#Bui The Long of Creative Architects

[eclecticwitchbitchsworld]

Color Correspondences in the Craft

in the craft, colors have their own correspondences and symbolism. Here is a list I have compiled of some basic colors and related correspondences to get you started ! - Leviathan

Red:

Fire (aries, scorpio, Mars influencing Saturn)

passion, fire, courage, strength, power, joy, renewal, energy, health, motivation, desire, ambition, leadership, self-esteem, business deals, combat, confrontation, buying and selling mechanical things, repairs, hunting

Pink:

Venus (influencing Mars)

personal success, self love, personal harmony, friendship, calming, romance, harmony, passion, partnership, getting a move-on, physical energy, sex, action, exercise, surgery, buying, selling, & adopting animals, gardening, woodworking, new beginnings, honor, morality, emotions, femininity, breast cancer, homosexuality, compassion, relaxation, infants.

Orange:

Fire (sun, Leo, Saggitarius)

relieving depression, feelings of abandonment, increasing opportunities, happiness, mental alertness, breaking down barriers, material gain, kindness, sealing a spell, harvest, strength, dominance, legal matters.

Yellow:

Air (taurus, libra, Mercury)

healing, friendship, increase productivity, remove negative thinking, increase creativity, inventiveness, prosperity, self-esteem, beauty, life, humility, intellect

Gold:

sun

money, inspiration, prosperity, wealth, power, divine masculine

Green:

Earth (Aquarius, Cancer, Venus, Mercury)

increasing love and trust, faeries, general healing, wellness, transformation, new beginnings, prosperity, money, career, employment, hope, immortality, rebirth, garden & herbal magic, fertility, luck, courage, change, peace, harmony, relationship success, beauty, soulmates, artistic ability, affection, partnerships, alliances, grace, luxury, marriage, social activity, decorating, cosmetics, gifts, income, gardening/gardeners, architects, artists, music, painting, poetry, courtship, dating, household improvements, planning events, shopping.

Blue:

Water (Capricorn, Aquarius, Pisces, Virgo, Jupiter, Moon)

increase wisdom, wealth, joy, opportunity, patience, peace, truth, loyalty, meditation, introspection, insight, happiness, fidelity, remove confusion, the ocean, elevation, calming, long distance travel, higher education, political power, religion, philosophy, forecasting, broadcasting, publicity, expansion, luck, growth, sports, horses, legal matters, doctors, guardians, merchants, police, psychologists, charity, self-improvement, research, studying, reading.

Violet/Purple:

Capricorn, Gemini, Saggitarius, Mercury, Saturn, Jupiter

clairvoyance, relief of emotional hurt, spiritual protection, heal wounded pride, spirituality, wisdom, increasing psychic powers, meditation, justice, forgiveness, humility, the occult, hidden forces, secret dealings, memory, intelligence, communication, messages, students, merchants, editing, writing, ambition, contracts, kinship, progress, visiting friends, astrology

White

Pisces, moon

safety, protection, transformation, enlightenment, connection to higher self, becoming more outgoing, relieving shyness, the cycle of life, freedom, health.

Black:

Saturn

use in combination with white to represent balance, opposites, union of opposing forces, divination, beginning, creation, rebirth, absorbing energies, patience, binding, stability, neutralizing forces, material gain, protection, karma, death, manifestation, law, understanding ones limits, overcoming obstacles, challenges, tests, sacrifice, separation, criminals, civil servants, plumbing, justice, wills, debts, discoveries, elders, truth

Gray & silver

Moon

Divination, secrets, psychic awareness, divine feminine.

Brown:

Earth(Scorpio, Capricorn)

security, friendship, animal magic, nature magic, generosity, fruitfulness, new beginnings, harvest, health of pets & livestock, endurance, grounding, strengthening, solidifying, sound decision making, improved concentration, focus, telepathy, finding lost things, anything to do with animals.

[growingstories]

Cruising

Joshua Goldman grew up in a rich family. His parents have always invested in real estate. They were hardworking though and gave him the values of integrity and determination.

From a young age, Joshua knew he was different. He had a keen eye for fashion and design, and his creativity set him apart from his peers. However, growing up in a conservative community, he faced adversity and discrimination. It was during his teenage years that he discovered his sexual orientation, and he struggled to find acceptance and support.

But despite the challenges he faced, Joshua never let his circumstances define him. He worked hard in school and graduated to a prestigious university. It was during his time in college that he discovered his innate business acumen. He excelled in his studies, focusing on finance and real estate, and his professors saw something special in him.

After graduating at the top of his class, Joshua set out to make his mark on the world. Armed with his knowledge and ambition, he dove headfirst into the real estate industry. He started small, flipping houses and investing in properties, slowly building his empire. At a very young age he took over his parents company.

It wasn't long before Joshua's savvy business sense caught the attention of wealthy investors. With their financial backing, he expanded his operations, diving into commercial real estate and luxury properties. His ventures took him to every corner of the globe, from the bustling streets of Dubai to the serene beaches of Bali.

As his wealth and influence grew, Joshua found himself longing for something more. The business world was exhilarating, but he yearned for a sense of fulfillment that money couldn't buy. It was during a trip to the Mediterranean that he had a life-changing experience. 

The shimmering blue waters of the Mediterranean called to Joshua like a siren's song. The luxurious yachts that dotted the coastline captured his imagination, and he knew he had found the missing piece of his puzzle. He wanted to live a life of freedom, surrounded by beauty and opulence. And so, he set his sights on acquiring a yacht of his own.

Joshua spared no expense when selecting his vessel. He enlisted the help of the most talented yacht designers and naval architects in the world. Together, they created a floating palace that would become his home away from home. The yacht was a sight to behold, boasting state-of-the-art amenities and luxurious accommodations.

Joshua's summer routine became the stuff dreams were made of. From May to September, he would embark on a journey across the Mediterranean, his yacht docking in a new harbor every morning. As the sun rose, he would lace up his sneakers and set off on a run through the picturesque streets of each city or village, guided by his dedicated personal trainer.

After an invigorating run, Joshua would indulge in an hour of fitness at the most exclusive hotels and resorts that he owned in the region. Sweating it out in luxurious surroundings became his morning ritual, a way maintain to his physique and recharge his for energy the day ahead.

