#Bunty Aur Babli 2

[blandlava]

honestly saif ali khan and rani mukerji are a very underrated duo because all of their movies HIT

[folkloregirlfriend]

dude omg kajra re is just aishwarya rai and uska pati and sasur hitting on her 💀💀💀💀

i know right 💀

[fanaticsnail]

seeeeeeeee you're warming up to Raj now!!! I have this and 2 other movies and they make up my "this would make an awesome AU" trifecta.

The other two are:

-jab we met

-Bunty aur Babli

Refer to the old rec list for details lol

-♡♡

Looks like I have a few more movie nights planned 🥹. I'll have to scour through the movie rec list for the others, but I am so keen for more movies to watch!!

[musicverse11]

Shankar Mahadevan: The Versatile Maestro of Indian Music

Shankar Mahadevan is a name that resonates deeply in the world of Indian music. Known for his unparalleled versatility and passion, he has carved a unique niche for himself as a singer, composer, and educator. His ability to seamlessly transition between classical, Bollywood, and contemporary music genres has made him one of the most celebrated musicians of our time. Beyond his immense talent, Shankar is a symbol of dedication and innovation, continually pushing the boundaries of Indian music.

Early Life and Musical Roots:

Born on March 3, 1967, in Chembur, Mumbai, Shankar Mahadevan grew up in a Tamil-speaking family with a strong inclination towards the arts. From a young age, his parents recognized his prodigious talent and encouraged him to pursue music. His training in Carnatic music began early, under the guidance of Pandit Shrinivas Khale, where he mastered intricate ragas and honed his vocal techniques.

While excelling in music, Shankar also pursued a degree in Computer Science and Software Engineering. However, his passion for music remained unwavering. Despite a promising career in the tech industry, he chose to dedicate his life to music, a decision that would later redefine the Indian music landscape.

Career Milestones:

Shankar Mahadevan’s career took off in the 1990s with the release of his groundbreaking album Breathless. The title track, composed to sound like it was sung in a single breath, showcased his vocal mastery and became an instant sensation. The song not only brought him widespread recognition but also established him as a creative force in the music industry.

Shankar’s career reached new heights when he teamed up with Ehsaan Noorani and Loy Mendonsa to form the iconic trio Shankar–Ehsaan–Loy. Together, they redefined Bollywood music with their unique ability to blend Indian classical elements with Western styles like rock, jazz, and blues. The trio’s debut film, Dil Chahta Hai (2001), was a monumental success, with its fresh and contemporary soundtrack striking a chord with the youth. Hits like “Jaane Kyon” and “Tanhayee” remain timeless classics.

Over the years, Shankar–Ehsaan–Loy delivered numerous chart-topping soundtracks, including Kal Ho Naa Ho, Rock On!!, Bunty Aur Babli, Zindagi Na Milegi Dobara, and 2 States. Their music is characterized by its diversity, with each album offering a mix of soulful ballads, energetic anthems, and experimental compositions.

Beyond Bollywood:

While Shankar Mahadevan is best known for his work in Bollywood, his musical repertoire extends far beyond the silver screen. He has collaborated with renowned international artists like Zakir Hussain, John McLaughlin, and Chaka Khan, showcasing his ability to transcend cultural and musical boundaries. As a member of the fusion band Shakti, Shankar explored the intersection of Indian classical music and jazz, creating a global impact.

In addition to his performances, Shankar has been a passionate advocate for music education. In 2011, he launched the Shankar Mahadevan Academy, an online platform dedicated to teaching Indian classical and contemporary music. The academy has made music education accessible to students across the globe, nurturing a new generation of musicians. Through interactive courses and workshops, Shankar has ensured that the rich heritage of Indian music is preserved and passed on.

Personal Life and Values:

Shankar Mahadevan is known for his humility and grounded personality. Despite his immense success, he remains deeply connected to his roots and continues to find joy in teaching and mentoring young talent. He attributes his achievements to the unwavering support of his family, particularly his wife, Sangeeta, and their two sons, Siddharth and Shivam, both of whom have shown an interest in music.

Musical Philosophy:

What sets Shankar Mahadevan apart is his ability to balance tradition with innovation. He believes that music should evolve while staying true to its roots. His compositions often reflect this philosophy, combining the technical precision of classical music with the emotional depth of contemporary styles. Whether it’s a soulful ghazal, a high-energy Bollywood number, or a fusion experiment, Shankar’s music resonates with audiences of all ages.

Awards and Recognition:

Over his illustrious career, Shankar Mahadevan has received numerous accolades. He has won four National Film Awards for Best Male Playback Singer and Best Music Direction, along with several Filmfare Awards. His contributions to music have also earned him honorary doctorates and recognition from cultural institutions worldwide.

Legacy and Future:

Shankar Mahadevan’s impact on Indian music is profound. He has not only entertained millions but also inspired countless musicians to pursue their dreams. Through his academy, he continues to shape the future of Indian music, ensuring that it remains vibrant and relevant in an ever-changing world.

As Shankar looks to the future, his focus remains on innovation and collaboration. He is constantly exploring new genres and experimenting with different forms of expression. His recent ventures include scoring for web series and independent projects, reflecting his adaptability and willingness to embrace change.

