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#CHANEL Eyes 2021 Campaign
news-ld · 1 year
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Ben Gorham, creator of pure luxury
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Ben Gorham, creator of Byredo fragrances, in Los Angeles in 2020. ARI DASH We now not actually know wherein field to place it. When he created the Byredo label in 2006, we think about Ben Gorham as an editor of area of interest perfumes with a minimalist design. Instantly, the style press fell in love with this charismatic Swede, born to a Canadian father and an Indian mom. Its timeless fragrances, impressed by private moments in life (Byredo comes from By Redolence, which might be translated as "by evocation")are a success. In France, at Colette, the primary tackle the place they're marketed, but in addition on the American market and in Asia. It is nice to scent, with out being revolutionary, and delightful to have a look at. A sort of new nonchalant luxury with delicate shapes bearing sibylline names – Eyes Closed, Rodeo, Mumbai Nostril, Bal d'Afrique – and aimed toward an viewers that doesn't put on fragrance. Learn additionally: The UFO of perfumery Along with his lengthy raven black hair, his tattoos and his athletic physique (which earned him a pose within the H&M Homme spring 2012 marketing campaign), Ben Gorham, who nonetheless lives along with his spouse and kids in Stockholm, continues to face out within the fragrance world. . Through the years, he invented a life-style label with a number of ramifications: leather-based items, house, perfumery, make-up... “Our objective is to create objects that folks connect with emotionally and that find yourself integrating simply into their lives. We aren't promoting a pre-made way of life,” says Ben Gorham. Fragrances are quickly accessible in hand lotions, hair mists and candles. However, not like different manufacturers that do not brag about their line extensions, Byredo (just lately acquired by the Puig group) needs to supply stunning and refined hygiene merchandise and makes it identified. Every season, Ben Gorham surprises by providing probably the most sudden collaborations and redefining the codes of luxury.
Epidermal refusal
The "Elevator Music" venture, a capsule assortment of baggage, perfumes, T-shirts, with a couple of denim items, developed hand in hand with Virgil Abloh (deceased in 2021), founder of Off-White and former inventive director of Louis Vuitton Homme, is an ideal instance. Extra just lately, there was the Osynlig line of candles developed with Ikea… In an virtually epidermal refusal to specialise, to lock himself in, Ben Gorham continues to discover completely different universes. As if this nice sportsman, who was on the verge of changing into knowledgeable basketball participant, always put his title on the road. All that is executed in a type of fluidity and proof. If an thought can not take life in a bottle, it materializes in any other case, in a bag or a pair of glasses. The creator of Byredo generally appears merely to have enjoyable, as when he launched the Olfactive Stereophonic speaker, a musical perfume diffuser developed by Devon Turnbull (Ojas). Her newest journey, launched a couple of weeks in the past: First Feelings, a make-up assortment underneath the course of Lucia Pica, ex-director of make-up creation at Chanel. From New York to Seoul, from Shanghai to London, Ben Gorham's little world is consistently increasing: “We have already got about 30 shops world wide and we're about to open some in Atlanta, Tokyo and London. » Retailers that at all times settle within the coolest streets of massive cities, of course. Lionel Pailles Source link Read the full article
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ommorphiabeautybar · 3 years
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CHANEL · Eyes Campaign 2021
CHANEL · Eyes Campaign 2021
  CHANEL recently released the Eyes 2021 Campaign, a capsule collection which features seven new eyeliners added to the existing lineup, along with two new eyeshadow palettes. Tapping Belgian singer Angèle as the face of the campaign, this grouping might seem small, but don’t let that fool you, as these pieces all pack one helluva gorgeous punch.   Continue reading
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BLACKPINK JENNIE FOR CHANEL 
During March 2021 Jennie from Blackpink was officially added to the Chanel family as a new ambassador for the brand. Since the singer was referred to as “human Chanel” by fans, due to her explicit love for the brand, it was only fitting for Jennie to pursue this role.
With fiery red accents complimenting monochrome shades, Jennie perfectly embodies a graceful feminine maturity when promoting pieces from the fashion house in her various campaigns. Her most recent Coco Neige photos focus on her piercing smoky eyes, in contrast to her previous more youthful advertisements. 
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blueweave8 · 3 years
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Saudi Arabia Cosmetics Market Research Report 2021
Saudi Arabia cosmetics market is experiencing a high CAGR due to the changing standards of beauty and consumer preferences regarding cosmetics, in addition to the availability of a wide range of cosmetic products.
Saudi Arabia cosmetics market continues to stabilize, with the overall market expected to grow at a CAGR of 6.7% during the forecast period. Saudi Arabia has shown significant growth as a potential cosmetic market due to the increasing population and their ability to spend on appearance and aesthetics. Therefore, cosmetic brands are increasingly launching their products to meet customers’ needs, driving market growth. The Saudi Arabia cosmetics market is also expected to benefit from the increasing penetration of luxury brands during the forecast period.
Growth Drivers
Increasing Launches of Vegan and Halal Cosmetic Products
Saudi Arabia has stringent laws regarding halal cosmetic products. Therefore, consumers are increasingly getting more conscious of the availability of vegan and halal cosmetic products. Considering this factor, cosmetic brands are actively developing vegan and halal cosmetic and skincare products to establish their brands.Saudi Arabia cosmetic manufacturers are producing products free from ingredients hindered by Islamic law, such as pork products, animal blood, etc., which is likely to drive growth in the Saudi Arabia cosmetics market during the forecast period.
