#Canon EF 100-400 F/4.5-5.6L IS II USM

[calochortus]

CS-20220424-21 by Chris Short

[michaelnordeman]

What lenses and camera do you take photos with?

I love your photos, the photos of birds are as vivid as if you were observing them through binoculars.

Hi there,

And thank you! I just browsed your photos, they are wonderful.

For camera specifics, I will reuse an old answer, I hope you don’t mind :)

"My go-to camera, especially during summer, is a Canon Eos 80D. I also have a Canon 6D Mark II which I tend to use more during winter and dark/cloudy/rainy days. As for lenses, I use a zoom 100-400 mm (Canon EF 100-400mm f/4.5-5.6L IS II USM), but I also frequently use a 100mm f/2.8L Macro lens for flowers, plants and insects. These are cameras and lenses I’ve used many years, and I know them very well. As with family, I tend to argue with them from time to time (“focus!”, “no, it’s NOT too dark!”, “why don’t you learn to communicate like a normal person?!” etcetera), but I always love them no matter what."

I also use my iPhone from time to time, especially when I’m scouting an area or when I simply don’t have access to my system camera. I'm thinking of trying out old fashioned analogue cameras as well, but I haven't got around to that yet (not to mention that I can't afford it at the moment). Oh, and I remember my old Polaroid camera with much love, but that camera is long gone.

All the best!

[nrwagawat]

2018-12-15-11h38m04.BL7R2787 by Arjan Haverkamp Via Flickr: Gorilla: Shambe

[sommydom-blog]

Canon EF 100-400mm f/4.5-5.6L IS II USM, Is it worth the hype?

Founded in 1998, the first trombone-style lens has been replaced with a conventional rotating zoom layout and boasts lots of optical enhancements. The lens is slightly thinner, wider and thicker than the first, but the transfer to a rotating zoom layout should solve problems connected with dust being squeezed in through operation. 

Prices and Availability in UAE :

canon ef 100-400 price in uae is AED 6499

Additionally, it provides three picture stabilization modes and provides 4 stops of insertion in comparison to 1.5 from the preceding version.  The new lens will automatically lock the IS components as soon as it finds a tripod is used. Minimum focus distance is enhanced to 3.2 ft (compared to 6.5 feet ) and also the lens boasts 0.31x maximum magnification.  A brand new bayonet-style ET-83D hood is also included, using a slot for easier adjustment of filters. The EF 100-400mm f/4.5-5.6L IS II USM utilizes an entirely new optical formulation with a single Fluorite plus one Super UD component.  

The advantages are lower ghosting and flaring, like the manner Canon's Subwavelength Structure Coating (SWC) can be employed in wide angle lenses. For photographers who wish to function as closely as possible for their subjects, the minimum focusing distance of this lens was reduced to only 3.2 ft. (0.98m), leading to a maximum magnification of 0.31xray.  

The first EF 100-400mm f/4.5-5.6L IS USM was well known for its push-pull zoom modification, but the EF 100-400mm f/4.5-5.6L II USM utilizes a rotation-type zoom ring much like the one located on the EF 70-300mm f/4-5.6L IS USM lens which allows for much more precise adjustments, easier handling, and also always excellent weight equilibrium during handheld photography.  Additionally, the lens features a better zoom torque adjustment ring which permits the simple feeling of the zoom pressure based on private shooting preferences.  

