#Colin Mathers

[dustedmagazine]

Brìghde Chaimbeul — Carry Them With Us (tak:til)

First of all, for any interested non-Gaelic speakers, the young Scottish piper’s name is (per her own site) pronounced “Bree-chu CHaym-bul.” And secondly, while the music found on this, her third album, sounds like what most would identify as bagpipes, it’s… well it is and it isn’t. To the extent that bagpipes are known to the wider world it’s something like the great Highland bagpipe (musician blowing into a reed, pipes extending over shoulder). Chaimbeul can certainly play that too, but she specializes more in the Scottish smallpipes, a bellow-driven instrument of more recent vintage (the 80s!) albeit from a lineage going back hundreds of years. The details are worth noting up front, because the music on Carry Them With Us is so viscerally enchanting it might be hard to keep track of them once you’re mid-listen.

Both varieties of bagpipe share some seemingly contradictory qualities. Drone instruments that (due to the various chanters used and other aspects of their design) can handle complex, fast-moving melodies; intensely analogue devices that, due to their precision and lack of sonic decay, can feel almost electronic in nature. Capable of simultaneously evoking melancholy and spritely joy, one on its own, played well, can fill a whole room with sound almost to the point of oppression. Unsurprisingly for a musician who’s been winning awards since she was a teen, Chaimbeul is an exceptional player of the smallpipes and from the opening blast of “Pililiù: The Call of the Redshank” these 35 minutes practically put on a clinic on why any listener might want to get to know them.

Not that Chaimbeul is strictly solo; after Canadian saxophone dynamo Colin Stetson reached out to her about a documentary soundtrack, the two of them wound of working together on six of the nine tracks here. If you’ve never previously considered the way sax and bagpipe might sound like each other, or take on similar roles, or complement each other, their completely natural fit here might take you aback. Stetson fans are well aware of the head of steam he can build up, but Chaimbeul’s no slouch either; a track like “Tha Fonn Gun Bhi Trom: I Am Disposed of Mirth” already feels delirious before you notice Stetson’s whirling flutters unspooling in the background. Even when their roles diverge more, like the impossible to miss saxophone tessellations towards the end of “’S Mi Gabhail an Rathaid: I Take the Road,” they feel like kindred spirits.

The most notable element aside from Chaimbeul’s pipes and Stetson’s sax is her voice, singing in Gaelic. It only shows up a few times but it’s an arresting presence whenever it does. Maybe if you speak the language it turns out she’s singing about something more mundane, but based on the song titles here and the incantatory, almost vatic feeling those passages bring to the rest of the music it’s hard not to feel like there’s something of deep significance being passed on. Like the rest of Carry Them With Us, it's intensely striking.

Ian Mathers

[berlinauslander]

The Bush administration's determination to mimic the hollow corporations it admired extended to its handling of the anger its actions inspired around the world. Rather than actually changing or even adjusting its policies, it launched a series of ill-fated campaigns to "rebrand America" for an increasingly hostile world. First came Charlotte Beers, hired as undersecretary of state for public diplomacy and public affairs shortly after the invasion of Af-ghanistan. Despite the seniority of the post, Beers had no previous diplomatic experience. She had, however, held the top job at both the J. Walter Thompson and Ogilvy & Mather ad agencies, where she built brands for everything from dog food to power drills. When Secretary of State Colin Powell came under criticism for the appointment, he shrugged it off: "There is nothing wrong with getting somebody who knows how to sell something.

We are selling a product. We need someone who can rebrand American foreign policy, rebrand diplomacy." Besides, he said, "She got me to buy Uncle Ben's rice."

[wickednesse-comic]

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A NOTE ON EROTIC LITERATURE IN 17th CENTURY NEW ENGLAND,

by P. Walter Jaffey, Exegetist

To those familiar with the well-documented correlation between social conservatism and sexual dysfunction, it should come as no surprise that a culture now synonymous with strict moral order was absolutely rife with out-of-control masturbators.

Don’t take my word for it. The only thing the Puritans seem to have indulged in more than avid "self-pollution” was confessing this sin in writing, through the fastidious journal-keeping that characterized their milieu. The museum basements of New England are veritably carpeted with 17th century masturbation diaries, each recounting a different man’s struggle with temptation (the inevitable capitulation, the sticky-handed prayer for absolution, great night’s sleep, etc.) By their own varied accounts, this cycle of self-abuse and self-recrimination seems to have been vicious indeed, and suffered widely*.

The war against basic human sexuality was such a cause célèbre in the colonial period that sermons on the subject were widely disseminated in print and were popular to such a bizarre degree that it reminds one of nothing so much as our own modern era, with its 12 Rules for Lifes and No-Fap Novembers. To wit, Cotton Mather’s The Pure Nazarite, Concerning an Impiety and Impurity Not Easily to be Spoken of (1723) was probably the best selling book of the late 17th and early 18th centuries**.

“I am told that it is an essay which there is more than a little occasion for.”

-John Phillips, Publisher of The Pure Nazarene and man whose stockings are only so stiff from kneeling in church.

Ironically (and perhaps predictably, since it relates to man’s favorite compulsion), tracts like Nazarite weren’t read solely for their didactic value. The latter belongs to an expansive historiographic metagenre: that which, by design or otherwise, was read for the purpose of sexual titillation. For those under the priggish heel of Calvinism, this was an expansive set. Everything from scientific treatises to geographical surveys could be mined by the Puritan for erotic energy.

By way of proof, the most popular book of this type was called Aristotle’s Masterpiece, and reads like [as it, in fact, is] a medical manual for midwives. The modern peruser would be hard-pressed to find anything at all arousing in the text, unless, of course, a dry—yet somehow moralizing—description of a man’s flayed seminal vesicle is to their taste.*** The so-called “captivity narrative” was another popular motif, in which an innocent (read white) woman is captured by “savages”—usually American Indians or Barbary pirates—and subjected to strange (read imaginary) moral frameworks outside the bounds and strictures of her own. Then there was a marginally more explicit undercurrent, evoked in the following real 17th century titles: The School of Venus, La retorica delle puttane (The Whore’s Rhetoric), Letters of a Portuguese Nun, A Ramble in St. James's Park, and the author’s favorite, for obvious reasons: Signior Dildo.

Such was the smut that would have populated the private bookshelf of the Puritan pervert, and a meager indulgence though it may seem, context reveals it for a blessing. As long as the Puritan was attending to his own tortured “yard” (as Aristotle’s Masterpiece insists on referring to the male sex organ), at least he wasn’t buggering his own livestock. There’s more than enough mention of that charming recreation in court records, a fact which Puritan thought leaders justified thusly (once more via Puritans at Play): that “the Devil [only] worked [so] unusually hard to snare sinners from among God's chosen people because he knew what a great victory it was to do so."

-PWJ

*It is possible that even women experience sexual gratification, though the author has never found evidence of such (in spite of much probation).

**Daniels, Bruce Colin. Puritans at Play: Leisure and Recreation in Colonial New England. New York: Palgrave Macmillan, 2005.

***If it is, the Masterpiece’s single sentence acknowledging the fact of female pleasure is sure to send them right over the edge. 

[lifelinebooks]

This bit is making me crack up. Cotton 'lil racist bitch' Mather was always doing shit like this where he coerced people into repenting and then wrote overconfident boasting shit, never once looking back.

"'Behold!' [ Cotton] Mather wrote of [the pirates'] final hours, 'the end of Piracy!'

The Golden Age of Piracy was far from over."

-The Republic of Pirates by Colin Woodard

[noahsbookhoard]

📚 Hi! I'm Noah avid reader since age 6 and always happy to discuss books! 📚

I read almost all genre with sweet tooth for fantasy and sci-fi. I also have a growing interest in murder mystery and horror. Lots of queer fiction. I'm also catching up on my classics.

Mostly adult and some young adult but I have enjoy middle grade from time to time.

I especially love Terry Pratchett, Victor Hugo, Agatha Christie and T J Klune.

I read in both english and french, english not being my first language but I'm close to fluent.

Yearly book count : 123

Last finished reading

Une belle vie by Virginie Grimaldi

Reading in progress

La Dame du manoir de Wildfell Hall (The Tenant of Wildfell Hall) by Anne Brontë

The Restaurang at the End of the Universe (Hitchhiker's Guide to the Galaxy #2) by Douglas Adams

Already read this year (in reverse chronological order)

If We Were Villains by M L Rio

(The lines in pink are book crushes)

Dracula by Bram Stoker

Wintersmith (Discworld #34) by Terry Pratchett

Everyone In My Family Has Killed Someone (Ernest Cunningham #1) by Benjamin Stevenson

What Feast at Night (Sworn Soldier #2) by T Kingfisher

Le Bastion des Larmes by Abdellah Taïa

War and Peace by Leon Tolstoi

The Kaiju Preservation Society by John Scalzi

Rule of Two (Darth Bane Trilogy #2) by Drew Karpyshyn

Les Dragons by Jérôme Colin

Hotel Magnifique by Emily J Taylor

Le dieu d'automne et d'hiver by Pauline Sidre

Les Possibles by Virginie Grimaldi

A Close and Common Orbit (Wayfarer #2) by Becky Chambers

The Outsider by Stephen King

Once and Future Witches by Alix E Harrow

Tous les silence ne font pas le même bruit by Baptiste Beaulieu

Trois battements un silence by Anne Fakhouri

Kiss Kiss by Roal Dahl

Assassin's Apprentice (Realm of the Elderlings #1) by Robin Hobb

Halloween Party by Agatha Christie

Artificial Condition (Murderbot Diary #2) by Martha Wells

The Light Throught the Leaves by Glendy Vanderah

Et que ne durent que les moments doux by Virginie Grimaldi

The Eyes are the Best Part by Monika Kim

Ring Shout by P Djeli Clark

The Rest of the Robots (Robots #2) by Isaac Asimov

Wuthering Heights by Emily Brontë

On the Way to the Wedding (Bridgerton #8) by Julia Quinn

Our Missing Heart by Celeste Ng

Book of Blood I by Clive Barker

Ilos by Marion Brunet

Babel by R F Kuang

Rosemary and Rue (October Daye #1) by Seanan McGuire

Thud! (Discworld #34) by Terry Pratchett

Sea of Tranquility by Emily St John Mandel

Les aventures de Billy et du Pyrobarbare : la forteresse du chaudron noir by Bob Lennon