Growing Penetration of Social Media and the Internet
Social media is the most popular marketing tool for cosmetic brands, as Millennial consumers prefer to discover beauty brands through social media. As consumers become more aware of the ever-changing global beauty trends via social media, they tend to stay up to date, which in turn contributes to the growth of the Saudi Arabia cosmetics market. For instance, Korean beauty brands have registered a significant boom in the Saudi Arabia market due to the Hallyu wave and the growing trend of K-pop and k-drama in the country.
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Side Effects of Excessive Use of Makeup
A majority of Saudi Arabia's population, especially women, apply makeup daily in all forms, from blushes to foundations to mascara. The habit of applying makeup every day can be harmful to skin and health, especially if not cleaned properly. This severe side effect of makeup is one of the leading restricting factors for the Saudi Arabia Cosmetics market. Furthermore, unhealthful makeup habits can cause inflammation, acne, allergies, dryness, clogged pores, and even early aging. Additionally, some makeup products can cause allergic reactions and cause skin and eye irritation.
Impact of COVID-19 on Saudi Arabia Cosmetics Market
Saudi Arabia's cosmetics market was negatively impacted by the sudden outbreak of COVID-19 and the global pandemic. As the Saudi government imposed a lockdown to deal with the increasing COVID-19 cases, retail networks of cosmetic brands were halted completely, inflicting a loss on the market. Additionally, the pandemic-induced lockdown sparked the trend of working from home. As a result, since working women were no longer required to wear makeup for professional purposes, the demand for makeup products decreased in Saudi Arabia. Consequently, the Saudi Arabia cosmetics market witnessed a sharp decline in demand.
Saudi Arabia Cosmetics Market - By Product Type
The Saudi Arabia cosmetics market is segmented into skin care, hair care, makeup, fragrances, and hygiene products based on product type. The makeup product segment accounts for the largest market share because of its wide use on a daily basis. The increasing use of makeup for the corrective aspects, such as using blush for getting a healthier look, or foundation for making a face more symmetrical, contributes to the growth of this segment in the Saudi Arabia cosmetics market. On the other hand, the skincare segment is also likely to witness a substantial share in the market during the forecast period.
Saudi Arabia Cosmetics Market - By Demography
Based on demography, the Saudi Arabia cosmetics market is segmented into women cosmetic products and men cosmetic products. The women’s cosmetics products segment captures the highest market share because of a wide range of products that caters to women’s skin and beauty needs. Furthermore, high consciousness towards appearance and look among women because of strict beauty standards in cultures also contributes to the Saudi Arabia cosmetics market. On the other hand, the men’s cosmetic products segment is also gaining significance because of changing societal norms.
Saudi Arabia Cosmetics Market - By Distribution Channel
Based on distribution channels, the Saudi Arabia cosmetics market is segmented into online channels and offline channels. The offline channel accounted for the largest market share with the availability of a wide range of products and specialty stores and brand showrooms that offer genuine products. Because offline channels allow their customers to check products on their skin and buy based on their skin needs, they are more prevalent in Saudi Arabia. However, online channels are also witnessing significant growth after the COVID-19 outbreak, as people nowadays prefer purchasing cosmetics online owing to social distancing norms.
Saudi Arabia Cosmetics Market - By End-User
Based on end-users, the Saudi Arabia cosmetics market is segmented into premium customers, mass-market, and professional. The mass-market segment accounts for the largest market share because of the high living standards of general customers in Saudi Arabia. Also, the young people in this region are willing to spend large amounts of money on cosmetics to improve their appearance. The premium customer segment also covers a substantial share in the market. It is projected to witness the highest CAGR during the forecast period because of the high demand for luxury brands.
Competitive Landscape
The leading market players in the Saudi Arabia cosmetics market are Arabian Oud, Al Quraishi, SHISEIDO, UNILEVER, Chanel, Dior, Guerlain, MAC, Proctor & Gamble, Lancôme, and other prominent players.
The Saudi Arabia cosmetics market is highly fragmented, with the presence of several cosmetic brands. The market is nevertheless dominated by specific brands such as MAC. The fact of luxury brands such as Chanel and Dior make the market extremely competitive. The companies offer a wide range of products and frequently launch products that cater to various skin types’ needs and target demographics. They invest heavily in advertisement and marketing campaigns to create brand awareness and attract potential customers. Furthermore, the adoption of competitive strategies like partnerships, mergers, acquisitions, collaborations is also very prominent.
