#Captain John H. Miller
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popclture · 1 year ago
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Tom Hanks in Saving Private Ryan (1998)
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historyofguns · 28 days ago
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The article "Mortar Grenades: How Two Medals of Honor Altered ‘Saving Private Ryan’" by Captain Dale Dye, USMC (Ret), explores the real-life use of 60mm mortar rounds as improvised hand grenades during World War II, a technique depicted in the film "Saving Private Ryan." The author, who served as the film's Senior Military Advisor, had to convince skeptics on set, including the director Steven Spielberg and actors Tom Hanks and Matt Damon, about the historical validity of this tactic. The article outlines how mortarmen, facing desperate combat situations, used mortar rounds as grenades by removing safety pins and striking them on hard surfaces to arm the detonator manually. It provides examples of soldiers like Corporal Charles E. Kelly and Tech Sergeant Beaufort T. Anderson, who were awarded Medals of Honor for employing this method in combat. These accounts highlight the innovation and adaptability of American soldiers during wartime, elements essential to achieving victory under challenging circumstances. The narrative also touches on the post-war lives of these decorated soldiers, underscoring the lasting impact of their wartime experiences.
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Marvel Comics New Releases for Wednesday, August 9, 2023
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kwebtv · 10 months ago
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From the Golden Age of Television
"Y--O--R--D--" - Syndicated - April 30, 1955
A presentation of "Science Fiction Theatre" Season 1 Episode 4
Science Fiction Drama
Running Time: 60 minutes
Hosted by Truman Bradley
Stars
Walter Kingsford as Dr. H. J. Lawton
Rachel Ames as Edna Miller (Billed as Judith Ames)
Louis Jean Heydt as Lt. Co. Van Dyke
DeForest Kelley as Captain Hall, M.D.
Kenneth Tobey as Lt. Dunne (Billed as Ken Tobey)
John Bryant as W.O. Milligan
Clark Howat  as Capt. Boyce
Michael Fox as Voice on Speaker
DeForest Kelley played a doctor in this episode, a precursor to his role in "Star Trek".
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filmplothub · 2 months ago
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Saving Private Ryan (1998) Film Plot
Saving Private Ryan (1998) is a gripping WWII drama following a squad of soldiers, led by Tom Hanks, on a dangerous mission to rescue a paratrooper behind enemy lines after D-Day.
Spielberg, S. (Director). (1998). Saving Private Ryan [Film]. DreamWorks Pictures. Stream Buy On June 6, 1944, chaos engulfs Omaha Beach as the U.S. Army launches its assault on Normandy. The 2nd Ranger Battalion faces relentless German artillery and machine gun fire. Amid the devastation, Captain John H. Miller regains his bearings and takes command, leading his men through the brutal…
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lyledebeast · 1 year ago
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James's wife reads "Captain John H. Miller" on Tom Hanks's tombstone like she has obviously never heard that name once in her whole life, but her husband claims to have thought about Miller's directive that he "Earn this" every day of his life.
Oh, it's all coming together now!
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data2364 · 5 years ago
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Nathan Fillion   as Private James Frederick Ryan   1998  in  “Saving Private Ryan”
https://en.wikipedia.org/wiki/Saving_Private_Ryan
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pedroam-bang · 5 years ago
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Saving Private Ryan (1998)
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charliehoennam · 4 years ago
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s/o for the header and divide
REQUESTS ARE CLOSED
NO MINORS
DO NOT REPOST ANYWHERE
REBLOG
I WRITE F!READER UNLESS REQUESTED OTHERWISE
last update: Sep. 22, 2024
Although I have written for other characters, I have decided to write for Charlie Hunnam's and Jake Gyllenhaal characters only.