Space Opera by Catherynne M Valente

Magie et Sentiments : les secrets de Longdawn by Ariel Holzl

A Confederacy of Dunces by John Kennedy Toole

It's in His Kiss (Brigerton #7) by Julia Quinn

Les Cinq by Matthieu Rochelle

Did You Hear About Kitty Karr by Crystal Paul Smith

The Lion the Witch and the Wardrobe (The Chronicles of Narnia #1) by C S Lewis

How to Raise a Kraken in Your Bathtub by P Djeli Clark

An Appointment with Death by Agatha Christie

The Oleander Sword (The Burning Kingdoms #2) by Tasha Suri

Time to Orbit : Unknown by Derin Edala

It's Kind of a Funny Story by Ned Vizzini

4.48 Psychosis by Sarah Kane

Under the Whispering Door by T J Klune

The Moth Keeper by Kay O'Neill

Cain's Jawbone by E Powys Mathers

Darth Bane : Path of Destruction (Darth Bane #1) by Drew Karpyshyn

Du thé pour les fantômes by Chris Vuklisevic

Labyrinthes (Caleb Tracksman #3) by Franck Thiliez

The Long Way to a Small Angry Planet (Wayfarers #1) by Becky Chambers

Le dernier des siens by Sibylle Grimbert

Five Little Pigs by Agatha Christie

Going Postal (Discworld #33) by Terry Pratchett

House of Hollow by Krystal Sutherland

Blanche-Neige et les lances-missiles (Du temps où les dieux buvaient #1) by Catherine Dufour

When He Was Wicked (Bridgerton #6) by Julia Quinn

The Lord of the Flies by William Golding

Celle qu'il attendait by Baptiste Beaulieu

Jusqu'à ce que mort s'ensuive by Olivier Rolin

American Gods by Neil Gaiman

The Song of Achilles by Madeline Miller

The Umbrella Academy Vol 1-3 by Gerard Way and Gabriel Bà

Il était deux fois (Caleb Tracksman #2) by Franck Thilliez

Camp Damascus by Chuck Tingle

To Sir Phillip With Love (Bridgerton #5) by Julia Quinn

Le papillon des étoiles by Bernard Werber

Beren and Luthien by J R R Tolkien

A Hat Full of Sky (Discworld #32) by Terry Pratchett

Le manuscrit inachevé (Caleb Tracksman #1) by Frnaxk Thiliez

The Murder of Roger Ackroyd by Agatha Christie

Akata Witch (Akata Witch #1) by Nnedi Okorafor

Romancing Mr Bridgerton (Bridgerton #4) by Julia Quinn

The Devil and the Dark Water by Stuart Turton

An Offer from a Gentleman (Bridgerton #3) by Julia Quinn

Delicious in Dungeon vol 1-14 by Ryoko Kui

Doctor Who : the Star Beast by Gary Russell

La promesse de l'aube by Romain Gary

The Jasmine Throne (The Burning Kingdoms #1) by Tasha Suri

The Hitchhiker's Guide to the Galaxy by Douglas Adam

The Illiad by Homer (trad Emily Wilson)

The Viscount Who Loved Me (Bridgerton #2) by Julia Quinn

The Me You Love in the Dark by Scotty Young and

The Duke and I (Bridgerton #1) by Julia Quinn

Murder at the Vicarage by Agatha Christie

Nona the Ninth (Locked Tomb #3) by Tamsyn Muir

The Catcher in the Rye by J D Salinger

House of Leaves by Mark Z Danielewski

The House in the Cerulean Sea by T J Klune

I, Robot (Robot #1) by Isaac Asimov

Monstrous Regiment (Discworld #31) by Terry Pratchett

The Faceless Old Woman Who Secretly Lives in your Home by Jeffrey Cranor and Joseph Fink

Fullmetal Alchemist Vol 1-27 by Hiromu Arakawa

The Remarkable Retirement of Edna Fischer by E M Anderson

All System Red (Murderbot Diaries #1) by Martha Wells

Veiller sur elle by Jean-Baptiste Andrea

Julius Caesar by William Shakespeare

Segurant le chevalier au dragon by Emanuele Arioli

Chanson Douce by Leila Sleimane

The Picture of Dorian Gray by Oscar Wilde

He Who Drowned The World (The Radiant Emperor #2) by Shelley Parker Chan

Et à la fin ils meurent by Lou Lubie

Flowers for Algernon by Daniel Keyes

Coraline by Neil Gaiman

The Wee Free Men (Discworld #30) by Terry Pratchett

Fourth Wing by Rebecca Yarros

Harrow the Ninth (Locked Tomb #2) by Tamsyn Muir

Histoire de coming out by Baptiste Beaulieu and Sophie Nanteuil

Heartstopper Vol 1-4 by Alice Oseman

The Old Guard by Greg Rucka

The Seven Deaths of Evelyn Hardcastle by Stuart Turton

Le Comte de Monte-Cristo by Alexandre Dumas

La Cicatrice by Bruce Lowrey

Farenheit 451 by Ray Bradbury

Us by Sara Soler

Gideon the Ninth (Locked Tomb #1) by Tamsyn Muir

[fluorescentpipedream]

Harry Potter characters

Abraham Wulfric Dumbledore (Y6/Hufflepuff)

Atreyu Mathers (Y6/Ravenclaw)

Barty Crouch Jr (Dark Lord)

Cedric Diggory (Y6/Hufflepuff)

Colin Wood (Trelawny’s son, Divinations professor)

David Black (Y6/Slytherin)

Dravic LeFay (Y5/Ravenclaw)

Elric Switch (Y6/Slytherin)

Eric Stryker (Y5/Gryffindor)

Izzy Zane (Y6/Slytherin)

Jack Benedict (Sara’s father, controls weather-creates storms, works at the ministry)

Jezebelle Wildwind (Y4/Gryffindor)

Kail Ramsey (Y1/Hufflepuff)

Khadgar (Y5/Ravenclaw)

Lazarus Viteri (immortal, Ancient Runes professor)

Lysander Quinn (Y6/Gryffindor)

Nik Ramsey (Y6/Ravenclaw)

Nysander Flagg (Dark wizard)

Orion Marcone (Y5/Hufflepuff)

Percival Graves (Auror/dueling professor)

Peter Jackson (Y5/Gryffindor)

Rian Bones (Y5/Gryffindor)

Ryki Paelyae (Y6/Ravenclaw)

Robert McGonagall (animagus professor/McGonagall’s eldest)

Ronan Black (David’s father)

Sarazia Lacross (Y5/Slytherin/metamorphmagus)

Severus Snape (Potions master)

Sirius Black

Trent White (Y5/Slytherin)

Wilde (vampire/Arithmacy professor)

[nofatclips]

Checkpoint Charlie by Ghost Against Ghost - Director: Craig Murray

[shadyteam]

The internet reacts to Eminem's BET Hip-Hop Awards Freestyle

[doubleattitude]

Radix Dance Convention Nationals, Las Vegas 2022: RESULTS

Protege:

Cash Prizes:

Winners: $1000

Runners-up: $500

Mini

Top 31:

Tayah Klimuck Peyton Nowacki Helena Olaerts Greta Wagner Alexis Kathol Addyson Paul Khloe Kwon Aria Du Sara Von Rotz Taehgan Vue Piper Perusse Natalie Gerami Josh Lundy Isabella Piedrahita Zoe Flores Chase Castle

Top 15:

Dylan Custodio Lucia Piedrahita Neo Del Corral Skyla Lucena Devyn Scherff Emily Polis Karyna Majeroni Isabella Kouznetsova Everleigh Soutas

Top 6:

Regan Gerena Diana Kouznetsova Roxie Onellion Camila Giraldo Ellary Day Szyndlar

Winner:

Skylar Wong (Woodbury Dance Center)

Junior

Top 31:

Brooklyn Ladia Hailey Panchame Madison Carmody Bella Ray D’Armas Ariela Ephraim Alexcia Roloff-Hafenbreadl Avery Maycunich Kylie Carter Elie Rabin Riley Zeitler Zachary Gibson Elizabeth Bilecki Claire Avonne Kingston Jackson Jue

Top 17:

Campbell Clark Victoria Martinez Anya Inger Georgia Beth Peters Sophia Schiano Failenn Daley Kya Massimino Leila Winker Paislyn Schroeder Santiago Sosa Esme Chou Angelina Elliott

Top 5:

Haiden Neuville Kylee Casares Alexis Mayer Kaili Kester

Winner:

Aaliyah Dixon (Summit Dance Shoppe)

Teen:

Top 31:

Giselle Gandarilla Emmy Claire Kaiden Ronnie Lewis Kenzie Jones Cooper Macalalad Natalia Wazio Keoni Guerrero Rachel Loiselle Ava Raucci Mia Ibach Kendyl Fay Nicholas Bustos Ayla Rodriguez Rylee Young

Top 17:

Brianna Hicks Addison Middleton Ian Stegeman Kaitlyn Tom Trent Grappe Kylee Ngo Sophie Garcia Carly Thinfen Izzy Howard Gracyn French Colin Bendziewicz

Top 6:

Luke Barrett Avery Cashen Keagan Capps Kira Chan Sabine Nehls

Winner:

Dyllan Blackburn (Project 21)

Senior

Top 33:

Mia Tassani Angelina Flores Kaitlyn Allen Tyra Polke Edon Hartzy Perris Amento Eliazar Jimenez Maddie Thanos Sophie Grabau Madison Burkhart Jessica Babich Minda Li Marissa Brunner Kaitlyn Babich Peyton Martineau Louise Hindsbo Nina Sawaya Kai Javier

Top 15:

Ava La France Cayla Bennish Devin Mar Bella Tagle Destanye Diaz Kayla Pereira Jordyn Green Anthony Ciaccio Forest Myers

Top 6:

Sarah Moore Jackson Roloff-Hafenbreadl Emma Mather Sam Fine Emily Madden

Winner:

Easton Magliarditi (The Rock Center for Dance)

Finals:

High Scores by Age:

Cash Prizes:

1st: $200

2nd: $100

3rd: $50

Rookie Solo

Top 7

4th: Preslie Ball- ‘Boots’

4th: Margaret Mason- ‘Over the Rainbow’

5th: Caydence Zuehlke- ‘Tea’

6th: Nola Molter- ‘Look At Me’

7th: Zoey Brooke- ‘End of Time’

7th: Emery Bourne- ‘Footwurkin’

7th: Colette Stutzman- ‘My Girl’

7th: Elory Otto- ‘Speaking French’

7th: Rue Willis- ‘Woman’

8th: Sienna Bastler- ‘Please Mr Postman’

9th: Shale Herrera- ‘La Vie En Rose’

10th: Giselle Pilorin- ‘My Boyfriend’s Back’

10th: Emma Acosta- ‘Sweet Dreams’

2nd runner-up ($250)

James Iwamoto- ‘Lost’ (Pave School of the Arts)

1st runner-up ($350)

Hadley Morse- ‘Into the Great’ (Summit Dance Shoppe)

Top Soloist ($500)

Cece Chung- ‘I’m Going Bananas’ (Project 21)

Mini Solo

Top 7

4th: Regan Gerena- ‘Cinema Italiano’

5th: Emily Polis- ‘House of Keta’

6th: Tova Thompson- ‘Pulse’

6th: Anita Rodriguez- ‘The Garden’

6th: Zoe Flores- ‘Transitions’

7th: Karyna Majeroni- ‘La Rouge’

8th: Alexis Kathol- ‘The Author’

9th: Dylan Custodio- ‘Derive’

9th: Ella Dobler- ‘Did I Stutter?’