Conclusion:

Shankar Mahadevan is more than just a musician; he is a cultural icon who has redefined what it means to be an artist in the modern era. His journey from a young boy in Mumbai to an internationally acclaimed musician is a testament to his talent, hard work, and vision. By bridging the gap between tradition and modernity, Shankar has created a legacy that will inspire generations to come.

Dive into the world of Shankar Mahadevan by exploring his discography, from Breathless to the soundtracks of iconic Bollywood films. Witness the evolution of a musician who has continually pushed the boundaries of creativity.

[oppvenuz7]

 Best Choreographers in Mumbai for Weddings, Events, and Films  

Mumbai, known as the heart of Bollywood, is also a hub for some of the most talented choreographers in India. Whether you are organizing a grand wedding, planning a corporate event, or shooting a film, Mumbai’s choreographers have the skills to turn your vision into a spectacular reality. From high-energy Bollywood numbers to elegant contemporary dance, these experts can tailor their choreography to suit any occasion.  

Click Here  For  More Deatils:https://www.oppvenuz.com/vendors/choreographer/?city=mumbai

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 Top Choreographers in Mumbai to Look Out For  

 1. Shiamak Davar – Bollywood and Beyond  

Shiamak Davar has redefined Indian dance by blending contemporary styles with Bollywood. With his world-famous dance academy, he continues to nurture budding talent and choreograph grand performances for weddings, films, and corporate events.  

Specialization: Bollywood, Contemporary, Jazz  

Notable Projects: Dil To Pagal Hai, Commonwealth Games, Dance Tours  

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 2. Ganesh Acharya – Folk and Bollywood Dance Specialist  

Ganesh Acharya’s choreography is known for its infectious energy. With a knack for creating memorable sequences, his routines are often high in entertainment value, making him a popular choice for both films and live performances.  

Specialization: Bollywood, Folk Dance, Lavani  

Notable Work: Chikni Chameli, Tinku Jiya, Housefull Series  

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 3. Vaibhavi Merchant – Elegant and Artistic Fusion  

Vaibhavi Merchant brings grace and storytelling to every performance. Known for choreographing lavish wedding dances and mesmerizing Bollywood sequences, she is an expert at fusing classical dance forms with modern styles.  

Specialization: Classical, Bollywood Fusion  

Notable Projects: Dhoom, Aaja Nachle, Bunty Aur Babli  

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 4. Remo D'Souza – Hip-Hop and Street Dance Icon  

Remo D'Souza has popularized street dance and hip-hop in India. His lively choreography has been featured in Bollywood films, reality shows, and dance competitions. His vibrant dance routines make him a favorite for youth-oriented events and music videos.  

Specialization: Hip-Hop, Contemporary, Street Dance  

Notable Work: ABCD, Street Dancer 3D, Race Series  

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 5. Terence Lewis – Master of Contemporary Dance  

Terence Lewis is known for his exceptional storytelling through contemporary dance. With a deep understanding of modern dance forms, he has choreographed for films, reality shows, and stage performances.  

Specialization: Contemporary, Modern Dance, Ballet  

Notable Work: Lagaan, Dance India Dance, Theatre Productions  

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 Why Hire a Choreographer for Your Event in Mumbai?  

- Customized Dance Routines: Choreographers can design performances tailored to your event’s theme and requirements.  

- Wide Range of Styles: From traditional to modern, they can choreograph in a variety of dance forms to suit the occasion.  

- Seamless Execution: With their experience, they ensure smooth coordination between dancers and event schedules.  

- Professional Training: Even beginners can master dance routines with the right guidance, ensuring everyone enjoys the experience.  

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 Events That Require Expert Choreography  

1. Weddings and Sangeet Nights: Personalized dance routines for family performances and couple dances.  

2. Corporate Events: Energize your audience with entertaining dance sequences during conferences and product launches.  

3. Films and Music Videos: Bollywood choreographers are skilled in crafting dance numbers that capture attention on the big screen.  

4. Reality Shows and Competitions: Many top choreographers mentor participants on popular reality shows and competitions.  

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 FAQs About Hiring a Choreographer in Mumbai  

 1. How much does a choreographer charge in Mumbai?  

Rates vary depending on experience and the type of event, typically ranging between ₹50,000 to ₹3,00,000.  

 2. How soon should I book a choreographer for my wedding?  

It is advisable to book 2-4 months in advance to allow ample time for rehearsals.  

 3. Do choreographers train non-dancers?  

Yes, many choreographers offer sessions tailored for beginners, ensuring everyone feels comfortable performing.  

 4. Will choreographers travel for destination weddings?  

Yes, most choreographers are open to traveling, with travel and accommodation costs usually added to their fee.  

 5. How many rehearsals are needed for a wedding dance?  

Typically, 5-7 sessions are sufficient, but more complex routines may require additional rehearsals.  

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 Conclusion  

Hiring a choreographer in Mumbai ensures that your event stands out with flawless and captivating dance performances. Whether it’s a wedding, corporate event, or film production, these experts bring creativity, discipline, and entertainment to every stage. With their ability to craft routines that resonate with audiences, Mumbai’s choreographers continue to set the benchmark for excellence in dance.  

