#Calvin jacobson
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lboogie1906 · 2 years ago
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William Mercer Cook (January 27, 1869 – July 19, 1944) known as Will Marion Cook, was a composer, violinist, and choral director. In 1919 he took his New York Syncopated Orchestra to England for a command performance for King George V of the UK and a tour. He is probably known for his popular songs and landmark Broadway musicals, featuring African-American creators, producers, and casts, such as Clorindy, The Origin of the Cake Walk (1898), and In Dahomey (1903). The latter toured for four years, including in the UK and the US. He served as musical director of the George Walker-Bert Williams Company, working with the comedy partners on Clorindy, In Dahomey, and several other musical successes. He was born in DC to John Hartwell Cook and his wife Isabel. The senior Cook in 1879, the widowed Isabel struggled to keep her family going. He decided to be serious about his music. He started to study violin at Oberlin Conservatory in Ohio at age 14. At Oberlin, he was a student of Frederick G. Doolittle, as well as Fenelon Rice, L. Celestia Wattles, and Calvin B. Cady. With help from members of the African-American community, his benefit recitals were sponsored to help him afford to study abroad. From 1887 to 1889, he studied at the Berlin Hochschule fur Musik, working with violinist Heinrich Jacobson; Jacobson served as Chairman of the Orchestral Instruments Department. Jacobson was a former student of Hungarian violinist Joseph Joachim, considered one of the supreme musicians of the age. Some accounts state that he studied abroad for nine years, but this has not been documented. In 1898 he married the young singer Abbie Mitchell; she was 14. They had a daughter, Marion Abigail Cook, in 1900, and a son, Will Mercer Cook, known as Mercer, in 1903. Their daughter was raised by family members as Mitchell herself had been. She married dancer, Louis Douglas. Will Mercer Cook became a professor of history at Howard University and was appointed as Ambassador to Niger and Senegal. #africanhistory365 #africanexcellence https://www.instagram.com/p/Cn6wIzrr30S/?igshid=NGJjMDIxMWI=
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doubleattitude · 4 years ago
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JUMP Dance Convention, St. Louis, MO: RESULTS
High Score by Age:
JUMPstart Solo
1st: Calla Massey-’Helium’
2nd: Mazie Kemp-’Pure Imagination’
2nd: Penelope LeMieux-’These Boots’
3rd: Aleena Vazquez-’My Boyfriend’s Back’
4th: Lyla Longo-’Kool Kitty’
5th: Oaklynn Schuler-’Think’
Mini Solo
1st: Kya Massimino-’System Activated’
2nd: Braylynn Grizzaffi-’Path5′
3rd: Scarlet Murphy-’Enchanted’
4th: Anna Holley-’Reminiscence’
5th: Zoe Swope-’S’Wonderful’
6th: Faith Crain-’Reflections’
7th: Neve Colyn-’Last Chance To See’
8th: Callan Waite-’Enter One’
9th: Addelyn Spalding-’Raise the Roof’
10th: Olivia Quintana-’Velma’
Junior Solo
1st: Crystal Huang-’Chronicle’
2nd: Daniela SanGiacomo-’Restless’
3rd: Audrey Mayernik-’Oya’
3rd: Leila Winker-’Takt’
3rd: Brooklyn Simpson-’Undertow’
4th: Londyn LeMieux-’Tar’
