#Charles Seifert

[keyamsha]

"...A Tree Without roots." Did Marcus Garvey say that?

"A people without knowledge of its past is like a tree without roots." That is a quote from Charles Christopher Seifert, not Marcus Garvvey.

Short answer: No. Marcus Garvey never said it. Marcus Garvey never said or wrote, “A people without the knowledge of their past, history, origin, and culture is like a tree without roots.” Ludacris wears a t-shirt in the video for the song “Pimpin’ All Over The World” with a version of the quote on it. Garvey didn’t say that either. Marcus Garvey never said, “A people without knowledge of its…

[majestativa]

Teige used to sit somewhat uncomfortably in his study. He would tuck in his legs and sit down on top of them in his chair. He would read and immediately translate for us the poems of Apollinaire. In this way we became acquainted not only with Alcools and Caligrammes, but also with the poems of Jacob, Cocteau, Cendrars, Reverdy, and other modern poets. Vildrac’s beautiful Book of Love, which we had loved before that, receded into the background, because Cubism, Futurism, and Tzara’s Dada rushed towards us, thanks to Teige.

— Jaroslav Seifert, The Poetry of Jaroslav Seifert, on Karel Teige, transl by Ewald Osers, (1998)

[adarkrainbow]

A class on fairy tales (1)

As you might know (since I have been telling it for quite some times), I had a class at university which was about fairy tales, their history and evolution. But from a literary point of view - I am doing literary studies at university, it was a class of “Literature and Human sciences”, and this year’s topic was fairy tales, or rather “contes” as we call them in France. It was twelve seances, and I decided, why not share the things I learned and noted down here? (The titles of the different parts of this post are actually from me. The original notes are just a non-stop stream, so I broke them down for an easier read)

I) Book lists

The class relied on a main corpus which consisted of the various fairytales we studied - texts published up to the “first modernity” and through which the literary genre of the fairytale established itself. In chronological order they were: The Metamorphoses of Apuleius, Lo cunto de li cunti by Giambattista Basile, Le Piacevoli Notti by Giovan Francesco Straparola, the various fairytales of Charles Perrault, the fairytales of Marie-Catherine d’Aulnoy, and finally the Kinder-und Hausmärchen of Jacob and Wilhelm Grimm. There is also a minor mention for the fables of Faerno, not because they played an important historical role like the others, but due to them being used in comparison to Perrault’s fairytales ; there is also a mention of the fairytales of Leprince de Beaumont if I remember well. 

After giving us this main corpus, we were given a second bibliography containing the most famous and the most noteworthy theorical tools when it came to fairytales - the key books that served to theorize the genre itself. The teacher who did this class deliberatly gave us a “mixed list”, with works that went in completely opposite directions when it came to fairytale, to better undersant the various differences among “fairytale critics” - said differences making all the vitality of the genre of the fairytale, and of the thoughts on fairytales. Fairytales are a very complex matter. 

For example, to list the English-written works we were given, you find, in chronological order: Bruno Bettelheim’s The Uses of Enchantment ; Jack David Zipes’ Fairy Tales and the Art of Subversion ; Robert Bly’s Iron John: A Book about Men ; Marie-Louise von Franz, Interpretation of Fairy Tales ; Lewis C. Seifert, Fairy Tales, Sexuality and Gender in France (1670-1715) ; and Cristina Bacchilega’s Postmodern Fairy Tales: Gender and Narrative Strategies. If you know the French language, there are two books here: Jacques Barchilon’s Le conte merveilleux français de 1690 à 1790 ; and Jean-Michel Adam and Ute Heidmann’s Textualité et intertextualité des contes. We were also given quite a few German works, such as Märchenforschung und Tiefenpsychologie by Wilhelm Laiblin, Nachwort zu Deutsche Volksmärchen von arm und reich, by Waltraud Woeller ; or Märchen, Träume, Schicksale by Otto Graf Wittgenstein. And of course, the bibliography did not forget the most famous theory-tools for fairytales: Vladimir Propp’s Morfologija skazki + Poetika, Vremennik Otdela Slovesnykh Iskusstv ; as well as the famous Classification of Aarne Anti, Stith Thompson and Hans-Jörg Uther (the Aarne-Thompson-Uther Classification, aka the ATU). 

By compiling these works together, one will be able to identify the two main “families” that are rivals, if not enemies, in the world of the fairytale criticism. Today it is considered that, roughly, if we simplify things, there are two families of scholars who work and study the fairy tales. One family take back the thesis and the theories of folklorists - they follow the path of those who, starting in the 19th century, put forward the hypothesis that a “folklore” existed, that is to say a “poetry of the people”, an oral and popular literature. On the other side, you have those that consider that fairytales are inscribed in the history of literature, and that like other objects of literature (be it oral or written), they have intertextual relationships with other texts and other forms of stories. So they hold that fairytales are not “pure, spontaneous emanations”. (And given this is a literary class, given by a literary teacher, to literary students, the teacher did admit their bias for the “literary family” and this was the main focus of the class).

Which notably led us to a third bibliography, this time collecting works that massively changed or influenced the fairytale critics - but this time books that exclusively focused on the works of Perrault and Grimm, and here again we find the same divide folklore VS textuality and intertextuality. It is Marc Soriano’s Les contes de Perrault: culture savante et traditions populaires, it is Ernest Tonnelat’s Les Contes des frères Grimm: étude sur la composition et le style du recueil des Kinder-und-Hausmärchen ; it is Jérémie Benoit’s Les Origines mythologiques des contes de Grimm ; it is Wilhelm Solms’ Die Moral von Grimms Märchen ; it is Dominqiue Leborgne-Peyrache’s Vies et métamorphoses des contes de Grimm ; it is Jens E. Sennewald’ Das Buch, das wir sind: zur Poetik der Kinder und-Hausmärchen ; it is Heinz Rölleke’s Die Märchen der Brüder Grimm: eine Einführung. No English book this time, sorry.

II) The Germans were French, and the French Italians

The actual main topic of this class was to consider the “fairytale” in relationship to the notions of “intertextuality” and “rewrites”. Most notably there was an opening at the very end towards modern rewrites of fairytales, such as Angela Carter’s The Bloody Chamber, “Le petit chaperon vert” (Little Green Riding Hood) or “La princesse qui n’aimait pas les princes” (The princess who didn’t like princes). But the main subject of the class was to see how the “main corpus” of classic fairytales, the Perrault, the Grimm, the Basile and Straparola fairytales, were actually entirely created out of rewrites. Each text was rewriting, or taking back, or answering previous texts - the history of fairytales is one of constant rewrite and intertextuality. 

For example, if we take the most major example, the fairytales of the brothers Grimm. What are the sources of the brothers? We could believe, like most people, that they merely collected their tale. This is what they called, especially in the last edition of their book: they claimed to have collected their tales in regions of Germany. It was the intention of the authors, it was their project, and since it was the will and desire of the author, it must be put first. When somebody does a critical edition of a text, one of the main concerns is to find the way the author intended their text to pass on to posterity. So yes, the brothers Grimm claimed that their tales came from the German countryside, and were manifestations of the German folklore. 

But... in truth, if we look at the first editions of their book, if we look at the preface of their first editions, we discover very different indications, indications which were checked and studied by several critics, such as Ernest Tomelas. In truth, one of their biggest sources was... Charles Perrault. While today the concept of the “tales of the little peasant house, told by the fireside” is the most prevalent one, in their first edition the brothers Grimm explained that their sources for these tales were not actually old peasant women, far from it: they were ladies, of a certain social standing, they were young women, born of exiled French families (because they were Protestants, and thus after the revocation of the édit de Nantes in France which allowed a peaceful coexistance of Catholics and Protestants, they had to flee to a country more welcoming of their religion, aka Germany). They were young women of the upper society, girls of the nobility, they were educated, they were quite scholarly - in fact, they worked as tutors/teachers and governess/nursemaids for German children. For children of the German nobility to be exact. And these young French women kept alive the memory of the French literature of the previous century - which included the fairytales of Perrault.

