#But god having to listen to her this much highlights how good other characters VA's are

[sebille]

I love y'sthola the character but like her VA is so.......bad sometimes

[milgram-tournament]

MILGRAM Best Song Tournament, Round 2, Match 2 BRING IT ON vs. THIS IS HOW TO BE IN LOVE WITH YOU

Propaganda for both options under the cut!

Propaganda for BRING IT ON:

"Reasons why Bring it On should win:

- Just by starting the song, the instrumentals are BANGER. Like his more rock style is very cool, even better than After Pain’s more mellow style - Arthur’s voice (Futa’s va) had bills due because have you HEARD his singing?? His raspier voice fits Futa so well - It feels so explosive and like a call to action in a sense, which very much matches Futa’s mentality during trial 1. He also wasn’t playing victim like a CERTAIN girl… (jk, love you mu!) - SAA HAJIMEYOU USOTSUKI KARIDA - UNDEAD HEROOOI YES SLAY KING HIS HIGH NOTE HERE IS HEAVENLY - His scream at the end. Oh my god. HE LITERALLY ATE THIS NOTE. AFTER PAIN COULD NEVER. BRING IT ON FTW 🔥🔥🔥" - His range goes WAAAAAY higher than Mu. She would end up like PHG if she even tried hitting any of his high notes in the last chorus /j

---

- The vocals are amazing, those growls are so well done - You’re able to get Fuuta’s crime and motive pretty succinctly, only based on the visuals - But it still leaves a lot up to interpretation, like how he only attacked once in the final fight scene. It lead to some cool theories. - On that note, the game aspects are so cool!! Especially when paired with him going after people online, just good synergy with awesome style! - Fuuta’s scared face after he realizes what he did. The great contrast of other foes simply being knocked out then being met with blood splatter. - The tempo of the song changing with his mood is a really good touch as well. Make the song more chaotic which highlights his character traits well

---

"propaganda for bring it on: the music FUCKS it genuinely slaps so hard listening to it. song style is incredible its perfect for fuutas personality and gamer vibes. also the way the mv frames everything as a game? the only time real blood and real gore happens being when killcheroy dies? the little details of all the usernames, the different monster designs, the generally distorted feel of everything being too lighthearted?

okay i could go on about the mv for hours but lets not. aside from that: the FEEL of the song!!! the vocals!!!! it really feels like fuuta putting his whole heart into it, into this point of view that both blows problems out of proportion and minimises them, and DEEPLY fucking up. my darling little hypocrite gamer boy twitter user. he makes his witch hunt genuinely sound like something that could sweep people up into it. also the instruments goddddd. the guitar and synth the bass and the drums the DRUMS. im relistening to it to write this propaganda and it keeps making me headbang when i should be writing. if you arent headbanging to bring it on you are LYING.

the way the lyrics are written is wonderful too!!!! they feel so brash and brave and powerful and like. cocky about it. and it fits PERFECTLY. its gets someone swept up into it and it FUCKS. vote bring it on im serious. lets go!! a victory march!! dan da dan!!"

Propaganda for TIHTBILWY:

okay so like the thing im most in love with: the VOCALS!!!! this song has an absolutely AMAZING singer and AMAZING vocals!!!! the way the conversational talk-singing lines still feel so musical!!!! the cute cute cuteeeee mahiru voice!!!! it brings you so much energy!!!! its a song sung with so much love!!!! mahirus va brings such an amazing feel to the song with such amazing talk-singing!!!! its very skillfully done and it happens in i love you too!! mahiru songs r the QUEENS of musical talk singing

the silly phone call bit. kurururu~!

the little vocal flourish and the way her voice raises up like an excited exclamation in the final prechorus!! daijoubu nante kirai DA!

its such a fast song but everything flows so well!!!! it makes it feel so bright and cheery and peppy!!

the instrumental is so underrated just LISTEN to that catchy bass line thats so pretty in the verses!!!! no for real even if u dont vote this is how to be in love with you go listen to the bass line in the verses it works to move both the song and the listener forward at mahirus sweeping breakneck pace. and the cute keyboard sounding and synth instruments!!!! its SUCH a danceable song!!!! i cant listen to it without bopping along in my seat

the way the ominous bits are subtly hidden? it all sounds so cute but there are just these Things that she sings that are really kind of concerning and unhealthy when she sings them!! and the veiled desperation to be in her relationship- listening to that and the cheery tone and breakneck, quick song pace, it really does represent mahiru SO well. she throws in all these little bits that just go noooo teehee the relationships just fine!! when it REALLY isnt

i would listen to mahiru talk for hours

the MV!!!!!! HER FASHION SENSE THE MAGAZINE STYLE!!!! the magazine style especially works so well with her character!!!! its so cute and stunning and just looking at it you have a blast. also her birdcage!!!! her birdcage and the bright orange and the pink bars!!!! the way everything desaturates and becomes more sickly looking when she wakes up at the end!!!! its such a happy carefully curated and designed dream and then it drains away!!!! also god all her outfits are stunning. mahiru call me

the way she sings "overheat de~!" cutest thing in the WORLD.