5th: Campbell Clark-’The Scarlet Effect’
5th: Katharina Fleck-’Don’t Leave Me’
5th: Payton Reed-’Ashes’
6th: Kayley Salyer-’Come Healing’
6th: Penelope Ciminieri-’Take My Hand’
7th: Ayden Nelson-’Flatline’
7th: Riley Neugebauer-’La Vie En Rose’
8th: Grace Nordike-’Magnetron’
9th: Haydyn Jackson-’Dex’
9th: Bree Curtis-’One Grain’
10th: Amelia Anderson-’Clown’
10th: Reese Bradley-’Indestructible’
10th: Jorja Segraves-’Lean Back’
10th: Dawn Peyton-’Valhalla’
10th: Finley Waite-’Welcome Home’
Teen Solo
1st: Izzy Howard-’Labyrinth’
2nd: Garris Munoz-’As Your Broken City Crumbles’
2nd: Avery Lau-’Fear of the Unknown and the Blazing Sun’
2nd: Ayla Rodriguez-’Ping’
3rd: Emery Sousley-’Birds of Paradise’
3rd: Cannan Blansit-’Exposition’
3rd: Tatiana Hagee-’Harvest Moon’
3rd: Angelina Brennan-’She Remembers’
4th: Sami Sonder-’The Practice of Surrender’
5th: Saverio Tedesco-’Hostage’
5th: Cydney Heard-’Summer Wine’
6th: Calico Reyes-’Trust In Me’
7th: Hannah Webb-’Holy Water’
7th: Abigail Riester-’Love Story’
7th: Peyton Koepke-’On the Horizon’
7th: Cami Massicotte-’Uncertainty’
7th: Mitch Stone-’Yours’
8th: Natalia Wazio-’Standing on the Horizon’
8th: Lawsen Hooker-’When I Grow Too Old to Dream’
9th: Issy Shearer-’Through Water’
10th: Ilina Karri-’Cellophane’
10th: Olivia Kohler-’Is That Alright’
10th: Lola Francis-’Salem’s Secret’
Senior Solo
1st: Braylan Enscoe-’Ne Me Quite Pas’
1st: Chantal Le-’Poem’
2nd: Cassidy Reigel-’Are You Lonesome Tonight’
2nd: Oliver Kaminski-’Headspace’
3rd: Kennedy Hughes-’Blackout’
3rd: Jordan Wood-’Circle Game’
3rd: Tatum Hedman-’Snow’
3rd: Clara Gough-’Snow Queen’
4th: Brooke Jacobson-’Hold Your Own’
5th: Mackenzie Marsala-’A Closeness’
5th: Robyn Fabrizzio-’Anvil’
5th: Emma Parker-’Bed I Made’
5th: Brooke Mellilo-’Everyday’
6th: Sydney Dyball-’Malibu Nights’
6th: Lauren Calvin-’My Funny Valentine’
7th: Lily Freeberry-’A Rockette’
7th: Lacee Hunt-’Blower’s Daughter’
7th: Sophia Sherman-’Come On Love’
7th: Alaina Leavitt-’The Year 1975′
8th: Claire Linton-’Landslide’
8th: Olivia Soukup-’Turning Pages’
9th: Allison Holstein-’Past Life’
10th: Chase Varady-’Epiphany’
10th: Maggie Carriel-’I Have Nothing’
Mini Duo/Trio
1st: Just Off Broadway-’Mr. Blue Sky’
2nd: Sloan’s Dance Studio-’Party Baby’
3rd: Imperium House of Dance-’Stand By Me’
Junior Duo/Trio
1st: The Beat School of Dance-’Unstoppable’
2nd: Studio 4-’My Shadow’
3rd: Dance Branson School of the Arts-’Turn It Up’
Teen Duo/Trio
1st: The Rock Center for Dance-’Last Light’
2nd: Imperium House of Dance-’Worth It’
3rd: South Tulsa Dance Co-’Stranger’s In the Night’
Senior Duo/Trio
1st: Smitty’s Performing Arts Center-’Falling’
2nd: Smitty’s Performing Arts Center-’8 Circle’
3rd: Dance Branson School of the Arts-’Blissful’
JUMPstart Group
1st: Debbie’s Dance Studio-’Hair In the Air’
Mini Group
1st: Imperium House of Dance-’Home’
2nd: Imperium House of Dance-’Lose Control’
3rd: Storm Dance Alliance-’Control’
3rd: Storm Dance Alliance-’Ruby Blue’
3rd: Storm Dance Alliance-’Zero to Hero’
Junior Group
1st: Just Off Broadway-’Canon In D’
2nd: Dance Branson School of the Arts-’Its Now or Never’
3rd: Storm Dance Alliance-’The Swallow’
Teen Group
1st: Imperium House of Dance-’La Flame’
