#Can't wait for shadowbringers

[kannedia]

Junelezen 2024 - Day 25 - Old Friend

"New old friend?"

How curious... He seems kind.

[lively-lizard]

Life has been busy and there was a lot of procrastination

but my journey has been fruitful to say the least

5.0 - 5.3 spoilers ahead

haha trapped cubus

Alisaie craves violence, you go girl

forgot to mention the weird shoebill that keeps appearing, heard from other people theorize that it's emet, they certainly have the same expression lmao

my girl is very pretty

:0 wasn't this the design of the first final fantasy's warrior of light

friend :D. huh, wondering who made that crystal but thank you anyways hythlodaeus, thank you for the crystal. Also, elidibus, making me kill my friends was not fun thank you very much

oh Jesus Christ, exarch you are literally crystalizing, sit the fuck down

These shots were very cool btw. Also, WHAT, so I was Azem, alright huh, that was a lot to take in

him :( , he came to save us after all

the fight was still stressful, i am so sorry about this bad screenshot Elidibus, my hands were shaking from the mechanics, the music was fire though as always

"The rains have ceased, and we have been graced with another beautiful day. But you are not here to see it." :(

anything for you G'raha :(

Seto and Ardbert :(

welcome aboard G'raha :D

Though i cannot express my true feelings that time i was playing, but i was screaming a lot, tears, not so much, i had to see the screen after all. I am technically already at the gates of endwalker, but the raids and trials comes next

[warlordfelwinter]

the fact that fiver died alongside the twins in "urianger's vision" fucks me up so bad

[anneapocalypse]

Emet's story about Hydaelyn and Zodiark being just really old primals does not shock me in the least--look, Gaius's whole speech about how Your gods are no different from those of the beasts, eikons every one has lived rent free in my head for months, and not just because I've run Praetorium so many times, there's a reason he's my favorite Garlean villain. I don't think even Ariane is entirely as scandalized as her pals, though it's still a shock to hear, because she's had her issues and doubts about Hydaelyn for a long time now. But boy is this gonna fuck up Urianger if it's true. 🥲

[sheeshiki]

many many many thoughts about shadowbringers and lightwardens and sin-eaters. a little thing i've been working on while i go through the expansion..........

[strawberrygreens]

my new au ra, Xana Dotharl

She was killed in the midst of combat during her childhood, something that her tribe completely missed in the chaos of battle. Before the conflict ended, her corpse was possessed by a voidsent whose mind was overwritten by a flash of particularly strong Echo that fired off like a muscle spasm, turning it into a mental replica of Xana. The voidsent now lives as a copy/clone of the original Xana, utterly unaware of its origins and constantly on the hunt for something to sate its hunger for aether.

[noxtivagus]

the whole world of ffxiv is very dear to me

[bakuzen-xiv]

[singing-swan]

I shared my horrified reaction to the Tesleen scene on discord and have been receiving several variations of "welcome to shadowbringers" as replies.

I'm scared.

[astraveil]

thinking about how Astra's constantly so hard on herself about not being strong enough to protect the people she cares about, faced with death and failure at every turn, that when she's finally able to rescue the Exarch it quite literally does not click in her brain at first that she didn't fail this time.

she ends up downplaying her role in it even though the proof of her strength is staring her in the face and I think that's interesting

[astralflows]

[watches a guide for ex4][cries]

[shera-dnd]

I have decided against my better judgement to be weird about the Dawntrail MSQ

and we can't talk about an expansion set in the fantasy americas without talking about

COLONIALISM

oh yeah, we're going there baby

So disclaimer that I may be brazilian, but my ass is white as hell, so take everything I say with a grain of salt. Also if any native americans have made posts on this please let me know so I can boost their analysis as well

Also also I'm more than happy to delete this post if I mess up. I'm genuinely trying to make a thoughtful analysis, so if I fuck up just say the word and this thing is gone from this website

Oh also also also, Dawntrail MSQ spoilers ahead!