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Charlie Hunnam: Jackson Teller, Arthur Pendragon, Raymond Smith, Percy Fawcett, Henri "Papillon" Charrière, William “Ironhead” Miller, Bob Frey Jr., Kai, Stanley Kaminski
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Jake Gyllenhaal: John Kinley, Danny Sharp, David Loki, Quentin Beck, Anthony Swofford, Brian Taylor, Lou Bloom, Tommy Cahill, Elwood Dalton, Rusty Sabich
If you read something you like, PLEASE REBLOG. Sharing is caring, my dudes. Help me help you 💕
If any of the links do not work, please let me know so I can fix them as soon as possible. Here’s my list in alphabetical order ( * means smut is mentioned) Enjoy!😉
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B O Y D H O L B R O O K
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Amos Jenkins - little distractions series: part one / two
Doug Cleary - better luck next time
Peter Kristo - alrighty aphrodite
Quinn Mckenna - welcome home, captain * - quarantine pick-me-ups and eat-me-outs *
Steve Murphy - when the levee breaks*
William "Cap" Hatfield - untitled * 
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C H A R L I E H U N N A M
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Arthur Pendragon - untitled
Jackson Teller - patch-ups at 2 - untitled * - black-leathered prince
Raymond Smith - in sickness and in health - please and thank you *
William "Ironhead" Miller - drowned - the getaway - aftermath - birthday bliss * - forever home - feral love *
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J A K E G Y L L E N H A A L
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Anthony Clarie/Adam Bell - karma's kiss - one / two
Anthony Swofford series - 1: the set up / 2: the letter* / 3: the road trip*
Billy Hope - fists of fury
Brian Taylor - rainy day in
Danny Sharp - danny, the devil *(dark themes)
David Loki - sfw alphabet - forgiven - the dinner party * - dinner date - cat-n-mouse - beyond the badge series: one / two / three / four / five * - just need you * - to the moon - (his) birthday girl
Elwood Dalton - hero's homestead
Louis Bloom angel series (dark themes)*: one / two / three
John Kinley - untitled - take it all * - home again *
Quentin Beck - the conception *(dark themes)
Rusty Sabich - belong to no one else * - primetime *
Tommy Cahill - love in disguise * - from cramps to comfort
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J O N B E R N T H A L
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Frank Castle - old flame  - untitled * - vindicated *
Shane Walsh - saving shane * - untitled * 
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P E D R O P A S C A L
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Javier Pena - heat wave *
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T O M H A R D Y
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Alfie Solomons - my kitchen, my rules - faults of the father - gentle giant - in the dark series: prelude(ish) / part one / two  - untitled - first time for everything - sweet stranger series: part one / two
James Delaney - velvet dreams *
Reggie Kray - midnight lovers *
Tommy Conlon - surprise, surprise - quiet now - 2 o'clock stubble
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V I K I N G S
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Bjorn Ragnarsson - bjorn’s new wife *
Hvitserk Ragnarsson - to the rescue(s) - the funeral series: part one / two *
Ivar Ragnarsson - romantically series: part one / two * - playing dead
Ragnar Lothbrok - freed series : part one / two
Sigurd Ragnarsson - in solitude *
Ubbe Ragnarsson - poor little omega * (A/B/O) - learn to listen
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greatworldwar2 · 4 years ago
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• Doris Miller
Doris "Dorie" Miller was a United States Navy cook third class. He was the first black American to be awarded the Navy Cross, the second highest decoration for valor in combat after the Medal of Honor.
Miller was born in Waco, Texas, on October 12th, 1919, to Connery and Henrietta Miller. He was named Doris, as the midwife who assisted his mother was convinced before his birth that the baby would be a girl. He was the third of four sons and helped around the house, cooked meals and did laundry, as well as working on the family farm. He was a fullback on the football team at Waco's Alexander James Moore High School. He began attending the eighth grade again on January 25th, 1937, at the age of 17 but was forced to repeat the grade the following year, so he decided to drop out of school. He filled his time squirrel hunting with a .22 rifle and completed a correspondence course in taxidermy. He applied to join the Civilian Conservation Corps, but was not accepted. At that time, he was 6 feet 3 inches (1.91 m) tall and weighed more than 200 pounds (91 kg). Miller worked on his father's farm until shortly before his 20th birthday. Miller's nickname "Dorie" may have originated from a typographical error. He was nominated for recognition for his actions on December 7th, 1941, and the Pittsburgh Courier released a story on March 14th, 1942, which gave his name as "Dorie Miller". Since then, some writers have suggested that it was a "nickname to shipmates and friends."