9th: Neo Del Corral- ‘Hold Me’

9th: Delilah Hewitt- ‘Lament’

9th: Addison Price- ‘Sarajevo’

10th: Lucia Piedrahita- ‘Camera’s Rolling’

10th: Greta Wagner- ‘If You Were Here’

2nd runner-up ($250)

Diana Kouznetsova- ‘Rinse + Repeat’ (Project 21)

1st runner-up ($350)

Skylar Wong- ‘Best of My Love’ (Woodbury Dance Center)

Top Soloist ($500)

Isabella Kouznetsova- ‘Wake Up’ (Project 21)

Junior Solo

Top 7

4th: Zoe Zielinski- ‘Girl From Ipanema’

4th: Angelina Elliott- ‘Look What Your Love Has Done To Me’

5th: Emily Joy Core- ‘Alpha’

5th: Kya Massimino- ‘Arena’

5th: Avery Maycunich- ‘With You’

6th: Anya Inger- ‘Attitude’

6th: Victoria Johnson- ‘Insensible’

6th: Payton Gourely- ‘Mad World’

7th: Victoria Martinez- ‘Music Is the Answer’

7th: Claire Avonne Kingston- ‘State of Awareness’

8th: Tiara Sherman- ‘Belly of the Beast’

9th: Avery Lee- ‘Arches’

9th: Bella Rey D’Armas- ‘Dimensions’

9th: Sasha Milstein- ‘Nature Boy’

10th: Leighton Werner- ‘Can’t Help Falling In Love’

10th: Alexcia Roloff-Hafenbreadl- ‘Far From Home’

10th: Esme Chou- ‘Withheld’

3rd runner-up ($250)

Teagan Chavez- ‘That’s Life’ (AVANTI Dance Company)

2nd runner-up ($250)

Alexis Mayer- ‘Winter Morning II’ (The Rock Center for Dance)

1st runner-up ($350)

Kylee Casares- ‘Home With You’ (Stars Dance Studio)

Top Soloist ($500)

Aaliyah Dixon- ‘Silence’ (Summit Dance Shoppe)

Teen Solo

Top 7:

4th: Sophie Garcia- ‘Evermore’

5th: Giselle Gandarilla- ‘La Vie’

6th: Keoni Guerrero- ‘Blackjack’

6th: Colin Bendziewicz- ‘Don’t Worry’

7th: Sarah Laskowski- ‘Good Evening, Welcome’

7th: Kenzie Jones- ‘The Bottom Line’

8th: Addison Middleton- ‘Closing’

8th: Bella Saferstein- ‘Dangerous’

8th: Kennie Shen- ‘Man’s World’

8th: June Hurley- ‘Mr Sandman’

9th: Kylie Vandeest- ‘Awoo’

10th: Gracyn French- ‘I Did It All Over Again’

10th: Amelia Duncan- ‘My Way’

2nd runner-up ($250)

Ian Stegeman- ‘Aria’ (Woodbury Dance Center)

1st runner-up ($350)

Izzy Howard- ‘Adveniat’ (The Rock Center for Dance)

Top Soloist ($500)

Dyllan Blackburn- ‘A Pale’ (Project 21)

Senior Solo

Top 7

4th: Jackson Roloff-Hafenbreadl- ‘Moon’

5th: Sophie Grabau- ‘Women’

6th: Sophia Cobo- ‘Funny Girl’

7th: Emily Madden- ‘Concerto In F Minor’

8th: Forest Myers- ‘Parameters’

9th: Emma Mather- ‘Dancing’

9th: Rachel Leon- ‘Die For You’

9th: Levi Sherman- ‘I Know It’s Over’

10th: Edon Hartzy- ‘Solitude’

10th: Erica Vannucci- ‘Step Off the Train’

3rd runner-up ($250)

Easton Magliarditi- ‘Jealous’ (The Rock Center for Dance)

2nd runner-up ($250)

Sam Fine- ‘To Multiply’ (Stars Dance Studio)

1st runner-up ($350)

Destanye Diaz- ‘Unhurt’ (Stars Dance Studio)

Top Soloist ($500)

Selena Hamilton- ‘Supermodel’ (Project 21)

Rookie Duet/Trio

1st: The Movement Dance Academy- ‘One’

2nd: Studio X- ‘Turn to Stone’

3rd: Studio X- ‘Human’

4th: Summit Dance Shoppe- ‘Remember Me’ 

4th: Summit Dance Shoppe- ‘Mr Big Stuff’

5th: AVANTI Dance Company- ‘Dream’

Mini Duet/Trio

1st: Project 21- ‘The Blue or Red Pill’

2nd: New Level Dance Company- ‘Complex Notion’

3rd: Summit Dance Shoppe- ‘The Meadow’

3rd: Studio X- ‘Ready or Npt’

4th: Danceplex- ‘Evening Rise’

5th: Studio 19 Dance Complex- ‘Sophisticated’

Junior Duet/Trio

1st: Woodbury Dance Center- ‘Only the Bravest’

2nd: Mather Dance Company- ‘Memories’

3rd: The Difference Dance Company- ‘Together’

4th: The Difference Dance Company- ‘The Pure’

5th: Summit Dance Shoppe- ‘Dreamgirls’

Teen Duet/Trio

1st: Stars Dance Studio- ‘Mine’

2nd: The Rock Center for Dance- ‘Surrender’

3rd: The Difference Dance Company- ‘Still’

4th: AVANTI Dance Company- ‘Love Lockdown’

5th: Woodbury Dance Center- ‘You and I Both’

Senior Duet/Trio

1st: Project 21- ‘Shaping’

2nd: Stars Dance Studio- ‘Power vs Passion’

3rd: CanDance Studios- ‘Backseat’

4th: The Difference Dance Company- ‘Fire My Heart’

5th: The Difference Dance Company- ‘Voice Like’

Rookie Group

1st: Project 21- ‘It’s Raining Men’

2nd: Pave School of the Arts- ‘You Make Me Feel So Young’

3rd: The Movement Dance Academy- ‘What About Us’

4th: Impact Dance- ‘Like A Prayer’

5th: AVANTI Dance Company- ‘Boogie Shoes’

Mini Group

1st: Evoke Dance Movement- ‘Bangalore Whispers’

2nd: Project 21- ‘1+1=2′

3rd: Stars Dance Studio- ‘Colors’

4th: Mather Dance Company- ‘Click Clack’

5th: Project 21- ‘That’s Amore’

Junior Group

1st: Woodbury Dance Center- ‘Don’t Forget Me’

2nd: Project 21- ‘My Pumps’

2nd: Woodbury Dance Center- ‘Never Going Back Again’

3rd: Summit Dance Shoppe- ‘Vogue’

4th: Cypress Dance Project- ‘What Is Love?’

4th: Evoke Dance Movement- ‘Supermarket Woman’

4th: Project 21- ‘Something Bad Is About to Happen’

5th: Summit Dance Shoppe- ‘Up Against the Wind’

5th: The Difference Dance Company- ‘Dance Me’

Teen Group

1st: Impact Dance Studio- ‘Bang Bang’

2nd: Woodbury Dance Center- ‘Sound & Color’

3rd: Mather Dance Company- ‘Blower’s Daughter’

3rd: CanDance Studios- ‘Glitter’

4th: The Difference Dance Company- ‘Home’

4th: Stars Dance Studio- ‘The Letting Go’

5th: The Difference Dance Company- ‘So Broken’

5th: Evoke Dance Movement- ‘The Ride’

Senior Group

1st: Mather Dance Company- ‘Crime For Crime’

1st: Distinction Dance Company- ‘Do You’

2nd: AVANTI Dance Company- ‘These Days’

3rd: Project 21- ‘Destination’

4th: The Rock Center for Dance- ‘Bloodline’

4th: Mather Dance Company- ‘To Be Loved’

5th: The Difference Dance Company- ‘Night’

5th: Stars Dance Studio- ‘Ode to a Love Lost’

5th: Mather Dance Company- ‘Stayaway’

Rookie Line

1st: The Movement Dance Academy- ‘Last Dance’

2nd: Studio X- ‘Drumline’

3rd: Pave School of the Arts- ‘Looking Good and Feeling Gorgeous’

4th: AVANTI Dance Company- ‘Party People’

Mini Line

1st: Impact Dance Studio- ‘What About Us’

2nd: Impact Dance Studio- ‘Don’t Mean A Thing’

2nd: Mather Dance Company- ‘Tens’

3rd: Mather Dance Company- ‘Via Dolorosa’

4th: Project 21- ‘Fashionista’

4th: Impact Dance Studio- ‘River Deep’

5th: Project 21- ‘Dawn’

Junior Line

1st: Impact Dance Studio- ‘When Doves Cry’

2nd: Summit Dance Shoppe- ‘9 to 5′

3rd: The Rock Center for Dance- ‘Tribal Beauties’

4th: Stars Dance Studio- ‘Applause’

4th: Pave School of the Arts- ‘I Feel Pretty’

5th: Impact Dance Studio- ‘It’s All Coming Back’

Teen Line

1st: The Rock Center for Dance- ‘Welcome to the Internet’

2nd: The Rock Center for Dance- ‘Cinema (Act II)

3rd: Mather Dance Company- ‘Crazy Love’

4th: Stars Dance Studio- ‘Wasteland’

5th: Stars Dance Studio- ‘Against Me’

5th: Stars Dance Studio- ‘Call Waiting’

5th: Project 21- ‘Dangerous’

5th: Haja Dance Company- ‘Everything Must Change’

5th: Project 21- ‘Malevolence’

5th: Stars Dance Studio- ‘Traditions’

Senior Line

1st: Mather Dance Company- ‘Gravity’

2nd: The Difference Dance Company- ‘Ric Flair Drip’

