#But hori would only make him dedicate his life to deku and nothing else

[gemgdynamight0]

In this scene Katsuki is looking at the camera and saying "see you later", so it means we're gonna have a Katsuki centered spin off and-

[dazais-guardian-angel]

Hot take: Bakugou's character wouldn't survive if not for the one he kept abusing all his life. 90% of his character revolves around his victim and yet the fandom paints him as this super developed, fleshed out character when in reality he'd never be anything bigger than a side character if not for Deku.

Also the concequences he supposedly received are just him being teased or not getting the win he wanted, no being kidnapped doesn't count, he literally got away with his shit while even been treated like a victim and the privilege to know something about Deku that isn't any of his business. And now because he sacrificed himself that one time the fandom acts like Izuku owes his ass anything. It's disgusting.

I have given up on him actually being half the decent character ppl make him out to be and the fandom reaction to him makes me hate him even more.

He's not complex, he's just a pretty boy, asshole archetype who gets nicer and has some more cooperative and ppl love to eat that shit up while making up stuff for him. He changes but he's doesn't change for what matters and definitely pales in comparison to other characters who are better written than him.

(holy shit, did they remove the character limit on asks?? omg a GODSEND)

Well yeah, if it weren’t for Izuku and how he treats Izuku he wouldn’t have anything to improve from; people only think he’s developed because he no longer outright bullies him and “””worries””” (I say in heavy quotes) about him, and “reflects” on how he treated him even though he.......... comes to the absolute wrongest, most idiotic conclusions imaginable, that put the brunt of the excuses on Izuku instead of himself, but Toshinori validates him because Horikoshi has made Toshi into Bakugou’s uwu stan and stan of the two boys’ “friendship” (completely ignoring the fact that THIS KID FOR TEN YEARS BULLIED HIS SON). He’s basically already been devolved to acting like a side character for a long time now, with his funny anger quirk pun partly intended that’s just treated like a joke at this point, just like everyone else’s character quirks, even though it would be far more interesting for him to, you know. actually get some therapy and learn to calm himself and become an actual pleasant person to be around. But that’s not what makes him “funny”, that’s not him, according to most people, so he’s always going to stay like this, a boring angry pomeranian who flies off the handle at everything for no reason, who has done the absolute bare minimum of “changing”, which makes him a perfect character in everyone’s eyes.