1st: Imperium House of Dance-’Open Up’
2nd: Imperium House of Dance-’The Author’
3rd: Tiffany’s Performing Arts Studio-’Tiny Cities’
Senior Group
1st: Smitty’s Performing Arts Center-’Before You Go’
1st: Dance Branson School of the Arts-’Cold Water Canyon’
2nd: Dance Branson School of the Arts-’Mommas Broken Heart’
3rd: Storm Dance Alliance-’Somebody That I Used To Know’
Mini Line
1st: Storm Dance Alliance-’Hair’
2nd: Debbie’s Dance Studio-’Brave’
Teen Line
1st: Imperium House of Dance-’Money’
2nd: Storm Dance Alliance-’My Way’
2nd: Storm Dance Alliance-’Someone In the Crowd’
3rd: Dance Branson School of the Arts-’Step’
Senior Line
1st: Smitty’s Performing Arts Center-’Where Is the Love’
2nd: Dance Branson School of the Arts-’Queen’
Junior Extended Line
1st: Imperium House of Dance-’Xs and Os’
2nd: Storm Dance Alliance-’Hot Tamales’
3rd: Storm Dance Alliance-’The Journey’
Teen Extended Line
1st: Dance Branson School of the Arts-’A Drift’
2nd: Debbie’s Dance Studio-’JLO’
Teen Production
1st: Imperium House of Dance-’Another One Bites the Dust’
2nd: Storm Dance Alliance-’Tricky Ricky’
3rd: Storm Dance Alliance-’Telephone’
High Score by Performance Division:
JUMPstart Jazz
Debbie’s Dance Studio-’Hair In the Air’
Mini Contemporary
Storm Dance Alliance-’Ruby Blue’
Mini Jazz
Storm Dance Alliance-’Hair’
Mini Lyrical
Imperium House of Dance-’Home’
Mini Musical Theatre
Storm Dance Alliance-’Zero to Hero’
Mini Hip-Hop
Imperium House of Dance-’Lose Control’
Junior Contemporary
Imperium House of Dance-’Xs and Os’
Junior Jazz
Dance Branson School of the Arts-’Its Now or Never’
Junior Lyrical
Just Off Broadway-’Canon In D’
Junior Hip-Hop
Imperium House of Dance-’Woah’
Teen Jazz
Imperium House of Dance-’Another One Bites the Dust’
Teen Contemporary
Imperium House of Dance-’Money’
Teen Lyrical
Imperium House of Dance-’Open Up’
Teen Hip-Hop
Imperium House of Dance-’La Flame’
Teen Musical Theatre
Storm Dance Alliance-’Someone In the Crowd’
Senior Contemporary
Smitty’s Performing Arts Center-’Where Is the Love’
Senior Lyrical
Storm Dance Alliance-’Piece by Piece’
Senior Hip-Hop
Storm Dance Alliance-’Gaga’
Imperium House of Dance-’Humble’
Senior Musical Theatre
Dance Branson School of the Arts-’Mommas Broken Heart’
Senior Jazz
Dance Branson School of the Arts-’Queen’
Best of JUMP:
Mini
Storm Dance Alliance-’Hair’
Imperium House of Dance-’Home’
Debbie’s Dance Studio-’Brave’
Junior
Dance Branson School of the Arts-’Its Now or Never’
Just Off Broadway-’Canon In D’
Imperium House of Dance-’Xs and Os’
Teen
Tiffany’s Performing Arts Studio-’Tiny Cities’
Imperium House of Dance-’Money’
Storm Dance Alliance-’Someone In the Crowd’
Senior
Storm Dance Alliance-’Somebody That I Used To Know’
Smitty’s Performing Arts Center-’Where Is the Love’
Imperium House of Dance-’Humble’
Dance Branson School of the Arts-’Cold Water Canyon’
Best in Studio:
Imperium House of Dance-’Money’
Debbie’s Dance Studio-’Minaj’
Storm Dance Alliance-’Someone In the Crowd’
Dance Branson School of the Arts-’Cold Water Canyon���
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montysworld · 4 years ago
Video
Heron Preston for Calvin Klein from Stuart Winecoff on Vimeo.