3rd: Woodbury Dance Center- ‘Young & Free’

4th: Evoke Dance Movement- ‘Now Boarding’

5th: CanDance Studios- ‘M.I.R’

Rookie Extended Line

1st: Woodbury Dance Center- ‘Do Your Thing’

2nd: Woodbury Dance Center- ‘Rockin’ Robin’

3rd: Impact Dance- ‘When You Believe’

4th: Artistic Motion Dance- ‘Cool Rider’

4th: Woodbury Dance Center- ‘You Are Enough’

5th: Impact Dance- ‘Wash That Man’

Mini Extended Line

1st: The Rock Center for Dance- ‘Cinema (Act 1)’

2nd: Woodbury Dance Center- ‘Goodbye Yellow Brick Road’

3rd: Impact Dance- ‘Hernandos Hideaway’

3rd: CanDance Studios- ‘Lip Gloss’

4th: Woodbury Dance Center- ‘Shake My Hand’

5th: Woodbury Dance Center- ‘Pink Cadillac’

5th: Pave School of the Arts- ‘Shoeless Joe’

Junior Extended Line

1st: Woodbury Dance Center- ‘My Way’

2nd: Evoke Dance Movement- ‘Collateral Damage’

3rd: Evoke Dance Movement- ‘I Want You’

4th: Woodbury Dance Center- ‘You Make Me Feel’

5th: Project 21- ‘Hey, Hi, Hello’

Teen Extended Line

1st: Impact Dance Studio- ‘Sing’

2nd: Evoke Dance Movement- ‘No Time To Stand and Stare’

3rd: AVANTI Dance Company- ‘Slip n Slide(s)’

4th: Stars Dance Studio- ‘Runaway’

5th: CanDance Studios- ‘Sound of Awakening’

Senior Extended Line

1st: Stars Dance Studio- ‘Out For Blood’

2nd: Evoke Dance Movement- ‘All Dessen Mud’

2nd: AVANTI Dance Company- ‘Check It Out’

3rd: Project 21- ‘Cell Block Tango’

4th: Stars Dance Studio- ‘Love Game’

5th: Summit Dance Shoppe- ‘Fallout’

Mini Production

1st: Impact Dance Studio- ‘Pump It Up’

2nd: Impact Dance- ‘Low’

3rd: CanDance Studios- ‘National Pastime’

3rd: Impact Dance- ‘The One’

Junior Production

1st: Summit Dance Shoppe- ‘Back to the Swing’

1st: The Movement Dance Academy- ‘Love Shack’

2nd: CanDance Studios- ‘Unite’

3rd: Impact Dance- ‘Yala’

4th: Artistic Motion Dance- ‘Money’

Teen Production

1st: Stars Dance Studio- ‘Por Mi Alma’

2nd: Project 21- ‘Love Letter to Ari’

3rd: CanDance Studios- ‘Eat’

4th: Summit Dance Shoppe- ‘Funk & Soul’

5th: Summit Dance Shoppe- ‘Mr. Bojangles’

Senior Production

1st: Summit Dance Shoppe- ‘We Run This’

High Score by Performance Division:

Voucher Prizes:

1st: $200

2nd: $100

3rd: $50

Rookie Jazz

1st: Project 21- ‘It’s Raining Men’

2nd: The Movement Dance Academy- ‘Last Dance’

3rd: Summit Dance Shoppe- ‘Forever Your Girl’

4th: Mather Dance Company- ‘We Love Freddy’

4th: Woodbury Dance Center- ‘Rockin’ Robin’

5th: CanDance Studios- ‘Love Shack’

5th: Impact Dance- ‘Ladies Room’

Rookie Hip-Hop

1st: Artistic Motion Dance- ‘Lose Control’

2nd: Studio X- ‘Drumline’

3rd: Impact Dance- ‘Going Back to Cali’

4th: AVANTI Dance Company- ‘Nursery Rhymes’

5th: Woodbury Dance Center- ‘Beggin’

Rookie Tap

1st: AVANTI Dance Company- ‘Boogie Shoes’

2nd: Woodbury Dance Center- ‘Do Your Thing’

3rd: Artistic Motion Dance- ‘Build Me Up Buttercup’

4th: Mather Dance Company- ‘These Boots’

Rookie Lyrical

1st: The Movement Dance Academy- ‘What About Us’

2nd: Impact Dance- ‘Like A Prayer’

3rd: Impact Dance- ‘When You Believe’

4th: Artistic Motion Dance- ‘Keep You Safe’

5th: Woodbury Dance Center- ‘You Are Enough’

Rookie Musical Theatre

1st: Pave School of the Arts- ‘Hernando’s Hideaway’

2nd: Dance Studio C- ‘This Little Piggy’

Rookie Specialty

Pave School of the Arts- ‘You Make Me Feel So Young’

Mini Jazz

1st: Mather Dance Company- ‘Tens’

2nd: Project 21- ‘1+1=2′

3rd: Project 21- ‘Fashionista’

3rd: Impact Dance Studio- ‘River Deep’

4th: Mather Dance Company- ‘Click Clack’

5th: Mather Dance Company- ‘Hush Hush’

Mini Ballet

1st: Summit Dance Shoppe- ‘Swan Lake Waltz’

2nd: Woodbury Dance Center- ‘Saute Sonata’

3rd: Summit Dance Shoppe- ‘Simple Symphony’

3rd: Summit Dance Shoppe- ‘Spanish Dance’

4th: Summit Dance Shoppe- ‘Flute Concerto No 2′

Mini Hip-Hop

1st: Impact Dance Studio- ‘Pump It Up’

2nd: CanDance Studios- ‘Lip Gloss’

3rd: Impact Dance- ‘Low’

4th: AVANTI Dance Company- ‘Oh Okay’

5th: Heat Dance Studio- ‘Lil Funk’

Mini Tap

1st: Woodbury Dance Center- ‘Shake My Hand’

2nd: Studio 19 Dance Complex- ‘Dr Bones’

3rd: Summit Dance Shoppe- ‘For The Navy’

4th: Artistic Motion Dance- ‘PYT’

4th: Summit Dance Shoppe- ‘Dance With Me Tonight’

5th: Summit Dance Shoppe- ‘Think’

Mini Lyrical

1st: Impact Dance Studio- ‘What About Us’

2nd: Mather Dance Company- ‘Via Dolorosa’

3rd: Woodbury Dance Center- ‘Imagine’

4th: Woodbury Dance Center- ‘Goodbye Yellow Brick Road’

5th: Mather Dance Company- ‘Hold On To Me’

Mini Musical Theatre

1st: Impact Dance Studio- ‘Don’t Mean A Thing’

2nd: The Rock Center for Dance- ‘Cinema (Act 1)’

3rd: Stars Dance Studio- ‘Thankful’

4th: Impact Dance- ‘Hernandos Hideaway’

5th: Pave School of the Arts- ‘Shoeless Joe’

Mini Contemporary

1st: Stars Dance Studio- ‘Colors’

2nd: Project 21- ‘Dawn’

3rd: Project 21- ‘Big Spender’

4th: The Rock Center for Dance- ‘Escape Artist’

5th: Studio X- ‘Green Light’

Mini Specialty

1st: Evoke Dance Movement- ‘Bangalore Whispers’

2nd: Project 21- ‘That’s Amore’

3rd: Mather Dance Company- ‘Orange Colored Sky’

4th: Pave School of the Arts- ‘Higher’

5th: Pave School of the Arts- ‘Footloose’

Junior Jazz

1st: Impact Dance Studio- ‘When Doves Cry’

2nd: Pave School of the Arts- ‘I Feel Pretty’

2nd: Project 21- ‘My Pumps’

2nd: Stars Dance Studio- ‘Applause’

3rd: Evoke Dance Movement- ‘I Want You’

4th: Summit Dance Shoppe- ‘Vogue’

5th: Project 21- ‘Purse First’

Junior Ballet

1st: The Rock Center for Dance- ‘Tribal Beauties’

2nd: Woodbury Dance Center- ‘Ninety-Five Five’

3rd: Woodbury Dance Center- ‘Atlas’

4th: Summit Dance Shoppe- ‘After Bach’

5th: Summit Dance Shoppe- ‘Anitra’s Dance’

Junior Hip-Hop

1st: CanDance Studios- ‘Stacked’

2nd: Evoke Dance Movement- ‘Playground’

3rd: Artistic Motion Dance- ‘In Your Dreams’

4th: AVANTI Dance Company- ‘Love You Different’

5th: Summit Dance Shoppe- ‘We Will Rock You’

Junior Tap

1st: Woodbury Dance Center- ‘Never Going Back Again’

2nd: Woodbury Dance Center- ‘You Make Me Feel’

3rd: Summit Dance Shoppe- ‘Back to the Swing’

4th: Artistic Motion Dance- ‘All About That Bass’

5th: Summit Dance Shoppe- ‘Mayhem’

Junior Lyrical

1st: Impact Dance Studio-  ‘It’s All Coming Back’

2nd: Impact Dance Studio- ‘Read All About It’

3rd: Summit Dance Shoppe- ‘Up Against the Wind’

4th: Mather Dance Company- ‘Permanent’

5th: The Movement Dance Academy- ‘Out of Hiding’

5th: Woodbury Dance Center- ‘Me In 20 Years’

5th: Stars Dance Studio- ‘Color Me In’

Junior Musical Theatre

1st: Evoke Dance Movement- ‘Going Down’

2nd: Stars Dance Studio- ‘Neighbors’

3rd: AVANTI Dance Company- ‘Bend and Snap’

4th: Impact Dance- ‘Mein Herr’

5th: Artistic Motion Dance- ‘Money’

Junior Contemporary

1st: Woodbury Dance Center- ‘My Way’

2nd: Woodbury Dance Center- ‘Don’t Forget Me’

3rd: Evoke Dance Movement- ‘Collateral Damage’

4th: Summit Dance Shoppe- ‘9 to 5′

5th: Project 21- ‘Something Bad Is About To Happen’

5th: Stars Dance Studio- ‘The Dance’

Junior Ballroom

1st: Project 21- ‘Hey, Hi, Hello’

2nd: CanDance Studios- ‘Pusher Love’

Junior Specialty

1st: Evoke Dance Movement- ‘Supermarket Woman’

2nd: The Difference Dance Company- ‘Do You’

2nd: CanDance Studios- ‘Unite’

3rd: The Studio Project- ‘Visual Distortion’

4th: Dance Studio C- ‘Hey Mr DJ’

5th: AVANTI Dance Company- ‘The Birds’

Teen Group

Teen Jazz

1st: Distinction Dance Company- ‘Clap Clap’