So FFXIV has had a... messy relationship with colonialism over the years

The fact that the major antagonists for the first half of A Realm Reborn a literally called "beast man tribes" is absolutely not a good start to this story

Add to that the fact that The Twelve (Eorzea's gods) are shown to be kind all powerful deities, while the Primals (the tribal gods) are evil spirits summoned to bring destruction to the world

and yeah no ARR is not good with that shit. It's EXTREMELY not good. If I hadn't been told it got better later on I would have dropped this shit before I got to Titan

But they have been taking steps to unfuck things. First we're shown that even the "civilized societies" (in this case the catholic elves) can summon Primals, then that Primal summoning isn't an actual native custom but was introduced by foreigners with malicious intent, and that not all "beast man" practice that

Then they changed the names of the "Beast Man Tribe Quests" to "Tribal Quests" and then finally to "Allied Society Quest"

Which would have been an empty gesture had like half of the post-Shadowbringer patches, as well a lot of Endwalker, not been about forming alliances with those people and working together with them, recognizing that they have as much right to the land and to life as any Eorzean, this all culminating on the Primals being summoned with the express purpose of helping you protect the world you all share

I guess they realized that they couldn't have their big bad for most of the game be the evil expansionist empire, if they didn't like actually reflect in their own imperialist fantasies they were propagating

Then the teaser trailer for Dawntrail drops and everyone in the fandom is like "wait... are we gonna do a colonialism?"

And memes were abound of how all those lessons from before don't apply to the "New World" of Tural

THANKFULLY the actual questline leading to Dawntrail helped to settle some of those worries

We're not going to Tural to explore a new uncharted land, but are actually being invited over by the local royalty in order to aid them with their right of succession. We get introduced to the nation of Tuliyollal and how it's a thriving land with its own culture and not just a "terra nil" waiting to be colonized

Still there are some worries that this is gonna turn out poorly and that we're just gonna end up being white saviors

But I think they managed to avoid that pretty well

For starters neither the Scions nor the Warrior of Light are the protagonists of this story. You're all simply supporting character's in Wuk Lamat's story

A story that centers her people, her culture, and her family

And it's not even one culture. They don't portray Tuliyollal as this monolithic mish mash of every single native american culture

No, the lands of Tural are in fact comprised of multiple different people's and nations, each of them with their own customs and traditions which are informed by their history and the lands they live in

In fact learning about their cultures and partaking in their customs is the whole point of the Rite of Succession. It's all set up so that the next Dawnservant would be someone who understands and respects each of the peoples that comprise Tural

(I could, and probably will, write about what Dawntrail has to say about what makes a good ruler)

And our girl, Wuk Lamat, is shown to be the rightful heir because she really goes out of her way to understand each of the nations and show her appreciation for their customs

Putting her well above her Sharlyaboo brother Koana, The King of Unresolved Daddy Issues Zoral Ja, and whatever the fuck is going on with Bakool Ja Ja

(I joke, I love my two headed traumatized dumbass)

Tho I will admit that this does end up giving the tribes a somewhat "planet of the hats" vibe. Like their named NPCs are diverse and interesting, but you can just assume that most random NPCs of any given people are gonna act according to the stereotype

Which is unfortunate, but I have hopes that with the next few patches and the addition of Dawntrail's own Allied Society Quests, we'll get to see more to them

But that... is only up to lvl95 and the end of the Yok'Tural (southern Tural) segment

because then we get to Xak'Tural (northern Tural) and holy shit does it feel like they drop the ball there

Like they really COULDN'T keep themselves from making Shaaloani a fucking Wild West map

Instead of doing anything with the actual cultures and histories of Native North American people, they just do wild fucking west

Because there's ceruleum in them thar hills! And apparently Koana turned most of the region into Sharlyaboos too

So we get a bunch of Wild West frontier towns mixed with native american tribes and mud brick cities. We have trains and guns and a sheriff and a duel at high noon, but now everyone got native american names

At least there's one group off to the northern side of the map who seems to stick to tradition and live in harmony with nature, and that group is shown respect by the other people of the region

so we at the very least avoid the "cowboys vs indians" crap, but my god does that region just feel bad compared to everything else they had done so far

Then we get to the big twist: THE CYBERPUNK PORTION OF THE GAME

because yes, we go full fucking cyberpunk

so turns out that a whole segment of Xak'Tural got colonized by the kingdom of Alexandria, including the lands of the Shetona (Erenville's people)

And I feel like this is the most poignant section of the MSQ when it comes to colonialism

Because here we have Alexandria, an empire that has reached the limit of what it can do sustain itself on its own world, and so has decided to spread out and colonize others in order to gain resources

We see the Shetona and other natives of the region being separated from their families and kept in isolation from the rest of their people