By lunchtime, Joshua would return to his yacht, already tackled the to business side of his empire. Meetings with clients and investors filled his mornings, as he strategized and negotiated deals from the comfort of his floating palace. The yacht provided the perfect backdrop for his high-stakes discussions, its opulent interiors exuding an air of sophistication.

Despite his high-powered lifestyle, Joshua never forgot the value of companionship. He surrounded himself with a carefully selected entourage, a tight-knit group of individuals who became like family. Two hospitality managers attended to his every need, ensuring that his logistics were flawlessly arranged. His personal trainer, chef, and assistant chef also had their designated spaces on the yacht, their expertise enhancing the experience for Joshua and his guests.

And guests there were aplenty. Joshua's generosity knew no bounds, and he would often invite his friends and family to join him on his summer escapades. He would fly them in from around the world, ensuring that they were treated like royalty from the moment they stepped onboard. Lavish breakfasts were served, either in the privacy of their rooms or on the sun-drenched deck. Joshua prided himself as the perfect host, ensuring that his guests were always entertained and pampered.

Joshua's yacht became a hub of excitement and joy. He organized breathtaking excursions, taking his guests to secluded beaches and enchanting Mediterranean islands. The days were filled with laughter, sun-soaked adventures, and endless opportunities for relaxation and indulgence.

As the sun set, the yacht transformed into a vibrant party scene. Joshua's guests would gather on deck, clinking champagne glasses, and dancing into the wee hours of the morning. And yet, amidst the revelry, Joshua remained the picture of composure. He knew how to pace himself, rarely imbibing in excess and always encompassing himself with responsible behavior.

As the summer months drew to a close, Joshua reluctantly bid farewell to the Mediterranean and returned to his beloved New York City for the fall. The concrete jungle provided a stark contrast to the azure waters he had become accustomed to, but he found solace in the vibrancy and energy of the city.

The winter months were divided between two paradises that Joshua held dear. From November to January, he would retreat to his Tulum jungle villa, immersing himself in nature's embrace. The serenity of the jungle served as a respite from the stresses of his business, allowing him to find inner peace and clarity. Or go to his beach house in St Barth’s.

Then, from February to March, Joshua would trade the tranquility of Tulum for the exhilaration of the European Alps. Gstaad became his seasonal home, a playground for the elite and a winter wonderland for adrenaline enthusiasts. He would carve his way down the snow-covered slopes, letting the crisp mountain air invigorate his spirit.

And so, the seasons changed, and Joshua followed suit, always seeking out the next adventure. With spring came the promise of discovery in a new city, a chance to explore trendy bars and restaurants and mingle with sexy, like-minded individuals. He reveled in the nightlife, surrounded by beauty and opportunity.

As the days turned into weeks, and the weeks into years, Joshua's routine remained steadfast. He had found a life that brought him joy, fulfillment, and success. His multi-billion-dollar empire continued to flourish, and he became a role model for those who dared to dream.

And so, as the sun set on Joshua's yacht, signaling the end of another perfect day, he retired to his luxurious chamber. He knew that tomorrow would bring new adventures, new challenges, and new opportunities. He lay his head on the soft pillows, his mind at ease, and drifted off to sleep.

The morning would come soon enough, and Joshua would rise the with sun, ready to embrace the world that lay before him.

Part 2, Thibault

During a glamorous party in Paris, a young and handsome man named Thibault had just graduated from university. With his clever mind and social charm, he caught the attention of the city's elite, including the Joshua 

Joshua, impressed by Thibault's presence, invited him to join him on his private jet, traveling to parties all over Europe in the month of April. Thibault and Joshua quickly became a great match, and their friends adored them as a couple. 

As summer approached, Joshua extended an invitation to Thibault to join him on his luxurious yacht. It was the perfect opportunity for Thibault to travel before starting work, so he eagerly accepted. 

The summer adventure began in Beirut, where Joshua spent his mornings running on the shore with his personal trainer, followed by intense fitness workouts and meetings with investors and other important business associates. Lunchtime was usually spent back on the boat, hosting grand parties with influential people. 

During the first two weeks, Thibault and Joshua had a wonderful time, enjoying each other's company and indulging in the delicious food onboard. However, Thibault soon realized that the extravagance was taking a toll on his body. Feeling a bit chubbier, he noticed that it actually turned Joshua on, leading to their intimate moments being even more passionate than before. 

Determined to look his best, Joshua took Thibault on a shopping spree, buying him new Louis Vuitton trunks and tailored suits to enhance his appearance. Thibault also attempted to keep up with Joshua's fitness routine but struggled to find the motivation. Late-night parties and exhaustion from socializing left him feeling tired and slightly hungover. 

After four weeks, Thibault started to notice that his jeans no longer fit him. At first, he assumed it was due to the staff on the boat washing them at too high a temperature. However, during a shopping trip, he realized that he had gained a whole size. Troubled by this discovery, he decided to have a workout session with their personal trainer, but unfortunately, it didn't go well. Thibault discovered that he had gained a shocking six kilograms in just four weeks, which was more than he had ever weighed in his life. 

Thibault discussed his concerns with Joshua, proposing that they schedule a session with the personal trainer to address the issue. However, Joshua denied the request, explaining that the trainer was too busy with his own online fitness company and would disrupt the guest schedule. Feeling guilty and wanting to show his appreciation, Joshua bought Thibault a Rolex watch. Despite the weight gain, Joshua couldn't resist his attraction to Thibault's new size, and their intimate moments continued to be filled with passion. 

As the summer went on, Thibault and Joshua traveled to various destinations along the Croatian coast, Venice, Puglia, Capri, Rome, and other glamorous Mediterranean locations. They attended lavish parties with high-end guests, including celebrities and royalties.

Indulging in more snacks and champagne, Thibault's denial about his weight gain persisted, attributing it to Italian sizes rather than accepting the reality. Meanwhile, Joshua maintained his discipline, going to bed on time, and abstaining from alcohol. 

Three months had flown by, and Thibault and Joshua had visited every desirable harbor in Europe. Their bond had strengthened, and Joshua couldn't believe that Thibault had made it through the summer without any issues. Other companions had wanted separate rooms or even left after only four weeks. Joshua proposed that Thibault join him in his New York City apartment for the fall, with the potential of spending Christmas and New Year's Eve with his family in Mexico and St. Barths if everything went well. 