“He changes but doesn’t change for what matters” pretty much sums up the problem with him in a nutshell, and is the exact reason he frustrates me so much, that I’ve ranted about plenty before. Bakugou has never been viewed through the lens of a bully, an abuser, he was never set up to be that, at least not realistically, and so his development hasn’t happened in accordance with that setup either, and people don’t have a problem with it and actively praise it because the manga actively downplay(ed)s the severity of that origin story. People can ignore the reality of how seriously traumatic being bullied for ten years of your childhood, verbally and physically would be, and how seriously and with such sensitivity such a relationship and character arc must be handled, because aside from the very first chapter when Izuku and Bakugou are still in middle school, really, with the “take a swan dive off the roof” comment and others, it’s never focused on in that way ever again; ever since, it’s just been treated as a typical anime “rivalry”, that both of them need to better themselves to overcome. The story and teachers say “the two of them are so alike but they just keep missing each other; if they just made up for each others’ weaknesses and understood that they both want the same thing, they’d be stronger together!”, and Izuku HIMSELF tries so hard to reach through to Bakugou, always still considering him his friend, always feeling like he’s the one equally at fault for their relationship being as rocky as it is, when BAKUGOU!!! FUCKING!!! BULLIED HIM!!! FOR TEN YEARS. bullied a DISABLED CHILD, which again, as a disabled person who relates to Izuku and how he felt about his quirklessness, feelings that continue to affect him even long after he gets a quirk because of how he was treated when he was younger, is DEEPLY unsettling to me. You CANNOT read/watch MHA without the metaphor of quirklessness = disabled being very apparent, and so that makes Bakugou’s bullying and how it is so utterly glossed over and purposefully forgotten a hundred times more disturbing and aggravating than it already is! If this were any other shounen rivalry then yes, it could be resolved with effort from both parties, because both parties have their own personal reasons for why they have trouble getting along with the other, and the fun is watching to see how they will overcome those, but Izuku and Bakugou were never on an equal playing field to begin with; this is a bullying story, with its victim trying desperately to win over and befriend his abuser, when he owes him absolutely NOTHING and has a BOATLOAD of unresolved issues thanks to said bullying, with no outside help from adults for either of them because none of them are acknowledging it as fucking bullying. I guarantee you that if the manga went into much more painful, bleak detail and showed many more flashbacks of how Izuku was treated by Bakugou in the past, and then still continued with the “development” he’s had since, people would be unable to ignore it like they can now, and it would make all of them extremely uncomfortable like it does those of us now who already dislike him. Hori himself has said he doesn’t understand why Bakugou is so popular, but he’s able to just continue as he does with him because no one is complaining, and because he said he regrets making him so awful in the beginning, as if that magically makes it disappear as much as it already has in 90% of the fandom’s collective mind. You wanna know an actual good manga that also deals with a bully of a disabled child growing and improving himself and forming a close relationship with his former victim? A Silent Voice. Such a journey is long, and hard, and it is painful, with many ups and downs and many nasty, hateful, guilt-filled, depression-filled feelings from both sides, along with from other characters who either also partook in the bullying, were bystanders to it who did nothing, or were indirect victims as well. The bully is bullied himself after what he does, and then grows up nearly suicidal, closing himself off and struggling to be social and make new friends because he doesn’t know how and doesn’t entirely feel like he deserves it (and the story notably doesn’t go the route of “he was abused too at home and so that’s why he bullied”), and tries and fails many times to make amends with the person he hurt before he finally is at peace with himself and everyone; the victim, meanwhile, drowns in continued guilt and suicidal feelings over feeling like she’s a burden to others, both from her disability and from watching all the infighting and victim blaming and finger pointing that ensues between her old classmates when all of the nasty emotions are brought back to the surface, along with dealing with budding romantic feelings for her past bully when he genuinely starts being kind towards her and making an effort to connect with her. ASV is entirely about this complex narrative, it’s able to dedicate everything it has to telling this story tactfully and with all the time and attention it needs. MHA, meanwhile, is a shounen battle manga, and so it was never going to do this narrative and Bakugou’s arc justice, even though I honestly think it could have if Hori really wanted to, because Izuku and Toshinori’s relationship has such masterfully subtle and touching emotions and care, at least early on; Horikoshi knows how to write good, subtle character arcs. I’m not asking for something ASV level, of course not, when the series has so many other things it has to juggle. I just wanted Bakugou to be treated as exactly what he is: a former bully, who can be taught, and learn, and reflect, and change, and become a better, more humble, more interesting person, and actually become someone worthy of all the praise and love he gets, not only for Izuku’s sake, but for his own, as well. They don’t excuse his actions in the slightest, but it’s still undeniable that Bakugou himself is a victim of how the adults in his life have treated him and raised his own expectations of himself, giving him the crippling insecurity issues he has, and that they continue to harm him (and Izuku) by simply letting him continue to go on angrily the way he does, instead of getting him help and some therapy in order for him to change and heal from things like being kidnapped by villains (which is no small thing to go through!! on top of his guilt over Toshinori’s final battle!) and becoming a better person to the one he hurt in the past, and it all just makes me so sad, not because I’m all “uwu poor Bakugou”, but just cause his character deserves better, as a person he deserves better, just like Izuku deserves better than everything he’s gone through because of him. This is all just a very long-winded way of agreeing with you OP that yes, none of Bakugou’s “punishments” for his behavior mean anything because he’s punished as a rival student who needs to humble himself in order to get along with his friend he doesn’t like, not as a former(??) bully who needs to be separated from his victim. The bar is set so low, was never set where it should be, and so absolutely no progress to “better himself” Bakugou makes either will mean anything, as long as it’s never acknowledged that he needs to make amends as a bully and abuser.

[recentanimenews]

Bookshelf Briefs 9/2/20

Yay! Sean’s back!

