Jason (from the Greek Iásōn, “healer”) Peter Todd (from the German Tod, “death”) - I hope you find your way out of that grave.
dc comics + The Oresteia, Aeschylus / Lady Windermere’s Fan, Oscar Wilde / Grief Lessons: Four Plays [tr. Anne Carson], Euripides + Batman v1 #385 / Batman: The Cult #3 / For Example, Mary Oliver / Batman: Legends of The Dark Knight #100 / Batman: Under the Red Hood / Eight, Sleeping at Last / Red Hood and the Outlaws: Rebirth / Batman: Urban Legends #10 + ? / On Earth We’re Briefly Gorgeous, Ocean Vuong / Red Hood and The Outlaws #25 / Slay the Princess / pinterest + Batman #422 / Batman #424 + Rilke's Book of Hours: Love Poems to God, Rainer Maria Rilke + Batman #428 | A Death in the Family / @/metamorphesque, tumblr / American Teenager, Ethel Cain / Anecdote of the Pig, Tory Adkisson / interpretations of A Death in the Family + The Oresteia, Aeschylus / Nightwing: Secret Files and Origins #1 + the Haunting of Bly Manor + Red Hood and the Outlaws #23 / @/petrichara, tumblr / I Didn't Apologize to the Well, Mahmoud Darwish / Infinite Crisis: Secret Files + pinterest / Ruin and Rising, Leigh Bardugo / Red Hood and the Outlaws #26 / The Cruel Prince, Holly Black / pinterest / Red Hood: The Lost Days / Sue Zhao / Red Hood: The Lost Days part II + Red Hood: The Lost Days #4 / I See Boats Moving, Fernando Pessoa / Oedipus the King, TV Tropes / @/devilsmoon, tumblr / Red Hood: The Lost Days + Speeches for Dr Frankenstein, Margaret Atwood / Saving June, Hannah Arrington + embroidered patch / Slay the Princess / unaligned, @/hamletmaschine + Batman: Under the Red Hood / Batman: Under the Red Hood + Batman and Robin #11 + South and West: From a Notebook, Joan Didion / The Good Fight, Ada Limón / Batman: Under the Red Hood / Grief Lessons: Four Plays, Euripides [tr. Anne Carson] / Batman: Under the Red Hood / Slay the Princess / Under the Red Hood / Slay the Princess / @/sainticide, twitter / The Truth About Grief, Fortesa Latifi + Batman: Under the Red Hood / Batman: Under the Red Hood / Ten Legs, Eight Broken, mandana on tiktok / War of the Foxes, Richard Siken + Under the Red Hood + Batman #428 | A Death in the Family / The Unabridged Journals Of Sylvia Plath, Sylvia Plath / Under the Red Hood + Batman #428 | A Death in the Family / @baitmeat, tumblr + Batman: Under the Red Hood (Deluxe Edition) / Origin Story, Desireé Dallagiacomo / Vive, Vive, Traci Brimhall / The Dogs I Have Kissed, Trista Mateer + Batman: Under the Red Hood + Three Jokers / Red Hood and the Outlaws Rebirth #9 / @/sainticide, twitter + Red Hood and the Outlaws #10 / Would’ve, Could’ve, Should’ve, Taylor Swift / ? + Robin 80th Anniversary 100 Page Super Spectacular / Ep. 4: Joseph Campbell and the Power of Myth -- 'Sacrifice and Bliss', Joseph Campbell / White Knight #7 + Heaven, Mieko Kawakami / Forest Fire, Mitski / Red Hood and the Outlaws Vol. 2 #9 + Batman Annual #25 + Free Will Astrology, Rob Brezsny / Letter XV, @/lucidloving / Red Hood and the Outlaws Vol 1: REDemption / briscoepark + The Civil War, Anne Sexton [compiled by @/lovejoyparadox here] / @/soapstore, tumblr + I Await the Devil’s Coming, Mary MacLane + Claire C. Holland / @/havingrevelations, tumblr / Meditations in an Emergency, Cameron Awkward-Rich + Deathstroke #34 / Grief Lessons: Four Plays by Euripides [tr. Anne Carson] + Red Hood and the Outlaws
on the biting and feeding and wanting and hunger of dogs. 不動睡蓮
hansel and gretel, anne sexton // the hand that feeds, nine inch nails // ossuaries, dionne brand // poem for a birthday: who, sylvia plath // war of the foxes, richard siken // sugarblood, liz bowen // climbing, lucille clifton // love is a dog from hell, charles bukowski // the third hour of the night, frank bidart // places i've taken my body: essays, molly mccully brown // civil service, claire schwartz // traveling, taneum bambrick // have you been long enough at table, leslie sainz // giovanni's room, james baldwin // aiskhylos, agamemnon, trs. anne carson // dear birmingham, gabrielle bates // date night, saeed jones // the lonely city, olivia laing // speeches for dr frankenstein, margaret atwood // spinoza says, sandra lim
Clive Owen in Children of Men (Alfonso Cuarón, 2006)
Cast: Clive Owen, Julianne Moore, Michael Caine, Claire-Hope Ashitey, Chiwetel Ejiofor, Charlie Hunnam, Pam Ferris, Peter Mullan, Danny Huston, Oana Pellea, Phaldut Sharma, Jacek Koman. Screenplay: Alfonso Cuarón, Timothy J. Sexton, David Arata, Mark Fergus, Hawk Ostby, based on a novel by P.D. James. Cinematography: Emmanuel Lubezki. Production design: Jim Clay, Geoffrey Kirkland. Film editing: Alfonso Cuarón, Alex Rodríguez. Music: John Taverner.