Miller enlisted in the United States Navy for six years on September 16th, 1939. He did his recruit training at Naval Station Norfolk in Virginia, then was promoted to mess attendant third class, one of the few ratings open at the time to black sailors. After training school, he was assigned to the ammunition ship Pyro (AE-1) and then transferred on January 2nd, 1940, to the Colorado-class battleship West Virginia (BB-48). It was on the West Virginia where he started competition boxing, becoming the ship's heavyweight champion. In July, he was on temporary duty aboard the Nevada (BB-36) at Secondary Battery Gunnery School. He returned to the West Virginia on August 3rd. He was promoted to mess attendant second class on February 16th, 1941.
Miller was a crewman aboard the West Virginia and awoke at 6 a.m. on December 7th, 1941. He served breakfast mess and was collecting laundry at 7:57 a.m. when Lieutenant Commander Shigeharu Murata from the Japanese aircraft carrier Akagi launched the first of seven torpedoes that hit West Virginia. The "Battle Stations" alarm went off; Miller headed for his battle station, an anti-aircraft battery magazine amidships, only to discover that a torpedo had destroyed it. He went then to "Times Square" on deck, a central spot aboard the ship where the fore-to-aft and port-to-starboard passageways crossed, reporting himself available for other duty and was assigned to help carry wounded sailors to places of greater safety. Lieutenant Commander Doir C. Johnson, the ship's communications officer, spotted Miller and saw his physical prowess, so he ordered him to accompany him to the conning tower on the flag bridge to assist in moving the ship's captain, Mervyn Bennion, who had a gaping wound in his abdomen where he had apparently been hit by shrapnel after the first Japanese attack. Miller and another sailor lifted the skipper but were unable to remove him from the bridge, so they carried him on a cot from his exposed position on the damaged bridge to a sheltered spot on the deck behind the conning tower where he remained during the second Japanese attack. Captain Bennion refused to leave his post, questioned his officers and men about the condition of the ship, and gave orders and instructions to crew members to defend the ship and fight. Unable to go to the deck below because of smoke and flames, he was carried up a ladder to the navigation bridge, where he died from the loss of too much blood despite aid. He was posthumously awarded the Medal of Honor.
Lieutenant Frederic H. White had ordered Miller to help him and Ensign Victor Delano load the unmanned number 1 and number 2 Browning .50 caliber anti-aircraft machine guns aft of the conning tower. Miller was not familiar with the weapon, but White and Delano instructed him on how to operate it. Delano expected Miller to feed ammunition to one gun, but his attention was diverted and, when he looked again, Miller was firing one of the guns. White then loaded ammunition into both guns and assigned Miller the starboard gun. Miller fired the gun until he ran out of ammunition, when he was ordered by Lieutenant Claude V. Ricketts to help carry the captain up to the navigation bridge out of the thick oily smoke generated by the many fires on and around the ship; Miller who was officially credited with downing at least two enemy planes. "I think I got one of those Jap planes. They were diving pretty close to us," he said later. Japanese aircraft eventually dropped two armor-piercing bombs through the deck of the battleship and launched five 18-inch (460 mm) aircraft torpedoes into her port side. When the attack finally lessened, Miller helped move injured sailors through oil and water to the quarterdeck, thereby "unquestionably saving the lives of a number of people who might otherwise have been lost." The ship was heavily damaged by bombs, torpedoes, and resulting explosions and fires, but the crew prevented her from capsizing by counter-flooding a number of compartments. Instead, West Virginia sank to the harbor bottom in shallow water as her surviving crew abandoned ship, including Miller; the ship was raised and restored for continued service in the war. On the West Virginia, 132 men were killed and 52 were wounded from the Japanese attack. On December 13, Miller reported to the heavy cruiser Indianapolis (CA-35).
