#Chicks on Speed
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mosquitogirl Β· 8 months ago
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omegaremix Β· 8 months ago
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Spring 2001 Mixtape.
All City: β€œMove On You” (RMX)
Roots Of Orchis: β€œBuilding Peaks”
Einsturzende Neubauten: β€œWas Ist Ist”
Nobodys, The: β€œFuck You Too”
Pharcyde: β€œOh, Shit!”
Isaac Hayes: β€œBuns O’ Plenty”
Sonic Youth & Yamatsuka Eye: No
AxCx: β€œMorbid Flowers”
Devola: β€œPigeon Fight”
Chicks On Speed: β€œMind Your Own Business”
Starflyer 59: β€œWherever You Go”
Fidel Villeneuve: β€œI Wish I Was Dead”
April March: β€œChick Habit”
Mr. Oizo: β€œFlat Beat”
Boards Of Canada: β€œPetina”
Ahmad Jamal: β€œI Say A Simple Little Prayer”
Sea And Cake, The: β€œAfternoon Speaker”
Company Flow: β€œLinda Tripp”
Heat, The: β€œPlay The Drums”
Alter Ego: β€œNude Restaurant” (Exploding Plastic Strings RMX)
Staple Singers, The: β€œLet’s Do It Again”
DJ Scud: β€œMash The Place Up”
Smiths, The: β€œPanic”
Tristeza: Dream Signals In Full Circles
Chris Connelly: β€œDestestimony III”
Jean-Jacques Perrey: β€œE.V.A.”
Isaac Hayes: β€œA Few More Kisses To Go”
April March & The Makers: β€œSometimes, Sometimes”
Einsturnzende Neubauten: β€œFiat Lux / Maifestspiele / Hirnlego”
Camera Obscura: β€œTheory Of Sex As An Art Form”
Download: Effector
Unsane: β€œVandal-X”
Elastica: β€œMad Dog”
Autechre: β€œFlutter”
Gil-Scott Heron: β€œWe Almost Lost Detroit”
Yoshinura Sunahara: β€œThe New World Break”
Dorothy Ashby: β€œThe Windmills On Your Mind”
Cutthroats 9: β€œDirty”
Marvin Gaye: β€œAfter The Dance”
Chicks On Speed: β€œStop Records Advert”
Donny Hathaway: β€œSinging This Song To You”
David Axelrod: β€œThe Warning”
Company Flow: β€œFuncrusher Plus”
Wu-Tang Clan: β€œCutting Heads”
Isaac Hayes: β€œHung Up On My Baby”
Vision Of Disorder: β€œPretty Hate”
Einsturzende Neubauten: β€œStyropor”
Geoff Farina: β€œThe Rights”
Devola: β€œWell-Oiled Machine”
Peaches: β€œFuck The Pain Away”
Johnny Rebel: β€œWe Is Non-Violent…”
Death Cab For Cutie: β€œCompany Calls Epilogue” (ALT)
Slits, The: β€œTypical Girls”
Ida: β€œShrug”
Pharoah Sanders: β€œThe Creator Has A Master Plan”
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x-heesy Β· 5 months ago
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πš„πšžπšžπšžπšžπšžπšžπšžπšžπšžπšžπšžπšžπšžπšžπšžπ™·
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ, πš πš‘πšŠπš 𝚍𝚘𝚎𝚜 πšπš‘πšŠπš πš–πšŽπšŠπš—?
π™Έπšœ πšœπš‘πšŽ πš πšŽπšŠπš›πš’πš—πš 𝚊 πš‹πš•πšžπšŽ, πšπš‘πšŽ πš›πšŽπš πš˜πš› πšπš‘πšŽ πšπš›πšŽπšŽπš—?
