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growingstories · 1 year

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Cruising

Joshua Goldman grew up in a rich family. His parents have always invested in real estate. They were hardworking though and gave him the values of integrity and determination.

From a young age, Joshua knew he was different. He had a keen eye for fashion and design, and his creativity set him apart from his peers. However, growing up in a conservative community, he faced adversity and discrimination. It was during his teenage years that he discovered his sexual orientation, and he struggled to find acceptance and support.

But despite the challenges he faced, Joshua never let his circumstances define him. He worked hard in school and graduated to a prestigious university. It was during his time in college that he discovered his innate business acumen. He excelled in his studies, focusing on finance and real estate, and his professors saw something special in him.

After graduating at the top of his class, Joshua set out to make his mark on the world. Armed with his knowledge and ambition, he dove headfirst into the real estate industry. He started small, flipping houses and investing in properties, slowly building his empire. At a very young age he took over his parents company.

It wasn't long before Joshua's savvy business sense caught the attention of wealthy investors. With their financial backing, he expanded his operations, diving into commercial real estate and luxury properties. His ventures took him to every corner of the globe, from the bustling streets of Dubai to the serene beaches of Bali.

As his wealth and influence grew, Joshua found himself longing for something more. The business world was exhilarating, but he yearned for a sense of fulfillment that money couldn't buy. It was during a trip to the Mediterranean that he had a life-changing experience.

The shimmering blue waters of the Mediterranean called to Joshua like a siren's song. The luxurious yachts that dotted the coastline captured his imagination, and he knew he had found the missing piece of his puzzle. He wanted to live a life of freedom, surrounded by beauty and opulence. And so, he set his sights on acquiring a yacht of his own.

Joshua spared no expense when selecting his vessel. He enlisted the help of the most talented yacht designers and naval architects in the world. Together, they created a floating palace that would become his home away from home. The yacht was a sight to behold, boasting state-of-the-art amenities and luxurious accommodations.

Joshua's summer routine became the stuff dreams were made of. From May to September, he would embark on a journey across the Mediterranean, his yacht docking in a new harbor every morning. As the sun rose, he would lace up his sneakers and set off on a run through the picturesque streets of each city or village, guided by his dedicated personal trainer.

After an invigorating run, Joshua would indulge in an hour of fitness at the most exclusive hotels and resorts that he owned in the region. Sweating it out in luxurious surroundings became his morning ritual, a way maintain to his physique and recharge his for energy the day ahead.

By lunchtime, Joshua would return to his yacht, already tackled the to business side of his empire. Meetings with clients and investors filled his mornings, as he strategized and negotiated deals from the comfort of his floating palace. The yacht provided the perfect backdrop for his high-stakes discussions, its opulent interiors exuding an air of sophistication.

Despite his high-powered lifestyle, Joshua never forgot the value of companionship. He surrounded himself with a carefully selected entourage, a tight-knit group of individuals who became like family. Two hospitality managers attended to his every need, ensuring that his logistics were flawlessly arranged. His personal trainer, chef, and assistant chef also had their designated spaces on the yacht, their expertise enhancing the experience for Joshua and his guests.

And guests there were aplenty. Joshua's generosity knew no bounds, and he would often invite his friends and family to join him on his summer escapades. He would fly them in from around the world, ensuring that they were treated like royalty from the moment they stepped onboard. Lavish breakfasts were served, either in the privacy of their rooms or on the sun-drenched deck. Joshua prided himself as the perfect host, ensuring that his guests were always entertained and pampered.

Joshua's yacht became a hub of excitement and joy. He organized breathtaking excursions, taking his guests to secluded beaches and enchanting Mediterranean islands. The days were filled with laughter, sun-soaked adventures, and endless opportunities for relaxation and indulgence.

As the sun set, the yacht transformed into a vibrant party scene. Joshua's guests would gather on deck, clinking champagne glasses, and dancing into the wee hours of the morning. And yet, amidst the revelry, Joshua remained the picture of composure. He knew how to pace himself, rarely imbibing in excess and always encompassing himself with responsible behavior.

As the summer months drew to a close, Joshua reluctantly bid farewell to the Mediterranean and returned to his beloved New York City for the fall. The concrete jungle provided a stark contrast to the azure waters he had become accustomed to, but he found solace in the vibrancy and energy of the city.

The winter months were divided between two paradises that Joshua held dear. From November to January, he would retreat to his Tulum jungle villa, immersing himself in nature's embrace. The serenity of the jungle served as a respite from the stresses of his business, allowing him to find inner peace and clarity. Or go to his beach house in St Barth’s.

Then, from February to March, Joshua would trade the tranquility of Tulum for the exhilaration of the European Alps. Gstaad became his seasonal home, a playground for the elite and a winter wonderland for adrenaline enthusiasts. He would carve his way down the snow-covered slopes, letting the crisp mountain air invigorate his spirit.

And so, the seasons changed, and Joshua followed suit, always seeking out the next adventure. With spring came the promise of discovery in a new city, a chance to explore trendy bars and restaurants and mingle with sexy, like-minded individuals. He reveled in the nightlife, surrounded by beauty and opportunity.

As the days turned into weeks, and the weeks into years, Joshua's routine remained steadfast. He had found a life that brought him joy, fulfillment, and success. His multi-billion-dollar empire continued to flourish, and he became a role model for those who dared to dream.

And so, as the sun set on Joshua's yacht, signaling the end of another perfect day, he retired to his luxurious chamber. He knew that tomorrow would bring new adventures, new challenges, and new opportunities. He lay his head on the soft pillows, his mind at ease, and drifted off to sleep.

The morning would come soon enough, and Joshua would rise the with sun, ready to embrace the world that lay before him.

Part 2, Thibault

During a glamorous party in Paris, a young and handsome man named Thibault had just graduated from university. With his clever mind and social charm, he caught the attention of the city's elite, including the Joshua

Joshua, impressed by Thibault's presence, invited him to join him on his private jet, traveling to parties all over Europe in the month of April. Thibault and Joshua quickly became a great match, and their friends adored them as a couple.

As summer approached, Joshua extended an invitation to Thibault to join him on his luxurious yacht. It was the perfect opportunity for Thibault to travel before starting work, so he eagerly accepted.

The summer adventure began in Beirut, where Joshua spent his mornings running on the shore with his personal trainer, followed by intense fitness workouts and meetings with investors and other important business associates. Lunchtime was usually spent back on the boat, hosting grand parties with influential people.

During the first two weeks, Thibault and Joshua had a wonderful time, enjoying each other's company and indulging in the delicious food onboard. However, Thibault soon realized that the extravagance was taking a toll on his body. Feeling a bit chubbier, he noticed that it actually turned Joshua on, leading to their intimate moments being even more passionate than before.

Determined to look his best, Joshua took Thibault on a shopping spree, buying him new Louis Vuitton trunks and tailored suits to enhance his appearance. Thibault also attempted to keep up with Joshua's fitness routine but struggled to find the motivation. Late-night parties and exhaustion from socializing left him feeling tired and slightly hungover.

After four weeks, Thibault started to notice that his jeans no longer fit him. At first, he assumed it was due to the staff on the boat washing them at too high a temperature. However, during a shopping trip, he realized that he had gained a whole size. Troubled by this discovery, he decided to have a workout session with their personal trainer, but unfortunately, it didn't go well. Thibault discovered that he had gained a shocking six kilograms in just four weeks, which was more than he had ever weighed in his life.

Thibault discussed his concerns with Joshua, proposing that they schedule a session with the personal trainer to address the issue. However, Joshua denied the request, explaining that the trainer was too busy with his own online fitness company and would disrupt the guest schedule. Feeling guilty and wanting to show his appreciation, Joshua bought Thibault a Rolex watch. Despite the weight gain, Joshua couldn't resist his attraction to Thibault's new size, and their intimate moments continued to be filled with passion.

As the summer went on, Thibault and Joshua traveled to various destinations along the Croatian coast, Venice, Puglia, Capri, Rome, and other glamorous Mediterranean locations. They attended lavish parties with high-end guests, including celebrities and royalties.

Indulging in more snacks and champagne, Thibault's denial about his weight gain persisted, attributing it to Italian sizes rather than accepting the reality. Meanwhile, Joshua maintained his discipline, going to bed on time, and abstaining from alcohol.

Three months had flown by, and Thibault and Joshua had visited every desirable harbor in Europe. Their bond had strengthened, and Joshua couldn't believe that Thibault had made it through the summer without any issues. Other companions had wanted separate rooms or even left after only four weeks. Joshua proposed that Thibault join him in his New York City apartment for the fall, with the potential of spending Christmas and New Year's Eve with his family in Mexico and St. Barths if everything went well.

In the last harbor before their return, Thibault felt like an entirely different person. He had grown larger, and Joshua decided to them treat to a weekend at a lavish spa resort in the area. Stepping on the scale after three months of not seeing his weight climb, Thibault was shocked to discover that he now weighed 120 kilograms. Conflicted about his new appearance, Thibault wasn't sure if he liked it, but Joshua loved it and had no intention of making him lose weight.

#fictionalweightgain #maleweightgain #maleweightgainstories #weightgain #weightgainstories #fictionalstories

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eclecticwitchbitchsworld · 3 months

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Color Correspondences in the Craft

in the craft, colors have their own correspondences and symbolism. Here is a list I have compiled of some basic colors and related correspondences to get you started ! - Leviathan

Red:

Fire (aries, scorpio, Mars influencing Saturn)

passion, fire, courage, strength, power, joy, renewal, energy, health, motivation, desire, ambition, leadership, self-esteem, business deals, combat, confrontation, buying and selling mechanical things, repairs, hunting

Pink:

Venus (influencing Mars)

personal success, self love, personal harmony, friendship, calming, romance, harmony, passion, partnership, getting a move-on, physical energy, sex, action, exercise, surgery, buying, selling, & adopting animals, gardening, woodworking, new beginnings, honor, morality, emotions, femininity, breast cancer, homosexuality, compassion, relaxation, infants.