The Canon EF 100-400mm f/4.5-5.6L II USM contains three Picture Stabilization (IS) modes ─ normal, panning, and throughout vulnerability only.   Every IS style is individually designed to assist provide outstanding effects in a huge array of shooting scenarios, and all function to fulfill the private preferences of photographers dependent on the sort of IS they want.  The optical IS supplies around four shutter speed measures of correction, improved from 1.5 measures in the prior model.  Moreover, the EF 100-400mm f/4.5-5.6L II USM features Canon's recently developed Air Sphere Coating (ASC) that helps to lessen backlit flaring and ghosting considerably, in addition to a 9-bladed circular aperture Electro-Magnetic Diaphragm which helps enhance beautiful, gently blurred backgrounds. Much like L-series lenses, the Canon EF 100-400mm f/4.5-5.6L II USM is extremely resistant to water and dust, with exceptional durability in harsh conditions, perfect for wildlife photographers in rainforest surroundings, or sports photographers around the sideline catching action shots of their huge game. Fluorine coating on front and back surfaces of the lens may repel dust particles and water droplets.  Additionally, it makes smears and fingerprints simple to remove without using lens cleaning fluid.  Included with the lens would be your brand new ET-83D lens hood, so which includes a neatly placed and handy side window allowing the user to readily adjust specialty filters whereas the lens hood stays in place.  Additionally, the EF 100-400mm f/4.5-5.6L II USM has a newly designed detachable tripod mount that may be eliminated to decrease weight through the handheld operation. 

[lensinserze]

%^ Canon EF 100-400mm 100-400 f/4.5-5.6L f4.5-5.6 L IS II 2 USM Lens Made In Japan https://ift.tt/3fwBL88

[wingedjewels]

Mocho-galego Athene noctua by Antonio Santos Foto. Via Flickr: Canon 7d markii lente Canon EF 100-400mm f/4.5-5.6L IS II USM Iso 400 1/640 seg Distancia focal 400mm Serpa Portugal 21-09-2017 15:57 hs

[instapicsil1]

Check out what's in #CanonExplorerofLight @dorn.bruce's gear bag! “I’m a commercial photographer/filmmaker working in the fields of automotive, adventure, branding, and fashion so my kit needs to be extensive and readily available. I own lots of gear – cameras, lenses, and enough lighting and grip equipment to fill a couple of adventure trucks. When folks comment on the monetary investment I have in just cameras and lenses – the tip of the iceberg, really – I point out that my gear doesn’t so much cost me money as it makes me money. I invest in Canon gear because it’s brilliant and is supported with care by CPS. Shown below is a current sampling of the bodies and lenses I regularly use: Cameras (multiple): EOS 1Dx MK II, EOS 5DsR, EOS 5D MKIV, EOS R Prime lenses: RF 50mm f1.2L, EF 85mm f/1.4L IS, EF 200mm f2L IS, EF 400mm f/2.8L IS II Macro Lenses: RF 35mm f/1.8 IS STM, EF 100mm f2.8L IS, EF 180 Macro f3.5L Zoom Lenses: EF 11-24mm f/4, EF 16-35mm f/4 IS, EF 24-105mm f/4L IS II, RF 24-105mm f/4 IS, EF 28-300mm f/4.5-56L IS, EF 70-200mm f/4L IS II, EF 100-400mm F/4.5-5.6L II, EF 200-400 f4L IS USM w/extender 1.4 Tilt-Shift Lenses: TS-E 17mm f/4L. TS-E 24mm f/3.5L, TS-E 45mm f/2.8, TS-E 90mm f/2.8L Not shown: Six 600EX II-RT speedlites, Mount Adapters EF-EOS R (all), Canon Extenders EF 1.4x III and EF 2x III, SanDisk Extreme SD and CFast data cards, G-Technolgy bus-driven SSD back up drives, 2TB MacBook Pro, Tiffen ND and cosmetic filters, Sachtler, Gitzo, and Cartoni tripods, Stella Pro LED water-proof lights, and ARRI SkyPanel LEDs.” -Bruce Dorn https://ift.tt/2z1a3wL

[omg-genius-mind]

Canon EF 100-400mm F4.5-5.6L IS II USM Zoom Lens 9524B002 New

USM Zoom Lens from the house of Canon

The Canon EF 100-400 is a digital camera lens that has been designed for use specifically in Canon’s range of DSLRs. The telephoto lens has a shooting range of 100-400mm making it the perfect lens for amateur as well as professional photographers. The lens is an easy to use lens that comes with different advanced technologies making it a suitable lens for sports and wildlife photography. The lens is a super telephoto zoom lens that is designed to capture the maximum amount of detail on your photography subject and give high quality results. The lens is made using high quality materials and has an in built optical zoom of 3x. The Canon EF comes with Canon’s two year warranty which you can easily avail by visiting any of Canon’s several service centres that are spread all across the country.

