#But still worth sharing and doing

[canisalbus]

I love your art so much. There is something so distinctive about how tender and warm you draw Vasco and Machete and I love it all it just makes my heart melt. I love the dynamic of the catholic queer identity you have for them it's so distinctive and you do it so well. Keep up the amazing work, you are honestly one of my favorite if not my favorite artist you bring me so much comfort with your work.

.

[kokoasci]

finally drew the main doa together :>

[rainbow-nijisaki]

Would it be possible for you to upload some of your old Joshua June art? Only if you are comfortable doing that. Thank you very much!

Anon, I know what you mean, but when I first read "Joshua June" it put this cursed image in my head that I'm now obligated to share -

(If you don't understand, I apologize)

In all seriousness though, it's no problem at all - but are there any in particular you remember that you'd like to see? I believe I posted two years' worth on the old acc, that's sixty drawings ahaha... I suppose I could queue them up in batches, if you like?

[demigods-posts]

i’m confused. you are a huge fan of pjo characters right? so how do you sit there and not call out a problem? you claim percy to be smart, but when rick writes about percy being an idiot and annabeth deeming him as one for an entire book, you are fine with that? youre fine with how she was shocked at him being smart? why are you pretending like everything is fine? inlike most of us, you have a platform. you can reach people. the only way to make things change is to speak up. aka the only way for rick to change is if we tell him what’s wrong. just like we told him to represent nico better and he did.

it is not okay for him to write annabeth like he did. he butchered her character and make her treat percy terribly. the annabeth haters are going to actually get a platform now. you have to call rick out!!

I think there’s been a misunderstanding. I haven’t said Percy’s portrayal as unintelligent is a good thing — I just haven’t had the chance to share a full review yet. I actually agree with you that it’s disappointing how often Rick makes Percy the butt of jokes about his intelligence, and I think Percy (and Annabeth) deserves better representation too. But it feels like your message is coming at me as though I’m opposed to this view, when I’m not. I also want to highlight that I’m just one person, and while I appreciate passionate discussions about representation, I don’t appreciate being spoken to in a confrontational way, especially when we’re on the same side. I support speaking up when things need to change, but it’s important to approach these conversations respectfully.

[bell-swamp-fitzjames]

Was the idea cooler in my head? Yeah. For fucking sure. But my first attempt to bring into the real world my vision of a sun dog esque book cover for my copy of the Terror

[watercraver]

I think I generally tend to prefer HDG stories that veer more into the dubcon nature rather than the noncon.

Something about the floret-to-be being tricked and manipulated into a pet long before they are forced directly into it just speaks to me more.

A good example is Dog of War (as always), I loved the dynamic between Princess and Camila through every stage of their journey.

Another one I think works as a good example is Beast at Bay. It's definitely more non-con than DoW, but still works well with that manipulation and trickery over direct brute force (at certain points).

Mainsprings also kinda has a similar premise. Imogen technically started out as a case of non-con, but the stockholm syndrome worked wonders for the story.

[shummthechumm]

i generally do not enjoy reading wc anymore but can i steal moonpaw for my rewrite canon. can i do that (GUNSHOT)

[dcbutinamrev]

Soc girls sketch for the soul before i go to bed <3

[pinkcaraz]

valorant montage kpop edit but make it carlos winners || c. alcaraz (after school - weeekly)

[kuroshipped]

bonus art: cats and dogs (purrloin and lillipup)

GUYS PLEASE DONT HATE ME!!!!i was doing a style test so it looks really different but i used the same brush to shade cause i cant just let an og go like that.. guys is this a step in the right direction for my style

also sorry this is not really spe ehmm welcome to the gameverse heres all you need to know

made 6/8/24 - 6/10/24 cause i just finished right now😮

[3416]

just need to give a shoutout to all the people who interact w me or the things i make on here for the love and good vibes. twitter's been pissing me off the past couple days and i just think it reaffirms i'll never really leave tumblr bc the fandom culture here is just so much.. more lol

[phodoegraphy]

[14/1/25] - Playing with perspectives of things you wouldn't usually notice

[aastarions]

i cannot believe that since i posted the last chapter of my zhongli multichap (in july 2022) right

ive gotten engaged

ive gotten married

AND

ive gotten pregnant 🧍🏼‍♀️

specifically pregnant with identical twins 🧍🏼‍♀️🧍🏼‍♀️

[moe-broey]

Fellas can you take this somewhere else. Maybe. Just not in the fucking halls. Thanks 🫡

I couldn't resist drawing out these tags I wrote on a dif post LMFAO

Moe just has...... SO many problems.......

