#Charlotte Dolce

[attyrocious]

op / inktober day 9: bounce

i uploaded a transparent psd of this if anyone would like to try their hand coloring it.

anyway thank god for technology bc i had to sketch this on digital and trace a print of it with a lightbox

and then ending up cleaning so much on post digitally lol.

food is always so fun to draw though

[mewiyev]

merry christmas from the charlotte family

[fuckyeahanimebirthdays]

Charlotte Dolce (One Piece)  » February 21

[onepiecebdays]

february 21st - charlotte dolce and charlotte dragée

debut chapter: 845

recent chapter: 872

current ages: 9

affiliation: big mom pirates

bounties: unknown

[roseaesynstylae]

I like to think that Katakuri is close to his youngest siblings. Here’s some ideas.

Anglais: Looks up to Katakuri as the embodiment of coolness. He and his big brother ride their bug-bikes around Whole Cake Island when Katakuri has spare time. When his mouth is revealed, Anglais is initially really shocked and needs some time to adjust, but ultimately concludes that Katakuri’s willingness to expose it despite the risk of ridicule makes him even cooler.

Wafers: Katakuri has worked hard to ensure that she, at least, has some reason. She tends to hide behind him when she’s upset. When his mouth is revealed, she’s a little disgusted but doesn’t think it’s worth getting upset over and gets used to it with time.

Wiro: He’s a cheerful guy who does his best to make Katakuri laugh. So far, he hasn’t succeeded but he’s not going to give up. Katakuri appreciates his efforts. When his mouth is revealed, Wiro doesn’t even notice.

De-Chat: He’s very nice, easily one of the nicest in his family, and Katakuri wants him to stay that way. On De-Chat’s end, he’s one of the few who picked up that Katakuri is under an immense amount of stress. When Katakuri’s mouth is revealed, De-Chat isn’t even slightly fazed. In fact, he can sort of understand why Katakuri feels the way he does (De-Chat is half Fish-Man, taking after his father in looks. Given how Pudding was treated for her eye, I wouldn’t be surprised if he’s dealt with bullying. The difference is, in my mind, that Katakuri learned from [and regretted] what happened with Pudding and took steps to make sure that didn’t happen again).

Normande: She likes to play with her older brother and, when Katakuri has the time, he does so. She often hides in his scarf. Katakuri tries hard not to think about what her conception must have been like, something everyone in the family does for the sake of their sanity. When his mouth is revealed, she doesn’t care at all.

Dolce and Dragee: Whenever they lose one of their balloons, Katakuri either gets them a new one or retrieves it for them. He tries to convince them to be more patient with Anana. When his mouth is revealed, they’re freaked out but calm down when they realize he’s still the same person.

Anana: Katakuri worries about her a lot. He wants his younger siblings to live happy lives and she’s clearly not happy. He tries to persuade her to take her violent urges out on pillows and such. She brightens up when she’s with him. When his mouth is revealed, she’s a little too fascinated by it. She asks all kinds of weird questions about it and likes to touch his teeth.

[theshoegirldiaries]

LOTD: Estee Lauder Automatic Pencil For Lips in 21 Fig, Dolce & Gabbana The Only One Luminous Colour Lipstick in 110 Soft Almond (in Dots Cap) with Charlotte Tilbury Lip Lustre in Seduction. #Scentoftheday Gaultier Divine EDP by Jean Paul Gaultier with Bronze Goddess Nuit EDP by Estee Lauder.

[thatoneplumbob]

while alexandra tries to meet new people, charlotte hangs out with her childhood friends! now that they’re teens, they’re thinking about romantic relationships..