Telephoto Zoom Lens

The Canon EF 100-400mm lens is a widely used product. The lens is suitable for shooting in a variety of different shooting scenarios and is promised to deliver high quality results. The pictures that you click using this lens are rich in detail. The advantage of using a zoom lens over a traditional lens is that it gives you the opportunity to get closer to your subject without changing your position. The lens is capable of a very high level of zoom and captures intricate details in every shot. The in built image stabilises of the lens provides 4 stops of stability. The lens has a rotation type zoom ring designed that allows for not only easy control and precision but also makes holding the lens in your hand while shooting much less tiresome. The lens comes with an improved zoom and focus adjustment. The lens has in built enhancements to reduce backlit flaring and improve the quality of the image.

Suitability

The Canon EF 100-400 is the perfect lens that is suitable for wildlife and sports photographers. The lens has a minimum aperture of F/4.5 that allows for more light to come into the sensor and thus allowing for better exposed photographs with more detail. The Lens is compatible with Canon’s DSLR cameras and works best when used with Canon cameras. The performance of the lens is enhanced by the high quality and fast auto focus. It has a minimal focal length of 100mm allowing for much more detail while shooting close objects. The lens is incredibly lightweight and easy to mount on the camera, saving you time and effort and

[calochortus]

CS-20220612-51 by Chris Short Via Flickr: Crane Chick - so cute to see!

[michaelnordeman]

Hallå! Jag har älskat din blogg lika mycket som @herpsandbirds blogg, och jag har älskat dina fantastiska bilder och jag vill veta vilken kamera du använder för att få så otroligt tydliga bilder, jag tycker att det är riktigt coolt att du kan få bilder på mesen fåglar utan någon form av kameraskakning eller oskärpa för att de tittar sig omkring så snabbt eller flyger iväg. Jag skulle stötta dig med Ko-fi men jag har inte så mycket av mina egna pengar precis. Tack för att du lyssnade på mig som frågade dig om din kamera! Glad fågelskådning och natur! (eller vad det heter.) Ursäkta för eventuella grammatiska fel eftersom jag har använt google translate från engelska.

Hi there! Thank you for your kind words and for using Google to translate your comments to Swedish. I'll answer you in English though, as Google can be a bit untrustworthy from time to time (as is my English, but never mind).

Please know that I don't expect anyone to support me via Ko-fi, so don't feel bad about it. I'm just glad you are enjoying my pictures. As for which camera I use, I re-use my standard answer, as this is a question I get quite often. Here goes:

My go-to camera, especially during summer, is a Canon Eos 80D. I also have a Canon 6D Mark II which I tend to use more during winter and dark/cloudy/rainy days. As for lenses, I use a zoom 100-400 mm (Canon EF 100-400mm f/4.5-5.6L IS II USM), but I also frequently use a 100mm f/2.8L Macro lens for flowers, plants and insects. These are cameras and lenses I’ve used many years, and I know them very well. As with family, I tend to argue with them from time to time (“focus!”, “no, it’s NOT too dark!”, “why don’t you learn to communicate like a normal person?!” etcetera), but I always love them no matter what.

I also use my iPhone from time to time, especially when I’m scouting an area or when I simply don’t have access to my system camera. I’m thinking of trying out old fashioned analogue cameras as well, but I haven’t got around to that yet (not to mention that I can’t afford it at the moment). Oh, and I remember my first camera, an old Polaroid, with much love, but that camera is long gone.

So there you go. "IS" in the zoom lens name above stands for "image stabilisation", which paired with shutter speed settings makes the bird pictures sharp. But you should know that I take many, many pictures that are far from sharp - pictures you will never see...

Thanks again for contacting me. Have a wonderful day!

[signifystudio]

On December 28th, the Carolina Panthers visited the Georgia Dome to take on the Atlanta Falcons. The game was sold out and the winner was awarded a playoff spot. Atlanta Falcons Creative Director, Michael Benford was kind enough to provide credentials to me for taking photos on the field.

