#Central American Goth

[gothmusiclatinamerica]

"Rosa oscura" by San José, Costa Rica-based post-punk and darkwave act MOLT off of their upcoming 2024 album Estados Latentes, to be released next month

[nugothrhythms]

“Arte pl​á​stico” by San José, Costa Rica-based post-punk and darkwave act MOLT off of their upcoming 2024 album Estados Latentes, to be released this June

[raybeesmustsuck]

Went storm chasing, almost hit a 10ft alligator, and had an impromptu photo shoot in the rain🐊

Oh and if my fat body bothers you, good🖤

Also the last photo is Venus shinning above me😌

[fatehbaz]

hi! SUPER interesting excerpt on ants and empire; adding it to my reading list. have you ever read "mosquito empires," by john mcneill?

Yea, I've read it. (Mosquito Empires: Ecology and War in the Greater Caribbean, 1620-1914, basically about influence of environment and specifically insect-borne disease on colonial/imperial projects. Kinda brings to mind Centering Animals in Latin American History [Few and Tortorici, 2013] and the exploration of the centrality of ecology/plants to colonialism in Plants and Empire: Colonial Bioprospecting in the Atlantic World [Schiebinger, 2007].)

If you're interested: So, in the article we're discussing, Rohan Deb Roy shows how Victorian/Edwardian British scientists, naturalists, academics, administrators, etc., used language/rhetoric to reinforce colonialism while characterizing insects, especially termites in India and elsewhere in the tropics, as "Goths"; "arch scourge of humanity"; "blight of learning"; "destroying hordes"; and "the foe of civilization". [Rohan Deb Roy. “White ants, empire, and entomo-politics in South Asia.” The Historical Journal. October 2019.] He explores how academic and pop-sci literature in the US and Britain participated in racist dehumanization of non-European people by characterizing them as "uncivilized", as insects/animals. (This sort of stuff is summarized by Neel Ahuja, describing interplay of race, gender, class, imperialism, disease/health, anthropomorphism. See Ahuja's “Postcolonial Critique in a Multispecies World.”)

In a different 2018 article on "decolonizing science," Deb Roy also moves closer to the issue of mosquitoes, disease, hygiene, etc. explored in Mosquito Empires. Deb Roy writes: 'Sir Ronald Ross had just returned from an expedition to Sierra Leone. The British doctor had been leading efforts to tackle the malaria that so often killed English colonists in the country, and in December 1899 he gave a lecture to the Liverpool Chamber of Commerce [...]. [H]e argued that "in the coming century, the success of imperialism will depend largely upon success with the microscope."''

Deb Roy also writes elsewhere about "nonhuman empire" and how Empire/colonialism brutalizes, conscripts, employs, narrates other-than-human creatures. See his book Malarial Subjects: Empire, Medicine and Nonhumans in British India, 1820-1909 (published 2017).

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Like Rohan Deb Roy, Jonathan Saha is another scholar with a similar focus (relationship of other-than-human creatures with British Empire's projects in Asia). Among his articles: "Accumulations and Cascades: Burmese Elephants and the Ecological Impact of British Imperialism." Transactions of the Royal Historical Society. 2022. /// “Colonizing elephants: animal agency, undead capital and imperial science in British Burma.” BJHS Themes. British Society for the History of Science. 2017. /// "Among the Beasts of Burma: Animals and the Politics of Colonial Sensibilities, c. 1840-1940." Journal of Social History. 2015. /// And his book Colonizing Animals: Interspecies Empire in Myanmar (published 2021).

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Related spirit/focus. If you liked the termite/India excerpt, you might enjoy checking out this similar exploration of political/imperial imagery of bugs a bit later in the twentieth century: Fahim Amir. “Cloudy Swords” e-flux Journal Issue #115. February 2021.

Amir explores not only insect imagery, specifically caricatures of termites in discourse about civilization (like the Deb Roy article about termites in India), but Amir also explores the mosquito/disease aspect invoked by your message (Mosquito Empires) by discussing racially segregated city planning and anti-mosquito architecture in British West Africa and Belgian Congo, as well as anti-mosquito campaigns of fascist Italy and the ascendant US empire. German cities began experiencing a non-native termite infestation problem shortly after German forces participated in violent suppression of resistance in colonial Africa. Meanwhile, during anti-mosquito campaigns in the Panama Canal zone, US authorities imposed forced medical testing of women suspected of carrying disease. Article features interesting statements like: 'The history of the struggle against the [...] mosquito reads like the history of capitalism in the twentieth century: after imperial, colonial, and nationalistic periods of combatting mosquitoes, we are now in the NGO phase, characterized by shrinking [...] health care budgets, privatization [...].' I've shared/posted excerpts before, which I introduce with my added summary of some of the insect-related imagery: “Thousands of tiny Bakunins”. Insects "colonize the colonizers". The German Empire fights bugs. Fascist ants, communist termites, and the “collectivism of shit-eating”. Insects speak, scream, and “go on rampage”.

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In that Deb Roy article, there is a section where we see that some Victorian writers pontificated on how "ants have colonies and they're quite hard workers, just like us!" or "bugs have their own imperium/domain, like us!" So that bugs can be both reviled and also admired. On a similar note, in the popular imagination, about anthropomorphism of Victorian bugs, and the "celebrated" "industriousness" and "cleverness" of spiders, there is: Claire Charlotte McKechnie. “Spiders, Horror, and Animal Others in Late Victorian Empire Fiction.” Journal of Victorian Culture. December 2012. She also addresses how Victorian literature uses natural science and science fiction to process anxiety about imperialism. This British/Victorian excitement at encountering "exotic" creatures of Empire, and popular discourse which engaged in anthropormorphism, is explored by Eileen Crist's Images of Animals: Anthropomorphism and Animal Mind and O'Connor's The Earth on Show: Fossils and the Poetics of Popular Science, 1802-1856.

Related anthologies include a look at other-than-humans in literature and popular discourse: Gothic Animals: Uncanny Otherness and the Animal With-Out (Heholt and Edmunson, 2020). There are a few studies/scholars which look specifically at "monstrous plants" in the Victorian imagination. Anxiety about gender and imperialism produced caricatures of woman as exotic anthropomorphic plants, as in: “Murderous plants: Victorian Gothic, Darwin and modern insights into vegetable carnivory" (Chase et al., Botanical Journal of the Linnean Society, 2009). Special mention for the work of Anna Boswell, which explores the British anxiety about imperialism reflected in their relationships with and perceptions of "strange" creatures and "alien" ecosystems, especially in Aotearoa. (Check out her “Anamorphic Ecology, or the Return of the Possum.” Transformations. 2018.)

And then bridging the Victorian anthropomorphism of bugs with twentieth-century hygiene campaigns, exploring "domestic sanitation" there is: David Hollingshead. “Women, insects, modernity: American domestic ecologies in the late nineteenth century.” Feminist Modernist Studies. August 2020. (About the cultural/social pressure to protect "the home" from bugs, disease, and "invasion".)