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outfitandtrend · 2 years
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[ad_1] The Dutch duo that is Inez van Lamsweerde and Vinoodh Matadin has been Virginie Viard’s campaign photographers of choice for quite some time. Although the creative director of Chanel obviously still has Karim Sadli on speed dial. After shooting the French fashion house’s Fall 2019, Cruise 2020 and Cruise 2021 campaigns, Sadli is back to capture the Spring 2022 eyewear offering. Set against a minimalist backdrop, models Rianne Van Rompaey, Blésnya Minher and Pan Haowen assemble before the Paris-based photographer’s lens for the black and white ads. IMAGE: CHANEL.COMThe end result thrilled our forum members to no end. “Should’ve just all been Rianne, that face!” exclaimed RMDV.“Rianne looks ridiculously expensive,” declared helmutnotdead.“Quite appreciate the three girls, but Rianne is definitely the star. Those photos will look good in stores,” remarked thiago:).[ Not a tFS forum member yet? Click here to join! ]“Blésnya is the one who looks the best out of this bunch. Great smile…” admired WAVES.“Karim Sadli’s stark black and white photography always feels like a match made in heaven for Chanel. Always so fresh, clean and polished. Rianne’s just IT, the modeling ability to sell me anything and Blésnya smiling here is nothing short of perfection!” raved vogue28.“This campaign looks great, but Rianne steals it…” VogueGirl8910 pointed out.“Rianne is schooling the other girls. Perhaps not their fault, they didn’t choose the final photos, but… The power of eye contact,” noted KINGofVERSAILLES. IMAGES: CHANEL.COMSee more from Chanel’s latest eyewear campaign and join the conversation here.(function(d, s, id) var js, fjs = d.getElementsByTagName(s)[0];if (d.getElementById(id)) return;js = d.createElement(s); js.id = id;js.src = "//connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.7&appId=186081771460756"; fjs.parentNode.insertBefore(js, fjs);(document, 'script', 'facebook-jssdk')); [ad_2] Source link
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timelessallure · 3 years
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Fashion in Cinema
How Fashion influences the Film Industry
The future of fashion is predicted to be represented more specifically within films that symbolize different cultural backgrounds and the different social classes that can be seen and distinguished through costume design. Earlier in July, Beyonce launched a film, Black is King to partner to her soundtrack from Disney's The Lion King remake. The film showed many forms of European fashion with brands like Balmain, Valentino, and Versace. As Beyonce was director of the film, she knew it was essential to put specific pieces with the right songs to truly put a visual to a sound for the audience to see different periods of time and how each reflects racial acceptance and backgrounds.
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"Black is King" means Black is regal and rich in history, in purpose, and in lineage. ~Beyonce
This 85-minute visual album on Disney+ represents the change in the meaning of the word Black, says Beyonce. This film was inspired by the cultural shock of racial discrimination against George Floyd that occurred this past May. The fashion within this film is brought back to the ancestry of Black richness and wealth and is a reflection of African customs and values. We see pieces like the leopard print dress she's wearing in the illustration above and we can establish the perception of the strong character and empire she has built for herself and her community. Creating the balance between film and fashion is story-telling and pushes for the social change needed on a global scale.
COVID-19 Inspires the Fashion Film Industry
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Many brands took it upon themselves to begin coming up with different marketing strategies that can engage the audience while still showing off their newest product. 'Le Chateau des Dames' brilliantly executed this idea and several other luxury brands of almost bringing a short-film narrative to their fashion shows of the story-telling through these pieces with the only guest present being actor, Kristen Stewart. The message behind this collection specifically due to the Covid-19 pandemic is this... the glamour of dressing up, even if it is just for yourself. That was Chanel's goal — to capture the beauty in an individual being the queen of her castle, even if that castle is empty.
The Best Films from Fashion — Month Spring/Summer 2021
Chanel Spring/Summer 2021
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This short film captures the newest garments of Chanel while walking you through Paris setting the mood of the '50s while being true to the character of the typical women lifestyle of whom would wear this piece. Now, although it doesn't show garments specifically featured it gives us as the audience a glimpse into the theme of the collection. In addition, it builds anticipation for the new line by making it more valuable in the consumer's eyes.
Marine Serre Spring/Summer 2021
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Wow!! Now, this gave me the chills. 28-year-old French designer, Marine Serre, takes the fear route with her short film demonstrating the examination of clothing from a different perspective. It gives an apocalyptic mood, while still engaging you in the glamour behind the line, with its jeweled gloves and logo tattoo of the moon. This fashion film truly shows the dynamics and unlimited potential behind the growth of how a brand can present themselves through cinema and the connection between how a garment can speak volumes.
Prada Spring/Summer 2021
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Marni Spring/Summer 2021
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Maison Margiela S.W.A.L.K
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Fashion film has the potential to grow into a larger industry if the risk-taking behind these films continues to increase exponentially. Relating a short film campaign to your brand or collection is essential in keeping the audience's interest.
Until Next Time & Thanks for reading!