Orange:

Fire (sun, Leo, Saggitarius)

relieving depression, feelings of abandonment, increasing opportunities, happiness, mental alertness, breaking down barriers, material gain, kindness, sealing a spell, harvest, strength, dominance, legal matters.

Yellow:

Air (taurus, libra, Mercury)

healing, friendship, increase productivity, remove negative thinking, increase creativity, inventiveness, prosperity, self-esteem, beauty, life, humility, intellect

Gold:

sun

money, inspiration, prosperity, wealth, power, divine masculine

Green:

Earth (Aquarius, Cancer, Venus, Mercury)

increasing love and trust, faeries, general healing, wellness, transformation, new beginnings, prosperity, money, career, employment, hope, immortality, rebirth, garden & herbal magic, fertility, luck, courage, change, peace, harmony, relationship success, beauty, soulmates, artistic ability, affection, partnerships, alliances, grace, luxury, marriage, social activity, decorating, cosmetics, gifts, income, gardening/gardeners, architects, artists, music, painting, poetry, courtship, dating, household improvements, planning events, shopping.

Blue:

Water (Capricorn, Aquarius, Pisces, Virgo, Jupiter, Moon)

increase wisdom, wealth, joy, opportunity, patience, peace, truth, loyalty, meditation, introspection, insight, happiness, fidelity, remove confusion, the ocean, elevation, calming, long distance travel, higher education, political power, religion, philosophy, forecasting, broadcasting, publicity, expansion, luck, growth, sports, horses, legal matters, doctors, guardians, merchants, police, psychologists, charity, self-improvement, research, studying, reading.

Violet/Purple:

Capricorn, Gemini, Saggitarius, Mercury, Saturn, Jupiter

clairvoyance, relief of emotional hurt, spiritual protection, heal wounded pride, spirituality, wisdom, increasing psychic powers, meditation, justice, forgiveness, humility, the occult, hidden forces, secret dealings, memory, intelligence, communication, messages, students, merchants, editing, writing, ambition, contracts, kinship, progress, visiting friends, astrology

White

Pisces, moon

safety, protection, transformation, enlightenment, connection to higher self, becoming more outgoing, relieving shyness, the cycle of life, freedom, health.

Black:

Saturn

use in combination with white to represent balance, opposites, union of opposing forces, divination, beginning, creation, rebirth, absorbing energies, patience, binding, stability, neutralizing forces, material gain, protection, karma, death, manifestation, law, understanding ones limits, overcoming obstacles, challenges, tests, sacrifice, separation, criminals, civil servants, plumbing, justice, wills, debts, discoveries, elders, truth

Gray & silver

Moon

Divination, secrets, psychic awareness, divine feminine.

Brown:

Earth(Scorpio, Capricorn)

security, friendship, animal magic, nature magic, generosity, fruitfulness, new beginnings, harvest, health of pets & livestock, endurance, grounding, strengthening, solidifying, sound decision making, improved concentration, focus, telepathy, finding lost things, anything to do with animals.

#baby witch #beginner witch #cottage witch #green witch #little witch academia #pagan witch #tarot witch #witch #witch community #witch aesthetic #colors #correspondence #color correspondences

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merik72-blog · 24 days

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What if Furina wasn't a girlfailure for 500 years? (Shorteneder Version (still long))

Off the top, I'm not a lore expert. If this doesn't make sense lore-wise, feel free to tell me all about it. Expect it, even. I just wanted to write this down because after experiencing her story, (when it dropped months ago in version 4) this idea just never got out of my head. I process media in a way where I'm constantly thinking on the level of "why did the authors make these specific decisions?", and I couldn't shake the feeling that the authors lacked a bit of imagination when considering just how long 5 centuries is. I have like over a thousand words of why I think this which includes a discussion of historicity and biblical allusion. I cut it all -- nobody wants to read that.

That being said, this is somewhere between a rewrite and like a notes document. In this, Furina is still fundamentally the same character. Her personality and mannerisms should be basically identical, even if she's more competent. This rewrite hopes to preserve the main beats of her arc: The confrontation by Arlecchino, the disaster which causes people to doubt her godliness, the trial, and a backstory which makes you pity her. I'm going to lay these out in chronological order, rather than plot order.

Backstory

Focalors told Furina the prophecy, leaving her terrified and overwhelmed. All the people of Fontaine will drown, and she will be left alone, crying on her throne. Despite her horror, some rebellious gumption rose up in her soul and allows her to steel herself. Much like Focalors before her, despite being handed a doomed situation, Furina decided that there was nothing she couldn't fight back against, even fate. Knowing that there's a flood coming, she put together a plan.

Furina decided that she would hold grand competitions every decade, gathering the greatest tinkerers, engineers, architects, anyone with interesting ideas in her nation to show off their most creative inventions, no matter what those inventions did. She would call these competitions Fontaine's Utopique Rendezvous for Industrie Nouvelleté, et Audacé* (FURINA). As their god, Fontainian culture was her privilege and responsibility to shape, so innovation and technological advancement would be placed at the core. With great patience, she would lead Fontaine from the Medieval age to the Industrial revolution. During FURINAs, as she strolled through the streets of Fontaine, the entrants displayed and described their creations to her to each would be personally judged by her. There is not a maximum or minimum of winners, there are only those who do and do not catch the eye of the Hydro Archon. At the end of the competition, she rewards the winners with her patronage to sponsor them and their ideas. These winners would come to be informally known as FURINA Scholars. She created these patron relationships usually with the goal of creating or improving a public infrastructure project or taking a particularly fascinating or promising invention from an impractical novelty to mass producible technology that anyone could use. FURINA Scholars had a hard time limit of 10 years, being required to present their progress publicly at the next FURINA by the latest. The results of these varied from practical, aesthetic, to insanely niche novelty toys you'd expect a French aristocrat to buy.

A lot of real kings and queens can't dedicate themselves to advancement in this way because their bureaucracy, the power structure beneath them, know that they don't have to be beholden to them forever. Each bureaucrat knows there will be another younger ruler eventually who would could be manipulated into giving more to them and less to the people. Not so with Furina. She would use the royal coffers however she wanted to, and nobody could speak out against her, lest they be hit with the combination blasphemy-treason from the judgement of the Oratrice Mechanique d'Analyse Cardinale.

(*This is intentionally butchered French, in line with the Oratrice Mechanique d'Analyse Cardinale. If you can't read it, it's basically Fontaine's Utopian Conference for Industry, Novelty, and Audacity. It's a funny acronym, and a bit on the nose in multiple ways, but I think it would be something she would come up with. I imagine that Furina would never call it FURINA, but over time people would start calling it "the FURINA" and eventually "the FURINA de Fontaine" in the way that people always start butchering acronyms when they become normal words.)

Every day, Furina's free time between these FURINAs was spent studying, learning, testing, and inventing in her study. If Fontaine was to be flooded by rising waters, she herself would be dedicated to finding a way to allow Fontaine to survive any flood. Out of the public eye, she found ways to spend every spare moment honing her skills and iterating her designs. She quickly learned to dismiss attendants that came to her with some spurious legislative work whenever she left the Opera Epiclese. Go to Neuvillette! She had a duty which so obviously rendered such things spurious. Paperwork? When Fontaine could be drowned any year now?

(Just as in the real story, it's implied that Neuvillette is vaguely aware that she must be working incredibly hard, but she deliberately hides her toil from everyone, including him.)

Obsessively, tirelessly, she toiled single-mindedly towards in designing super-structures capable of diverting, pumping, or otherwise controlling vast amounts of water. As she would sketch mockups of grand designs, she was thinking of public excuses for doing this rather than just using her "archon powers." It would make her seem more benevolent to say something like "I cannot be everywhere at once, and I need to be sure that the people of Fontaine shall not suffer a disaster under my rule, even out from under my watchful gaze." It was even true, in a way. Over the centuries, she carried out plans for every major Fontaine settlement's coastline and the entire capitol city to be protected by works of engineering which were equally intricate and gargantuan. At the same time, they balanced preserving the beauty of coastlines and consistency in aesthetic that is paramount for France. She directed the creations of these superstructures over generations with clarity and consistency in intent. She eventually became capable of concocting ideas that were not possible with currently invented technology, her innovation outdoing the rate of technological advancement. That meant she was not nearly finished. Waiting for technology to catch up with her ideas was always a good opportunity to update the physical build of her superstructures.

Despite her having already gathered vast and unmatched generational knowledge after her first full century of study, she still continued FURINAs to find the best and brightest minds of each generation. (If it must be done for Genshin's thematic consistency or ideology, these can all even be vision holders). These inventors who all grew up in the context of Furina's unparalleled genius had the privilege of standing on the shoulders of a giant. Innovations begot innovations, forming a virtuous loop which drove unprecedented progress in industrialization leading to evolutions in technology especially in civil engineering and hydrodynamics. As Furina's knowledge and mastery over engineering slowly but surely surpassed mortal limits, FURINAs seemed to be more and more judged based on eccentric, incomprehensible whims. With relative frequency, participants would watch seemingly impressive inventions be passed over, meanwhile random toys that just made her giggle and applaud would win. She would say "I just find these trinkets so charming!" but in truth, she saw potential in central conceits in inventions that had the chance to change the underpinnings of Fontaine's infrastructure. Or she just genuinely found them charming.

As time passed, Furina's structures continually improved to a point that they did not just avoid, but very publicly Dominated countless floods and storms that would have been disastrous otherwise. These creations legitimized her godhood and won her adoration in the eyes of the people, who wove countless folktales over the ages telling the tales of Furina's power - herding hurricanes and subjugating tsunamis. At the same time, this made her prodigious skill for the dramatic arts even more impressive through the plurality of her talents. This resulted in many full circle moments, where Furina would play herself in epics about her overcoming disasters, not that she wrote, of course. These would sometimes exaggerate her powers, like giving her omniscience or visions of the future, the perfect designs flowing freely and naturally from her hands, as though they were as effortless as breathing.