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In fields like geography, history of science, etc., much has been said/written about how botany was the key imperial science/field, and there is the classic quintessential tale of the British pursuit of cinchona from Latin America, to treat mosquito-borne disease among its colonial administrators in Africa, India, and Southeast Asia. In other words: Colonialism, insects, plants in the West Indies shaped and influenced Empire and ecosystems in the East Indies, and vice versa. One overview of this issue from Early Modern era through the Edwardian era, focused on Britain and cinchona: Zaheer Baber. "The Plants of Empire: Botanic Gardens, Colonial Power and Botanical Knowledge." May 2016. Elizabeth DeLoughrey and other scholars of the Caribbean, "the postcolonial," revolutionary Black Atlantic, etc. have written about how plantation slavery in the Caribbean provided a sort of bounded laboratory space. (See Britt Rusert's "Plantation Ecologies: The Experiential Plantation [...].") The argument is that plantations were already of course a sort of botanical laboratory for naturalizing and cultivating valuable commodity plants, but they were also laboratories to observe disease spread and to practice containment/surveillance of slaves and laborers. See also Chakrabarti's Bacteriology in British India: laboratory medicine and the tropics (2012). Sharae Deckard looks at natural history in imperial/colonial imagination and discourse (especially involving the Caribbean, plantations, the sea, and the tropics) looking at "the ecogothic/eco-Gothic", Edenic "nature", monstrous creatures, exoticism, etc. Kinda like Grove's discussion of "tropical Edens" in the colonial imagination of Green Imperialism.

Dante Furioso's article "Sanitary Imperialism" (from e-flux's Sick Architecture series) provides a summary of US entomology and anti-mosquito campaigns in the Caribbean, and how "US imperial concepts about the tropics" and racist pathologization helped influence anti-mosquito campaigns that imposed racial segregation in the midst of hard labor, gendered violence, and surveillance in the Panama Canal zone. A similar look at manipulation of mosquito-borne disease in building empire: Gregg Mitman. “Forgotten Paths of Empire: Ecology, Disease, and Commerce in the Making of Liberia’s Plantation Economy.” Environmental History. 2017. (Basically, some prominent medical schools/departments evolved directly out of US military occupation and industrial plantations of fruit/rubber/sugar corporations; faculty were employed sometimes simultaneously by fruit companies, the military, and academic institutions.) This issue is also addressed by Pratik Chakrabarti in Medicine and Empire, 1600-1960 (2014).

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Meanwhile, there are some other studies that use non-human creatures (like a mosquito) to frame imperialism. Some other stuff that comes to mind about multispecies relationships to empire:

Lawrence H. Kessler. “Entomology and Empire: Settler Colonial Science and the Campaign for Hawaiian Annexation.” Arcadia (Spring 2017)

No Wood, No Kingdom: Political Ecology in the English Atlantic (Keith Pluymers)

Archie Davies. "The racial division of nature: Making land in Recife". Transactions of the Institute of British Geographers Volume 46, Issue 2, pp. 270-283. November 2020.

Yellow Fever, Race, and Ecology in Nineteenth-Century New Orleans (Urmi Engineer Willoughby, 2017)

Pasteur’s Empire: Bacteriology and Politics in France, Its Colonies, and the World (Aro Velmet, 2022)

Tom Brooking and Eric Pawson. “Silences of Grass: Retrieving the Role of Pasture Plants in the Development of New Zealand and the British Empire.” The Journal of Imperial and Commonwealth History. August 2007.

Under Osman's Tree: The Ottoman Empire, Egypt, and Environmental History (Alan Mikhail)

The Herds Shot Round the World: Native Breeds and the British Empire, 1800-1900 (Rebecca J.H. Woods, 2017)

Imperial Bodies in London: Empire, Mobility, and the Making of British Medicine, 1880-1914 (Kristen Hussey, 2021)

Red Coats and Wild Birds: How Military Ornithologists and Migrant Birds Shaped Empire (Kirsten Greer, 2020)

Animality and Colonial Subjecthood in Africa: The Human and Nonhuman Creatures of Nigeria (Saheed Aderinto, 2022)

Imperial Creatures: Humans and Other Animals in Colonial Singapore, 1819-1942 (Timothy P. Barnard, 2019)

Biotic Borders: Transpacific Plant and Insect Migration and the Rise of Anti-Asian Racism in America, 1890-1950 (Jeannie N. Shinozuka)

[patheticbatman]

As of Chapter 81, this is crew of the Courageous from Time to Orbit: Unknown, a marvellous space drama and mystery by @derinthescarletpescatarian . Original sketches & character guide below. Many of the character appearances are based on headcanon, but the ones with asterisks are based on canon sources.

I drew Celi first! I figured I would do the people in front, who I would have to draw most of their bodies, and work from left to right. Celi has had multiple organ issues, so she looks a little drawn (lol) and is still recovering in her wheelchair :). I drew her with small braids just hanging from the top of her head, as I imagine she’s too tired to take care of her hair very often, but still wants to keep some, so she has a sort of cap of braids. There’s probably a term for the style, but idk. Celi is of North African descent.

Next to Celi is Renn. His head looks wonky because I was drawing at an angle at the time. He’s been mostly depilated, and I imagine him in a sort of Aang-meets-European-in-a-tracksuit outfit because he’s calm and tries not to do much drama, but is condescending. Renn is of West Asian/American/Tarandran descent.

Then we have Public Universal Friend (PUF) 2 with the twists. I figure it doesn’t want a lot of hair to take care of, and this style keeps it out of its face. Same clothes as the other PUF. It is kneeling, with one leg propped up. It is of coastal Southern East African descent.

*Then laying on the ground is Tal. Ke is looking at kes tablet because ke doesn’t like focusing on other things. Tal is unfortunately at the wrong angle to show off ke’s face tattoo. Small afro kept stylishly kept, along with some garters and a short skirt. Ke is laying down because ke feels like it. Ke is of West African/American/Texan descent.

*Then we have Aspen, the POV character, smack dab in the middle. Canonically, they’d don’t have a headband as far as we know, but I think their hair looks nice pushed up like that. They are wearing a jumpsuit like last time, but this time has a belt for flair, because Tal and Sunset convinced them. Aspen sits cross cross because they can and it’s a common sitting posture in Arborea. They are of West African/American/Arborea Atlantican descent.

Lina is kneeling like PUF2, but facing the other way. I gave her buns and square jewelery because I based her off of a Hopi woman’s ’do that I really liked, and Lina can be short for names like Catalina. She has freckles because they’re fun. She’s gained some muscle and weight since the last picture, which is great! She is of Hopi/Latin American descent.

Last is Sunset. She is a zeelite, a subculture interested in replicating and investigating pre-Neocambrian (aka our time) cultures. She is largely inspired by what she knows of punk, pastel goths, drag, and to be honest, Barbie (2023). She is voguing because she knows and appreciates the importance of looking good. Sunset is of Central African/of Sirius descent.

Now for the top row, left to right again!

First, we have Heli. She wears functional but pretty clothes because she appreciates utility but always wants to show off what she’s got. The newest addition to the crew, she’s a little spiky, but has a soft spot for Adin. She was inspired by a picture of a Sistergirl from Australia (my headcanon, I only saw a picture of her and was unable to find more specific information). Heli is of Indigenous Australian descent.

*Next, we have Adin. I keep forgetting to draw him with tattoos, so I added a neck one last minute. His look has probably changed the most - his canon picture came out only a few months ago, so I drew him differently the first time. Adin cooks a lot, so he doesn’t try to wear anything or have a hairdo that could be ruined by cooking. Adin is of West African/Arborea Atlantican/American/Texan descent.

*Next up, the tallest of the bunch (and I forgot to draw his left arm until last minute, we have Denish! He’s doing the Arnold Schwarzenegger pose. The gentle Giant of the group, I was unable to recapture his face quite the same way as last time, but I still think he turned out well. He’s one of my favorite space pirates. I think he wears high collars to hide Tinera’s hickeys. Denish is of West African/American/Texan descent.

Right in front of Denish is PUF 1, AKA Dr. PUF. Still has tousled hair, still has the same robe. PUF is kneeling. It is of European descent.