So, through these women born of the French emigration, one of the main sources of the Grimm turns out to be Perrault. And in a similar way, Perrault’s fairytales actually have roots and intertextuality with older tales, Italian fairytales. And from these Italian fairytales we can come back to roots into Antiquity itself - we are talking Apuleius, and Virgil before him, and Homer before him, this whole classical, Latin-Greek literature. This entire genealogy has been forgotten for a long time due to the enormous surge, the enormous hype, the enormous fascination for the study of folklore at the end of the 19th century and throughout all of the 20th. 

We talk of “types of fairytales”, if we talk of Vladimir Propp, if we talk of Aarne Thompson, we are speaking of the “morphology of fairytales”, a name which comes from the Russian theorician that is Propp. Most people place the beginning of the “structuralism” movement in the 70s, because it is in 1970 that the works of Propp became well-known in France, but again there is a big discrepancy between what people think and what actually is. It is true that starting with the 70s there was a massive wave, during which Germans, Italians and English scholars worked on Propp’s books, but Propp had written his studies much earlier than that, at the beginning of the 20th century. The first edition of his Morphology of fairytales was released in 1928. While it was reprinted and rewriten several times in Russia, it would have to wait for roughly fifty years before actually reaching Western Europe, where it would become the fundamental block of the “structuralist grammar”. This is quite interesting because... when France (and Western Europe as a whole) adopted structuralism, when they started to read fairytales under a morphological and structuralist angle, they had the feeling and belief, they were convinced that they were doing a “modern” criticism of fairytales, a “new” criticism. But in truth... they were just repeating old theories and conceptions, snatched away from the original socio-historical context in which Propp had created them - aka the Soviet Union and a communist regime. People often forget too quickly that contextualizing the texts isn’t only good for the studied works, we must also contextualize the works of critics and the analysis of scholars. Criticism has its own history, and so unlike the common belief, Propp’s Morphology of fairytales isn’t a text of structuralist theoricians from the 70s. It was a text of the Soviet Union, during the Interwar Period. 

So the two main questions of this class are. 1) We will do a double exploration to understand the intertextual relationships between fairytales. And 2) We will wonder about the definition of a “fairytale” (or rather of a “conte” as it is called in French) - if the fairytale is indeed a literary genre, then it must have a definition, key elements. And from this poetical point of view, other questions come forward: how does one analyze a fairytale? What does a fairytale mean?

III) Feuding families

Before going further, we will pause to return to a subject talked about above: the great debate among scholars and critics that lasted for decades now, forming the two branches of the fairytale study. One is the “folklorist” branch, the one that most people actually know without realizing it. When one works on fairytale, one does folklorism without knowing it, because we got used to the idea that fairytale are oral products, popular products, that are present everywhere on Earth, we are used to the concept of the universality of motives and structures of fairytales. In the “folklorist” school of thought, there is an universalism, and not only are fairytales present everywhere, but one can identify a common core for them. It can be a categorization of characters, it can be narrative functions, it can be roles in a story, but there is always a structure or a core. As a result, the work of critics who follow this branch is to collect the greatest number of “versions” of a same tale they can find, and compare them to find the smallest common denominator. From this, they will create or reconstruct the “core fairytale”, the “type” or the “source” from which the various variations come from.

Before jumping onto the other family, we will take a brief time to look at the history of the “folklorist branch” of the critic. (Though, to summarize the main differences, the other family of critics basically claims that we do not actually know the origin of these stories, but what we know are rather the texts of these stories, the written archives or the oral records). 

So the first family here (that is called “folklorist” for the sake of simplicity, but it is not an official or true appelation) had been extremely influenced by the works of a famous and talented scholar of the early 20th century: Aarne Antti, a scholar of Elsinki who collected a large number of fairytales and produced out of them a classification, a typology based on this theory that there is an “original fairytale type” that existed at the beginning, and from which variants appeared. His work was then continued by two other scholars: Stith Thompson, and Hans-Jörg Uther. This continuation gave birth to the “Aarne-Thompson” classification, a classification and bibliography of folkloric fairytales from around the world, which is very often used in journals and articles studying fairytales. Through them, the idea of “types” of fairytales and “variants” imposed itself in people’s minds, where each tale corresponds to a numbered category, depending on the subjects treated and the ways the story unfolds (for example an entire category of tale collects the “animal-husbands”. This classification imposed itself on the Western way of thinking at the end of the first third of the 20th century.

The next step in the history of this type of fairytale study was Vladimir Propp. With his Morphology of fairytales, we find the same theory, the same principle of classification: one must collect the fairytales from all around the world, and compare them to find the common denominator. Propp thought Aarne-Thompson’s work was interesting, but he did complain about the way their criteria mixed heterogenous elements, or how the duo doubled criterias that could be unified into one. Propp noted that, by the Aarne-Thompson system, a same tale could have two different numbers - he concluded that one shouldn’t classify tales by their subject or motif. He claimed that dividing the fairytales by “types” was actually impossible, that this whole theory was more of a fiction than an actual reality. So, he proposed an alternate way of doing things, by not relying on the motifs of fairytales: Propp rather relied on their structure. Propp doesn’t deny the existence of fairytales, he doesn’t put in question the categorization of fairytales, or the universality of fairytales, on all that he joins Aarne-Thompson. But what he does is change the typology, basing it on “functions”: for him, the constituve parts of fairytales are “functions”, which exist in limited numbers and follow each other per determined orders (even if they are not all “activated”). He identified 31 functions, that can be grouped into three groups forming the canonical schema of the fairytale according to Propp. These three groups are an initial situation with seven functions, followed by a first sequence going from the misdeed (a bad action, a misfortune, a lack) to its reparation, and finally there is a second sequence which goes from the return of the hero to its reward. From these seven “preparatory functions”, forming the initial situation, Propp identified seven character profiles, defined by their functions in the narrative and not by their unique characteristics. These seven profiles are the Aggressor (the villain), the Donor (or provider), the Auxiliary (or adjuvant), the Princess, the Princess’ Father, the Mandator, the Hero, and the False Hero. This system will be taken back and turned into a system by Greimas, with the notion of “actants”: Greimas will create three divisions, between the subject and the object, between the giver and the gifted, and between the adjuvant and the opposant.

With his work, Vladimir Propp had identified the “structure of the tale”, according to his own work, hence the name of the movement that Propp inspired: structuralism. A structure and a morphology - but Propp did mention in his texts that said morphology could only be applied to fairytales taken from the folklore (that is to say, fairytales collected through oral means), and did not work at all for literary fairytales (such as those of Perrault). And indeed, while this method of study is interesting for folkloric fairytales, it becomes disappointing with literary fairytales - and it works even less for novels. Because, trying to find the smallest denominator between works is actually the opposite of literary criticism, where what is interesting is the difference between various authors. It is interesting to note what is common, indeed, but it is even more interesting to note the singularities and differences. Anyway, the apparition of the structuralist study of fairytales caused a true schism among the field of literary critics, between those that believe all tales must be treated on a same way, with the same tools (such as those of Propp), and those that are not satisfied with this “universalisation” that places everything on the same level. 