πšƒπš‘πšŽ πš™πšŽπš˜πš™πš•πšŽ πšœπš‘πšŽ πš”πš—πš˜πš πšœ, πšπš‘πšŽ πšπš‘πš’πš—πšπšœ πšœπš‘πšŽ 𝚜𝚎𝚎𝚜
πš‚πš‘πšŽ πš”πš—πš˜πš πšœ? πš πš‘πšŠπšβ€™πšœ πšžπš™, πšœπš‘πšŽβ€™πšœ πš—πšŽπšŸπšŽπš› 𝚊𝚝 𝚎𝚊𝚜𝚎
πšƒπš‘πšŽ πšπš‘πš’πš—πšπšœ πšœπš‘πšŽ 𝚜𝚎𝚎𝚜, πšœπš‘πšŽβ€™πšœ πš—πšŽπšŸπšŽπš› 𝚊𝚝 𝚎𝚊𝚜𝚎
π™·πšŽπš› πšŠπš–πš‹πš’πšπš’πš˜πš—πšœ πšŠπš›πšŽ πš πšŽπš•πš• πš”πšŽπš™πš πšœπšŽπšŒπš›πšŽπš
π™΄πšŸπšŽπš— πš‘πšŽπš› πšπš›πš’πšŽπš—πšπšœ πšπš˜πš—β€™πš πš”πš—πš˜πš  πš πš‘πšŠπš πšœπš‘πšŽ πš’πš—πšπšŽπš—πšπšœ
π™Ύπšžπš 𝚘𝚏 πš™πšžπš‹πš•πš’πšŒ πšœπš’πšπš‘πš, πš‹πšžπš πš’πš— πšπš‘πšŽ πš™πšžπš‹πš•πš’πšŒ πš–πš’πš—πš
πš†πš‘πšŠπš πš πš’πš•πš• 𝚒𝚘𝚞 πš πšŽπšŠπš› 𝚝𝚘 πšπš‘πšŽ πš™πšŠπš›πšπš’ πšπš˜πš—πš’πšπš‘πš?
πš†πš‘πšŠπš πš πš’πš•πš• 𝚒𝚘𝚞 πš πšŽπšŠπš› 𝚝𝚘 πšπš‘πšŽ πš™πšŠπš›πšπš’ πšπš˜πš—πš’πšπš‘πš?
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
πš†πš‘πšŠπš 𝚠𝚊𝚜 πš‘πšŽπš› πš—πšŠπš–πšŽ?
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
π™²πšŠπš— πšœπš‘πšŽ πš™πš•πšŠπš’ πšπš‘πšŽ πšπšŠπš–πšŽ?
πš‚πš‘πšŽβ€™πšœ? πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
π™Άπš’πšŸπšŽ? πš‘πšŽπš› πšπš‘πšŽ πšπš•πš˜πš˜πš›
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
πšƒπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽ πš‹πš•πšŠπšŒπš” πšπš˜πš˜πš›
πš‚πš‘πšŽ πš πšŠπš•πš”πšœ πš πš’πšπš‘ πšπš‘πšŽ πš•πš’πš–πš™ πšπš˜πš—πš’πšπš‘πš
πš†πšŽ πšπšŽπšŠπš› πšœπš‘πšŽβ€™πšœ πš•πš˜πšœπš πšπš‘πšŽ πšπš’πšπš‘πš
π™³πš˜πš—πš πš™πš˜πš™ πš’πš˜πšžπš› πš•πš’πš™πšœπšπš’πšŒπš”
π™Ώπšžπš πš˜πš— πš–πš’ πš•πš’πš™πšœπšπš’πšŒπš”
π™±πš•πšŠπšŒπš”, πš™πš’πš—πš” πšπš›πšŽπšŽπš—, πš›πšŽπš, πš˜πš™πšŽπš— πš’πš˜πšžπš› πš–πš˜πšžπšπš‘
π™°πš—πš πšπš‘πšŠπš— πšœπš‘πš˜πš˜πš πšžπš™ πš’πš˜πšžπš› πš‘πšŠπš—πšπšœ
πš‚πš‘πšŽ πš πšŠπš•πš”πšœ πš πš’πšπš‘ πšπš‘πšŽ πš•πš’πš–πš™ πšπš˜πš—πš’πšπš‘πš
πš†πšŽ πšπšŽπšŠπš› πšœπš‘πšŽβ€™πšœ πš•πš˜πšœπš πšπš‘πšŽ πšπš’πšπš‘πš
πš†πš‘πšŠπš πš πš’πš•πš• 𝚒𝚘𝚞 πš πšŽπšŠπš› 𝚝𝚘 πšπš‘πšŽ πš™πšŠπš›πšπš’ πšπš˜πš—πš’πšπš‘πš?