*Hanging off of Denish is Tinera! She’s changed also, as her official looks came out, though I think I’ve kept her pretty nice looking still! I forgot to give her glasses though :(. I gave her Garnet (Steven Universe) finger gloves because they look cool. Tinera is of Central African/Lunarian descent.

Under Tinera is Sam. He’s partly visually inspired by the Dad of some kids I watch, and Ballister from Nimona. He likes to gaze at the stars and wonder about all the stories that will be told about them. Sam is of South Asian descent.

*Lastly is Keldin (AKA Captain Sands). He’s always dressed well and keeps his hair well-coifed. Hardly anyone from the ‘first’ crew likes him. He is standing awkwardly farther away because he knows everyone near him isn’t his tan. Keldin is of West African/American/Trandran descent.

[cherrylng]

UK ROCK BEST 100 ALBUMS - The 80's [CROSSBEAT (August 2006)]

80's The turbulent 80s, from New Wave to dance revolution

Continuing the trend from the rise of punk to post-punk at the end of the 1970s, up-and-coming bands burst onto the scene one after another, trying to break out of the established framework, and the 80s opened with new wave currents. Derived from the radical, highly artistic and experimental post-punk/art-punk (P.I.L., Gang of Four, etc.), New Wave "combined elements of other genres (electronic music, world music including Latin American and African music, funk and soul, black music such as jazz, etc.) into rock music, while breaking new ground". This includes electronic-pop (Depeche Mode, New Order, etc.) / New Romantics (Duran Duran, etc.), ska revival (The Specials, Madness, etc.), neo-psyche (Echo & The Bunnymen, etc.), positive punk/goth/dream pop (Bauhaus, The Cure, Cocteau Twins), industrial/noise, funka latina, and early neo-acoustic (Aztec Camera).

Although the New Wave originally started out as a non-mainstream movement, many of the bands with a pop and danceable side were caught up in the zeitgeist and gradually absorbed into the mainstream. By the mid-1980s, the controversial Frankie Goes to Hollywood and the sophisticated sound of the Style Council and Police had achieved international success.

Meanwhile, the 1980s saw the exponential growth of a number of indie labels that emerged from the D.I.Y. spirit of punk. These included 4AD, a decadent aesthetic label, Factory, which became the nucleus of the Manchester scene, Creation, which produced the revolutionaries The Jesus & Mary Chain with their violent noise and sweet melodies, and Rough Trade, which featured The Smiths, a group supported by the "social heretics".

The Smiths did much to elevate indie rock to the foreground and spawned many followers. However, as if to replace their break-up (1987), the central scene was dominated by house and other dance music. So-called 'C86' indie bands (Primal Scream, Wedding Present, Pastels, etc.), who mainly focused on guitar-pop, were steadily active in the underground scene. It was also around this time that US hardcore flowed into the UK, having no small influence on UK indie bands.

Against this backdrop, a new trend was emerging in Manchester that was different from the rest of the country. The city had always had a natural affinity for both dance music and guitar rock, and the Happy Mondays and Stone Roses, who frequented clubs and raves, blended the two effortlessly. In 1989, this led to the explosion of a major musical revolution known as 'Madchester' (indie/dance crossover). -Sumi Imai

Tin Drum Japan (1981) The greatest work of the band led by David Sylvian, who is now an electronica hermit. The sober negotiation sound with full-blown oriental taste has the chic of 'Wabi-sabi'. Eagerly awaits reappraisal. -Mima

Rio Duran Duran (1982) A big hit that successfully dispelled the prejudice that this band was just a band with good looks. The arrangements are still fresh today, with a rich variety of styles ranging from 60s pop to funk. -Kuroda

The Dreaming Kate Bush (1982) A masterpiece in which Kate, who debuted as a girl genius, transformed into a magical woman. The labyrinthine forest-like mystique of her perfectionist, meticulous sound and her uninhibited, magical voice is unique. -Hirokawa

You Can't Hide Your Love Forever Orange Juice (1982) A representative of the neo-acoustic group that emerged to put an end to the dwindling punk movement. Their deep knowledge of black music, insatiable pursuit of guitar sounds and naïve lyrics captivated young people. -Kuroda

High Land, Hard Rain Aztec Camera (1983) A masterpiece that made 'neo-acoustic', or rather 'music city Glasgow', a household name. Beautifully crafted with a meaty soul sensibility lurking in the folkiness, and later evolved from it. -Sawada

Construction Time Again Depeche Mode (1983) A perfect balance of hard elements and beautiful ennui melodies, including an early introduction of industrial beats. A monumental work that established the uniqueness of the Depeche sound. -Mima

Porcupine Echo & The Bunnymen (1983) The third Echo & The Bunnymen album, the quintessential UK New Wave record. Ian McCulloch's cool-headed gaze and sharp soundscape heralded the arrival of a new era that had broken away from punk. -Otani

Power, Corruption & Lies New Order (1983) A seminal work that attempted to 'break away from rock' by approaching New York house, but ended up having the influence to advance rock music itself. It was topsy-turvy at the time. -Mima

Synchronicity The Police (1983) The Police were actually a group of techie carriers who borrowed from punk. Each of their albums is "a perfection that you wouldn't expect from three people", but this last album is also a superb pop album. -Koguchi

Treasure Cocteau Twins (1984) Third album from the 80s 4AD representatives. This album pushed Elizabeth's voice out of the dark sound world and broke new ground filled with light and a sense of floating. Includes the classic song "Lorelei". -Yamashita

The Top The Cure (1984) The Cure's sixth album, which established a unique world with its pop sensibility and gloomy lyricism. Robert Smith's character became prominent from this time onwards. 'The Caterpillar' was a big hit. -Yamashita

Welcome to the Pleasuredome FRANKIE GOES TO HOLLYWOOD (1984) FGTH caused a stir in British society in 1984 only. The treatment of gays, politics, and sexuality is intriguing and Trevor Horn's sound is lively and too ostentatious, but in a way a symbol of the times. -Sawada

Café Bleu Style Council (1984) After the break-up of The Jam at the height of their popularity, Weller chose jazz and soul as his next design. What the bewildered fans heard was destructive anger and beauty in a cool soundscape. -Kuroda

Psychocandy The Jesus & Mary Chain (1985) Sweet, decadent melodies emerged amidst raging feedback noise. A shocking work from 1985 that had a profound influence on subsequent shoegaze and alternative bands. -Kuroda

Steve McQueen Prefab Sprout (1985) One of the finest albums by the mixed gender group led by legendary songwriter Paddy McAloon. Brilliantly produced by Thomas Dolby. -Kuroda

Cupid & Psyche 85 Scritti Politti (1985) The second album by Scritti, who at the time were a trio. Their sweet voices and pleasing sound were well received, and songs such as 'The Word Girl', which incorporated reggae rhythms, were big hits. -Yamashita

The Queen Is Dead The Smiths (1986) The Smiths are the charismatic band of those who turned their backs on the glamorous 80s. A masterpiece in which Morrissey's fanged words, heightened by criticism of the national anthem, and Johnny Marr's lyricism intersected at the boiling point. -Sawada.

Saint Julian Julian Cope (1987) Made in 1987 by the Phantom of Liverpool. Narcissism is still alive and well, but the artist aims to conquer himself with ever more straight-forward playing and singing. The artist's confident, robust expression is dependable. -Hirokawa

If I Should Fall from Grace with God The Pogues (1987) The Pogues' best work, combining the melancholy melodies of Irish trad with fun-filled beats. The indie spirit of the Pogues brought a breath of fresh air to the rigid UK scene. -Otani

The Stone Roses The Stone Roses (1989) A work that set the standard for the UK sound from the 1990s onwards, including the band's eclectic sense of combining guitar rock with acid house and the attitude of the band. A masterpiece under the sun that gave birth to Oasis. -Mima

Translator's Note: Haven't posted a series from this article for the last few days. I've only caught up now.