the little faces she makes!!!! godddd shes so expressive

actually the whole songs so expressive!!!! shes putting her all into it!!!! her words have so much expression in them!!!! once more praising mahirus va the way her voice can soften and become bright or subtly desperate so quickly is MASTERFUL control of expression when singing and its so underrated. join me in being insane over miho okasaki delivers her lines. shes such a perfect mahiru.

funniest es cover. hands down. funniest es cover.

this is how to be in love with you is FREE serotonin!!!! free energy right there!!!! this is how to be in love with you sweep!!!!!

---

-The song is so cheerful!! I always feel like dancing and singing when this one comes up in my playlists!! Absolute banger, mood definer, kicking sadness in the shin with those high-heels and then hitting its face with a cute purse -THE HIGH-HEELS STEPPING TO THE BEAT OF THE MUSIC IN THAT ONE SCENE (0:50). SIMPLY ICONIC. NO ONE DID IT LIKE HER. -👠💅👝👗 -She is slaying. Look at her outfits. She put so much effort there. She gave it her all. Absolutely serving. -SUKITTE KIMOCHI WAKATTA TSUMORI? NARA KONO MAMA FUTARI O-VA-HI-TO- DE -The storyline of the mv MAKES SENSE and you can form a COHESIVE TIMELINE OF EVENTS (unlike other unspecified contestants' mvs you know 🙄) -look at herr 🥺 she beby 🥺 all she did was love too much 🥺 we all love mappi don't we 🥺 she deserved more let her win this pleease 🥺 -No medical malpractice happened in the making of this mv 👍

---

I care so much about This is How To Be In Love With You- it's visuals are brilliant in the ways it conveys its themes and narrative. I'm never normal Ever about the "Love as marketing" symbolism that is brought in by the use of magazines. It's a lovely upbeat song but the Horrors are Always Lurking under it, the breakup Ritual line is my Favorite Line cause its so horrifying but its said so casually and its so good oh its so good-

[spectralscathath]

do robyn :3c:

Send me a RWBY character and I’ll tell you:

Robyn Hill

My top three ships for the character

Clover/Robyn (Lucky Shot is my OTP), Qrow/Robyn (Jailbyrds is a spite ship and I’ll admit it), Roman/Robyn (Rob the Rich, if only for the name)

My three least favorite ships for the character

Robyn/any of the other Happy Huntresses, Robyn/Winter (I remember that fucking ‘snowbyrd’ discourse you bastards), Robyn/Qrow (when I remove the spite goggles I don’t like this at all.)

My biggest criticism for the character

you got 10 minutes? 20? Maybe 30? Buckle up fuckos. I got some points to make and you’re gonna listen.

1. Robyn Hill is wasted potential

Robyn’s first appearance was one of my favourite scenes of Vol7. No joke! She was witty, interesting, had an excellent banter with Clover, deliberately stood down from a fight she couldn’t win, though she seemed eager for a challenge, showed some cunning, and looked like she was having fun. 

And then pretty much all of that got ignored. Robyn was set up as a good, smart leader with a cocky swagger, history with Clover, a deceptively cunning streak, and a calm, level-headed attitude. What Robyn was from then on was Angry Shouty Hothead Picks Fights She Can’t Win. She turned into someone impulsive, short-sighted, bullheaded, and focused only on fighting. 70% of Robyn’s lines are about violence and how she likes violence and how she wants to fight with VIOLENCE. The other 30% are, incidentally, ‘i’m so smart and understanding and kind, I’m gonna force people to undergo a lie detector test via peer pressure and ultimatums but it’s actually tragic that no one wants to be my friend because of my semblance. Poor me. 

And that was not what I was expecting. That is not what was foreshadowed. And compared to what the potential could have been, a good allusion rich with depth, a setting that could ahve been interesting if it wasn’t so rushed, how she could have been a player on the board, filled so many possible roles, and instead she was a walking ‘Ironwood bad’ mouthpiece that didn’t actually do anything (and has never done well in a fight, which is RWBY’s staple). What a waste. 

2. Robyn Hill actively makes things worse and gets no comeuppance

Robyn Hill makes situations worse. First of all, she steals supplies from Ironwood (and then doesn’t use them???? what the fuck????), which puts Ironwood under stress, which then leads to Ruby being Miss Unhelpful (but that’s a rant for another day). Robyn then gets classified info from Blake and Yang who, may I remind you, never met her. She could have been a spy! But no, Blake just has a gut feeling (because the script said so).