Featuring: @heron @nas @sabrina.albarello @liluzivert @kaiagerber @ochosystem @renellaice @sickysab @fvckpdro @steviewilliams @thejordanalexander @ashleygraham
Directed by rubberband. Written by Korey Vincent + rubberband. DOP: Stuart Winecoff Producer: Luigi Rossi 1st AD: Matthew Smith Production Supervisor: Jason Sondock Production Coordinator: Sasha Abed Gaffer: Lorenzo Pace Key Grip: Danny Green Sound: Patrick Southern
Stills Still Photography: Renell Medrano Producer: Hye-Young Kim Stills Assistants: Eduardo Silva, Matt Baffa, Alonso Ayala
Art Production Designer: Lauren Nikrooz Art Coordinator: Kelly Cipriano Set Decorator: Lui Kobashi Leadman: Eugene Choi, Parker Redford Props: CJ Somavia, Kevin Murphy
Glam & Vanities Stylist: Alistair McKimm Styling Assistants: Madison Matusich, Milton Dixon, DeVante Rollins Tailors: Martin Kheen, Anna Ouklova MU Artist: Marcelo Gutierrez MU Assistants: Mia Varrone Hair Stylist: Jawara Hair Assistants: Aziza Rasulova, Shamicka Williams Manicurist: Megumi Yamamoto
Production Production Co: 138 Productions Executive Producer: Simon Malivindi Unit Manager: Miles Sobieski Wardrobe Coordinator: Leo Becerra Production Coordinator: Francis McKenzie Gang Boss: Kelly Jacobson Transpo Coordinator: Hayley Stephon Location Manager: Andrew Samaha, Victoria Durden
Post Production Editor: Armen Harootun Color: Aubrey Woodiwiss Finishing: Carbon VFX Sound: Found Objects
Calvin Klein Team Cedric Murac, EVP, Global Creative Ben Keren, SVP, Creative Korey Vincent, Creative Director Reginald Dankwa, Manager, Content Creative
Vasoula Barbagiannis, SVP, Fashion Director Natalie Bergh, Director, Fashion Office Leila Thurtell, E-Commerce Director, Fashion Office\
Carrie Provenzano, VP, Executive Producer Dina Chappo, Sr. Director, Integrated Production Tricia VanGessel, Sr. Integrated Production CJ Trahan, Post Producer
Srenica Munthree, SVP, Global Talent Relations Tyler Jackson, Manager, Global Communications + Influence
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cindavis · 6 years ago
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I’m in the Middle of Your Picture: 2018 Emmys Fashion Review  #Emmys #Emmys2018 #EmmyFashion
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atlantarisingrp · 5 years ago
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                            MARVEL CELEBRATES ATLANTA
The executives at Disney are coming to recognize the efforts made by the city of Atlanta in lieu of all Marvel movies made within their city. For this, a special re-release of Avengers: Endgame with special never-before-seen footage and commemoration for the City of Atlanta, and their contribution to the American superhero culture will be presented.
This event will be a two-part affair:
THE RED CARPET
The red carpet is not something that needs to be plotted out via thread on the dash (and if people wish too, they can do so now, prior to the event starting if players wish too), it can simply be a basis for how your character got into the after-party, which is the main start point of the event.
Only half the characters have tickets. Please keep in mind those ‘gifted’ tickets will be given access to the red carpet & after-party, and those who have ‘bought’ tickets will be at the after-party only.
If by the time of the event you don’t have a ticket or haven’t figured out a way/reason for your character to buy it and get into the after party (which is for everyone), please message the admins. We don’t want anyone left out, so we will be happy to find you a spot.
All Media: Anyone in a journalist positions has passes to both the red carpet and the after party, but do not have the option of a guest, nor can be invited as someone’s guest. They have their own passes.
The event is 21+ Not family friendly for those characters who have kids).
Gifted tickets (invited to walk the red carpet & attend the after party):
Governor Sarah J Brandt + Guest
State Senator Laura Bellamy-Buchanan + Guest
Mr. Richard Johnson + Guest
Captain Logan Legend + Guest
Mr. Roman Guerra + Guest
Mr. Vittorio Delos + Guest
Dr. Malakai Blackshaw + Guest
Ms. Elspeth Barnes + Guest
State Prosecutor Juliana Jacobson + Guest
Ms. Genevieve DuBois + Guest
Mr. Basil Bianchi + Guest
Ms. Violet Gallagher + Guest
Officer Harley Kincaid + Guest
Ms. Kalina Nguyen + Guest
Bought ticket (these are people who bought tickets to the after party):
Please note: the people below cannot be invited to walk the red carpet.
