swallow. Squirm. The pseudonym has something bristling in your chest. You’re not a little girl. This thicket has belonged to you for hundreds of years.
But the warm prickle between your thighs is an ugly, ugly paradox.
And you hate the way his hand is this humongous thing between your thighs, across your sex, swallowing your smarting cunt in the cup of his palm. The way he leaves it where it landed. His thumb stretched out and lingering in the crease between your mons and your tucked up thigh. You hate the way you drool slick against his fingers, the way your clit pulses under the heel of his hand. Your chest rolls.
His amusement is acidic. Patronization sloshes off his eyes and burns a hole right through the layer of your mettle when he cocks his head down at you, the way your hips hitch. His lips twist. “Oh you liked that, did you?”
Your face pinches. The corners of your lips curl down despite the way your empty pussy flutters under his skin.
“No."
He makes a sound. A hum that granulates into a rich chuckle, and his eyes flicker off your face, to his hand, and back, and back. Something brews in the depths under his lashes, you think— a sinkhole cratering into the ground beneath the canopy of the woods, driving the forest ground out into a void— watching the breadth of his hand envelop between your thighs. Maybe at the molten heat, or the way he can undeniably feel you clenching up. Throbbing. Against him. For him.
“Is that right? Look at that, mm— drippy, little pussy,” Harry tells you, voice hardly over a whisper. The words are a livewire zigzagging up your spine, riding the arches of the knobs, spilling something noxious and cloudy along your cerebrospinal fluid.
It goes straight to your head.
“Needy, little cunt. Bet you could cum just from me slapping it.”
His middle finger grazes your asshole. Your toes curl, you can’t even argue, despite the vitriol puddling on the back of your tongue like stagnant water. He tips his head. Smiles. The flash of teeth carves an ache into you that makes your bones ring.
“Aren’t you… just the sweetest thing when you’re put in your place,” Harry murmurs down at you, eyebrows climbing, and he’s— unctuous. A headache. The kind that clusters around the arch of your skull and squeezes taut like a bundle of rubber bands. Talking down to you like you’re a wily thing for him to put into a corner, once and for all. Like your demesne isn’t stamped in his soggy footprints, layer after layer, year after year.
You bare your teeth and jut your chin defiantly, but then he drags his thumb down along your pebbled clit, and it makes your shoulders wobble.
You used to cut hunters down like the loggers muscling in on your timber. Hatred was a pearl folded into your heart. A bead tucked into the soft, fleshy tissue between the little pockets of your ventricles, and it stung like a splinter in your gums.
You wear it in your chest like his name shaved into a rib. The perfect harmony of dysfunction. You don’t know why being under him kindles a flame. Just that it does. He’s live coal, and you crackle over what he gives you.
The moment of reticence between you has that shattering weight of your little truce, and you’re reminded of the plunge from the hillscape of your dignity.
Maybe it’s worse that you don’t mind.
His shoulders swell. You like the spit-slick rim of his mouth, the way the color is an insignia of your teeth making landfall.
“Are you gonna be a good girl?”
When he plants his hand beside your ear and stretches forward a little more, his cockhead slips across your clit. Hot, like a firebrand coated in sateen. You curl your fingers and realize your wrist is still pinned down. His eyes sway to it like he knows what you’re thinking, and his mouth twitches.
“Gonna keep your hands to yourself?” Harry purrs, grunting when you roll your chin away in scorn.
“Because—“ His finger prods onto your cheek. Then, two. Under your jaw, enough pressure to turn your head. “You know I love that wild shit. But, can’t have you fucking up my pretty face—“
The humor coagulating his tone tastes bitter when you breathe it from the air. Swallowing it down into your lungs where it ghosts with the subatomic heaviness of want. Your eyes flit. You hate him— you hate—
He grins down at you. Not quite. Close-lipped, eyes vats that shelter his dogma. The intensity of his seriousness. “Can’t do that,” he muses, but his tone is softer than his countenance.
You look away. And you don’t watch it, but he huffs, like he’s losing patience for your still-not-quite-subservience and lack of zeal. His nostrils flare as he takes a deep breath. Hums.
“Mm. Come on, doll. You know I don’t want you if you don’t want me,” he tells you, but his mouth crooks because he knows— he knows.
You blink up at him. His eyes burn down at you from the bridge of his nose, and it feels like you’ve been swaddled into a sudden, wet heatwave. The words would nearly be considerate if it wasn’t for the condescending undertow that spills under the vowels like an oil slick.
His pointer traces the corner of your mouth, brows furrowing as he tails the motion with his gaze. “Just you say the word.”
And despite the way you blister, something itching under your skin, you won’t. Your teeth are clenched, but you couldn’t pry them apart with pliers to turn him down, not with the fever spilling its way across you. You settle for contempt— let it set your face like a cast congealing, but he doesn’t chase the tail of your indignation with anything beyond mockery.
He stares back at you. Doesn’t let it wither, drowns in the deluge of your inkpools, mouth curling but-not-quite.
“No,” he sighs, after a beat of your lull— bereft of your protest— drawing his forefinger away and slinking it down the naked space of your sternum, then around your swollen nipple. You gnaw into your cheek. “You know what I think?”
“—I don’t care,” you pick your head up to hiss.
You expect to face something crumbling at the retort. Discipline. Retribution— to watch something clot inside of him the way it wads in your chest, caking gravity across his features because— need to be taught a lesson in respect. What did I say about watching that mouth?
But it flickers over him without a hitch. Slides off.
Instead, he doubles down, hunching back over you. “I think you love this cock too much. Don’t you? Got you wrapped around it, by now.”
The flame from your core licks up to flare at the apples of your cheeks. He breathes when he straightens out. Deep. Like the prelude to a sigh, and you wonder if the same burning kisses along the nooks of his lungs. You don’t say anything, and he pulls his hand back.
“That’s right,” Harry coos, cocking his head down at you, “Just a sweet, cockdrunk, little whore, by now.”
Your eyes narrow into thin slits. Dagger splits. The wobble in your voice is a swordblade. “Shut— up.”
He laughs. Laughs. This muted, soundless thing that manifests more in his shoulders, the jolt across their breadth. The crater beside a smile line. He shakes his head, and cups the root of his cock with his fist. Your eyes follow it. You swallow.
“Mm, no,” he muses, gaze pooling where the mushroomed ridges of his tip slide along your sopping rim, your puffy lips, your clit, “I think you like it. Gushing all over the table.”