This second branch is the second family we will be talking about: those that are more interested by the singularity of each tale, than by their common denominators and shared structures. This second branch of analysis is mostly illustrated today by the works of Ute Heidmann, a German/Swiss researcher who published alongside Jean Michel Adam (a specialist of linguistic, stylistic and speech-analysis) a fundamental work in French: Textualité et intertextualité des contes: Perrault, Apulée, La Fontaine, Lhéritier... (Textuality and intertextuality of fairytales). A lot of this class was inspired by Heidmann and Adam’s work, which was released in 2010. Now, this book is actually surrounded by various articles posted before and after, and Ute Heidmann also directed a collective about the intertextuality of the brothers Grimm fairytales. Heidmann did not invent on her own the theories of textuality and intertextuality - she relies on older researches, such as those of the Ernest Tonnelat, who in 1912 published a study of the brothers Grimm fairytales focusing on the first edition of their book and its preface. This was where the Grimm named the sources of their fairytales: girls of the upper class, not at all small peasants, descendants of the protestant (huguenots) noblemen of France who fled to Germany. Tonnelat managed to reconstruct, through these sources, the various element that the Grimm took from Perrault’s fairytales. This work actually weakened the folklorist school of thought, because for the “folklorist critics”, when a similarity is noted between two fairytales, it is a proof of “an universal fairytale type”, an original fairytale that must be reconstructed. But what Tonnelat and other “intertextuality critics” pushed forward was rather the idea that “If the story of the Grimm is similar but not identical to the one of Perrault, it is because they heard a modified version of Perrault’s tale, a version modified either by the Grimms or by the woman that told them the tale, who tried to make the story more or less horrible depending on the situation”. This all fragilized the idea of an “original, source-fairytale”, and encouraged other researchers to dig this way.

For example, the case was taken up by Heinz Rölleke, in 1985: he systematized the study of the sources of the Grimm, especially the sources that tied them to the fairytales of Perrault. Now, all the works of this branch of critics does not try to deny or reject the existence of fairytales all over the world. And it does not forget that all over the world, human people are similar and have the same preoccupations (life, love, death, war, peace). So, of course, there is an universality of the themes, of the motives, of the intentions of the texts. Because they are human texts, so there is an universality of human fiction. But there is here the rejection of a topic, a theory, a question that can actually become VERY dangerous. (For example, in post World War II Germany, all researches about fairytales were forbidden, because during their reign the Nazis had turned the fairytales the Grimm into an abject ideological tool). This other family, vein, branch of critics, rather focuses on the specificity of each writing style, of each rewrite of a fairytale, but also on the various receptions and interpretations of fairytales depending on the context of their writing and the context of their reading. So the idea behind this “intertextuality study” is to study the fairytales like the rest of literature, be it oral or written, and to analyze them with the same philological tools used by history studies, by sociology study, by speech analysis and narrative analysis - all of that to understand what were the conditions of creation, of publication, of reading and spreading of these tales, and how they impacted culture.

[just-sans-things]

was that the bite of 87? hm? hm sans? was it? theb tie? of 87? hm?

The San Francisco 49ers (also written as the San Francisco Forty-Niners and nicknamed the Niners)[7] are a professional American football team based in the San Francisco Bay Area. The 49ers compete in the National Football League (NFL) as a member of the league's National Football Conference (NFC) West division. The team plays its home games at Levi's Stadium in Santa Clara, California, located 38 miles (61 km) southeast of San Francisco. The team is named after the prospectors who arrived in Northern California in the 1849 Gold Rush.[8]

The team was founded in 1946 as a charter member of the All-America Football Conference (AAFC) and joined the NFL in 1949 when the leagues merged.[9][10][11] The 49ers were the first major league professional sports franchise based in San Francisco. They are the 10th oldest franchise in the NFL, and have been family owned and operated exclusively by Italian Americans (Morabito and DeBartolo families, respectively) since the team's inception.[12][13] The team began play at Kezar Stadium in San Francisco before moving to Candlestick Park in 1971 and then to Levi's Stadium in 2014. Since 1988, the 49ers have been headquartered in Santa Clara.

The 49ers won five Super Bowl championships between 1981 and 1994. Four of those came in the 1980s, and were led by Hall of Famers Joe Montana, Jerry Rice, Ronnie Lott, Steve Young, Charles Haley, Fred Dean, and coaches Bill Walsh and George Seifert.[14] They have been division champions 22 times between 1970 and 2023, making them one of the most successful teams in NFL history.[15][16] The 49ers sit alone in NFL history for most playoff wins (38), having been in the league playoffs 30 times (29 times in the NFL and one time in the AAFC), and have also played in the most NFC Championship games (19), hosting 11 of them, also an NFC record. The team has set numerous notable NFL records, including most consecutive away games won (18), most points scored in a single postseason (131), most consecutive seasons leading the league in scoring (4), most consecutive games scored (420 games from 1977 to 2004),[17] most field goals in a season (44), most games won in a season (18), and most touchdowns (8) and points scored (55) in a Super Bowl.[18]

According to Forbes, the 49ers are the sixth most-valuable team in the NFL, valued at $5.2 billion in August 2022.[19] In 2020, they were ranked the 12th most valuable sports team in the world, behind the Los Angeles Rams and above the Chicago Bears.[20] In June 2023, the enterprise branch of the 49ers completed the acquisition of English soccer club Leeds United.[21]

[ulkaralakbarova]

For decades, next-door neighbors and former friends John and Max have feuded, trading insults and wicked pranks. When an attractive widow moves in nearby, their bad blood erupts into a high-stakes rivalry full of naughty jokes and adolescent hijinks. Credits: TheMovieDb. Film Cast: John Gustafson: Jack Lemmon Max Goldman: Walter Matthau Ariel Truax: Ann-Margret Grandpa Gustafson: Burgess Meredith Melanie: Daryl Hannah Jacob Goldman: Kevin Pollak Chuck: Ossie Davis Snyder: Buck Henry Mike: Christopher McDonald Moving Man: John Carroll Lynch Weatherman: Steve Cochran Pharmacist: Joe Howard Nurse: Isabell O’Connor Fisherman: Charles Brin Fisherman: Oliver Osterberg Film Crew: Director: Donald Petrie Original Music Composer: Alan Silvestri Producer: Richard C. Berman Editor: Bonnie Koehler Director of Photography: Johnny E. Jensen Art Direction: Mark Haack Special Effects Coordinator: Peter Albiez Chief Lighting Technician: Patrick Marshall Key Costumer: Trina Mrnak Location Manager: Cat Thompson Sound Re-Recording Mixer: Rick Hart Foley: Ellen Heuer Dialogue Editor: Vic Radulich Special Effects Supervisor: Greg C. Jensen Musician: Tom Boyd Associate Producer: Kathy Sarreal Casting: Sharon Howard-Field Second Assistant Director: Molly Muir Leadman: Chris Gibbin Boom Operator: Mark Steinbeck Dialogue Editor: Mike Szakmeister Stunts: Bill McIntosh First Assistant Camera: Jimmy E. Jensen Costume Supervisor: Keith G. Lewis Music Editor: Andrew Silver Production Accountant: Kim Bodner Administration: Peter L. Mullin Costume Design: Lisa Jensen Dialogue Editor: Christopher Assells ADR Editor: Linda Folk Additional Sound Re-Recording Mixer: Kim Waugh Stunts: Spiro Razatos Title Designer: Wayne Fitzgerald First Assistant Director: Douglas E. Wise Sound Re-Recording Mixer: Tom E. Dahl Second Unit: Rosalie Seifert Orchestrator: William Ross Administration: Gregory J. Niska Set Decoration: Clay A. Griffith Makeup Artist: Linda Melazzo First Assistant Director: Randy Suhr Foley: Kevin Bartnof ADR Supervisor: Jessica Gallavan Foley Editor: Eric Gotthelf Sound Recordist: David Behle Best Boy Electrician: Hugh Langtry Assistant Editor: Trudy Yee Construction Foreman: Blaine Marcou Special Effects: Shelly Hawkos Administration: Tom Sann Hairstylist: Linda Rizzuto Key Makeup Artist: Rick Sharp Assistant Property Master: Jerry Swift Sound Re-Recording Mixer: Robert J. Litt Stunt Coordinator: Ernie F. Orsatti Chief Lighting Technician: Pat Blymyer Scoring Mixer: Dennis S. Sands Production Accountant: Susan Montgomery Executive Producer: Dan Kolsrud Property Master: Jim Zemansky Stunts: Ray Lykins First Assistant Camera: Christopher M. Fisher Unit Publicist: Michael Singer Associate Producer: Darlene K. Chan Researcher: Aryn Chapman Sound Effects Editor: Randy Kelley Supervising Sound Effects Editor: Mark P. Stoeckinger Still Photographer: Ron Phillips Construction Coordinator: Douglas Dick Sound Re-Recording Mixer: Wayne Heitman Foley Editor: Patrick N. Sellers First Assistant Editor: Adam C. Frank Color Timer: Dale E. Grahn Supervising Music Editor: Kenneth Karman Dialogue Editor: Chris Hogan Camera Operator: Dick Colean Assistant Costume Designer: Elizabeth Shelton Location Manager: Dave Halls ADR & Dubbing: Thomas J. O’Connell Key Grip: Richard Moran Key Costumer: Hala Bahmet Administration: Lisa D. Menke Hairstylist: Linda De Andrea Assistant Art Director: Jack E. Pelissier Jr. Assistant Sound Editor: Cybele O’Brien Sound Re-Recording Mixer: Elliot Tyson Assistant Sound Editor: Victor Ray Ennis Production Sound Mixer: Russell C. Fager Rigging Gaffer: Tim Marshall Negative Cutter: Donah Bassett Script Supervisor: Susan Bierbaum ADR & Dubbing: Rick Canelli Special Effects: Keane Bonath Associate Editor: Steve Schoenberg Production Design: David Chapman Producer: John Davis Writer: Mark Steven Johnson Movie Reviews: John Chard: Do me a favour. Put your lip over your head… and swallow. Grumpy Old Men is directed by Donald Petrie and written by Mark Steven Johnson. It stars Walter Matthau, Jack Lemmon, Ann-Margret, Kevin Polla...

