#Catherall

[80sheaven]

Human League on the front cover of Record Mirror, Aug 1981.

[loveboatinsanity]

[theearlofmelancholy]

[nervoussystemmusicreverence]

The Human League - Human

Music Video

Artist

The Human League

Composer

Jimmy Jam and Terry Lewis

Lyricist

Jimmy Jam and Terry Lewis

Produced

Jimmy Jam and Terry Lewis

Credit

The Human League - Ian Burden - Joanne Catherall - Philip Oakey - Jim Russell - Susan Ann Sulley - Philip Adrian Wright Additional musicians - Paul Rabiger - Keyboard parts, arrangement

Released

September 8 1986

Streaming

[seethesound]

[monkeyssalad-blog]

1937 illustration by Kenneth Brookes by totallymystified Via Flickr: For the story Best Man Is Winner by Arthur Catherall. From The Boy’s Own Annual 1937-38.

[getthatball]

The Human League - Human

Because this classic from 1⃣9⃣8⃣6⃣ was unlike anything The Human League had released and the collaboration with Jimmy Jam & Terry Lewis resulted in this haunting ballad. #Human

[mitjalovse]

The platters that transcend their periods are not really the bandwagon chasers, they set the pace. Yes, these pioneering records have their own set of weirdness, they're not that dilluted and Dare by The Human League shows that succinctly. Sure, we all talk about their biggest hits from the album, yet the disc contains many dark ditties, because they didn't escape their past as an alternative synthpop group, they merely modified that for a better acceptance in the pop context. Mind you, they didn't sell out, they cashed in to see what they could do. Of course, that is one of the reasons we still listen to Dare – this is an LP of those that were familiar with the darkness, yet they didn't let the latter intrude them from dancing. There's a funny yin and yang at play in here, I guess.

[oldsardens]

Paul Catherall - Goldfinger III

[rhysdarbinizedarby]

Our Flag Means Death Season 2: Exclusive First Look

Vanity Fair joins Stede, Blackbeard, and the rest of the cast on set in New Zealand for an exclusive early look at the second season, debuting on Max in October.

BY SARAH CATHERALL (AUGUST 24, 2023)

Only the fans of Our Flag Means Death can determine whether they’ll be satisfied with the show’s second season, which debuts on Max in October. But if you ask Fernando Frias, who directed three of the season’s episodes, he sounds pretty confident: “If my life depended on saying whether it’s yes or no, I would say yes.’’

It’s December 8, 2022, and the principal actors on Our Flag Means Death as well as the 800-plus extras and crew members have three days left of their three-month shoot for season two. Things are starting to get emotional. “You’ve been the most amazing crew I’ve ever worked with,” says one actor as he wraps his final scene. Frias says it’s like leaving “a long summer camp,” adding, “it’s like a family.”

Rhys Darby as Stede Bonnet. COURTESY OF NICOLA DOVE/MAX.

The series created by David Jenkins was a surprise breakout hit when it debuted in the spring of 2022, building a fiercely devoted fan base with its silly yet emotional deadpan, and defiantly queer take on the adventures of real 18th-century pirates. Everyone involved in Our Flag Means Death is eager to preserve the surprises in store for season two, which kicks off with gentleman pirate Stede Bonnet (Rhys Darby) and softhearted bad boy Blackbeard (Taika Waititi) ruefully separated after finally realizing their love for each other at the end of season one.

It’s “going to be unexpected and surprising, but also very pleasurable and satisfying for those who like the show,” promises executive producer Garrett Basch. It “doesn’t follow the expected route,” teases Con O’Neill, who plays Blackbeard’s devoted enforcer, Izzy. All that means is we’re not at liberty to share too much about what happened on set that day, which included emotional conversations, new cast members, banter with the Kiwi crew, and some seriously killer costumes.

But these exclusive new images give a hint of what is in store. There are fresh faces—Minnie Driver will guest-star as the real-life Irish pirate Anne Bonny, and Ruibo Qian joins the cast as the mysterious merchant Susan—and a lot of New Zealand actors and locations, now that the production has decamped across the Pacific.