Embarrassment ties its tendrils along the base of your throat. Cogon grass germinating and feathering out across your esophagus, until you’re choking on your spit. You grit your teeth. Your hips nudge up. Forward. He underscores the presumption by pulling the head of his cock back, and sundering the string of tacky slick that’d stretched between him and your seam.
“Makin’ a fucking mess with your messy, desperate pussy,” Harry tells you, pressing his index to his thumb and prying them apart for emphasis. Your slick shimmers in the light. “Look at you. There’s a fuckin’ puddle.”
Your face creases. Cheeks buzzing, white-hot. You feel yourself leaking down along the cleft of your ass, and your fingers itch. A thunderbolt streaks across when you recognize that your hand is still flat against the table. Just where he left it.
He aims his cock back against you, so thick in his palm, and murmurs, “You want it?”
You don’t know how you ended up here.
You do, but the motions between point A and B feel like a nebulous smear. Hands in motion. Fabric tangling across the floor. Teeth, and tongues, and bones, and claws.
(“Always liked an older woman,” you remember he told you, tongue prodding against the inside of his cheek. The hubris of a boy sewn into the shoulders of a man. The irony of your preternatural youth folded into his proposition as his eyes roamed across your face.)
(“So let’s put …this,” a motion between with a jutted finger, a murmur drizzled in allure, tucked like a secret into the shape of the night, “aside for a time-out, you and me.”)
You don’t know why you said yes. How. Why your body reacts like he’s a breath you need, whispering along your lungs. Why you let him unspool you over his fingers, his tongue, fucking into you like he was starving.
But you nod.
You nod, and he presses his weepy tip against your cunt, and it only takes a nudge for him to pry you open around him again. Enveloping him. Sloppy, little pussy pulsing over the tip like a frenetic heartbeat.
You turn your chin and bite into your own shoulder to stifle the mewl spiraling between your tonsils, and he groans. The sting is better the second-go, but the pressure of having your rim stretched taut anew doesn’t lose its edge. The ache settles in your underbelly. Flourishes in the molten geyser of your arousal.
“Oh, shit,” Harry hums, pasting his palm flat to your tummy, right over your navel. Like this, you can feel his fingertips under your heartbeat. Across it. Thrumming. His eyes glued to where you swallow up his cock.
He feeds his cock into you slow, but it feels incongruous. The pastiche of what you’re feeling is already enough to cloud your head into delirium— you want teeth. Tongues, bones, claws.
“Harder,” you grit, catching his eye when he stalls, hand braced across your waist. You resolve paints your words firm, “I can take it.”
For a moment, Harry stares down at you. The whiplash of pause morphing to taunt, like a seamless rebound, has your rim fluttering over his girth. “My, my. Aren’t we eager.”
“Just—“
Your cosm ripples around you when he drives his hips forward, and lugs you back, hips colliding with your skin in a smack. A horrible, wet sound when he crams his way in, wedging your fuss back into the depth of your stomach. It flings you off your rationale.
He shivers. “God, you’re slutty. Slutty pussy on a slutty witch.”
The pace he sets is brutal. Merciless. It caters to your complaint, and squashes it out under his thumb. Under the kiss of his tip to your womb. Deliriously, you think he’s going to spill his hot, thick load inside of you, and then what? Then, what?
It feels like he’s wringing you out between his hands, until all that’s left is a pool of want.
You hate the way he’s chiseled in a place for himself. A tern across your branches, nested in twine and spare filaments of organs that belong to you. A little sinew peeled off of your liver. A sliver off your lung. Maybe that’s why—
You suck in a tight breath and let it rattle the nest he’s built, when he hits something unfathomably deep inside of you. Plugged on his cock, there’s no way for you to smother your moans out. He batters in to the hilt, cupping you by the waist, and rocking you back onto him, over, and over, and over.
“I want this sweet pussy to cum around my cock,” he pants over you. A curl has flopped across his eye, and your ire is eclipsed by your yearning. The ball inside of you unspooling as if he’s peeling the layers of muscle on your heart back like an onion to temporarily pluck out the undiluted loathing. “Do you hear me?”
It’s a mindless motion— your fingers creeping to land over where you connect, where he’s splitting your gummy walls to what feels like their ceiling. But he bats your hands away, and rams into you until your mons is kissing the wiry bed of hair that’s smattered over his shaft.
“It’s gonna cum around my cock,” he grunts, “or it’s not gonna cum at all.”
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in which you're the nude model for an art-collecting Sylus, who is curious about the artistic process, frustrated no one caputures how he sees you, fem.reader, mdni.
tw: pet names. masturbation. sylus watches. wc: 5.74k
A crystal chandelier hung from above, its intricate tiers casting soft, fractured glints over the room’s contents. The furniture was lavish yet somber, every piece carved from dark wood, polished to a gleam, and upholstered in deep hues of midnight blue and black. Ornate gold accents curled in ivy-like patterns along the edges of tables and chairs, catching the faint light.
In one corner, a large canvas rested on an easel, its stark white surface starkly contrasting the shadows around it. The strokes of a paintbrush whispered through the room like secrets being shared.
The artisan Sylus had hired was a picture of silent concentration, his movements precise yet fluid, as though the canvas itself whispered instructions only he could hear. His dark eyes flicked between you and the image taking shape before him, studying every curve, every shadow, with an intensity that made the air feel heavier. The soft strokes of his paintbrush filled the room, each sound deliberate, carrying a sense of reverence for the craft.
Sitting on the edge of a chaise draped in black velvet, the luxurious material soft against your bare skin. A sheet—thin, white, and nearly translucent under the moonlight—was your only covering, clinging to your form in a way that felt both tantalizing and vulnerable. The pose Sylus had requested was anything but modest, and though it made your cheeks flush faintly, the artist’s detached professionalism helped temper the awkwardness.
The moonlight streaming in through the towering windows kissed your skin, making it glow against the deep shadows of the room. Every subtle movement—your breathing, the occasional adjustment of the sheet, the shift of your gaze—seemed amplified in the stillness. The air itself felt charged, as if time held its breath for this moment to unfold.
Sylus reclined in a grand armchair near the far side of the room, his long legs crossed, his sharp features softened only by the faint smirk that played at his lips. A crystal wine glass dangled between his fingers, catching the light like a jewel, its contents dark and rich. His gaze was fixed on you—not with the detached curiosity of the artisan but with something more proprietary, more intrigued. His presence was magnetic, commanding without words, and his silence held the weight of unspoken thoughts.