[pricklypanda]

hi just came from your LB Poovellam Kettuppar review and want to know what ur top 5 fave rom coms are? thanks!

omg I’m so sorry I missed this!!

haha this was so hard to narrow down but

1) kadhalum kadanthu pogum (2016)

2) naanum rowdy dhaan (2015)

3) brindavanam (2010)

4) jeans (1998)

5) missamma (1955)

special mentions: poovellam kettuppaar (1999), kadhalikka neramillai (1964), engeyum kaadhal (2011), mamma mia (2008), leap year (2010), thiruchitrambalam (2022), boss engira bhaskaran (2010), kushi (2000), meiyaadha maan (2017), ante sundaraniki (2022), I wish I had a wife (2001), a year end medley (2021), rab ne bana di jodi (2008), bunty aur babli (2005), so many kdramas and jdramas I could honestly go on forever LMFAO

this is def not a ranked list and I know you only asked for top 5 dhfkgnfj sorry I kinda went off I love a good romcom lmfao but hope this helps!

[amongxylophonesandglockenspiels]

Bollywood Movies Part CCXV: The Mollywood Takeover Part XLII

Sudhakara Kurup (Dulquer Salmaan) evades capture for years after murdering Charlie (Tovino Thomas) in an attempt to fake his death to commit insurance fraud.

Kurup is based on Sukumara Kurup's murder of Chacko with the names changed slightly and with quite a bit of fictionalization, especially with regards to what happened after the murder. It's an interesting watch and well acted. Favorite songs are Pakaliravukal (English subtitles) and Mele Theera.

Pavithran (Nivin Pauly) tries to appease his wife Haripriya (Grace Antony) by getting her a new pair of earrings, although he lies about their composition as they are gold-plated. He also takes her to a hotel in Munnar, where the (not actually) valuable earrings go missing.

Kanakam Kaamini Kalaham is very entertaining and silly. While the actual mystery involving the earrings is very compelling, the rest of antics by the various people at the hotel are fun. I really enjoyed it, especially Pavithran and Haripriya's conflict about her being a former soap star and him not yet breaking onto the screen. There are no songs.

Inspired by the original Bunty and Babli, Kunal (Siddhant Chaturvedi) and Sonia (Sharvari Wagh) start a new crime spree as Bunty and Babli. Inspector Jatayu Singh (Pankaj Tripathi) is put on the case and turns to Vimmi (Rani Mukerji) and Rakesh (Saif Ali Khan) to help him catch the new Bunty and Babli.

Bunty aur Babli 2 is not a great follow up to the original. I did not mind Bunty's recast as Saif Ali Khan manages to make the role his own while still staying true to Abhishek Bachchan's performance in the first one. The story is not great and not all the actors are able to compensate for it. Favorite song is Dhik Chik (English Subtitles).

[shreyakaushal04]

Bollywood choreographers

Bollywood choreographers are the unsung heroes behind the mesmerizing dance sequences that captivate audiences worldwide. With their innovative choreography, they infuse life and energy into Bollywood films, elevating them from mere entertainment to cultural phenomena. In this comprehensive exploration, we delve into the rich history, evolving trends, and notable figures within the realm of Bollywood choreography.

The Evolution of Bollywood Dance

Bollywood dance has undergone a remarkable evolution over the decades, reflecting the changing tastes, influences, and societal norms of Indian cinema. In its early years, Bollywood drew inspiration from classical Indian dance forms such as Kathak, Bharatanatyam, and Odissi, incorporating their graceful movements and intricate footwork into film sequences. Legendary choreographers like B. Sohanlal, who choreographed iconic dances in classics like "Mughal-e-Azam" (1960), laid the foundation for the fusion of traditional and contemporary dance styles in Bollywood.

As Bollywood entered the 1970s and 1980s, the dance landscape began to shift, with choreographers like Saroj Khan and Chinni Prakash introducing bold, expressive movements that reflected the changing cultural zeitgeist. This era witnessed the rise of the "filmi" dance style, characterized by dramatic gestures, vibrant costumes, and elaborate sets, as seen in blockbuster hits like "Disco Dancer" (1982) and "Sholay" (1975).

The 1990s marked a period of experimentation and innovation in Bollywood dance, with choreographers like Farah Khan and Shiamak Davar pushing boundaries and introducing Western influences into their choreography. The advent of MTV and the globalization of pop culture brought hip hop, jazz, and contemporary dance styles to the forefront, leading to the emergence of a more eclectic and dynamic dance aesthetic in Bollywood films.

The Pioneers: Legendary Bollywood Choreographers

Saroj Khan: Fondly known as the "Masterji" of Bollywood, Saroj Khan was a trailblazing choreographer who revolutionized dance in Indian cinema. With her impeccable sense of rhythm and expression, she created some of Bollywood's most iconic dance sequences, including "Ek Do Teen" from "Tezaab" (1988) and "Dola Re Dola" from "Devdas" (2002). Her choreography seamlessly blended classical Indian dance forms with contemporary movements, earning her numerous accolades and awards throughout her illustrious career.

Farah Khan: A powerhouse of creativity and innovation, Farah Khan is renowned for her larger-than-life dance spectacles and signature choreographic style. From the high-energy dance numbers in "Om Shanti Om" (2007) to the whimsical sequences in "Main Hoon Na" (2004), Farah Khan's choreography is characterized by its infectious energy, precision, and storytelling prowess. As one of the most sought-after choreographers in Bollywood, she has left an indelible mark on the industry with her groundbreaking work.