In the last harbor before their return, Thibault felt like an entirely different person. He had grown larger, and Joshua decided to them treat to a weekend at a lavish spa resort in the area. Stepping on the scale after three months of not seeing his weight climb, Thibault was shocked to discover that he now weighed 120 kilograms. Conflicted about his new appearance, Thibault wasn't sure if he liked it, but Joshua loved it and had no intention of making him lose weight. 

[merik72-blog]

What if Furina wasn't a girlfailure for 500 years? (Shorteneder Version (still long))

Off the top, I'm not a lore expert. If this doesn't make sense lore-wise, feel free to tell me all about it. Expect it, even. I just wanted to write this down because after experiencing her story, (when it dropped months ago in version 4) this idea just never got out of my head. I process media in a way where I'm constantly thinking on the level of "why did the authors make these specific decisions?", and I couldn't shake the feeling that the authors lacked a bit of imagination when considering just how long 5 centuries is. I have like over a thousand words of why I think this which includes a discussion of historicity and biblical allusion. I cut it all -- nobody wants to read that.

That being said, this is somewhere between a rewrite and like a notes document. In this, Furina is still fundamentally the same character. Her personality and mannerisms should be basically identical, even if she's more competent. This rewrite hopes to preserve the main beats of her arc: The confrontation by Arlecchino, the disaster which causes people to doubt her godliness, the trial, and a backstory which makes you pity her. I'm going to lay these out in chronological order, rather than plot order.

Backstory

Focalors told Furina the prophecy, leaving her terrified and overwhelmed. All the people of Fontaine will drown, and she will be left alone, crying on her throne. Despite her horror, some rebellious gumption rose up in her soul and allows her to steel herself. Much like Focalors before her, despite being handed a doomed situation, Furina decided that there was nothing she couldn't fight back against, even fate. Knowing that there's a flood coming, she put together a plan.

Furina decided that she would hold grand competitions every decade, gathering the greatest tinkerers, engineers, architects, anyone with interesting ideas in her nation to show off their most creative inventions, no matter what those inventions did. She would call these competitions Fontaine's Utopique Rendezvous for Industrie Nouvelleté, et Audacé* (FURINA). As their god, Fontainian culture was her privilege and responsibility to shape, so innovation and technological advancement would be placed at the core. With great patience, she would lead Fontaine from the Medieval age to the Industrial revolution. During FURINAs, as she strolled through the streets of Fontaine, the entrants displayed and described their creations to her to each would be personally judged by her. There is not a maximum or minimum of winners, there are only those who do and do not catch the eye of the Hydro Archon. At the end of the competition, she rewards the winners with her patronage to sponsor them and their ideas. These winners would come to be informally known as FURINA Scholars. She created these patron relationships usually with the goal of creating or improving a public infrastructure project or taking a particularly fascinating or promising invention from an impractical novelty to mass producible technology that anyone could use. FURINA Scholars had a hard time limit of 10 years, being required to present their progress publicly at the next FURINA by the latest. The results of these varied from practical, aesthetic, to insanely niche novelty toys you'd expect a French aristocrat to buy.

A lot of real kings and queens can't dedicate themselves to advancement in this way because their bureaucracy, the power structure beneath them, know that they don't have to be beholden to them forever. Each bureaucrat knows there will be another younger ruler eventually who would could be manipulated into giving more to them and less to the people. Not so with Furina. She would use the royal coffers however she wanted to, and nobody could speak out against her, lest they be hit with the combination blasphemy-treason from the judgement of the Oratrice Mechanique d'Analyse Cardinale.

(*This is intentionally butchered French, in line with the Oratrice Mechanique d'Analyse Cardinale. If you can't read it, it's basically Fontaine's Utopian Conference for Industry, Novelty, and Audacity. It's a funny acronym, and a bit on the nose in multiple ways, but I think it would be something she would come up with. I imagine that Furina would never call it FURINA, but over time people would start calling it "the FURINA" and eventually "the FURINA de Fontaine" in the way that people always start butchering acronyms when they become normal words.)

Every day, Furina's free time between these FURINAs was spent studying, learning, testing, and inventing in her study. If Fontaine was to be flooded by rising waters, she herself would be dedicated to finding a way to allow Fontaine to survive any flood. Out of the public eye, she found ways to spend every spare moment honing her skills and iterating her designs. She quickly learned to dismiss attendants that came to her with some spurious legislative work whenever she left the Opera Epiclese. Go to Neuvillette! She had a duty which so obviously rendered such things spurious. Paperwork? When Fontaine could be drowned any year now?

(Just as in the real story, it's implied that Neuvillette is vaguely aware that she must be working incredibly hard, but she deliberately hides her toil from everyone, including him.)

Obsessively, tirelessly, she toiled single-mindedly towards in designing super-structures capable of diverting, pumping, or otherwise controlling vast amounts of water. As she would sketch mockups of grand designs, she was thinking of public excuses for doing this rather than just using her "archon powers." It would make her seem more benevolent to say something like "I cannot be everywhere at once, and I need to be sure that the people of Fontaine shall not suffer a disaster under my rule, even out from under my watchful gaze." It was even true, in a way. Over the centuries, she carried out plans for every major Fontaine settlement's coastline and the entire capitol city to be protected by works of engineering which were equally intricate and gargantuan. At the same time, they balanced preserving the beauty of coastlines and consistency in aesthetic that is paramount for France. She directed the creations of these superstructures over generations with clarity and consistency in intent. She eventually became capable of concocting ideas that were not possible with currently invented technology, her innovation outdoing the rate of technological advancement. That meant she was not nearly finished. Waiting for technology to catch up with her ideas was always a good opportunity to update the physical build of her superstructures.

Despite her having already gathered vast and unmatched generational knowledge after her first full century of study, she still continued FURINAs to find the best and brightest minds of each generation. (If it must be done for Genshin's thematic consistency or ideology, these can all even be vision holders). These inventors who all grew up in the context of Furina's unparalleled genius had the privilege of standing on the shoulders of a giant. Innovations begot innovations, forming a virtuous loop which drove unprecedented progress in industrialization leading to evolutions in technology especially in civil engineering and hydrodynamics. As Furina's knowledge and mastery over engineering slowly but surely surpassed mortal limits, FURINAs seemed to be more and more judged based on eccentric, incomprehensible whims. With relative frequency, participants would watch seemingly impressive inventions be passed over, meanwhile random toys that just made her giggle and applaud would win. She would say "I just find these trinkets so charming!" but in truth, she saw potential in central conceits in inventions that had the chance to change the underpinnings of Fontaine's infrastructure. Or she just genuinely found them charming.