Mr. Sean Malone + Guest
Officer Everett Gaskins + Guest
Mr. Calvin Johnson + Guest
Ms. Leyla Osman + Guest
Ms. Stella Baston + Guest
Detective Saskia Thibodeaux + Guest
Ms. Simone Arlo + Guest
Ms. Charlotte Pierce + Guest
Ms. Natalie Venturi + Guest
Ms. Ezarah Aysell  + Guest
Ms. Skyler Acker + Guest
Ms. Keegan Calore + Guest
The red carpet is a black tie affair, and the after-party is more formal to club clothes.
Attire not allowed at the after party: Jeans, no Urban Wear (e.g., Supreme, Champion etc.), no baggy pants, no do-rags or bandanas, no tracksuits, jerseys, tanktops, or baseball caps, and no flip flops.
Dates: In real time, the event will commence at 5 pm EST on July 28th, 2019, and end on August 4th, 2019 at midnight EST.
In play, the event will have taken place August 4th at 8 pm, and ended at 3 am, so what happens can be considered ‘recent’ when the event ends.
For this event, we ask all players to tag their event-related posts with ‘atlanta: premiere’.
If you cannot participate for any reason, feel free to plot that your character was there or that they were out of town, attending to business, etc. (up to player, but if you need ideas, please message the admins!)
We ask that players not attending the event message the main for a hiatus.
For this event, we ask that no murders, critical injuries, or major arrests take place. Minor arrests (public intoxication, for example, are allowed). We ask this for future roleplay-based plots that do include everyone.
If you choose to post threads that were underway PRIOR to the event, please tag those posts “pre-event” so they are labelled separate from the current event.
           Players, please do not post any non-event related starters during this time.
Any further questions in relation to the event, please shoot the admins a message, and we will happily help.
                         Most importantly, be sure to have fun!!
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cxllettejacxbsxn · 3 years ago
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who: colette jacobson & @calvin-north​
where: gates of fairvale, ready to head out into the unknown
when: it’s anyone’s guess.
iced coffee in hand, sword strapped to her back and knife holstered at her side, colette sleepily makes her way towards fairvales front gates reminding herself that she’s a responsible member of the towns society and telling the people in charge where to jump for assigning her a run at the ass crack of dawn probably wasn’t going to help her win friends and influence people.
luckily it wasn’t an overnighter, the two person runs never were, just a simple trip out to train up some new guy and she’d be back before nightfall.
there’s a dude standing next to the old pick up truck the auto guys must have brought out and prepped for the trip, and he looks hardy enough so she’s thinking this run at the very least should be smooth sailing, so she sidles over and makes herself known.
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“i’m guessing you’re the newbie i’m showing the ropes to today - hope you can drive stick.”
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vm4vm0 · 4 years ago
Video
vimeo
YESH | VII from rubberband. on Vimeo.
Alongside one of the creative directors from the #mycalvins Calvin Klein campaign (Bryan Wolff) and a senior art director from Spotify (Tal Midyan) we produced & directed a music video, online installation and (soon) a physical installation for the debut single of Yesh, a Tibetan singer songwriter.
The video tells the story of a matriarch of a family passing away, and examines fifteen moments surrounding this period. The narrative is told through three generations of women— the grandmother, her daughter and her young adolescent granddaughter. It’s a tender and haunting exploration of memory, afterlife and how we find peace in the absence of those we love.
In addition to the video, we conceptualized and developed an online installation (with our friends over at unfun.de and Scotty Jacobson) that will serve as a second home for the video. The interactive website recognizes your IP address and generates an entirely new re-edit of the music video via a proprietary algorithm we’ve developed every time you visit the site or refresh the player. Conceptually, it challenges the notion of memory and how our memories come to us in entirely unpredictable and nonlinear sequences. It has roughly 6.2 billion different permutations, close to one for every human on earth.