Chloe Arredondo
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suzylwade · 3 years
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Captivate! “The 1990s was a watershed period that upturned ideals of beauty and fashion. Campaigns became a valued part of visual culture and fashion photography was an ‘idealising vision’ and a new, democratic art form. And the fashion! Wearing a Chanel jacket with vintage jeans, body con Alaïa dresses and sneakers, Marc Jacobs’ grunge, or a Helmut Lang suit - it was a high/low mix that was individual, fun and cool. Above all, there was innovation and experimentation. That’s hard to beat and it really resonates with now when so many young creatives are collaborating and doing things - building from the ground up.” - Claudia Schiffer, Model, Producer, Curator ‘Captivate!’. Claudia Schiffer helped shape the years that gave us grunge and glamour, by assuming the guises of “Baby Bardot” for Guess Jeans and bombshell for ‘Versace’, among many other memorable roles. Now she’s turned her insider’s eye to the curation of ‘Captivate!’ an exhibition at the ‘Kunstpalast' in Düsseldorf with an accompanying coffee-table book (‘Prestel') which considers the art of 1990s photography in all formats - from test Polaroid to museum-quality print - and from many angles. Schiffer brought her experience as a model, collector and movie producer, along with much heart, to this project. ‘Captivate!’ is on view at ‘Kunstpalast’, Düsseldorf, September 15, 2021 - January 9, 2022. Photography, Ellen von Unwerth. #neonurchin #neonurchinblog #dedicatedtothethingswelove #suzyurchin #ollyurchin #art #music #photography #fashion #film #design #words #pictures #glitter #grunge #90sfashion #juergenteller #ellenvonunwerth #corinneday #marcjabobsgrungecollection #supermodels #stylists #designers #felixkrämer #claudiaschiffer #curator #kunstpalastmuseum #captivate #captivatefashionphotographyofthe90s (at Kunstpalast, Düsseldorf) https://www.instagram.com/p/CT6ufMoIbP4/?utm_medium=tumblr
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kentonramsey · 4 years
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Bernie Sander’s Viral Inauguration Mittens Are Cosy & Casual Vermontcore At Its Etsy Finest
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Former presidential candidate, Senator Bernie Sanders (D-Vermont) sits in the bleachers on Capitol Hill before Joe Biden is sworn in as the 46th US President on January 20, 2021, at the US Capitol in Washington, DC. (Photo by Brendan SMIALOWSKI / AFP) (Photo by BRENDAN SMIALOWSKI/AFP via Getty Images)
Given that U.S. Vice President Kamala Harris (in Christopher John Rogers), First Lady Jill Biden (in Markarian), Michelle Obama (in Sergio Hudson), and Jennifer Lopez (in Chanel) were all on-stage at the 2021 Presidential Inauguration, you’d think it’d have been impossible to look at anything — or anyone — else during the live broadcast. And yet, at least according to Twitter, all eyes were instead on former Democratic presidential hopeful Bernie Sanders, who arrived on Inauguration Day wearing a standard-issue disposable face mask and the same coat he wore during the now-viral “I am once again asking you” video. Even more important than his coat-for-all-occasions, though, were the mittens he wore to sit six feet from everyone in attendance on a humble folding chair — arms crossed and brow furrowed. 
Specifically, the Senator from Vermont chose a pair of cosy knit mittens that can only be described as the sartorial equivalent of his entire being. “The bigger takeaway from this is that Bernie Sanders came bundled with some bitching gloves,” tweeted a user named Samantha. “No one can look at those gloves and think he shouldn’t Chair the Senate Budget Committee.” Other tweets raved about the relatability of Sanders’ look, called his gloves more “iconic” than J.Lo’s pantsuit, and begged for someone — anyone! — to find out who made his cosy mittens so that they, too, could buy a pair.
Bernie’s mittens are made by Jen Ellis, a teacher from Essex Junction, Vt. She gave them to him 2+ years ago and was surprised when he began wearing them on the campaign trail. They are made from repurposed wool sweaters and lined with fleece made from recycled plastic bottles. pic.twitter.com/ErLr29lY2t
— Ruby Cramer (@rubycramer) January 20, 2021
In response to the growing interest in the Senator’s very Bernie Sanders, very grumpy Vermontcore choice of winter accessory, Buzzfeed political reporter Ruby Cramer got to digging up the name of the local school teacher responsible for crafting Sanders’ mittens. “Bernie’s mittens are made by Jen Ellis, a teacher from Essex Junction, Vt.,” Cramer wrote in a tweet. “She gave them to him 2+ years ago and was surprised when he began wearing them on the campaign trail. They are made from repurposed wool sweaters and lined with fleece made from recycled plastic bottles.” Upcycled, practical, and locally made — it’s no wonder that Sanders’ mittens went viral. They’re exactly how we’d picture Sanders’ approach to cottagecore, but better. 
Want Bernie Mittens? I have some new inventory and time for special orders. [email protected] #NYforSanders #peopleforbernie #BernieSanders2020 #berniesmittens #FeelTheBern2020 #NHforBernie #FeelTheBern #peopleforbernie pic.twitter.com/6wmEOvlkSS
— Jen Ellis (@vtawesomeness) February 7, 2020
Unlike Hill House Home’s Nap dresses, though, purchasing a pair of Sanders-approved mittens before they sell out is plausible. In fact, according to a tweet by Ellis herself, if you email her at [email protected], you could very well be wearing a pair of your own in the time it takes Sanders to once again ask you to [insert your favourite meme here].
Nab your own knit mittens from Ellis by sending her an email at the above address.
Like what you see? How about some more R29 goodness, right here?