[mirandamckenni1]

This Disease is Deadlier Than The Plague All Links, sources & further reading: https://ift.tt/BuYh8Cb This video was made possible through a grant by Gates Ventures. The white death has haunted humanity like no other disease following us for thousands, maybe millions of years. In the last 200 years it killed a billion people – way more than all wars and natural disasters combined. Even today it’s the infectious disease with the highest kill count. But what is this horrible disease? OUR CHANNELS ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ German: https://ift.tt/sizW9f4 Spanish: https://ift.tt/aB4cOzV French: https://ift.tt/KhzlgFR Portuguese: https://ift.tt/clCHd97 Arabic: https://ift.tt/IYMAiCE Hindi: https://ift.tt/yBLifRF Japanese: https://ift.tt/v0JRsLD Korean: https://ift.tt/jJ4tcCg HOW CAN YOU SUPPORT US? ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ This is how we make our living and it would be a pleasure if you support us! Get Products designed with ❤️ https://shop.kgs.link Join the Patreon Bird Army 🐧 https://ift.tt/9Xcw8YH DISCUSSIONS & SOCIAL MEDIA ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ TikTok: https://kgs.link/tiktok Reddit: https://kgs.link/reddit Instagram: https://ift.tt/L3ErzJi Twitter: https://ift.tt/rzJAcHo Facebook: https://ift.tt/7xMtOQy Discord: https://ift.tt/eFNUoX4 Newsletter: https://ift.tt/rI8ACjL OUR VOICE ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ The Kurzgesagt voice is from Steve Taylor: https://ift.tt/JfOevV4 OUR MUSIC ♬♪ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ 700+ minutes of Kurzgesagt Soundtracks by Epic Mountain: Spotify: https://ift.tt/new6PyJ Soundcloud: https://ift.tt/RS3tKZU Bandcamp: https://ift.tt/f7Y1Tgo Youtube: https://ift.tt/xvAdFpP Facebook: https://ift.tt/BLEoxOA The Soundtrack of this video: SoundCloud: https://bit.ly/3xHijno Bandcamp: https://bit.ly/4eDFhMO If you want to help us caption this video, please send subtitles to subtitle@kurzgesagt.org You can find info on what subtitle files work on YouTube here: https://ift.tt/gfOZabS Thank you! 🐦🐧🐤 PATREON BIRD ARMY 🐤🐧🐦 ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ Many Thanks to our wonderful Patreons (from http://kgs.link/patreon) who support us every month and made this video possible: Rick Mildebrath, Uriel Perez Villegas, Nate Pitts, Earth2.0!, Maik Seifert, Richie C, Angela Hartmann, Matthew Deane, Orobas, Crazy Nilo, Z00, Jay Morrow, Nightmare Punches, Sputnik, Aziz A, Justin Silagyi, William porter, Mishell Steel, Michelle Cruz, Mystari Alyssa Endris, UglyBagOfMostlyWater, Nico Holzer, Oekida, Max Castonguay, damir randic, King Pin, Max Santmire, Bishop, schoenbrunn, isaiah watson, Ismael TR, Takuneru, Malek Sabra, H, Jorge Limon-Ramirez, Robbie de la haye, Kasper Bengtson, Dmitry Dimov, Joseph Mixon, Kristian Vizcarra, Pilier51, Logan J McMillan, Maximilian Gruber, Tobias Arlt, Itamar, Gretchen Bonasera, Marco Sawaya, Sinmis077, Tung Vu, Tanya, LukeOnTheBrightSide, Giovanni Rizzo, Dylan Gonzalez, Benjamin Guan-Kennedy, Dan, Sam Hecht, Petter Sælen, Emile Ponson, Dan Sauer, Volo Herzon, The_Party_Octopus, Felix Parey, Dillon Hearne, Peirce Ellis, EstefaníaDelSol, Mick_Holtel, Viz, David Grivel, Christine Gunter, Craig Brennan, Nicolas, BerniNotFound, Nico Cronan, Will Garmon, KatzeLP xx, Tom Bricaud, Zakariaâ Rida, Jessie-Naomi Horsman, Arthur H. Sakamoto, Damien Burley, blarglenarf, William Sharkey, skibur, Blaze Lumini, Generic panda, Ethan Salafsky, Charles Vane, The Scoot, Rachel Alexander, David DeBroux, Carly via YouTube https://www.youtube.com/watch?v=GFLb5h2O2Ww

[brookstonalmanac]

Birthdays 1.22

Beer Birthdays

Pat Hagerman (1964)

James Renfrew (1965)

Motor (1966)

Bud Bundy, character on Married… with Children, named after Al Bundy's favorite beer (1975)

Five Favorite Birthdays

Francis Bacon; writer, philosopher (1561)

Sergei Eisenstein; Russian director & screenwriter (1898)

Robert E. Howard; fantasy writer (1906)

J.J. Johnson; jazz trombonist, bandleader (1924)

Diane Lane; actress (1965)

Famous Birthdays

Andre Marie Ampere; physicist (1775)

George Balanchine; choreographer (1904)

Bill Bixby; actor (1934)

Richard Blackmore; English physician & poet (1654)

Linda Blair; actress (1959)

Ed Bradley; television journalist (1941)

Ernst Busch; German actor and singer (1900)

Lord Byron; poet (1788)

Seymour Cassel; actor (1935)

Sam Cooke; musician (1931)

Douglas "Wrong Way" Corrigan; pilot (1907)

Olivia d'Abo; actor (1967)

John Donne; English poet & cleric (1573)

Joe Esposito; author (1938)

Guy Fieri; chef, author, and tv host (1968)

Willa Ford; singer-songwriter & actress (1981)

Pierre Gassendi; French mathematician, astronomer & philosopher (1592)

D.W. Griffith; film director (1875)

Martti Haavio; Finnish poet and mythologist (1899)

Alan J. Heeger; physicist and chemist (1936)

Helen Hoyt; poet and author (1887)

John Hurt; actor (1940)

Michael Hutchence; rock singer (1960)

Jim Jarmusch; film director (1953)

DJ Jazzy Jeff; musician (1965)