On January 1st, 1942, the Navy released a list of commendations for actions on December 7th. Among them was a single commendation for an unnamed black man. The National Association for the Advancement of Colored People (NAACP) had asked President Franklin D. Roosevelt to award the Distinguished Service Cross to the unknown black sailor. The Navy Board of Awards received a recommendation that the sailor be considered for recognition. On March 12th, an Associated Press story named Miller as the sailor, citing the African-American newspaper Pittsburgh Courier; additional news reports credited Lawrence D. Reddick with learning the name through correspondence with the Navy Department. In the following days, Senator James M. Mead (D-NY) introduced a Senate bill to award Miller the Medal of Honor, and Representative John D. Dingell, Sr. (D-MI) introduced a matching House bill. Miller was recognized as one of the "first US heroes of World War II". He was commended in a letter signed by Secretary of the Navy Frank Knox on April 1st, and the next day, CBS Radio broadcast an episode of the series They Live Forever, which dramatized Miller's actions. Black organizations began a campaign to honor Miller with additional recognition. On April 4, the Pittsburgh Courier urged readers to write to members of the congressional Naval Affairs Committee in support of awarding the Medal of Honor to Miller. On May 11th, President Roosevelt approved the Navy Cross for Miller. On May 27th, Miller was personally recognized by Admiral Chester W. Nimitz, Commander in Chief, Pacific Fleet, aboard the aircraft carrier Enterprise (CV-6) at anchor in Pearl Harbor. Nimitz said of Miller's commendation, "This marks the first time in this conflict that such high tribute has been made in the Pacific Fleet to a member of his race and I'm sure that the future will see others similarly honored for brave acts."
Miller was advanced in rank to mess attendant first class on June 1st, 1942. On June 27th, the Pittsburgh Courier called for him to be allowed to return home for a war bond tour along with white war heroes. On November 23rd, Miller returned to Pearl Harbor and was ordered on a war bond tour while still attached to Indianapolis. In December, and January 1943, he gave presentations in Oakland, California, in his hometown of Waco, in Dallas, and to the first graduating class of black sailors from Great Lakes Naval Training Station. He was featured on the 1943 Navy recruiting poster "Above and beyond the call of duty", designed by David Stone Martin. He then reported to Puget Sound Navy Yard at Bremerton, Washington on May 15th, 1943 when he was assigned to the newly constructed escort carrier Liscome Bay (CVE-56). He was advanced in rank to cook third class on June 1st. The ship had a crew of 960 men, and its primary functions were to serve as a convoy escort, to provide aircraft for close air support during amphibious landing operations, and to ferry aircraft to naval bases and fleet carriers at sea. After training in Hawaii waters, Liscome Bay left Pearl Harbor on November 10th, 1943 to join the Northern Task Force, Task Group 52. Miller's carrier took part in the Battle of Makin (invasion of Makin by units of the Army's 165th Regimental Combat Team, 27th Infantry Division) which had begun on November 20th. On November 24th, the day after Makin was captured by American soldiers and the eve of Thanksgiving that year (the cooks had broken out the frozen turkeys from Pearl Harbor), the Liscome Bay was cruising near Butaritari (Makin's Atol's main island) when it was struck just before dawn in the stern by a torpedo from the Japanese submarine I-175 (fired four torpedoes at Task Group 5312). The carrier's own torpedoes and aircraft bombs including 2,0000 pounders were detonated a few moments later, causing the ship to sink in 23 minutes. There were 272 survivors from the crew of over 900, but Miller was among the two-thirds of the crew listed as "presumed dead". His parents were informed that he was missing in action on December 7th, 1943. Liscome Bay was the only ship lost in the Gilbert Islands operation.
A memorial service was held for Miller on April 30th, 1944, at the Second Baptist Church in Waco, Texas, sponsored by the Victory Club. On May 28th, a granite marker was dedicated at Moore High School in Waco to honor him. Miller was officially declared dead by the Navy on November 25th, 1944, a year and a day after the loss of Liscome Bay. One of his brothers also had served during World War II. Miller was 24 years old at the time of his death. Miller's legacy continues in many memorials to his service. Doris Miller Memorial, a public art installation honoring Miller on the banks of the Brazos River in Waco, Texas. A bronze commemorative plaque at the Doris Miller Park housing community located near Naval Station Pearl Harbor; organized by the Alpha Kappa Alpha sorority and dedicated on October 12th, 1991, which would have been Miller's 72nd birthday. Even the U.S Navy honored Miller with the USS Miller (FF-1091), a destroyer escort (reclassified as a Knox-class frigate on June 30th, 1975) was commissioned on June 30th, 1973, in honor of Miller. Miller's likeness and story has also been portrayed in films, such as Miller being awarded the Navy Cross was portrayed in the 2019 film Midway. In Michael Bay's 2001 film Pearl Harbor, Miller is portrayed by actor Cuba Gooding Jr. Although he is not identified by name, Miller is portrayed by Elven Havard in the 1970 film Tora! Tora! Tora!