Since Malthus, overpopulation has always been one of the roads to dystopia, the breakdown of society and the imposition of authoritarian government. But lately, speculative fiction has focused on the opposite: infertility. It gives rise to the theocracy of Gideon in Margaret Atwood's The Handmaid's Tale. And it results in a police state in Alfonso Cuarón's remarkable film Children of Men, set in a dank dystopian London in the year 2027, a world in which human beings stopped bearing children 18 years earlier: i.e., in the year 2009 -- only three years after the film was made. The specificity of the date is reminiscent of the way George Orwell's 1984 serves as a commentary on the year in which it was published, 1948. In its treatment of the plight of immigrants and the racism that underlies it Children of Men has something like the prophetic core of the books by Orwell and Atwood, but it sidesteps a central question: How does the failure of humankind to reproduce precipitate the worldwide cataclysm that the movie presents us? Why are immigrants, in a world with a declining population and therefore less pressure on natural resources, a problem? Cuarón is indifferent to such questions, but he runs the risk of suggesting that the film promotes the extreme "pro-life" view, not only anti-abortion but also anti-contraception. Or is it simply that, as one character puts it, "a world without children's voices" is inevitably a terrible place? The lack of backstory seems to me a weakness in an otherwise extraordinary film, full of violent action and suspense, with some wizardly work by Oscar nominees cinematographer Emmanuel Lubezki and editors Cuarón and Alex Rodríguez. The way they handle the film's much-praised long-take sequences, aided by special effects to give the sense of complex action taking place in a single traveling shot, is exceptional. There are also fine performances by Clive Owen, Julianne Moore, Chiwetel Ejiofor, Clare-Hope Ashitey, and the inevitably wonderful Michael Caine.
Will Montgomery, a U.S. Army Staff Sergeant who has returned home from Iraq, is assigned to the Army’s Casualty Notification service. Montgomery is partnered with Captain Tony Stone, to give notice to the families of fallen soldiers. The Sergeant is drawn to Olivia Pitterson, to whom he has delivered news of her husband’s death.
Credits: TheMovieDb.