Shiamak Davar: Often credited with introducing contemporary dance to Bollywood, Shiamak Davar is a visionary choreographer whose innovative style has reshaped the landscape of Indian dance. His fusion of Indian classical, jazz, and ballet techniques has brought a fresh and dynamic aesthetic to Bollywood films, earning him acclaim both nationally and internationally. From the graceful movements in "Dil To Pagal Hai" (1997) to the kinetic energy of "Dhoom Again" from "Dhoom 2" (2006), Shiamak Davar's choreography embodies a seamless blend of tradition and modernity.

Vaibhavi Merchant: As a fourth-generation member of the esteemed Merchant family, Vaibhavi Merchant is a choreographic prodigy whose talent and lineage have firmly established her as a force to be reckoned with in Bollywood. Known for her intricate choreography and meticulous attention to detail, Vaibhavi has crafted some of Bollywood's most memorable dance sequences, including the sensuous "Kajra Re" from "Bunty Aur Babli" (2005) and the exuberant "Dholi Taro" from "Hum Dil De Chuke Sanam" (1999). Her ability to blend traditional Indian dance forms with contemporary movements has earned her widespread acclaim and recognition.

Contemporary Trends and Emerging Talents

In recent years, Bollywood dance has continued to evolve, embracing new trends, technologies, and influences from around the world. Young choreographers like Remo D'Souza, Bosco Martis, and Terence Lewis have risen to prominence, bringing their own unique styles and sensibilities to the forefront of Indian cinema. From the gravity-defying stunts in "ABCD" (Any Body Can Dance) (2013) to the dynamic choreography of "Gully Boy" (2019), these choreographers are redefining the boundaries of Bollywood dance and pushing the art form to new heights.

Moreover, the advent of social media and digital platforms has democratized access to dance education and training, empowering aspiring choreographers to showcase their talent and connect with audiences on a global scale. Online dance communities, viral dance challenges, and dance-based reality shows have provided platforms for emerging talents to shine, fostering a new generation of dancers and choreographers who are shaping the future of Bollywood dance.

Conclusion

In conclusion, Bollywood choreographers play a pivotal role in shaping the visual and cultural landscape of Indian cinema. From the classical elegance of Saroj Khan to the contemporary flair of Farah Khan, these visionary artists have left an indelible mark on Bollywood dance, inspiring generations of dancers and filmmakers alike. As Bollywood continues to evolve and embrace new influences, the role of choreographers remains as crucial as ever, ensuring that dance remains an integral and enduring aspect of Indian cinema's rich tapestry.

[tilbageidanmark]

Movies I watched this Week # 154 (Year 3/Week 50):

I went crazy this week, but I managed to catch a bunch of good movies: ‘The teacher’s Lounge’, Bi Gan’s ‘A short Story’, ‘The Delinquents’, ‘Battleship Potemkin’, ‘Riders of Justice’, ‘Belle de Jour’, ‘Werner Herzog, Radical Dreamer’, ‘Crock of Gold’, ‘Jazz on a summer’s Day’... So, on average, more than one great film per day - It was worth it!

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The Teachers' Lounge, a new, intense German school drama, with 100% score on Rotten Tomatoes. A conscientious and empathetic teacher tries to do right by her 7th grade students, when accusations of theft are raised against one of them. Her earnest attempts to stand up for fairness and truth, cause everything around her to unravel.

The trailer doesn't hint at how tight and absorbing it is. 9/10.

🍿

3 Chinese shorts by Bi Gan:

🍿 A Short Story is the latest spectacular film from the director of 'Long Day's Journey Into Night'. Magical realism of the most dreamy of emotions. Mystical visions about a black cat, a burning scarecrow in the fog (Photo Above), and a search for "the most precious thing in the world". The search brings the cat to meet 3 figures: A dying robot, a demon magician, and a woman who eats noodles to forget her lover. It was commissioned by the president of a Chinese cat food company, a fan of Gan's work, who gave him complete freedom to create 'anything he wants'. 10/10.

🍿 "My son has the same watch..."

The poet and the singer (Aka Diamond Sutra), a black & white poem about a murder in the countryside.

🍿 Secret Goldfish (2016) is an even shorter poem, which can be viewed even without translation. The English subtitles are here.

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The delinquents, another inexplicably weird Argentinian drama (that doesn't star Ricardo Darín). What a strange existentialist tale of two unremarkably boring bank tellers from Buenos Aires, Moran and Román. The bald one decides to steal a large sum of money from the bank, as a way to escape his soulless life, and in the process implicates his other dull colleague.

An unconventional 3 hours+ rambling metaphor that doesn't focus on a single story line, but instead leisurely jumps from one detail to another, with unconnected music choices that come and go as they please. Quirky, slow and absolutely immersive! 8/10.

🍿

2 Silent era classics:

🍿 First re-watch in 40 years: Eisenstein's epic masterpiece Battleship Potemkin, long considered to be the one of The greatest movies ever made. Still excitingly modern today - 9/10.

🍿 The Unchanging Sea, my first DW Griffith, about a fisherman who suffers from amnesia because of a wreck at sea. It was clearly shot around Malibu!