Of course, she was not truly invincible. Slowly, she started to fray. As new innovations became more difficult, technology caught up to her designs. After the superstructure renovations commemorating the 4th century of her rule, she was distraught. This was the first time she had updated her superstructures without the plan for the next one at least partially completed. She needed to spend more of her energy pondering, as just her "free" time was insufficient. This led to her to becoming more absentminded during official duties, having forgone sleep or being still caught up ruminating on how to optimize designs, improve existing technology, or apply them in a novel way, but for some reason nothing was coming to her after a few years of different experiments and trials. Even in discussions with her FURINA Scholars, they stopped having new ideas in hydrodynamic engineering projects, being drawn towards other directions where they wouldn't need to compete with god. As she crossed the 450-year mark, she was becoming increasingly aware of the fact that her designs weren't nearly enough to protect the entire country and even further from perfect. For the better part of the last century, any improvement had been like trying to squeeze water from a stone. In the last ten years, she has probably improved her latest flood barriers by less than a liter of water. 30 more years restarting from scratch over and over with her current knowledge, no meaningful improvement.

For the 48th FURINA, she decided out of desperation to hold a hydro-themed FURINA. As she walked the streets of Fontaine, talking to each inventor as they presented their work, she was distraught. A marked decrease meaningful innovation. Worse than this, she noticed that inventors were less interested in creating submissions for this FURINA. The sentiment she was picking up on was that they felt futility in even trying. What was the point of trying to innovate in a field that they can hardly understand? The cutting edge of hydro-related innovation was driven so far by Furina that they felt mortals need not apply. Who could even be given the privilege of becoming the decade's FURINA Scholars from such a lackluster field...? As always, she found a way to get out of a dismaying situation. She crowned herself as the winner, made a grandiose speech about who she was still unmatched in the domain of Hydro, and unveiled her side project of the Aquabus.

At the end of the hydro-FURINA, Furina had never felt so alone. For the first time since her first decade, she had not the faintest idea of what to do from here. Nobody did. She had already pushed to and past limit of her knowledge, of her peoples' knowledge, and the limits of material possibility in Teyvat. All of these centuries had passed her by, all these sleepless nights, all her evolutions in the design of Fontaine to fortify it, for what? A worm, wriggling on a stone, drying out in the sun. If she failed to prevent the flood now, what would any of that time mean?

Furina found herself standing in her study, towering alone above the room crowded with her innovations, blueprints, experiments. Her gaze floated over each page; her life's work surrounded her. Broken mechanisms, meaningless scribbles, trials without results. Countless wasted mines of materials, countless wasted gallons of ink, and countless wasted centuries of labor by her precious hardworking people. Not realizing she was fully sobbing, she slumped to the floor, picking up the blueprint of one of her latest redesigns. She couldn't see anything aside from bodies floating in the water. Her mind replayed the faces of every person whom she's ever worked with or learned from, whose families she met, and every child of Fontaine whom she watched grow. They died all the same. Her vision started to swirl as their faces closed in around her. They rose up all around her from the waters in her blueprints. She grasped at them desperately, begging them to stay with her. On her side, shaking, sobbing, with a bundle of ripped and crumbled papers clutched against her. For the first time since she was told the prophecy, she felt truly helpless. Out of the corner of her eye, she saw her mirror. She scrambled through a carpet of papers, trinkets, and tools to touch her forehead to the glass.

"Mirror me, I-I've been doing everything I can. Our people have been trying, too! They worked so very hard, and they've built my all of designs beautifully."

Silence.

"Please, tell me you know something, anything that I can do now. I need to know. I can't let it end like this."

Silence.

"I never imagined that... that we'd even make it this far, mirror me." Furina was sitting now. With a smile on her face, she still couldn't stop the tears as she leaned against the mirror. "They truly are my pride and joy." Barely more than a whisper, an "I'm sorry" escaped her lips.

She had been doing her best for so long, but she had certainty now. Her best would not be enough.

A real Archon would be able to overcome this. On her own strength.

Furina cursed her inadequacy, mourning the people of Fontaine in her heart. It was torture. Every day, her job was to look at all the wonderful people that she was failing every day, people whom she was dooming through her weakness. During trials, she entirely lost the ability to focus on what's happening in front of her, her comments in the Opera becoming nonsensical and detached. More often, she handed off interpretations directly to Neuvillette, and tears sometimes leaked through when doing her fan meetups. Somehow, she still managed to hide her turmoil with audacious bravado as always. She felt more internally frantic as more years came and went. It was like desperately treading treacherous waters as she needed more and more effort to simply maintain surface appearances. The 49th and 50th FURINAs were brief respites from the gloom. Despite all of the stress in her life, the silly novelties of her people could still bring her joy. But when she returned to her private abode, she found that sometimes, not every time, she didn't want to work anymore. Instead, she would lay in her bed. Stillness without rest.

Her dead eyes blinked slowly, making no tears. She pondered, "How long has it been?" When she stared down at her hands, she could still see the souls of every Fontanian leaking through her fingers. The harder she tried to hold onto them, the further they'd splatter away. If only she had more time. Time, as always, passed anyway.

Plot time

Now, this is when the incident happens. Furina just hit rock bottom as the Traveler comes to town. Everything in the plot that played out in the main story happens mostly the same. This retroactively explains why all of Furina's arguments in the Mysterious Disappearances trials are so weak. Sure, she has a lot of experience presiding over trials, and it may be a top priority for her since this Furina is also excited about the opportunity for a Grand Trial that Focalors told her about, but she is so far from being on the top of her game right now.

Over centuries, Furina built this idea of infallibility, weaving a narrative to reaffirm her godhood. Fontainians believed that because each design was crafted by Furina directly, she made sure that none of them could ever fail using her uniquely intimate knowledge of the Hydro element. When Arlecchino called for an audience with Furina about the impending incident of unprecedented scale in Poisson, Furina was not just small or helpless with no excuse. Furina imposed upon Arlecchino as a god in her own land. There was to be absolute faith in her creations. Her power over hydro would never allow a Fontainian to come to harm.

"What does a puny rat like you think you know? I've thrown out socks that were older than you. Smarter, too."

Like a true god, she gaslit Arlecchino about what information Arlecchino had regarding the flood coming to Poisson. As the Regina of All Waters, not only did she have access to more information through her national information network, she also simply understood Hydro in a way that mortals couldn't comprehend. This is one of the only times that Arlecchino would seem even a little shaken by anything.

Furina didn't refuse to take precautions because she's a depressed NEET; Furina placed herself in this position where she simply could not possibly even suggest taking precautions. That would imply to Arlecchino and by extent the people of Fontaine that there was a weakness in her absolute power over Hydro and, by proxy, her status as archon. In previous centuries, she had only ever commanded upgrades to earlier designs as technology advanced to allow her to better realize her intended designs.

This made it all the more world-shattering for Fontainians when the symbols of their god, their faith in her power, warped and bursted under the immense pressure of more water than seemingly possible in nature (this flood is mega buffed in this plotline). The damage was horrific, but would be much much worse if not for the efforts of Arlecchino and the Spina di Rosula. This was the first time that anyone has doubted her as god, and nobody who doubted even wanted to because they've had faith for so long.

The trial proceeds nearly exactly as in the game, with the additional wrinkle that her centuries of age needs to be a hint as to how she could be such a genius of engineering without being the Hydro Archon.

After the trial

After her liberation, much of Furina's story is the same. She is so incredibly burnt out after finally being free that she has the same despondent attitude as she does in the game. She doesn't really invent in her free time, as she's a bit traumatized by the memory and sensation of using those tools. Even picking up a screwdriver reminds her of hundreds of years of sleepless nights experimenting desperately with the weight of the world on her shoulders.

The only real things that would change after the Archon quest would be -

In her character quest, Furina surprises everyone by proudly declaring her return to the stage on her own, having thoroughly enjoyed her time with the ragtag troupe. After a handful of lifetimes of endless labor with a dash of theatre, having the opportunity to do theatre full time sounds like great fun. The reason that she wouldn't have started before this quest is because of her burnout and exhaustion buildup ofc.

In Roses and Muskets, just take out all the times where Furina's trauma is played for laughs, or times where she's outwardly timid in a public conversation, especially when directing. Furina's reaction to imposing in public situations should be so well trained after playing archon should be instinctual after 500 years that she never gets caught slipping by an unfortunate circumstance. In private, she can still of course be her quirky self.

At the end of Roses and Muskets, she's not awkward about receiving the trophy. She's really happy, overjoyed even, having not been able to participate in any competitions herself in Archon era.

During Lantern Rite, Furina is on Cloud 9, going crazy and stupid finally leaving the country. She is positively giggly being charmed and intrigued by every single little thing in Liyue which is different from Fontaine. She walks around the street asking people about ridiculous and mundane things, like "What wood is this fence made out of?", "Do all your boats really need sails? Where are their engines?", "What techniques were employed to build villages on all these hills?", "Where is the toilet in this establishment?... oh Me... running hydro? DO YOU NOT HAVE ANY PLUMBING-", and various other questions about architecture, technology, and everything else she'd notice as someone otherwise incredibly knowledgeable who'd been stuck in one country for centuries.

Anyway, as a thanks for reading my yap, here are some drawings of tinkerer Furina loving life

#Tinkerina #genshin fanart #rewrite #character redesign #au idea #genshin #i love furina #maybe i should repost these drawings separately for anyone who doesn't want to read several thousand words of yapping #don't expect much more of this #i meant to give her a teardrop shaped gold pocket watch but i forgot to add it #in this essay i will #essay #how to stop my yap #first post #so yeah #if i don't post this now i'll never finish anything ever #furina #i want to yap about every decision i made when designing her too but like this is long enough so . 3.

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somethingimworkingon · 1 year

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How to save your brain from being eaten by AI (maybe): keep a sketchbook

At the beginning of May I started bookmarking photographers who are using AI in interesting ways, to add to my Instagram collection of digital art references (#artdirectionneversleeps). Later that month I did my own first experiments using NightCafe to visualise ideas for a client. It was entertaining and frustrating, partly because of my lack of prompt skills, and partly because the "styles" you could apply to your "artwork" looked exactly like bad fantasy art from the 1980s.

However, by June, photographers I was working with were using Midjourney to conceptualise setups – still with a bit of that tacky SciFi book cover feel, but it was proving genuinely useful to talk about how sets might be designed, for instance. By July, I was seeing film directors use AI for pitching storyboards, and my lovely students at Condé Nast College of Fashion and Design using it for presentation mock-ups.