2nd: Dance Studio C- ‘Last Night’

3rd: Orange County Performing Arts Academy- ‘London Bridge’

4th: Summit Dance Shoppe- ‘Maniac’

5th: Visionary Dancer- ‘La Vita Nuova’

Teen Hip-Hop

1st: Dancers’ Pointe- ‘Club 229′

Teen Tap

1st: Woodbury Dance Center- ‘Sound & Color’

2nd: Evoke Dance Movement- ‘Escape’

3rd: Summit Dance Shoppe- ‘Because the Night’

4th: Gotta Dance- ‘My Boo’

5th: Summit Dance Shoppe- ‘We Built This City’

Teen Lyrical

1st: Mather Dance Company- ‘Blower’s Daughter’

2nd: Haja Dance Company- ‘Lost’

3rd: Dance Studio C- ‘Slow It Down’

4th: Summit Dance Shoppe- ‘I Surrender’

5th: Heat Dance Studio- ‘Beautiful’

Teen Musical Theatre

1st: The Difference Dance Company- ‘Mein Herr’

2nd: Impact Dance- ‘Be Italian’

3rd: Summit Dance Shoppe- ‘Six’

Teen Contemporary

1st: CanDance Studios- ‘Glitter’

2nd: The Difference Dance Company- ‘Home’

2nd: Stars Dance Studio- ‘The Letting Go’

3rd: The Difference Dance Company- ‘So Broken’

3rd: Evoke Dance Movement- ‘The Ride’

4th: The Difference Dance Company- ‘Mary’

4th: The Difference Dance Company- ‘Daylight’

4th: CanDance Studios- ‘Not Your Honey’

4th: Artistic Motion Dance- ‘Dangerous’

5th: Dance Studio C- ‘Somebody Else’

Teen Ballroom

1st: The Colony- ‘Fade’

Teen Specialty

1st: Impact Dance Studio- ‘Bang Bang’

2nd: Impact Dance- ‘My Immortal

3rd: Dance Studio C- ‘Used To Know’

3rd: Dance Studio C- ‘Get Your Freak On’

4th: The Studio Project- ‘When Going Through It, Count To Four’

5th: Impact Dance- ‘Bohemian Rhapsody’

Teen Line, Extended Line, Production

Teen Jazz

1st: Project 21- ‘Love Letter to Ari’

2nd: Project 21- ‘Dangerous’

2nd: Summit Dance Shoppe- ‘Funk & Soul’

3rd: Haja Dance Company- ‘A Ni Ni’

3rd: Evoke Dance Movement- ‘Mr Roboto’

3rd: Woodbury Dance Center- ‘Future Nostalgia’

4th: Woodbury Dance Center- ‘Fly Away’

5th: Haja Dance Company- ‘Doves’

5th: Stars Dance Studio- ‘Eating The Runway’

Teen Hip-Hop

1st: CanDance Studios- ‘Hijacked’

2nd: AVANTI Dance Company- ‘Tokyo Drift’

3rd: Project 21- ‘Pop’

4th: Evoke Dance Movement- ‘Underground’

5th: Woodbury Dance Center- ‘Don’t Go Yet’

Teen Tap

1st: Woodbury Dance Center- ‘Scoop’

2nd: Artistic Motion Dance- ‘Baltimore’s Fireflies’

3rd: Summit Dance Shoppe- ‘No Matter Where You Are’

4th: Summit Dance Shoppe- ‘Take On Me’

Teen Lyrical

1st: Stars Dance Studio- ‘Here is to Life’

2nd: Haja Dance Company- ‘You’re Gonna Love Me’

3rd: Visionary Dancer- ‘Swim Good’

4th: Artistic Motion Dance- ‘2 Steps Away’

5th: Impact Dance- ‘Something Like This’

Teen Musical Theatre

1st: Impact Dance Studio- ‘Sing’

2nd: The Rock Center for Dance- ‘Welcome to the Internet’

3rd: Summit Dance Shoppe- ‘Mr. Bojangles’

4th: Stars Dance Studio- ‘Cupid’

5th: Artistic Motion Dance- ‘Whipped Into Shape’

Teen Contemporary

1st: Stars Dance Studio- ‘Por Mi Alma’

2nd: Evoke Dance Movement- ‘No Time To Stand and Stare’

3rd: The Rock Center for Dance- ‘Cinema (Act II)

4th: Stars Dance Studio- ‘Runaway’

5th: CanDance Studios- ‘Sound of Awakening’

5th: Stars Dance Studio- ‘Wasteland’

Teen Ballroom

1st: Stars Dance Studio- ‘Salome’

2nd: CanDance Studios- ‘Rooooooooosendo and His Ladies’

Teen Specialty

1st: AVANTI Dance Company- ‘Slip n Slide(s)’

1st: Mather Dance Company- ‘Crazy Love’

2nd: CanDance Studios- ‘Eat’

3rd: Stars Dance Studio- ‘Call Waiting’

4th: Distinction Dance Company- ‘Don’t Jealous Me’

5th: CanDance Studios- ‘Format It’

Senior Jazz

1st: AVANTI Dance Company- ‘Check It Out’

2nd: Stars Dance Studio- ‘Love Game’

3rd: Haja Dance Company- ‘Check It Out’

4th: AVANTI Dance Company- ‘The Chain’

5th: Summit Dance Shoppe- ‘Fallout’

Senior Ballet

1st: Woodbury Dance Center- ‘Circular Concerto’

Senior Hip-Hop

1st: CanDance Studios- ‘M.I.R’

2nd: Distinction Dance Company- ‘Icon’

3rd: Impact Dance- ‘Rake It Up’

4th: The Haus Dance Agency- ‘Role Modelz’

5th: Gotta Dance- ‘Do You?’

Senior Tap

1st: Woodbury Dance Center- ‘The Way’

2nd: Summit Dance Shoppe- ‘We Run This’

Senior Lyrical

1st: Mather Dance Company- ‘Gravity’

2nd: Mather Dance Company- ‘To Be Loved’

3rd: Stars Dance Studio- ‘Ode to a Love Lost’

4th: Impact Dance- ‘Come On Love’

5th: Impact Dance- ‘Used To Be Mine’

Senior Musical Theatre

1st: Evoke Dance Movement- ‘Now Boarding’

2nd: Project 21- ‘Cell Block Tango’

3rd: Gotta Dance- ‘She Works Hard For the Money’

Senior Contemporary

1st: Stars Dance Studio- ‘Out For Blood’

2nd: AVANTI Dance Company- ‘These Days’

3rd: Project 21- ‘Destination’

3rd: Woodbury Dance Center- ‘Young & Free’

4th: The Rock Center for Dance- ‘Bloodline’

5th: The Difference Dance Company- ‘Night’

5th: Mather Dance Company- ‘Stayaway’

Senior Specialty

1st: Distinction Dance Company- ‘Do You’

1st: The Difference Dance Company- ‘Ric Flair Drip’

1st: Mather Dance Company- ‘Crime For Crime’

2nd: Evoke Dance Movement- ‘All Dessen Mud’

3rd: Summit Dance Shoppe- ‘Forever’

4th: Impact Dance- ‘Power’

5th: Mather Dance Company- ‘Detonate’

Best of Radix:

Cash Prizes:

Winner: $1000

1st runner-up: $500

2nd runner-up: $250

Runners-up: $150

Rookie

Winner:

Project 21- ‘It’s Raining Men’

Mini

Winner: Mather Dance Company- ‘Tens’

1st runner-up: Evoke Dance Movement- ‘Bangalore Whispers’

2nd runner-up: Impact Dance Studio- ‘What About Us’

3rd runner-up: Stars Dance Studio- ‘Colors’

4th runner-up: Project 21- ‘1+1=2′

5th runner-up: The Rock Center for Dance- ‘Cinema (Act 1)’

Junior

Winner: Woodbury Dance Center- ‘My Way’

1st runner-up: The Rock Center for Dance- ‘Tribal Beauties’

2nd runner-up: Impact Dance Studio- ‘When Doves Cry’

3rd runner-up: Evoke Dance Movement- ‘Collateral Damage’

4th runner-up: Summit Dance Shoppe- ‘9 to 5′

5th runner-up: Pave School of the Arts- ‘I Feel Pretty’

6th runner-up: Stars Dance Studio- ‘Applause’

7th runner-up: Project 21- ‘My Pumps’

Teen Group

Winner: CanDance Studios- ‘Glitter’

1st runner-up: Impact Dance Studio- ‘Bang Bang’

2nd runner-up: Mather Dance Company- ‘Blower’s Daughter’

3rd runner-up: Stars Dance Studio- ‘The Letting Go’

4th runner-up: Woodbury Dance Center- ‘Sound & Color’

5th runner-up: The Difference Dance Company- ‘Home’

Teen Line, Extended Line, Production

Winner: Impact Dance Studio- ‘Sing’

1st runner-up: Evoke Dance Movement- ‘No Time To Stand and Stare’

2nd runner-up: The Rock Center for Dance- ‘Welcome to the Internet’

3rd runner-up: Stars Dance Studio- ‘Por Mi Alma’

4th runner-up: Project 21- ‘Love Letter to Ari’

Senior

Winner: Mather Dance Company- ‘Gravity’

1st runner-up: Stars Dance Studio- ‘Out For Blood’

2nd runner-up: Distinction Dance Company- ‘Do You’

3rd runner-up: AVANTI Dance Company- ‘These Days’

4th runner-up: The Difference Dance Company- ‘Ric Flair Drip’

Best in Show ($10,000)

Winner

Impact Dance Studio- ‘Sing’

[artisticlegshake]

RADIX NATIONALS RESULTS 2022 - PROTEGE TOP 15s

MINI PROTEGE TOP 15:

Diana Kouznetsova - P21

Skyla Lucena - STARS

Karyna Majeroni - THE ROCK

Neo Del Corral - STARS

Regan Gerena - P21

Lucia Piedrahita - DANCEPLEX

Camila Giraldo - STARS

Devyn Scherff - STUDIO 19

Ellary Day Szyndlar - CLUB

Skylar Wong - WOODBURY

Dylan Custodio - STARS

Everleigh Soutas - PAVE

Emily Polis - THE VISION

Isabella Kouznetsova - P21

Roxie Onellion - THE BASE

JUNIOR PROTEGE TOP 17:

Leila Winker - MDC NASHVILLE

Angelina Elliot - SUMMIT

Santiago Sosa - STARS

Sophia Schiano - AMD

Victoria Martinez - EVOKE

Anya Inger - P21

Failenn Daley - THE COLONY

Esme Chou - P21

Kya Massimino - STARS

Georgia Beth Peters - JBP

Paislyn Schroeder - CYPRESS

Alexis Mayer - THE ROCK

Aaliyah Dixon - SUMMIT

Campbell Clark - NEXT STEP

Haiden Neuville - DISTINCTION

Kylee Casares - STARS

Kaili Kester - AVANTI

TEEN PROTEGE TOP 17:

Carly Thinfen - NOR CAL

Sabine Nehls - THE ROCK

Keagan Capps - THE POINTE

Sophie Garcia - STARS

Addison Middleton - THE ROCK

Luke Barrett - DANCE ATTACK!