My gear for the game, consisted of a Canon 6D full frame on a Black Rapid shoulder strap for wide shots and a Canon 7D Mark II crop-sensor on a Manfrotto 680B Mono-pod for high-speed action. My glass consists of a Canon EF 100-400 f/4.5-5.6L IS USM Telephoto Zoom Lens, Canon EF 24-70mm f/2.8L II USM (For wide shots and if the subject is close) and a Sigma EX 10mm f/2.8 DC Fisheye HSM (For fun).

One thing to be aware of is that the Falcons play indoors and there is not much natural light available. Since everything moves at a hundred miles per hour, it is best to keep your shutter speed north of 1/1000. There is really only one way to get a decent exposure and keep up with the speed of the game; open the Aperture all the way up and crank up that ISO. Cranking up the ISO means there will be a lot of noise/grain in the photos. I also monitored my Exposure Compensation during the game and had it anywhere between +1 to +2. I had to be careful not to over expose the images, and still get a boost so they are not underexposed in the the faces because of the interior helmet shadows.

In sports photography, everything moves fast, so it was in my best to keep my focus on El-Servo. I had my Auto Focus on Case 4 Tracking Sensitivity which is for subjects that accelerate or decelerate quickly. Here are some of my photos from the game.

Another important thing about shooting an NFL game, is to be in the right location. This has to do with thinking ahead and making educated guesses on where the ball may go. Luck has a lot to do with it too. During the game, I managed to work around both benches and end zones. Keep in mind, there are hundreds and hundreds of people on the sidelines from player personal, officials, coaches and media. It is important to try and find a flexible angle in case there is a long pass, you do not someone blocking your field of view.

Choosing a focal range also requires anticipation, because you want to get in close, but it is hard to see the whole play unfold. If you are shooting too wide and want to later crop your photo, your subject may not have many pixels.

It is not hard to isolate one player such as the QB or the RB, but the challenge is watching the quarterback’s eyes and the receiver’s route running to anticipate a throw. Remember, these guys are professionals. Their goal is to deceive the defenders, not stare down their targets. Once the ball is thrown, I had to make a split second decision to twitch camera’s to the wide-angle lens in case the ball is coming towards me. If it is not, I need to pan the camera to the subject and possibly zoom in or out in less than a split second and focus. This can be very difficult, but very rewarding.

Although, the game turned out to be very one-sided, I still managed to get a few good shots of the Falcons offense, but as it turned out, Carolina had more of the big plays and that is where I made most of the photos.

[alexnickname]

I'm watching you! 🐸 SONY a7RII & EF100~400L IS II on Metabones T Mark V por .: mike | MKvip Beauty :. Por Flickr: ____________________________________________________ Press L and then F11 for a large view - an absolute must to fully enjoy this picture! ____________________________________________________ Common Water Frog | also known as Edible Frog German name: Teichfrosch Amphibia - Anura - Ranidae - Pelophylax - Pelophylax kl. esculentus (Rana esculenta) | (Linnaeus, 1758) Pelophylax kl. esculentus is the fertile hybrid of the Pool Frog (Pelophylax lessonae) and the Marsh Frog (Pelophylax ridibundus). It reproduces by hybridogenesis (from Wikipedia) ____________________________________________________ 📷 SONY ⍺7RII (ILCE-7RM2) with Canon EF100~400mm ƒ/4.5~5.6L IS II USM on Metabones EF - E-Mount T Smart Adapter Mark V available light | manual exposure | handheld (IS on) Here's the cam/lens combo used for this shot Lens EXIF written with ExifMixer | ExifTool No post production, only RAW conversion in ACR 11.3 & crop ____________________________________________________ If you have amazing shots done with any kind of Canon lens (LTM, FL, FD or EF) on a SONY E-mount camera please share them in my group .: Canon lenses on SONY E-mount cameras :. with Canon EF->SONY E-mount adapter thread ____________________________________________________

[diegoricol]

Diego Ricol Freyre recomienda: Diego Ricol recomienda: Canon EF 400mm f/2.8L IS III, toma de contacto y muestras del nuevo súperteleobjetivo

Lo primero es recordar que el Canon EF 400mm f/2.8L IS III es un teleobjetivo inalcanzable para la mayoría de los mortales fotógrafos que estamos en el mundo. Su precio es lo que provoca esta reflexión. Su calidad es muy alta pero exige aprender a mirar de otra forma. El ángulo de visión se cierra hasta los 5° y el mundo cambia.