Close-ups of my fave shots!

The elusive Líf...

[sisterdivinium]

[this was originally posted at femslashfete for the "beg" prompt]

All hell is breaking loose around them: the pope is a pile of cooling ash, fried to death during a global broadcast; an already weakened OCS risks losing even more of its elite warriors as it continues to fight a false angel who is always one step ahead; and even sunlight becomes a curse upon the flesh of those brave few who have not bowed down to Adriel's cult. In the midst of it all, Lilith pauses her battle against Ava and asks her to join her cause.

Why?

If momentarily, Lilith has the upper hand. Ava is skewered to the side, with a sword stuck all the way through her middle, and the battleground was one Lilith chose, her own ancestral home with which she is deeply acquainted. Up until this point, Lilith has not demonstrated a great inclination to ask — she obeys, such as when Duretti has her track Ava down regardless of costs or morals; she demands, whether by “requesting silence” of Camila or teleporting her way into Jillian’s estate without patience; and she even whimpers and cries in Mary’s arms when they are by the tomb, but how often do we see Lilith beg? Even as Adriel drives his fingers into her eyes, she does not plead for mercy.

Perhaps begging seems too strong a word to describe her last attempt at winning Ava over. Perhaps Lilith is only trying to use a language which, foreign to her, could resonate with Ava’s disposition, stubborn as she is, uninclined to obey just because someone stronger and meaner said so. Fighting costs stamina and time, precious time, and the sooner Adriel can get ahead in the “holy war”, the better, so if words can more easily and more quickly attract the halo and its bearer to his camp, well, it’s worth a shot, right?

Except Lilith had already eschewed diplomacy and opted for aggression first of all. The time to talk would have been atop Adriel’s cathedral, before Duretti is killed, when first Ava looks upon Lilith after her defection and the more radical changes in her body are visible.

Instead, they fight. Instead, Lilith makes use of the halo’s malfunctioning to get a few good blows in, whether physical or emotional, what with her little spiel on breaking free from her frustrated goals when Ava took her place as the warrior nun. Now, unlike Ava, she is free of expectations and responsibilities.

But is she? Has Lilith shed her past self as she has been shedding skin for her multiplying scales? Can she — or anyone?

If rejecting her mother, the plans that had been made by the same woman, and even the OCS, which was arguably the thing that had given Lilith’s life all its meaning, if rejecting all of this is a way to reject who she was, why return to her family home for her showdown with Ava? Why choose a place central to the past she is renouncing? Strange would be the prisoner who, shortly after a successful jailbreak, decided to rush back into that same jail, now with a friend in tow.

When Lilith crumbles in Mary’s arms, she is vulnerable. She opens up, if only a little (“you said I was heartless”). Amid the mess and the violence, Lilith chooses to open up to Ava, too. It’s not Superion or Beatrice or Camila or Mary or even Adriel himself, who has helped her “see reality”, whom she takes home, to the centre of her wounded intimacy. It’s Ava.

Ava gets to witness the trinkets of medieval times, symbols of the burden Lilith must carry as a member of her family, so profuse in warrior nuns along the centuries — a burden they share, as Ava must bear the halo and correspond to others’ ideas of her without a real say in the matter. They are equivalent, they are the same even despite all their differences, the same value but inverted. Both have fates tied to the halo, terrible and overbearing, only now Ava has that circle on her back and Lilith boasts of that strange but also “open” pattern upon her chest, as some sort of negative halo.

Back in season one, when Lilith tries to cut Ava open to retrieve the object that defines the OCS perhaps more than the cruciform sword itself, she has Ava pinned down, face on the ground. She doesn’t hesitate as she plunges the divinium blade into the reticent halobearer’s back, her inferior, unworthy even of actual direct confrontation.