Robyn then calls James out on this, which later leads to ‘how did Robyn know about the global communications tower’, which means the fighting happens in the office, everyone stresses, Salem provides one of the few redeeming scenes in the show post-Ironwatts fight (it all went downhill from there, even more then it already was). Robyn didn’t explicitly cause this but she sure as fuck had a hand in it. 

Then you have fucking. Clover’s death. Yes, Robyn, agreeing with the serial killer who just tried to murder you and starting a fight in an enclosed space when you’re a ranged fighter vs your melee combatant ex-boyfriend is absolutely the smart thing to do. And then, for a moment, Qrow and Clover nearly sort things out, and fucking Robyn jumps in again. And then, what did she do? She got knocked out immediately. Yikes. Ladies and gentlemen, our ‘Resident Strong Female Character’. But because she did all this, she pretty much guaranteed first: Tyrian escaped. Secondly: Clover died. 

And yeah, Robyn. Just because Qrow didn’t personally shove that blade through Clover’s chest, he still worked with The Serial Killer Who Kills People to help. So yeah, Robyn, that does count as some sort of murder. Or at least, accomplice to murder. You’re also vaguely adjacent to it, so don’t get all ‘but Qrow’s innocent’.

It’s the same problem with team RWBY. They do terrible things, they whine about how hard it is, and all is forgiven cause they’re cute sad girls. There’s no comeuppance. There’s no growth. It’s just the script going ‘this character is right because we said so, so now we’re gonna do our best approximation of if a pretzal and a contortionist had an unholy boneless lovechild and bend the plot so the characters win anyway.’

3. Robyn Hill is a static character

This is gonna sound weird with this lil header but Robyn actually had an arc in vol7! She had an arc that was fairly basic, she went from ‘I don’t trust Ironwood and want to know what’s going on’ to ‘I am actively ruining Ironwood’s goals’ and finally settled on ‘I know what’s going on, Ironwood is worth supporting, and I do trust him.’ It was a simple arc, but it didn’t need to be anything more then that. 

Then in the span of about 1 minute all her actual development was reversed and she ran backwards to her original stance of ‘Ironwood bad’. We literally saw her devleopment walk backwards, and there it stayed. She spent all of vol8 as an empty voicebox that occasionally pipped out ‘Qrow’s my friend’ and was devoid of any personality. She didn’t have much beforehand that wasn’t fairly generic, so it’s almost impressive.

The problem is that static characters take a lot of work to avoid being boring characters. A lot of rwby just has these problems in general, character development is either ignored, skipped over, or given to the wrong characters, but in Robyn’s case it’s actively annoying because she had some development, and then she ignored all of that to go back to being ‘ironwood bad’ with a side of ‘Qrow good’ because we needed to be reminded of that after he got an innocent man killed. 

4. Robyn Hill is an unnecessary character

Why are you here. What do you do. Robyn was stated to be a character meant to act in opposition to Ironwood, to put him under stress like every other fucking character in this series. This was ‘confirmed’ by Eddy Rivas, which means zero because at some point the mentally deranged Weazel Ball that masquerades as the crwby writing team’s collective braincell will rapidly and suddenly change direction, causing massive retcons and plotholes in their moth-eaten threadbare dishtowel they dare to call ‘lore’, and we will have a different excuse for this waste of a good VA. 

Here’s the thing tho: Robyn as ‘opposition for Ironwood’ isn’t fucking special. The fucking air in the Atlas Academy lobby opposes Ironwood. Robyn seems to be there... because Mantle needed a voice? Okay, well, why the fuck did Mantle need to exist? Because... the election plotline needed to exist so Jacque could do something mean? God, everything about Mantle and Robyn and the election plotline is just annoying. It drags and it adds nothing to the plotline and it all should have been culled so instead we could focus on things that are actually important (like maybe: the myth arc? character development? the fucking Schnees in Atlas???) rather then rwby’s fuckboi incel attempt at ‘classism = bad?’. If I, as a professional paid editor who works with actual manuscripts, was given the scripts for rwby vol7, I would have gotten the big red highlighter and done a shitload of crossing out. Then I would have told the writing team “come back with your second draft”, but alas, we got the Atlas Arc.

My favorite thing about the character

I love her design aside from that ugly-ass scarf. Also, her VA, Cristina Vee, is the only redeeming quality of this tire-fire of a character. Godbless and praise. 

A headcanon I have about them

She deals with chronic ‘ponytail keeps falling out’ syndrome, just constantly. So many hairbands get used up when she does anything. 

What I would change about them if I was making a re-write

Everything. Every fucking thing. Especially that stupid fucking lie-detecting semblance.