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
πš†πš‘πšŠπš 𝚠𝚊𝚜 πš‘πšŽπš› πš—πšŠπš–πšŽ?
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
π™Έπšœ πšœπš‘πšŽ? πš’πš—πšπš˜ πšπš‘πšŽ πšπšŠπš–πšŽ?
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
π™Άπš’πšŸπšŽ πš‘πšŽπš› πšπš‘πšŽ πšπš•πš˜πš˜πš›
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
πšƒπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽ πš‹πš•πšŠπšŒπš” πšπš˜πš˜πš›
πš‚πš‘πšŽβ€™πšœ πš’πš—? πš™πšŠπš›πšπš’πšŽπšœ
𝚁𝚎𝚊𝚍𝚒 𝚝𝚘 𝚐𝚘
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
𝚈𝚘𝚞 πšŒπšŠπš—β€™πš 𝚜𝚊𝚒 πš—πš˜!
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
���𝚘𝚝 πšœπš˜πš–πšŽπšπš‘πš’πš—πš 𝚝𝚘 𝚜𝚊𝚒
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
π™³πš˜ 𝚒𝚘𝚞 πš›πšŽπšŠπš•πš•πš’ πš πšŠπš—πš—πšŠ πš™πš•πšŠπš’?
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π™Έπšœ πšπš‘πšŽπš›πšŽ πšœπš˜πš–πšŽπšπš‘πš’πš—πš 𝚝𝚘 𝚜𝚊𝚒?
π™³πš˜ 𝚒𝚘𝚞 πš›πšŽπšŠπš•πš•πš’ πš πšŠπš—πš 𝚝𝚘 πš™πš•πšŠπš’?
π™Άπš’πšŸπšŽ πš‘πšŽπš› πšπš‘πšŽ πšπš•πš˜πš˜πš›
πšƒπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽ πš‹πš•πšŠπšŒπš” πšπš˜πš˜πš›
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
... πšŒπš˜πš•πš˜πš›πšœ πšŽπšŸπšŽπš›πš’πš πš‘πšŽπš›πšŽ
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
... πš‘πšŽπš› πš‘πšŠπš’πš›
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
π™Ύπš—? 𝚊 πš•πšŽπšπš πšŠπš—πš 𝚝𝚘 πšπš‘πšŽ πš›πš’πšπš‘πš
πš‚πš‘πšŽβ€™πšœ πš’πš— πš™πšŠπš›πšπš’πšŽπšœ
πš†πš‘πšŠπš πš πš’πš•πš• 𝚒𝚘𝚞 πš πšŽπšŠπš› πšπš˜πš—πš’πšπš‘πš?!