Gracyn French - P21

Izzy Howard - THE ROCK

Avery Cashen - DISTINCTION

Kylee Ngo - MELODIC REMEDY 

Kira Chan - ELEMENTS

Ian Stegeman - WOODBURY

Brianna Hicks - HAJA

Colin Bendziewicz - STARS

Trent Grappe - DANCEZONE

Dyllan Blackburn - P21

Kaitlyn Tom - NOR CAL

SENIOR PROTEGE TOP 15:

Emma Mather - MATHER

Jordan Green - HEAT

Destanye Diaz - STARS

Jackson Roloff-Hafenbreadl - STARS

Cayla Bennish - THE ROCK

Kayla Pereira - NJ DANCE FUSION

Anthony Ciaccio - THE BASEMENT

Forest Myers - VISIONARY

Easton Magliarditi - THE ROCK

Sam Fine - STARS

Ava La France - NOR CAL

Bella Tagle - STARS

Sarah Moore - THE DANCE CENTRE

Devin Mar - AMD

Emily Madden - MATHER

[dustedmagazine]

Dust Volume 10, Number 10

The Ex

October closes with a macabre flourish — blackened gardens, elaborate yard displays of skeletons, Halloween, the day of the dead, a terrifying American election.  We music lovers react in various ways, some turning to darker, more ominous musical textures, others seeking solace and distraction, still others ignoring the backdrop completely and listening to what they would listen to anyway.  And so, we gather another wide-ranging dust, spanning sounds inspired by a Bolivian earthquake, pogo-friendly snappy jangle, a crust supergroup, a celebration of the Ex’s 45 years in music, and much more.  This month’s contributors include Jennifer Kelly, Bryon Hayes, Bill Meyer, Jonathan Shaw, Christian Carey, Ray Garraty, Tim Clarke and Ian Mathers. 

Alma Laprida — Pitch Dark and Trembling (Outside Time)

Alma Laprida is an experimental artist and musician from Argentina, here playing a medieval stringed instrument—the tromba marina—through a 21st century array of effects pedals and an 18-inch subwoofer. The instrument, with its yards-long strings and vibrating bridge, is, by itself, capable of unusual sounds. Its natural timbre hovers between a cello and a trumpet. But fed through Laprida’s electronic rig, the sound turns harsh and ominous, blistering and dissolving into tones so low you feel rather than hear them. This album comes from a live performance at Bard College in 2023, taking as its subject Laprida’s experiences during an earthquake in Bolivia. In the long, “Trembling,” low, sustained vibrations make the air tremble, while trebly, metallic sounds skitter and rattle, like pots and pans clattering in the shock. A clock ticks in the foreground, steady on top of roiling, shifting undercurrents. “Vibra,” the other lengthy track, looses then subdues the tromba’s brassy sound, letting the echoes linger for long, not-quite-empty minutes. A corrosive blare interrupts, a foghorn in a world of mists and uncertainty, then clear string tones and its scratching echoes. Pitch Dark and Trembling distills an ambient unease into sound.

Jennifer Kelly

Artificial Go — Hopscotch Fever (Feel It / Future Shock)

This Cincinnati quartet produce a short, sharp brand of post-punk that induces spontaneous pogoing. Hopscotch Fever is Artificial Go’s debut, but it could easily be mistaken for an unearthed gem from late-1970s England with its snappy rhythms and chiming, angular guitars. Vocalist Angie Wilcutt (Corker) adopts an English accent as she sings charmingly, her lyrics unfolding in an energy-filled stream of consciousness that keeps pace with the bouncy backbeat of songs like “Payphone,” “Aphrodisiac,” and the band’s calling card “Artificial Go.” Cole Gilfilen (Corker, The Drin), Micah Wu, and Claudio Thornburgh round out the band’s lineup. Like a game of hopscotch, their churning jangle is a lot of fun but comes to a halt far too quickly. Hopscotch Fever is full of earworms. Its effervescent spirit lingers in our brains long after the music stops.  

Bryon Hayes

Black Toska—The Orphan (Self-Release)

The Madrileño goth punks in Black Toska return with six more haunted, synth-swathed, night visions, revisiting a sound Dusted described in early 2023 as “like John Spencer without all the arch theatricality or Rocket 808 in less of a growl and more of a croon.” If anything The Orphan is even more ominous than Dandelion was, with corrosive guitar sound tripping a hole in “Little Dead Bird” and a fever-dream unease percolating through “The Only Thing We Need.” The best cut is the title track, intimating baroque dangers its flowers-of-evil flare of wah wah and mannered vocal melody. “Who can steal a baby?” asks Victor Garcia, his elegant, jaded voice hemmed in by wild surges of electrified dissonance, as you’re left to consider that bad things—and compelling music—flourish in the shadows.

Jennifer Kelly

Paul Bryan — Western Electric (Paul Bryan Music)

The title might cue you to ponder your power situation, but the intent is more oblique. Bassist-programmer-producer Paul Bryan took Sonny Rollins’ Way Out West, an exercise in restriction that happened to open doors of conceptual opportunity for everyone who was feeling confined by the piano’s roll as the chord cop of bebop. But Bryan, whose cv. includes production and arrangement work with Jeff Parker, Josh Johnson, and Aimee Mann, is a plugged-in kind of guy, so his restriction involved writing the material on a little Yamaha keyboard and recording it with a trio comprising Jay Belleroe on drums and Josh Johnson on alto sax. Since you can’t completely separate a studio dude from his gear, there’s some processing and programmed drum, which results in the album having a soft jazz-funk feel that is uncluttered, but hardly minimal. Western Electric is the answer to a question that few might ask; what if you subtracted the guitar and the layered production from Jeff Parker’s New Breed?

Bill Meyer

CPC Gangbangs — Roadhouse (Slovenly)

CPC Gangbangs is back after a long hiatus and not a bit tamed. The Montreal garage punks with ties to Les Sexareenos and Spaceshit flared out in 2007 and reappeared (some of them) as Red Mass. But 17 years later and without explanation, they bash and slam and clatter again, serving up two covers and one original, all flayed and confrontational like it’s the rock-is-back aughts all over again. CPC Gangbangs jack up Louisiana swamp rock “Going Back to Philly” on agitated city-boy jitters. They blast through “Rock ‘n Roll Enemy #1” from the SF proto-punks Crime with furious intent. They haunt Bo Diddley’s grave site with a rackety beat in “Roadhouse.” It’s referential but never reverent, well-informed but never studious, good stuff.

Jennifer Kelly

Deadform — Entrenched in Hell (Tankcrimes)

Sort of stupid to reference the notion of “supergroup” in relation to a subgenre as witheringly anti-commercial as crust, but Deadform hits all the right notes, as it were: three dudes who have Oakland’s concrete ground into their bodies, and who have played crucial roles in bands as storied as Dystopia, Stormcrow and Laudanum. Dino Sommese (of Dystopia, and also Noothgrush and Ghoul) has the most recognizable name, for listeners beyond the Bay Area and outside of crust’s stinky, dirty milieu, and he pounds the skins and hollers with energy belying his 50-some-odd years. But all the players (including Brian Clouse and Judd Hawk) are all in. Entrenched in Hell doesn’t move beyond crust’s characteristic properties: lotsa nasty metal-tinged guitar parts, some sludgy yuck clotting up the bloodstream, the smell of filthy dreadlocks, and so on. It’s a heavy record, the second half of which hits especially hard. Check out “Peacekeeper” and especially “Fetid Breath.” Then pick yourself up off the dank floor of whatever squat you passed out in and play the tunes again.

Jonathan Shaw

Efterklang — Things We Have in Common (City Slang)

Danish post-rock band Efterklang has been releasing recordings for 20 years, as well as producing an opera in 2015 and making music through core members’ side projects. Things We Have in Common is the culmination of a trio of albums, beginning with Altid Sammen (2017) and continuing with Windflowers (2021). This time out, the group doesn’t eschew its characteristic experimentation, but several of the songs evince a gentle, art pop vibe, particularly “Plant” on which singer/cellist Mabe Fratti guests, “Getting Reminders,” with Beirut and “Animated Heart,” featuring the choir Sønderjysk Pigekor. Efterklang on its own is persuasive too. “Shelf Break” has an artful use of vocoder against oscillating synths and abundantly syncopated percussion. “Leave It All Behind” combines whispered vocals, keyboard arpeggiations, sustained sine tones and a drum thwack on alternating beats. Taken as part of the trio of recordings, Things We Have in Common is its hopeful conclusion.

Christian Carey

The Ex — Great! / The Evidence (Ex Records)

In 2024, the Ex are celebrating their 45th year by putting out their first new music in six years. It’s just two songs on a 45-rpm record (although they’re also throwing a celebratory shindig in Amsterdam and Mechelen late in November). Not many bands last 45 years, and of those that do, it’s pretty rare for them to put out work you’d want to hear as much as the songs that first drew you into their camp. The Ex are not a common band. The quartet of Terrie Hessels, Andy Moor, Arnold de Boer, and Katherina Bornefeld are still engaged with the moment; the words to these two song address current realities with a combination of elliptical expression and blunt veracity. They’re still engaged with each other, locking into these tough, intricate, but fat-free tunes with combustible chemistry intact. And they’re still tuned into the joy and outrage that’s infused their work across four and a half decades. That’s pretty rare.

Bill Meyer

Jill Fraser— Earthly Pleasures (Drag City)

Electronic composer Jill Fraser has been making music for commercials and films, as well as performing New Age pieces live, since the 1970s. Earthly Pleasures is her first album release in a while. It demonstrates her versatility with vintage gear such as the 1978 Serge Modular synth and newer resources such as Ableton Push 3. “When We Get to Heaven” is a ten-minute long track that uses these resources to make a diaphanously appealing arrangement. “Amen 1” and “Amen 2” are more aphoristic, the first with clouds of harmony and a sci-fi sounding ascent, the second with sparking bell timbres, oscillating percussion, sampled voices, and a fluid keyboard part. Earthly Pleasures closes with “I Stand Amazed,” with trebly, widely spaced synths. Fraser has suggested that the theme of this album is, “What happens to our music when we die?” History suggests that mileage varies, but while she is earthbound, one hopes Fraser has more recordings to share.