What I I think of their character allusion and what (if anything) I would change about it

It’s incredibly underutilised. It’s Robin Hood in-name-only. It’s like, the most basic ‘oh the name is Robin and they steal’ and there’s not even any of the most obvious tells. Where’s the bright green? Where’s the hood? Where’s the fucking longbow? Where’s the ‘giving to the poor’ that comes after ‘stealing the rich’? She didn’t actually use any of those things she stole to fix Mantle, she just stole it. 

Literally, all the classic elements of Robin Hood are missing, all that’s there is a name and... that’s it. The allusion isn’t there, and even if it was, it’s done in a boring fashion. 

Personally, I would add more Robin Hood elements, and I would change one key thing. I would change her allegiance. Instead of ‘Robin Hood on the side of good’, I would take the team WTCH  approach, a ‘good allusion turned evil’, and I’d have Robyn working with Salem, or, at least, as an antagonist. Because that could be actually interesting then the boring and unnecessary storyline we had. 

[sasharacket]

Thoughts on the relisten.

We need to stop woobifying Martin. I love him as much as the next person but dude was a passive aggressive, jealous little shit to people that definitely did not deserve it. It's entertaining and understandable, and absolutely delightful when certain bastards deserve it, but he is not as soft as we make him out to be and I need fic of the cutting edges. (I would like to make it clear that I live for soft fic. Just, I'll take sharp fic recommendations if you have them)

God, every single interaction between Jon and Georgie in her flat is gold. Jon instantly getting irritated on her behalf when she told him he didn't need to leave for her date is gold.

"Prove it" "What would you never willingly tell me?" "Your accent sounds fake as hell"

The 180° of Melanie's "god guys this job is fine and I'm staying, I'm not even going to try to leave" to "I'm going to murder this bastard for keeping me here" is fascinating.

Jon's sassing Jude will always be a highlight. "Yes, I understand, you could easily kill me, I'm at your mercy, blah blah blah"

I appreciate the official transcripts, but [MUFFLED FEELINGS] does not describe how vehement and clearly "fuck you" it is

Ah yes, the episode where I went from "ooooh Elias is an evil bastard I love him" to "Elias is an evil bastard and I would kill him myself"

....did they just imply that Julia listens to The Archers too? Cause "Hunters all listen to the same soap opera" is very funny.

Julia and Trevor's gentle ribbing of each other is so good.

111, the episode where the yelling officially caught my attention and made me start listening.

I'm just so sad that we only got one episode with Gerard snarking. I'd listen to an offshoot with his running around messing shit up. "I'm not their bloody Monster Manual"

Forgot the context of "like colors, but if colors hated me" I know it's going punch me in the gut and end terribly, it's still a funny show.

Jon's actively trying not to ask Tim questions and choosing to trust folks has been talked about before but it is still such good character development.

I know it's part of being a VA, but the ability to telegraph enough emotion with just your voice to conjure mental pictures of facial expressions is fascinating. Also, Jonny's flustered stutter is amazing.

I listened to 118 the first time while doing the dishes and basically dancing around the kitchen. It was great the first time and is great the third time too. I know earlier drops are WAY healthier for the crew, but I really miss evening drops. Getting to scramble to finish supper so I could listen while cleaning up.

Ok, relistening to the Q&As while I'm at it and the bit about needing to trust the show not to curve ball into uncomfortable/unsafe topics is EXACTLY why I thought I hated horror and now love this show (tbf, I listen to a ton of horror that I didn't realize it was horror because I felt safe)

"There hasn't been an Alex" there was and she died.

I want to be Georgie Barker when I grow up.

I'd be pretty mentally unsound myself if I had the shit beaten out of me 13 times in what? 2 years?

Ooooh! The clay episode that came out immediately after I finished a pottery clay and wigged me the fuck out at the timing.

The sound design when Jon says "Stop." in Heavy Goods? Amazing. The ....hum? leading up to it and then the high pitched whine after is just good stuff.

Ok, pandemic messed with my ability to think about this doc, so I just missed half a season.

Listened to Movement of the Heavens 4 days ago, then got a little over bouncy about Flamsteed in the Isaac Newton bio of A Brief History of Time tonight (tldr: Newton was a garbage man). I know it was pulled from fact, but recognizing names is always fun.

Concrete Jungle is still probably my favorite statement giver.

Why does Helen have Michael's laugh? Not the echo, that's the Spiral, but the little sigh at the end is Michael's. Before being taken. Kudos to Imogen for replicating it perfectly, but why is it a thing?

[tsuki-sennin]

My honest opinions on the cast of DR1, as well as dumb nicknames I had for each one. (Spoilers, maybe.)