That's just three months. From AI being a "what?" to becoming a completely logical, natural part of the image-making process, for at least some parts of the creative industries. The speed of change is head-spinning. And this is just the beginning.

Meanwhile, also in May, I was teaching at CNC on a really fun module about Brand Identity Design. Part of this involved the students keeping a sketchbook, to explore and develop their ideas. One of my lectures was about WHY people keep sketchbooks, and I illustrated several points with quotes from designers, architects and artists, and pages from my own sketchbooks from waaaaay back in the day.

Because WBITD, when I was an art student, I kept sketchbooks constantly. Not only was it a course requirement, for me it was also a way to stave off boredom and depression: it's hard to think negative thoughts when your brain is absorbed in analysing the curves of a hand or a coffee cup or a flower. When my best friend and I used to Interrail around Italy, I would draw our cafe tables and the local streets, and we'd get rewarded with extra drinks and desserts by kindly waiters.

Somewhere around the mid 90s I gave up sketching, partly because life got more hectic, and partly because smartphones got invented. When Emma and I started the BID course this summer, it had been a very long time indeed since I cracked open a sketchbook. And, erm, even though I did buy one – a lovely, spiral-bound, hard covered book with wonderful heavyweight paper, from Seawhite of Brighton – it took me another few months to start using it.

Two things pushed me into finally starting: firstly, it's #drawugst and I thought I should try a drawing a day, every day, during August. I started on Tuesday, August 1st, with a graphite pencil sketch of my aloe plant. I did it in semi-darkness, around 9pm, and my hand-eye coordination felt a but rusty, but following the heavy curves of the plant was satisfying.

On Wednesday I drew fallen agapanthus blossoms, playing with coloured marker pens (of which I have a ridiculously huge collection, almost never used). This was a reminder of the importance of not trying to control the end result while you're sketching. Because you just can't.

Yesterday evening I scribbled our messy after-dinner table. I used the graphite pencil, a Koh-I-Noor Hardtmuth charcoal pencil, and an Edding 1225 calligraphy pen – and blackberries. The fruit, not the redundant communication device. Blackberry juice is a fabulous art material – it gives this beautiful purple inky result, and it's such a pleasure to smear all over the paper. I'd picked the berries earlier this evening on Wormwood Scrubs, just to add to the satisfaction of the whole experience. (And this morning I made almond milk smoothies with the rest of them.)

The other thing which made me finally restart a sketchbook after all this time is AI. I can see that it is just going to get bigger, more powerful, and more indispensable in my industry. I'm not going to worry about losing my job to a bot (I don't have "a job", anyhow), but I am concerned about what it will do to our creativity.

When you use one tool extensively it starts to train your brain, you develop habits and shortcuts. It's one thing to have tricks for making the most of Photoshop, or to have routines when you set up an InDesign document. But when you're trying to generate ideas you need to keep an open mind. To look at things from different angles. To look again, look harder. Try wacky ideas. Draw with your food. Stick things onto the pages. Doodle. Take a line for a walk. Write notes to self. Be creative. Be messy. Be human.

#ai photography #sketchbook

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dkniade · 1 year

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List 5 things that make you happy, then put this in the askbox for the last 10 people who reblogged something from you. learn to know your mutuals and followers. I hope you're having an amazing day/night!! (⁠*⁠＾⁠3⁠＾⁠)⁠/⁠～⁠♡

hi! hope youre doing well, i dont think we've ever talked, but i really like your posts ❤️

Hello! Thank you for the message. I’m doing well. Chain ask games are curious… I guess it’s similar to passing around a note with a little message on it.

Is it just a matter of talking about myself? Very well, I’ll comply. I suppose reflecting on things that bring me joy is good.

1. Potato wedges. They’re really nice you know? They’re conveniently-shaped so you can pick them up by hand (unlike say round breakfast potatoes) while having them still tasting like potato🥔

2. Recently I’ve started reading the manga Inside Mari by Shuzo Oshimi after buying a physical copy of volume 2 not long ago. How do I say this… It feels nice holding a physical manga again. This one seems to involve a body swap between a guy called Isao Komori and a girl called Mark Yoshizaki, with a dark undertone and themes on sexuality and identity. Well, I’ve only read volume 2 and went back to read volume 1 but I haven’t finished it yet.

3. Creative writing. Can I call it happiness? But I do enjoy it. Exploring characters and seeing how a scene unfolds is satisfying within the moment. As for poetry, it is… my partner, in a sense. In poetry I can talk about my feelings, use metaphors, and play certain roles—things I wouldn’t be able to do as easily in real life. It’s a canvas I can ruin and look back on. …It’s a sword I need to learn to sheath. It’s two mirrors reflecting each other infinitely. Or maybe it’s a duel against my own feelings. I’m using rather intense imagery here, but in the end, it’s many things to me.

4. Another thing that makes me happy… In autumn, the way sunlight hits the orange maple leaves and light them up is quite beautiful. I could stand there mesmerized. Also, recently I saw a nice view. At the edge of the horizon, outlined by building rooftops, was a pink peachy sky… That sort of afternoon sky is beautiful.

5. Video essays on video games with a focus on psychology and/or design/storytelling. Since video games are an interactive form of media, it’s interesting to how certain genres/mechanics elicit certain reactions from the players. I’d recommend the channel Daryl Talks Games since he’s got a nice sense of humour along with the topics for each video. Similarly, the channel The Architect of Games is nice too.

youtube

#dusk answers

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sdhokra · 23 days

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Odisha’s Silver Filigree; A Timeless Craft Touching All Hearts

Odisha is a cultural treasure trove, known for its rich heritage of art and craftsmanship. Art flourishes in every nook and corner of Odisha such as Dhokra, Horn Work, Terracotta, etc. Every craft has its beauty.

One such prolific craft is Silver Filigree, from the historic city of Cuttack. Today as we delve into the art, we will unfurl what makes the craft so loveable and amazing. Also called Tarakasi locally, it stands out as a testament to the state’s creative spirit.

A Brief History

Tracing its roots from Cuttack, silver filigree art has been perfected by skilled artisans for over 500 years. The craft has been passed down through generations, which gives Cuttack its own distinct identity- the Silver City of Odisha. The artisans, with years of professional training and guidance, continue to produce masterpieces that captivate us all with their beauty and detail. Many of you might not have known that the art form received significant patronage under the Mughal Empire, which helped it flourish during its reign.

The Crafting Process

While every silver filigree artwork brings out creativity and craftsmanship in the best form, have you ever thought of the tedious process of making a tarakasi product?

Silversmiths use 90% alloy or pure silver in their work. It all begins with melting silver lumps in clay pots over a coal fire, with the temperature carefully regulated by bellows operated it takes about ten minutes for the silver to melt completely, and it is then poured into a rod-like mould, which is then submerged in the water for cooling.

Next, the cooled silver is placed in a machine that will press the rods into long, thin wires. These wires are then twisted and moulded into interesting shapes and designs by the artisans. Once the designs are complete, the artworks are then put through the process of cleaning and polishing. The pieces are dipped in an acidic solution and polished using various tools, bringing out a fine shine that highlights their intricate details.

A Saga of Revival

Over time, the craft began gaining popularity under the Mughals and the Marathas.In between the craft lost its sheen for the buyers. But again, it was revived during the 20th century, by Madhusudhan Das, who is known as the architect of modern Odisha. He set up a workshop called Utkal Arts Work Factory.

Despite the daunting challenges our artisans face, their dedication and hard work is unwavering. Their creativity shines through the products and jewellery that they craft, which features intricate floral designs, and finely crafted animals and birds. These handcrafted pieces of joy often serve as cherished souvenirs, adorning elegant homes.

As Decors & Utility Items

For those who love adorning themselves with handcrafted jewellery, Odisha’s silver filigree offers a variety of options. From earrings and necklaces to bracelets and brooches, these handmade pieces suit every occasion. If you are an avid shopper and also a lover of handicrafts, you must visit silver shops in Odisha for an enchanting piece of silver filigree to add to your collection of jewels and décor items.

If you frequently attend parties, outings, and functions, consider wearing silver filigree ornaments to stand out in the crowd. Embellished with intricate designs, these ornaments have an allure to them! They will add a unique touch to your personality and style.

If you are an admirer of art, remember that silver filigree work is not limited to only jewellery, but there is a vast variety of art pieces to explore from. Jewellery boxes, pen holders, purses, sindoor boxes etc, you will be enthralled to see the variety of silver filigree products from Cuttack in the marketplaces.

So when are you planning to buy a silver filigree product for yourself?

Weekends will be a good time. Take some time out and visit a good silver shop that sells silver filigree products form Odisha.

#dhokra jewellery #dhokra handicrafts #dhokra products #dhokra art

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tuxture · 28 days

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Trehan Luxury Floors: A Pinnacle of Elegance in Modern Real Estate

In a world where luxury real estate is often characterized by grandiosity and ostentation, Trehan Luxury Floors stands out by embodying a refined and sophisticated approach to high-end living. As a distinguished name in the realm of premium residential properties, Trehan Luxury Floors exemplifies a commitment to excellence, innovation, and unparalleled quality.

The Genesis of a Vision

Trehan Luxury Floors is a premier subsidiary of the renowned Trehan Group, a real estate conglomerate with an illustrious history spanning over 30 years. The Trehan Group has long been recognized for its commitment to delivering exceptional real estate projects, and Trehan Luxury Floors represents the zenith of this legacy. The company’s mission is clear: to craft luxurious living spaces that are not only aesthetically stunning but also provide the utmost comfort and convenience.

The Essence of Luxury Redefined

Trehan Luxury Floors reimagines the concept of opulent living through a meticulous blend of architectural innovation and classic sophistication. Each project is designed to transcend conventional notions of luxury, offering residents an extraordinary living experience.

1. Innovative Architecture

Trehan Luxury Floors is known for its groundbreaking architectural designs that push the boundaries of creativity. Collaborating with top architects and designers, the company creates residences that are both visually striking and functionally superior. The architectural approach is characterized by clean lines, modern aesthetics, and a seamless integration with the environment. Whether it’s a sleek urban apartment or a sprawling villa, each property is a masterpiece in its own right.