Christian Carey

Häxenzijrkell — Portal (Amor Fati)

German maestros of bummer black metal Häxenzijrkell are back with another slab of downtempo musical maelstroms, engineered to drag you into a terrible, soul crushing void. That description and the band’s sonic profile sound a lot like blackened doom, but somehow the music on Portal scans as straight-up black metal — at least to this reviewer’s ears. The best tracks are at the end of the record: “Assiah” and “Aeon” drone, churn and distend like the effects of some of that legendary brown acid, which we aren’t supposed to eat. There’s nothing especially lysergic (to invoke that too-trivially used term) about the textures or production of Portal. It’s more the nightmarishness of the tunes, the mechanical edges on the band’s sound, the taste of something metallic at the back of the tongue — all that stuff accumulates, alongside the deliberate, glacial progress of the songs. Soon that glistening, awful wall of ice looms over you. You can see your face on its glassy surface. You know it’s a bad idea to stare, but you can’t help yourself. It’s excruciating. It’s entrancing. You are through the Portal.

Jonathan Shaw

Boldy James & Harry Fraud — The Bricktionary (Boldy James / SRFSCHL)

The Bricktionary is the fourth Boldy James’ tape this year and apparently not the final one. The producer Harry Fraud has also been too busy lately, spreading himself too thin. The good news is that Boldy is good even on generic beats (probably half of his output has been on some unknown guys’ production). It’s the kind of street music which never forgets that it’s an art and not a report card. The best track here is “Shadowboxing.”

Ray Garraty

Danny Kamins — Retainer (Sound Holes)

“Solo Horn,” declares the J-card art, and it does not lie. This tape presents Texan Danny Kamins playing sopranino and baritone saxophones at home, alone. It would appear that he spent his lockdown time developing his circular breathing. On the small horn, his examinations of patterns that subtly vary and throw off flurries of orbiting overtones feels like an homage to Evan Parker’ solo soprano work. Parker got there first with such authority that he has made it hard for other people to do it and not simply sound like him. Kamins sounds great but doesn’t quite overcome the challenge of differentiation. The baritone is another matter. Kamins sculpts massive ribbons of tunneling, rippling sound to consistently compelling effect.

Bill Meyer

Seiji Murayama / Jean-Luc Guionnet — Balcony Inside (Ftarri)

Multi-instrumentalist, graphic artist, composer, improviser, film-maker, etc.; Jean-Luc Guionnet is a confirmed polymath. On Balcony Inside he and frequent collaborator Suijiro Murayama perform a duet for church organ (Guionnet) and snare drum, cymbal and voice (Muriyama). But it might be more accurate to say that they play with space. There’s the apparently capacious interior of the Taborkirche, which Guionnet represents with massive chords that beat against the walls. And there’s the space inside your head, which is likely to be rearranged by Muriyama’s horror-movie-victim cries and emphatic, elastically rhythmic beats. A seasonal suggestion: pipe this music loudly out of your house on Halloween, and keep a tally of how many are drawn by these massive sounds and how many avoid your house.

Bill Meyer

The Necks — Bleed (Northern Spy)

It’s impossible to guess where The Necks might head next, whether live or on record. Their new album, Bleed,is a single 42-minute track that unfolds patiently in an episodic fashion. There are no conventional rhythms from Tony Buck; instead, he punctuates the space with chimes, bowed cymbals and snare and tom rolls that suggest something ominous is about to happen. Sparse, sustained piano notes from Chris Abrahams are left to hang in the air — listen carefully and you can hear breathing in the room — or Abrahams switches to organ and projects pulsing clusters of notes into stereo space. In an unexpected turn, an electric guitar appears, with accompanying tube amp hum. Lloyd Swanton’s bass is largely absent, save for occasional isolated octave plucks, or some ominous bowing. When the piece coalesces in its final stretch with two piano chords, bass and guitar, the music is begging to continue in this vein for at least twice as long as it does but is cruelly cut short. That’s The Necks for you: always expansive, always surprising, always tapping into music’s eternal potential.

Tim Clarke

Rich the Factor — The North Face Whale, Vol. 3 (WE MFR)

We mostly listen to Rich the Facc’s music because of his gruff voice. The North Face Whale, Vol. 3 is another sample of his voice. The big mistake would be to try to pay attention to what he’s saying on these songs. It is some usual nonsense about how he’s “on money mission, not on dummy mission.” Even after dozens of replays no song off this tape stays in memory. But it’s fine. You have only one question: how is The North Face Whale, Vol. 3 any different from Vol. 1 and Vol. 2?

Ray Garraty

Colin Andrew Sheffield — Moments Lost (Sublime Retreat)

Sound source resonates with subject on this brief minimax (a 3” CD embedded in a 5” plastic disc) CD made by Colin Andrew Sheffield, an electronic musician who resides in Austin TX. Sheffield’s preferred method is plunderphonics; he mines his own media collection for sounds to be procured and (most of the time) processed into music of his own. Moments Lost is a soundtrack made from soundtracks. Sheffield has marshalled a mass of samples from movies, mostly string passages that imply moments of pause, reflection, transition and loss, and layered and sequenced them into a 20.33” sequence of sounds daub association and reverie like a painter might daub paint. Played at low volume, it could be your next go-to ambient recording. But if you spend time listening closely, perhaps while peering at the sleeve’s stills from a film that Sheffield played along with the music when he first presented it at the Molten Plains Festival in Denton in 2023, you might find your physique and consciousness sinking deep while you hit the play button over and over.

Bill Meyer

Chelsea Wolfe — She Reaches Out to She Reaches Out to She (Loma Vista)

Considering Chelsea Wolfe hasn’t put out a solo LP since 2019’s Birth of Violence, and that was basically a folk record, casual fans may well wonder what kind of upheavals led to this very different seventh album. On a personal level there have been plenty (sobriety, relationships changing, learning to live alone, etc) and that combined with additional pandemic time spent working on the demos led to Wolfe going in a more electronic direction and deliberately seeking an outside producer (Dave Sitek of TV on the Radio, many others) to transform the songs. The result is further in a darkwave/trip-hop direction than the already protean Wolfe has previously gone, and also one of her most consistently engaging records. Whether on the noisier, spikier bursts of “Whispers in the Echochamber” and “Eyes Light Nightshade” or the more delicate likes of “The Liminal” and “Place in the Sun,” there’s a beautifully sung and relentless Gothic vibe to the whole thing that’s extremely satisfying. Wolfe may well choose to move on again after this, but it’ll be a bit of a shame if she does.

Ian Mathers

[markparham]

Reblog If You Listen To Eminem

[kondensaduhhh]

but imagine, maybe if kells were to be more fearless, more fearless but stupider and more delusional, what if kells just acts like em was more than his fuck buddy, em is cold but he lets it happen, so kells continues to act as such, just happy that em is allowing his affection. eventually though, because of course it will happen unavoidably, after some few weeks, em has had enough of kells’ gay shit, that theyre nothing, that they were supposed to just be relieving some tension in their lives through each other, and to stop acting like he, a straight man, could be in love with someone like him. kells tears only escapes his eyes once em was gone, he sobs on his bed, screams into the bedsheets, willing himself to stay mad, but his will wasn’t strong enough, so he ends up just crying himself to sleep.

but kells does stop though, the next time em comes into their room (they might as well call it their own with how long their arrangement has spread out), kells wipes himself, and himself only, instinctively tucking too short strands of hair behind his ears, his own body forgetting he had already cut it, and he leaves with a half hearted look over his shoulder to bid “bye, mathers.”

and em? oh marshall hated how his lips twitch into a swiftly aborted smile at seeing colson forget the length of his own hair, hated how he felt the blood drain from his body with the boredom with how colson said his farewell, was he getting bored with him? but before he could ask what was the matter, the blond has already left the room, not even in a hurried way, it felt more like a child exiting the dining room to retreat back into the comfort of their room. he hated it, colson usually was the one left in the room alone, his six-foot-four ass pouting, silently coaxing him to stay by gently scratching his scalp. and when he remembered what he had said. he hated that he hated it because it was within his control, because fucking up was within his conscious, sober control.

marshall missed how affectionate colson was, of course he does, it was one of the best things to happen to him, he was one of the best things to happen to him. he doesnt know whether colson is getting colder with him or he’s just experiencing withdrawal of his warmth. he cant reach out and tell him he’s sorry, or tell him he was wrong and that he can love him freely again and to never stop loving him, because god forbid Eminem admit he miscalculated. colson was a sad and cold for, at most, a week and a half, then something changed, he was still unaffectionate towards the older man but he was happy. he didn’t dare pry because what the fuck does he care about the kids life?

he got his answer when colson didn’t show up to their usual meet up, and ignoring all his phone calls and texts, his phone blew up about an SNL member apparently has come out of the closet as bisexual and has already found himself a boyfriend. it was pete. he was quite fond of him, he made him laugh easily enough, funny kid. he read the first paragraphs of the article before he was introduced to a video titled “Pete Davidson Comes Out, Bestfriend Turned…”, the title was cut off, and he didn’t even think about it, and click the video.

it was pete’s normal place next to colin jost for weekend update, “so i would just really like to let you guys know that i am bisexual, which means i like dudes and chicks, and apparently im fitting right in by being a stereotype among the community to fall for your straight bestfriend.” pete explained himself,

colin faces pete, looking apologetic, “aw im so sorry to hear that man, that must be so difficult for you,”

“huh? oh nah, i just thought he was straight, y’know? i mean i never asked, but y’know, he’s my bro, my best friend, of course im gonna tell him, i don’t wanna seem like a pervert, i already look like one” the audience laughs, pete gently laughs along with them, and colin just smiles his perfect teeth.

“but yeah, i told him, i liked him, and he said he liked me too, so of course i was like ‘no nonono like as a… homosexual, dude’ and he said ‘yeah man i know what you meant’ and here we are” pete lowers his voice then he smiles closed but genuine.

colin looks into the cameral for a split second then look to pete, “well, uh… are we going to meet who you gracefully confessed to?” pete lets out a small laugh and says, “ uh yeah, if it wasn’t obvious enough, machine gun kelly is my boyfriend,” pete puts his hands on his hips and strikes a pose, possibly to make the situation feel less intimidating.

marshall almost doesn’t believe it, almost convinces himself that that was just a skit, until low and behold, machine gun kelly walk into frame, shaking che’s and colin’s hand, their lips are moving but marshall didn’t understand what was being said, its almost like he isnt within his own reality, then colson goes over to pete, he hugs him, then pete stands up and they both lean in to kiss, pete’s arms around colson’s slim waist, colson’s hand cup petes cheeks, the other on his jaw. they smile, fuck, if that smile didn’t just felt like it was ripping his sternum in half, he wouldve thought was cute.

he’s finger instinctually turns off his phone, he stares at a wall, next thing he knows, he’s angrily crying, harshly wiping the wetness on his face.