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ComicListThis Week:
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introvertguide · 4 years ago
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Saving Private Ryan (1998); AFI #71
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The next film on the list is one of the best films of any genre, Saving Private Ryan (1998). This is what I consider the best war film of all time despite how overwhelming it is to watch. Maybe it is because it is so difficult to watch, since the movie was nominated for 11 Academy Awards and received five trophies. Because of the ensemble cast and almost complete lack of women, the film was never going to garner much in the way of acting awards. Like the soldiers who they hoped to portray, these actors shouldn’t have expected much individual recognition. This movie affected me greatly, and I would like to delve into that after going through the story line.
MAJOR SPOILER WARNING!!! BECAUSE OF THE NATURE OF THE FILM, EVERYTHING THAT COULD POSSIBLY BE REVEALED AS FAR AS PLOT IS GIVEN AWAY BELOW!!! 
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In the present day, an elderly man visits the Normandy Cemetery with his family. At a tombstone, he falls to his knees in anguish. The establishing shots showing the mass of grave stones is overwhelming from the get-go. The movie transitions from the graveyard to a landing boat at the battle of Normandy. Be prepared because it is about to get rough.
On the morning of June 6, 1944, American soldiers land at Omaha Beach as part of the Normandy invasion. Everything goes bad immediately as machine guns and mortars literally tear the landing soldiers to shreds. Soldiers are screaming for their mothers as they die on the beach. There is no going back into the ocean so the soldiers have run into the machine gun fire. Captain John H. Miller (Tom Hanks) of the 2nd Ranger Battalion leads a breakout from the beach that makes it through to the German encampment. It is about 15 minutes of carnage and nobody will blame you if you want to forward through this until the action cools down. Elsewhere on the beach, a dead soldier lies face-down in the bloody surf; his pack is stenciled Ryan, S. It is at this point I would recommend taking a breather if you need one.
Continuing on, we are shifted to Washington, D.C., at the War Department (keep an eye out for Bryan Cranston with one arm), where General George C. Marshall learns that three of the four sons of the Ryan family were killed in action within a short time of one another. Daniel Ryan in New Guinea shortly before D-Day, Sean Ryan at Omaha Beach, and Peter Ryan at Utah Beach: all dead with letters arriving the same day for their mother. The fourth son, James Francis Ryan, is with the 101st Airborne Division somewhere in Normandy. After reading Abraham Lincoln's Bixby letter, which is meant to comfort grieving parents, aloud, Marshall orders Ryan found and brought home.
Three days after D-Day, Miller receives orders to find Ryan and bring him back. He chooses seven men from his company for the job—T/Sgt. Mike Horvath (Tom Sizemore), Privates First Class Richard Reiben (Edward Burns) and Adrian Caparzo (Vin Diesel), Privates Stanley Mellish (Adam Goldberg) and Daniel Jackson (Barry Pepper), T/4 medic Irwin Wade (Giovanni Ribisi) and T/5 Timothy Upham (Jeremy Davies), an interpreter from the 29th Infantry Division. The group moves out to Neuville where they meet a squad of the 101st engaged against the enemy and both Ted Danson and Paul Giamatti show up. THe group searching for Ryan bump into a stranded French family who try to give over their children but a German sniper breaks up the party. Caparzo is killed by a German sniper, who is then killed by Jackson (who makes the most amazing shot that legends are made of). They locate a Private James Ryan (Nathan Fillion), only to learn that he is James Frederick Ryan. On the point of giving up, the Captain starts asking random passing soldiers and learns that Ryan is defending an important bridge in Ramelle.
Near Ramelle, Miller decides to neutralize a German machine gun position at a derelict radar station, despite his men's misgivings. It does not go well and the medic, Wade, is killed in the process. They take a German soldier that they name Steamboat Willie (Joerg Stadler) who gives up willingly and pleads for his life. The men are angry and want to kill the soldier since they can’t take any extras, so, at Upham's urging, Miller frees the surviving German soldier. Losing confidence in Miller's leadership, Reiben declares his intention to desert, prompting a confrontation with Horvath, who threatens to shoot him. Miller defuses the standoff by disclosing his civilian career as a high school English teacher in a small Pennsylvania town.