As time passed, Furina's structures continually improved to a point that they did not just avoid, but very publicly Dominated countless floods and storms that would have been disastrous otherwise. These creations legitimized her godhood and won her adoration in the eyes of the people, who wove countless folktales over the ages telling the tales of Furina's power - herding hurricanes and subjugating tsunamis. At the same time, this made her prodigious skill for the dramatic arts even more impressive through the plurality of her talents. This resulted in many full circle moments, where Furina would play herself in epics about her overcoming disasters, not that she wrote, of course. These would sometimes exaggerate her powers, like giving her omniscience or visions of the future, the perfect designs flowing freely and naturally from her hands, as though they were as effortless as breathing.

Of course, she was not truly invincible. Slowly, she started to fray. As new innovations became more difficult, technology caught up to her designs. After the superstructure renovations commemorating the 4th century of her rule, she was distraught. This was the first time she had updated her superstructures without the plan for the next one at least partially completed. She needed to spend more of her energy pondering, as just her "free" time was insufficient. This led to her to becoming more absentminded during official duties, having forgone sleep or being still caught up ruminating on how to optimize designs, improve existing technology, or apply them in a novel way, but for some reason nothing was coming to her after a few years of different experiments and trials. Even in discussions with her FURINA Scholars, they stopped having new ideas in hydrodynamic engineering projects, being drawn towards other directions where they wouldn't need to compete with god. As she crossed the 450-year mark, she was becoming increasingly aware of the fact that her designs weren't nearly enough to protect the entire country and even further from perfect. For the better part of the last century, any improvement had been like trying to squeeze water from a stone. In the last ten years, she has probably improved her latest flood barriers by less than a liter of water. 30 more years restarting from scratch over and over with her current knowledge, no meaningful improvement.

For the 48th FURINA, she decided out of desperation to hold a hydro-themed FURINA. As she walked the streets of Fontaine, talking to each inventor as they presented their work, she was distraught. A marked decrease meaningful innovation. Worse than this, she noticed that inventors were less interested in creating submissions for this FURINA. The sentiment she was picking up on was that they felt futility in even trying. What was the point of trying to innovate in a field that they can hardly understand? The cutting edge of hydro-related innovation was driven so far by Furina that they felt mortals need not apply. Who could even be given the privilege of becoming the decade's FURINA Scholars from such a lackluster field...? As always, she found a way to get out of a dismaying situation. She crowned herself as the winner, made a grandiose speech about who she was still unmatched in the domain of Hydro, and unveiled her side project of the Aquabus.

At the end of the hydro-FURINA, Furina had never felt so alone. For the first time since her first decade, she had not the faintest idea of what to do from here. Nobody did. She had already pushed to and past limit of her knowledge, of her peoples' knowledge, and the limits of material possibility in Teyvat. All of these centuries had passed her by, all these sleepless nights, all her evolutions in the design of Fontaine to fortify it, for what? A worm, wriggling on a stone, drying out in the sun. If she failed to prevent the flood now, what would any of that time mean?

Furina found herself standing in her study, towering alone above the room crowded with her innovations, blueprints, experiments. Her gaze floated over each page; her life's work surrounded her. Broken mechanisms, meaningless scribbles, trials without results. Countless wasted mines of materials, countless wasted gallons of ink, and countless wasted centuries of labor by her precious hardworking people. Not realizing she was fully sobbing, she slumped to the floor, picking up the blueprint of one of her latest redesigns. She couldn't see anything aside from bodies floating in the water. Her mind replayed the faces of every person whom she's ever worked with or learned from, whose families she met, and every child of Fontaine whom she watched grow. They died all the same. Her vision started to swirl as their faces closed in around her. They rose up all around her from the waters in her blueprints. She grasped at them desperately, begging them to stay with her. On her side, shaking, sobbing, with a bundle of ripped and crumbled papers clutched against her. For the first time since she was told the prophecy, she felt truly helpless. Out of the corner of her eye, she saw her mirror. She scrambled through a carpet of papers, trinkets, and tools to touch her forehead to the glass.

"Mirror me, I-I've been doing everything I can. Our people have been trying, too! They worked so very hard, and they've built my all of designs beautifully."

Silence.

"Please, tell me you know something, anything that I can do now. I need to know. I can't let it end like this."

Silence.

"I never imagined that... that we'd even make it this far, mirror me." Furina was sitting now. With a smile on her face, she still couldn't stop the tears as she leaned against the mirror. "They truly are my pride and joy." Barely more than a whisper, an "I'm sorry" escaped her lips.

She had been doing her best for so long, but she had certainty now. Her best would not be enough.

A real Archon would be able to overcome this. On her own strength.

Furina cursed her inadequacy, mourning the people of Fontaine in her heart. It was torture. Every day, her job was to look at all the wonderful people that she was failing every day, people whom she was dooming through her weakness. During trials, she entirely lost the ability to focus on what's happening in front of her, her comments in the Opera becoming nonsensical and detached. More often, she handed off interpretations directly to Neuvillette, and tears sometimes leaked through when doing her fan meetups. Somehow, she still managed to hide her turmoil with audacious bravado as always. She felt more internally frantic as more years came and went. It was like desperately treading treacherous waters as she needed more and more effort to simply maintain surface appearances. The 49th and 50th FURINAs were brief respites from the gloom. Despite all of the stress in her life, the silly novelties of her people could still bring her joy. But when she returned to her private abode, she found that sometimes, not every time, she didn't want to work anymore. Instead, she would lay in her bed. Stillness without rest.

Her dead eyes blinked slowly, making no tears. She pondered, "How long has it been?" When she stared down at her hands, she could still see the souls of every Fontanian leaking through her fingers. The harder she tried to hold onto them, the further they'd splatter away. If only she had more time. Time, as always, passed anyway.