[greensparty]

Nirvana Boston: Part 2 - ManRay

This year marks 35 years since the release of Nirvana’s debut album Bleach and it also marks 30 years since the passing of Nirvana leader Kurt Cobain. In honor of one of my Top 3 Favorite Musicians of All Time, I’ve begun a multi-part series Nirvana Boston, in which I’ll look at all of the concerts Nirvana did in Boston. Part 1 looked at their July 1989 show at Green Street Station.

The second installment of this series is their second MA show!

April 18, 1990 ManRay (Cambridge, MA)

ticket stub

Since the last time Nirvana played Boston guitarist Jason Everman parted ways with the band and they were back to being a trio: Kurt Cobain, Krist Novoselic and Chad Channing (who was in his final months with the band). The band had done a lot of touring for their debut album Bleach, which was released on Sub Pop the previous Summer. On this particular date, the band was back in town for a show at the Central Square club ManRay, which was known as a goth club at the time.

WFNX's Duane Bruce was one of the early supporters of Nirvana in the Northeast and he was playing some of their songs late night on his show Radio Free Boston. He was at ManRay to emcee the show. He hung out backstage with the band and WFNX's Kurt St. Thomas (another early supporter). According to Bruce (he's also the author of Hang the DJ and the host of the American Debauchery podcast where he has discussed his time with Nirvana), Kurt Cobain said "So you guys are from a commercial station, on the other side of the country, and you play our music?" as Cobain put his arm around Bruce's shoulder and said "That's a first."

There was also an interview the band did before the show. That video has since surfaced online.

Nirvana interview backstage at ManRay

There were about 75 people in attendance. Local band The Bags opened this show. Crispin Wood, guitarist for The Bags, recalls "We hung out during their soundcheck and they hung out during ours." He says "The dressing room area was in the basement of ManRay. Pretty big space. The guys in Nirvana were nice. We partied together. Krist was the friendliest of the three." In attendance was Sluggo, who hosted Nirvana the previous Summer when they played Green Street Station and was in the local band Hullabaloo (they actually appeared on some compilation albums with Nirvana including Hard to Believe: A Kiss Covers Compilation). During Nirvana's set, Kurt dumped a pitcher of water on Chad. Sluggo says "Chad never saw it coming. Poor guy. But I suppose at this point he was use to the abuse - i.e. all the times Kurt would launch himself at the drumset." They mostly played songs from Bleach, although they did preview some songs off of Nevermind released a year and a half later, including "Breed", "In Bloom" and "Stay Away".

Cobain and Novoselic at ManRay photo by JJ Gonson

Cobain at ManRay photo by JJ Gonson

Photographer JJ Gonson, who got some great photos of them crashing at her apartment after the Green Street Station show the previous year, returned to this show to get some pics.

Here is the video recording of the show from YouTube:

Up Next: Part 3 will explore their 1990 show at MIT.

[northernpintail]

Okay, since you are Duck Posting Central, do you know what these goth ducks are called???

Looks like American Coots to me! :)

[coffee-n-bagels-comic-universe]

[Ghostbusters] Brainwaves: Mini Bios (1984) C.U.P.S Professors & Students

Tagging @ariel-seagull-wings @spook-central and @soulman133 Let me know if you want to be tagged/untagged from Brainwaves posts. These are just bullet point bios for the main groups of characters, as in the female professors, Ghostbusters and Ghostbuster staff, the C.U.P.S students, Nova's family (some of them are in C.U.P.S, but won't be in this post) and then the others™ (e.g. Dickless, Dana)

Following Characters:

Heather Nieto-Jorge

May Keaton

Allison Wada

Nova Teufel

Jacob Blumenthal

Cecilia Hedlund

Long post so it's under the cut

Doctor/Professor Heather Nieto-Jorge, PhD. 'Nieto':

Face Claim / Actress: Jennifer Beals

Full Name: Heather Bárbara Yasmin Nieto-Jorge

Doctor / Professor / Miss. AKA: Barbie, Hettie, Nieto

32 in 1984. Born November 7th 1952 in Panama. Lives in NY, NY

Panamanian, Female, Bisexual, Catholic, Scorpio, Smoker

Speaks Spanish, English & Portuguese

5'8" and 152 lbs, Brown eyes, Black Hair with a Bleached streak

Matching rose tattoos on her hips, pierced ear lobes

Teaches Agriology, Anthropobiology & Demonology at Columbia

Doctor/Professor May Keaton, PhD. 'Keaty':

Face Claim / Actress: Tracy Chapman

Full Name: May Olive Keaton

Doctor / Professor / Miss. AKA: Livi, Keaty

33 in 1984. Born May 1st 1951 in Indiana. Lives in NY, NY

African-American, Female, Straight, Christian, Taurus

Speaks 15 languages to varying degrees, including English & Greek

5'4" and 145 lbs, Brown eyes, Black hair, no tattoos, pierced ears

Teaches Folkloristics, Genetics & Hepatology

Undiagnosed but possibly Autistic, ADHD/ADD

Doctor/Professor Allison Wada, PhD. 'Allie':

Face Claim / Actress: Cherie Chung

Full Name: Allison Saki Wada

Doctor / Professor / Miss. AKA: Ali / Allie / Ally

34 in 1984. Born April 9th 1950 in Saskatchewan. Lives in NY, NY

Japanese, Female, Straight, Non-Religious, Aries, Rarely Smokes

Speaks Japanese, English and Spanish

5'5" and 150 lbs, Brown eyes, Black hair, 1 tattoo, pierced ears

Tattoo of a Chinese dragon up her spine

Teaches Biophysics, Biochemistry and Haematology

Doctor/Professor Nova Teufel, PhD. 'Novocaine':

Face Claim / Actress: Meg Ryan

Full Name: Nova Eris Teufel. The Teufel Family are supposed Psychics

Doctor / Professor / Miss. AKA: Professor Goth, Novocaine

31 in 1981. Born January 2nd 1953 in Brooklyn. Lives in NY, NY

German, Female, Demisexual, Biromantic, Wiccan, Capricorn, Smoker

Speaks English, German, French, Spanish and Latin

5'8" (5'11" in her boots) and 152 lbs, Blue eyes, Blonde hair, Dyes her hair often

10 tattoos making up a 1/2 sleeve on her left arm, Ear Lobe & Helix piercings

Teaches Criminology, Mortuary Science & Eschatology

Misdiagnosed and given Anti-Psychotics, Undiagnosed but Autistic and Anxious

Grew up in Psych wards, now lives with her older brother Mars

Jacob Blumenthal. 'Jake':

Face Claim / Actor: John Belushi

Full Name: Jacob Jasper Cassidy Blumenthal

AKA Blue, Blue Man, Cas, Cassie, Coby, Jack, Jake, J.J

30 in 1984. Born January 24th 1954 in Chicago, Lives in NY, NY

White, Male, Straight, Christian, Aquarius, Smoker

Speaks English, Spanish, French and Japanese

5'8" and 222 lbs, Brown eyes, Black hair, stubble & lots of body hair

Has a smiley face tattooed on his left butt-cheek, no piercings

Has been in every classroom at least once, takes Nova's classes because he likes annoying her for attention

Cecilia Hedlund. 'Celia':

Face Claim / Actress: Gilda Radner

Full Name: Cecilia Juni Hedlund (Soon to be Solberg)

AKA Cece, Celia, Cilla, C.J

30 in 1984, Born June 28th 1954 in Sweden, Lives in NY, NY

Swedish, Female, Straight, Lutheran, Cancer

Speaks Swedish, English, Norwegian, French, Spanish and German

5'6" and 145 lbs, Brown eyes and hair, ears pierced, no tattoos

Engaged to an American

Part of the exchange programme & C.U.P.S

[mildredpierce8]

BEAR WITH ME AND MY RANT ABT THE NEW FITO PAEZ BIOPIC TV SHOW ON NETFLIX

OK......