"Your left arm, miss. Lift it a bit," the artist murmured, his voice low and even, breaking the almost sacred silence. His eyes flicked toward you briefly, assessing, before returning to the canvas with the same calm precision he had exhibited throughout the night.
The simple request made you shift slightly on the chaise, the sheet slipping just enough to expose more of your breast as you adjusted. The movement felt deliberate, every inch of skin bared under the artist’s scrutiny becoming part of his composition. The room seemed to hold its breath as you raised your arm, draping it over the back of the chaise as instructed.
Sylus turned his head toward you, his movements deliberate and unhurried, the sharp angles of his face softened by the faint smile that graced his lips. It was a smile that held both mischief and intrigue, a look that made it impossible to discern where admiration ended and amusement began. The light from the windows gleamed in his eyes, giving them an almost predatory glint.
"A striking composition," he murmured, his voice a rich, low timbre that resonated through the still air. It was a sound that could easily command attention, yet here it felt intimate, as though meant only for you. "Don’t you agree, kitten?"
The question hung in the air, weighted with layers of meaning. His gaze flickered, lingering on the line of your nearly bare breast where the sheet had slipped, the moonlight carving out every subtle curve, the peaks of your nipples. There was something disarming about the way he spoke, his tone both playful and serious, as though he were inviting you into some secret he had yet to share.
The artist didn’t pause in his work, though you caught the faintest twitch at the corner of his mouth, betraying that even he wasn’t entirely immune to Sylus’s presence. His brush continued its soft strokes, the sound rhythmic and soothing, blending into the charged atmosphere.
You shifted slightly, the faint rustle of the sheet breaking the silence, and met Sylus’s gaze. There was a heat to his expression, tempered by a calculating coolness that left you uncertain of his true intentions. The tension between the three of you felt almost tangible now, the room alive with an energy that seemed to thrum beneath the surface.
"Perhaps," you replied softly, your voice steady despite the flutter in your chest. "Though I think the artist deserves the credit for that, not me."
Sylus’s smile deepened, his head tilting ever so slightly, as though your response amused him. "Oh, but the canvas is nothing without its muse," he said, lifting his glass in a quiet salute before taking a slow sip. "And you, my dear, are truly one worth painting."
It's quiet again, for just a moment.
Sylus clicked his tongue softly, a sound of contemplation rather than impatience, his gaze flicking back to the canvas. He swirled the wine in his glass absentmindedly, the deep red liquid catching the moonlight like liquid garnet. After a beat, his eyes shifted toward the artist, his expression one of casual command.
"The drape," he said, his voice a low purr that carried easily through the quiet room. He gestured faintly toward the sheet wrapped around you, his fingers barely moving as he spoke. "Perhaps you can take it down?"
The artist paused, his brush hovering above the canvas. His dark eyes darted toward Sylus, then to you, before returning to his work. "If the subject is comfortable," he said cautiously, his tone neutral but his gaze flickering with unspoken questions.
“All the way?” It came out with a foreign nervousness, but you got a nod. All the way.
So with a slow exhale, you nodded back, the movement subtle but enough to signal your consent. The artist, recognizing the shift, approached with a soft swish of his robes. His hands were gentle but deliberate as he reached for the drape, his fingers brushing across your skin as he slowly slid it off. The fabric unfurled, slipping away with a soft rustle, leaving you exposed to the cold touch of the night air and the more unrelenting gaze of Sylus.
There was a subtle shift in the room as the sheet was discarded, the air colder now as it kissed the bare skin of your shoulders, your breasts, your thighs. The artist returned to his easel, his brush resuming its careful strokes, capturing each detail of your form.
Sylus, however, didn’t immediately speak. His eyes, still fixed on you, glistened with something unspoken, something deeper than just admiration for the composition of the moment. He took another sip of wine, the glass held loosely in his hand, his lips curving into a small, satisfied smile.
It wasn’t the first time he had seen you naked—far from it. You had been the subject of the paintings he’d bought countless times before, the air between you thick with desires spoken and unspoken. Those moments had been different—more familiar, more intimate, without the looming weight of expectation. But this… this felt different.
The room, with its heavy shadows and cold moonlight, felt charged in a way it hadn’t before. Sylus’s gaze lingered longer, sharper, as if he were studying you, not just admiring the curve of your body, but absorbing something deeper—something that seemed to pull at the very core of you. The way he watched you now was colder, more assessing, yet still wrapped in that same underlying intrigue.
You could feel the shift in the air, feel the way his eyes didn’t just glance over your skin as before, but carved into it, tracing every inch with the intensity of someone who wasn’t simply enjoying the view—but claiming it, as if you were a work of art he had yet to fully possess. His smile, that quiet, satisfied curve of his lips, held a kind of knowing that unsettled you, despite the familiarity of it all.
There was an unsettling calmness to the way he drank from his glass, every movement deliberate, as though he knew exactly how long he could hold you in this moment, how long he could make you feel exposed, vulnerable, and still expect you to remain calm. There was no rush, no desire to touch you right away. His silence, his steady gaze, was more intimate in a way that made the air heavier, more suffocating.
bared before him, this felt different. This felt like you weren’t just a willing partner, but a subject—a canvas for his deeper curiosity, a part of his game, and you were unsure whether you were winning or losing.
Goosebumps rose on your skin, the sudden chill of the room making every inch of your exposed body feel more vulnerable, more aware. The warmth the drape had provided was gone, and the cool air kissed your skin, making your nipples harden in response. The sensation wasn’t lost on Sylus. You could feel his gaze moving over you, absorbing every detail, and something in the air thickened, carrying the weight of his unspoken thoughts.
He took a slow sip of his wine, his lips curling into a faint, almost predatory smile as he watched you react to the cold. Then, without breaking his gaze, he shifted his attention to the artist.
"I've changed my mind," Sylus said, his voice a smooth drawl, casual yet laced with a subtle command. "Start over."
The artist, still bent over his work, hesitated, his brush pausing mid-air. He glanced up, a brow lifting in silent query as he regarded Sylus. "But sir, we’ve already begun—"
Sylus didn’t even let him finish. "I’ll pay double—no, triple," he said, his voice low and insistent, the words dropping like heavy coins into the silence. "Just do it."