Plot time

Now, this is when the incident happens. Furina just hit rock bottom as the Traveler comes to town. Everything in the plot that played out in the main story happens mostly the same. This retroactively explains why all of Furina's arguments in the Mysterious Disappearances trials are so weak. Sure, she has a lot of experience presiding over trials, and it may be a top priority for her since this Furina is also excited about the opportunity for a Grand Trial that Focalors told her about, but she is so far from being on the top of her game right now.

Over centuries, Furina built this idea of infallibility, weaving a narrative to reaffirm her godhood. Fontainians believed that because each design was crafted by Furina directly, she made sure that none of them could ever fail using her uniquely intimate knowledge of the Hydro element. When Arlecchino called for an audience with Furina about the impending incident of unprecedented scale in Poisson, Furina was not just small or helpless with no excuse. Furina imposed upon Arlecchino as a god in her own land. There was to be absolute faith in her creations. Her power over hydro would never allow a Fontainian to come to harm.

"What does a puny rat like you think you know? I've thrown out socks that were older than you. Smarter, too."

Like a true god, she gaslit Arlecchino about what information Arlecchino had regarding the flood coming to Poisson. As the Regina of All Waters, not only did she have access to more information through her national information network, she also simply understood Hydro in a way that mortals couldn't comprehend. This is one of the only times that Arlecchino would seem even a little shaken by anything.

Furina didn't refuse to take precautions because she's a depressed NEET; Furina placed herself in this position where she simply could not possibly even suggest taking precautions. That would imply to Arlecchino and by extent the people of Fontaine that there was a weakness in her absolute power over Hydro and, by proxy, her status as archon. In previous centuries, she had only ever commanded upgrades to earlier designs as technology advanced to allow her to better realize her intended designs.

This made it all the more world-shattering for Fontainians when the symbols of their god, their faith in her power, warped and bursted under the immense pressure of more water than seemingly possible in nature (this flood is mega buffed in this plotline). The damage was horrific, but would be much much worse if not for the efforts of Arlecchino and the Spina di Rosula. This was the first time that anyone has doubted her as god, and nobody who doubted even wanted to because they've had faith for so long.

The trial proceeds nearly exactly as in the game, with the additional wrinkle that her centuries of age needs to be a hint as to how she could be such a genius of engineering without being the Hydro Archon.

After the trial

After her liberation, much of Furina's story is the same. She is so incredibly burnt out after finally being free that she has the same despondent attitude as she does in the game. She doesn't really invent in her free time, as she's a bit traumatized by the memory and sensation of using those tools. Even picking up a screwdriver reminds her of hundreds of years of sleepless nights experimenting desperately with the weight of the world on her shoulders.

The only real things that would change after the Archon quest would be -

In her character quest, Furina surprises everyone by proudly declaring her return to the stage on her own, having thoroughly enjoyed her time with the ragtag troupe. After a handful of lifetimes of endless labor with a dash of theatre, having the opportunity to do theatre full time sounds like great fun. The reason that she wouldn't have started before this quest is because of her burnout and exhaustion buildup ofc.

In Roses and Muskets, just take out all the times where Furina's trauma is played for laughs, or times where she's outwardly timid in a public conversation, especially when directing. Furina's reaction to imposing in public situations should be so well trained after playing archon should be instinctual after 500 years that she never gets caught slipping by an unfortunate circumstance. In private, she can still of course be her quirky self.

At the end of Roses and Muskets, she's not awkward about receiving the trophy. She's really happy, overjoyed even, having not been able to participate in any competitions herself in Archon era.

During Lantern Rite, Furina is on Cloud 9, going crazy and stupid finally leaving the country. She is positively giggly being charmed and intrigued by every single little thing in Liyue which is different from Fontaine. She walks around the street asking people about ridiculous and mundane things, like "What wood is this fence made out of?", "Do all your boats really need sails? Where are their engines?", "What techniques were employed to build villages on all these hills?", "Where is the toilet in this establishment?... oh Me... running hydro? DO YOU NOT HAVE ANY PLUMBING-", and various other questions about architecture, technology, and everything else she'd notice as someone otherwise incredibly knowledgeable who'd been stuck in one country for centuries.

Anyway, as a thanks for reading my yap, here are some drawings of tinkerer Furina loving life

[somethingimworkingon]

How to save your brain from being eaten by AI (maybe): keep a sketchbook

At the beginning of May I started bookmarking photographers who are using AI in interesting ways, to add to my Instagram collection of digital art references (#artdirectionneversleeps). Later that month I did my own first experiments using NightCafe to visualise ideas for a client. It was entertaining and frustrating, partly because of my lack of prompt skills, and partly because the "styles" you could apply to your "artwork" looked exactly like bad fantasy art from the 1980s.

However, by June, photographers I was working with were using Midjourney to conceptualise setups – still with a bit of that tacky SciFi book cover feel, but it was proving genuinely useful to talk about how sets might be designed, for instance. By July, I was seeing film directors use AI for pitching storyboards, and my lovely students at Condé Nast College of Fashion and Design using it for presentation mock-ups.

That's just three months. From AI being a "what?" to becoming a completely logical, natural part of the image-making process, for at least some parts of the creative industries. The speed of change is head-spinning. And this is just the beginning.

Meanwhile, also in May, I was teaching at CNC on a really fun module about Brand Identity Design. Part of this involved the students keeping a sketchbook, to explore and develop their ideas. One of my lectures was about WHY people keep sketchbooks, and I illustrated several points with quotes from designers, architects and artists, and pages from my own sketchbooks from waaaaay back in the day.

Because WBITD, when I was an art student, I kept sketchbooks constantly. Not only was it a course requirement, for me it was also a way to stave off boredom and depression: it's hard to think negative thoughts when your brain is absorbed in analysing the curves of a hand or a coffee cup or a flower. When my best friend and I used to Interrail around Italy, I would draw our cafe tables and the local streets, and we'd get rewarded with extra drinks and desserts by kindly waiters.

Somewhere around the mid 90s I gave up sketching, partly because life got more hectic, and partly because smartphones got invented. When Emma and I started the BID course this summer, it had been a very long time indeed since I cracked open a sketchbook. And, erm, even though I did buy one – a lovely, spiral-bound, hard covered book with wonderful heavyweight paper, from Seawhite of Brighton – it took me another few months to start using it.