What Was Her Name (feat. Chicks on Speed) by Dave Clark @bixlasagna @theshadowinyourstep @movinginstero πŸ‘οΈ πŸŒ™
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crazygirl58 Β· 1 year ago
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the song smoke by liz phair, the album opener from her electroclash-pop-rap-absurdist-post-post-post-post-ironic-satirical-antisatirical masterpiece where she reflected on her experiences working in a career field dominated by men in order to critique the state of the music industry and the socioeconomic standing of women within it, 2010's funstyle, brought the world of electroclash to its knees.
the dark, heavy beats of the track backing invoke stylistic similarities to ladytron's first two albums (604 to a greater degree than light & magic) or the early work of peaches. in some regards, it even leans outside of electroclash, possibly towards trip hop. the production on this track is not dissimilar to the production of nellee hooper, graham massey, tricky, howie b, and, of course, bjΓΆrk herself on her 1995 album post, i find a shocking amount of similarity between liz phair's smoke and the tracks army of me and enjoy.
the instrumentation on this track harks back to that of the band le tigre, electrocute's 2004 album troublesome bubblegum, and even the guitars on lesbians on ecstacy's 2004 self titled album.
the spoken words elements which seem to be influneced by the work of chicks on speed are present not only on this song, but remain a prominent feature throughout the album. phair's fearless approach towards absurdity and the methods she uses to embrace it (rapping, avant-garde electronic production, extreme vocals, etc.) reminds me of chicks on speed's 2003 album 99 cents. thematically, funstyle and 99 cents are not identical, but certainly would agree with each other as critiques of superficial, greedy, exploitative industries.
her vocals on the track are not unlike those of alison goldfrapp on 2005's strict machine and the "you dummy" sample in the chorus is reminiscent of the "you big dummy!" sample used throughout M.I.A.'s 2005 release, URAQT.
liz phair has never failed to exceed the expectations her listeners place upon her. this is yet another example of how the always controversial, frequently underestimated often overlooked, sometimes overlooked for a good reason, never forgotten artist has forever altered yet another genre of music. first the indie rock world with her demos and 1993's exile in guyville, then her overhated attempt to break into the ever expanding teen pop genre with 2003's self titled, and, as we can conclude from the analysis above, the world of electronica with 2010's funstyle. keep in mind, smoke is just one song from liz phair's TRUE magnum opus. the rest of this album contains even more brave, daring pieces of electroclash inspired music that should not be overlooked.
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processedlives Β· 7 months ago
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Dave Clark feat. Chicks on Speed - What Was Her Name
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mymelodic-chapel Β· 6 months ago
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Chicks on Speed- Will Save Us All! (Indietronica,Β Electroclash) Released: April 10, 2000 [Chicks on Speed Records]
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spilladabalia Β· 1 year ago
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Chicks On Speed - Mind Your Own Business
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eyepaint Β· 4 months ago
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rastronomicals Β· 10 months ago
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10:17 AM EDT March 19, 2024:
Chicks On Speed - β€œMind Your Own Business” From the album Will Save Us All!
Last song scrobbled from iTunes at Last.fm
Yes! More danceable (and artier) cover of the Delta 5 classic that most people (including me) found out about from an Apple commercial
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radiophd Β· 1 year ago
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chicks on speed -- for all the boys in the world
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allmusic Β· 5 months ago
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AllMusic Staff Pick: Chicks on Speed Will Save Us All!
Nearly a quarter-century after its release, Chicks on Speed's debut album feels like the missing link between post-punk, new wave, and hyperpop. Will Save Us All! still sounds remarkably fresh as it builds on the playful irony of the Normal and the B-52's and points the way to the plastic self-awareness and proudly bratty attitude of A.G. Cook and Charli XCX.
- Heather Phares
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omegaremix Β· 3 months ago
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Omega Radio for October 24, 2015; #97.