And tho Queen Sphene is shown to be a kind and caring ruler who gives people a choice when it comes to joining the empire, WELL SHE'S STILL THE QUEEN OF A FUCKING EMPIRE

Like her form of kindness and just stagnant peace is put in stark contrast with Wuk Lamat's own love for her people and more proactive pursuit of happiness and harmony

(again with the "what makes a ruler theme")

Also the people that choose to be assimilated into the Alexandrian Empire? Yeah, they're doing so because Alexandria has advanced medical technology and you can only receive their aid if you're a citizen

Not only that, but you have to be a working citizen. We see later on a character being denied medical aid, because he lost his job, thanks to the King's decision and at no fault of his own

yeah this is cyberpunk, not just sci-fi

ALSO can we talk about how the technology used for that medical aid and the little gizmo they give you to signify you're now a citizen, will literally erase the memory of the people you lost

So the Turali who are assimilated into Alexandrian culture not only lose ties to their culture and their loved ones, but are not allowed to grieve their loss, because what they once had is slowly being erased

How their choices add up to survive on their own OR be assimilated

How this all takes place IN NORTH FUCKING AMERICA!

THE CYBERPUNK CITY IS LITERALLY SET IN THIS WORLD'S EQUIVALENT TO THE UNITED STATES

So yeah, I don't think is is accidental. I genuinely thing that they're making a point about the realities of imperialism and colonialism, as well as taking some shots at the US while they're at it

Of course this part is still centered around Wuk Lamat, and instead of having a moment of "the only ones who can stop the evil white europeans are the GOOD white europeans", we have Wuk Lamat be the one to save the day, defeat Sphene, and save her people from the colonizing empire

So I would like to argue that everything that happens from lvl97 onwards is them picking up the ball again and making a real point

buuuut that comes at the cost of us being unable to engage with the native peoples of Xak'Tural outside of the context of colonialism

Which genuinely fucking sucks, and I hope it will be remedied with the post-Dawntrail patches

As well as handling the whole shared land situation they ended up with and how this might end up in a Land Back sort of movement, and oh boy can they mess shit up royally there

So in conclusion FFXIV has had a messy relationship with colonialism and imperialist fantasies and tropes, but the devs seem to be making a concerted effort to undo their mistakes and show respect in their depictions of american natives

They still fuck up

boy do they

but they're at least trying, and I'd say Dawntrail so far has been quite well executed

so yeah, look forward to more insane rambles like this one I guess

[farfromdaylight]

i try not to complain about heavensward. i really do. it's a beloved expansion. people love ishgard. i love ishgard.

however, heavensward FUCKING SUCKS.

listen. so much of heavensward's plot is either badly written or badly paced or both. if you play through it once and don't think about it further, it's a great game. if you even glance back at it, it falls apart like a house of cards.

Actual shit that happens in Heavensward (spoilers):

You fight against the Heavens Ward to prove you're not a heretic. Five minutes later you have to go back to Ul'dah to save Raubahn.

After several levels of exploring Dravania and reaching the Churning Mists, you finally find Nidhogg's lair. You can't get there. You turn around and go back to Ishgard.

While you're fucking about waiting for the manacutters to get done, you go get the sultana back. Literally the entire plot momentum built up from your big road trip across Dravania comes to a dead halt as you go back to Ul'dah.

You slay Nidhogg. You go back to Ishgard. You spend eight quests killing time until the Vault, learn that class warfare is a thing, and fight off one of the Heavens Ward, who BACKFLIPS AWAY FROM YOU.

Immediately after the Vault, you go fight a whale.

The Emperor of Garlemald shows up in the Sea of Clouds just to tell you that you suck.

At the exact moment Y'shtola would be convenient to the plot, she returns.

The archbishop gets to Azys Lla way before you, but helpfully waits until you get there before continuing the plot.

and so on. i'm sure there's more.

here's my problem with heavensward: individually, there are a lot of great plot elements in it. however, they are presented in such a fucking buckwild manner that a lot of them are diminished. let's take the Hilda section for example: it's great to learn about Ishgard's class struggles! Of course this is great worldbuilding! However the actual section where you learn about it feels like (and basically is) filler. You finish the Aery, learn a lot of important Dragon Lore, and come back to Ishgard. You then have to fuck about until you're a high enough level to do the Vault, and in that section you do some of the worst fetchquesting in the game. It is atrocious.