The artist’s hesitation melted away, the promise of such an offer too tempting to ignore. He glanced back at you, his expression unreadable, before setting down his brush. His movements were careful, deliberate, as he began to adjust the canvas slightly, giving you space to move.
You adjusted yourself carefully, the movement slow and deliberate as you turned to face Sylus, your body fully exposed to his gaze. There was a quiet tension in the room, and as you caught his eyes, you let him feast on the sight of you, the weight of his stare making every nerve in your body aware of the vulnerability in the moment.
A playful, teasing smile tugged at the corner of your lips, as you broke the heavy silence with your words. "You have a pose in mind?" you asked, the tone light and joking, an attempt to mask the deeper undercurrent of discomfort that flickered beneath your playful facade.
But Sylus’s smile didn’t falter. There was no humor in his eyes, only a quiet certainty. He leaned forward slightly, setting his wine glass down with an almost imperceptible clink, his gaze flickering over your form once more, taking in the details with the precision of someone who knew exactly what he wanted.
Sylus’s gaze flickered briefly to the artist, and then returned to you, his expression unreadable for a moment. When he spoke, his voice was smooth, calculated, as though he were savoring every word.
"Yes," he replied, the single word carrying an unspoken command. "I want her standing, one foot forward, a slight arch to her back. Her left hand should rest on her hip, just like that—" He gestured with a flick of his fingers, guiding you into the position, his eyes tracing the lines of your body. "And the right arm raised, but not too high. Let the hand hang loosely, fingers extended like you’re reaching for something, but not quite grasping it. Your head tilted just slightly, eyes meeting the artist’s—no, mine. I want the focus on you."
He paused for a moment, taking in the effect of his words, before his lips curled into a half-smile.
"And don’t move," he added, his voice commanding now, an undertone of dark satisfaction threading through his tone. "I want the tension in your body to be alive."
The artist’s brow furrowed briefly, but the offer of triple pay quickly silenced any objections. He nodded, refocusing on his canvas, preparing for the shift in the scene. Sylus remained seated, watching you with that same sharp, patient gaze, every inch of him fully aware of the game he was playing.
You felt the weight of the pose, the challenge of holding it just right, the pressure of both Sylus’s and the artist’s eyes on you.
***
It was some time before the artist finally set his brush down, the silence in the room thick with concentration. Finally, when the last stroke was added and the artist stepped back with a deep exhale, you were free to move. The tension in your body snapped as you lowered your arm, the muscles protesting the sudden shift. You stood, stretching, the relief palpable as you reached above your head, feeling the pull in your shoulders and spine.
Yet Sylus himself seemed completely at ease. As a matter of face, he seemed unfazed by the passage of time. He was calm, almost serene, his attention fixated on the painting leaning against the wall as it dried. His expression was one of quiet satisfaction, but there was something deeper in his eyes, a kind of quiet hunger that lingered as he took in the image before him.
There, captured in oils on stretched animal skin, was you—your body immortalized in vivid detail. Every curve, every line, every inch of your exposed form was perfectly rendered, the colors rich and deep, almost alive under the low light of the room. The moonlight slanted across the canvas, highlighting your body in a way that made the image seem as though it were still in motion, as if the moment Sylus had captured would never truly end.
Your body, perfectly nude, stared back at you from the canvas—more than just a reflection, more than just a piece of art. It was an interpretation of you, crafted by Sylus’s intent, the artist’s skill, and the silence of the room.
You could feel the weight of the gaze upon you—his eyes not just on the painting, but on you, seeing the connection between the two. The moment stretched on, thick with a kind of power. He didn’t speak immediately, but there was a slight, knowing smile tugging at his lips. His fingers toyed with the wine glass in his hand, almost absently.
"You look... perfect," he murmured, his voice still smooth, but with an edge of something darker, something more satisfied. "Captured perfectly. What do you think?"
His eyes flickered back to you, measuring your reaction as if he expected something more, something to acknowledge the work of art that now existed between the two of you.
You stood there, staring at the painting, but in truth, you didn’t know what to think. It felt surreal, this image of you—perfectly captured, immortalized in oils. The canvas seemed to breathe in the dim light, the shadows and highlights playing across it like a mirror of the tension that still lingered in the room. You could still feel Sylus’s eyes on you, but your mind couldn’t settle on any one thought about the painting itself.
Instead, you turned your gaze back to him, meeting his eyes with a question in your heart that had been swirling for some time now. "Why was this important to you?" you asked, curiosity lacing your voice, though there was an undercurrent of something more: a quiet need to understand what had driven him to orchestrate such a scene.
Sylus didn’t immediately respond, his fingers pausing on the glass of wine as he studied you, his gaze unwavering. For a long moment, it felt like the room itself held its breath. His lips curved into that familiar, enigmatic smile, but this time, there was a softness to it, a kind of distance that had always been absent before.
He glanced at the painting, then back at you, his eyes glinting with something unreadable. "Why?" he echoed, as if testing the question on his tongue. "Isn’t it obvious?"
You waited for him to elaborate, but instead, he took another sip of his wine, his eyes never leaving you. The silence between you stretched, thick with an unspoken weight, and you couldn’t help but feel that you weren’t just asking about the painting. You were asking about everything—the game he played, the tension that existed between the two of you, the fascination he seemed to hold.
Finally, he set his glass down, his voice lower, almost contemplative. "Because you’re more than just a person to me," he said, his gaze softening slightly, though there was still a sharp edge to it. "You’re a... presence. Something I want to understand, to capture, in every way." He took a slow step closer, his eyes lingering on you for a moment before he added, almost too casually, "And because one should preserve what they cherish, shouldn't they?"
Sylus’s voice, low and deliberate, seemed to echo around the room, weaving itself into the very fabric of the space.
You paused, the implications of his statement sinking in slowly. The way he looked at you—like something to be preserved, something he had every intention of holding onto—sent a shiver down your spine. It wasn’t the first time he’d made it clear he valued you, but this was different. There was a possessiveness in his tone, a quiet claim, one that made the hairs on the back of your neck stand on end.
"Preserve what you cherish," you repeated softly, the words tasting strange in your mouth. You couldn’t help but wonder what exactly he saw when he looked at you—what he truly valued, and if it was you, or the version of you he’d crafted in his mind, captured forever in oil and paint.
You met his gaze again, studying him, trying to discern if he meant the words as something more than just the artist’s admiration. There was a subtle shift in his posture as he watched you, something more predatory, more certain, as if he was waiting for a reaction, for you to acknowledge this deeper layer of his affection, his obsession.