Film Cast:
Will Montgomery: Ben Foster
Tony Stone: Woody Harrelson
Kelly: Jena Malone
Stuart Dorsett: Eamonn Walker
Olivia Pitterson: Samantha Morton
Dale Martin: Steve Buscemi
Cashier: Dale Soules
Kelly’s Father: Stevie Ray Dallimore
Alan: Michael Chernus
Monica Washington: Yaya DaCosta
Mrs. Flanigan: Marceline Hugot
Claire: Lindsay Michelle Nader
Recruiter Brown: Gaius Charles
Recruiter Olson: Brendan Sexton III
Dr. Grosso: Peter Francis James
Marla Cohen: Halley Feiffer
Mr. Cohen: Peter Friedman
Returning Soldier: Jeremy Strong
Returning Soldier’s Wife: Fiona Dourif
Mr. Flanigan: Kevin Hagan
Mrs. Burrell: Portia
Emily: Lisa Joyce
Lara: Merritt Wever
Flirty Girl (uncredited): Karen Summerton
Film Crew:
Thanks: Ben Affleck
Original Music Composer: Nathan Larson
Producer: Mark Gordon
Casting: Laura Rosenthal
Casting: Ali Farrell
Writer: Oren Moverman
Costume Design: Catherine George
Writer: Alessandro Camon
Producer: Benjamin Goldhirsh
Producer: Lawrence Inglee
Producer: Zach Miller
Stunt Coordinator: Blaise Corrigan
Stunts: Christopher Place
Editor: Alex Hall
Set Decoration: Cristina Casanas
Executive Producer: David Whealy
Production Design: Stephen Beatrice
Executive Producer: Bryan Zuriff
Director of Photography: Bobby Bukowski
Stunts: William Cote
Stunts: Geoffrey Dowell
Thanks: Jacqueline Eckhouse
Movie Reviews:
Au-delà du prochain match, au-delà même de ce Six Nations et de la perspective d'un grand chelem irlandais, il y a la Coupe du monde. Après l'extraordinaire victoire de l'Irlande 32-19 sur la France, Johnny Sexton a finalement laissé échapper qu'il y pensait aussi, comme tout le monde."Si tout se passe comme prévu et que nous traversons notre groupe, il y a une chance que nous affrontions à nouveau la France en Coupe du monde", a-t-il déclaré. "C'était donc bien de nous débarrasser de cela, en termes de les battre, car c'était la seule équipe que nous n'avions pas battue." La France avait remporté les trois derniers matches entre eux.Ringrose remporte la superbe victoire de l'Irlande dans la classique des Six Nations contre la FranceEn savoir plusLa France et l'Irlande, les deux meilleures équipes du monde, s'affronteront en quart de finale du tournoi si l'une remporte son groupe et l'autre termine deuxième. Compte tenu de la façon dont ils sont ici, il est peut-être plus probable qu'ils se rencontrent en finale."C'était un match test haut de gamme, n'est-ce pas?" Sexton a déclaré: «C'est ce que tout le monde voulait, et c'est ce que tout le monde a obtenu. Cette première mi-temps, wow, c'était juste des trucs de bout en bout.Sexton n'a pas passé longtemps à penser aussi loin. L'Irlande affronte l'Italie dans quinze jours. "Nous savions à quel point ce match était important en termes de championnat, mais cela ne vaut rien si nous le laissons filer lors du prochain match", a-t-il déclaré. « Il a été clair dès le début ce que nous voulons réaliser. Nous avons remporté une triple couronne l'année dernière et nous avons dit que nous voulions nous améliorer cette année, eh bien, s'améliorer, c'est gagner le championnat et un Grand Chelem. Pour y parvenir, vous devez vous concentrer sur les deux prochaines semaines.L'Irlande a mis fin à la longue série d'invincibilité de la France qui remonte à 2021. Photographie : Peter Fitzpatrick/Action Plus/ShutterstockToujours perfectionniste, il avait déjà des idées claires sur ce que l'Irlande devait améliorer. « Tout de suite, nous devons regarder les occasions que nous avons créées. À la mi-temps, nous avons expliqué que nous n'avions qu'un taux de réussite de 50% sur les chances que nous avions lorsque nous étions proches de leur ligne. Nous avons été retenus à plusieurs reprises et nous avons également eu l'occasion de mettre le ballon dans l'espace plus tôt à quelques reprises.« Il y a donc de quoi travailler. Il y en a toujours. Vous ne quittez jamais un match en pensant que "c'était parfait". Andy Farrell a convenu que son équipe "aurait pu repartir avec quelques points de plus".Quant à la France, elle se demandait si l'Irlande en avait cinq de plus qu'elle n'aurait dû en avoir. Les pieds de James Lowe étaient si proches lorsqu'il a marqué son deuxième essai et la télévision française a rapidement trouvé un angle que l'équipe d'arbitrage semblait avoir manqué, ce qui suggérait qu'il aurait dû être refusé.ignorer la promotion de la newsletterInscrivez-vous pour La panneNewsletter hebdomadaire gratuiteLes dernières nouvelles et analyses des syndicats de rugby, ainsi que toutes les actions de la semaine passées en revue
It’s an insight the menopause has gifted to me.
The knowledge that my body belongs
wholly to me.
At last I can own my own body.
At last I don’t need to parade for boys or girls.
I can walk around my flat freely.
I can look in the mirror without flinching.
I can accept that my body has ‘curves.’
Like duck eggs, or cat tails, or a funerary cartouche.
Yes. My body belongs to me. That is final.
My flesh has come into the fold.
Where it is warm and sheltered from neglect.
Its creases are unique and compiled by me.
There are scriptures upon its expanse.
It has become my family at last.
If you follow this blog because you like medical shows and you happen to notice how much I like to highlight underrepresented characters (mostly POC) in Fandom then you know I'm looking around confused and a little sad.