Are there things I like about Heavensward? Absolutely. I fucking love Ishgard. I think the overall worlbuilding is phenomenal. Dragon vs man is a compelling storyline. But my god, the plotting and pacing are SO BAD. You spend an unbelievable amount of 3.0 dealing with the Ul'dah plotlines of post-ARR when you should be fully immersed in Ishgardian politics. It would not have killed you to leave the sultana stuff for HW patch quests, guys.

The best comparison I can make is that it's like if in Shadowbringers, instead of seeing the Meanwhile In Garlemald sections, you instead had to just abandon the First and head back to deal with that shit right before fighting a Lightwarden. It brings the narrative to a dead halt. It just doesn't work.

And like, I get it. It's not easy to write a game like FF14. The fact that later expansions are as well-written as they are is frankly a miracle. This is a huge worldbuild with a ton of plot threads and it's incredible even half of them get wrapped up. But viewed in isloation, Heavensward is one of the most tonally inconsistent parts of the entire story.

[tritoch]

the witch of the cave: matoya, y'shtola, and the night's blessed

long rambly and extremely unedited post about y'shtola and matoya, two characters i really feel like we don't talk about or take seriously enough. i think the popular (and in many ways intended) perception of FFXIV as a game about dramatic high-tension moments and attendant emotional catharsis makes it easy to overlook the fact that there's plenty of subtext to mine from, especially for characters like these two who can come off as somewhat reserved and also have very little screen time together. i find the night's blessed very helpful for thinking about them both. spoilers through endwalker below. tl;dr version of the post can be found by reading the bolded text below.

on my first playthrough the whole rak'tika thing felt very underdeveloped, and i still think a lot of the story beats are weak. here's y'shtola she's your last member to rejoin she has a new village now(?) and OH she's dead again WAIT she's back and then we're off into "zodiark and hydaelyn are primals" land and there's no time to think anymore about the night's blessed. but on reflection i think this works out okay imo because the night's blessed are only just barely there for plot reasons. they serve instead, like the outfit redesign, to establish the game's new baseline concept for who y'shtola is going to be as a character going forward. the night's blessed let the writing shorthand a lot of y'shtola's off-screen development and set her up as a powerful and extremely self-actualized person, using matoya as her foil.

in brief: matoya is implied to have lived her life prior to the sharlayan exodus constantly at odds with the (imo obviously sexist and hide-bound) forum. as a result, she was pretty isolated from and in conflict with much of sharlayan society, to the point that while y'shtola leaves with everyone else in the exodus to presumably matriculate at the studium and earn her archon's marks, matoya stays behind, with no company but her familiars.

and this is agonizingly sad, i think. 15 years alone in a cave. dravania's isolation means she has no one to talk to but frogs she has magic'ed and trained into familiars. little to occupy her but her work and her memories, and her memories of y'shtola are so painful to her she locks them away. even when y'shtola returns to eorzea after ten years away she can't find the time to see her until the scion's issues demand it (to be fair to y'shtola, getting to matoya overland means traveling through ishgard and dravania, and prior to the calamity they're totally occupied with that and afterwards there's the whole dragon thing).

(hey also this whole thing is even SADDER when read in light of the encyclopedia eorzea text that "the day [Matoya] begins to remember her students fondly will be the day that her work ends." she won't let herself take these memories back until she retires!)

they barely talk at their reunion, and while there's some brief honest fondness from matoya early on they soon turn to their characteristic deflecting and sardonic back-and-forth for what little time they get to talk, before matoya delivers a poorly-translated and confusing warning on aethersight and exits the 3.0 story. even by the time of shadowbringers, y'shtola can't bring herself to admit that when alone in a foreign land, she took on her master's name, and neither will straightforwardly admit to missing the other. in a game full of effusive and warm relationships between master and pupil or guardian and ward, matoya and y'shtola's relationship is warm, but specifically characterized by distance and deflection, consistent with how matoya has rejected (and/or isolated herself from) others her whole life.

that's not to say there's not love there, obviously, and not all expressions of love look or the same. but this is not how y'shtola behaves elsewhere. when she visits you at the annex in endwalker, she's quite sincere and direct there, coming to you with her concerns and stating plainly that doesn't want to see you harmed, making it clear she was actively worried about how you were doing. she even pre-emptively apologizes when she fears she's inappropriately joked about your misfortunes. she's also obviously much more direct and deflects less with the night's blessed themselves, or runar, or urianger after rak'tika, or zero. she can be funny or glib or arch, but she makes no effort to conceal how much these relationships mean to her, or how she feels at any given point.