Feelies, TheΒ β€œForces At Work”
DIIVΒ β€œDopamine”
Fergus & GeronimoΒ β€œEarthling Men”
Miniature TigersΒ β€œDino Damage”
Wesley WillisΒ β€œShonen Knife”
Casiotone For The Painfully AloneΒ β€œLesley Gore On The T.A.M.I. Show (VER)
They Might Be GiantsΒ β€œBirdhouse In Your Soul”
Hooded FangΒ β€œOde To Subterrania”
Brittle StarsΒ β€œSouvenir”
Nervous PatternsΒ β€œYour Secret’s Safe With Me (Story Of The Fred P. Gattas Girl)”
Velvet UndergroundΒ β€œI’m Waiting For The Man”
Eric CopelandΒ β€œBabes In The Woods”
Nude BeachΒ β€œHey Little Child”
QuintronΒ β€œDirt Bag Fever”
La DisputeΒ β€œSix”
LooperΒ β€œFarfisa Song”
BattlesΒ β€œThe Yabba”
Frankie CosmosΒ β€œBirthday Song”
Chicks On SpeedΒ β€œKaltes Klares Wasser”
ADULT.Β β€œNite Life”
DevoΒ β€œToo Much Paranoias”
DeerhunterΒ β€œSnakeskin”
Future PunxΒ β€œAhead Of Yourself”
Talking HeadsΒ β€œThe Great Curve”
Ex CopsΒ β€œYou Are A Lion, I Am A Lamb”
Mynabirds, TheΒ β€œSemantics”
Of MontrealΒ β€œShe’s A Rejector”
Lotus PlazaΒ β€œWhite Galactic One”
St. VincentΒ β€œMarrow”
!!!Β β€œPardon My Freedom”
William OnyeaborΒ β€œGood Name”
Deluxe rainbow and indie.
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x-heesy Β· 1 year ago
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π™³πšŽπšŽπš™πšπšŠπš›πš”πšŠπš—πšπšπšŠπš—πšπšŽπš›πš˜πšžπšœ
π™Έβ€™πš– 𝚊 πš›πšŠπšŸπšŽπš›, πš‹πšŠπš‹πš’ 𝚜𝚘 πš πš‘πš’ πšπš˜πš—β€™πš 𝚒𝚘𝚞 πš”πš’πš•πš• πš–πšŽ?
She's in parties, what does that mean?
Is she wearing a blue, the red or the green?
The people she knows, the things she sees
She knows? what's up, she's never at ease
The things she sees, she's never at ease
Her ambitions are well kept secret
Even her friends don't know what she intends
Out of public sight, but in the public mind
What will you wear to the party tonight?
What will you wear to the party tonight?
She's in parties
What was her name?
She's in parties
Can she play the game?
She's? in parties
Give? her the floor
She's in parties
Through the black door
She walks with the limp tonight
We fear she's lost the fight
Dont pop your lipstick
Put on my lipstick
Black, pink green, red, open your mouth
And than shoot up your hands
She walks with the limp tonight
We fear she's lost the fight
What will you wear to the party tonight?
She's in parties
What was her name?
She's in parties
Is she? into the game?
She's in parties
Give her the floor
She's in parties
Through the black door
She's in? parties
Ready to go
She's in parties
You can't say no!
She's in parties
Got something to say
She's in parties
Do you really wanna play?
Is there something to say?
Do you really want to play?
Give her the floor
Through the black door
She's in parties
... colors everywhere
She's in parties
... her hair
She's in parties
On? a left and to the right
She's in parties
What will you wear tonight?!
@frenchpsychiatrymuderedmycnut @bigbonzo @boanerges20
What Was Her Name (feat. Chicks on Speed) by Dave Clarke πŸ•ΊπŸΌ
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crazygirl58 Β· 1 year ago
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cover art and liner notes from smash metal - chicks on speed, 1999.
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deadbird-inyourhands Β· 6 months ago
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i heard this at a festival some days ago and started singing it
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kyrstenhodge Β· 1 year ago
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Kyrsten's Favorite New Music (2023)
This is my stab at making a "mix cd" length mix of my favorite new tunes from 2023. Not a giant playlist, just a mix of about 70 minutes of my favorite new songs. Intended to be listened to in order (like a CD) but also works in shuffle (like a CD).
A mixture of sad pop, dance floor thumpers, experimental weirdness, laid back hip-hop, and sapphic love anthems. This is the music I am really into right now. A mix of new artists and old favorites.
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