Makoto (The Main Boi): He fine. Both in the looks and character department. He represents the audience so that anyone can project themselves onto him, but he has just enough character to keep him from just being an observer/the resident Phoenix Wright. Rather fittingly, I didn’t have any strong feelings on Bryce Papenbrook before this game, but as I got to hear him talk more and more, I grew to really like him thanks to Makoto. Good job, man.

Hifumi (Random Nerd): Even after all these years, I still don’t like him. I just don’t. Matter of fact, I don’t think anyone did. Lucien Dodge deserved better than this guy. He’s got a killer tie, however.

Leon (Man who looks like he’s 20 more than the guy who actually is 20): He’s cool, but I honestly don’t like him either. He has a sick design, but I really wish I could’ve heard him try singing in game. Even if it sucked, I’d have loved to hear him try and move beyond his baseball problem.

Sayaka (Discount Maya Fey): T-H-O-T! Okay, I’ll knock her back up to the one who first caused me despair. I was pretty iffy on the game at first, but she convinced me to stick around once the first case came around. Still not a fan of her voice, with no disrespect towards Dorothy Elias Fahn intended.

Toko/Genocide(r) Jack/Jill/Sho/Syo (Novella, which I guess was a reference to Misao, and Man-Eater): BEST GIRL! BEST GIRL! BEST GIRL! BEST GIRL! BEST GIRL! FUCKING BOW BEFORE HER, YOU SUBHUMAN TRESH! I WILL GLADLY DIE TO HER! AND I WILL GLADLY BE GREEN WITH ENVY AT THE MEN SHE WRITES! Amanda Celine Miller and Erin Fitzgerald really made this literary cutie come into her own in a game with such good female characters already.

Kiyotaka (AP Buttfucking): You know that no-fun motherfucker in your class with a stick shoved up his asshole, and every class he has is AP? That was Kiyotaka for me the first time I played the game. I just couldn’t stand him, even long after I got to know him. I barely felt a thing when he got bludgeoned. Yet despite this, for some reason, I got really pissed when I learned that Hifumi and Celestia were responsible for his death. Maybe that was when I realized how admirable this guy really was.

Aoi (Baywatch): She’s awesome, definitely. Not only is she relatable, but her interactions with Sakura were a real highlight for me.

Mondo (Kuwabara): Now him, I liked through and through. I was already a fan of Keith Silverstein, but the way he pulled off the tough guy act was a damn riot to watch. Chris Sabat in the anime was also a joy to listen to.

Mukuro (Regina/The Boss): I wish we got to know her a bit more than we got to, but she’s great too. Tied for second-best girl, in fact. Guess Amanda Celine Miller strikes again.

Junko (Charlotte the Harlot): Gotta be honest, I feel Junko’s sadism in hindsight. She’s a damn good main villain, and her design just makes me just go wild. Amanda Celine Miller and Erin Fitzgerald strike again with their god-tier voice talent, but Jamie Marchi’s interpretation is just as awesome. And Monokuma is fucking hilarious, if not disturbing. The other half of the tie for second-best girl.

Chihiro (Miss Shrimp/Mister Shrimp): As soon as I realized that this boi, voiced by Dorothy Elias Fahn, who had spent the whole first chapter of this game convincing me that he was a chick, was a dude, I was like “...why am I not turned off by him?” And from that day onward I blamed him for my interest in pretty men. Alter Ego is pretty great too.

Kyoko (Naoto Jr.): OMFG I LOVE HER. SHE’S SO AWESOME AND I WANT HER TO FUCKING THROTTLE MY NECK WITH HER BEAUTIFUL HANDS. THIS WOMAN IS A BOSS-ASS BITCH, AND SHE GETS SHIT DONE BECAUSE OF IT. NAEGI IS SMASHING THIS WOMAN, AND FRANKLY I FUCKING ENVY HIM! Erika Harlacher gave her the perfect voice, and Caitlin Glass just... BARELY falls short.

Celestia (Killer Queen): This woman just... scares me. Marieve Herington really did well here, but... something about her just... made my skin crawl. I didn’t feel that way with anyone else, not even Hifumi, but when I pieced together that she was responsible for Kiyotaka’s death, she made me swear to avenge my bro who I never appreciated. So I suppose Marie Antoinette has that going for her.

Hagakure (Cheech and Chong... no, I didn’t know his VA was Asian, so SHUSH): I didn’t like him much, similarly to Kiyotaka, but he won me over with funny dialogue and how relatable his thought process was to mine at the time. Even if I wanted Chihiro to live more, I can live with him being alive.

Sakura (Akuma): Her interactions with Aoi are great, and you could grind meat on those muscles. She’s so cool too, and I legitimately cried when I found her dead, and even more-so when I realized why she killed herself.