y'shtola can be sharp, she can be sarcastic, she can go for the throat or be dismissive and imperious, but she's generally not those things with people she cares about in private conversation. for a woman who makes it quite clear that she cares a lot about the image she projects to others, she is never ashamed of her own feelings or afraid to voice them, but neither is she harsh or cruel. the one time she does the matoya-style thing of being so honest and brusque it tips over to backbreakingly blunt, it's to thancred in rak'tika, over her concerns that as the sole guardian of an isolated young ward, he isn't doing enough to affirm her as her own person or to be emotionally honest and supportive of her. i have some thoughts as to why that might be; you may be able to guess what they are!

so shadowbringers sets up a parallel for the player: remember matoya in the cave, having spurned sharlayan politics, left to pursue her research and guard the antitower, a solitary hermit for fifteen years? well here's y'shtola as matoya, in a cave, having spurned the lies and half-truths of two specific sharlayan men. she initially comes off alternately distant and brusque, unable to recognize you and perhaps changed herself. the fact that y'shtola's not just the local cave witch to the night's blessed ends up being a sort of narrative reveal, and her characterization as a beloved and respected leader who feels a deep attachment to the community in turn shows how much she's grown and surpassed her mentor. (and note in turn urianger, over there in fairyland pretty much actually doing the matoya thing except, in accordance with his whole deal, in a way that is both slightly healthier and much weirder).

and there's narrative payoff for this: y'shtola, having been fairly closed-off and mission-focused up until now, flings herself into a fucking pit and casts "hope this doesn't kill me lmao" the very second she learns the night's blessed have been harmed and she has a chance to save them (and that's not a romance thing; she has no idea runar's been harmed. she only knows the villagers of slitherbough have been poisoned, and an antidote exists). and from her (annoyingly obviously fake) death you learn that she isn't just valued and respected by the community, but has formed close enough relationships for people to feel real and deep attachment to her.

y'shtola notes at several points that she and master matoya dedicated their lives to the pursuit of truth above all else. but in the end y'shtola was also a student of louisoix, a man who far valued compassion for the plight of others above all else (and, not for nothing, he's not exactly #1 parent/guardian/mentor of the astral era either). in rak'tika, all the finest qualities of y'shtola reach a kind of culmination. the relentless pursuit of what is true and what is right, but as part of a healthy, caring community, without the isolating and painful pride of her mentor. and she sacrifices nothing of herself to attain this. she is exactly who she was before rak'tika, if anything a little more brusque. she's even still a little withholding about herself, noting that she cultivated an "image of restraint" among the night's blessed. but none of this interferes with her ability to be a powerful and respected and admired leader of a close-knit community.

and again none of this is really a critique of matoya, who i have enormous affection for as effectively the game's only representation (until endwalker) of an older woman in STEM. but she is a product of what her circumstances allowed: where matoya, as a sincere believer in truth, had only rivals in a deeply conservative and isolationist society, y'shtola, carrying forward the same principles, has friends and comrades in an increasingly open and free world. she turns her mentor's unflinching honesty from an alienating political weakness into a pillar of both slitherbough and the scions. matoya's self-imposed exile from sharlayan is, by her own acknowledgement, petty and in some ways goes against her own values. and listen you've gotten far enough in this rambling, we can all be real for a second: matoya is definitely kind of an asshole and went into self-imposed exile and sealed up her research because of a disagreement with the Forum over weapons development. y'shtola's leveraging the integrity and searing honesty she learned from matoya to far more altruistic ends!

i think a lot of players have a vision of y'shtola somewhere on a continuum from badass avatar of destruction to powerful and solitary archmage. and i agree that's cool as hell but i also think ffxiv is a game that believes, at its core, that community is one of the most important things in the world, both in terms of what it can do for a flourishing society and as a critical element for people to find value and fulfillment in their own lives. y'shtola developing her own close attachment to a community in shadowbringers is meant to serve as shorthand for how she has come into her own as a person and found a fulfilling and meaningful life in line with her ideals, living up to matoya's ideal of all knowledge existing to advance mankind. it is no coincidence that this happens at the same time as she goes from "a pretty good mage" to being consistently portrayed as one of the more powerful mages in the setting and the scions' magical powerhouse. the genre trappings and the character arc work in harmony.