Graham Kerr; chef, "Galloping Gourmet" (1934)

William Kidd; Scottish sailor and pirate hunter (1645)

Nicolas Lancret; French painter (1690)

Piper Laurie; actor (1932)

Gotthold Ephraim Lessing, German philosopher & author (1729)

Malcolm McLaren, English singer-songwriter & manager

Charles Morgan; writer (1894)

Steve Perry; rock musician (1949)

Francis Picabia; French painter and poet (1878)

Walter Raleigh; English poet, soldier, & explorer (1552)

Ray Rice; Baltimore Ravens RB (1987)

George "Chuck" Seifert; San Francisco 49ers coach (1940)

John Wesley Shipp; actor (1956)

Ann Sothern; actress (1909)

August Strindberg; Swedish novelist, poet, & playwright (1849)

Hikaru Walter Sulu; Star Trek character (2179)

Conrad Veidt; German-American actor, director (1893)

Frederick Vinson; supreme court chief justice (1890)

Joseph Wambaugh; writer (1937)

John Winthrop; politician (1588)

[collanalerane]

Fiabe ciniche, a cura di Gretchen Schultz e Lewis Seifert

«Be’, caro lettore, mi dispiace informarti che non conosci affatto la fine di questa storia, o perlomeno non sei al corrente dei dettagli. Se ora non mi prendessi la briga di illuminarti, ne resteresti per sempre all’oscuro.»

Fiabe ciniche è una raccolta di trentasei racconti che sovvertono le convenzioni della fiaba tradizionale: il lupo viene ingannato da Cappuccetto Rosso; la Bella Addormentata e Cenerentola non vivono felici e contente; le fate sono impertinenti, arrabbiate e capricciose. Scritte da grandi autori del decadentismo francese come Charles Baudelaire, Anatole France e Guillaume Apollinaire, queste storie riflettono le preoccupazioni e il fascino di un’epoca di grande cambiamento politico, sociale e culturale. In queste fiabe senza morale, non sempre il lieto fine spetta ai più virtuosi e i cattivi vengono raccontati sotto una nuova luce. Le principesse di queste fiabe sono ciniche e senza scrupoli e i finali delle storie, spesso duri e tristi, sanno sorprendere e intrattenere anche i lettori più disincantati.

[x00151x]

Efemérides literarias: 23 de septiembre

Nacimientos 1820: Charles-François Stallaert, escritor belga (f. 1893).1865: Carlos Fernández Shaw, escritor y periodista español (f. 1911).1865: Emma Orczy, escritora y aristócrata británica de origen húngaro (f. 1947).1893: Carles Riba, escritor catalán (f. 1959).1901: Jaroslav Seifert, escritor checoslovaco, premio nobel de literatura en 1984 (f. 1986).1902: Montagu Slater, escritor británico…

[thinkingimages]

I see for it is night | Strange Flowers....

A third and final dispatch from Prague takes us to the riverside Museum Kampa, gleaming lunar white in the early autumn sun on a stretch of Malá Strana south of the Charles Bridge. A former mill, it was repurposed as a gallery of 20th century art after the Velvet Revolution by Meda Mládek. Her championing of modern Czech art began long before; as well as collecting some of its finest examples with her husband Jan, in 1953 she published a book which featured contributions by André Breton, Jindřich Heisler and Benjamin Péret. This was the first monograph dedicated to the artist whose work we are here to see: Marie Čermínová, better known as Toyen.

Born in Prague in 1902, Toyen studied art before meeting Jindřich Štyrský and joining forces with Devětsil, a uniquely Czech movement combining art and literature. Moving to Paris in the late 1920s, she and Štyrský founded their own movement of two, Artificialism, although it was soon apparent that their vision had considerable crossover with Surrealism. The opportunities that the movement offered women, conditional though they were, Toyen grabbed with both hands. She was anointed by the Surrealist curia. For André Breton, Toyen’s work was “as luminous as her own heart yet streaked through by dark forebodings”.

In 1934 Toyen co-founded the Czech Group of Surrealists, and took part in numerous international shows, including the famous 1936 London exhibition in a period which produced some of her most emblematic work, including Sleeper (1937). Despite the arresting figure she presented with her severe, slicked-back hair and workman’s overalls, she was intensely private. Toyen remained in Prague during the brutal Nazi occupation, sheltering Jewish artist Jindřich Heisler in her Žižkov apartment; Štyrský died in 1942. With the Soviets assuming control of what was then Czechoslovakia after the war, Toyen returned to Paris. Her last exhibition during her lifetime united her works with those of the late Štyrský in Brno, shortly before the Prague Spring. However Toyen remained productive right up to her death in 1980. To this day she remains one of the least-known of the major Surrealist artists, although an extensive exhibition in Prague at the beginning of the millennium established her reputation in her homeland, at least.

There are portents, some apparent, some not. Although I was unaware of it at the time, the previous night’s wanderings had led me straight past the block where Heisler waited out the war in Toyen’s apartment. I couldn’t miss Toyen’s Sleeper on posters all over town, little eruptions of mystery amid the everyday, justifying Prague’s reputation as a city whose oddities are brought to the fore. It is a concept explored at length in Derek Sayer’s 2013 book Prague, Capital of the Twentieth Century: A Surrealist History (thanks to Jay for the tip). It opens with André Breton’s 1935 visit to the city, and Toyen features extensively throughout:

According to her own account Marie Čermínová’s nom de plume Toyen was a contraction of the French revolutionary salutation citoyen, though Jaroslav Seifert tells a different story, claiming that he made the name up one day in the National Café. “She was a kind and fine girl,” he says. “We all liked her,” even if “she spoke only in the masculine gender” which “at the beginning we found a little unaccustomed and grotesque, but in time we got used to it.” […] Toyen adopted masculine attire as well as a male grammatical persona, bending gender further than Marcel Duchamp’s occasional feminine alter ego Rrose Selavie ever did.

...

[keyamsha]

Charles Christopher Seifert

Charles Seifert author of The Negro or Ethiopia’s Contribution to Art where the “tree without roots” quote originated. Coined the “tree without roots” quote note: this post is based on notes from the Marcus Garvey Papers Project which can be found here. Charles Christopher Seifert (1880-1949) was born at Christ Church, Barbados. His father was a plantation overseer who was also renowned as a…

[architectnews]

Texas Architecture: Texan Buildings

Texas Architecture News, Building Images, Architects, United States of America Property

Texas Architecture : Buildings

Major Architectural Projects, USA – Texan Built Environment Information

post updated October 25, 2020

Texas Architecture News

Texan Architecture News – latest additions to this page, arranged chronologically:

Oct 10, 2020 National Medal of Honor Museum, Arlington Architecture: Rafael Viñoly Architects image courtesy of architects National Medal of Honor Museum National Medal Of Honor Museum Foundation Reveals First Architectural Renderings Of The Museum’s New Home By Rafael Viñoly Architects As Part Of A 1-Year Anniversary Celebration.

July 2, 2020 Honest Mary’s, Austin Architecture: Chioco Design picture : Chase Daniel Honest Mary’s Restaurant in Austin A 2,665 sqft complete renovation of an existing restaurant in Austin, Texas. The softly curving plaster ceiling, custom booths, shelving and wood paneling, paired with plenty of natural light and deep blue accents, resulting in a bright, inviting space.

July 2, 2020 Woodward Duplexes in Austin

June 30, 2020 River Ranch, Blanco Design: Jobe Corral Architects photography : Casey Dunn and Casey Woods River Ranch in Blanco The River Ranch is about the connection to the land. The indoor/outdoor relationship of the spaces is strengthened by specific moments that connect the user to three site features.

June 29, 2020 Filtered Frame Dock, Austin Design: Matt Fajkus Architecture photography : Charles Davis Smith; MF Architecture Filtered Frame Dock in Austin, TX This single-slip boat dock of Filtered Frame Dock is a result of liberation through constraints balanced with sensory experience. Devised concurrently with the property’s new residence, the boat dock creates both tangible and implied connections of experience and shelter.