Byakuya (Japanese Malfoy): ...I tolerated him... I dealt with him... I developed a mutual understanding with him... I didn’t like him, and even from in front of the screen I could tell he didn’t like me. That was fine by me. But the fact that this was the guy who Toko wanted made me angry, and it was because of that I declared him my rival. I swore that once we got out of Hope’s Peak, I would personally track him down and fight him... at least until I met the rest of his family through supplementary material and now... I just feel bad he’s related to such bland/boring characters when he is so much more interesting and likable. So yeah, I have no quarrel with you, Jason Wishnov/Josh Grelle... fuck your family though.

...I might make a follow up with Super Dangan Ronpa 2, if this gets any traction.

[carishio-blog]

Favorite Overall Character

So yesterday, I reblogged a post by @vexpercy​ that included an entire list of favorite things about RWBY. I said I wanted to do it as a chance to talk about one of my favorite pieces of animation and to let my followers (current and new ones to come!) get to know me a little better about the show. So, the first thing on the list was “Favorite Character Overall”, and this was a tough one to limit it down to. There are so many characters that I absolutely love when it comes to RWBY, and picking one was a difficult task. However, when I looked at every option and factor, there was really only one character that came to mind:

Qrow Branwen!

To make things fair, I thought it would be fair to look into the entire process of figuring out my favorite, making a small little list that would help people see why I love him so much. So, with that being said here is the list:

-Voice Acting

-Writing

-Design

-Interaction with other characters

-Importance to the Story

-Personal Beliefs (Head canons, art, fan fics etc.)

1. Voice Acting

Now for those that know RWBY, Qrow’s voice actor is Vic Mignogna. His most notable role was voicing the Fullmetal Alchemist Edward Elric in both the 2003 adaptation and the 2009 version, Fullmetal Alchemist: Brotherhood.

Vic already came into the show with a very impressive resume, so throwing in him playing Qrow is nothing small. According to RWBY Wiki, Rooster Teeth approached him at an Australia convention where they showed him the overall style of the show, which he was really impressed with! He received a follow up email a few weeks later and BAM! You’ve got yourself the VA for Qrow.

As opposed to the adorable, squeaky voiced Ruby or the more professional, whimsical voice of Professor Ozpin, Qrow adds a certain flare in his speech with his deep, drunken drawl (think most voices for any Wolverine i.e. Hugh Jackman or Cal Dodd in the 1992 animated incarnation of the X-Men.)

While it is debatable about how good the impression is, I personally love it. The tone Qrow speaks with is one filled with a level of confidence and cockiness. He carries himself in a way where he knows that he’s better than you and is not afraid to show it. I would delve further into this, but that shall wait until we get to Interactions with Other Characters. But all in all Vic delivers another amazing performance in my book that leaves me wanting more every time I see him on screen.

2. Writing

Writing for characters in RWBY is always a touchy subject. Most of them are very well written, while others sometimes leave a bit to be desired.That being said, I still 100% appreciate the work Miles and Kerry put into the scripts and have not been disappointed in them at any point really. So with that, how do they handle writing Qrow? Referring once again to the RWBY Wiki, both of them have been on record as saying that he is their favorite character to write.

And boy does it show.

A lot of the interactions we get with him are either hilarious or draw you into the story and lore even more. Along with the great voice acting to go along with it, we really get an interesting character to discuss and listen to.

From the first four volumes, we’ve learned very little about his backstory or even relationship with people from his former team. All we get are little bits of dialogue telling us that him and his sister Raven are part of a very deadly clan, little bits of silent interaction and development with Ruby and Yang’s father Tai in the Volume 3 finale and an image of a photo of his old team that can really be depressing to look at once you look closer at it.

It’s very easy for a character to show all of their cards when they’re first introduced, however the CRWBY have done an excellent job at giving us bits and pieces at not only his backstory, but Team STRQ as a whole. They’ve definitely caught my interest and will be keeping me hooked for however long the show runs (which is hopefully a long time <3)

3. Design

RWBY has always been a show about colors. Colors are everywhere you look in the show, from names of character to the names of teams. Each outfit someone wears along with their aura and name basically suit the overall personality of the character. So what do we get from Qrow?

If it wasn’t obvious enough, Qrow is based of a crow, most notably one of Odin’s birds from Norse mythology, Huginn (I’m not 100% sure about this one. If anyone does know, feel free to let me now!). The colors of his outfit and hair show give us that feel of a relation to the bird he’s named after. Along with that,  the messiness of his clothes and how tattered his cape is give us the vibe that this is man who has seen his fair share of skirmishes and most likely a few bar fights along the way. The crooked cross around his neck also gives us some great symbolism that help show Qrow is not exactly the greatest of people either. However it could be a clever nod toward Norse culture once more, as that usually shows that someone is currently in mourning of someone they lost who was close to them (maybe Summer???).