i think what this means becomes a little clearer set against characters like thancred (who spends 5.0 getting to "can have a mostly emotionally honest conversation with his surrogate daughter and make her feel loved and valued") and estinien (who, after twenty years living in and dying for one walled city, had one of the worst months anyone has ever had and ever since can't be in the same place for more than two seconds). their permanent states as vagabonds reflect their lack of close ties (what with all the tragic death) and still-healing emotional wounds. by contrast, y'shtola has achieved the wisdom and grace to live life as part of a connected whole, and has found a way to bring her values to bear in all parts of her life and in her leadership of this community, in so doing improving the lives of herself and everyone around her. y'shtola doesn't settle down with the night's blessed as a natural progression of her life or as a precondition to her maturation, but instead is capable of forming this kind of attachment to the night's blessed precisely because she has developed the integrity and emotional honesty to live in accordance with her values. and she can cast LB3 meteor in cutscenes now.

and also, conveniently, this is done in a way that lets them shorthand/off-screen a lot of this arc and do the rest of it with very minimal screentime for y'shtola and it has an associated romance subplot and also conveniently she's immediately severed from this important community so she can stay footlose and fancy-free in the protagonist group and Isn't It Funny How Scion Women Settle Down Or Die While We Keep Accumulating Permanent Bachelors, I Just Think It's Funny. obviously none of this is above critique. but i think the narrative takes pretty seriously the idea that y'shtola is actually the team's most emotionally developed and mature member in a lot of ways and slitherbough is where a lot of that starts, and you can't understand all that without matoya.

[swiftcast-selene]

✨ pre-dawntrail wol questions! ✨

over on our little server i've been asking a WoL development question a day until dawntrail and it's been well-recieved so far, so after a month of doing it i figured i may as well put them on here~

use them to draft your own posts! send each other asks about them! answer them in the tags! do whatever you want with them, as long as you're having fun!

how is your wol about personal hygiene? are they on top of it? always perfumed and spotless, a little messy sometimes, or do they have to be reminded to groom?

is there a texture your wol absolutely can't stand, either food or feeling-wise? or is it not something they tend to worry about? do they go to great lengths to avoid it or do they just power through it?

what is your wol's evening routine? do they prepare for the next day? do they just wing it? do any weapon or gear upkeep? just pass out because that's tomorrow them's problem?

how does your wol's echo manifest itself? do they see visions as they happen? all at once? delayed? do they get any physical symptoms from it?

does your wol have any siblings? how do they get along with them? is it a good relationship or is it tense?

how does your wol feel about romance? are they a hopeless romantic, waiting for The One, or are they more casual? do they believe in soulmates?

how does your wol feel about their hair? is it important to them? just kind of in the way? who cuts it? do they take good care of it or are they not particularly fussed about it?

how good is your wol at taking care of their armor/clothes? do they mend them themself? pay to gave it fixed? just change it when it gets old?

what's in your wol's travel bag? any trinkets? any vital items they cant go without? do they travel light and figure stuff out on the fly, or do they bring way too much with them? (bonus points if you have images!)

how does your wol sleep? very light? very heavy? do they need a specific item to fall asleep? is it easy for them to fall asleep, or does it take them forever? where do they prefer sleeping?

where was your wol during the last calamity? how did it make them feel? did it change their life, and if yes, for better or for worse?

shadowbringers spoilers: how did they feel being so... up and personal with another calamity? did they feel responsible? scared? did they feel like they owed the first to stop it, or were they more detached from the situation?

for the canon casters: what does casting magic feel like to your wol? how does being "out of mana" feel?

for the physical fighters: how does it feel when they do those impossible moves? the twirls, the jumps? do they supplement with aether? dynamis? is it purely physical or is something else involved?

what would your wol be if they weren't the wol? what would they do as a job or career? would they be happier?

is your wol good at cooking? what's their specialty? what can they never get right no matter how hard they try? what flavour profile are they good at cooking? what do they eat on the road?

out of all the scions, which one is the one your wol gets along with the best? what about the one they get along with the least? why?

how good is your wol with money? do they save up? scrounge around? spend it with wild abandon?

what would you say is your wol's greatest flaw? what part of their personality causes them the most problems?

what is your wol's best quality? what's the thing that they do that really gets stuff done of makes people like them? hard mode: their own perception vs. a friend or partner's perception.

what does your wol do to unwind? any hobbies? reading? sewing? croquet? sitting in a dark room in complete silence?