The silence stretched between you, but it was charged, full of unspoken promises and unanswered questions. He hadn't said it outright, but you knew the implication, the undercurrent of possession that ran through his words. Sylus wasn't just capturing your form on canvas—he was capturing you, and perhaps, in a way, he always had been.
“Mr. Sylus?” “I don’t think cherish is the right word.”
Before you could fully process the weight of his words, Sylus was in front of you, closing the distance in two long strides. His movements were swift yet deliberate, as though he had been holding back until this very moment.
His hands came up to cup your face, warm and firm against your skin, tilting your head just so. And then his lips met yours—demanding, yet tender, with a fervor that left no room for doubt. The kiss wasn’t just a meeting of lips; it was an unspoken declaration, a culmination of everything unsaid between you.
The room seemed to shrink around you, the world outside fading into irrelevance as the cold air and ache in your body melted away under his touch. His thumbs brushed against your cheeks, a contrast to the intensity of the kiss, grounding you in a moment that felt both overwhelming and inevitable.
Sylus kissed you like he was sealing something—his claim, his admiration, his need—all of it poured into the way his lips moved against yours. And despite the whirlwind of emotions coursing through you, you found yourself unable to resist, your body responding instinctively to the fire he ignited within you.
When he finally pulled back, it was only slightly, his face still close enough that you could feel the warmth of his breath against your skin. His eyes, now softer but still burning with intensity, searched yours, as if daring you to question what had just transpired.
"Tell me," he murmured, his voice low and rough, "that you didn’t feel that, too."
"Mr. Sylus—" you began, your voice hesitant, unsure of where this sudden shift was leading.
"Just a moment," he interrupted, his tone calm but firm, cutting through the air like a blade.
He stepped back, his hands leaving your face, though the warmth of his touch lingered on your skin. His eyes moved over you, deliberate and unhurried, as if committing every detail of you to memory all over again. Then, just as quickly, his gaze flicked to the portrait leaning against the wall before returning to you.
"The bed," he said simply, his voice carrying the same commanding edge as before.
You blinked, caught off guard. "Pardon?"
"Get on the bed, please," he repeated, his tone soft but leaving no room for argument. There was no malice in his words, no urgency, only a quiet determination that made it clear he wasn’t asking out of whimsy.
The way he stood, the way he watched you, made your breath catch. You weren’t sure if it was the lingering tension from the kiss or the intensity of his gaze, but something about the moment made your heart race. He wasn’t just commanding your presence; he was asking for your trust, for your surrender to whatever vision he had in his mind.
And despite everything—your hesitation, the ache in your muscles, the chill in the air—you found yourself moving toward the bed, drawn by the magnetic pull of his words, of him.
"Have you any idea how many paintings I've collected at this point?" Sylus asked, his voice calm yet layered with something deeper, something sharper.
You opened your mouth to respond, but he didn’t give you the chance. As his hands moved to loosen his tie, slipping it free in one smooth motion, he answered his own question.
"Hundreds," he said, his tone carrying an almost casual air, though his gaze never left you. "Hundreds of models, hundreds of hours. Each one a study in beauty, in form, in fleeting perfection." He let the tie drop onto a nearby chair, his attention entirely on you now.
"But you," he continued, stepping closer, his voice softening in a way that made the words feel intimate, confessional. "I've had dozens made of you—every detail, every angle, every nuance of your being."
You felt your breath hitch as his words washed over you, the weight of them settling heavily in the pit of your stomach.
"And yet," he said, his lips curving into a faint, almost rueful smile, "no one has gotten it right."
The room seemed to close in as he spoke, the air charged with the tension of his admission. He reached out, his fingers brushing a strand of hair from your face, his touch light but electric.
"You’re simply perfect," he murmured, his voice barely above a whisper now. "And I will not stop until it’s captured, until it’s immortalized exactly as it should be."
"And I would be a fool," Sylus continued, his voice low and deliberate, "to think that perhaps you do it on purpose, but no..."
His movements were slow, calculated, as he climbed onto the bed, his presence suddenly overwhelming. He loomed over you, his dark eyes searching yours before they dropped to your hand, which he took gently but firmly in his own.
Sylus turned your wrist over, inspecting the delicate lines and curves of your skin with the same intensity he had given the canvas earlier. His thumb brushed over the inside of your wrist, where your pulse beat steadily beneath the surface, and his lips quirked into a faint, knowing smile.
"They miss the finer details," he murmured, almost to himself. His eyes flicked up to meet yours, holding your gaze for a moment before he leaned down.
The warmth of his breath brushed against your skin as his lips ghosted over your wrist, a touch so light it sent shivers down your spine. The sensation was maddening, a deliberate tease that left you frozen in place, caught between anticipation and uncertainty.
"They capture the shape," he whispered, his lips hovering close, "but never the soul. Never this." His words were reverent, his tone almost worshipful, as though he were addressing something sacred.
"Never what?" The words escaped your lips, soft as a baby's breath, barely more than a whisper.
Sylus’s gaze flicked up to meet yours, dark and smoldering, as though your question had stirred something within him. For a moment, he didn’t answer, his thumb still idly tracing patterns along the inside of your wrist, his lips hovering so close to your skin that you could feel their warmth.
"Never you," he finally murmured, his voice low and velvety, thick with conviction. "They capture an imitation, a shadow, a shell of what you are. But the essence of you, the way your light bends in the darkness, the way your skin warms to my touch, the way your soul fills a room without saying a word..."
He paused, as if searching for words worthy of what he wanted to convey, his grip on your wrist tightening ever so slightly.
"They’ll never get that," he continued, his lips brushing against your skin as he spoke, sending a shiver racing through you.
"They try," he continues, his lips brushing faintly against your skin as he speaks, "to recreate you. To distill everything that you are into paint and canvas. But how can they? They don’t know the way your pulse quickens." His thumb presses lightly against your wrist, as if to prove his point.
"They don’t know the curve of your lips when you smile, the way your eyes light up when you're defiant, or the softness of your breath when you're still." His other hand comes up, brushing a strand of hair away from your face.
"They don’t know this," he repeats, his lips finally pressing a soft, lingering kiss to your wrist, as though sealing the moment in time.
"I adore you. I don't think you understand." Sylus's voice is low, the words slipping out with a quiet intensity that sends a shiver through your spine. His red eyes lock onto yours, unblinking, as if trying to pull something from within you—something deeper, something that perhaps even you haven’t fully realized yet.