2. Uncompromising Quality

Quality is the hallmark of Trehan Luxury Floors. Every project is built with an unwavering focus on excellence, using the finest materials and cutting-edge construction techniques. From luxurious marble flooring and custom-designed cabinetry to advanced home automation systems, every element is crafted to perfection. The result is a residence that not only meets but exceeds the highest standards of luxury living.

3. Prime Locations

Understanding the significance of location in luxury real estate, Trehan Luxury Floors meticulously selects prime sites for its developments. The company’s properties are situated in prestigious neighborhoods that offer both exclusivity and convenience. Whether it’s a serene suburban retreat or a dynamic cityscape residence, each location is chosen to enhance the living experience and provide easy access to essential amenities and cultural landmarks.

The Trehan Experience

At Trehan Luxury Floors, the focus is on providing a holistic and personalized experience for each client. The company’s approach to customer service is designed to ensure that every aspect of the home-buying process is as seamless and enjoyable as possible.

1. Personalized Consultations

Trehan Luxury Floors offers a highly personalized approach to real estate, with dedicated consultants who work closely with clients to understand their specific needs and preferences. This bespoke service ensures that each client finds a home that perfectly aligns with their lifestyle and vision. From selecting the ideal property to customizing interior features, the company provides expert guidance at every step.

2. Comprehensive Support

The commitment to client satisfaction extends beyond the purchase of a property. Trehan Luxury Floors provides a range of post-purchase services, including property management, maintenance, and concierge services. This comprehensive support ensures that clients can enjoy their homes without the hassle of everyday management tasks, allowing them to fully embrace the luxury lifestyle.

Commitment to Sustainability

In an era where sustainability is increasingly important, Trehan Luxury Floors is dedicated to incorporating eco-friendly practices into its developments. The company integrates energy-efficient technologies, sustainable building materials, and green design principles into its projects. This commitment not only enhances the environmental sustainability of their properties but also provides residents with energy-efficient and environmentally responsible living spaces.

A Glimpse into the Future

As Trehan Luxury Floors continues to evolve, the company remains focused on setting new benchmarks in the luxury real estate sector. With a forward-thinking approach and a dedication to innovation, Trehan Luxury Floors is poised to lead the industry in creating extraordinary living environments that blend elegance, comfort, and modernity.

In summary, Trehan Luxury Floors is more than a real estate company; it is a curator of exceptional living experiences. With its dedication to architectural excellence, superior quality, personalized service, and sustainability, Trehan Luxury Floors is redefining luxury real estate and setting new standards for opulent living. Each project is a testament to the company’s commitment to creating not just homes, but masterpieces of modern living.

#luxuryrealestate #luxuryflooring #dreamhome

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studioahead · 1 month

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Ann Hatch: Northern California Legacy Spotlight

Ann Hatch has had many lives: ceramicist, entrepreneur, philanthropist, visionary founder of the Capp Street Project and the Oxbow School. “I believe ideas and projects have a relevance at a certain time… Things change. It is important to know when it is over,” she said to us, reflecting on a decades-long career that no matter its form has always centered on the arts, even as the city and the scene changes.

The other great constant in Hatch’s life, besides art, is her curiosity for culture. This was abundantly clear when we visited her home in Sebastopol earlier this year. Designed by her ex-husband, the architect and Buddhist priest Paul Discoe, the house is itself a work of art, with obvious Japanese influences and a respect for the materials, often left in their natural state. What makes this house Hatch’s own, however, are the artworks throughout—so perfectly selected that it is no surprise why Hatch has had success through all her personal reinventions.

Studio AHEAD: Years before we met, I came to your Sebastopol property—I didn’t know it was yours at the time—to pick up a piece by Jesse Schlesinger, who was living there. Tell us about this house, which was designed by Paul Discoe.

Ann Hatch: Designing and building a house with Paul was a unique experience. He had just started his construction business. Everything was done in the Japanese tradition. We had a terrific time designing and planning. We both had wild ideas. He could do them and make them unusually beautiful. When the project was finalized, we realized we really wanted to be together. Since we were both married that took some time. Paul is one of the most creative designers I had ever met—nothing was impossible. We shared a love of wood and using materials in creative but functional ways. He designed and built the New York apartment, as well.

Studio AHEAD: Do you regularly open up your home to artists?

Ann Hatch: There was a time when I had lots of receptions and parties. Now, I invite assorted people for small gatherings, mostly to the ranch. It’s fun to show them the details and materials of the house. I have, like everyone, realized how important my friends are. One benefit of getting old is the depth of friendship that we have.

Studio AHEAD: Is this the same kind of energy that pushed you to found the Capp Street Project?

Ann Hatch: I started Capp Street unexpectedly. I saw a David Ireland-designed house, which was for sale, empty. I met him on his birthday. I had a lot of apples in the car, which I took over to his personal residence to meet him. I soon agreed to buy the house he designed at 65 Capp Street without really knowing what I would do with it. But I knew it was a special space: I liked the changing light and sculptural elements, especially when it was empty. I knew the house could be a springboard for new ideas, not just a house. It was an immediate decision that you can’t explain. All my projects have started with a burst of confidence. I just knew it was the right idea for that time and needed to be done. I was fortunate to have the resources and advisors to get these projects started. In all cases my intention was that the project would be sustainable. It worked pretty well back then. (Things are different now).

Interestingly, my great grandfather T. B. Walker started the Walker Art Center out of his house. Maybe that had imprinted on me in some deep place. I moved quickly to develop the concept for an artist-in-residency, which was a new idea back in 1983. Artists were very enthusiastic about coming to San Francisco and making new work. We got the bravest and the best of the installation artists. Initially they made loose proposals; it was expected they would use S.F. or the house as a source of inspiration. I learned a great deal about Bay Area history from their projects: shredded money came from our mint, razor blades made from requisitioned cannons in the Presedio, seismic activity, recycled paper from Recology, and what people discard on the street. One collaborative team put fish hooks on all the street detritus around the building. We all had so much fun and realized amazingly bold ideas. The word spread fast among the artists—we were real and could do stuff! We facilitated the artists wishes, and that was thrilling.

Studio AHEAD: Could you have started Capp Street anywhere or was it something unique to the feel of San Francisco at the time? Perhaps it wouldn’t even be possible in San Francisco now.

Ann Hatch: Honestly, I would never be able to do a Capp Street project now. Everything is so charged and PC. I was born in S.F. and feel it has amazing qualities and depth. I wanted to see what artists would find interesting and worth focusing on. It might have worked in Chicago or any big city. Our artists, after 15 years, told us they were getting museum and gallery opportunities, which was great and why we closed. I believe ideas and projects have a relevance at a certain time. They can adapt and change sometimes, but it’s OK to "sunset" projects.

Later, I started Oxbow School in 1997, which we are closing after 25 years. I also closed Workshop Residence after 9 years when the pandemic hit. Things change. It is important to know when it is over.

Studio AHEAD: In the 80s and 90s you put on wild shows in your gallery: in one, the artist purposely flooded the exhibition space; in another, the street was extended right into the gallery, so that you couldn't tell which was interior/exterior. You have a much more adventurous, exploratory spirit than most patrons....

Ann Hatch: In the 80s it was a more adventurous and free time. There were lots of non-profit spaces that did great programs. The artists always wanted tech and unusual materials, which were difficult and challenging to find. Each residency exhibit was completely different. Capp Street Project had t-shirts that said "Weird things in a big room.” We had a small budget with lots of friends and connections. People wanted to be generous and part of these projects.

Studio AHEAD: What drew you to Napa to start the Oxbow School?

Ann Hatch: I was meeting the Mondavi family with a friend who was writing Robert Mondavi’s biography Harvest of Joy. My friend wanted to pitch Mondavi to fund a TV series of artists talking about their work. I said "no, that's a dreadful idea. Artists should not talk about their work… if I were Mondavis, I would start a school." So I was invited up to lunch… many lunches. I showed them many ways the arts can enrich young people and the community. He wanted to do something in the town of Napa that would have national impact. I quickly bought 15 pieces of property that were in the floodplain. It was across the river from his big project, Copia: The American Center for Wine, Food, & the Arts, which made it an "arts" district. Acquiring the properties was easy, as all the owners wanted out of the floodplain. The idea of having a semester for high school students with an arts focus was unique. Subjects taught in tandem with academics: English with painting, math with sculpture, for example. New ways of getting students thinking and engaged. Again, a bold idea that had its time. Oxbow did it really well, as the students say that I’ve changed their lives. I'm very proud of that.

Studio AHEAD: Twenty years ago you did a fascinating interview with Richard Whittaker and gave a great piece of advice to young artists: “You've got to be centered in what the work is about.” How have you remained centered in your own work?

Ann Hatch: That sounds preachy. I was probably thinking about the students at Oxbow School. If we could get the students focused in creative ways, they really blossomed. I have had the opportunity to start three projects. I've needed to be very focused on those to have them realized. Personally, I'm a bit hectic. I try to do too many things. That’s changing now...

In The Dogpatch you had Workshop Residence. Elena came after class from SFAI to a workshop headed by Max Lamb. Tell us about those times. Again I developed a plan for something that did not already exist. I wanted to have a store with limited editions of objects and work made by artists. Again , we rolled up our sleeves and made things with artists partners and fabricators. rugs made out of fire house, Sol Le Wit blankets, coffee cups made by 3D printing coffee grounds,, door stop made from skateboards, Perfume made locally, knot tieing Indigo and broom makingtied workshops, broom making,.etc

Studio AHEAD: Let's say I am a young person of certain means who wants to become a patron. What advice would you give? What has been most useful in your career?

Ann Hatch: Try new ideas that are within your means. Research what exists and find a niche. Be bold in concept. Use your friends and contacts. I needed an army for all my projects. It is one of the good parts of getting older, you have deep friendships. If you have financial resources, don’t be shy about using them in a constructive way. Starting projects takes energy, vision, and money. That’s nothing to be embarrassed about. I wanted to keep a low profile. Maybe that’s not possible now? If you’re making an impact, the word gets out by your deeds. Not social media.