To top it off, Qrow brings one of the coolest weapons to the table in my opinion. His weapon is a combination of a scythe, a sword and a shotgun. While everyone else has two weapons in one, he’s so cool his mom lets him have THREE! Each one is a joy to see in battle, and the idea of him being the master scythe wielder in Remnant was a statement passed around by Ozpin and Ruby. While we haven’t seen him use it a lot, when he has it has produced devastating results to his opponents. The sword was awesome to see him use in his fight vs Tyrian and Winter, and the shotgun is a nifty little weapon for him to use up close against opponents to chip away at their aura. All in all, his weapon is a great part of his design and just adds to one of my favorite character designs in general. Hopefully we’ll see him use that scythe more in the upcoming future.

Finally, he also gets my favorite semblance in the entire show: misfortune. It’s a semblance that cannot be turned on and off, and it affects those around him. Highlighted in the fight with Tyrian and the song “Bad Luck Charm” that gives me feels every time I listen to it, you get the perfect semblance for the perfect guy (even if it does make me wanna hug him and tell him everything will be alright).

4. Interactions with Other Characters

For someone who carries themselves around the way Qrow does, you’re expecting to get some really entertaining moments with other characters. But before we get to that, I want to establish one of my favorite partnerships and duos in the entire show: him and his niece Ruby

While the bond between him and Yang is very strong (as shown when he offers to help her find her mother and his sister Raven), the bond between him and Ruby is where things really shine. It has been mentioned and implied that Qrow is Ruby’s mentor, the Obi Wan to her Luke Skywalker if you will. He was the one that taught her how to use Crescent Rose and helped her design it, and the bond between the two is heart warming. In all of Volume 4 when she is out with RNJR trying to get to Mistral, he is the one watching over her and making sure she’s safe. Ruby jumps in to help him fight Tyrian (even tough she should’ve stayed back), and watching her try her best to get him medical help after he gets poisoned is something heart wrenching to see. The care for each other is amazing, as he truly does represent the cool uncle trope perfectly.

Besides Ruby, we get some amazing interactions with Winter, Glynda, Ironwood, Oz, Tyrian and even Jaune! From those, we get some really great fight scenes that let him show off his best skills and assets, funny moments and lines such as “He’s always drunk”, and some much needed release of anger that ends up getting directed at him. All in all, the entertainment we get from him interacting with others along with some of the more serious ones with Ozpin, Raven and RNJR keep me personally locked in and focused on what he has to say.

5. Importance to the Story

Qrow is by no means a main character in RWBY, however it is fair to say that he is an important side one. He was the one responsible for training Ruby and helping her become the young woman she is growing up to be, someone in Ozpin’s inner circle that has a great understanding of the world around him and the person that will most likely be helping Oscar become the next “Ozpin” (I don’t even know what to call that. Grand Wizard? The next Wiz? Gandalf the Great?). He gives us a lot of world building in the form of his story about the two gods and the fan favorite World of Remnant shorts. Qrow will be around for quite some time in my opinion, so maybe his role will grow even further as the plot progresses. But for now, he is a pretty important character that has brought some great dynamics and information to viewers and fans of RWBY.

6. Personal Beliefs

Last but not least, we have the section where we talk about fan stuff! Qrow was probably the first character that I really started developing head canons for, and along with RPing it became very easy to find me looking for all sorts of art, fan fictions and more pertaining to him. Along with that, we also have everyone’s favorite topic: ships! I found myself having to really think about who would work well with him in a romantic setting, and only two people really keep in mind (DISCLAIMER: This is my opinion. You can have a different one than me without attacking me about mine. I would actually love to hear your’s, but please remember to be respectful)

(Art by @ellelehman​)

(Art by @reikiwie-art​)

My two favorite Qrow ships are Flown North/Hummingbird (Qrow X Summer) and Snowbird/Qrowin (Qrow X Winter). While I much prefer Snowbird, I really love Hummingbird as well, as not only has @ellelehman​ basically given me a small addiction to it (that she feeds by making more awesome art!), the relationship that I can imagine with them is also just oh so adorable. While Qrow has basically made it clear that he is not a family man, I would love to see a relationship involving him in the show at some point. Ships aside, some of my favorite Team STRQ head canons revolve around him as well. The best example I can give you is the picture that I mentioned earlier. 

(For some reason I cannot post the picture without it not letting me post the entire post, so here’s a link to Google images to show you exactly what I’m talking about.)