Here’s a link to the instillation: thisisyesh.com
___
written / directed / installation RUBBERBAND. creative & art direction TAL MIDYAN + BRYAN WOLFF photography SAM CUTLER-KREUTZ produced by CHLOE RASH executive producer LORENZO RAGIONERI editor SIMON DAVIS gaffer BEN POTTER 1st ac JASMINE CHANG 2nd ac RYAN BEGGS pas LAUREN CORTINA + BRUCE SIMMONS + NATALIE NIEVES color GENE CURLEY @ NICE SHOES vfx ROMAN BILICHENKO + KAO CHENG KAI casting STEPHANIE PORTO
special thanks/ AHMAD SWAID MILLIE ROSS LAFEVERRE EXCAVATING the town of ANDES, ny the town of BOVINA, ny
featuring/ grandmother CARMEN COOPER mother ADRIENNE WAGNER daughter GABBY BEREDO
stock by KODAK cameras by ARRI CSC
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gayhardmens82 · 5 years ago
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Jeffrey Lloyd gets a raw cop peewee from Thomas Friedl Lawndale
ITS REALLY EASY TO ENTER!
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oddeum · 8 years ago
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Your art is incredibly beautiful, detailed and whimsical. I'm curious- Who or what is your biggest inspiration?
Thank you so much!
I was always inspired by Beatrix Potter, ever since I was a child. Her attention to detail, love of anatomically correct animals, and sometimes quite dark humor, has influenced my art since forever.
She’s what made me want to learn art in the first place
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Then there’s Mr. Bill Waterson.
My parents owned the complete collection of Calvin and Hobbes; I used to get a piece of paper and trace over Hobbes to learn how to draw him!
His sense of motion and very natural style of inking are still a big influence to me. Oh to be as loose with my ink as he is!
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And of course, like all young modern day artists, Studio Ghibli.
My Neighbor Totoro was the first thing I ever saw by them; my brothers rented it for me on a VHS when I was 6. Its vivid colors and love of nature permanently impacted me and my art.
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As I got older, I noticed most of my favorite artists had something in common: Watercolors with ink lines, and every painting told a story. 
I wasn’t content to draw a pretty girl sitting in front of a window; I had to know why she was sitting in front of a window, what type of window was it? Where did she live? Was she pretty because she was born that way or did she steal it from her sister who’s trapped beneath a lake?
What changed the direction of my art (For a while I thought I wanted to be a cartoonist like Bill Waterson) was when I discovered Edmund Dulac. I loved his fine inking, composition, and the faded brown antique look. I’m still trying to find a balance between that sepia tone, and my love of vivid colors.
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Also, for sheer strangeness, Peter Sis. His fishes with faces have permeated my art forever.
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As for WHAT inspires me...I would have to say my environment and my family.
I live in the countryside, on the Jacobson Family Farm, and it is beautiful here; chickens, turkeys, cows, sheep, a still young orchard, and a lake a mile up. Hundreds of tiny black toads seem to rise from the ground when it rains, and a cougar who lives in an old dug-out by the lake.
My family really is my biggest blessing. My parents and siblings love my art and support me 100%. When I was young, I would tell me little sister Alice stories as we fell asleep at night; now that I’m older, I can tell me nieces and nephews stories as we camp five feet from the house in pop-up tents. These stories always end up becoming illustrations later!
There are other things that inspire me; documentaries about history, cultures, nature, sea life, or anything really. My uncle makes prosthetic limbs for a living, so I’ve always been fascinated by that, and include them in my art and stories quite frequently.
I’m highly susceptible to inspiration; I’ve been inspired by the pattern on curtains and the shape of my blanket.
Thank you for such an interesting question! I had a blast thinking about what and who inspires me, so this answer probably ran a little too long. I don’t know how to end this so bye.
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funkfelicity · 6 years ago
Audio
Shake Those Hips by The Urban Renewal Project Get down to the HoCo vibes on this new track! ____________________ Written and produced by band-members R.W. Enoch, Jr., Elmer Demond, Slim da Reazon, Dustin Morgan & Tim Friedlander. Rap Vocals – Slim da Reazon, Dustin Morgan, Elmer Demond Saxophones – Brian Clements, David Wise, R.W. Enoch, Jr. & Matt Ballard Trumpets – Luis Cardenas Casillas, Austin Drake & Elliot Deutsch Trombones – Evan Mackey & Lindsay McMurray Bass Trombone – Robert Todd, Jr. Sousaphone – Marc Bolin Drums & Percussion – Calvin Martin Background Vocals – Alex Nester, Lindsay McMurray, Tim Friedlander & R.W. Enoch Mixed by Matt Jacobson Mastered by Gentry Studer at Epicenter Mastering
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nightmareonfilmstreet · 7 years ago
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Tarantino Adds Leonardo DiCaprio To The Family
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Tarantino Adds Leonardo DiCaprio To The Family
Quentin Tarantino‘s upcoming “Manson Family” film confirms its latest addition: Oscar Winner Leonardo DiCaprio!