Es un objetivo profesional. De la serie L, de los blancos que destacan en los estadios deportivos y que llevan el anillo rojo característico. Es raro verlos en otros entornos, salvo que estemos relacionados también con el mundo de la naturaleza salvaje. En estas especialidades se necesita material resistente, de primera calidad. Que aguante todo tipo de condiciones climáticas, desde el polvo de una carrera hasta la lluvia en la montaña. Y esto es todo lo que permite el Canon EF 400mm f/2.8L IS III.

Después de estar muy poco tiempo con él, apenas he podido sacarle todo el rendimiento. Se te ocurren mil ideas, mil series para exprimirlo a fondo. Los teleobjetivos son un campo inexplorado en muchos casos, sobre todo para los que hacemos otro tipo de fotografía. Con herramientas semejantes todo cambia.

Características principales del Canon EF 400mm f/2.8L IS III

Este teleobjetivo tiene tres características importantes:

Su luminosidad constante f2,8. Si le colocamos un multiplicador EF 1,4x III pasamos a tener un 560mm f4 y con un EF 2x III un 800mm f5,6.

Para esta tercera generación han conseguido el teleobjetivo de 400mm f2,8 más ligero del mercado (2840 gr) y supera al Sony FE 400mm F2.8 GM OSS (2,897 gr). Tenemos que recordar que la anterior versión llegaba a los 3850 gr…

El estabilizador de cinco pasos permite, siempre que seas carne de gimnasio o no te quede más remedio por las circunstancias, tomar fotografías a pulso durante toda una jornada. Personalmente he ido siempre con un monopié. Pero impresiona hacer fotografías a 1/20 con semejante equipo.

Una de las cosas más importantes y que poca gente sabe es que si quieres sacar todo el potencial a estos superteleobjetivos necesitamos una cámara a la altura. Nos han prestado también para esta breve toma de contacto una Canon EOS 1Dx Mark II por un sencillo motivo. Las baterías de cualquier otra cámara tienen 7,4V y 1100 mAh. La batería de la EOS 1 llega a los 10,8 V y 2700 mAh y ese mayor voltaje y amperaje permite más potencia y duración para mover los grandes elementos de estos teleobjetivos.

Construcción del objetivo (elementos/grupos)

17/13

Número de hojas del diafragma

9

Abertura mínima

32

Distancia mínima de enfoque (metros)

2,5

Estabilizador de la imagen

5 pasos

Resistencia al polvo y la humedad

Sí

Diámetro del filtro (mm)

52 mm de inserción

Diámetro x longitud (mm)

163 x 343

Peso (gramos)

2840

Precio

13.799€

No es que no se puedan usar con cámaras de otras gamas pero el enfoque será notablemente más lento, menos preciso y constante. Suficiente para el tipo de fotografías que veis en este artículo pero no para ráfagas en medio de la naturaleza o en un estadio. Eso sí, puede que si ponemos un grip en nuestras cámaras sea más que suficiente, sobre todo con este modelo tan ligero en comparación.

Objetivo con mochila propia

Y es que no es fácil trabajar con él. Para empezar es tan voluminoso (163x343mm) que necesita una mochila propia para transportarlo. Esto cambia todo a la hora de trabajar. No es un objetivo para sacar a la calle. Es inevitable llamar la atención con él. Sobre todo si lo sacas en lugares extraños, como hice por las terrazas de Madrid. Con tan poco tiempo y tan malo me fue imposible acercarme a la montaña.