how good are your wol's table manners, based on their own culture? how does it compare to ishgardian table manners? eorzean? doman? steppe?

what is your wol's inner monologue like? do they refer to themself as "i"? "we"? "you"? is it organized or all over the place? are they kind to themself, or do they chide themself constantly?

what's your wol's relationship with food? do they skip meals or do they eat at specific times religiously? is food important to them, or is it just a means to an end to keep their body going? does food mean something cultural or personal to them?

what is your wol's relationship with their family? are they estranged? still very close? tense?

what does your wol think about lying? is it unacceptable to ever lie, are white lies okay, are they a pathological liar? how do they feel about people who lie to them?

how does your wol feel about allag in general? the tech, the experimenting, the crystal tower? any thoughts on allagan ruins? are they impressed, scared, resentful, neutral?

what sense does your wol most rely on? hearing, touch, sight, smell, taste? maybe even aethersense or dynamis?

how does your wol feel about mind-altering substances? do they partake? do they dislike them? are they neutral? do they take them socially, or anytime, or not at all?

how does your wol feel about children? do they want them? like them from a distance? hate them? no strong feelings?

how does your wol work out? lifting? sports? walking? how often do they do it? is it for fun or to keep up their physique? do they enjoy it?

[dualcastimpact]

You know that scene in Endwalker where people from all across Eorzea helped find the adamantite needed for the Ragnarok, and if you'd done certain raids or story content the people involved in those raids and story content would show up or be mentioned in some capacity? As touching and cool as it was, I still think it was a missed opportunity to highlight just how beloved the Warrior of Light is.

"But wait," you say. "Didn't we have that in Shadowbringers, when all the factions in Norvrandt came together to help build the great Talos that would drag down Mt. Gulg? Didn't they all come to help the Warrior of Darkness put an end to the Light?"

Well, no. Not really. Sure it was the Warrior of Darkness and Thancred who'd made friends with the miners of Twine, but Alisaie had known the people of Mord Souq and the Inn at Journey's Head far longer than the Warrior of Darkness had. They were her people the way the Night's Blessed were Y'shtola— I mean, Master Matoya's. Urianger was going to ask the fae folk before deciding to ask the Crystarium's people instead, and those were the Exarch's people. The fae folk were Urianger's. Alphinaud went to Kholusia, and they were his people. In other words, other than being the mythical figure that the Scions and the Crystal Exarch believed whole-heartedly would save the world from succumbing to the Light, the Warrior of Darkness had very little to do with rallying the various factions of Norvrandt to their aid. The Scions and the Crystal Exarch had been in Norvrandt for centuries, years, months. At best, the Warrior of Darkness had been in Norvrandt for a few weeks. They did not come for the Warrior of Darkness. They came for the Scions and the Crystal Exarch, and to see the Light extinguished.

This is not the case in Endwalker, if you'd done the various raids and story content involved. Without them, it's an assortment of the people the Scions had been involved with: Ishgardians and pirates from Limsa Lominsa, the East Aldenard Trading Company and the Kojin, the Ironworks, the junior Scions, and the treasure hunters of Idyllshire. With them, you get direct assistance from the Redbills, the Bozjans, Ejika Tsunjika, the Four Lords, the Majestic Theater Company, Gaius Baelsar himself, and the Idyllshire goblins—people who had next to no contact with the Scions and only lent their aid because they were friends with the Warrior of Light (or at least owed them one, in the case of Gaius Baelsar). They didn't know shit about the Scions or saving the world, they just heard the Warrior of Light was involved and immediately offered their assistance.

And I wish the game would acknowledge that! The game makes a big fuss in Dawntrail about how the Warrior of Light has walked the world and has loved and been loved in return, but this scene would have been the perfect chance to showcase it! You have all these people very clearly and directly intending their aid for the Warrior of Light—Leofard and the Redbills personally flying to Old Sharlayan to deliver the supplies; Soroban and Hancock passing messages from the Four Lords and the Lexentales, the Bozjans and Ejika Tsunjika; Gaius going back to Valens' Weapons experiments—likely an endeavour that hurt—to find relics suitable for the Ragnarok's purposes; the Idyllshire goblins giving their all because how could they do any less for their dear friend in their hour of need?

All these people offered their aid not for the Scions, not to save the world, but because the Warrior of Light needed their aid, and while it was a great scene for the player, I can't help but wish it's acknowledged in-universe as well.