Tarantino’s untitled film, centered around the post-Manson paranoia of late 1960’s Los Angeles, will star DiCaprio in a critical role. Variety reports that DiCaprio will play the lead as an aging, out of work actor. Previous reports have also mentioned a secondary role, concerning the aging actor’s stunt double. This could mean we will see Leonardo DiCaprio playing two roles in the upcoming film.
In addition, Tarantino is reportedly still looking to cast Margot Robbie (I, Tonya, Suicide Squad) in the role of Sharon Tate. The Tate namedrop ensures a Manson Family tie-in or potential story line. Tom Cruise, Al Pacino, Samuel L. Jackson, and Brad Pitt are also in talks to take up roles in this upcoming film distributed by Sony Pictures.
This will be DiCaprio’s second film under the direction of Tarantino, previously starring as the villainous Calvin Candie in 2012’s Django Unchained. The untitled project will be the first film for the star since Alejandro G. Iñárritu’s The Revenant. DiCaprio won his first Oscar for his role as Hugh Glass in the 2016 blockbuster. David Heyman and Shannon McIntosh will co-produce the ninth film from the celebrated director. DiCaprio is currently represented by LBI Entertainment and Hanson Jacobson.
If Quentin Tarantino is true to his word with making only ten films, he’s close to the end. However, tackling Hollywood’s most iconic true horror story should be an easy task for the writer and director. Set in a time period so crucial to pop culture, this new project is sure to be a huge treat for fans.
Name and plot details are being kept secret but the film is set to release August 9th, 2019, the 50th anniversary of Sharon Tate’s death.
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tonygardner740-blog · 7 years ago
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Devoutness Articles.
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mthrynn · 8 years ago
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This network shows the cross-species co-expression relationships between genes in Arabidopsis and Agave. Dark green nodes represent Agave genes, light green nodes represent Arabidopsis genes, blue edges represent positive co-expression relationships, and red edges represent negative co-expression relationships. The co-expression network was used in the paper to investigate the co-expression relationships of genes within the same gene family.
OAK RIDGE, Tenn., April 20, 2017 — A multi-institution research team has used supercomputing to understand processes leading to increased drought resistance in food and fuel crops.
Photosynthesis, the method plants use to convert energy from the sun into food, is a ubiquitous process many people learn about in elementary school. Almost all plants use photosynthesis to gather energy and stay alive.
Not all photosynthetic processes are the same, though. In recent years, researchers have grown increasingly interested in desert plants’ preferred method of photosynthesis—crassulacean acid metabolism (CAM), a process named after the Crassulaceae family of plants, which include succulents like friendship plants, pig’s ears, and hens and chicks.
These plants caught researchers’ attention because of their seemingly opposite photosynthetic schedule, and understanding this process may be the genetic key to helping plants of all kinds conserve water. With a more fundamental understanding of CAM, scientists aim to help the plants upon which society relies for food and fuel become more drought resistant, thereby expanding the area where crops can grow and thrive.
“One of the benefits of CAM photosynthesis is water efficiency,” said Oak Ridge National Laboratory (ORNL) computational biologist Dan Jacobson, who is part of a multi-institutional team that recently published a CAM study in Nature Plants. “When you think of bioenergy and food crops, you want them to be able to tolerate drought stress or grow in areas that aren’t currently arable land. That means they have to be able to withstand some kind of environmental stress, most commonly drought stress. CAM species are very good at this.”