400mm 1/20 f4

Es un objetivo con 17 lentes en 13 grupos. Al tener un diafragma de f2,8 la lente frontal es tan grande que obliga a crear un pequeño compartimento al lado de la montura para poder ponerle filtros de 52 mm. Tiene múltiples botones para ajustar el estabilizador, las distancias de trabajo de enfoque y demás… Es verdad que se puede usar a pulso, pero ya solo el tamaño del parasol, fundamental para proteger la lente frontal de golpes y manchas, impone demasiado respeto.

Diferentes distancias focales

Para que os hagáis una idea de su tamaño lo he fotografiado con un 24-70 f2,8 que parece hasta pequeño y un 35 mm f2. Su peso es tal, que tiene su propio anillo para fijarlo en un trípode. Eso sí, el diseño ha mejorado tanto que el punto de gravedad evita que el conjunto se caiga hacia delante. Con la EOS 1 está perfectamente equilibrado.

Cómo hacer fotografías con el Canon EF 400mm f/2.8L IS III

No es fácil. Es como aprender a hacer fotografías de nuevo. Para empezar lo he llevado siempre fijo al monopié. Y moverse con algo tan aparatoso exige mucho tiempo para ser fluido en los movimientos. Hay que calcular distancias para no chocarse con nada. Y evitar cansarse con tanto peso… No tiene nada que ver con un Canon EF 100-400, por ejemplo.

1/350-seg f2,8

Otra complicación es el ángulo tan reducido de visión. Este recorte es lo que provoca esa mala expresión que dice que los teleobjetivos acercan las cosas. Solo recortan el ángulo de visión. Y esos 5° os aseguro que hace difícil localizar dónde están las cosas, por donde va el futbolista o el lugar al que se ha desplazado el gato. Los fotógrafos deportivos y de animales salvajes tienen todavía más reconocimiento por mi parte.

1/350-seg f5,6

Así que hay que cargar, elegir el punto de vista, buscar el objeto principal de tu fotografía hasta que lo encuentras por el visor y empezar a trabajar como acostumbramos. Y acordarse siempre del tamaño monumental del objetivo a la hora de desplazarse. Una vez superados todos los escollos el teleobjetivo te deja sin palabras. Es verdad que hay que jugar con la profundidad de campo, con el enfoque preciso, pero el resultado que ofrece este Canon es perfecto. A la hora de fabricarlo no hay limitación alguna. La única meta es conseguir la máxima calidad de imagen.

1/20 seg f4

El enfoque, con la Canon EOS 1 Dx Mark II, es rápido y preciso. Y silencioso. Creo que no he perdido ni una sola de las fotografías ni siquiera con poca luz o mal tiempo. Para probar la rapidez del enfoque continuo solo he podido fotografiar a los gatos del patio de mi comunidad. Y a pesar de la corta distancia el conjunto no ha fallado. Hubiera sido maravilloso probarlo en una carrera o pillar un rebeco por Gredos, pero el tiempo manda…

1/350 f2,8

A modo de conclusión

El precio marca la diferencia: 13.799€. Solo por este motivo se convierte en un objeto de deseo para la mayoría de los fotógrafos. Si tu sueño es la fotografía deportiva o de animales salvajes no te queda más remedio. Pero es más probable que lo alquiles o lo tenga la agencia para la que trabajes. Aunque queda poco para la lotería de navidad…

1/3000 seg f2,8

La calidad está fuera de toda duda. Este tipo de objetivos dependen enteramente de la pericia del fotógrafo, de su destreza a la hora de trabajar. Y no es fácil conseguir algo bueno con un teleobjetivo fijo. Estás condicionado por el punto de vista que tengas, por la distancia a la que estés. No podemos estar moviéndonos de un lado a otro en un campo de fútbol o en la búsqueda de león… Es profesionalidad y suerte para que todo pase donde tú estás.

Para nosotros los mortales hay otras opciones en el mercado, como el ya mencionado EF 100-400mm f/4.5-5.6L IS II USM o montar un duplicador al Canon EF 70-200mm f/2.8L IS II USM. Pero no es lo mismo. Son sensaciones diferentes.