Studio AHEAD: In a career of constantly looking forward, what is next for you?

Ann Hatch: I think my ceramics will hold my attention. I can control the whole process and keep learning. No board of directors, staff, or committees. I am enjoying doing porcelain portrait dog and cat bowls. People are crazy about their pets. They should have beautiful dinner dishes. It’s fun to capture their charming distinct expressions.

Studio AHEAD: Along with your house in Sebastopol, you have a home in the city, and also I think one in New York. Is there a commonality among all the houses you’ve lived in—something that makes you say to yourself, Yes this is my home.

Ann Hatch: Actually, all three are really different, which show I have many sides and interests.

Studio AHEAD: Can you share a favorite part of your house with us?

Ann Hatch: The morning and the shadows that play on the windows and surfaces. Each house has a unique character. The NYC apartment is so traditionally Japanese, it is like being in Japan. It’s very high contrast to the street energy. I see and think differently in each house. Outside at the ranch everything is fresh. You can hear things growing as I water the vegetables and assess the day. S.F. is home in lots of ways. I’m very lucky to have these places and I treasure them in different ways.

Photos by Ekaterina Izmestieva

#studioahead #annhatch #ann hatch #northern california #bayarea #studio ahead #art #california #sonoma #sebastopol

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alltheflair · 3 months

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It's all Simlish to me

Collaboration with Emma Fringuelli

In defense of ‘The Sims 4’

Fringuelli:

I, unlike many players of the “Sims” games, hopped on the bandwagon pretty late.

The numbers on my Electronic Arts account might make you think I have been playing “The Sims” for years, since I have racked up more than 300 hours playing the game, but in reality, I have not even had the game downloaded for a full year.

My first time playing “The Sims” was after my family won an iPad in a raffle. My sister and I downloaded the free mobile version of “The Sims.” The limited version of the game meant less customization, fewer functions, and altogether less fun.

We deleted the app pretty quickly.

Flash forward nearly 10 years later, and I realized that “The Sims 4” was free — and available on Mac computers.

Once I downloaded the game, I got the satisfaction the mobile version lacked. It was everything I had hoped “The Sims” would be.

The graphics, though not lifelike, are enough to get me immersed in the lives of the silly little digital people I control.

At the end of the day, that is the point: losing myself in the game.

I play “The Sims” not because I have a memory of the crunchy, harsh graphics of the 2000s. I don’t long for certain functions in the earlier games because I never played them.

I play “The Sims” because right now, I can control things in the game that I cannot control in my own life. You will not find me buying a giant mansion, becoming a secret agent, or risking my life fixing an oven in the real world. But in “The Sims 4,” I can do all that and more with little to no consequence.

And when there are consequences, they sure are funny.

Picture my shock when I find one of my sims trying to repair a radio while standing in a puddle of water, only for him to be electrocuted and die. When pleading with the Grim Reaper to spare him failed, I turned to a trick: reloading the game and trying again. The sim returned to the broken radio and puddle, and he swiftly got zapped and died again. So I reloaded the game again — and gave up on the radio.

Electrocute me once, shame on you. Electrocute me twice, shame on me.

There is also the side of “The Sims” that lets me live out my fantasy of being an architect. In the real world, I have to bear witness to McMansions with gorgeous front facades and a hodgepodge of asymmetrically placed windows on the other three sides.

In “The Sims,” though, I can channel my frustration into something a scintilla more productive. I can make houses the way they should be: with symmetrical windows and shutters that make sense.

I also get to see the creativity of people who are somehow more into “The Sims” than I am and all the custom features that they create — often for free — for other users. From in-game furniture to whole new modified gameplay features, these people are way more creative and technically advanced than I am.

What my enjoyment of “The Sims 4” boils down to is the essence of the “Sims” franchise. I get to simulate a life that is more grand, more chaotic, and more outrageous than my own. It is an opportunity to focus on stuff that truly does not matter.

In a world that demands our attention at every waking moment, I know when I fire up “The Sims 4” that I can spend a while obsessing over decorating a kitchen, getting my sim that promotion, or trying to figure out why all the babies and toddlers look so weird.

I can get back to my real-world issues later, just let me marry Eliza Pancakes first.

The problem with ‘The Sims 4’

Valente:

“The Sims” franchise holds a very special place in my heart. The original was released in 2000, but I didn’t learn about it until 2001, when I would watch my older brother play on the family PC. To my young eyes, it was one of the coolest games I had ever seen. You get to create your own person, build your home, and control what they do in their day-to-day lives. It was like creating your own sitcom or movie. Although my parents did not allow me to play it for quite a while due to some of the violence and adult themes in it, that didn’t stop me from waking up an hour or two before everyone else in the house and sneaking to the computer to get my “Sims” fulfillment. After some convincing, my parents allowed me to play the game without having to go behind their backs. (Eventually, I was caught when the computer froze and my dad came downstairs before I could unplug the machine).

A memory I hold dear is my birthday in 2003 when my now-late grandfather gifted me “The Sims: Makin’ Magic.” I’m sure I found it especially cool because Harry Potter was quite the rage at the time and I was a superfan of the franchise.

In 2004, “The Sims 2” was released into the world. I can’t fathom how many hours I spent playing the game, and how much money my parents spent buying different expansion packs during the following five years of the game’s life. Although “The Sims” was quite innovative for the time, as it was really the first life-simulation game, “The Sims 2” further expanded the genre and you could tell the team that put the game together put a lot of work into it.

With the success of “The Sims 2,” Electronic Arts had to follow up with something big. In 2009, “The Sims 3” was released, and it was just that. Although I found the sims themselves to be ugly, even back then, the team took what was great about the first two games and built upon it. I was impressed with the innovation and advancements that EA had made.

Now, I don’t want to say I hate “The Sims 4,” but I’m not the biggest fan. When it was announced in 2014, I was thrilled by the prospect. With how much the games had grown and built upon themselves with each title, I was excited to see what EA would bring to the table. At the time, I was a junior in high school. I was only working during the weekends at McDonald’s and I wasn’t making that much money, but I decided to splurge and buy the Digital Deluxe Edition of “The Sims 4” out of pure excitement.

On release day at 12 a.m., I excitedly started my computer and opened up the game for the first time. I created my sim, built them a snazzy house, and began to play. Ten minutes into the game, I was sitting there and wondering… What is this? It felt lifeless, dull, and uninspiring. I exited the game and forgot that it even existed for the next three years.

Does the game look pretty? That’s subjective, but I believe so. Did they improve in some areas, like sim customization and lot-building? Sure. But the game was a big downgrade when it came to gameplay and overall entertainment. “The Sims 4” feels like a mix of the first “Sims” and “The Sims 2,” but without the charm and personality. I love those two games and go back to play them from time to time, but I don’t want the newest and latest game in the franchise to feel like it was released almost 20 years ago. A lot of long-time “Sims” players felt the same way and decided to stop playing the game altogether.

A lot of new players might enjoy “The Sims 4”, but a lot of them never got to experience the previous “Sims” titles, as EA does not make them easy to access. I feel if they were able to play them, they would realize how much of a downgrade “The Sims 4” truly is. I’m sure EA doesn’t care that much since the company knows a lot of “Sims” players are dedicated and won’t leave the franchise behind, instead hoping it improves. Not only that, but EA essentially has a monopoly on the life-simulation genre, as there is little to no competition to be had.

I still hold out hope that the “Sims” franchise will return to its glory — if not for the fans, than for the competition. One game in particular that is set to release in the near future is “Paralives,” a life-simulation game that has a lot of “Sims” fans wondering if it is time to leave the series behind. Perhaps a little competition will drive some innovation, and less laziness, to keep fans on the side of “The Sims.” Only time will tell.

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alessandro55 · 3 months

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The Long Journey Home

The 1932 Motorcycle Voyage of Robert E.Fulton, Jr.

Photography and Introduction by Robert E.Fulton, Jr.

Essay by Alexandra Bowley, Chronology by Catlen Fitgerald

August Press,New York 2000, 90 pages, ISBN 0-9678484-1-8

euro 50,00

email if you want to buy [email protected]

In 1932, Robert Fulton Jr. -- inventor, sculptor, architect, writer, film maker, pilot and explorer -- undertook and filmed an 18 month motorcycle voyage around the world. Descendant of the inventor of the steam ship, Fulton has travel and intrepid adventure in his blood, and has only recently been acknowledged for his many creative endeavors, including his work in photography and film. In 1932, following a year of architectural studies in Vienna, young Fulton set off on a modified Douglas twin-cylander motorcycle to film the architectural wonders of the world, but soon came to realize that he was interested in filming people as well as places. Fulton credits this journey with shaping his life, his attitudes, his curiosity, his respect for other cultures and for nature, his understanding of solitude and interconnectedness. The Long Journey Home chronicles the 18 month voyage from London, through Europe, the Middle East, India and Asia, with stills from the original 35mm nitrate film Fulton shot along the way. His beautifully composed images express the wonder of a young man realizing the world for the first time, and reveal all the attendant felicity and tribulation he experienced.

23/06/24

#Robert Fulton #Long Journey Home #motorcycle voyage #Europe #Middle East #Afghanistan #India #China #photography books #Studio Simonetti #fashionbooksmilano

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portmcau · 4 months

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Reasons Shipping Containers Are Popular in Construction

Shipping containers have transformed from simple cargo carriers to integral components of innovative construction projects. Their popularity stems from a blend of sustainability, cost-effectiveness, and versatility. To get more information about where and how to buy shipping containers, visit this website.

This comprehensive guide explores the various factors that make shipping containers a favourite choice for builders and architects.

Durability and Strength

Shipping containers are designed to withstand harsh environments at sea, making them incredibly durable and robust.

Built from high-quality Corten steel, these containers can handle extreme weather conditions, heavy loads, and potential impacts. This resilience translates well into construction, where strength and durability are paramount.