There’s a sharpness to his gaze now, a hunger that flickers beneath the surface, but it's tempered with something else—something softer, almost tender, as though he’s offering you a truth he’s kept hidden for far too long.
His hand stays on your wrist, his touch gentle yet possessive, as if he’s anchoring you to the moment, to the declaration he’s just made.
"You don’t understand," he repeats, his voice laced with both frustration and affection. "You don’t see how you consume me."
He leans in closer, his lips brushing against your ear, his breath hot against your skin. "Every inch of you, every movement, every breath—it's all mine, in a way no one else could ever claim." His words are heady, thick with desire and something deeper—something that feels like it could swallow you whole.
His gaze flickers back to your face, his eyes drinking in every detail. "I adore you," he says again, this time with an almost reverent finality. "You are everything."
His hand moves slowly, almost tentatively, to your throat, wrapping around it lightly. The contact sends a shiver down your spine, a mix of tension and vulnerability that courses through you. For a moment, it feels almost like a threat—powerful, electrifying, and yet, strangely intimate.
The grip is not harsh, not suffocating, but it carries an undeniable presence—like a whisper of danger beneath the surface. And then, just as quickly, he lets it go, releasing the hold with a slow, deliberate motion.
Sylus's eyes search yours, as though he’s looking for something deeper, something that can explain the inexplicable pull between you. His gaze softens slightly, a subtle shift that hints at something beyond the intensity of the moment—perhaps a need to connect in a way that’s almost impossible to articulate.
"I can make you understand," he says, his voice tinged with a mix of challenge and vulnerability, "in ways you’ve never felt before."
"I just don’t understand how they never see this," Sylus murmurs, his lips grazing your wrist as he speaks, the soft touch sending a wave of heat through your body. His voice holds a mix of frustration and admiration, as if the rest of the world has missed something so painfully obvious to him.
The sensation of his lips against your skin lingers for a moment longer than it should, a whisper of warmth that contrasts sharply with the coldness of the room.
Then, slowly, almost reluctantly, he lets go of your arm, letting it fall gently to your thighs. The space between you feels heavier now, filled with the unspoken words hanging in the air, but his gaze never wavers, still locked onto you with an intensity that is both unsettling and magnetic.
You can feel the weight of his attention as he waits, as if he’s daring you to make the next move, to acknowledge the depth of what he’s said and what’s between you. His lips part slightly, as if he’s about to speak again, but for a moment, the silence stretches, thick and taut.
Your mouth goes dry at his confession, your heart pounding in your chest as the weight of his words settles in. Your face flushes, warmth creeping across your skin, and the tips of your fingers tingle with nervous energy. The air between you seems to thicken, charged with a silent tension as his words echo in your mind.
“Adore me, huh?” you ask, your voice slightly unsteady, but a trace of defiance running through it.
“Of course,” he replies, his tone firm yet tinged with something like amusement.
A daring idea blossoms in your mind, and without a second thought, you push yourself up, leaning back on your arms, feeling the strain of your muscles as you shift your position. You bring your foot to Sylus’s chin, gently but firmly tilting his head up, forcing him to meet your gaze.
"Why don’t you paint me then?" you challenge, your voice barely a whisper, but the words are thick with intent. "Paint me how you see me."
Your eyes lock onto his, daring him to follow through, to capture you in a way he’s never been able to before. The room seems to hold its breath, waiting for his next move, for the tension to either break or build to something more.
You hold his gaze, unwavering, knowing that this moment is different—there’s something in the air, in his expression, in the silence, that makes this more than just a game.
Sylus's gaze darkens as he locks eyes with you, his lips curling into a slow, wicked smile. The words that follow are laced with heat and something possessive, a raw honesty that sends a shiver down your spine.
“Show me how.”
Show him how?
He answers before you even thought to ask.
“Touch yourself,”
“Touch myself?” “Yes.”
He sits up, giving you the space to do so. You look at him, incredulous.
“Go on, sweetheart.”
You don’t know how, but you find yourself leaning back against the headboard of the bed.
Touch yourself.
Okay, yeah.
You could do that.
You open your legs, bringing a hand down to your cunt.
His eyes don’t leave your hand, not as you bring it up to your lips, sucking on them, and not as you bring your wet fingers back to your cunt, moving in slow circles.
The cold air was still cold, and you didn’t know where else to look. Not as you dipped your fingers between your lips, not as your head tilted back.
Your free hand went to your breast, rolling the nipple between your fingers. Your cheeks burned, knowing he wouldn’t look away. You close your legs around your wrist, but he clears his throat.
Open them back up.
So you do.
Your clit is sensitve as you play with it, soft breaths turning into quiet pants. Feeling yourself getting wetter, you added a third finger to the mix, beginning to pump them in and out.
This wouldn’t do. You wouldn't be able to get yourself off like this, with him watching.
So you shut your eyes, trying to pretend he wasn’t there. Pinching your clit, you sucked in a breath. Oh, fuck.
Sylus, however, wasn’t doing much better. His pants were tight, cock strained against his underwear. But he wouldn’t do anything. This was all for you.
“Sylus,” it comes out airy, and your fingers just arent enough, “Can’t you help me?” “Help you? Darling, you’re supposed to show me how to paint, not the other way around.”
Damn him.
“I can’t,” “You can. Get on with it.”
You curl your fingers, and oh, your eyes flutter. The hand that was on your tit goes to help the other, your cunt greedy for the attention as your hips start to buck. Pulling your hand out for a brienf moment, you wipe the wetness off on your thighs, feeling your clit throb as you slow the pace down once again.
Your stomach had butterflies. The fact that this man had wanted you in such a way…
It was nice to have a loyal patron.
His red eyes on you, that smooth voice always appreciative, and lord, those hands- that nose- that stupid smirk..
Your toes curl, and you say his name.
So close, so close, so close-
His hand is on your wrist, pulling it up, your high stolen.
“Marvelous.”
Eyes opening, you look at him, chest heaving.
“I, haa, I wasn’t done.” The corners of his lips turn upwards. He brings your fingers to his lips, tasting them. He hums in approval.
“I’ve seen enough. I’ve learned.”
Oh, damn him.
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Love your art! What's your shading process / any tips? I really like how vibrant it is
Thank you!! also sorry this is a long post
I usually start painting the character after I already have a background, super sketchy or with a placeholder (a photo usually), just so i know what colors to use
I fill the character with a color from the BG or a similar color and use the multiply blending mode
then i paint the lights on another layer with the "add glow" blending mode (i also pick the color depending on the bg).