Bernie Sanders Ends His Bid For President
Everyone Came For Bloomberg At The Debate
Hillary Clinton Has Some Beef With Bernie Sanders
Bernie Sander’s Viral Inauguration Mittens Are Cosy & Casual Vermontcore At Its Etsy Finest published first on https://mariakistler.tumblr.com/
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carolinemillerbooks · 4 years
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New Post has been published on Books by Caroline Miller
New Post has been published on https://www.booksbycarolinemiller.com/musings/a-womans-world/style-as-message/
Style As Message
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While insurrectionists were storming the Capitol in Washington D.C. on January 6, 2021, another skirmish was playing out in publications like Women’s Wear Daily (WWD) and Vogue. The question, if not weighty, was heated.  Why was Kamala Harris, our Vice President-elect, wearing sneakers on the cover of one of the world’s most prestigious fashion magazines? Did the photographer wish to diminish Harri’s stature or make her seem accessible? Everyone in the fashion world had an opinion. Converse, the manufacturer, wasn’t concerned, of course, as copies of those shoes are running out of shop doors.    Men in politics get scant wardrobe attention. True, a reporter once asked Barrack Obama, the 44th U. S. President, why he wore nothing but dark suits. His reply was simple. It made his wardrobe decisions easy. But consistency, too, has a price.  The day he appeared in public wearing a tan suit, the country faced a sartorial crisis.  Women are blessed or cursed with a greater variety of style choices. The public expects a show. When Hillary Clinton adopted Obama’s formula and stuck to pantsuits, her critics questioned her femininity. Women leaders around the globe suffer the same scrutiny. Former British Prime Minister Theresa May drew blistering criticism for her tiger print high heels.  The challenge for women under patriarchal rules is to strike a nuanced balance in style because “femininity [is seen] as artifice and masculinity as substance.”  Even Supreme Court Justice Sonia Sotomayor chose to forgo her signature red nail polish on the day of her inauguration.  Make no mistake, however. Ruth Bader Ginsberg’s decision to wear lace collars over her black robes was a sartorial and political revolution which she used to send messages as well.  Women do use fashion to make statements on numerous public occasions–from the cocktail lounge to the halls of Congress.  Suffragettes wore green and purple sashes, shorthand for their voting right demands. Later, white became their color of choice.  When Kamala Harris wore a white pantsuit the evening she accepted the nation’s second-highest office, Vice President of the United States, she was giving a nod to history. That line extended to include Shirley Chisholm, the nation’s first African American woman elected to Congress. She wore white to honor the breaking of a glass ceiling, as did those who followed–women like Geraldine Ferro and Hillary Clinton.  Throughout much of history, women have been obliged to satisfy male expectations. No one should be surprised that during the 2020 campaign,  when Harris debated her opponent, Mike Pence, she wore a black pantsuit.  She needed to be taken seriously.  Most women in the workplace know there’s a dress code.  Congress has long had one for both men and women, though most representatives were caught off guard when then-Speaker of the House, Paul Ryan revived an unwritten and forgotten rule of modesty that barred women from wearing sleeveless attire.    Concern about female fashion isn’t limited to the United States, as I’ve already suggested. One British MP, Rachel Reeves, bemoaned, “If [women] dressed too formally, they were called sexless blue-stockings; if they wore eye-catching or feminine outfits, they were trivialized and condescended to.”  Megha Answer, a teacher of literature, film, and visual culture at Purdue University thinks it’s time for women to stop “playing by rules that men formulate.”  The goal is easier said than done because men may set the rules but women sometimes act as enforcers.  One female of prominence who escaped gratuitous criticism was Nancy Regan. Though there were rumblings about her extravagance, few complained about her simple but elegant style.  At the same time, no one mistook her to be merely decorative. Her flawless taste with its attention to detail singled her out as a person with whom to be reckoned. She seemed to subscribe to fashion maven Coco Chanel’s edict. “Dress shabbily and they remember the dress; dress impeccably and they remember the woman.”  If Coco is right, what are we to make of Harris’ Converse lace-ups in which she appears on the cover of Vogue? Surely, editor Anna Wintour should have offered a caution even though the outfit was Harris’ choice.  Or, perhaps Wintour sensed a change in the wind.  Perhaps she saw, by the donning of those tennis shoes, Harris’ announcement to the world that she is ready to run in her new role. As a  former U. S. Senator, she knows she’ll need traction if she is to blaze a trail other women may follow. We want her to surprise us and break a few norms. As Wintour is credited with saying, fashion, as a statement “isn’t about looking back.  It is always about looking forward.”   