So, basically Netflix released a biopic tv show about the life of Argentinian rock star Fito Paez and I'm literally so excited to watch it for a number of reasons, but the second I found out that this was a thing I got the urge to go on tumblr and just explode so here goes.

The show is called "El Amor despues del Amor", named after Paez's sensational hit song linked below:

*please listen its actually so good

Anyways the gringos butchered it and dubbed the show in English to be called Love After Music which makes no fucking sense because the song literally translates to Love after Love not Love after Music and it is just sooo stupid, but anyway what can I do abt that.

This show excites me so much, first of all, because I think Fito Paez 10000000% deserves this kind of recognition, because he really is one of the most iconic latinamerican artists of his generation, and his music challenged the assumption that good pop and rock music could only be made and produced in English.

I guess mostly the reason this show excites me is because it is a show about a latinamerican rock artist, which you just don't get that often and I have been dying to see one. (Also, Argentinian alternative rock is definitely one of my hyper-specific fandoms and new content being produced for it is really exciting).

My mission in life, amongst other things, is to give the South and Central American rock scene the recognition it deserves, because often times people act like it doesn't exist, and new wave/ 80s pop/rock only came out of the US or England. Latinamerican rock serves an extremely important purpose in society, as it was quite literally revolutionary. (I'm bullshitting and tired, so ignore the uneccessary sentences, but my point is valid). Rock in Argentina was used to fight back against A LITERAL MILITARY DICTATORSHIP. And the fact that all the rock music biopics are still England and US centric is really annoying.

I'm not saying I don't enjoy shows or movies about music produced in the US or England, but there are so many amazing stories to tell from the perspective and about the lives of Hispanic musicians. Why are they constantly overlooked?

AND NOT JUST ABOUT MUSIC

Where are the movies about Argentinian Military Dictatorship? (IK they exist guys im just saying we should talk more about the fact that it happened). Actually for anyone interested pls watch the movie "Argentina, 1985", it is great!

Where are the movies about indigenous communities being wiped from existence in virtually every South American country?

Or, as a Colombian, can we get a show about terrorism or the drug trade in Colombia that isn't made from the bullshit NARCOS perspective of white guy policemen saviors, when we all know that all American cops did in Colombia was militarize our police forces and teach them how to abuse the public.

I'm getting off topic

THERE ARE AMAZING MUSIC STORIES COMING OUT OF LATIN AMERICA

Like the entire Mexican punk rock scene it is so cool

Cafe Tacvba, Maldita, Caifanes.

Where's the series abt Colombian metalheads. The metal scene was huge.

Or the goth scene. There was a time where you would walk on the street and you would see crowds of Morticias going to dance The Cure at a club.

Or the fact that Seru Giran recorded their first album in exile in Brazil bcs the government literally had them on a hitlist.

Which speaking of Seru Giran, how is there not a movie abt that yet. Seru Giran is such an iconic fucking band led by none other than Charly Garcia. They are a gift from God to humanity, they are pioneers of progressive rock, I don't know anyone like them. And I'm always saying this but if Seru Giran were British or American they would be just as highly regarded as the Beatles or the Rolling Stones or Pink Floyd because they are just too good.

Here are some Seru Giran songs everyone should listen to:

*this man is everything. synth on top of a keyboard on top of a piano.

Anyways, if you're still reading at this point you are very dedicated and i appreciate that.

And side note, please watch this performance of Charly Garcia, Fito Paez and the one and only Fabi Cantilo bcs it is too good:

*ojos de videotape is one of the most beautiful songs ever written and sometimes idk if its even real.

OKAY SO, TO CONCLUDE THIS EXTREMELY INCOHERENT RAMBLING,

I am extremely happy about the fact that latino stories are being told in media like this because its something that i feel as a fan of rock music and a latina i have been missing from my life. And you may think why do we need movies abt dictatorship or drug deals or terrorism. Doesn't that just perpetuate the stereotype that that's all your country has. NO ON THE CONTRARY. When it's told by big American corporations, it often loses meaning. Shows written by latinos about latinamerican experiences showcase the reason I am so proud to be latina. Because we are a resilient people. Our humanity shines through even in the darkest of times. In the midst of wars and dictatorship, we can come up with shit like this and it is so cool. And I wish there was more recognition for that.

So yeah maybe this isn't a rant abt Fito Paez, even though I love him so much. And I'm more than sure this show is about his life and not about Argentinian military dictatorship.

But I guess mostly I hope this will encourage more latino filmmakers to tell our stories. Tell our stories because they are so cool, and I love watching movies abt rockstars. But I would love it so much more to watch movies about rockstars who look like me.

So I'll get back to this after I watch the show. Chau :)

[caelstyx]

Central American Goth

[gothmusiclatinamerica]

"Falsas Apariencias" by San José, Costa Rica-based post-punk and darkwave act MOLT off of their 2024 album Estados Latentes

[nugothrhythms]

“Gente normal” by Quetzaltenango, Guatemala-based post-punk act Guerra Fría off of She Smells Like Flowers And Death, their second release of 2023

[popculturebuffet]

Clone High President's Day Special Review: (Escape to Beer Mountain: A Rope of Sand and Episode 2: Election Blu-Galoo) (Comissioned by WeirdKev27... wesley)

Tonight, on a special presidents day review of clone high

(Clears throat)

WAY WAY BACK IN THE 2000'S TWO FUTURE SUCCESFUL COMEDIANS TOOK SOME FAMOUS GUYS AND LADIES AND MADE THEM INTO A CULT CLASSIC COMEDY

NOW THE SHOWS GETTING A REBOOT NOW IT'S GONNA MAKE IT IF IT TRIES BUT UNTIL IT GETS RELEASED IT'S TIME TO LAUGH SHIVER AND CRY WITH THE ORIGNIAL CLONNNE HIGGGHHH YEAHHHH…

Honestly i'm suprised it took me this long to clone high, nor that I did our presidents say special last year and never even thought of this as an option.

In case the intro wasn't clear enough, for presidents day we're looking at one of the best shows MTV ever made, Clone High, a 2002 animated comedy about a bunch of clones of famous historical figures made into clones back in the 80s who are now teens living through a giant parody of teen dramas both at the time and in the past, with most of the episodes modeled after your various teen drama tropes which having watched a few (Degrassi, 90210 (both versions), Secret LIfe of An American Teenager) made it hilarious to me, as it matches the genre point for point while also adding in it's own zany looney tunes humor.

Naturally such a wholly weird premise.. didn't really take off and MTV canceled it the first excuse they got, but it's spot on humor, great voice acting, fun animation and brilliant premise and satire meant the show got the cult following it desreved.. and eventually came back by popular demand as it's creators ended up becoming two of the biggest names in animation, making the lego movie, the lego batman movie and Spider-man INto The Spider Verse into massive hits. While it's return is still cooking, and sadly coming to HBO Max, which at the time was a big HELL YES from me, now has me worreid they may prevent us from getting more than two seasons.. though given Paramount is both behind the series and could easily bring it to plus if it's popular enough, i'm not too worried. So while we wait , we can celebrate with the clones of two dead presidents mr. b, as we dive into the first two episodes of the show: Escape To Beer Mountain: A Rope of Sand and Episode 2: Election Blu-Galoo. So come under the cut with me for some angst that's entertaning.