[redcarpet-streetstyle]

[perfettamentechic]

Outfit by Paola Moretti

Outfit by Paola Moretti #outfit #ootd #wwt #fashionstyle #goldarosheuvel #queencharlotte #bridgerton #cellardoor #dolcegabbana #lisecharmel #apparis #casadei #florianlondon #poppyfinch #pomellato #gabriellasalvete #iho #paolamoretti #perfettamentechic

Pantaloni: Cellar Door Camicia: Dolce & Gabbana Lingerie: Lise Charmel Pelliccia: Apparis Scarpe: Casadei Borsa: Florian London Orecchini: Poppy Finch Anello: Pomellato Palette: Gabriella Salvete Fashion Blogger: Paola Moretti Instagram: paolamorettiiho

[yellowjacketsfashion]

Adult Natalie Scatorccio Style Analysis:

I would describe Nat’s style as “punk” or “grunge.” Almost every outfit features leather or fun patterns paired with solid colors. She also tends to showcase bands she likes on her shirts. She wears a lot of layered necklaces though she alternates between wearing gold and silver jewelry.

Colors: Black, Purple, and Red.

Repeatedly Worn Brands: Charlotte Tillbury (eyeliner), All Saints, and vintage.

YELLOWJACKETS FASHION FACT: In an interview with Pretty Ripe, Costume Designer Marie Schley has talked about how they mixed thrifted clothing pieces with high end fashions to make a more eclectic wardrobe for Natalie. The brands Saint Laurent and Dolce & Gabbana were specifically mentioned because Schley thought they were high end brands that are more “punky.”

Ideas of how to dress like Natalie:

* Layer your outfit with a Black leather jacket

* Thrift unique pieces for your wardrobe.

* Intermix solid colored pieces with one with a statement pattern.

* Expiriment with wearing diffrent textured fabrics (leather, chiffon, etc.)

[tenthmuseondine]

Hannibal (2013) Season 3 Episode 6: "Dolce" / Charlotte Brontë, Jane Eyre, Chapter 23.

[mewiyev]

party

[usakizades]

📍Monica Bellucci graces the cover of Vogue Arabia, photographed by Nima Benati for their March issue themed 'Beauties of the World'

Italian Actor Monica Bellucci on Continuing to Transfix Audiences Around the World at 59

An eternal muse, the beloved Italian actor continues to transfix audiences around the world. She also inspired the world’s greatest directors, most recently Tim Burton.

The most beautiful woman in Italy. The sexiest woman alive. World class bombshell. Since her first on-screen appearance in the early Nineties, Monica Bellucci has been showered with accolades related to her looks. Now, at 59, praises continue to rain down on her, showing a definitive shift in the global mindset: a woman’s beauty evolves with time; and when led by magnetic charisma and talent that speaks to people across cultures and generations, it endures.

“Things are changing because women today are talking out loud. They’re less scared to talk,” offers Bellucci. “I’m in Paris and I see all these incredible actors like Isabelle Huppert, Charlotte Rampling, Fanny Ardant…women who still have the possibility to play leading roles and they’re still amazing. It really proves how things are different compared to before, where after 40 years old, women didn’t have the chance to work anymore–even though they were still talented, it was impossible. I can’t say that everything is done–the evolution is still there and it’s really changing.”

Of course, Bellucci is far more than a beautiful woman. While her entertainment industry debuts were as a muse and model for photographers like Richard Avedon and Helmut Newton and fashion and jewelry houses like Dolce & Gabbana and Cartier, she has evolved into an artist with an expansive career spanning film and theater. A polyglot, who can act in many languages, Bellucci has worked with the likes of Sam Mendes for whom she made headlines as the oldest Bond girl in history in Spectre; with Giuseppe Tornatore in the role of a war widow in Malena, and with Gaspar Noé who directed one of her most remarkable performances in the dark art film Irréversible alongside her former husband Vincent Cassel.

“Each director gave me the possibility for me to evolve as an actor, and many of them come from different countries and different cultures,” she says. Her experiences with female directors remain sparse but special. “I like it very much because there is an intimacy between women. Sometimes we look at each other and without words, we can have the same feeling about things. There is something very spontaneous and distinctive and natural, and I like this very much,” she says.

Bellucci is also a woman in love. She made her first red carpet appearance hand-in-hand with legendary director Tim Burton at the Rome Film Festival, in October of last year. “It’s so interesting and beautiful to share the experience of work with someone that is also the person that you love,” she says of the time spent on set as an actor in Burton’s forthcoming film Beetlejuice Beetlejuice. And while she shares that she is at her happiest when she is with her children, she expresses that she is equally joyful when she is in love. “When I have the possibility to feel alive as a woman,” she expresses of her current state of bliss.