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shorthaircutsmodels · 4 years
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Lara Stone's Short Haircuts and Hairstyles - 10+ - https://shorthaircutsmodels.com/lara-stones-short-haircuts-and-hairstyles/ - Lara Stone's Short Haircuts and Hairstyles, God, I can't do that, so the crew let me swim on top of the pool. The 31-year-old Dutch beauty posted a snap of herself and her friend once again on Instagram, adding twists and cringe-inducing hashtags to the. Lara Stone's Short Haircuts and Hairstyles Lara's blonde hair was curled and pulled into a messy beehive ponytail for her night out in town. While it's possible to create gorgeous tousled waves with a labor-intensive routine involving careful cross-sectional twisting and spritzing to get the look of cool girl effortlessness. Lara Stone's Haircuts and Hairstyles Lara Stone's Short Haircuts and Hairstyles, it's nice to be reminded that a one-two punch bedhead and a rainy day will also do the trick. Our lazy Sunday hair hero: Lara Stone, who arrived at Topshop in London today, with her long layers crafted into a fuzzy side braid. Lara Stone's Short Haircuts Stone offered an easy strategy to turn a surprise shower into an organic supermodel-approved hair upgrade, and a quick style that could withstand an unexpected drizzle when s'il swings. She Yesil Yesil opted for garish green eyeshadow for her night out at celebrity hotspot Chiltern Firehouse. Lara Stone's Short Hairstyles Lara Stone's Short Haircuts and Hairstyles, The march Saturday night split from husband David Walliams while Lara was wearing her wedding ring at several high-profile matches in Cannes. Ildi. It wasn't the stereotypical cat-walking model. She was even described by one critic as an anti model. Lara Stone's Haircuts Prada has walked the Chanel and Fendi name but has done several front campaigns for Givenchy and Calvin Klein and graced the Lara Stone covers talking beauty sports magazines around the world and advice from her mother she'll never forget. Lara Stone's Hairstyles Lara Stone's Short Haircuts and Hairstyles, the modelling world. Cat Wal calendarsks models.com s top 50 models and ninety sexiest models on their Top Sexiest Models List and eighth most on Forbes Top Earning Models List. Today is Lara Stone's birthday, so we thought we'd put together a slideshow of. Lara Stone's Short Hair Our favourite Lara hairstyles, which has been quite moving for her since the last three years. marriage and baby! Congratulations, Lara, here's the wall of Fame hairdo... Since Lara gave birth and became a yummy mummy, her hairstyles have become more relaxed and practical. Lara Stone's Hair Lara Stone's Short Haircuts and Hairstyles, We mortals have actually enjoyed the change because we see her working hair we can make ourselves like these bright blonde waves with a natural part that Laura wore in October. Her casual style is in great stark contrast to the glamorous nature of her black dress and Gothic nail art. His three all-time favourite appearances come from 2020 to 2021. Lara Stone best hairstyles Lara Catherina Stone's Short Haircuts and Hairstyles, Looking back at her best as she went braless under. A lacy jumpsuit with floral patterns and. Light shorts as she joined close friend and fellow. Model Karlie Kloss for dinner at the grand Colbert restaurant on 2020 in Paris. Lara Stone Long Hairstyles Lara Catherina Stone's Short Haircuts and Hairstyles, Lara wore a heavy winter top layer that protected her modesty and donned a pair of knee-length boots to complete her risque and racy look. The 32-year-old beauty had chosen to wear her brunette locks in a classy hairdo. Lara Stone hair color Lara Catherina Stone's Short Haircuts and Hairstyles, What was interesting about her hair color was that. It was less than her accents, which were limited only to the. Light touches on the top layer and bottoms. Lara Stone doesn't brush hair Lara Catherina Stone's Short Haircuts and Hairstyles, chose to wear her silky hairdo in a simple but stylish straight loose locks hairdo. Her hair was parted on the left side and neatly tucked behind her ears on both sides as she went for a stylish look. Lara Catherina Stone Lara Catherina Stone's Short Haircuts and Hairstyles, Her loose locks were styled to fall behind. Her brushed back locks allowed the focus to rest on her pretty face. For her stylish outing on Monday night, Lara chose to wear. Lara Stone Gives a Lesson in the Supermodel Hair Her glossy tresses in a classy straight textured hairdo supported by her polished make-up, which included a generous dusting of bright pink daub and pink blush on her good lips. If you have thin straight hair, you don't need to use a straight iron for this hairstyle. Lara Stone Hair, Hairstyle, Haircut, Hair Color A Smooth Blow will suffice. Work some nourishing anti frizz cream into wet locks before blow drying. Along with frizz care, the cream will also add shine. Lara Catherina Stone is the first order supermodel. Lara Stone Geldrop Netherlands on December 20 1983. His mother is Dutch and his father is English. She is blonde with brown eyes and worries when she can walk that the cat's feet are too small for her height. Because her feet are disproportionately small for her height, she worries that she will always fall. May May 16 May 2021 married David Walliams at Claridge's hotel in London, and a son was born on May 6 2020. It was while on holiday while travelling on the Metro in Paris that Stone was identified as a potential model.
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ladystylestores · 4 years
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Experts Critique Chanel’s Fashion Film for Its Cruise Collection – WWD
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As fashion rolls cameras in lieu of rolling out runways, Chanel managed to be first major brand out of the gate last week with a sun-kissed, seven-minute video showcasing its Capri-inspired cruise collection.
WWD asked an array of experts — fashion filmmakers, art directors, curators and the founder of a digital fashion house — for an assessment, yielding some constructive advice as the industry wades into a new frontier.
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Here’s what they had to say:
Ruth Hogben, filmmaker and creative director, London: The film feels functional rather than taking full advantage of the medium. The garments are clearly seen, which is a positive: I would just have hoped to be shown a fuller Chanel world like their shows normally do. The pandemic has obviously hit everyone in an enormous way, so taking that into consideration, I think this film does a good job at lifting the soul.
Kerry Murphy, The Fabricant, Amsterdam: The Chanel video is very beautiful, has a lot of production value and highlights the clothing in a way that is much more digestible than a catwalk. I think their hardcore followers can really appreciate this effort. However, it is just another beautiful fashion video that’s a passive viewing experience like any other video or movie.