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Because of this 'Can you teach me your favorite Indian dance moves?', I wanted some outrageously-colorful song and dance Bollywood ridiculousness. Bunty aur Babli is the answer to 'What if Bonnie and Clyde but in Hindi with lots of open shirt sexiness and belly dancing? Suspension of disbelief is required.

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Christmas Special: Another re-watch of my favorite Anders Thomas Jensen's terrific thriller, Riders of justice. It perfectly works on every level: Action, a slice of Danish life, humor, depth, and it's also extremely humane. Always 10/10.

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"I see you need a firm hand..."

After seeing the newly-edited trailer recently, I had to bask in another re-watch of Buñuel's masterful Belle de Jour, the most erotic of all masterpieces, with the coldest, most beautiful 23-year-old masochist in the world. 10/10.

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Another re-watch: The French thriller Tell no one, based on a mystery novel by Harlan Coben, whose "novels often involve the resurfacing of unresolved or misinterpreted events in the past, murders, or fatal accidents and have multiple twists." François Cluzet is the chain smoking pediatrician, whose wife was murdered 8 years ago, when suddenly...

My previous review here.

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2 Norwegian thrillers by Erik Skjoldbjærg:

🍿Insomnia, the original nightmare on which the Christopher Nolan film was remade. Young Bad Cop Stellan Skarsgård comes to arctic city Tromsø to solve a murder mystery, and screws it up, without getting caught. Norsk-Noir, which is not really dark, but blindingly bright, so bright that he can't fall asleep.

🍿 Pioneer is a manly offshore diving thriller, which stars 'Headhunters' Aksel Hennie. The only distinct feature of the story is the background, Norway in the early 80's, when vast oil reserved were discovered in the North Sea, and huge enterprises were ready to start drilling there. 3/10.

🍿

"This was a man!"

I'm not qualified to analyze Willie the Spear-Shaker, so I enjoyed the 1953 version of his Julius Caesar on its surface levels only. With Marlon Brando, James Mason and John Gielgud. Since Caesar was slain at the mid-point of the play, it was mostly about the guilt and justifications of the assassins, especially "Noble Brutus". Apparently, regicide and the political struggle for succession were themes current around 1600, at the time it was written.

[The main visuals I couldn't get over with are the large, decorative floor brushes the Roman centurions wore on top of their Galea helmets. They had to...]

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The quiet earth, an odd post-apocalyptic sci-fi story about 'the last man on earth' from New Zealand. A man wakes up to find that there's nobody left on earth. He struggles with being alone, goes a bit crazy, (tries some cross dressing and playing God), Etc.

When I was a child, I thrived on a similar fantasy (minus the cross dressing), so I enjoyed the first half of the movie. Later on he finds two other survivors, and various 'scientific' explanations are offered, which made it all confusing and senseless.

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Werner Herzog X 3:

🍿 "Werner is a mythological figure" says Wim Wenders, in the recent documentary Werner Herzog, Radical Dreamer. A fantastic, beautiful chronicle into the life and brain of one of the greatest living directors today, and possibly ever. I saw less than 20 of his 75 film output, and I really must get my shit together and go through the rest of this manic, visionary's extensive 'oeuvre'. The trailer. 10/10

"It's injustice in life that we do not have wings"...

🍿 Lessons of Darkness was his impressionistic, ethereal poem about the Kuwaiti oil fires after the first Gulf War. An out of body experience, like an alien that visits the nightmare landscapes and trying to understand its meaning. For some reason, 1992 audiences reacted furiously to this film when it was first screened, accusing it for anesthetizing the horrors of war. (Always blame the messenger!)

🍿 Portrait Werner Herzog, a 1986 self-portrait he did about himself, talking about some of his earlier films. It includes a conversation with his mentor Lotte Eisner, the film critic and co-founder of the Cinémathèque Française.

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6 more documentaries:

🍿 "Fuck itself is the most popular word in the Irish vocabulary..."

I never heard of legendary Irish poet and "Nipple erector" songwriter Shane MacGowen until his recent death, having missed the whole Punk and Pogues eras. So the recent bio-pic Crock of Gold: A Few Rounds with Shane MacGowan was a revelation. But not for long. I am a new convert and started listening to all his terrific songs.

RIP, Shane MacGowan! 10/10.

🍿 Jazz on a Summer’s Day, a magnificent concert film of the 1958 Newport Jazz Festival. Selected for the National Film Registry, and scoring 100% on Rotten Tomatoes. It absolutely encapsulates most idyllic vibes of golden days of summer, and magic of the beautiful East Coast 1950's. And what a line-up: Thelonious Monk, Sonny Stitt, Anita O'Day, Dinah Washington, Gerry Mulligan, Chuck Berry, Louis Armstrong, and Mahalia Jackson with a magical finale of 'The Lord's Prayer'. 10/10.

🍿"Today I learned" about the alternative Monte Verità community outside Lucarno in Switzerland. It was an early-stage "hippy" commune which was established on an empty hill in the late 1890's. This settlement was a vegetarian, free-love, anti-bourgeois, nudist, feminist pacifist artist colony, out of which grew many of the later alternative lifestyle movements. The colony attracted many important early 1900's European figures, from Hermann Hesse, Carl Jung, Rudolph Steiner, Krishnamurti, Lenin and Trotsky, to DH Lawrence, Isadora Duncan, Paul Klee and so many others. There were outdoor group orgies, vegetarian food only, interpretive dance school, famous anarchists pursued by the secret police, Etc. Otto Gross, the mad psychoanalyst considered the founding grandfather of 20th-century counterculture, was one of the early founders.