The Corten steel used in shipping containers is a type of weathering steel that forms a stable rust-like appearance after exposure to weather, which acts as a protective layer against further corrosion. This property ensures that the containers can endure the elements for decades, making them a reliable choice for building structures that require long-term stability.

Cost-Effectiveness

One of the most compelling reasons for using shipping containers in construction is their cost-effectiveness.

Compared to traditional building materials like brick or wood, shipping containers are relatively inexpensive. Additionally, they reduce the need for extensive structural materials since they come with built-in walls, floors, and ceilings.

The cost savings extend beyond just the initial purchase price. The prefabricated nature of shipping containers means that less labour is required for construction, which can significantly reduce overall project costs. Moreover, the rapid construction timeline associated with shipping container projects translates into lower labour costs and quicker returns on investment.

Modular Design

The modular nature of shipping containers allows for easy stacking and interlocking. This feature facilitates creative architectural designs where units can be combined horizontally or vertically to create large spaces or multiple stories. The modular design streamlines the construction process and offers significant flexibility in design options.

This modularity also means that shipping container structures can be easily expanded or reconfigured as needed. For example, additional containers can be added to an existing structure to create more space or to accommodate changing needs.

This flexibility makes shipping containers an ideal choice for projects that require adaptability and future growth potential.

Eco-Friendliness

Repurposing shipping containers for construction helps reduce waste by giving new life to used containers that might otherwise sit idle or be scrapped. This recycling aspect contributes positively to environmental conservation efforts by minimising resource consumption and reducing carbon footprints associated with manufacturing new materials.

Moreover, the use of shipping containers in construction aligns with the principles of sustainable development.

By repurposing existing materials, we can reduce the demand for new resources and decrease the environmental impact associated with traditional construction methods. This approach supports the circular economy and promotes a more sustainable future.

Speedy Construction

Using pre-fabricated shipping containers significantly speeds up the construction timeline. Since they arrive ready-built with floors, walls, and roofs, much of the time-consuming groundwork is already completed off-site. This efficiency accelerates project completion times compared to conventional building methods.

For many projects, time is a critical factor. The faster a building can be constructed, the sooner it can be put to use.

Shipping container construction offers a solution that minimises downtime and allows for rapid deployment. This is particularly beneficial for projects that require quick turnaround times, such as emergency housing, pop-up businesses, or temporary event spaces.

Mobility

Shipping container structures offer exceptional mobility compared to traditional buildings. They can be transported easily via trucks or ships without compromising their integrity. This portability makes them ideal for temporary installations such as pop-up shops or emergency housing solutions that require quick setup and relocation.

The mobility of shipping containers also opens up opportunities for innovative uses in remote or challenging locations. For example, containers can be transported to areas affected by natural disasters to provide immediate relief structures.

Similarly, they can be used in remote areas where traditional construction would be logistically challenging or cost-prohibitive.

Versatility in Use

Shipping containers serve a wide range of purposes beyond just storage space. They can be converted into homes, offices, schools, cafes, medical clinics—the possibilities are endless! The versatility offered by these sturdy modules opens up numerous opportunities for creative applications in both commercial and residential sectors.

The adaptability of shipping containers means that they can be customised to meet the specific needs of different projects.

For example, a container can be transformed into a modern, stylish home with all the amenities of a traditional house. Alternatively, it can be converted into a functional office space, complete with meeting rooms, workstations, and break areas.

Customisability

Despite their rigid exterior appearance initially suggesting limited adaptability—shipping containers are highly customisable! Windows can be added; insulation installed; additional doors fitted; partitions introduced—the modifications one could make allow transforming basic metal boxes into comfortable living/working environments tailored precisely according to specific requirements!

The customisability of shipping containers extends to both the interior and exterior.

The interior can be outfitted with a wide range of finishes and fixtures to create a comfortable and attractive space. The exterior can be painted, cladded, or even landscaped to enhance the aesthetic appeal and integrate seamlessly with the surrounding environment.

Sustainability Practices

Incorporating recycled materials, such as used shipping containers, aligns with sustainable development goals. This aligns with promoting eco-friendly practices within industries globally. Today, this consideration is increasingly crucial among conscientious developers.

They seek green alternatives over conventional counterparts. Consequently, this contributes towards achieving long-term sustainability targets effectively.

The use of shipping containers in construction is a practical example of how recycling and repurposing can contribute to sustainability.

By giving new life to used containers, we can reduce waste and lower the environmental impact of construction projects. This approach supports the broader goals of sustainable development and helps create a more resilient and sustainable built environment.

Regulatory Compliance

Many regions worldwide now recognise container-based constructions officially through regulations. These regulations ensure safety standards are met adequately, providing legal assurance to prospective developers.

This simplifies permitting processes, facilitating smoother implementation phases. As a result, bureaucratic hurdles often encountered by traditional frameworks are eliminated. This encourages the adoption of innovative solutions industry-wide.

Consequently, container-based constructions are rapidly gaining mainstream acceptance.

This marks a significant paradigm shift toward future-oriented development approaches. These approaches emphasise practicality, innovation, and adaptability. They are harmoniously balanced and seamlessly integrated in a holistic manner. This reflects a progressive vision and collective aspirations.

Conclusion

As the popularity of shipping container construction continues to grow, regulatory frameworks are evolving to accommodate this innovative approach.

This trend is encouraging more developers to consider shipping containers as a viable option for their projects, knowing that they can meet safety standards and navigate the permitting process with greater ease.

The recognition of shipping container construction in building codes and regulations is a testament to its viability and potential to shape the future of sustainable building practices.

Source From: Reasons Shipping Containers Are Popular in Construction

#shipping containers #Melbourne shipping containers for sale and hire #shipping container hire and sales

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thelistingteammiami · 5 months

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Can You Turn Commercial Property Into Residential Property?

The state of the housing market is rough, making it difficult for many people to find and buy homes. Therefore, the prospect of transforming unused commercial spaces into residential properties is attractive. But is it even possible? Can you turn commercial property into residential property? Find out below!

Understanding Zoning Laws and Regulations

The answer hinges on local zoning laws and regulations. These laws determine the types of activities that can occur in certain areas, affecting whether a commercial building can transition to a residential dwelling. Local planning departments often require a change in use application, and the process varies significantly by location. Understanding these regulations is crucial because they lay the foundation for what’s possible with your property investment.

Evaluating the Structural Feasibility

The next step in transforming commercial property into a living space involves assessing the structural feasibility. Commercial buildings are designed differently from residential properties, often featuring larger open spaces, higher ceilings, and different types of plumbing and electrical systems. Converting these spaces requires careful planning to create a comfortable, livable environment. You may need to consider significant modifications, such as installing kitchens, bathrooms, and proper living quarters, which can be both a challenge and an opportunity for creativity.

Considering the Financial Implications

Turning a commercial asset into a residential one also demands a close look at the financial aspects. The conversion process can be costly, involving not just the purchase price but also the expenses related to rezoning, construction, and compliance with residential building codes. However, with the right planning and execution, converting a commercial property to residential use offers the potential for substantial returns on investment. It’s important to conduct thorough due diligence, estimate renovation costs accurately, and consider long-term property values in the residential market.

Navigating the Conversion Process

The process of changing a commercial building into a residential home involves several stages, from initial planning and securing permissions to construction and final approvals. Engaging with architects, planners, and builders who have experience in such projects can provide valuable insights and help avoid common pitfalls. Despite the challenges, the conversion process can be incredibly rewarding, as adaptive reuse offers many benefits and can help soften the edges of a harsh market.

Whether you can turn commercial property into residential property is a multifaceted topic that depends on local zoning laws, structural feasibility, financial viability, and the complexities of the conversion process. With the right approach and expertise, transforming a commercial property into a residential space offers a unique opportunity to repurpose buildings and meet the growing demand for housing. By carefully navigating the necessary steps, investors and developers can unlock the potential of commercial properties, contributing to vibrant, mixed-use communities.

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indiabizforsale · 6 months

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Fresh Start vs. Fast Track: Launching Your Business Dream

So you've got the entrepreneurial itch – congratulations! But now comes the big question: Fresh Start or Fast Track? There's no one-size-fits-all answer, but here's a breakdown to help you choose the path that aligns with your goals and resources.

Fresh Start: Building from Scratch

Pros:

Unlimited Potential: You're the architect! Craft a business that perfectly reflects your vision and fills a unique niche.

Perfect Fit: Pursue your passion and build something you're truly invested in for the long haul.

Lower Startup Costs: Often, fresh starts require less upfront investment compared to acquisitions.

Full Control: You call the shots! Make all the decisions and steer your business in the direction you choose.

Sense of Achievement: There's immense satisfaction in building something successful from the ground up.

Cons:

The Long Haul: Success takes time. Be prepared for years of dedication and hard work before reaping significant rewards.

Uncertain Path: There's no guaranteed formula. You'll need to navigate a sea of unknowns and be adaptable.

Wearing Multiple Hats: You'll likely be the marketing whiz, finance guru, and product champion – at least initially.

Financing Challenges: Securing funding for a new venture can be tough. Be prepared for creative solutions.

High Risk of Failure: Statistics are sobering – studies suggest a 90% failure rate for startups within the first few years.

Live Examples of Fresh Starts:

Zomato & Swiggy (India): These food delivery startups revolutionized the way Indians eat, starting from scratch and now dominating the online food ordering market.

Uber (Global): This ride-hailing giant began by disrupting the taxi industry and has since expanded into various mobility services.

Airbnb (Global): This hospitality pioneer challenged the traditional hotel industry by offering unique lodging options through a user-friendly platform.

Fast Track: Taking Over an Existing Business

Pros:

Established Clientele: Inherit a ready-made customer base, saving you valuable time and resources on acquiring new customers.

Proven Track Record: You're buying a business with a history of success, reducing some of the inherent risks of starting fresh.

Reduced Risk: There's less uncertainty with an established business model compared to a completely new venture.

Faster Growth: Leverage the existing infrastructure and customer base to potentially scale up more quickly.

Expertise Acquisition: Gain valuable insights and knowledge from the previous owner(s).

Cons:

Higher Upfront Cost: Acquisitions typically require a larger initial investment compared to starting fresh.