Feb 5, 2020 Bouldin Creek Residence Architecture: Restructure Studio photography : Michael Hsu Bouldin Creek Residence in Austin, TX The Bouldin Creek Residence is a new home for a young family, Restructure Studio pays respect to a unique site, including a heritage live oak tree, Bouldin creek, and steeply sloping lot in an established neighborhood.

Nov 21, 2019 Brownwood House

Nov 20, 2019 AISD Performing Arts Center, Austin Architecture: Miró Rivera Architects photography : Thomas McConnell and Miró Rivera Architects AISD Performing Arts Center AISD Performing Arts Center (PAC) is the first purpose-built, district-wide Fine Arts facility in the 134-year history of the Austin Independent School District.

Oct 25, 2019 The Heights School Building in Arlington

Apr 12, 2019 Carpenter Hotel, Austin Architecture: Specht Architects image courtesy of architects Carpenter Hotel Austin A hidden oasis in one of the last pockets of Old Austin. It is a compound of buildings of different vintages surrounding a pecan tree-shaded courtyard and pool, and features a restaurant, café, event pavilion, and 93 guest rooms. It has a character that is unlike any other hotel in town.

Dec 13, 2018 Residence 1446, Austin Design: Miró Rivera Architects photograph : Paul Finkel, Piston Design Residence 1446 in Austin Situated in a low-lying field adjacent to both a lake and a quiet lagoon, Residence 1446 was the final element of a ten-year master plan that includes a guest house, pedestrian bridge, pool, and boathouse.

Dec 12, 2018 Hill Country House, Wimberley Design: Miró Rivera Architects photograph : Paul Finkel, Piston Design Hill Country House in Wimberley Conceived as a prototype for a sustainable rural community, the Hill Country House serves as a beacon to show what could be: a self-sustaining home in a rural setting, virtually independent of municipal water and energy.

Aug 13, 2018 Casa de Sombra, Rollingwood, Travis County Design: Bade Stageberg Cox, Architects image from Chicago Athenaeum Contemporary Rollingwood Residence Casa de Sombra, named for an exploration of light and shadow, is a re-thinking of the suburban house that examines dichotomies between interior/exterior, public/private, and what it means to experience light and its absence.

Dec 5, 2017 East Austin District, Austin Design: architects BIG-Bjarke Ingels Group image by BIG-Bjarke Ingels Group East Austin District Arena The new East Austin District created by Austin Sports & Entertainment and designed by award-winning architects BIG-Bjarke Ingels Group is an entirely new sports and entertainment neighborhood tailored to celebrate world-class sports and cultural experiences under one checkered roofscape.

Dec 12, 2016 News from US architecture studio of Miró Rivera Architects image from architect Miró Rivera Architects in Texas LifeWorks and the AISD Performing Arts Center took home honors at the inaugural Austin Green Awards celebration on November 9. Launched this year by the Center for Maximum Potential Building Systems, the awards are the first program “to specifically highlight the outstanding accomplishments in the broad area of sustainable design and innovation” in Austin.

[Bracketed Space] House in Austin

Nov 10, 2016 Threshold House in Austin

Oct 13, 2016 Edgeland Residence in Austin

Oct 13, 2016 Annie Residence in Austin

Aug 28, 2016 Carved Cube House in West Austin

May 2, 2016 Buddy Holly Hall of Performing Arts and Sciences, Lubbock image from architect Buddy Holly Hall of Performing Arts and Sciences in Texas This arts complex will be built in Lubbock, Texas, birthplace of the legendary 1950s pop star whose brief career influenced generations of musicians and fans.

The Secret Life of Buildings: A Call for Objects A selection of twenty ‘Objects’ will be exhibited for two weeks around a three-day symposium to be staged by the Center for American Architecture and Design (CAAD) at The University of Texas at Austin in October 2016 called “The Secret Life of Buildings.” The Secret Life of Buildings Architecture Competition

May 23, 2013 West Lake Hills Residence, Austin, Texas Design: Specht Harpman photo: Taggart Sorensen West Lake Hills Residence On a densely tree-covered site in the Austin, Texas exurb of West Lake Hills, Specht Harpman was tasked with the renovation and expansion of a modest 1970’s house. Much of the original internal structure was maintained, but the alterations sought to erase all visible traces of the original house.

Apr 5, 2013 Observation Tower at Circuit of the Americas, Austin Design: Miró Rivera Architects picture : Paul Finkel | Piston Design Observation Tower at Circuit of the Americas Texas Austin360 Amphitheater completed: located southwest of downtown Austin, the Circuit of the Americas will be the host to the United States Formula 1 Grand Prix, MotoGP, V8 Supercar, and American Le Mans races starting with the inaugural race on November 16-18, 2012. Built around a 3.4 mile racetrack, the facility has the capacity for 120,000 visitors and will become a significant attraction for the city of Austin.

Jun 11, 2012 Menil Drawing institute Building, Houston Johnston Marklee wins this Texan architecture competition image : David Chipperfield Architects Menil Collection Houston

Jun 15, 2011 Museum of Fine Arts Houston Steven Holl Architects Selected for Expansion photograph © MFAH Museum of Fine Arts Houston This project will involve the construction of a new museum building intended primarily for art after 1900 to complement the Audrey Jones Beck and Caroline Wiess Law Buildings. It will also try to integrate the Lillie and Hugh Roy Cullen Sculpture Garden and the expansion of the Glassell School of Art.

Aug 3, 2011 Irving Convention Center Design: RMJM Hillier Architects image from architect Irving Convention Center The Las Colinas Convention Centre in Texas, designed by RMJM Hillier’s New York Studio, is wrapped in copper cladding designed to generate a changing patina as it ages over time – a striking and timeless icon for a Western boomtown in the heart of the Dallas-Fort Worth Metroplex.

McNay Art Museum – Jane and Arthur Stieren Center for Exhibitions, San Antonio Design: Jean-Paul Viguier S.A. d’Architecture photo : Jeff Goldberg / ESTO McNay Art Museum

Texas Architecture

e-architect choose the key examples of Texan Buildings, USA. The focus is on contemporary Texan buildings.

We have 2 pages of Texan Architecture selections with links to many individual project pages.

Texas Architecture : news + key projects A-G (this page)

Texas Buildings : H-Z

Major Texas Building Designs, alphabetical:

Alpine Courthouse Building Design: PageSoutherlandPage photo : Chris Cooper Alpine Courthouse

Arthouse, Dallas Design: Morrison Seifert Murphy photograph from architects Arthouse

Beechwood Residence, Dallas Morrison Seifert Murphy photo from architecs Beechwood Residence

Berkshire Residence, Dallas Morrison Seifert Murphy photograph : Charles Davis Smith © MSM Berkshire Residence

Dallas Center for Performing Arts Joshua Prince-Ramus / Rem Koolhaas photo : Iwan Baan Wyly Theatre – AT&T Performing Arts Center

Destination Universitas, Nevada desert Chetwood Architects picture from architect Texan architecture

Discovery Tower – office building, Houston Gensler picture : Gensler Discovery Tower Houston

El Paso Housing OFIS, architects picture from architects El Paso Housing

Glendora I Residence, Dallas Morrison Seifert Murphy photograph from architects Glendora Residence

GSA Field Office Building, Houston PageSoutherlandPage photo : Timothy Hursley GSA Field Office

More Texan Buildings online soon

Major Texas Architecture Designs, A-G, no images, alphabetical:

Amon Carter Museum, Fort Worth – Philip Johnson

Annette Strauss Artist Square, Dallas 2008- Foster + Partners

Austin City Hall + Public Plaza 2007 Antoine Predock Architect

Dallas City Hall, Dallas 1977 I.M. Pei and Partners

Dallas Cowboys Stadium & entertainment venue, Arlington 2007-09 HKS, Inc. Due to be largest NFL stadium in the world

Fountain Place, Dallas 1986 Pei Cobb Freed and Partners

Globe News Center for the Performing Arts, Amarillo 2007- Holzman Moss Architecture

More Texan Building Designs online soon

Location: Texas, USA

Architecture in Texas

Dallas Buildings

Dallas Architects

Texan Buildings : Forth Worth

American Architecture

American Architects

Website: USA

Neighbouring State Buildings

Arkansas Architecture

Louisiana Architecture

New Mexico Architecture

Oklahoma Architecture

Houston Developments

Comments / photos for the Texas Architecture page welcome

Website: Texas

The post Texas Architecture: Texan Buildings appeared first on e-architect.