Freak out is a fascinating 2014 Swedish documentary about the place. It draws parallels between that society these early utopians rebelled against with today's heartless capitalism. It uses too many re-enactments, but is still extremely interesting.

🍿 Al Nakba, a horrifying 4-part series about the tragedy of Palestine, produced by Al Jazeera, and told from the prospective of the dispossessed, as well as some of the "New Historians". Israelis were never told about 'the other side', and until today cannot bear the thought that the Jewish Homeland from its inspection was specifically formulated as a project of systematic ethnic cleansing.

🍿 "Seal's rectum tastes like nuts..."

The Most Remote Restaurant in the World is a beautifully-shot and unusual story. The opening of a two-star Michelin restaurant in Ilimanaq, Greenland, a tiny village of only 53 inhabitants. A nerve-racking race to prepare everything for the first night was as gripping as a Bourne thriller. Sourcing only local ingredients, freshly-killed whale, birds, was fascinating. The successful first night, in spite of all hurdles, was wonderful to watch.

Obviously, this was a vanity project by a wealthy restaurateur (from the Faroe Islands), which caters exclusively for the 1%'ers who are willing to fly from Hong Kong and elsewhere, take a long boat ride, just for the exclusive experience of a 10,000dkk dinner in the middle of nowhere. 7/10.

🍿 Tower is a mostly-animated retelling of the 1966 University of Texas tower massacre. For 18 years it stayed as the deadliest mass shooting in the US. It uses sleek clean-line rotoscoping to recreate the story and the interviews with survivors. But the pretty technique is highly distracting. The modern vernacular used by all the re-creators is specifically from 2016, not the 60's, and the whole experience ends up as an exercise in presentation. A banal and vapid experience. 1/10.

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Laurel and Hardy's Babes in Toyland was the first movie I remember seeing on my own at the local cinema. It must have been 1961, and I was around 8 years old. 62 years later it's an agony to revisit. 1/10.

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2 shorts:

🍿 Anima, a 2019 hallucinatory music video, directed by P T Anderson, to accompany Radiohead Thom Yorke's 3rd studio album. A wordless, dreamy mood piece.

🍿 The Typewriter (Supercut), Ariel Avissar’s homage to typewriters in film and television, set to Leroy Anderson's "The Typewriter".

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Googlewhack used to be a term for 'searching two words on the old Google and being thrilled if only one result is returned'. Dave Gorman's Googlewhack Adventure is an infectious 2004 one man show, beautifully performed and highly documented, about life on the early internet. 10/10.

Gorman is an English comedian. His more recent show, Modern life is goodish, is similar in style, him manically jumping non-stop, meandering from one topic to another. The best part of these are the 'Found Poems'. F. Ex., Badger culling, Fijian currency, The God particle, Flag outrage, The horse meat scandal, Wedding rings for men, Marathon water theft, Dog show controversy, The new pound coin, Candy Crush scandal, Celeb chef, British bake off...

(Actually, they are all collected on one link, here)

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Throw-back to the "Art project”:  

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(My complete movie list is here)

[the-best-guide]

The trend of OTT platforms from house to house increased significantly, These Bollywood Movies Will Be Released

But, as everything else has opened, now all the states have decided to open theaters once again. 

Following many big films are going to be released:-

1. Bunty Aur Babli 2

When: November 19, 2021

Director: Varun V Sharma

Language: Hindi

The famous Bollywood film Bunty Aur Babli was released in the year 2005. The film was well-liked by the audience. Talking about the main characters, there were many big actors like Abhishek Bachchan, Rani Mukerji, and Amitabh Bachchan in it. 

READ MORE:

[celebblogspot]

Sharvari Wagh: A New Breath of Fresh Air in Bollywood

Sharvari Wagh, an emerging star in the constellation of Bollywood, brings with her a refreshing blend of talent, charisma, and determination. Born in Mumbai under the sign of a Gemini, Sharvari found her calling in the world of cinema and storytelling. She honed her craft through practical experience, assisting in the direction of successful films such as 'Pyaar Ka Punchnama 2,' 'Bajirao Mastani,' and 'Sonu Ke Titu Ki Sweety'.

Her acting debut arrived in 2020 with the web series, 'The Forgotten Army - Azaadi Ke Liye', which received widespread acclaim. This was followed by her incredible performance in 'Bunty Aur Babli 2' which earned her the Filmfare Award for Best Female Debut.

The rising star continues to be involved in projects that embody her passion for storytelling. As she forges forward in her career, Sharvari Wagh encompasses the fresh, vibrant energy that Bollywood is embracing with open arms.

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John Abraham and Sharvari to feature in Nikkhil Advani's next, titled 'Vedaa' | Hindi Movie News

John Abraham and Nikkhil Advani are set to team up again after ‘Batla House’. Nikhil will be directing John in a film titled ‘Vedaa‘, the shoot of which has kick-started on June 20, in Rajasthan. The film was announced today by Nikkhil’s production house, which is also led by Monisha Advani and Madhu Bhojwani. It stars Sharvari who was last seen in ‘Bunty Aur Babli 2’.‘Vedaa’ is an action film…

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Okay, if we're going to be honest, I don't remember much for the original. I mean, I know the basic - Abhishek & Rani are pulling cons, while being chased by Amitabh; Kajra Re - but, honestly, that was about it. Oh, and also, I didn't really care for the movie. I don't really recall why, but that much I know. Which is why, you know, I put this one off for a couple of years. Also, after Race (amongst others), I'm not sure how I feel about "true sequel with actor replacement" - it's a very Indian TV serial-type thing to switch out a main character and pretend nothing has happened.