Hidden Liabilities: There could be unforeseen issues like debts or legal entanglements. Careful due diligence is crucial.

Integrating Existing Culture: Merging your vision with the existing company culture can be challenging.

Legacy Issues: The business may be burdened by outdated practices or technologies that require upgrades.

Limited Growth Potential: Established businesses may have a defined market size, potentially limiting your ability to achieve explosive growth.

Live Examples of Fast Track Acquisitions:

Salesforce acquires Slack (2021): This acquisition allowed Salesforce to expand its software solutions into the workplace communication arena.

Facebook acquires Instagram (2012): This strategic move bolstered Facebook's position in the social media landscape by capturing the photo-sharing market.

Microsoft acquires LinkedIn (2016): Microsoft leveraged LinkedIn's established professional network to strengthen its position in the business productivity software market.

Finding Acquisition Opportunities

If the Fast Track approach resonates with you, here are some resources to help you find acquisition opportunities in India:

Merger & Acquisition (M&A) advisory firms: These firms specialize in connecting buyers and sellers of businesses. They can help you identify suitable targets, value businesses, and navigate the acquisition process.

Online marketplaces: Platforms like IndiaBizForSale list businesses for sale by category, location, and industry.

Investment banks: Many investment banks have dedicated M&A teams that can source acquisition opportunities for their clients.

Industry associations: Industry associations often have resources or publications that list businesses for sale within their specific sector.

Choosing Your Path

The ideal path depends on your personal circumstances and goals. Consider the following:

Risk Tolerance: Are you comfortable with the rollercoaster ride of a startup, or do you prefer the relative stability of an established business?

Resources: Do you have the financial backing and industry expertise to launch your own venture, or would you benefit from the existing framework of an acquired business?

Entrepreneurial Drive: Do you crave the freedom to build something entirely new, or are you more focused on profitability and rapid growth?

There's no right or wrong answer. Weigh the pros and cons carefully, do your research, and choose the path that excites and empowers you to turn your business dream into reality!

Remember:

Fresh Start: Ideal for those with a unique vision, limited resources, and a high tolerance for risk.

Fast Track: A good option for those seeking faster growth, established clientele, and a proven business model, but with the understanding of potentially higher upfront costs and integration challenges.

Embrace the Journey!

No matter which path you choose, the entrepreneurial journey will be filled with challenges and rewards. Be prepared to adapt, learn, and persevere. With dedication and a well-defined plan, you can turn your business dream into a reality!

#businessadvice #startingfromscratch #businessacquisition #entrepeneurship #business tips #business owners #entrepreneurs #entrepreneur

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pareenacobanresidences99a · 7 months

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Why Pareena Coban Residences Is the Perfect Investment

Pareena Coban Residences stands as a beacon of luxury and sophistication in the bustling city of Gurugram. Beyond its opulent amenities and strategic location, Pareena Coban Residences presents itself as an impeccable investment opportunity. With its innovative architecture, sustainable design, and promising returns, investing in Pareena Coban Residences is not just about buying a home; it's about securing your financial future. Let's delve into why Pareena Coban Residences is the perfect investment choice for discerning buyers.

Innovative Architecture

The architecture of Pareena Coban Residences is a testament to innovation and creativity. Designed by renowned architects, the residential enclave features contemporary designs that blend seamlessly with the surrounding landscape. From sleek facades and spacious balconies to expansive windows and open layouts, every aspect of the architecture is thoughtfully crafted to maximize space, natural light, and ventilation. The result is a harmonious fusion of form and function that exudes elegance and sophistication.

Sustainable Design

Pareena Coban Residences is committed to sustainability, incorporating eco-friendly features and green building practices into its design. From energy-efficient appliances and solar panels to rainwater harvesting systems and green spaces, the township minimizes its environmental footprint while promoting a healthier, more sustainable lifestyle for its residents. By embracing sustainable design principles, Pareena Coban Residences ensures long-term environmental stewardship and resource conservation, making it a desirable investment for environmentally conscious buyers.

Prime Location

Location plays a pivotal role in real estate investment, and Pareena Coban Residences boasts a prime location in the heart of Gurugram. Situated in Sector 99A, the township enjoys excellent connectivity to major business hubs, educational institutions, healthcare facilities, and entertainment options. With easy access to Dwarka Expressway, NH-8, and IGI Airport, commuting to and from Pareena Coban Residences is convenient and hassle-free, enhancing its appeal to both residents and investors alike.

Strong Rental Potential

Investing in Pareena Coban Residences offers strong rental potential, thanks to its strategic location and luxurious amenities. With Gurugram emerging as a preferred destination for professionals and expatriates, rental demand in the area is expected to remain robust in the years to come. Whether you're looking to rent out your property or lease it for corporate housing, Pareena Coban Residences presents a lucrative opportunity to generate passive income and maximize your investment returns.

Capital Appreciation

Gurugram's real estate market has witnessed steady growth and appreciation in property values over the years, making it an attractive destination for real estate investment. By investing in Pareena Coban Residences, you stand to benefit from potential capital appreciation as the township continues to develop and flourish. With infrastructure projects, commercial developments, and urbanization driving demand for residential properties in Gurugram, owning a home in Pareena Coban Residences is a prudent investment decision that promises long-term wealth creation.

Community Living

Pareena Coban Residences fosters a sense of community and belonging among its residents, creating a vibrant and inclusive living environment. From cultural events and social gatherings to recreational activities and fitness classes, there's always something happening within the community. The strong sense of camaraderie and neighborly bonds make Pareena Coban Residences more than just a residential enclave; it's a place to forge lifelong friendships and create lasting memories.

In conclusion, Pareena Coban Residences is not just a residential development; it's a smart investment choice that offers promising returns and long-term value appreciation. With its innovative architecture, sustainable design, prime location, strong rental potential, capital appreciation prospects, and sense of community, Pareena Coban Residences ticks all the boxes for a perfect investment opportunity. Whether you're a first-time buyer or an experienced investor, Pareena Coban Residences presents an unparalleled opportunity to secure your financial future and enjoy a life of luxury and prosperity.

#home #realestate

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nmsc-market-pulse · 7 months

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Exploring the Flourishing White Cement Market: Applications, Trends, and Innovations

Introduction:

White cement, often overshadowed by its more commonly used counterpart, gray cement, plays a pivotal role in the construction industry. With its versatility, aesthetic appeal, and unique properties, white cement has garnered attention across various sectors. In this article, we delve into the thriving white cement market, exploring its applications, emerging trends, and innovative uses in modern construction projects.

Get a FREE sample: https://www.nextmsc.com/white-cement-market/request-sample

Applications of White Cement:

White cement finds its application in a myriad of construction projects, offering both functional and aesthetic benefits. Let's explore some of its key applications:

Architectural Concrete:

White cement is extensively used in architectural concrete to achieve a pristine, elegant finish. Its high reflectivity and ability to retain true colors make it ideal for creating visually striking structures. From iconic landmarks to contemporary buildings, architects and designers opt for white cement to add a touch of sophistication to their creations.

Precast Panels:

In precast concrete production, white cement is favored for its ability to enhance the appearance of panels and facades. Precast panels manufactured using white cement exhibit superior durability and weather resistance, making them suitable for a wide range of exterior applications. The clean, bright finish achieved with white cement adds value to architectural designs, especially in urban landscapes.

Decorative Finishes:

One of the most prominent applications of white cement is in decorative finishes. Whether it's textured walls, ornamental elements, or intricate designs, white cement offers endless possibilities for creative expression. Its smooth consistency allows for precise detailing, enabling artisans to craft intricate patterns and motifs with ease. From classic motifs to contemporary designs, white cement serves as a canvas for artistic innovation in interior and exterior decoration.

Tile Adhesives:

White cement-based tile adhesives are gaining popularity due to their superior bonding strength and aesthetic appeal. These adhesives provide a reliable solution for fixing ceramic, porcelain, and natural stone tiles in both residential and commercial settings. The bright white color of the adhesive ensures uniformity in tile installations, creating a seamless finish that enhances the overall visual appeal of tiled surfaces.

Inquire before buying: https://www.nextmsc.com/white-cement-market/inquire-before-buying

Emerging Trends and Innovative Uses:

The white cement market is witnessing several emerging trends and innovative uses that are reshaping the construction landscape:

Sustainable Construction:

With growing environmental concerns, there is a rising demand for sustainable building materials. White cement manufacturers are increasingly focusing on developing eco-friendly formulations that minimize carbon footprint and promote energy efficiency. Incorporating recycled materials and adopting green manufacturing practices are becoming standard practices in the production of white cement, aligning with the principles of sustainable construction.

High-Performance Coatings:

White cement-based coatings are gaining traction as high-performance solutions for protecting and enhancing building surfaces. These coatings offer excellent durability, weather resistance, and UV stability, making them suitable for exterior applications exposed to harsh environmental conditions. From protective sealants to reflective coatings, white cement-based formulations provide long-lasting protection while maintaining aesthetic appeal.

Lightweight Concrete:

Innovations in lightweight concrete technology are driving the demand for white cement in construction projects requiring reduced structural weight. Lightweight aggregates combined with white cement produce concrete with enhanced thermal insulation properties and reduced dead load, making it ideal for applications such as roofing, insulation panels, and facade cladding. The versatility of white cement enables the development of lightweight concrete solutions that offer both structural integrity and energy efficiency.

3D Printing:

The advent of 3D printing technology has opened up new possibilities for using white cement in additive manufacturing processes. White cement-based materials are being utilized for producing intricate architectural components, decorative elements, and customized construction elements using advanced printing techniques. The ability to precisely control the deposition of white cement layers enables the fabrication of complex geometries with high precision, paving the way for innovative construction methods and bespoke design solutions.

Conclusion:

The white cement market continues to evolve, driven by its diverse applications, technological advancements, and the growing emphasis on sustainability and innovation in the construction industry. From architectural masterpieces to sustainable infrastructure projects, white cement plays a vital role in shaping the built environment. As architects, engineers, and designers embrace its versatility and aesthetic appeal, the future of white cement holds promise for further innovation and creativity in construction practices.

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#construction #white cement #market trends #market research #industry analysis

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