“The viewers will see the scope of their world has expanded based on the fact we’re able to get to these amazing locations within a short travel time,” says executive producer Antoine Douaihy. “You will notice a marked difference between the two seasons in terms of the scope and the scale.’’

Minnie Driver joins the cast this season as Anne Bonny. COURTESY OF NICOLA DOVE/MAX.

There will be plenty of familiar faces too, of course. On set that day in Kumeu, New Zealand, a rural area about 20 miles outside of Auckland, are Waititi and Darby along their fellow returning cast members O’Neill, Vico Ortiz (Jim), Kristian Nairn (Wee John), Joel Fry (Frenchie), Matthew Maher (Black Pete), Leslie Jones (Spanish Jackie), Samson Kayo (Oluwande), Ewen Bremner (Nathaniel Buttons), Samba Schutte (Roach), and more. New onboard are two Kiwi actors, Madeleine Sami (most recently of the Australian mystery-comedy Deadloch), and Samoan-born Anapela Polataivao. And there’s one returning figure impossible to miss on the soundstage: The Revenge, the stately ship that Blackbeard—a.k.a. Ed—commandeered at the end of season one. In real life it was carefully transported across the Pacific Ocean from the show’s original Los Angeles soundstages.

The Revenge is vast and impressive, much larger in real life than it appears onscreen. But it’s not the only stunning scenery in store. There are around 50 sets involved in the production of season two, including the 30-acre forest behind the Kumeu Film Studio, Piha Beach, and the wild, black-sand Bethells Beach.

Waititi, who also executive produces the series, was part of the push to film season two in his native New Zealand. “Taika is an extraordinary talent and what’s really great about him with his international success is he’s remained very committed to New Zealand and very loyal to our industry,” says Annie Murray, the CEO of the New Zealand Film Commission. “The beauty of filming in New Zealand is that you can find incredible varied locations within a very short driving distance. [And] when you get to those locations you can turn your camera in any direction.’’

Rhys Darby as Stede Bonnet, filming at New Zealand’s Bethells Beach. COURTESY OF NICOLA DOVE/MAX.

The scope of the season is very evident back on set, as well. There’s a whole other pirate ship in addition to The Revenge, plus sets for a floating market, Stede’s cabin (empty when we visit), and the Republic of Pirates first glimpsed in season one. Behind the scenes it’s a maze of wardrobe, wig rooms, and dressing rooms. In another facility, props are stacked on shelves, ready to be taken away to storage as soon as filming wraps—vases, plates, antique furniture, and piles of mannequins replicating dead bodies which were used in one of the battle scenes.

Costume designer Gypsy Taylor joined the production this season and has designed hundreds of costumes, checking with everyone on set that day to make sure everything is in place before cameras roll. Taylor says each of the principals have six to eight looks in this season, and that every item—every leather belt, wig, bit of jewelry, even a mermaid tail—has been made by her 60-strong workshop. The costumes this season have a “Mad Max, ‘streets of New York’ feel,” says Taylor. “David Jenkins was keen to give the series a cool rock-and-roll vibe…so we had these rock-and-roll elements with an 18th-century twist.’’ As is evidenced in the image below, even Stede’s crew winds up with some unexpected new looks over the course of the season.

Wherever it is these Revenge crew members have found themselves, there’s something that surprised them. COURTESY OF NICOLA DOVE/MAX.

Two armies are part of the action in season two, all of them needing elaborate costumes—around 150 Chinese pirates and a fleet of 100 navy officers. Even the breeches are in studded black leather, and punkified. Says Taylor, “The theory behind their costumes is they would’ve stolen from other pirates…. Although our Wee John has started to become quite the seamstress, so he’s knitting this season.’’ True enough: Nairn is wearing what looks like a hand-knit sweater on set that day.