I add another multiply layer for anything that needs to be darker, like stuff under the characters clothes
I paint a line with a saturated color between the lights and shadows, for example i added a bright red for the cape and light purple for their skin (? this is subsurface scattering, it doesnt happen on every surface but i like how it looks so i use it on everything lol.
Then i paint the lineart a similar color to each part of the character or you can paint it all red and use multiply
that's basically it
some tips (these are just things that work for me)
I think is better to paint the lights, not the shadows. it helps to see the shapes of the thing/character you're drawing better (its what i did with lambert ⬆️)
Draw backgrounds, i think it makes every drawing look more interesting and its easier to decide the lighting for the character, if you dont want to draw anything detailed you can paint something simple and blur it
i really recommend to start with a thumbnail, experiment with colors, perspective, composition, etc. before actually starting the drawing thumbnails of this post
this tip is something that everyone has heard before but use references, real life references like photographs for perspective and lighting, 3d models for anatomy and perspective, paintings to see how other artists stylize objects, bgs or characters. use references for everything
this tip is super important for me: check the values of your drawing, (lower the saturation, with the lineart hidden) if it isnt readable/ doesnt look good in black and white it most likely wont look good with colors (this depends on artstyle and personal preference tho)
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Personal Pigments Viktor x Reader (Part 1) - Cadmium Yellow Deep Hue
Heimerdinger forgets to warn the science bros that an artist is coming in to visualize them and Hextech, a collaborative program between a Piltover art school and the academy for some new hall meant to be unveiled at an upcoming progress day. Large paintings can take years to do, with Hextech’s promising growth they are to be started in a preemptive manner. Reader is from Zaun, not sure what I’m going to do with this yet. Takes place in the coming months after they first get council approval, hexgates aren't complete. Wrote an imagine (here) and now I’m needing to see it through, would y’all want more?
╔═*✧ ✦ ✧.·:·.*.·:·.✧ ✦ ✧.·:·.*.·:·.✧-✦-✧.·:·.*.·:·.✧ ✦ ✧.·:·.*.·:·.✧ ✦ ✧*═╗
Viktor should be focusing. He is, but not on the right thing. His hands still fiddle with cogs as he looks to you for the umpteenth time this hour. Your brows were furrowed together as you compared pastels and pencils together. Your lips pursed to the side as if you were biting your cheek in concentration. He would have been worried about being caught starting but your focus was elsewhere.
You had papers clipped to a drawing board in front of you. The stool you usually sat on abandoned by the small table next to you. He watched as your hands turned colored sticks over, looking for something. He didn't know what, but he appreciated the view regardless.
In this summer heat the lab was humid, Jayce had gone out for water and Viktor himself had forgone his vest. You were starting to sketch something in wide yellow strokes, the smooth scrape of pressed pigment to paper filling the heavy air. You hummed a sound of affirmation, as if finally approving your choice before grabbing another stick in blue. As you continued your efforts, he took in all of you. A loose button up over a tank top, well fitting trousers, simple boots. The same attire you'd worn for weeks, but today something was different. The tank-top was a lower, looser cut. Likely chosen for the heat plaguing Piltover this summer. Your warming up sketches facing a daylit window.
“Composition, speed, and colour work.” The words you had said months ago lingering in the back of his mind. “You can never practice too much.”
He sees you from the side, the strap had been half way off your shoulder all morning. Innocent enough. Not truly your fault in any way.
The white over shirt unbuttoned. Also loosely caught by your elbows, draping over your work surface. Picking up colors and dust. He follows the sleeves up to your hands, to your arms. He should be working. Reading a section in another overdue library book. Not watching you. Not following the gentle way you pick up and set down your pastels, certainly not the way today’s heat has exposed your neck, your shoulders, your collarbones and how they lead to the hollow of your neck. He looks away for a moment. Steeling himself.
Surely he is not ogling you. That would be inappropriate. Yes, it has been a long time since he has been able to indulge in thoughts of that manner. But he shouldn't start down that kind of path here.
A clattering sound pulls his gaze back to you, a soft curse leaving your lips as you have to bend down to grab a pencil that rolled off your desk. His breath catches in his throat, your tanktop drooping lower when you lean down. The swell of your breasts, the curve of your bra revealing itself in a sinful second. The moment was very quick, and to his luck you didn't notice. The lab door opens as Jayce walks in. Ice cold water in a pitcher, three glasses on a tray.
He sets one down on your desk looking over your shoulder. "The window today?"
"Just something quick, the sun is hitting the glass just right." You punctuate your sentence with the wave of a pencil towards the shaft of light illuminating a stack of books.
"I see," he says as he walks over to one of the many messy tables near you to set down the tray. He brings another glass to viktor. If he notices the red flushing his partner's face he doesn't say. Maybe he assumed it was this wretched heat. In a way, it was the fault of the weather.
"Thank you," Viktor says, just before he downs the whole glass.
He gets an acknowledging pat on his shoulder before Jayce settles in his own station. Each of you returning to your own work. The silent hum of drawing and tinkering becomes a soothing balm on the room, and on the tension in his shoulders. He fiddles with his engraver, marking runes onto various metal bits. He wonders to himself how he even got into this position. How he finds his thoughts, and apparently his eyes, wandering to you.
He remembers that first day, how many months has it been since you’ve come here?
╚═*✧ ✦ ✧.·:·.*.·:·.✧ ✦ ✧.·:·.*.·:·.✧-✦-✧.·:·.*.·:·.✧ ✦ ✧.·:·.*.·:·.✧ ✦ ✧*═╝
-------------------.·͙*̩̩͙˚̩̥̩̥*̩̩̥͙ ✩ *̩̩̥͙˚̩̥̩̥*̩̩͙‧͙ Part 2.·͙*̩̩͙˚̩̥̩̥*̩̩̥͙ ✩ *̩̩̥͙˚̩̥̩̥*̩̩͙‧͙ .---------------------
------------‧̍̊·̊‧̥°̩̥˚̩̩̥͙°̩̥‧̥·̊‧̍̊ ♡ °̩̥˚̩̩̥͙°̩̥ ·͙*̩̩͙˚̩̥̩̥*̩̩̥͙· Master Fic List *̩̩̥͙˚̩̥̩̥*̩̩͙‧͙ °̩̥˚̩̩̥͙°̩̥ ♡ ‧̍̊·̊‧̥°̩̥˚̩̩̥͙°̩̥‧̥·̊‧̍̊--------------
#tbh I really can't handle everyone forgetting Viktor/thinking he's a villain#that man is a lover boy#you can take that from my cold dead hands#I'm coping#still a jayvikmel truther just not in this one#the whole fandom is coping#arcane x reader#arcane#fanfic#fanfiction#x reader#viktor arcane#viktor league of legends#viktor lol#female reader
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Cost of White Fillings in London: What You Need to Know
One big reason people choose to get this treatment in a private place, though, is the white filling cost London.