Este Canon EF 400mm f/2.8L IS III es un golpe sobre la mesa. Una demostración de poder, de enseñar hasta que punto puede llegar la marca. Y más ahora que empieza a haber otros rivales serios, ademas de Nikon, en un campo tan exigente. Son equipos que no pueden fallar. Usain Bolt no volverá a correr en 9,58 sg, Messi no marcará ese gol otra vez y Cristiano Ronaldo puede que no repita peinado después de semejante jugada.

1/2000 seg f2,8

Es un objeto de deseo perfecto para la mayoría de los fotógrafos, que recomiendo experimentar al menos una vez en la vida. No haremos mejores fotos pero sí que es verdad que seremos objeto de envidia si lo llevamos encima. Estos objetivos (de cualquier marca) son perfectos y nosotros tocaremos el cielo con ellos. Y además literalmente.

Galería a resolución completa | En Flickr

Tanto el objetivo como la cámara han sido cedidos para el análisis por parte de Canon España. Puedes consultar nuestra política de relaciones con empresas.

Ver fuente

Ver Fuente

[sailorrrvenus]

The Best Black Friday Deals of 2018 for Photographers

We’re a couple of days away from Black Friday 2018, and both camera gear companies and retailers are slashing prices to provide the industry with some of the biggest discounts of the year. We’re putting together a constantly-updated list of some of the sweetest deals out there for your shopping benefit.

We’ve organized the deals by brand in alphabetical order. Remember to check back for the latest links!

Adobe

All Creative Cloud Apps for $40/month ($13 off $53/month for $156 off a year)

Canon

5D Mark IV DSLR Camera for $2,799 ($500 off $3,299). Includes free battery, battery grip, SanDisk 64GB SDXC card, and shoulder bag worth $438.

Canon EOS 5D Mark IV DSLR with 24-105mm Lens for $3,699 ($997 off $4,696). Includes battery, battery grip, filters, SanDisk 64GB SDXC card, camera bag, and more.

Canon EOS 5D Mark IV DSLR with 24-70mm USM Lens for $3,549 ($947 off $4,496). Includes battery, battery grip, filters, SanDisk 64GB SDXC card, camera bag, and more.

6D Mark II DSLR Camera for $1,299 ($500 off $1,799). Includes free battery, battery grip, SanDisk 64GB SDXC card, shoulder bag worth $318.

Canon EOS 6D Mark II DSLR with EF 24-105mm f/4L IS II USM Lens for $2,199 ($909 off $3,108). Includes battery, battery grip, filters, SanDisk 64GB SDXC card, camera bag, and more.

EF 100-400mm f/4.5-5.6L IS II USM Lens for $1,799 ($400 off $2,199)

Datacolor

Spyder5PRO Display Calibrator for $100 ($50 off $150)

Spyder5ELITE Display Calibrator for $150 ($100 off $250)

DxO

Everything in the online store will be 50% off during the Black Friday sale (Thursday through Sunday).

Fujifilm

X-T2 Mirrorless Camera for $1,099 ($501 off $1,600). Includes camera backpack and SanDisk 32GB SDHC card.

GoPro

HERO7 Silver Action Camera for $229 ($70 off $299). Includes SanDisk 32GB microSDHC card worth $13.

Olympus

OM-D E-M1 Mark II Mirrorless Camera with 12-40mm f/2.8 Lens for $1,998 ($700 off $2,698)

Panasonic

Lumix DC-GH5 Mirrorless Camera for $1,498 ($500 off $1,998)

Nikon

D750 DSLR Camera for $1,396 ($600 off $1,997). Includes free battery, battery grip, SanDisk 64GB SDXC card, and shoulder bag worth $456.