If ypu look at it very closely, you will notice a coffee mug stain around summer and tear drops near Tai and Raven. Seeing that really breaks my heart, as I cannot even imagine the pain and guilt he must feel, especially when it comes to his semblance. I get really emotional when thinking about it in general and imaging certain scenarios happening in my head, like if Ruby got seriously hurt and he wasn’t there to help, or if he was saving Winter’s life mid fight and getting flashbacks of Summer, pushing himself to his absolute limit to save her so history does not repeat itself. It’s just a blast for me to think of and drabble these ideas down, as it really connects me more to the character and make me enjoy watching him even more.

Anyways, that’s all for today! I hope you all learned a bit more about me and Qrow as a whole, as it was fun to really talk about my favorite character from one of my favorite pieces of animation. I know it was long, so hopefully I can try and shorten it for tomorrow (no promises though ;3). Anyways, tomorrow I’ll be going over my favorite female Beacon student, which most of you might already know. But with that, I thank you all for reading and I hope you all have a great day! (Thanks to @vexpercy​ once more for the awesome list again!)

[milgram-tournament]

MILGRAM Best Song Tournament, Round 1, Match 2 BRING IT ON vs. AFTER PAIN

Propaganda for both options under the cut!

Propaganda for BRING IT ON:

"Reasons why Bring it On should win:

- Just by starting the song, the instrumentals are BANGER. Like his more rock style is very cool, even better than After Pain’s more mellow style - Arthur’s voice (Futa’s va) had bills due because have you HEARD his singing?? His raspier voice fits Futa so well - It feels so explosive and like a call to action in a sense, which very much matches Futa’s mentality during trial 1. He also wasn’t playing victim like a CERTAIN girl… (jk, love you mu!) - SAA HAJIMEYOU USOTSUKI KARIDA - UNDEAD HEROOOI YES SLAY KING HIS HIGH NOTE HERE IS HEAVENLY - His scream at the end. Oh my god. HE LITERALLY ATE THIS NOTE. AFTER PAIN COULD NEVER. BRING IT ON FTW 🔥🔥🔥" - His range goes WAAAAAY higher than Mu. She would end up like PHG if she even tried hitting any of his high notes in the last chorus /j

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- The vocals are amazing, those growls are so well done - You’re able to get Fuuta’s crime and motive pretty succinctly, only based on the visuals - But it still leaves a lot up to interpretation, like how he only attacked once in the final fight scene. It lead to some cool theories. - On that note, the game aspects are so cool!! Especially when paired with him going after people online, just good synergy with awesome style! - Fuuta’s scared face after he realizes what he did. The great contrast of other foes simply being knocked out then being met with blood splatter. - The tempo of the song changing with his mood is a really good touch as well. Make the song more chaotic which highlights his character traits well

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"propaganda for bring it on: the music FUCKS it genuinely slaps so hard listening to it. song style is incredible its perfect for fuutas personality and gamer vibes. also the way the mv frames everything as a game? the only time real blood and real gore happens being when killcheroy dies? the little details of all the usernames, the different monster designs, the generally distorted feel of everything being too lighthearted?

okay i could go on about the mv for hours but lets not. aside from that: the FEEL of the song!!! the vocals!!!! it really feels like fuuta putting his whole heart into it, into this point of view that both blows problems out of proportion and minimises them, and DEEPLY fucking up. my darling little hypocrite gamer boy twitter user. he makes his witch hunt genuinely sound like something that could sweep people up into it. also the instruments goddddd. the guitar and synth the bass and the drums the DRUMS. im relistening to it to write this propaganda and it keeps making me headbang when i should be writing. if you arent headbanging to bring it on you are LYING.

the way the lyrics are written is wonderful too!!!! they feel so brash and brave and powerful and like. cocky about it. and it fits PERFECTLY. its gets someone swept up into it and it FUCKS. vote bring it on im serious. lets go!! a victory march!! dan da dan!!"

Propaganda for AFTER PAIN:

"so here is why people should vote for AFTER PAIN !!"

Muu's vocals. Need I say more?

The bridge to it is absolutely wonderfully done, the way she softens her vocals to an almost creepy point is incredible

during the final chorus you can hear the desperation in her voice and it’s very well portrayed

The coloring in this music video were phenomenal

The overlapping vocals at the end of the song just have a really really nice effect

Its just a pure banger

In some parts of the song there’s the sound of a clock ticking in the background used as a sort of beatline… GENIUS??

Its just a banger

even with what we found out about Muu in her second trial, After Pain on its own portrayed bullying in a very realisitc and artistic way (from someone who deals with it regularly)

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"After pain propoganda: She just girlbossed too close to the sun and happened to be holding a knife at the time"

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"Gosh everything about After Pain... How can you NOT like it? It's literally such a good song and is very singable. The instrumentation is absolutely amazing and I've listened to it on loop so much."