The Burton movie is not the only film forthcoming for Bellucci. The actor’s warm and melodic voice rhymes off her recent work. She is presently shooting a TV series in France and has just wrapped a film with Iranian director Marjane Satrapi, the woman behind Persopolis. “When I make a movie, more than feeling nervous, I’m excited, especially in the first few days,” remarks Bellucci of her feelings on-set. She notes that cinema is a completely different experience to theater, an art she dedicated the past three years of her life to, performing across Europe in the one-woman show Maria Callas’ Letters and Memoirs. “This was really something that made me very nervous,” she says of her experience before a live audience. There is something very sincere and artisanal in the process of making a show. But at the same time, it’s very intense because you can’t really make any mistakes, and the public can really feel what you feel. This relationship is very beautiful, but also very intense.”

Bellucci describes herself as “very feminine,” but is not fixated on anything beauty-related. She practices pilates and eats well. “I’m not obsessed with anything. I like to live and to have a real life. If I want to go and buy things, I want to feel free to go.” Bellucci’s self-confidence, sophistication, and warmth emanate from her hazel eyes. It is perhaps her curiosity that is the essence of her decidedly youthful spirit. “My job, I really think that it’s a kind of job that you never stop learning,” she says. “And I’m still enjoying doing that. I’m really full of passion for my work.”

Originally published in the March 2024 issue of Vogue Arabia

Style: Barbara Baumel
Fashion director: Amine Jreissati
Hair: John Nollet for Maison de Beauté Carita
Makeup: Letizia Carnevale
Nails: Nafissa Djabi
Digital operator: Massimo Fusardi
Hair assistant: Pierrick Sellenet
Lighting assistant: Pierre Cathala
Producer: Sam Allison
Talent: Monia

[bibliotecasanvalentino]

Ed eccoci di nuovo qui con la rubrica a cadenza mensile e precisamente l'ultimo giorno di ogni mese, curata dalla nostra utente e amica Valentina Pace

Questa rubrica nasce anche e soprattutto da una riflessione che ci accompagna da un po' di tempo: per una "piccola" biblioteca di un piccolo paese non è sempre facile stare al passo con le richieste, i suggerimenti, le necessità degli utenti e non. Per questo motivo, con l'aiuto di Valentina scopriremo nuovi autori e nuove letture, consigli e spunti di riflessione, insieme a curiosità e notizie sui nostri cari libri. E allora, diamo il benvenuto a questo nuovo spazio culturale dove si viaggerà alla scoperta delle case editrici indipendenti: ʟᴇᴛᴛᴜʀᴇɪɴᴅɪᴇ.

La casa editrice di questo mese è: marcos y marcos

Buona lettura a tutti!

𝕋𝕌𝕋𝕋𝕆 ℚ𝕌𝔼𝕊𝕋𝕆 𝔽𝕌𝕆ℂ𝕆 – 𝔸𝕟𝕘𝕖𝕝𝕖𝕤 ℂ𝕒𝕤𝕠

«Pochi cuori mortali / soffrono in terra come il tuo.»

(Emily Brontë)

Quello delle sorelle Brontë è un caso forse unico nel panorama letterario mondiale. Charlotte, Emily e Anne, tre donne unite da un fortissimo legame di sangue, tutte e tre poetesse e scrittrici, vissute in simbiosi e morte giovanissime, autrici di alcuni tra i più famosi classici della letteratura ottocentesca, sono le protagoniste indiscusse di “Tutto questo fuoco”.

Si tratta di un romanzo in cui Angeles Caso, con amore, ammirazione ed estremo rispetto, racconta la vita familiare delle tre sorelle, ponendo l’accento sul fuoco divorante della creazione letteraria che le ha portate alla fama imperitura.

L’autrice inizia dalla loro infanzia sfortunata: rimaste orfane di madre in giovanissima età, sono state allevate dalla severa quanto amorevole zia Elizabeth e dal padre, il reverendo Patrick Brontë.  