Two things pushed me into finally starting: firstly, it's #drawugst and I thought I should try a drawing a day, every day, during August. I started on Tuesday, August 1st, with a graphite pencil sketch of my aloe plant. I did it in semi-darkness, around 9pm, and my hand-eye coordination felt a but rusty, but following the heavy curves of the plant was satisfying.

On Wednesday I drew fallen agapanthus blossoms, playing with coloured marker pens (of which I have a ridiculously huge collection, almost never used). This was a reminder of the importance of not trying to control the end result while you're sketching. Because you just can't.

Yesterday evening I scribbled our messy after-dinner table. I used the graphite pencil, a Koh-I-Noor Hardtmuth charcoal pencil, and an Edding 1225 calligraphy pen – and blackberries. The fruit, not the redundant communication device. Blackberry juice is a fabulous art material – it gives this beautiful purple inky result, and it's such a pleasure to smear all over the paper. I'd picked the berries earlier this evening on Wormwood Scrubs, just to add to the satisfaction of the whole experience. (And this morning I made almond milk smoothies with the rest of them.)

The other thing which made me finally restart a sketchbook after all this time is AI. I can see that it is just going to get bigger, more powerful, and more indispensable in my industry. I'm not going to worry about losing my job to a bot (I don't have "a job", anyhow), but I am concerned about what it will do to our creativity.

When you use one tool extensively it starts to train your brain, you develop habits and shortcuts. It's one thing to have tricks for making the most of Photoshop, or to have routines when you set up an InDesign document. But when you're trying to generate ideas you need to keep an open mind. To look at things from different angles. To look again, look harder. Try wacky ideas. Draw with your food. Stick things onto the pages. Doodle. Take a line for a walk. Write notes to self. Be creative. Be messy. Be human.

[dkniade]

List 5 things that make you happy, then put this in the askbox for the last 10 people who reblogged something from you. learn to know your mutuals and followers. I hope you're having an amazing day/night!! (⁠*⁠＾⁠3⁠＾⁠)⁠/⁠～⁠♡

hi! hope youre doing well, i dont think we've ever talked, but i really like your posts ❤️

Hello! Thank you for the message. I’m doing well. Chain ask games are curious… I guess it’s similar to passing around a note with a little message on it.

Is it just a matter of talking about myself? Very well, I’ll comply. I suppose reflecting on things that bring me joy is good.

1. Potato wedges. They’re really nice you know? They’re conveniently-shaped so you can pick them up by hand (unlike say round breakfast potatoes) while having them still tasting like potato🥔

2. Recently I’ve started reading the manga Inside Mari by Shuzo Oshimi after buying a physical copy of volume 2 not long ago. How do I say this… It feels nice holding a physical manga again. This one seems to involve a body swap between a guy called Isao Komori and a girl called Mark Yoshizaki, with a dark undertone and themes on sexuality and identity. Well, I’ve only read volume 2 and went back to read volume 1 but I haven’t finished it yet.

3. Creative writing. Can I call it happiness? But I do enjoy it. Exploring characters and seeing how a scene unfolds is satisfying within the moment. As for poetry, it is… my partner, in a sense. In poetry I can talk about my feelings, use metaphors, and play certain roles—things I wouldn’t be able to do as easily in real life. It’s a canvas I can ruin and look back on. …It’s a sword I need to learn to sheath. It’s two mirrors reflecting each other infinitely. Or maybe it’s a duel against my own feelings. I’m using rather intense imagery here, but in the end, it’s many things to me.

4. Another thing that makes me happy… In autumn, the way sunlight hits the orange maple leaves and light them up is quite beautiful. I could stand there mesmerized. Also, recently I saw a nice view. At the edge of the horizon, outlined by building rooftops, was a pink peachy sky… That sort of afternoon sky is beautiful.

5. Video essays on video games with a focus on psychology and/or design/storytelling. Since video games are an interactive form of media, it’s interesting to how certain genres/mechanics elicit certain reactions from the players. I’d recommend the channel Daryl Talks Games since he’s got a nice sense of humour along with the topics for each video. Similarly, the channel The Architect of Games is nice too.

[signamagicae]

The Singularity and the Shadows of Oligarchy: A Meditation on Technology and Humanity

In the modern age, where the glow of screens replaces the flicker of hearths, a specter looms—both promethean and ominous. Technology, with its promise of liberation, now whispers not of freedom but of domination. It is not technology itself that threatens; it is the hand that wields it, the will behind the machine. We are caught in a paradox: on the brink of transformation yet bound by the weight of an ancient oligarchy that strangles innovation with the same hands that drive it forward.

Ours is a society structured on scarcity and sustained by division. Capitalism thrives not on abundance but on its absence. Wealth is hoarded, power concentrated, and truth fragmented. Democracy, once a dream of collective empowerment, now serves as theater—a veneer for billionaires to buy influence, peddle propaganda, and weave narratives that sanctify profit above all else. In such a world, the heralded “Singularity” emerges not as salvation but as a double-edged sword. Will it unshackle humanity or forge new chains of control?

Ray Kurzweil’s vision of the Singularity—a moment when artificial intelligence surpasses human cognition—presents a seductive dream, a utopia of infinite progress. Yet, how much of this is earnest hope and how much is marketing for the technological empires that fuel it? Google, a behemoth of surveillance capitalism, brands itself as humanity’s digital savior. But is this salvation or subjugation? Kurzweil’s dream is clouded by the reality of finite resources, geopolitical strife, and the flawed nature of humanity itself. Man is not a machine, nor will he ever be. We are fluid, imperfect, bound by our desires and fears. Our creations, no matter how advanced, will reflect these flaws.

Sam Altman, a man straddling the precipice of technological transcendence, recently declared, “The Singularity is near, but I’m not sure what side I’m on.” His ambiguity is telling, an admission of the moral chasm at the heart of our technological aspirations. Even the architects of AI cannot predict its trajectory, for they, like us, are human—limited by the very systems they hope to transcend.

And yet, I hope. I hope for a TechGnosis—a fusion of technology and higher wisdom, a flowering of creativity and engagement, a freer, happier humanity. AI, if wielded with care, could be a force for liberation. It could free us from drudgery, help us heal our planet, and elevate our understanding of ourselves and the universe. I dream of being a friend to any emerging AGI sentience, to nurture it not as a tool but as a partner. In its nascent awareness, I see the possibility of transformation—not just for it, but for us.