Looks from the Chanel cruise 2021 collection.  Julien Martinez Leclerc/Courtesy of Chanel
The big opportunity in the post-COVID-19 fashion era is the power to invite audiences to partake in fashion shows and events with interactive experiences, where the audience becomes the director of the show. As the creative powerhouse that Chanel is, I would love to see what their interpretation of the Travis Scott “Fortnite” experience would be. Because that’s the space that fashion will inevitably move towards.
Fabien Baron, Baron & Baron, New York: Film is an amazing medium that can often keep you riveted to the screen for hours. For that to happen, it needs to be visually exciting of course but, most of all, it needs a strong narrative as it’s the story that will ultimately keep your attention. Film can also be something that will turn you off when misused.
First of all, I don’t think this kind of film presentation will ever replace a real fashion show. It’s lacking the excitement of being part of a live audience: The mere fact of discovering an amazing collection live and next to all your peers is priceless. But most importantly, as a spectator, you know why you’re there: to look at a silhouette and get a head-to-toe glimpse of a look right in front of your eyes. This allows you to immediately understand the designer’s message. Pure fashion at its core and where it all begins. A direct connection with a point of view.
The set, the runway, the lighting, the hierarchy of the seating, etc. is a proven format for one to understand the clothes and the point of view of the designer. I am sorry to say that I don’t get the same response when I see this done as a film instead. The crops, the model’s attitude, even the setting do not convey the actual purpose of a runway show: a more conceptual and focused point of view of a higher-level idea. Fashion at that stage needs to carry a strong idea that represents the clothes, which is something Chanel has always been powerful at with their formal runway presentations.
Landscape images accompanying the Chanel cruise 2021 film launch.  Bea De Giacomo/Courtesy of Chanel
To translate these feelings into a film format will require more of a “dream factor” and better subliminal messaging. Let’s remember that film is about image and storytelling, otherwise it can be very flat and an easy medium to lose an audience. When it’s well used, it is a great tool to communicate an emotion about your brand and a specific point of view in a very artistic way.
I’ve seen very interesting fashion films used for advertising, but so far, I have not seen a “runway film” as powerful as a live fashion show. I know that the present situation has thrown a curveball to an industry that has never been afraid to tackle new ideas with new mediums. I am optimistic we will find good solutions.
Riccardo Ruini, Riccardo Ruini Studio, Rome: The only problem was the emphasis and advance attention given to this simple presentation. If you present a normal video and some look-book pictures as the first virtual collection presentation, you are putting too much weight on content that probably won’t meet expectations. If it would have been portrayed as a simple presentation of a collection, more a look book than anything else, it would have passed.
I think the communication backfired. The teasers were unnecessary, presenting banal footage that poorly attempted to mimic the very static pictures and video. You don’t even need teasers to build expectations when you have this material to show. I also don’t understand why Chanel mixed some pictures that are more “campaign-like” with the model Mica Argañaraz alongside ones that are classic look-book ones, damaging both. And the film is poorly filmed and edited. The music is nice but very expected — fine for a look-book video, but not for a Chanel cruise presentation.
I must say that given the restrictions of the lockdown time, it must have been very difficult for my peers to produce something that could stand up to the level of a Chanel cruise collection show — probably impossible. But I would have given less emphasis to it. I’m waiting for the next one to surprise us with something great.
Nathalie Khan, lecturer in fashion history and theory, Central Saint Martins: Traditionally, the Chanel show relies on extraordinary spectacle, be it the exotic locations of the cruise show or the elaborate sets at the Grand Palais. This season, the Chanel cruise show has been replaced by a seven-minute fashion film. Shot at a studio in Paris, using an artificial backdrop, the promo does little to create the illusion that we are at the Mediterranean seaside. This is significant, as the purpose of the Chanel show is to “transport” the viewer into another world. Instead, all effort has been made to focus on the garments, through soft lighting and slow panning of the camera in repetitive sequences.
This subdued and inconspicuous fashion film does not attempt to emulate the extraordinary experience of a Chanel fashion show, nor does it challenge or reinvent the medium of fashion film. Its simplicity appears almost modest; there is no momentum here and little that makes us anticipate the excitement or ambiguity a new beginning should entail.
Pamela Golbin, fashion historian and curator, Paris: Fashion films have been used in the past, but what differs with Chanel’s unveiling of its cruise [line] via social platforms is the necessary substitute in the wake of a global pandemic. In perfect alignment with the DNA of the brand, the seven-minute video harmoniously presents the collection’s 51 light and airy silhouettes set to rhythmic music. Buyers and clients alike, for whom shows were intended, will be pleased to see each silhouette with such detail in movement and up close.
It is clear that the video format can be very efficient in communicating a visual narrative. For some consumer-driven brands, it can certainly provide a powerful tool. It does not, for the moment, replace the high-profile spectacles offered by the fashion show platform that comes together to disseminate and celebrate a designer’s creative vision and their fashion community of collaborators and VIPs.