Barakamon, Vol. 18 + 1 | By Satsuki Yoshino | Yen Press – I had thought this was something like an epilogue to the series, but it ends up being more of a hodgepodge—there’s a number of 4-koma strips, there’s interviews and yes, there is a short “years later” mini-chapter that assiduously avoids showing us Naru looking older, though it teases it. Instead, the majority of the book is an artbook, showing off color illustrations. And that’s the reason to get it as well, as you’re reminded that the art was also a big strength with this series. The pieces are very character oriented, showing Handa and company in a variety of poses and places, and it adds to the overall peaceful feel that we got from this series. I’ll miss it. Also, show us teenage Naru, you cowards. – Sean Gaffney

Goodbye, My Rose Garden, Vol. 2 | By Dr. Pepperco | Seven Seas – I never actually reviewed the first volume of this series—it came out in the height of COVID isolation, and I was bogged down in other things. It’s quite good, though, being a fairly tortured yuri drama without quite tipping over the edge into melodrama, although the reason it reads so well is that it balances on that edge quite nicely. Here we learn the story of Alice and how she became everyone’s favorite suspicious person, as well as the tie that binds her past with Hanako’s. As for the two of them as a couple, we aren’t there yet, and may not ever get there—it’s unclear if there’s a happy ending coming here. Nevertheless, you hope for one—these two need some good things happening to them. – Sean Gaffney

Goodbye, My Rose Garden, Vol. 2 | By Dr. Pepperco | Seven Seas – I really wish I liked this more. I like the setting—England in 1900—and two heroines who love books (and talk about Oscar Wilde and Sherlock Holmes!) and want to thwart society’s expectations of women while still being constrained by them. But everything just moves so fast! I found myself wishing this was a romance novel instead so it could have a little time to just breathe. They love each other, they find out secrets, Alice’s mom and fiancé conspire to get Hanako sent away, Alice finds her, more secrets are revealed. Nothing really lands with any emotional impact because it’s cruising right along and, in fact, comes to an end in the next volume. I will probably see it through to its conclusion but am overall kinda disappointed. – Michelle Smith

Horimiya, Vol. 14 | By Hero and Daisuke Hagiwara | Yen Press – This is the manga that never ends. It goes on and on, my friends. Given that the writer and publisher seem dedicated to avoiding the original ending of the webcomic, there’s not really much that can be done here except ‘everyday high school life’ shenanigans,’ to the point where I was for once reasonably pleased when Hori’s sadist/masochist tendencies come to the fore again, as she spreads a childish nickname for Miyamura just so that he’ll get mad at her. That said, despite the two being a seemingly close couple, at the end of the day Hori is still a horribly flawed character who needs constant validation and can’t trust her own feelings. She’s the most annoying and most interesting part of this. – Sean Gaffney

I Don’t Know How to Give Birth! | By Ayami Kazama| Yen Press – This is an excellent combination of biography, information, and comedy, as the author and her husband take us through the steps they took in order for her to have a child—more steps than you’d expect, as they eventually need in-vitro fertilization—and how she felt as she went through the process, ranging from “why am I doing this? My husband is the one who really wanted kids” to “I am getting in touch with my inner animal!” Scattered throughout are facts about preparing for nursing your child, Japan apparently not teaching expectant mothers how to push, and the lack of meds in their non-Tokyo hospital. All this is done in a fun way, with the author’s self-portrait having an arrow in her head. – Sean Gaffney

An Incurable Case of Love, Vol. 4 | By Maki Enjoji | Viz Media – Should you sacrifice your dream for love? Well, not if you’re in a romance manga, but it’s a question that’s thought about long and hard in this volume, as Nanase discovers that Dr. Tendo is getting an offer to study abroad so he can research a condition that killed someone he knew in his past. He is seemingly fine with abandoning it and staying with Nanase, but another patient with the same condition shows that he’s not as cool and collected as you’d expect. As with previous volumes, this strikes a good equal balance between the medicine and the romance, and there is also some lightness of tone, such as Nanase mistaking her lovesickness for a heart condition after the two spend the night together. – Sean Gaffney

A Man and His Cat, Vol. 2 | By Umi Sakurai | Square Enix – The more we see of Kanda’s late wife, the more we see how much her death has devastated him, and we are grateful for Fukumaru for being there. That said, Fukumaru is a big, awkward, untrained cat, so this inevitably leads to events like the cat breaking precious pictures and the like. The cat is also somewhat jealous of anything that gets in between him and his master. So it’s a nice mix of cute ‘the cat is destroying the house and acting like a cat’ antics and ‘the cat is basically the one thing keeping his owner away from despair.’ Kanda’s utter adoration of Fukumaru’s cuteness (made funnier by the fact that, to most everyone else, Fukumaru’s pretty goofy-looking) may be the best part of this. – Sean Gaffney