Escape To Beer Mountain: A Rope of Sand

From the outset what the series is is clear.. not just from the throughly kickass themesong that perfectly fits the ti me, but from it's characters, who are easily recognizable both to anyone even casually aware of history.. and anyone whose seen at least one teen drama or movie: You have Abe Lincoln (Will Forte who would show up in pretty much everything this duo made after this), as our bland protaganist who wants to get with the popular girl Cleopatra (Christa Miller), your standard rich bitch popular girl and his only friends: Joan (Of Arc) (VA Legend Nicole Sullivan) , a moody goth who hides her fairly obvious crush on him, and Ghandi (Micheal McDonald), a wannabe party animal whose desperate to fit in. Basically the David Silver of the group. Rounding them out is macho jock rival JFK (Chris MIller himself doi) who genuinely thinks his clone dad was "a super macho stud who conquered the moon".

To get the elephants out of the room quick.. yes casting the white Miller and McDonald was a mistake and one the reboot hopefully avoids, though I would like to see much like say central park or x-men 95, the two actors get other parts in the series. They just don't need to play these two. I accept it to a point as of the time and the industry, as we're only three years out from it being standard to match a characters race to their va every time, but it's still something to not dance around either: They screwed up, their not doing it again in the reboot decades later, so I won't be that hard ont hem.

Speaking of the reboot while it has leaked.. I haven't watched it. I saw a screencap or too because people reblogged it without being considrate that you know.. not everyone WANTS to steal from creators who have waited for this a long ass time, and woudl rather wait. I'm fine if say HBO Max fucks up and puts it on the platform itself early (as it did iwth the first ep of close enough ) or the creators air the episode at a public event for consumption (As seen with owl house and again close enough), but I won't cover something nor talk about it till offical release and won't watch it unless it has been released in some offical capacity.

Now that's out of the way, the episode is dammingly spot on and it's telling teen dramas haven't changed THAT much. I mean I still hope for that degrassi reboot but this show shows the only real change would be diffrent music, though the use of music of the time, while likely why it took till this year to finally stream on paramount+, really helps sell it. It had been a while since I watched these two eps, having not watched the series since breaking out my dvds a few years back. And yes I got that lucky as I found it at fye for only 15 or 20 bucks nearly a decade ago and have held tight to those two discs ever since. It's even the canadian dvd complete with teletoon ads. It's glorious.

But from the "sexy teens' moniker flaunting sexualizing teens despite the characters being underage (though most teen shows sidestep this by hiring older actors and actresses it's still weird and creepy), to the music, the delviery is spot on, with most of the deliveirs sounding just like a teen drama's overdramatic yet whispery way of doing things.. yet saying rediculous shit. It's essentailly the animted euqilveant of airplane, taking a dramatic overblown genre and throwing all sorts of weird shit in, in this case from the premise down. While the plot of Abe and Ghandi trying to get beer for a party so Abe can take his shot with Cleo is pretty stock the fact it's abe and the party dude clone of Ghandi of all people trying to have genghis kahn fake his way into buying beer… and failing horribly that nails it, or having JFK Boiled down to his most embarassing and sexist traits, being mad at cleo for kissing abe later.. while making out with someone else. The cast is all time greats, so it's no shock they pull it off great.

The plot itself is again pretty stock and by the num bers teen pilot: Abe and Ghandi try to get beer but end up getting nonalcholic, Joan tears up at Abe kissing cleo but ultimately tries to push her towards him, Cleo ends up with JFK but hints she still clearly likes abe, and now you know the plot. Oh and Joan tasers Ghandi for ignoring the teen ine she set up. It's just mixed up with various clones from two elvises one pre addiction and svengaling by col parker, one post, a teacher whose half sheep and voiced by a literal and figurative dick, and the local nerd being george washington carver who made his own little peanut sidekick, along with just general madness such as the principal sending Cleo to the maze of death, Ghandi going out a 30 story window and the two best characters in the show.

They are Principal Cinnamon Scudworth, voiced by Lord and his best friend/possible husband and robot butler Mr. Butlertron, played by Miller, and while everyone else does well, Lord and Miller steal their own show as these two are essentailly the Perry the Platapus and Dr. Doofensmirtz of the early 2000s': two scene stealing characters squared away int heir own wacky subplots that rarely seriously impact the main plot, or more Doofenschmirtz and Norm but semantics.

Scudworth is the principal employed by the board of shadowy figures to make these clones into super soldiers… a plan that dosen't quite work as each clone has baggage from their original, a nicely implimented bit that adds some depth: Abe feels stuck in the shadow of his far more confident clone father, Joan became a goth entirely because she isn't sure she can be hers, Ghandi became a party animal because he's entirely sure he can't, and JFK and CLeo are stuck on the suprfical beauty of their selves. i'ts nicely done. Scudworth meanwhile plans to make a theme park.

Really though Scudworth's just there to be thrust by the board or his own stupidity into various shenanigans while Mr. B helps him out and it is glroious. I could watch a whole show of these two alone but honestly they fit perfectly here, their weird over the top antics perfectly fitting the world and contrasting how straight everyone else plays this very stupid world. Scudworth is a cartoon villian in a teen drama high school and his out of placeness just makes him that much more delightful.

For this episode Scudworth has to write a report on being a teen and after a failed interview with joan and sending her to the maze of death, which again everyone is so used to Joan getting dropped in from it dosen't even faze Ghandi, inflitrates the party.. and ends up beaten as a pinata as "Cloney Student'. It's just a taste of what he'll get into, but it's one of the best parts of an already stellar pilot. Escape to Beer MOutnain is hilarious, nicely paced and just PACKED with jokes with most having aged well. Only one or two didn't really work like Joan calling a masculine elanor rosevelt "him" and her oggling joan as she walks away, which is just.. eugh…. but overall the episode is fantastic and if you haven't watched the show, go check it out.

Episode Two: Election Blu-Galoo

And the second episode.. is even better as with the premise out of the way, the comedy ramps up further. It also gives JFK more to do. He was funny enough in the first episode, coming back to wash his hands, grappling with gay dads, and after Cleo leaves to decide who she wants he offers Abe a nacho for no real reason. But this episode really lets him shine as the oversexed idiot we know and love.

In this case Cleo wants to still be Student Body President, but for some reason Clone High has term limits, so she enlists JFK as her maleable pawn to shadow govern the school. Abe runs because he thinks Cleo is into JFK because he's a good leader, and runs on the issues before that sputters out entirely in the face of JFK campaniging soley on his abs.

This one has a scudworth plot impact the main plot a bit more than usual, as Scudworth , hard up for cash for his evil plan since the board outright refuses to give him money( Just for fun i'm going to keep saying no until you hang up…" ). Enter the X-Treme Blu Trio, three totally rad execs who spend the episode screaming nonsense..e xcept for their third and best member X-Treme Bob who instead says things like "I HAVE NO SELF ESTEEM!" and "MY SON WON'T EVEN LOOK ME IN THE EYE ANYMORE!". Their played by the Scrubs trio of Zack Braff, Donald Faison and Sarah Chalke, who all did this for a free as a favor to producer Bill Lawrence of Spin City, Scrubs and Cougar Town fame. And as a fan of Spin City and Cougar Town I love his involvment and most of these actors. Faison in paticular did a LOT of rolls for the show, including George Washington Carver.