[milliondollarbaby87]

MOTION PICTURES

Outstanding Performance by a Cast in a Motion Picture Parasite

HYAE JIN CHANG / Chung Sook YEO JEONG CHO / Yeon Kyo WOO SHIK CHOI / Ki Woo HYEON JUN JUNG / Da Song ZISO JUNG / Da Hye JUNG EUN LEE / Moon Gwang SUN KYUN LEE / Dong Ik MYUNG HOON PARK / Geun Se SO DAM PARK / Ki Jung KANG HO SONG / Ki Taek

Outstanding Performance by a Male Actor in a Leading Role Joaquin Phoenix, Joker

Outstanding Performance by a Female Actor in a Leading Role Renee Zellweger, Judy

Outstanding Performance by a Male Actor in a Supporting Role Brad Pitt, Once Upon a Time in Hollywood

Outstanding Performance by a Female Actor in a Supporting Role Laura Dern, Marriage Story

TELEVISION Outstanding Performance by an Ensemble in a Drama Series The Crown

MARION BAILEY / Queen Elizabeth the Queen Mother HELENA BONHAM CARTER / Princess Margaret OLIVIA COLMAN / Queen Elizabeth II CHARLES DANCE / Lord Mountbatten BEN DANIELS / Lord Snowdon ERIN DOHERTY / Princess Anne CHARLES EDWARDS / Martin Charteris TOBIAS MENZIES / Prince Philip, Duke of Edinburgh JOSH O’CONNOR / Prince Charles SAM PHILLIPS / Equerry DAVID RINTOUL / Michael Adeane JASON WATKINS / Harold Wilson

Outstanding Performance by an Ensemble in a Comedy Series The Marvelous Mrs. Maisel

CAROLINE AARON / Shirley Maisel ALEX BORSTEIN / Susie Myerson RACHEL BROSNAHAN / Midge Maisel MARIN HINKLE / Rose Weissman STEPHANIE HSU / Mei JOEL JOHNSTONE / Archie Cleary JANE LYNCH / Sophie Lennon LEROY McCLAIN / Shy Baldwin KEVIN POLLAK / Moishe Maisel TONY SHALHOUB / Abe Weissman MATILDA SZYDAGIS / Zelda BRIAN TARANTINA / Jackie MICHAEL ZEGEN / Joel Maisel

Outstanding Performance by a Male Actor in a Drama Series Peter Dinklage, Game of Thrones

Outstanding Performance by a Female Actor in a Drama Series Jennifer Aniston, The Morning Show

Outstanding Performance by a Male Actor in a Comedy Series Tony Shalhoub, The Marvelous Mrs. Maisel

Outstanding Performance by a Female Actor in a Comedy Series Phoebe Waller-Bridge, Fleabag

Outstanding Performance by a Male Actor in a Television Movie or Limited Series Sam Rockwell, Fosse/Verdon

Outstanding Performance by a Female Actor in a Television Movie or Limited Series Michelle Williams, Fosse/Verdon

STUNT ENSEMBLES Outstanding Action Performance by a Stunt Ensemble in a Motion Picture

AVENGERS: ENDGAME Marija Juliette Abney Janeshia Adams-Ginyard George “Gee” Alexander Derek Alfonso Nate Andrade Christopher Antonucci Randy Archer Brandon Arnold Steven S. Atkinson Ben Aycrigg Jennifer Badger Christopher Balualua Danya Bateman Loyd Bateman Kelly Bellini Joanna Bennett Carrie Bernans Felix Betancourt Gianni Biasetti, Jr. Mike Bishop Tamiko Brownlee Troy Butler Jwaundace Candece Marc Canonizado Janene Carleton Elisabeth Carpenter Sean Christopher Carter Kevin Cassidy Hymnson Chan Courtney Chen Anis Cheurfa Fernando Chien Alvin Chon Tye Claybrook, Jr. Marcelle Coletti David Conk John A. Cooper Brandon Cornell Thomas Joseph Culler Jahnel Curfman Gui Da Silva-Greene Chris Daniels Keith Davis Martin De Boer Robbert de Groot Isabella Shai DeBroux Holland Diaz Josh Diogo Jackson Dobies Justin Dobies Cory Dunson Jessica Durham Justin Eaton Jared Eddo Katie Eischen Kiante Elam Jazzy Ellis David Elson Jason Elwood Hanna Tony Falcon Guy Fernandez Mark Fisher Alessandro Folchitto Colin Follenweider Glenn Foster Simeon Freeman Shauna Galligan Monique Ganderton Johnny Gao Jomahl Gildersleve Denisha Gillespie Daniel Graham Ryan Green Carlos Guity Califf Guzman Dante Ha Akihiro Haga Garrett Hammond Lydia Hand Daniel Hargrave Kandis Hargrave Sam Hargrave Regis Andrew Harrington III Thayr Harris Zedric Harris Jimmy Hart Alex Hashioka Zachary Henry Danny Hernandez Mark Hicks Maria Hippolyte Bobby Holland Hanton JT Holt Crystal Hooks Niahlah Hope Damita Howard Justin Howell Jacob Hugghins Lindsay Anne Hugghins Michael Hugghins Tony Hugghins Scott Hunter James Hutchison III Pan Iam CC Ice Sarah Irwin Mami Ito Duke Jackson Michael Jamorski Kirk Jenkins Preshas Jenkins Floyd Anthony Johns Jr. Richard M. King Ralf Koch Khalil La’Marr Matt LaBorde Danny Le Boyer Matt Leonard William Leong Bethany Levy James Lew Marcus Lewis Jefferson Lewis III Eric Linden Scott Loeser Rachel Luttrell-Bateman Adam Lytle Tara Macken Dave Macomber Julia Maggio Ruben Maldonado Richard Marrero Rob Mars Andy Martin Aaron Matthews Tim R. McAdams Taylor McDonald Kyle McLean Crystal Michelle Mark Miscione Heidi Moneymaker Renae Moneymaker Chris Moore Tristen Tyler Morts William Billy Morts Marie Mouroum Spencer Mulligan Travor Murray Jachin JJ Myers Anthony Nanakornpanom John Nania Nikolay Nedyalkov Carl Nespoli Paul O’Connor Marque Ohmes Olufemi Olagoke Noon Orsatti Rowbie Orsatti Jane Oshita Leesa Pate Natasha Paul Gary Peebles Nathaniel Perry Josh Petro Lloyd Pitts George Quinones Taraja Ramsess Greg Rementer Antjuan Rhames Meredith Richardson Bayland Rippenkroeger Ryan Robertson Christopher Cody Robinson Donny Rogers Carrington Christopher Eric Romrell Michelle Rose Corrina Roshea Marvin Ross Elena Sanchez Maya Santandrea Matthew Scheib Erik Schultz Jordan Scott Joshua Russel Seifert Brandon Shaw Bruce Shepperson Joseph Singletary III Tim Sitarz Dominique Smith Dena Sodano Robert D. Souris Jackson Spidell Daniel Stevens Jenel Stevens Diandra Stoddard Milliner Granger Summerset Phedra Syndelle Mark Tearle Hamid-Reza Thompson Tyler J. Tiffany Aaron Toney Amy Lynn Tuttle Tony Vo Todd Warren Kevin Waterman Amber Whelan Aaron Wiggins Joseph Williams Matthew M. Williams Thom Williams Zola Williams Mike Wilson Tyler Witte Michael Yahn James Young Marcus Gene Young Woon Young Park Casey Zeller Keil Zeperni

Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series GAME OF THRONES Boian Anev Mark Archer Kristina Baskett Ferenc Berecz Richard Bradshaw Michael Byrch Andrew Burford Yusuf Chaudhri Nick Chooping Jonathan Cohen David Collom Christopher Cox Jacob Cox Matt Crook Matt Da Silva Levan Doran Dom Dumaresq Daniel Euston Bradley Farmer Pete Ford Vladimir Furdik David Grant Lawrence Hansen Richard Hansen Nicklas Hansson Rob Hayns Lyndon Hellewell Jessica Hooker Gergely Horpacsi Paul Howell Rowley Irlam Erol Ismail Troy Kechington Paul Lowe John Macdonald Leigh Maddern Kai Martin Kim Mcgarrity Carly Michaels Nikita Mitchell Chris Newton David Newton Jason Oettle Bela Orsanyi Ivan Orsanyi Radoslav Parvanov Oleg Podobin Josh Ravenscroft Andrej Riabokon Zach Roberts Doug Robson Stanislav Satko Paul Shapcott Mark Slaughter Sam Stefan Jonny Stockwell Ryan Stuart Gyula Toth Marek Toth Andy Wareham Calvin Warrington Heasman Richard Wheeldon Belle Williams Will Willoughby Leo Woodruff Ben Wright Lewis Young

WINS BY STUDIO Disney – 1 Neon – 1 Netflix – 1 Roadside Attractions/LD Entertainment – 1 Sony Pictures – 1 Warner Bros – 1

WINS BY NETWORK Amazon – 3 FX – 2 HBO – 2 Netflix – 1 Apple – 1

SAG Awards 2020 – Winners MOTION PICTURES Outstanding Performance by a Cast in a Motion Picture Parasite HYAE JIN CHANG / Chung Sook…

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A baby is God's conclusion that the world ought to go on. - Carl Sandburg

• Making the choice to have a kid is earth shattering. It is to conclude always to have your heart

go strolling around outside your body. - Elizabeth Stone

• another baby resembles the start of all things-wonder, trust, a fantasy of conceivable outcomes. - Eda J. Le Shan

Free Baby Shower Poems

• Having a baby resembles taking your lower lip and driving it over your head. - Carol Burnett

• There is no better venture for any network than placing milk into babies. - Winston Churchill

• Every baby naturally introduced to the world is a better one than the last. - Charles Dickens

• A baby is an unlimited free pass made payable to mankind. - Barbara Christine Seifert

• A baby is an incalculable gift and a trouble. - Mark Twain

• Children are our most significant regular asset. - Herbert Hoover

• A baby is a holy messenger whose wings decline as his legs increment. - Author Unknown

• Babies are in every case more difficulty than you suspected - and progressively magnificent. - Charles Osgood

• Families with children and families without babies are upset for one another. - Ed Howe

• People who state they rest soundly for the most part don't have one. - Leo J. Burke

Free Baby Shower Poems

• When infants look past you and snicker, perhaps they're seeing heavenly attendants.

- Eileen Elias Freeman

• A baby is a limitless ticket to ride made payable to humankind. - Barbara Christine Seifert

• One of the most evident consequences of having a baby around the house is to transform two great individuals into complete nitwits who presumably wouldn't have been a lot of more regrettable than minor blockheads without it. - Georges Courteline,

La Philosophie de Georges Courteline

• It was the littlest thing I at any point chose to place as long as I can remember into. - Terri Guillemets

• Before you were considered I needed you

Before you were conceived I adored you

Before you were here an hour I would bite the dust for you

This is the supernatural occurrence of adoration. - Maureen Hawkins

•God can't be all over, so he made moms. - Arab adage

• I recollect my mom's petitions and they have consistently tailed me. They have clung to me for my entire life. - Abraham Lincoln

• Babies are such a decent method to begin individuals. - Don Herrold

• Children rehash your reality for you. - Susan Sarandon

• Every baby needs a lap. - Henry Robin

• The mother's heart is the kid's schoolroom. - Henry Ward Beecher

• To be in your kid's recollections tomorrow, be a major part of his life today. - Unknown

• Being a parent resembles a glass of lemonade on a blistering summer day - part tart and part sweet, thus reviving. Obscure

• There was a never a kid so flawless however his mom was happy to get him to rest. - Ralph Waldo Emerson

• My mom experienced a lot of difficulty with me, however I think she delighted in it. - Mark Twain

[marinatotino]

These are only a couple of the extraordinary baby shower quotes among the ocean of quotes out there! On the off chance that anybody has a baby or knows a baby, they likely have a great deal to state about them, a ton of stories both wonderful and upsetting.

It's ideal to stay with the more charming quotes and stories in order to not make the mother to-be terrified or awkward. Discover something empowering and upbeat, it's for a baby shower which ought to be an enjoyment and extraordinary experience, particularly for the mom to-be!

"A baby is God's opin­ion that the world ought to go on." - Carl Sandburg

"A baby is an unlimited free pass made payable to humankind." - Barbara Seifert

"A baby's cry is unequivocally as genuine as it sounds." - Jean Liedloff

"Having a kid is unquestionably the most wonderfully nonsensical act that two individuals in affection can submit."

"Mother love is fuel that empowers a nor­mal person to do the impos­si­ble." - Mar­ion C. Garretty

"Labor is more splendid than success, more astounding than self-protection, and as fearless as it is possible that one." - Gloria Steinem

"The minute a kid is conceived, a mother is additionally conceived. She never existed. The lady existed, yet the mother, never. A mother is something totally new." - Rajneesh

"Never tell the mother of an infant that her baby's grin is simply gas." - Jill Woodhull

"Our activity isn't to toughen our kids up to face a brutal and merciless world; our main responsibility is to bring up kids who will make the world somewhat less savage and unfeeling." - L.R. Knost

"Conceiving an offspring ought to be your most noteworthy accomplishment not your biggest dread." - Jane Weideman

"A baby is brought into the world with a should be adored and never exceeds it." - Frank A. Clark

"The agony of labor isn't recollected. The kid's recalled." - Freeman Dyson

"Beside new children, new moth­ers must be the most beau­ti­ful crea­tures on earth." - Terri Guillemets

"It was the tini­est thing I at any point chose to place as long as I can remember into." - Terri Guillemets

"In the event that your baby is 'lovely and great, never cries or complains, rests on timetable and burps on request, a holy messenger constantly,' you are the grandmother." - Theresa Bloomingdale

"Encouraging a baby resembles filling an opening with putty; you get it in and afterward you kind of shave off all the abundance around the gap and get it back in, similar to you are spackling." - Anne Lamott

"It slaughters you to see them grow up. Be that as it may, I get it would execute you faster on the off chance that they didn't." - Barbara Kingsolver

"No language can express the force and excellence and chivalry of a mother's adoration." - Edwin H. Chapin

"Having a baby is excruciating so as to show how genuine a thing life is." - Lisa See

"Infants are in every case more difficulty than you suspected, and progressively magnificent." - Charles Osgood

"From that point to here, and here to there, baby things are all over!" - Dr. Seuss

"Continuously kiss your youngsters goodnight, regardless of whether they're as of now snoozing." - H. Jackson Brown Jr.

"Infants make your heart greater!" - Brienne Kearney

"A mother consistently needs to reconsider, once for her­self and once for her youngster." - Sophia Loren

"It is no little thing that they, who are so straight from God, love us." - Charles Dickens

[mirandamckenni1]

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