#Carl Stamitz

[gasparodasalo]

Carl Stamitz (1746-1801) - Concerto for Viola and Orchestra in D-Major (1774), III. Rondo. Performed by Ulrich Koch, viola, and Collegium Aureum on period instruments.

[lesser-known-composers]

Carl Stamitz (1745-1801) - Oboe Quartet in E flat major Op.8 No.4

1. Allegro 2. Andante 3. Rondo. Allegro

Alessandro Baccini Oboe & Nuovo Quartetto Italiano

[musicollage]

Carl Stamitz + Camerata Koln - Chamber works. 2000 : Cpo.

! acquire the album ★ attach a coffee !

[senfonikankara]

CSO Sanatçıları

8 Ocak 2023 Pazar, 20:00 CSO Mavi Salon

Stamitz | Klarinetli Dörtlüsü Op.8 No.4

Mozart | Trio için Adagio ve Füg No.1

Krommer | Klarnetli Quartet

[the-hurdy-gurdy-man]

title of recommended playlist: Classical classics

the playlist: mostly romantic era music

🤦‍♂️

[classicalinside]

Carl Philipp Stamitz (8 May 1745 – 9 November 1801)

Viola Concerto 1st movement

[hmr-project-1]

New issue Classical No.373 Carl Stamitz

[masayoshi-kawaharablr]

Carl Stamitz: Oboe Concerto in B-flat major

[peternelthorpe]

Ensiferum Lyrics

New Post has been published on https://wr1tepress.com/ensiferum-lyrics/

Ensiferum Lyrics

The principal stretch to I saying Ensiferum in concert was the Milwaukee be over on the Summer Slaughter Tour 2010. It was individual of the most excellent concerts of my life, and Ive been to a pretty safe amount. Here is my tally of Finnish metal stretch, Ensiferum:

The stretch comes outmoded wearing Finnish flags as kilts and with faces painted, glad designed for battle. Petri Lindroos introduces the stretch by maxim “We are Ensiferum. We are from Finland.” participating in individual fluid gesture the stretch starts with their opening song “Hero in a Dream” . Truly Epic.

Along with the bands amazing stage presence and crowd involvement, Ensiferum (which channel “sword bearer” in Finnish) has something to many metal bands lack. The capacity to note down amazing lyrics. Ensiferum lyrics are about of the mainly creative and poetic lyrics in the full metal genre. Perhaps it is the bands data of Finnish mythology to drives this. The poetic themes of many Ensiferum songs relate to fantastical, archaic, or historic stories, by and large with heroic sentiment in connection to Finland.

For pattern, in the song “Slayer of Light,” Petri screams, “Through the dreadful storms, across the frozen oceans… The firewind rages in the sky…” Ensiferum lyrics are accurately epic and after sitting in a undisturbed span listening to an Ensiferum recording, present is nothing better than getting lost in Finnish mythology while enjoying about safe quality metal. The mix of history and heaviness is at all times individual to mixes well and the artistic and poetic visualization of Ensiferums lyricists come up with stayed consistently amazing during all Ensiferum record.

The Austrian clarinetist Anton Stadler, who was a clarinetist in the Vienna Court Orchestra (late 1700s), became associates with Mozart. This friendship, along with the beauty of Stadlers tone, inspired Mozart to note down his Clarinet Quintet in 1789 and his Clarinet Concerto in 1791. Through the centuries these two moving parts come up with happen to about of Mozarts mainly beloved harmony. The poetic melodies in both of these moving parts capture the beautiful singing qualities of the clarinet.

Mozarts waste of the clarinet as an orchestral and solo instrument influenced anon composers to note down designed for the instrument. The clarinet became a standard instrument used in orchestras. Beethoven and Brahms, following Mozarts pattern, made extensive waste of the clarinet in their symphonies.

Other composers of clarinet solo moving parts in the basic 1800s were Carl Stamitz and Louis Spohr. Also well famous designed for his many clarinet moving parts is Carl Maria von Weber. Weber wrote many operatic and choral moving parts, and his solo moving parts designed for clarinet include many poetic melodies evoking an operatic, singing fashion of live.