At any rate Scudworth gladly sells out and naturally blows it all having only seen 2/3 of MC Hammer's behind the music and concluded money is endless, while the three sellout goons approach abe to do stunts and promote their brand. He and joan fall out, he eventually comes around after extreme blu (just blue housepaint and pancake batter) nearly kilsl Ghandi, it's all pretty great.

Naturally what makes the episode are the jokes, with some all timers. Some I can't really recitie here but one that really gets the teen drama and is clearly parodying dawsons creek has Abe and Joan on seperate docks starring compelatively.. only for it to reveal their on docks right next to each other, with Abe leaving with an utterly nonsense speech on their friendship ending that Will Forte somehow gives as if he were a teen hearthrob "You know what hurts the most? This nail I stepped on". It's pure poetry and if you want to get someone into the show, this is the easiest way.. that or showing them any second of scudworth, but this gets the point across more.

We also.. get a song from Marilyn Manson which at the time was a funny way to bend his image.. but now comes off as "Yikes we accidently had a sexual preadator on our show! ", ditto for Andy Dick but he mostly plays smaller characters while Marilyn Manson's role is a pretty big cameo and thus sticks out more and is harder to overlook. It makes the once utterly hiarious gag of JFK calling him "Scary Andgogyns White Guy" far less funny.

Even with this unfortunate cameo that is no way the shows fault, this episode is still spectacular and that goes for the series as a whole. If your remotely intrestd in this series go watch it, it's on paramount+ and if you don't have that i'ts on mtv.com for free. So check it out before the revival, the series is well worth it and is easily one of the funniest shows i've seen. I forgot just how constant and excellent the jokes were since i'd seen the series last but it's comic genius and was a sign of things to come from this duo. Thanks for reading.

[vampirezogar]

My sister and I just binge watched Wednesday together and I have opinions! (Spoilers, probably)

Mostly decent mystery stuff. Fun cast. The dance was fun. I'm glad the girls hug at the end. Thing is the most thing thing has ever been. Seeing Gwendoline Christie stand next to Christina Ricci was very interesting since I am a tall with basically only short friends somehow. There's an actual cartoon monster in this live action show and I love it. Many occasions for one or more deranged girls to have blood on their faces and clothes. The pacing was quite good, I think. And I liked most of the costumes.

The rest was fucking weird if not kinda bad.

Young Gomez and Morticia were perfect but adult Gomez and Morticia were just.... Someone the fuck else, I guess. Gomez (aka just some guy) had absolutely zero creature energy and Morticia was just weird in a bad way? Idk who the fuck told Catherine Zeta Jones to do a Jennifer Coolidge impression for Morticia instead of just letting her be herself. It honestly would have made the script less terrible.

The messaging was uh... Also fucking weird. They. They thought it was a good idea to make a werewolf conversion therapy camp for werewolf kids who couldn't wolf out. HOW DO YOU GET THE WEREWOLF METAPHOR SO WRONG? IT IS ABOUT QUEER IDENTITY AND MENSTRUATION AND YOU MADE IT ABOUT ABUSIVE CONFORMITY??? ARE YOU STUPID?

Also a kid gets hardcore manipulated and taken advantage of and the show frames it like he's the bad guy? Very shitty.

You know that annoying trend where spinoffs and prequels try to give everything a backstory? The Addams Family Snap Snap ™️ now has a backstory. And it isn't just that they can hear the soundtrack to their life.

All cops are dad.

If a deliberately rainbow person got Wednesday Addams as their boarding school roommate in 2022 they would be so goddamn respectful of her gothness. One does not become a unicorn bitch in this era without being conscious of other subcultures.

The primary monster thing and the only werewolf we get to see transformed are the same fucking shape. Big L for the creature design department. Embarrassing.

"the outcasts" are bougie private school people in a one coffee shop town that still has pilgrim worship. Like the living history museum is cool as hell but they have a huge bronze statue of a pilgrim dude.

I'm not sure the writers know that all the characters are gay but obviously they are.

Uncle Fester more like Under Utilized.

Why do they have crystal balls to communicate? Why don't the other magical people have them? Why is Wednesday not having a phone and everyone goofing on her about it even in the show? Who is this for?

It's weird that the casual use of weird Central American stereotypes is a Gomez quality they chose to keep, considering they made him Mexican in this one.

Fester's electricity powers go way beyond turning on a lightbulb in his mouth and I don't... get it.

Edgar Allan Poe worship. Not appreciation of his being a weird and highly creaturous little guy while acknowledging his troubled life and unsavory choices. No, just actual worship.

"omg" and "she's just like an instagram filter" SHUT

Verdict: thanks I hate it

[brookston]

Holidays 6.26

Holidays

Alexandra Rose Day

American Lottery Day

Anti Drugs Day (India)

Armed Forces Day (Azerbaijan; UK)

Bar Code Day (a.k.a. UPC Day)

Beautician's Day

Bike to Work Day (Colorado)

Boardwalk Day

Canoe Day

Crimean Tatar National Flag Day (Ukraine)

Festival of the Tarasque (France)

Flag Day (Romania)

Forgiveness Day

Global Africa Day

Good Earth Day

Good Manners Day

Guru Rinpoche Day (Bhutan)

Harry Potter Day

Human Genome Day

International Angel Shark Day

International Day Against Drug Abuse and Illicit Trafficking (UN)

International Day in Support of Victims of Torture (UN)

International Stitch Day

LGBTQ Equality Day

LP Demonstration Day

Murder of Thomas and Martha Wayne Anniversary Day (Batman)

National Beautician’s Day

National Cancer Wellness Awareness Day (Canada)

National Canoe Day (Canada)

National DCE (Director of Christian Education) Day

National Fossil Day (Australia)

National Milkman Day

National Ranboo Day

National Rat Catcher’s Day

National Report Trade Agreement Act Fraud Day

National Sarah Day

National Sports Day (Fiji)

National Toothbrush Day

National Zachary Day

Ommegang Pageant begins (Belgium) [Ends 7.6]

Pied Piper of Hamelin Day (according to the Brothers Grimm)

Prosecutor’s Office Employees Day (Belarus)

Public Prosecutors’ Day (Turkmenistan)

Reserves Day (UK)

Same Sex Marriage Day

Senior Citizen’s Day (Mason County, Michigan)

Shallot Day (French Republic)

Shreya Ghoshai Day (Ohio)

626 Day (Lilo & Stitch)

Sunthorn Phu Day (Thailand)

Supply Chain Geek Day

Support. Don’t Punish. Global Day of Action.