At Ramelle, they find Ryan (Matt Damon) among a small group of paratroopers preparing to defend the key bridge against an imminent German attack. Miller tells Ryan that his brothers are dead, and that he was ordered to bring him home. Ryan is distressed about his brothers, but is unwilling to leave his post. Miller combines his unit with the paratroopers in defense of the bridge. He devises a plan to ambush the enemy with two .30-caliber machine guns, Molotov cocktails, anti-tank mines, and improvised satchel charges made from socks. It is basically suicide so the bridge is wired to explode in case it can’t be held. 
Now is a time to take a breather if you need one because it is about to get bad again. Elements of the 2nd SS Panzer Division arrive with two Tiger tanks and two Marder tank destroyers, all protected by infantry. The small American group holds off the force the best they can, Although they inflict heavy damage on the Germans, nearly all of the paratroopers, along with Jackson, Mellish and Horvath, are killed. It turns out that Steamboat Willie joined the group and he personally kills Mellish with a Nazi youth knife (it is horrible) and shoots Miller Captain Miller as he attempts to blow up the bridge. Miller crawls to retrieve the bridge detonator, and fires ineffectually but defiantly with his pistol at an oncoming tank. As the tank reaches the bridge, an American P-51 Mustang flies overhead and destroys the tank, after which American armored units arrive to rout the remaining Germans. With the Germans in full retreat, Upham emerges from hiding and shoots Steamboat Willie dead, having witnessed him shooting Miller, but allows his fellow soldiers to flee.
Miller tells Ryan to “earn this” before dying from his injuries. As the scene transitions to the present, Ryan is revealed to be the veteran from the beginning of the film, and is standing in front of Miller's grave expressing his gratitude for the sacrifices Miller and his unit made in the past. Ryan asks his wife if he was worthy of such sacrifice, to which she replies that he is. The final scene shows Ryan saluting Miller's grave and fades to the American flag gently waving in the breeze.
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I really have a hard time getting through this film without pausing and taking a breather. I saw the film in the theater when I was 18, so my friends and I were all around the age that these soldiers would have been that rushed that beach and retook France. It was truly terrifying. Now I am old and have back issues, so I wouldn’t be put on a front line, but the kids that I work with and care for would be the exact age to be caught in a draft and that scares me even more. The creative ways in which man finds to kill one another is the greatest threat to humanity. 
The first two times I saw the film, I did not realize that it was the same German soldier that the group had captured who eventually killed many of the group we were following. It really changes the message in the end. I had thought that Captain Miller had showed his humanity showing mercy, but it turns out that this mercy is misplaced. Now it seems like Spielberg is saying that neither humanity, nor religion, nor innocence, nor skill, nor even intelligence can save a man in the heat of battle. The only way to live is to watch the back of your group and protect each other like family.
There was a little bit of a travesty that occurred at the Academy in early 1999, because this film lost out in the Best Picture category to Shakespeare in Love. This is the same year that also saw Saving Private Ryan, The Truman Show, Life is Beautiful, Elizabeth, and The Thin Red Line. There had to be something behind that because I wouldn’t consider the winner even in the top 5. Shakespeare in Love is considered one of the worst Best Picture winners along with Crash and The Artist. Oscars are not everything and this movie is one of the best examples of this.
When I say that some of the scenes from this movie are difficult, I really do mean it. There was a hotline set up for people who have PTSD that was triggered by the film. One of the actual members of the 101st Airborne, Major Richard Winters, was consulted about the occurrences surrounding the attack. He said that it brought up many memories that he had worked hard to suppress because he had been taught that war veterans couldn’t express the psychological pain of battle. He also said that it was an important film that revealed what war was really like.
On Veteran’s Day in 2001 and 2004, ABC aired the film uncut with limited commercial interruptions. Living in California, I was able to watch the film on both of those occasions and remember getting my girlfriend at the time to watch in 2004. The film has become like a memorial to Americans lost in the European Campaign during WW2, so I treat viewing as a badge of honor and understanding, no matter how difficult it is to watch.