Clarinet Music Today

Today the clarinet is predominantly used in symphony orchestras, chamber harmony, opera orchestras, broadway orchestras, concert bands, martial bands, jazz, cumbersome stretch harmony, New Orleans jazz and dixieland. It is besides used in folk harmony in European and Latin countries, live a prominent role in klezmer harmony, Hungarian gypsy harmony, Bulgarian folk harmony, and Greek traditional harmony, Latin America sambas and choros.

The principal stretch to I saying Ensiferum in concert was the Milwaukee be over on the Summer Slaughter Tour 2010. It was individual of the most excellent concerts of my life, and Ive been to a pretty safe amount. Here is my tally of Finnish metal stretch, Ensiferum:

The stretch comes outmoded wearing Finnish flags as kilts and with faces painted, glad designed for battle. Petri Lindroos introduces the stretch by maxim “We are Ensiferum. We are from Finland.” participating in individual fluid gesture the stretch starts with their opening song “Hero in a Dream” . Truly Epic.

[symphonyofmalice]

Nicolas would never have expected her to take him home. As much as he enjoyed the resonance of their music, they were strangers. If he had nefarious intentions, a vampire could more easily defend herself than a human- but to reveal to anyone where a blood-drinker kept their coffin, or slept during the day, was an act of trust that could easily lead to tragedy.

He wasn't sure where she was leading, but he didn't hesitate to follow. He played along as he walked, accompanying the music he could only hear in his head. Once he saw the Steinway shop it was obvious. He didn't spare a thought for the breaking an entering. He'd committed far worse crimes, and for less reason than this divine music.

Nicolas broke into a wild grin as the music in her head finally became music in the air. He matched her, playing louder on the violin. Nicolas began incorporating elements of Carl Ditters- better known as Dittersdorf- into his playing. The music had a slight folkish flavor, and a bend toward the theatrical. But the core started to sound more like Carl Stamitz. The composer had been a traveler with a difficult life, never really settling into a permanent position, and Nicolas now evoked that itinerant mood: always moving, always shifting, precarious, never quite stable.

In one moment, Nicolas was alone, giving a private concert to the night. In the next, his piece became a duet. The piano mingled with the violin notes seamlessly, beautifully. So many sonatas for violin were written with piano accompaniment in mind. The instruments were siblings, complements. At first, he thought for a moment the music was only in his mind, imagining a depth of music he wished for. But Nicolas was not a pianist at heart, and the sweeping, running chords were more than he could have composed alone.

I see you. I hear you.

It was when he heard the words in his mind that he was certain. He opened his eyes, and they fell upon a woman with long blonde hair. In body, she looked to be close to his own age, but that meant nothing to vampires. And it was clear she was one of his kind. How else could she be producing such masterful music with nothing but her thoughts, and sending them to him?

He didn't stop playing. As much as he wished to speak with her, it would be a tragedy to cut short the melody. He was possessed by the music, and it would release him when it was done with him, not the other way around. But meeting the stranger's gaze, giving her a smile, he changed the tone of his playing slightly, a little more curious, playful, wondering how she'd respond.

[gasparodasalo]

Carl Stamitz (1745-1801) - Sonata for Viola and Piano in B-flat Major, Op. 6, I. Allegro. Performed by Luca Sanzò, viola, and Maurizio Paciariello, fortepiano, on period instruments.

[lesser-known-composers]

Carl Stamitz (1745 -1801) - Sonata for harpsichord and violin in B-flat Major Op. 20

I. Non troppo Allegro II. Rondo. Allegro molto - Minore

Anna Kislitsyna & Alexandr Kislitsyn

[musicollage]

Perkins + Boyd – Bassoon Concertos. Hyperion : 2001.

[la-nero-maestro]

Symphony In G Major, Op. 13/16, No. 4 - II. Andantino 

By Composer Carl Stamitz

Performed By Conductor Matthias Bamert And The London Mozart Players 

[liszten]

Symphony In E-Flat Major - II. Andante Moderato

By Composer Carl Stamitz

Performed By Conductor Klaus Peter-Hahn And The Chamber Orchestra Of The Electoral Palatinate

Artwork : “The Orchestra” By Artist Martin Jack Zipin

[senfonikankara]

Stamitz | Sinfonia Concertante for Violin, Viola and Orchestra