And, with all that said - this one was actually pretty fun. Rani and Saif are, of course, fun - as they tend to be (Ta Ra Rum Pum, Hum Tum, Thoda Pyaar Thoda Magic), and the two (relative) newcomers are not bad either. Plus, Pankaj Tripathi, who is always fun.

I mean, it is weird to see Saif instead of Abhishek in this role, even if I didn't care for the first movie. But apparently Abhishek had a fall-out with Aditya Chopra after Dhoom 3 (according to a quick interwebs search), and, I mean, who can blame him? Dhoom went wrong the minute they got so caught up in their own success that they started focusing entirely on the baddies instead of the interactions between our two cops (aka, pretty much as soon as Dhoom ended and Dhoom 2 began, and Dhoom 3 was a disaster in that regard). So, enter Saif - who kills the role, though, if we're being honest, I'm pretty sure the Abhishek of recent years would've been able to pull this off as well (as long as, you know, they didn't immediately place him in the shadow of his father - again).

The songs aren't anything great - of course, aside from the hype of Kajra Re, they weren't much in the first movie either - but, on the plus side, they don't go all "remix songs from 20 years ago" like essentially all of Bollywood seems to be at this point. So, while they're not great, Luv Ju, Dhik Chik, and Tattoo Waaliye all have that going for them. And, weird lyrics aside, Dhik Chik is kinda fun and Luv Ju actually has a pretty good beat to it. And I absolutely love when 'Bunty Aur Babli' plays in the background in this movie.

The twist was obvious, I think, but that's fine because by that point the movie has essentially played out - and you sort of expect it to go the way it does. But that does give the opportunity for a Bunty Aur Babli 3 (or, 4? - more fitting to skip a number here than in, say, Krrish or even Hera Pheri) - and I am totally down for that. Bring back this quartet, plus Pankaj Tripathi, and I would totally watch the next movie - as their cons get bigger and more complicated.

In fact, I think the one thing I really did enjoy here is that - aside from one minor squabble between Saif and Rani - they didn't at any point go hard into the "partners backstab each other." Like, whatever is happening, they have each other's backs. In a world, especially the cinematic world, where that sort of scenario is so common (overdone; frustrating; annoying), it's cool to see the support they have for their partners. I understand it might be easy to make 'circumstance' the villains in such a movie, but I do much prefer when we don't just have betrayal after betrayal.

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At first, after falling in love with the father of two, he broke up with Abhishek and secretly married this divorcee

Rani Mukherjee Life Story: Bengali girl turned Bollywood beauty, Rani Mukherjee needs no introduction today. Rani Mukherjee has earned the title of queen in the Bollywood industry. Rani Mukherjee has won a place in the hearts of millions for her beauty and powerful performance. Under these circumstances, as Rani Mukherjee's Bollywood tour culminated, her personal life was embroiled in controversy. Rani Mukherjee married Aditya Chopra, a famous director in the Bollywood industry in 2014 when Aditya Chopra got her second marriage and the same Rani Mukherjee was also fooled by many actors in the Bollywood industry. This list includes names from Govinda to Abhishek. Rani Mukherjee and Govinda The pairing of Rani Mukerji and Govinda was one of Had Kar Di Aapne's most loved pairings. During this process, the two not only liked the chemistry when they met on set, but also became very close in real life. According to media reports, after this film, Rani Mukherjee and Govinda started dating each other. Govinda was married but this relationship did not last long. Indeed, according to one report, Govinda was caught with Rani at her own home. In the meantime, Rani Mukherjee was wearing pajamas and this revelation caused their relationship to fall apart. However, there were also reports that Govinda had made a very expensive gift to the queen. When Govinda Rani's affair was revealed, his wife Sunita moved out of the house. Under such circumstances, Govinda had no plans and was not ready to divorce Sunita and settle down with Rani Mukherjee. This was the reason this relationship broke up. Rani Mukerji and Abhishek Bachchan Afterwards, Rani Mukherjee's heart fell to Abhishek Bachchan who was struggling to make his debut in the Bollywood industry at the time. The two appeared together in the movie Yuva, Bunty Aur Babli. Along with the on-screen romance, discussions about the two off-screen affair also began. However, Jaya Bachchan was not at all happy with the news of Rani Mukherjee and Abhishek Bachchan's affair. Although she was not ready to take Rani as her daughter-in-law, Rani was her first choice by Amitabh Bachchan as her daughter-in-law. Indeed, Jaya Bachchan felt that Rani was very arrogant and loud. Under such circumstances, he clearly denied Abhishek and Rani's relationship and this resulted in Rani and Abhishek breaking up. At the same time, the news of the breakup of the two was spread. Rani Mukherjee and Aditya Chopra Rani Mukherjee then married Aditya Chopra, a famous director in the Bollywood industry, in 2014. Aditya Chopra and Rani Mukerji currently have a daughter named Adira. Rani is living a very happy life with her daughter and is busy filming her next film. ALSO READ-‘Gadar 2’ director’s daughter, extremely beautiful, failed in front of ‘Tara’ and ‘Sakina’, see photos DISCLAIMER We’ve taken all measures to insure that the information handed in this composition and on our social media platform is believable, vindicated and sourced from other Big media Houses. For any feedback or complaint, reach out to us at bollywoodofindiaa@gmail.com Read the full article