UN Charter Day

World Bunny Chow Day

World Nupe Day (Nigeria)

World Refrigeration Day

Wrong Trousers Day (Wallace & Gromit)

Ziua Tricolorului (Flag Day; Romania)

Food & Drink Celebrations

Chocolate Pudding Day

National Coconut Day

National Haskap Berry Day

Tropical Cocktails Day

Independence & Related Days

Batanes Day (Philippines)

Madagascar (from France, 1960)

Schwanensee (Swan Lake; Declared; 2009) [unrecognized]

Somaliland (from UK; 1960)

St. George (Principality Declared; 2007) [unrecognized]

4th & Last Wednesday in June

National Day of Joy [Last Wednesday]

National Parchment Day [Last Wednesday]

Weekly Holidays beginning June 26 (4th Full Week)

Glastonbury Festival (thru 6.30) [Last Weekend]

National Tire Safety Week (thru 7.2)

Festivals Beginning June 26, 2024

Beauregard Parish Watermelon Festival (DeRidder, Louisiana) [thru 6.29]

Carnival of Veracruz (Veracruz, Mexico) [thru 7.2]

Flavors of Albany Park (Chicago, Illinois)

Fusion Festival (Lärz, Germany) [thru 6.30]

Glastonbury Festival (Pilton, United Kingdom) [thru 6.30]

Linn County Fair (Central City, Iowa) [thru 6.30]

Monmouth Fair (Monmouth, Maine) [thru 6.29]

Niort Jazz Festival (Niort, France) [thru 6.28]

Seoul International Book Fair (Seoul, South Korea) [thru 6.30]

Smithsonian Folklife Festival (Washington, DC) [thru 7.1]

Sun Valley Center Wine Auction (Sun Valley, Idaho) [thru 6.28]

VidCon Anaheim (Anaheim, California) [thru 6.29]

Feast Days

Anthelm of Belley (Christian; Saint)

Archie McPhee Day (Church of the SubGenius; Saint)

Branwell Brontë (Artology)

Carbonara Day (Pastafarian)

Centre Earth Secret Entrance Reveal Day (Mount Scartaris; Ancient Iceland)

Corn-Ripening Ceremony (Native American Corn Mothers)

Daoud Corm (Artology)

David the Dendrite (Christian; Saint)

El Cid (Positivist; Saint)

Enzo Apicella (Artology)

Feast of All Saints

Feast of Salavi (Spruce Tree Rain God; Native American)

Handing Back of Tiger-Get-By’s Presents (Shamanism)

Hermogius (Christian; Saint)

Isabel Florence Hapgood (Episcopal Church)

Jack (Muppetism)

Jan Paweł Lelewel (Artology)

Jeremiah (Lutheran)

John and Paul (Christian; Martyrs)

John of the Goths (Christian; Saint)

José María Robles Hurtado (One of Saints of the Cristero War; Christian)

Josemaría Escrivá (Christian; Saint)

Lev Grossman (Writerism)

Lynd Ward (Artology)

Mar Abhai (Syriac Orthodox Church)

Maria (Muppetism)

Maxentius (Christian; Saint)

Milton Glaser (Artology)

Pearl S. Buck (Writerism)

Pelagius of Córdoba (Christian; Saint)

Pelayo (Christian; Saint)

Salvius and Superius (a.k.a. Suave; Christian; Saints)

Solstitium I (Pagan)

Summer Poem Day (Starza Pagan Book of Days)

Vigilius of Trent (Christian; Saint)

Lucky & Unlucky Days

Sensho (先勝 Japan) [Good luck in the morning, bad luck in the afternoon.]

Premieres

After the Rain, by Nelson (Album; 1990)

Arctic Antics (Silly Symphony Cartoon; 1930)

Baby, I Love Your Way, by Peter Frampton (Song; 1976)

The Bear and the Hare (MGM Cartoon; 1948)

The Big Clock, by Kenneth Fearing (Novel; 1946)

Darby O’Gill and the Little People (Film; 1959)

Delta of Venus, by Anaïs Nin (Short Stories; 1977)

Die Walküre (The Valkyrie), by Richard Wagner (Opera; 1870) [Ring of the Nibelung #2]

Donald in Mathematic Land (Disney Cartoon; 1959)

The Dower House Mystery, by Patricia Wentworth (Novel; 1925)

Dragonslayer (Film; 1981)

Eurovision Song Contest: The Story of Fire Saga (Film; 2020)

Fear and Loathing on the Campaign Trail '72, by Hunter S. Thompson (Political Book; 1973)

For Your Eyes Only (US Film; 1981) [James Bond #12]

Freeway Fracas (Woody Woodpecker Cartoon; 1964)

Full Metal Jacket (Film; 1987)

The Gold Rush (Charlie Chaplin Film; 1925)

Goo, by Sonic Youth (Album; 1990)

The Great Muppet Caper (Film; 1981)

A Hard Day’s Night, by The Beatles (Album; 1964)

The Hurt Locker (Film; 2009)

Illustrated Daily News (Daily Newspaper; 1919) [1st illustrated daily newspaper in U.S.]

I Wanna Be a Lifeguard (Fleischer Popeye Cartoon; 1936)

Jean de Florette (Film; 1987)

Little Rover (Color Rhapsody Cartoon; 1935)

The Lottery, by Shirley Jackson (Short Story; 1948)

The Mad King (Terrytoons Cartoons; 1932)

Muzzle Tough (WB MM Cartoon; 1954)

My Spy (Film; 2020)

Never a Dull Moment (Film; 1968)

The Nine Lives of Fritz the Cat (Animated Film; 1973)

Out of Sight (Film; 1998)

The Philosopher’s Stone (a.k.a. Sorcerer's Stone), by J.K. Rowling (Novel; 1997) [Harry Potter #1]

Pink-A-Boo (Pink Panther Cartoon; 1966)

Spaceballs (Film; 1987)

Sparky the Firefly (Terrytoons Cartoons; 1953)

The Story of Robin Hood and His Merrie Men (Film; 1952)

Stripes (Film; 1981)

Suffering’ Cats (Woody Woodpecker Cartoon; 1961)

Sweet Sioux (WB MM Cartoon; 1937)

Symphony No. 9, by Gustav Mahler (Symphony; 1912)

Tax Man Tax (Money Rock Cartoon; Schoolhouse Rock; 1995)

Ted 2 (Film; 2015)

Titus Groan, by Mervyn Peake (Novel; 1946) [Gormenghast #1]

A Tough Egg (Terrytoons Cartoons; 1936)

Who Let the Dogs Out, by the Baha Men (Album; 2000)

Wilful Willie (Terrytoons Cartoons; 1942)

Yankee Doddle Mouse (Tom & Jerry Cartoon; 1943)

Today’s Name Days

Anthelm, Vigilius (Austria)

David (Bulgaria)

Ivan, Pavao, Vigilije, Zoran (Croatia)

Adriana (Czech Republic)

Pelagius (Denmark)

Manivald, Vaane, Vaano, Vaino, Vane, Vanevald (Estonia)

Jarkko, Jarmo, Jarno, Jere, Jeremias, Jorma (Finland)

Anthelme (France)

David, Konstantin, Paul, Vigil (Germany)

Makarios (Greece)

János, Pál (Hungary)

Elisa, Filippo, Rodolfo, Vigilio (Italy)

Ausma, Dzejs, Ingūna, Inguns, Ulvis (Latvia)

Jaunius, Jaunutis, Viltautė, Virgilijus (Lithuania)

Jenny, Jonny (Norway)

Jan, Jeremi, Jeremiasz, Paweł, Zdziwoj (Poland)

David (România)

Adriána (Slovakia)

José, Pelayo (Spain)

Lea, Rakel (Sweden)

Arley, Harlan, Harlene, Harley, Thelma (USA)

Today is Also…

Day of Year: Day 178 of 2024; 188 days remaining in the year

ISO: Day 3 of week 26 of 2024

Celtic Tree Calendar: Duir (Oak) [Day 18 of 28]

Chinese: Month 5 (Geng-Wu), Day 21 (Xin-You)

Chinese Year of the: Dragon 4722 (until January 29, 2025) [Wu-Chen]

Hebrew: 20 Sivan 5784

Islamic: 19 Dhu al-Hijjah 1445

J Cal: 28 Blue; Sevenday [28 of 30]

Julian: 13 June 2024

Moon: 72%: Waning Gibbous

Positivist: 9 Charlemagne (7th Month) [El Cid]

Runic Half Month: Feoh (Wealth) [Day 3 of 15]

Season: Summer (Day 7 of 94)

Week: 4th Full Week of June)

Zodiac: Cancer (Day 6 of 31)