Sigma

105mm f/2.8 EX DG OS HSM Macro Lens for Canon/Nikon for $569 ($400 off $969)

70-200mm f/2.8 EX DG APO OS HSM Lens for Canon/Nikon for $1,129 ($270 off $1,399)

Sony

a9 Mirrorless Camera for $3,498 ($1,005 off $4,503)

a7 II Mirrorless Camera with 28-70mm f/3.5-5.6 OSS Lens for $998 ($600 off $1,598)

a7R III Mirrorless Camera for $2,798 ($400 off $3,198).

a6000 Mirrorless Camera with 16-50mm and 55-210mm Lenses for $598 ($400 off $998)

source https://petapixel.com/2018/11/21/the-best-black-friday-deals-of-2018-for-photographers/

[pauldeckerus]

The Best Black Friday Deals of 2018 for Photographers

We’re a couple of days away from Black Friday 2018, and both camera gear companies and retailers are slashing prices to provide the industry with some of the biggest discounts of the year. We’re putting together a constantly-updated list of some of the sweetest deals out there for your shopping benefit.

We’ve organized the deals by brand in alphabetical order. Remember to check back for the latest links!

Adobe

All Creative Cloud Apps for $40/month ($13 off $53/month for $156 off a year)

Canon

5D Mark IV DSLR Camera for $2,799 ($500 off $3,299). Includes free battery, battery grip, SanDisk 64GB SDXC card, and shoulder bag worth $438.

Canon EOS 5D Mark IV DSLR with 24-105mm Lens for $3,699 ($997 off $4,696). Includes battery, battery grip, filters, SanDisk 64GB SDXC card, camera bag, and more.

Canon EOS 5D Mark IV DSLR with 24-70mm USM Lens for $3,549 ($947 off $4,496). Includes battery, battery grip, filters, SanDisk 64GB SDXC card, camera bag, and more.

6D Mark II DSLR Camera for $1,299 ($500 off $1,799). Includes free battery, battery grip, SanDisk 64GB SDXC card, shoulder bag worth $318.

Canon EOS 6D Mark II DSLR with EF 24-105mm f/4L IS II USM Lens for $2,199 ($909 off $3,108). Includes battery, battery grip, filters, SanDisk 64GB SDXC card, camera bag, and more.

EF 100-400mm f/4.5-5.6L IS II USM Lens for $1,799 ($400 off $2,199)

Datacolor

Spyder5PRO Display Calibrator for $100 ($50 off $150)

Spyder5ELITE Display Calibrator for $150 ($100 off $250)

DxO

Everything in the online store will be 50% off during the Black Friday sale (Thursday through Sunday).

Fujifilm

X-T2 Mirrorless Camera for $1,099 ($501 off $1,600). Includes camera backpack and SanDisk 32GB SDHC card.

GoPro

HERO7 Silver Action Camera for $229 ($70 off $299). Includes SanDisk 32GB microSDHC card worth $13.

Olympus

OM-D E-M1 Mark II Mirrorless Camera with 12-40mm f/2.8 Lens for $1,998 ($700 off $2,698)

Panasonic

Lumix DC-GH5 Mirrorless Camera for $1,498 ($500 off $1,998)

Nikon

D750 DSLR Camera for $1,396 ($600 off $1,997). Includes free battery, battery grip, SanDisk 64GB SDXC card, and shoulder bag worth $456.

Sigma

105mm f/2.8 EX DG OS HSM Macro Lens for Canon/Nikon for $569 ($400 off $969)

70-200mm f/2.8 EX DG APO OS HSM Lens for Canon/Nikon for $1,129 ($270 off $1,399)

Sony

a9 Mirrorless Camera for $3,498 ($1,005 off $4,503)

a7 II Mirrorless Camera with 28-70mm f/3.5-5.6 OSS Lens for $998 ($600 off $1,598)

a7R III Mirrorless Camera for $2,798 ($400 off $3,198).

a6000 Mirrorless Camera with 16-50mm and 55-210mm Lenses for $598 ($400 off $998)

from Photography News https://petapixel.com/2018/11/21/the-best-black-friday-deals-of-2018-for-photographers/

[nunoxaviermoreira]

Chapim-de-faces-pretas Remiz pendulinus by Antonio Santos Foto. Canon 7d markii lente Canon EF 100-400mm f/4.5-5.6L IS II USM F/5.6 Iso 400 1/1.600 seg Distancia focal 400mm Rio Guadiana Serpa Portugal 27-12-2016 14:56 hs https://flic.kr/p/DKbkdo