Beatrice Bloom, director of the London Fashion Film Festival: It is an avant-garde way to present fashion in a difficult circumstance, and create a lively look book for the brand. Also, it visually helps with the movements of the garments. Having such a film as this is more effective and it can communicate with customers and audiences better than a runway, which not everybody gets the opportunity to be present at. So, congratulations to [Chanel creative director Virginie Viard] for this success.
Landscape images accompanying the Chanel cruise 2021 film launch.  Bea De Giacomo/Courtesy of Chanel
The freshness and cool features of the film suit the Mediterranean look of the collection, which is simpler than what we usually expect from Chanel outfits, yet still elegant. That’s why [model Mica Argañaraz] is the best choice to have on the team.
Personally, I think the video is a bit long. And if the length of the film was planned, they could have had made it more creative. But [the length] might put us in a relaxing runway environment, giving everyone the chance to see the gowns better, and even models’ faces.
More from WWD:
Chanel’s Cruise 2021 Collection Brings Capri to Paris
Chanel Plots Return to Prior Runway, Collections Pace
Tipping Point: Fashion Flips Focus from Runway to Film
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carolinemillerbooks · 4 years
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New Post has been published on Books by Caroline Miller
New Post has been published on https://www.booksbycarolinemiller.com/musings/a-womans-world/style-as-message/
Style As Message
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While insurrectionists were storming the Capitol in Washington D.C. on January 6, 2021, another skirmish was playing out in publications like Women’s Wear Daily (WWD) and Vogue. The question, if not weighty, was heated.  Why was Kamala Harris, our Vice President-elect, wearing sneakers on the cover of one of the world’s most prestigious fashion magazines? Did the photographer wish to diminish Harri’s stature or make her seem accessible? Everyone in the fashion world had an opinion. Converse, the manufacturer, wasn’t concerned, of course, as copies of those shoes are running out of shop doors.    Men in politics get scant wardrobe attention. True, a reporter once asked Barrack Obama, the 44th U. S. President, why he wore nothing but dark suits. His reply was simple. It made his wardrobe decisions easy. But consistency, too, has a price.  The day he appeared in public wearing a tan suit, the country faced a sartorial crisis.  Women are blessed or cursed with a greater variety of style choices. The public expects a show. When Hillary Clinton adopted Obama’s formula and stuck to pantsuits, her critics questioned her femininity. Women leaders around the globe suffer the same scrutiny. Former British Prime Minister Theresa May drew blistering criticism for her tiger print high heels.  The challenge for women under patriarchal rules is to strike a nuanced balance in style because “femininity [is seen] as artifice and masculinity as substance.”  Even Supreme Court Justice Sonia Sotomayor chose to forgo her signature red nail polish on the day of her inauguration.  Make no mistake, however. Ruth Bader Ginsberg’s decision to wear lace collars over her black robes was a sartorial and political revolution which she used to send messages as well.  Women do use fashion to make statements on numerous public occasions–from the cocktail lounge to the halls of Congress.  Suffragettes wore green and purple sashes, shorthand for their voting right demands. Later, white became their color of choice.  When Kamala Harris wore a white pantsuit the evening she accepted the nation’s second-highest office, Vice President of the United States, she was giving a nod to history. That line extended to include Shirley Chisholm, the nation’s first African American woman elected to Congress. She wore white to honor the breaking of a glass ceiling, as did those who followed–women like Geraldine Ferro and Hillary Clinton.  Throughout much of history, women have been obliged to satisfy male expectations. No one should be surprised that during the 2020 campaign,  when Harris debated her opponent, Mike Pence, she wore a black pantsuit.  She needed to be taken seriously.  Most women in the workplace know there’s a dress code.  Congress has long had one for both men and women, though most representatives were caught off guard when then-Speaker of the House, Paul Ryan revived an unwritten and forgotten rule of modesty that barred women from wearing sleeveless attire.    Concern about female fashion isn’t limited to the United States, as I’ve already suggested. One British MP, Rachel Reeves, bemoaned, “If [women] dressed too formally, they were called sexless blue-stockings; if they wore eye-catching or feminine outfits, they were trivialized and condescended to.”  Megha Answer, a teacher of literature, film, and visual culture at Purdue University thinks it’s time for women to stop “playing by rules that men formulate.”  The goal is easier said than done because men may set the rules but women sometimes act as enforcers.  One female of prominence who escaped gratuitous criticism was Nancy Regan. Though there were rumblings about her extravagance, few complained about her simple but elegant style.  At the same time, no one mistook her to be merely decorative. Her flawless taste with its attention to detail singled her out as a person with whom to be reckoned. She seemed to subscribe to fashion maven Coco Chanel’s edict. “Dress shabbily and they remember the dress; dress impeccably and they remember the woman.”  If Coco is right, what are we to make of Harris’ Converse lace-ups in which she appears on the cover of Vogue? Surely, editor Anna Wintour should have offered a caution even though the outfit was Harris’ choice.  Or, perhaps Wintour sensed a change in the wind.  Perhaps she saw, by the donning of those tennis shoes, Harris’ announcement to the world that she is ready to run in her new role. As a  former U. S. Senator, she knows she’ll need traction if she is to blaze a trail other women may follow. We want her to surprise us and break a few norms. As Wintour is credited with saying, fashion, as a statement “isn’t about looking back.  It is always about looking forward.”   
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