This film is a pretty easy answer when it comes to the standard questions for the most part. Does this film belong on the AFI top 100? Of course. It is the new benchmark for which all American war films will be judged. It is historically accurate, it is beautifully shot and directed, and it leaves a lasting impression far longer than just about any movie I have seen. Would I recommend it? This one has an age warning. It is not appropriate for young children because the first and last battle scenes are nightmare fuel. Even worse, they are apparently very realistic. It is hard to recommend something that is so scarring, but it will keep people for glorifying battle. It is horrific and should be avoided as much as possible. And that is a lesson that I believe this movie teaches better than any other. So please give this movie a watch and feel free to take a break if you need it.
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ulkaralakbarova · 9 months ago
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Rose Morgan, who still lives with her mother, is a professor of Romantic Literature who desperately longs for passion in her life. Gregory Larkin, a mathematics professor, has been burned by passionate relationships and longs for a sexless union based on friendship and respect. Credits: TheMovieDb. Film Cast: Rose Morgan: Barbra Streisand Gregory Larkin: Jeff Bridges Hannah Morgan: Lauren Bacall Henry Fine: George Segal Claire: Mimi Rogers Alex: Pierce Brosnan Doris: Brenda Vaccaro Barry: Austin Pendleton Candy: Elle Macpherson First Girl Student: Ali Marsh Sara Myers: Leslie Stefanson Female Professor: Taina Elg Felicia: Lucy Avery Brooks Felicia (Video): Amber Smith Claire’s Masseur: David Kinzie Rabbi: Howard S. Herman Reverend: Thomas Hartman Trevor: Trevor Ristow Mike (Student): Brian Schwary Randy (Student): Randy Pearlstein Stacie (Student): Stacie Sumter Taxi Stealer: Cindy Guyer Taxi Driver: Thomas Saccio Waiter: Andrew Parks Jimmy the Waiter: Jimmy Baio Henry’s First Date: Emma Fann Henry’s Second Date: Laura Bailey Justice of the Peace: Mike Hodge Gloria: Anne O’Sullivan Female Student: Sandi Schroeder Female Student: Kiyoko M. Hairston Male Student: Ben Weber Male Student: Christopher Keyes Female Aerobic Instructor: Lisa Wheeler Male Aerobic Instructor: Kirk Moore Make-Up Artist: Regina Viotto Hair Colorist: Paul LaBreque Waiter: Rudy Ruggiero Mr. Jenkins: William Cain Doorman: Adam LeFevre Irate Woman: JoAn Mollison Opera Man: Carlo Scibelli Male Student: Eli Roth Girl in Commercial (uncredited): Milla Jovovich Film Crew: Theme Song Performance: Barbra Streisand Screenplay: Richard LaGravenese Casting: Todd M. Thaler Production Design: Tom H. John Executive Producer: Cis Corman Casting: Bonnie Finnegan Editor: Jeff Werner Original Music Composer: Marvin Hamlisch Director of Photography: Dante Spinotti Costume Design: Theoni V. Aldredge Original Story: Gérard Oury Co-Executive Producer: Ronald L. Schwary Location Manager: Declan Baldwin First Assistant Director: Amy Sayres Director of Photography: Andrzej Bartkowiak Producer: Arnon Milchan Production Accountant: Tamara Bally Original Story: André Cayatte Hairstylist: Susan Germaine Makeup Artist: Randy Houston Mercer Chief Lighting Technician: William Ward Rigging Gaffer: James Malone Production Coordinator: Lori Johnson Camera Operator: Dick Mingalone Casting Assistant: Gayle Keller Sound Editor: Mark Larry Sound Editor: Steven Ticknor Sound Editor: John M. Colwell Assistant Costume Designer: Kevin Brainerd Actor’s Assistant: Renata Buser Sound Editor: Chuck Neely Unit Production Manager: Tony Mark Steadicam Operator: Gregory Lundsgaard Makeup Artist: Edouard F. Henriques Production Supervisor: Ray Quinlan Camera Operator: Patrick Capone Theme Song Performance: Bryan Adams Set Decoration: Alan Hicks Supervising Sound Editor: Charles L. Campbell Assistant Sound Editor: Jerry Edemann Assistant Editor: Marilyn Madderom Stunt Coordinator: Vince Deadrick Jr. Art Direction: Teresa Carriker-Thayer Script Supervisor: Karen Kelsall Production Sound Mixer: Tom Nelson Craft Service: Roger Poirier Supervising ADR Editor: Gail Clark Burch Assistant Property Master: Travis Wright Second Unit Director of Photography: Richard Quinlan Orchestrator: Jack Hayes Unit Publicist: Stanley Brossette Property Master: Thomas Saccio Transportation Co-Captain: Dennis Radesky Assistant Sound Editor: Keith Edemann Additional Editing: Alan Heim Foley: Alicia Stevenson Supervising Music Editor: Charles Martin Inouye Orchestrator: Torrie Zito Boom Operator: Daniel Rosenblum ADR Editor: Laura Graham Chief Lighting Technician: Jay Fortune Rigging Grip: Matthew Miller Sound Re-Recording Mixer: Kevin O’Connell Sound Editor: Ronald Eng Sound Editor: Harry Cheney Sound Editor: Richard C. Franklin Hairstylist: John Quaglia Sound Editor: Leonard T. Geschke Scenic Artist: Leslie Salter Camera Operator: Gary Jay First Assistant Camera: Steve Adcock Sound Editor: John H. Arrufat Foley: Marko Costanzo Still Photographer: David James Music Supervisor: Jay Landers Assistant Sound E...