[ljones41]

Favorite Television Series

Below is a list of my favorite television series (in chronological order).  I only listed my favorite shows . . . no television movies, miniseries or specials:

FAVORITE TELEVISION SERIES

“Leave It to Beaver” (1957-1963) - This surprisingly witty comedy sitcom was about the adventures of an inquisitive and often naïve boy and his adventures at home, school, and around his suburban neighborhood.  Jerry Mathers, Tony Dow, Hugh Beaumont and Barbara Billingsley starred. 

“The Dick Van Dyke Show” (1961-1966) - Another witty sitcom that centered on the work and home life of a television comedy writer named Rob Petrie.  Dick Van Dyke and Mary Tyler Moore starred.

“Hawaii Five-O” (1968-1980) - Jack Lord starred in this first-rate crime drama about a special police task force for the Hawaii State Police.

“The Mod Squad” (1968-1973) - This crime drama was about three young undercome police detectives for the Los Angeles Police Department.  Michael Cole, Clarence Williams III, Peggy Lipton and Tige Andrews starred.

   “Remington Steele” (1982-1987) - Stephanie Zimbalist and Pierce Brosnan starrred in this elegant mystery drama about a female private detective partnered with a former thief who assumes the role of a fictitious detective in her business.

“Agatha Christie’s Poirot” (1989-2013) - David Suchet had starred in this long running series that featured episodes and television movies based on the novels and short stories of mystery writer, Agatha Christie.  Suchet portrayed Belgian detective Hercule Poirot.

“Homefront” (1991-1993) - Kyle Chandler and Tammy Lauren starred in this superb period drama about a small Ohio town in the years following the end of World War II.

“Babylon 5″ (1993-1998) - J. Michael Straczynski created this award-winning space opera about the human military staff and alien diplomats stationed on a space station in the 23rd century.  Bruce Boxleitner, Mira Furlan and Michael O’Hare starred.

“Friends” (1994-2004) - This award-winning sitcom centered around six friends in their 20s and 30s who live in Manhattan.  Jennifer Anniston, Courtney Cox, Lisa Kudrow, Matt LeBlanc, Matthew Perry and David Schwimmer starred.

“Star Trek Voyager” (1995-2001) - Kate Mulgrew starred as Star Trek series about the adventures of the Starfleet vessel U.S.S. Voyager and its crew’s attempts to return home to the Alpha Quadrant after being stranded in the Delta Quadrant.

“Lost” (2004-2010) - Damon Lindelof, J.J. Abrams and Jeffrey Lieber created this superb and original science-fiction/fantasy drama about the survivors of a commercial jet airliner that crashed on a mysterious island somewhere in the South Pacific Ocean.

“How I Met Your Mother” (2005-2014) - This award-winning sitcom featured a father’s recount to his children of the journey he and his four best friends had taken, leading up to him meeting their mother.  Josh Radnor, Alyson Hannigan, Jason Segel, Cobie Smulders and Neil Patrick Harris starred.

“Eureka” (2006-2012) - This entertaining science-fiction series told the story of a U.S. Marshal, who becomes the sheriff of a small town in Oregon that serves as the home of scientific geniuses, who work for an advanced research facility called Global Dynamics.  Colin Ferguson, Salli Richardson-Whitfield and Joe Morton starred.

  “Jericho” (2006-2008) - Skeet Ulrich and Lennie James starred in this excellent post-apocalyptic action drama about the residents of a fictional Kansas town in the aftermath of a nuclear attack on 23 major cities in the United States.

“Modern Family” (2009-2020) - Steven Levitan and Christopher Lloyd created this funny and award-winning family sitcom about the lives of three diverse family set-ups in suburban Los Angeles, linked by patriarch Jay Pritchett.

“Game of Thrones” (2011-2019) - David Benioff and D. B. Weiss created this adaptation of George R.R. Martin’s fantasy saga, “A Song of Ice and Fire”, a series of novels set in the fictional lands of Westeros and Essos.  Peter Dinklage, Emilia Clarke and Kit Harrington starred.

“New Girl” (2011-2018) - This excellent sitcom centered around an offbeat young woman who moves into a Los Angeles apartment loft with three single men.  Zooey Deschanel, Jake Johnson, Max Greenfield, Lamone Morris, Hannah Simone and Damon Wayans, Jr. starred. 

“Agents of S.H.I.E.L.D.” (2013-2020) - Clark Gregg starred in this sci-fi action series about a team of operatives for S.H.I.E.L.D. (Strategic Homeland Intervention, Enforcement, and Logistics Division), a peacekeeping and spy agency in a world of superheroes in the Marvel Cinematic Universe (MCU).

“Black Sails” (2014-2017) - Jonathan E. Steinberg and Robert Levine created this superb adventure-historical series that served as a prequel to Robert Louis Stevenson's 1883 novel “Treasure Island”.  Toby Stephens, Hannah New and Luke Arnold starred.

“The Flash” (2014-present) - Grant Gustin starred as D.C. Comics superhero the Flash aka Barry Allen in this comic-book hero action drama.

“Mercy Street” (2016-2017) - Lisa Q. Wolfinger created this excellent period medical drama about the Union hospital, Mansion House Hospital, in 1862 Alexandria, Virginia.  Mary Elizabeth Winstead, Josh Radnor and Hannah Green starred.

[calciopics]

The Hillsborough 97

Ninety-six men, women and children lose their lives with hundreds more injured. The oldest victim was 67, the youngest, Jon-Paul Gilhooley, aged just 10, was the cousin of Liverpool captain Steven Gerrard. 

The name of the 97th Hillsborough disaster victim, who died last year, has been added to Anfield's memorial. Andrew Devine suffered life-changing injuries in the crush at the 1989 FA Cup semi-final in Sheffield, but survived until his death in July 2021.

Jon-Paul Gilhooley - 10 yo Philip Hammond - 14 yo Thomas Anthony Howard - 14 yo Paul Brian Murray - 14 yo Lee Nicol - 14 yo Adam Edward Spearritt - 14 yo Peter Andrew Harrison - 15 yo Victoria Jane Hicks - 15 yo Philip John Steele - 15 yo Kevin Tyrrell - 15 yo Kevin Daniel Williams - 15 yo Kester Roger Marcus Ball - 16 yo Nicholas Michael Hewitt - 16 yo Martin Kevin Traynor - 16 yo Simon Bell - 17 yo Carl Darren Hewitt - 17 yo Keith McGrath - 17 yo Stephen Francis O'Neill - 17 yo Steven Joseph Robinson - 17 yo Henry Charles Rogers - 17 yo Stuart Paul William Thompson - 17 yo Graham John Wright - 17 yo James Gary Aspinall - 18 yo Carl Brown - 18 yo Paul Clark - 18 yo Christopher Barry Devonside - 18 yo Gary Philip Jones - 18 yo Carl David Lewis - 18 yo John McBrien - 18 yo Jonathon Owens - 18 yo Colin Mark Ashcroft - 19 yo Paul William Carlile - 19 yo Gary Christopher Church - 19 yo James Philip Delaney - 19 yo Sarah Louise Hicks - 19 yo David William Mather - 19 yo Colin Wafer - 19 yo Ian David Whelan - 19 yo Stephen Paul Copoc - 20 yo Ian Thomas Glover - 20 yo Gordon Rodney Horn - 20 yo Paul David Brady - 21 yo Thomas Steven Fox - 21 yo Marian Hazel McCabe - 21 yo Joseph Daniel McCarthy - 21 yo Peter McDonnell - 21 yo Carl William Rimmer - 21 yo  Peter Francis Tootle - 21 yo David John Benson - 22 yo David William Birtle - 22 yo Tony Bland - 22 yo Gary Collins - 22 yo Tracey Elizabeth Cox - 23 yo William Roy Pemberton - 23 yo Colin Andrew Hugh William Sefton - 23 yo David Leonard Thomas - 23 yo Peter Andrew Burkett - 24 yo Derrick George Godwin - 24 yo Graham John Roberts - 24 yo David Steven Brown - 25 yo Richard Jones - 25 yo Barry Sidney Bennett - 26 yo Andrew Mark Brookes - 26 yo Paul Anthony Hewitson - 26 yo Paula Ann Smith - 26 yo Christopher James Traynor - 26 yo Barry Glover - 27 yo Gary Harrison - 27 yo Christine Anne Jones - 27 yo Nicholas Peter Joynes - 27 yo Francis Joseph McAllister - 27 yo Alan McGlone - 28 yo Joseph Clark - 29 yo Christopher Edwards - 29 yo James Robert Hennessy - 29 yo Alan Johnston - 29 yo Anthony Peter Kelly - 29 yo Martin Kenneth Wild - 29 yo Peter Reuben Thompson - 30 yo Stephen Francis Harrison - 31 yo Eric Hankin - 33 yo Vincent Michael Fitzsimmons - 34 yo Roy Harry Hamilton - 34 yo Patrick John Thompson - 35 yo Michael David Kelly - 38 yo Brian Christopher Mathews - 38 yo David George Rimmer - 38 yo Inger Shah - 38 yo David Hawley - 39 yo Thomas Howard - 39 yo Arthur Horrocks - 41 yo Eric George Hughes - 42 yo Henry Thomas Burke - 47 yo Raymond Thomas Chapman - 50 yo Andrew Stanley Devine -55 yo John Alfred Anderson - 62 yo Gerard Bernard Patrick Baron - 67 yo

[thedanceobsession]

reblog this with your fav dancer(s) from each category im interested (ages as of this past season)

ill start

mini male: michael cash savio

mini female: ellary day, kya, rey rey, sav m, lucia p

junior male: ian stegeman, campbell bas

junior female: crystal, gracyn, laci, kendyl, cami, kamri

teen male: xander, brady, colin, sam fine

teen female: ki, hailey bills, dyllan, cydney, summer, sav k, sabine, izzy

senior male: easton, holden, jaxon, sam mcwilliams, alex shulman, thiago, jackson, diego

senior female: ell, selena, avery, bella, onye, emma mather