Wee John isn’t the only pirate getting into crafts. Nancy Hennah, who has managed the hair and makeup for both seasons, points to Blackbeard’s wig—made in London—and tattoos as Waititi works on set. With 14 tattoos on his right arm and 10 on the left, plus plenty of scars, he needs at least an hour in the makeup chair. “Taika wanted most of the tattoos to look like he’d done them himself,” Hennah says. “Like on slow days on the boat when there’s nothing much to do, they sit around and give each other tattoos.”

She gives a hint of a storm in one episode: ��One of the hardest days here in makeup was when they were caught in a storm on the back of the boat. [The cast] were saturated for a whole day, which caused havoc with things like tattoos and hair, wigs and beards.’’

Taika Waititi as Blackbeard, who begins the season with a broken heart. COURTESY OF NICOLA DOVE/MAX.

By mid afternoon, Con O’Neill is taking a break in his trailer. He pulls his slim, leather trousered legs up to a corner seat. A candle blazes on the kitchen bench as the veteran actor talks about the physical endurance required during the shoot. “It’s been frantic,’’ he says. His signature gray hair barely moves, frozen by the team of hair stylists who arrived on set around sunrise. (All interviews with actors in this story took place before the SAG-AFTRA strike). 

Izzy “goes on a remarkable journey” this season, says O’Neill. “He understands what love is and whom he’s in love with.’’ On a series featuring a variety of joyful queer relationships—not just Stede and Blackbeard, but Black Pete and Lucius (Nathan Foad), Jim and Oluwande, and Spanish Jackie and her many husbands—Izzy’s unyieldingly straitlaced devotion makes him an odd man out. By the end of season one many fans speculated that Izzy was driven by something at the intersection of love and obsession. This season, according to O’Neill, Izzy gets even deeper into that dynamic. “Physically it’s been quite demanding, and also emotionally it’s been quite demanding to be playing a man enraged by unrequited love, who’s basically a hopeless romantic, and to be able to play all that and also remember that this is fundamentally a comedy.’’

Though the show is often warm and fuzzy when it comes to feelings—one of Stede’s mottos in season one is that when faced with challenges, “we talk it through as a crew”—Izzy represents the darker, more violent side of pirate life, which the show doesn’t shy away from either. “What I love about this show is it does allow itself to swing between the two,” O’Neill says. “We’re almost operatic in our darkness at times, and then we swing back to the sweetness of the simplicity of the love of our two guys. It’s been challenging just to get the tone right.”

“We’ve gone further this season than we did last season with those tones,” he continues. “So sometimes it’s quite interesting to remind yourself that you have to take your foot out of the tragedy—literally, your foot—and put it back into the comedy.”

With a season behind them to build the dynamics between the characters and the actors alike, on set there’s been “a lot more spontaneity and script revisions based on what’s happening day-to-day,” says Douaihy. “The cast are so comfortable with one another and their characters, that they move through it naturally.’’

Leslie Jones as Spanish Jackie and Taika Waititi as Ed a.k.a. Blackbeard. COURTESY OF NICOLA DOVE/MAX.

The way O’Neill puts it, they’ve also built trust with Jenkins, their showrunner, to follow some bigger swings. “I don’t think David Jenkins is ever going to follow an expected route. I’d hate to drive in a car with him.” Thinking of the fans who will greet the series when the show returns in October, O’Neill continues, “I think they’re going to appreciate what [Jenkins] wants. Season two does stick to the original premise that we created in season one, which is take it on to other levels.’’

One character leveling up in a major way this season is Jim, the quiet badass (there are knives involved) played by the nonbinary actor and activist Vico Ortiz. “Jim really evolves in season two,” they say. “They’re a bit more chatty and a bit more conversational…. Most of the first season you see Jim in disguise, hiding, but in this one you see them a bit more [thinking,] Oh, this is my chosen family, and I feel good. There’s a bit more zaniness and a bit more softness.’’

Like O’Neill and several other castmates, Oritz had attended their share of fan events by the time season two began filming, and the entire cast and crew returned to the high seas with a strong sense that their show had taken on a life of its own. “It’s so beautiful to see that people are finding community within the fan base. It’s about creating spaces where we feel safe and seen, and it’s so great to see that so many people watch the show and feel validated in their experiences, whatever that may be,” says Ortiz. “A lot of people that watch the show are like, “Yeah, I’m a guy and it’s good to see all these dudes being vulnerable.’ We can just shake up [ideas about gender].’’