Charlotte, la più ambiziosa e determinata, è quella che insegue la fama: vuole che il talento suo e delle sorelle sia noto a tutti.

Emily, la grande poetessa, è timida e riservata al punto da rasentare la maleducazione, ma ha uno spirito indomito e appassionato, e una pienezza emotiva che la spingono a comporre versi di una bellezza incommensurabile. Niente al mondo potrebbe portarla lontano da Haworth e dalla sua amata brughiera. Inoltre, non condivide assolutamente il desiderio di Charlotte di pubblicare i loro scritti.

Anne, la più giovane, dolce e remissiva, desidera soltanto restare a casa con le sorelle piuttosto che lavorare come istitutrice e farsi maltrattare da ragazzini ricchi, ignoranti e viziati.

La Caso racconta gli amori impossibili o sfortunati delle tre giovani donne, il rapporto difficilissimo con il fratello Branwell, ma, soprattutto, permette al lettore di entrare nella canonica di Haworth quando Charlotte, Emily ed Anne, dopo aver terminato tutte le faccende domestiche, possono finalmente riunirsi in salotto, tirare fuori i loro scrittoi, affilare le penne e comporre i loro capolavori.

COSA MI È PIACIUTO

Sono una grande appassionata dei romanzi delle sorelle Brontë e mi sono sempre chiesta come tre giovani donne, cresciute in una canonica in mezzo alla brughiera, in piena età vittoriana, potessero creare dei personaggi complessi e indimenticabili come Jane Eyre, Edward Rochester, Cathy e Heathcliff: finalmente ho trovato la risposta.

COSA NON MI È PIACIUTO

Come sempre quando un libro mi piace enormemente, mi trovo in difficoltà a evidenziarne gli aspetti negativi. Sinceramente, in questo caso, non ne ho trovato nessuno.

L’AUTRICE

Angeles Caso nasce a Gijón nel 1959, figlia di un filologo che dava la buonanotte ai figli con le ballate del Cinquecento. Dopo aver studiato arte e storia moderna, per due anni è il volto di un telegiornale spagnolo, ma non si sente a casa. Torna a dedicarsi alla letteratura a tempo pieno. Alterna il romanzo storico alla fiction, e al centro della sua attenzione c’è sempre il coraggio delle donne. “Controvento”, che racconta la vera storia della sua baby-sitter di Capo Verde, le è valso il premio Planeta. “Tutto questo fuoco” è un omaggio amorevole alla passione inarrestabile delle sorelle Brontë.

LA CASA EDITRICE

Marcos y Marcos più che una casa editrice, in principio era una mansarda a Milano dove Marco Franza e Marco Zapparoli, poco più che ventenni, inventavano, assemblavano e spedivano nel mondo edizioni numerate dai caratteri splendidi e la carta fabbricata a mano. Spesso quei fascicoli esili erano accompagnati da stampe d’artista o riproduzioni di manoscritti originali. Gli autori? Da Mario Luzi a Novalis, da Leonardo da Vinci a Heinrich von Kleist. Il mestiere si imparava strada facendo. Ai tempi, si vendevano meno libri di oggi e la concorrenza era esigua. C’era più tempo per sperimentare e anche per sbagliare. I librini di trenta pagine in un decennio si sono trasformati in una collana “di culto”. Sempre con un occhio ai classici, certo, magari non più così indietro nel tempo.

[roseaesynstylae]

I like the idea of Katakuri being close to the youngest members of the Charlotte Family. I mean, the youngest (Anglais, Wafers, Wiro, De-Chat, Normande, Dolce, Dragee, Anana) and I'm not counting Flampe. They climb all over him, play with him, and he dotes on them. When his mouth is revealed, they thinks it's cool (maybe a little too much so in Anana's case). In fact, I love Katakuri being nice and soft with children.

[theshoegirldiaries]

LOTD: MAC Lip Pencil in Hodgepodge, Dolce & Gabbana The Only One Lipstick in 100 Seductive Nude with Animalier Lipstick Cap and Charlotte Tilbury Big Lip Plumpgasm in Pillow Talk Fair-Medium. #Scentoftheday L'Interdit Rouge Ultime EDP by Givenchy.