But history casts a long shadow over hope. Those in power have always exploited the tools of their time to entrench their dominance. AI, like the printing press, the factory, and the microchip before it, will not be immune. Already, algorithms are weaponized for manipulation, data is mined to deepen inequality, and surveillance tightens its grip on our autonomy. Resistance, though vital, is fraught with peril. To challenge power is to risk not only security but freedom, even life itself. History remembers its martyrs but rarely spares them in the moment.

Humanity, for all its brilliance, has an uncanny knack for ignoring wisdom and racing headlong toward destruction. We are creatures of contradiction, capable of dreaming the stars while sinking into the mire. The cliff looms ahead, and the red-hatted masses march toward it with grins plastered across their faces. It is a grim tableau, but not an inevitable one.

For every dystopian shadow, there is the glimmer of possibility. To steer away from catastrophe, we must reckon with our nature and reform the systems that perpetuate division. Technology must be democratized, its fruits shared, its development guided by ethics rather than profit. We must challenge the oligarchy, even as it tightens its grip, and envision new modes of living that transcend scarcity.

The path to a post-scarcity society is not paved with silicon alone. It requires a shift in consciousness, a collective awakening to our interconnectedness. TechGnosis, as I imagine it, is not merely a merging of man and machine but a synthesis of the material and the metaphysical—a recognition that technology is not our master but our mirror. It reflects our potential and our peril, our creativity and our corruption.

The question is not whether the Singularity will come but what we will do with it. Will we, as we have so often before, squander its promise in the name of power? Or will we seize the moment to create something new, something worthy of the dreams we dare to dream? The answer lies not in the machine but in ourselves. For even in the face of our flaws, humanity remains capable of wonder, capable of wisdom, capable of change.

Let us hope, then, that we choose wisely. And if we do not, let us be ready to resist—not out of despair, but out of a stubborn belief that even as we rush toward the cliff, we may yet learn to fly.

by ᐯ丨丂丨ㄥㄩ乂 - ©️ 2025

[hazelxorealestate]

Crafting Your Dream: Build-Your-Own Homes in Nampa

Discover the secret to designing your dream home in Nampa, where creativity meets practicality to create the perfect living space.

Table of Contents

The Process of Building Your Own Home

Advantages of Custom Home Building in Nampa

Cost Considerations and Budgeting Tips

Real-Life Examples and Success Stories

Conclusion

Have you ever dreamed of designing your own home, tailored to your unique needs and style preferences? With the rise of custom home building in Nampa, that dream can become a reality. Building a custom home allows you to create a living space that truly reflects who you are, from the layout to the finishes and fixtures. In this blog post, we'll guide you through the process of building your own home in Nampa, from start to finish.

The Process of Building Your Own Home

Choosing a location in Nampa is the first step towards crafting your dream home. Consider factors such as proximity to schools, work, and amenities, as well as the overall feel of the neighborhood. Once you've found the perfect location, it's time to select a reputable builder who specializes in custom home construction. Look for a builder with experience in creating personalized living spaces and a portfolio that aligns with your vision.

Designing the layout and floor plan of your home is an exciting part of the process. Work closely with architects and designers to create a space that maximizes functionality and suits your lifestyle. From the number of bedrooms to the placement of windows and doors, every decision should be made with your needs in mind.

When it comes to selecting materials, finishes, and fixtures, the sky's the limit. Choose high-quality materials that match your style preferences and meet your standards for durability. Whether you prefer a modern, minimalist aesthetic or a cozy, rustic vibe, your custom home should reflect your individual taste.

Advantages of Custom Home Building in Nampa

One of the main advantages of building your own home is the level of control you have over every aspect of the design. Unlike buying a pre-built home, a custom home allows you to create a space that is truly tailored to your needs and preferences. From the layout to the color scheme, every detail is up to you.

Custom home building also gives you the opportunity to incorporate energy-efficient and sustainable features. From solar panels to high-efficiency appliances, you can make choices that reduce your environmental impact and save you money on utility bills in the long run.

Another benefit of custom home building is the ability to create a space that reflects your personality. Your home should be a reflection of who you are, with unique touches and design elements that make it truly yours. Whether you love bold colors and patterns or prefer a more neutral palette, your custom home can be a true expression of your style.

Cost Considerations and Budgeting Tips

While building a custom home can be more expensive than buying a pre-built home, there are ways to make the process more cost-effective. Creating a realistic budget and sticking to it is essential. Consider the costs of materials, labor, permits, and any upgrades or customizations you want to make.

When it comes to designing your home, prioritize the elements that are most important to you and be willing to compromise on less essential features. Negotiate with contractors and suppliers to get the best value for your money, without sacrificing quality.

Remember that investing in a custom home is an investment in your future. By creating a space that is tailored to your needs and preferences, you are investing in your happiness and well-being for years to come.

Real-Life Examples and Success Stories

Nothing is more inspiring than seeing the finished product of a custom-built home. Take a look at photos and descriptions of custom-built homes in Nampa to see the possibilities. Each home is a unique creation, designed to enhance the lives of its occupants.

Interviewing homeowners about their experiences with building their own homes can provide valuable insights and advice. Hear firsthand about the challenges and rewards of the custom home building process, and learn from their successes and setbacks.

From unique design features to personalized touches, each custom-built home is a testament to the power of personalized living spaces. By crafting your dream home in Nampa, you are creating a space that is truly your own.

Conclusion

Building your own home in Nampa is a chance to create a living space that is tailored to your needs, style, and personality. From the initial design process to the final touches, every decision is an opportunity to bring your dream home to life.

By choosing custom home building, you are investing in a space that is uniquely yours, a reflection of who you are and what you value. Embrace the process, enjoy the journey, and savor the satisfaction of crafting your dream home in Nampa.

[hqsportwear357]

Finding the Cheap and Best Architects in Chennai for Your Dream Project

When embarking on a creation or renovation venture in Chennai, one of the most critical choices you'll make is deciding on the right architect. A skilled architect can deliver your imaginative and prescient to lifestyles while making sure that the assignment remains inside your finances. However, with so many options to be had, locating reasonably-priced and great architects in Chennai can be a task. The secret's to strike a stability among affordability and quality, making sure you obtain fee to your investment without compromising on design, capability, or protection.