My Dress-Up Darling, Vol. 1 | By Shinichi Fukuda | Square Enix – Wakana has an unusual hobby—he admires and creates traditional Japanese dolls. In part because of this, he’s become a loner, but that changes after his popular high school classmate Marin discovers his talent with a sewing machine and convinces him to help her make a (sexy) cosplay outfit. Marin is passionate but not a skilled seamstress, so she hopes Wakana’s experience making doll clothing will be of some use. My Dress-Up Darling is rated “mature.” The first volume does include some risqué images and topics of conversation; however, it’s not overly explicit. Later volumes might become more so, but right now the story itself is surprisingly wholesome and the characters endearing. I’m really looking forward to reading more of the series and seeing Wakana and Marin’s relationship develop. But perhaps even more, I’m hoping to see Wakana follow Marin’s example and become more confident in himself and his interests. – Ash Brown

My Hero Academia SMASH!!, Vol. 5 | By Hirofumi Neda| Viz Media – The last volume of this series really does not stray from its mandate of ‘gags.’ We see 1-A and 1-B team up for a rescue exercise, the highlight of which is seeing that even the SMASH!! author thinks that Itsuka is a better Momo than Momo is. There’s some of Deku being such a hero fanboy that it’s hilariously creepy, and everyone participating in comedy training. (I was not prepared for Uraraka’s fantastic Aizawa impression.) There’s tanabata festivals, held back by a personality change in Bakugou (this actually comes up TWICE). And we end with a “years in the future” that isn’t really, with only Deku left to be the straight man. I’m happy this is ending now, but it was also a good deal of fun while it lasted. – Sean Gaffney

Snow White with the Red Hair, Vol. 8 | By Sorata Akiduki | Viz Media – As expected, ‘making the relationship public’ gets put on the back burner, mostly as reality is far too complicated for things like that to go smoothly. Instead we spend much of this volume transitioning into a new arc, featuring Shirayuki and Ryu going up north to snow country to study as herbalists there… with the added addition of Izana, who is traveling there incognito to annoy his brother and to study Shirayuki further. In between these things we get a story looking deeper into Obi, who I sometimes get the feeling the author would be more happy making the lead character. It adds up to a good solid volume of the series, though I suspect the next volume will set a better pace. – Sean Gaffney

Teasing Master Takagi-san, Vol. 9 | By Soichiro Yamamoto | Yen Press – The rule of thumb in this series is that Takagi is more readily able to admit her own feelings to herself than Nishitaka is to himself. His embarrassment and wariness of any action that he’s goaded to by Takagi leading to a “ha ha, so you like me!” moment drives whatever he does, and the moment he gets over this the series ends. (Mostly—the unlicensed next-gen series shows he never quite gets over it.) Takagi CAN occasionally be embarrassed—my favorite chapter in this volume, where they’re sending texts to each other, ends with her blushing—but for the most part is content to tease him every day and patiently lead him to a point where they can be a couple. It’s not happening anytime soon. – Sean Gaffney

To Be Next to You, Vol. 8 | By Atsuko Namba | Kodansha Comics (digital only) – On paper, To Be Next to You looks like standard shoujo fare. Nina Uemura is in love with her next-door neighbor, Kyosuke Tachibana, and to try to forget him, she started going out with a classmate. But when Kyosuke collapses with a fever on Christmas Eve, she bails on her boyfriend (Miyake-kun) to take care of him. Miyake-kun realizes that whatever happiness they can achieve together will always be vulnerable to being swept aside in an instant, and breaks off their relationship. What I love is how skillfully Namba-sensei has shown Nina’s maturation process throughout this series—she’s definitely not the same oblivious girl we encountered in volume one—and that we get little moments like Miyake-kun telling his friends what happened and them crying on his behalf. Between this and That Blue Summer, I have become a true Namba fan. I hope we get more from her soon! – Michelle Smith

By: Ash Brown