Ruibo Qian joins the cast this season as Susan, a merchant with secrets of her own. COURTESY OF NICOLA DOVE/MAX.

Basch admits the fan following surprised some of the team, “but it made a lot of sense” too. After years of television shows and movies that built up the potential of queer romance only to stop short, Basch thinks the fervor for Our Flag Means Death “says that shows in the mainstream aren’t delivering that promise or that setup, and we have. That’s really why the fans have gone wild for it.”

That promise, it’s safe to say, is kept in season two, and then some. On set that day in December, for example, there was a major romantic moment between two key characters. But we’d risk Ed Teach’s wrath if we told you any more.

Source: Vanity Fair

[my-chaos-radio]

Release: August 6, 1990

Lyrics:

Calling up the promised land

Johnny Seven's coming over the sea

He's taking your time

When you want to be free

Holding out a helping hand

Are you ready for a real career

Will you be so cool

When it's happening here

It don't say nothing that I haven't heard

If what I hear is true

You won't keep the law with a broken word

So what are you gonna do

Heart like a wheel

Turning away

From anything that's real

Heart like a wheel

Changing in time

Beating colder steel

Pass the message around the world

The medium is in retreat

The power is here

And packing some heat

Sell your soul to a holy war

Set the captive free

We make no promises anymore

But it isn't fooling me

Heart like a wheel

Turning away

From anything that's real

Heart like a wheel

Changing in time

Beating colder steel

Ohhhh

You can't keep the wheels turning anymore

With anger, blood, and fear

Or make any friends with an M16

When you blast your way through her

Heart like a wheel

Turning away

From anything that's real

Heart like a wheel

Changing in time

Beating colder steel

Heart like a wheel

Turning away

From anything that's real

Heart like a wheel

Changing in time

Beating colder steel

Songwriter:

Heart like a wheel

Turning away

From anything that's real

Heart like a wheel

Driving the world

Is gonna be a steal.

Jo Callis / Eugene Reynolds

SongFacts:

"Heart Like a Wheel" is a song by the British synth-pop group The Human League. It was the first single to be taken from the Human League's Romantic? album of 1990, and was written by former band member Jo Callis with Eugene Reynolds (of The Rezillos) and features vocals by Philip Oakey, Joanne Catherall and Susan Ann Sulley; with synthesizer by Neil Sutton. Recorded at Genetic Sound Studios during 1990, it was produced by Martin Rushent who was reconciled with the band after a seven-year gap.

Released in the UK in August 1990, "Heart Like a Wheel" reached number 29 in the UK, number 32 in the US, and number 64 in Australia.

[saramencken]

The Human League's Susan Ann Sulley and Joanne Catherall in the Limit

Via @screwloose1980

[brookstonalmanac]

Birthdays 9.18

Beer Birthdays

Louis X, Duke of Bavaria (1495)

Henry Stuart Rich (1841)

Elmer Hemrich (1890)

Don Barkley

Paddy Giffen (1950)

Jeff Lebusch (1957)

Five Favorite Birthdays

John Berger; art critic, writer, artist (1926)

June Foray; voice actor (1917)

Leon Foucault; French physicist (1819)

Tim McInnerny; English comedian, actor (1956)

Jonny Quest; cartoon character (1964)

Famous Birthdays

Eddie "Rochester" Anderson; actor (1905)

Lance Armstrong; cyclist (1971)

Frankie Avalon; pop singer (1939)

Lord Berners; English composer (1883)

Robert Blake; actor (1933)

Rossano Brazzi; actor (1916)

Jimmy Brogan; comedian (1948)

Joanne Catherall; pop singer (1962)

Kiki Daire; porn actor (1976)

Agnes de Mille; dancer, choreographer (1905)

Debbi Fields; cookie-maker (1956)

Tara Fitzgerald; English actor (1967)