But now, under the sickly glow of Adriel’s cursed light, after Lilith has opened her eyes, Ava is impaled on the sword right where Lilith wanted and they are facing one another, eye in the eye. They are, blood notwithstanding, on the same level.

This isn’t the first time Lilith hurts her. At the Cat’s Cradle, in 1x03, Lilith uses the cruciform sword to slice at Ava’s arm; later, it’s the same weapon she intends to wield against Ava at the orphanage exit; as mentioned, she stabs Ava with a divinium knife before being herself pierced by a tarask. As her body changes, Lilith uses her claws on Ava, drawing blood, and finally pushes her into that sword in her home, leaving her hanging in the air — much like Lilith hung in the air at the end of the tarask’s claw in 1x05. So there is a recurrent theme by which Lilith not only seeks to hurt Ava, but to perforate, penetrate, enter her in what is some pretty sexually aggressive symbolism.

And, as they look upon one another while Ava is traversed by a weapon just as Lilith had been, a twisted mirror image of herself, as if Lilith could recreate her own experience in Ava so as to change her mind by making her feel what she felt, the rogue nun asks her to join her. Lilith has not only shown Ava her past, but replicated it on her — she should be ready to “see reality” too, she should be ready to choose. For, if the halo chose Ava when they were both marked for it, then Ava might just as well choose her, as no one else had ever done, not even Adriel since it was Lilith who approached him.

She has been burnt and passed over enough. Lilith has been made to fight Mary, she has been stabbed by a demon, her body has started to change without her control or her consent… “No more talking” indeed. Lilith wants something new. From the look in her eyes and the intonation Lorena Andrea gives her, Lilith isn’t just playing Ava. She means it. She wants Ava on her side. Adriel is an excuse. She can see they’re on the same level and surely Ava can, too. She’s the agent of change after all, Lilith recognises this — so can’t Ava recognise her?

Hers is the name Lilith calls out when she returns from the dead before she passes out inside ArqTech. Hers are the eyes that look inside Lilith, at her decadent household and past. Hers is the flesh that experiences the pain, the demonic stockade Lilith suffered. It’s not just the halo, it’s Ava or else Lilith wouldn’t waste time asking and she’d just rip the halo out the way she threatens to do at a refusal. Ava must see her, as Adriel supposedly does.

It’s not about him in the end. She barely bats an eyelash when he is defeated. After all, when she opens her eyes, Lilith’s diagnosis is that “this is how Ava sees”. Ava is the parameter, Ava is the prize.

This enemy Lilith has been trying to slice, stab, maim, kill, who conquers her one ally in the world, is the same person she helps to save as she aids Beatrice in taking a mortally injured Ava to the ark, to the portal “to the other side”, the only way to save her. Even after Ava denies her and hurts her further, Lilith ultimately helps her.

Ava and Beatrice might be the canon couple, but this ambiguous and potent connection between Lilith and Ava, as they skirt around one another in a dance that has them alternating between foes and friends at the erratic beat of the drum, was likely to electrify coming seasons of the show, had it not been cancelled. It’s indeed surprising to realise Ava/Lilith isn’t as popular a ship as one might assume it would be given the dynamics contained within. There are certainly many elements to explore between them.

Perhaps, had their relationship been graced with a few more episodes to keep developing in its intriguing spiral pattern of attraction and repulsion, it would be one more of the myriad reasons why so many fans have not gotten over Netflix’s decision and so continue, themselves, to beg for more.

[miodiodavinci]

i saw that you used to hint at oc stuff on twitter (don't ask me why im digging im looking for zola stuff lmao) why don't you post more about them?

i am simply terrified that if i post oc things online someone will steal the concept and run with it faster and better than i ever could have and then i will be devastated forever and ever

more seriously i have very little to show for any of my oc things (adhd brain making life difficult as per usual awawawawawa) and every time i've shared oc things in the past i've ended up never following up on it and it makes me feel bad and guilty so i've just convinced myself i will Never talk about my ocs until i have something substantial i can put out there