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SOMEONE ASKED ME FOR COLOURING TIPS AND I DELETED MY ANSWER DRAFT BY ACCIDENT IM SORYYYY
But i still wanna try to give some tips that i use (i hope you'll see this post, anon!!!!). Im not really good at explaining things and im not a professional artist but ill try ma best💥
Before I start a new painting, I make a few sketches of exactly what I want to draw. This helps me to find the right composition and color scheme
The environment an object or character is in has a great effect on its color. In the first pic, Spammy looks ok, but if we warm up the colors a bit, it looks like he's really standing in that room. You can also experiment with layer modes to achieve the color u need. Sometimes I crop the main background color over the character and poke layer modes until Im like "this shit looks good, lets go". But ofс you'd better find the colors yourself, it's useful for learning color theory
I also swept the main background color into the reflexes and shadows on the object. Like on this pipis
Buuut you can also use bright contrasting colors. This gives a funky, stylized look to the artwork
And about white color in my arts. I think that there is no pure white color in nature . White color and close to it will always have its unique shade depending on the lighting. So, I prefer to mute the white color in my works.
You can also try filling the area with some color and over paint it with light color, mixing colors together. This is a new technique for me, I usually put colors on the bare sketch, but I like it<)
And also coloring on the sketch layer. I'm not trying to lighten it or anything. It gives a kind of dirty look to the work and a kind of unfinished feeling. I don't like to lick my drawings to a shine. Plus bc of the brush I use, it gives me extra shadows. I prefer to use the standard marker brushes and some brushes I found on clip studio paint assets. These are mostly brushes that mix colors so i use them to add different strokes to my work
I guess that's all, hope it would help someone!!
Remember, you can do whatever you want to your art, the main thing is that it makes you hapi💋
#ask#deltarune#spamton#artists on tumblr#digital art#art tips#i hope i explained okay#i mean mmm uhh uhmhmnmm#I get confused when people ask me for advice on drawing#bc most of the time I don't know what the hell I'm doing.:3
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woah it's g
slightly late spooky grian phasmo art but that's on brand isn't it lolol
below a test watercolor scrap and the initial sketch i made a month ago
and image descriptions below !!
[1st ID: A traditional watercolor and gel pen art of Grian. He is lounging on an office chair with the back rest turned down. He is looking over his shoulder at the viewer with a smirk on his face, with one hand up holding a cup with a straw in it. His other hand hangs down over the armrest, in his grasp a walkie talkie. A yellow speech bubble with the text: "G? You there?" emits from the speaker. On Grian's left there is a desk with three static-filled monitors on it, and a pc below. The background is dark with three white cartoony ghosts circling around him, and the texts "Phasmophobia: Van life" above him and "Starring: GIGGS" below him. End of ID.]
[2nd ID: A small watercolor test painting of Grian in the same angle, only now cut just so that his face, shoulders and the hand holding the cup sre visible. End of ID.]
[3rd ID: A pen sketch of the initial idea, the composition is much the same but without the text and slightly more squished looking. End of ID.]
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Got any tips in shading stuff in black and white digitally?
Hi Anon!
You're in luck! I'm currently wrapping up a book which is shaded digitally, so I've been thinking a lot about this recently.
How I do this is by no means the only way, so take from these tips as much or little as you want! When I add grays and shadows to a line art drawing, I try to think about these things:
Preparing the image
I like to work with a file that has a white background and a layer with only line art on top of it. Between these two layers I add new layers where I use the pen tool and bucket to fill areas with black, then I lower the opacity for that layer to get a value that I want.
This method works well for me, and for simpler pieces I don't need more than 3 layers with different values - light, medium and dark grays.
I work in Clip Studio. Here's a picture of the layers of a recent drawing. Each layer is actually completely black but you can see the opacity percentages by each layer. Lower percentage -> brighter value. This makes it super duper easy to change the value of a layer, no need to repaint it, just change the opacity!
Value composition
For the best result, do a couple of value sketches with a limited set of values and find something that works well for the image. Getting the values right is what will improve the image the most! Here's a quick tutorial on muddycolors. Muddy Colors is a very nice art blog to check out. Looking at grayscale storyboard drawings or value sketches are great ways to pick up on this too.
I try to group values when working with grays. Take this image for example:
The character in the foreground has mainly dark grays, which separates her from the background, which has mostly light grays. Then the windows are white and the roof black.
Value composition is a huge and complex area and I recommend anyone wanting to learn to be more conscious about their values and to do value sketches. Analysing art you think has good values is great too.
Shadows
Not every piece needs shadows, but they can add a lot to an image! I use three kinds of shadows when I work in grayscale.
Inked shadows - these shadows are added during the inking stage and usually show areas where light would have almost no way of getting there, such as under this tent.
Gradient shadows - these shadows usually represent something getting further and further away from a light source or an area that would bounce light. This tree receives a tiny bit of light from a campfire on the ground and moonlight that bounces on the ground and up, fading as we get higher up in the tree. But mainly I add these gradients in ways that look cool and will help the overall composition.
Hard shadows - these shadows appear when a strong light casts shadows and can be used on a shape or to cover something. Here's a werewolf with shadows on its back, which gives it a better sense of mass and is interesting visually!
You can also cover an area in shadow like this, where the tree casts a shadow down on the archer and the cliff.
Texture
I like to add a layer of noise as a finishing touch. In Clip Studio you can create a noise layer with Filter->Render->Perlin noise... Find a balance of scale and amplitude that works for the image, then change the layer mode to "Vivid Light" and lower the opacity of the layer to around 30%. I like how this looks, it's not super visible usually but helps make the drawing feel less artificial and digital.
I hope that helps! Here are some nice links too:
Muddy Colors
Android Arts
Gurney Journey - Read his books!
Happy drawing!
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