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adamwatchesmovies · 3 years ago
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Saving Private Ryan (1998)
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Saving Private Ryan manages to do the seemingly impossible. This war film shows intense battle sequences without glorifying combat or condemning it as completely futile either. It’s intense, emotional, and thought-provoking.
On the morning of June 6, 1944, American soldiers land on Omaha Beach during the Normandy Invasion. After the casualties are recorded, it comes to the attention of General George Marshall (Harve Presnell) that three of the Ryan brothers have all been killed. Seeking to spare their mother the burden of having lost all of her sons, he orders Captain John H. Miller (Tom Hanks) and the remains of his battalion to find Private James Ryan and return him home.
You’ve probably heard of the intense half-hour opening and the way war is unflinchingly presented on-screen. Even decades later when it isn’t uncommon for war films to be gory, it's shocking. For every moment of heroism, there is another where someone is matter-of-factly killed by enemy fire. An act that would make you cheer is quickly followed by such brutality and inhumanity you struggle to avoid becoming numb - the only emotional defense that could protect you - then, the camera will turn towards one of our main characters and those emotions you tried to shoo away rush back. A movie could never truly capture the stress of the battlefield, but this is probably as close as you’re ever going to get. For that first exchange alone, the film is a masterpiece. In reality, that’s just the setup to a complex and gut-wrenching dilemma.
Even if a character is only on-screen for a little bit, they still feel alive. It makes the picture's central question that much more difficult to answer. Is the quest to save Private Ryan futile? Is it immoral? There’s no guarantee Captain Miller, Technical Sargeant Mike Horvath (Tom Sizemore), Privates First Class Richard Reiben and Adrian Caparzo (Edward Burns and Vin Diesel), Privates Stanley Mellish and Danny Jackson (Adam Goldberg and Barry Pepper), medic Irwin Wade (Giovanni Ribisi) and greenhorn technician Timothy Upham (Jeremy Davies) will even find Ryan. He’s a needle in a haystack being constantly fired upon. Even if they do, how are they bringing him back? Why him? There are thousands of soldiers dying, thousands of families, lovers, and children waiting for them at home. Even if they won’t be missed, their lives are no less valuable than the others'.
On the other hand, seeing the savagery these men go through, that chance of a single person being spared another day of combat is enough to convince you that the mission is necessary. This film doesn’t aim to depict war as useless or necessary; you make your own conclusion. Until the final scene, you won’t know how to feel about it. Even after, you're unlikely to. No ordinary picture can do that.
Saving Private Ryan changes you. It doesn’t sugarcoat anything. Not the combat sequences, the trauma and emotions that follow, or the moral quandaries that accompany the battlefield. Its characters, story, and the way each little moment, each detail builds up to that final, heart-wrenching scene makes it a picture for the ages. (On Blu-ray, November 17, 2017)
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data2364 · 5 years ago
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Tom Hanks as  Captain John H. Miller  and  Ted Danson as  Captain Fred Hamill  1998 in  “Saving Private Ryan”
https://en.wikipedia.org/wiki/Saving_Private_Ryan
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