Michael Franks; jazz musician (1944)

James Gandolfini; actor (1961)

Greta Garbo; Swedish actor (1905)

Bud Greenspan; sports journalist, filmmaker (1926)

Keeley Hazell; English model, actor (1986)

Samuel Johnson; English writer (1709)

Joe Kubert; comic book artist (1926)

Kerry Livgren; rock guitarist, keyboardist (1949)

James Marsden; actor (1973)

Elmer Henry Maytag; appliance manufacturer, cheesemaker (1883)

Jada Pinkett; actor (1971)

Dee Dee Ramone; rock bassist (1952)

Jimmie Rodgers; country singer (1933)

Ronaldo; Brazilian soccer player (1976)

Joseph Story; U.S. Supreme Court justice (1779)

Jason Sudeikis; comedian, actor (1975)

Aisha Tyler; actor, comedian (1970)

Jack Warden; actor (1920)

Fred Willard; comedian, actor (1939)

[k00297644]

Relief Print Seminar - Des

Part One:

Expanding the dialogue between the process and the maker.

Etching, suits of armour, ink

Examples:

Relief Print Etching

Lithography Engraving

Silkscreen Monoprint

Collograph

Hydroprinting Risoprint

Hybrid Offset

Mezzotint Letterpress

Digital Drypoint

relief- lino print, block print

Why are they so popular?

-create multiple copies

-cost effective

-no complicated machinery

Alfredo Zalce - Tribute to Zapatta

German Expressionism

Michael Rothenstein

Anthony Davies

Katie Clemson

-contrast to strong, politically charged previous examples

Paul Catherall

-a bit more simple but very clean finish

Kevin Holdaway

Rona Green

Part Two:

Tom Huck - Evil Prints (woodcut)

prep for woodcut and something of this scale is crucial

Can use a block you make in other areas/diciplines

Albert Irvine

Mel Bochner (stroke painting)

Julian Meredith

books in library on print installation

Andrew Boyle

Orit Hofsi

Printmaking is the most difficult way to make a drawing

Swoon

[k00295822]

Possibilities of Print Relief Seminar

Print is part of our day to day lives, its on food labels, the book we read, the clothes we wear, everything has some element of print in it.

Brief History of Print

Etching derived from decorating suits of armour where designs were etched in permanently. The Gutenberg printing press revolutionised the printing of books. It could produce up to 3600 pages per day in comparison to hand printing where up to 40 a day were produced. The Japanese were massive printmakers, using it to showcase fashion and erotic artworks. They mostly used woodblock prints.

Some of the types of printmaking

Relief print

Etching

Lithography

Engraving

Silkscreen

Monoprint

Collograph

Hydro printing

Risoprint

Dry point

Relief Print, (woodcut, linocut)

Involves cutting into a surface, rolling the ink across the top of the surface, wherever you cut into doesn’t receive ink. It’s making a mark and then learning how to transfer this mark. They’re so integral to printmaking as they don’t require elaborate and expensive machinery. Printmaking gives the possibility to create and distribute multiple copies in a short space of time. Take for example the propaganda from Mao Zedongs era of rule. A lot of propaganda from the time was created using relief printing. The physicality and directness of print appeals to many, there’s a lot of force in the image with the strong and unforgiving marks created. Yet there’s simplicity in it.

German Expressionists

They are bold and brash, they focus on the getting the image across while showing the strength of the material and process. They brought a sense of change while being raw and simplistic.

Print in Ireland

Print was never a part of Irish culture so there was no restraint to how artists used print here, there’s no historical confinements, unlike in countries like China and Japan where print plays a huge role in their art history. Artists such as Anthony Davis used blockprinting to portray the struggle at the time of the troubles, his way of expressing himself through print is inspired by the German expressionists.

Paul Catherall

His work is very simple and focused on shape and solid blocks of colour. It’s Brutalist in nature, reminding me of the USSR architectural style. While the work looks very simple, it’s one of the hardest types of prints to perfect. One misstep and the whole image will look off.

Notes from part 2 of the seminar