To that end, Jacobson works with a large group of experimentalists and computational scientists to more fully understand the CAM process. This cross-omics team (combining expertise in metabolomics, proteomics, and genomics) uses computing resources at the Oak Ridge Leadership Computing Facility (OLCF)—a US Department of Energy Office of Science User Facility located at ORNL—to catalog how plants’ CAM processes vary and ultimately uncover how CAM processes may be genetically engineered into feed stock, food crops, and crops for bioenergy applications.
Shining a light on photosynthesis
When most people think of photosynthesis, they are actually thinking of a specific form, called C3 photosynthesis. This process follows the Calvin Cycle, in which plants capture light energy during the day and convert it into energy-bearing adenosine triphosphate (ATP).
ATP helps plants split water atoms into their hydrogen and oxygen constituent particles. Meanwhile, a C3 photosynthetic plant opens up small pores—called stomata—to absorb carbon dioxide from the atmosphere. Then at night, the newly freed hydrogen particles combine with carbon dioxide absorbed during the day to create the carbohydrates plants use to live and grow.
CAM photosynthesis works the same way, but stomata open for respiration at night and stay tightly closed during the day, allowing plants to conserve more water. This helps plants like cactus and Agave survive in climates where water is scarce.
Less than 10 percent of known plant species use this specialized form of photosynthesis, but researchers hope that by understanding how CAM works, they can apply this water-saving method to other plants. To do that, though, researchers need to understand how molecules interact during CAM photosynthesis and how metabolites and proteins change over time.
Data-intensive design
In addition to simulating processes too dangerous or complex for experiments, supercomputers also help scientists make connections in vast amounts of data. For this project, researchers from ORNL, the University of Tennessee, Newcastle University in the United Kingdom, and the University of Nevada, Reno gathered photosynthesis data from Agave (a CAM plant) and compared it with the Arabidopsis genus of plants (C3 plants). To conduct a study between Agave and a C3 plant, the team selected the Arabidopsis genus plant thale cress, one of the first plants to have its genome sequenced and a good candidate for plant studies.
The team then studied what gene expressions control stomata opening and closing in both CAM and C3 plants and how proteins regulated this process. Collecting this data in both a common CAM and a C3 species allowed the team to distinguish traits ubiquitous to CAM plants from species-specific traits. However, finding these connections required a machine capable of comparing large data sets against themselves.
Jacobson and his collaborators used the OLCF’s Eos analysis cluster to run “all-versus-all” comparisons of the team’s data sets. These comparisons scan large data sets and compare each individual plant’s data with all others. This helps the team form relationships between the metabolic processes underpinning CAM in individual Agave specimens as well as the differences between Agave’s CAM properties from thale cress’s C3 properties.
“These all-against-all vector comparisons for correlation networks allowed us to look for different types of patterns and different times of day where the [gene expression] transcripts are correlated with each other, where they were correlated to proteins or metabolites, or times of the day where they shift dramatically,” Jacobson said.
The team members gained access to OLCF resources through the OLCF’s Director’s Discretionary program, and after familiarizing themselves with Titan’s hybrid architecture, they plan to expand research into other CAM species, comparing larger data sets and more fully cataloging CAM processes. “As we gain more knowledge from these various approaches, we hope to tease apart the underlying mechanisms for CAM and how it is regulated,” Jacobson said. “That starts to build toward having enough knowledge to deploy CAM in a new species.”
Jacobson also indicated that without access to high-performance computing, the team would not have been able to find these meaningful connections in a timely manner. “This is the first study looking at a cross-omics, time-course experiment to try and explore CAM at this molecular detail,” he said. “I think the ability to use supercomputing infrastructure enabled things that wouldn’t have been possible otherwise. We were able to have a pretty big impact on the analysis of this work because of those resources.”
Related Publication: P. Abraham, H. Yin, A. Borland, D. Weighill, et al., “Transcript, Protein, and Metabolite Temporal Dynamics in the CAM Plant Agave.” Nature Plants 12, no. 2 (2016): 1–10, doi:10.1038/nplants.2016.178.
About Oak Ridge National Laboratory
Oak Ridge National Laboratory is supported by the US Department of Energy’s Office of Science. The single largest supporter of basic research in the physical sciences in the United States, the Office of Science is working to address some of the most pressing challenges of our time. For more information, please visit science.energy.gov.
Source: ORNL
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