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"It was an emotional ride for us. Rani was crying, and I was pretty emotional while doing the scenes.” Ashima Chhibber- director Mrs Chatterjee vs Norway

Rani Mukherjee starter Mrs. Chatterjee vs Norway is all set for its release and it is the first time Rani is working with director Ashima Chhibber. The film is based on the real-life story of an Indian woman, Sagarika Chakraborty who had a tough fight with the social services authorities in Norway followed by a long-term legal battle to regain the custody of her kids.

The director, in an interview with a leading media house, shared various experiences they had during the shoot including Rani Mukherjee crying on the sets a number of times. The film is an emotional drama that Ashima feels brings her closer to Rani.

Ashima explains why Rani was able to connect with the story so well stating that she herself is a mother. Rani, who married director Aditya Chopra in 2014 has a seven-year-old daughter. She was able to portray the role of Sagarika in the film because she knows the emotions attached to one’s children.

Ashima spoke about the bond she and Rani shared, "When I decided to become a single mother and I was pregnant, she was the first one I confided in. And I saw a side to Rani which was so brave, compassionate, and supportive of me. Rani is the epitome of motherhood. Who else could have understood this story better than her? So, every day was a revelation to me.”

Talking about their days on the set, Ashima said, "It was an emotional ride for us. Rani was crying, and I was pretty emotional while doing the scenes. I couldn’t imagine that someone had suffered this long; 610 days without your child is excruciatingly painful, everything else is peripheral for me."

Ashima entered the industry as a director of the Yash Raj Films comedy Mere Dad Ki Maruti (2013). She has also directed series like Yeh Hai Aashiqui and MTV Fanaah: An Impossible Love Story. As a single parent to a boy, Ashima finds the story of Mrs. Chatterjee Vs. Norway is very close to her heart.

On the other hand, Rani Mukherjee was last seen on the silver screen in Bunty Aur Babli 2 with Saif Ali Khan, Siddhant Chaturvedi, and Sharvari Wagh. She is all excited about her new project.

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Mrs Chatterjee vs Norway Release Date, Star Cast, Trailer, Plot & More

Did you know? You can now book a personalised video message from your favourite characters of your loved movie Mrs Chatterjee Vs Norway! Keep reading to know more about Mrs Chatterjee Vs Norway cast, Mrs Chatterjee Vs Norway OTT, watch Mrs Chatterjee Vs Norway online, Mrs Chatterjee Vs Norway Instagram, Mrs Chatterjee Vs Norway updates and more.

Mrs Chatterjee Vs Norway Overview

An upcoming drama movie in Hindi, titled Mrs Chatterjee Vs. Norway, is being directed by Ashima Chibber and produced under the Zee Studios and Emmay Entertainment label by Monisha Advani, Madhu Bhojwani, and Nikkhil Advani. The movie is written by Rahul Handa and Sameer Satija and is based on a true story about an Indian couple whose children were taken away from them by Norwegian welfare services in 2011. Rani Mukerji plays a key part in the movie. The movie Mrs Chatterjee Vs Norway, which was supposed to release in the year 2022, will release in theatres on March 3, 2023.

One of the most popular and versatile actresses of B-Town, Bengali beauty Rani Mukerji needs no introduction, as her marvelous career says it all. She gave lots of path-breaking performances in various films of the late 90s and the early 2000s such as Raja Ki Aayegi Baraat (1996), Kuch Kuch Hota Hai (1998), Kabhi Alvida Na Kehna (2006), and many more.

After giving a lot of super-duper hit films, Rani is all set to be back again on the big screen with her upcoming Hindi Drama “Mrs Chatterjee Vs Norway”. After receiving a lot of appreciation and love in Yash Raj Films’ “Bunty Aur Babli 2”, which was the sequel of the 2005 Hindi film Bunty Aur Babli, Rani Mukerjee is back again with her new Hindi Film.

Mrs. Chatterjee vs Norway Release Date

Rani Mukherji starrer this Bollywood Drama is all set to hit the big screens in March 2023. The film is slated to be released on March 03, 2022. Makers of the movie officially announced the date on December 9, 2022. It will be interesting to see whether it performs well at the Box office or not. Do mark the date and enjoy the movie with your family and friends.

Mrs. Chatterjee vs Norway Star Cast & Makers

The film stars Rani Mukerji in the female lead role. It is directed by Mere Dad Ki Maruti (2013) fame Ashima Chibber. She also co-wrote the movie along with Sameer Satija and Rahul Handa. The film is jointly bankrolled by Monisha Advani, Madhu Bhojwani, and Nikkhil Advani under the banners of Zee Studios and Emmay Entertainment. Along with Rani Mukerji, Estonian actors Kristjan Üksküla and Erki Laur will also play pivotal roles in the film.