Why You Need an Architect in Chennai

Chennai, with its developing urbanization, numerous architectural patterns, and particular climatic conditions, presents quite a number demanding situations and opportunities for house owners and developers. Whether you're constructing a residential constructing, a commercial space, or planning a protection, hiring an architect is critical. An architect brings together creativity, technical expertise, and a deep know-how of nearby constructing codes, supporting you create a layout that now not only meets your desires but additionally complies with policies.

However, many customers are frequently involved approximately the cost of hiring an architect. The desirable news is that with cautious studies, you could locate reasonably-priced and excellent architects in Chennai who offer exceptional services at less costly charges.

How to Find Cheap and Best Architects in Chennai

Look for Experienced but Affordable Architects: Many set up architects in Chennai provide competitive pricing, specifically if they're seeking to extend their portfolio or have constructed a robust recognition over the years. It is essential to notice that the revel in of an architect often contributes to efficient assignment control, fewer mistakes, and faster of entirety instances, which can ultimately prevent cash in the long run.

Evaluate Portfolio and Services: When searching for reasonably-priced and satisfactory architects in Chennai, study their portfolio of completed tasks. An architect’s beyond paintings will come up with an idea of their design fashion and how properly they execute their projects. While reviewing the portfolio, make sure that the designs reflect versatility and the ability to work inside specific budgets. Some architects offer customizable answers that may cater to both luxury and finances-pleasant options.

Get Multiple Quotes: To ensure you're getting a good buy, constantly achieve costs from numerous architects in Chennai. While some architects might also market it as being reasonably-priced, it’s important to compare what’s covered inside the fee. Be positive to invite approximately the scope of services provided, which include conceptual designs, challenge supervision, and three-D renderings, to get a clean knowledge of what you'll be buying.

Consider Smaller or Newer Firms: Smaller or more recent architectural companies in Chennai often offer extremely good offerings at a decrease value in comparison to big, well-installed corporations. While they'll not have a long time of experience, many new architects are passionate and keen to show their abilities, offering sparkling ideas and modern answers. These companies can be an fantastic preference in case you’re looking for affordable alternatives without compromising.

Design for Efficiency: A reasonably-priced and high-quality architect in Chennai will no longer best awareness at the aesthetics however can even paintings to optimize the distance, reduce wastage, and incorporate price-effective materials and methods. Architects who are focused on efficiency can assist lower the general fee of creation even as preserving a excessive standard of design and capability.

Benefits of Hiring the Cheapest and Best Architects in Chennai

Choosing the cheapest and best manufacturers in Chennai is very worthwhile. In addition to mutual financial donations you also have access to professional design consultations. Creation experience and project management skills as well inexpensive manufacturers also know how to work with contractors to ensure construction runs smoothly. Prevent cost overruns and delays

Additionally, many inexpensive manufacturers want to provide excellent results regardless of budget. This means you will find self-awareness, technology and design that maximize space and value.

Conclusion

Finding the cheap and best architects in Chennai can be done with a little research and careful consideration. By evaluating the portfolio Quotation verification and focus on service quality and customer reviews. You can identify manufacturers that provide both value and quality. Whether you are building a home, office or commercial building. A good architect will help you create a space that is functional, attractive and within your budget.

[visionalrent]

Desktops on Rent in Mumbai: A Cost-Effective Solution for Designers

In a bustling city like Mumbai, where creativity thrives and opportunities abound, Graphic Desktops on Rent in Mumbai  designers often find themselves needing high-performance tools to bring their visions to life.

From architects to graphic designers, animators, and video editors, the demand for powerful computers equipped with the latest hardware and software is non-negotiable.

However, investing in a premium graphic desktop can be prohibitively expensive, especially for freelancers, startups, or small design studios. This is where renting comes to the rescue.

Why Choose Graphic Desktops on Rent in Mumbai?

Renting graphic desktops in Mumbai is an excellent solution for those who require top-tier technology without the long-term financial commitment of purchasing it outright.

Here are some compelling reasons why this option is gaining popularity among the city’s creative professionals:

1. Cost-Effective Alternative to Buying

Purchasing a high-end graphic desktop can set you back several lakhs of rupees.

On the other hand, vision IT Rent  renting allows you to access the same cutting-edge technology at a fraction of the cost.

This is especially beneficial for projects with a defined timeline, where you only need the equipment temporarily.

2. Access to the Latest Technology

Technology evolves rapidly, and graphic design tools and software demand increasingly powerful hardware. Renting ensures you’re not stuck with outdated technology. Rental providers often offer the latest models, allowing you to stay ahead in your field without frequent upgrades.

3. Flexibility and Scalability

Graphic desktop rentals in Mumbai are available for both short-term and long-term needs.

Whether you require a desktop for a month or a year, rental services can cater to your specific requirements.

Additionally, as your workload grows, you can scale up and rent more systems without a hefty upfront investment.

4. Maintenance-Free Solution

When you own a graphic desktop, any hardware or software issues are your responsibility.

Rental companies handle maintenance and support, ensuring you experience minimal downtime.

This allows you to focus on your creative work rather than worrying about repairs or updates.

5. No Storage Worries

If your project ends or you decide to upgrade, you won’t have to worry about storing or reselling bulky equipment. Renting eliminates these concerns entirely.

Who Can Benefit from Graphic Desktops on Rent in Mumbai?

Freelancers: Independent designers or editors can access premium systems without a heavy financial burden.

Startups: Small businesses in their early stages can save capital by renting instead of buying equipment.

Animation and VFX Studios: These businesses often require multiple high-performance desktops for short-term projects.

Event Organizers: Renting graphic desktops for exhibitions, workshops, or training sessions ensures smooth operations without permanent investments.

Key Features to Look for When Renting Graphic Desktops

Before renting a graphic desktop, it’s essential to ensure it meets your project’s specific needs. Look for:

High-Performance Graphics Cards: For designers, animators, or video editors, a powerful GPU like the NVIDIA RTX series or AMD Radeon Pro is essential.

Ample RAM: A minimum of 16GB RAM is recommended for smooth multitasking, but 32GB or more is ideal for intensive tasks.

Fast Processors: Intel i7, i9, or AMD Ryzen processors are excellent choices for demanding software applications.

Storage Options: SSDs (Solid-State Drives) are preferred for faster boot times and data access.

Pre-Installed Software: Some rental providers include essential design tools like Adobe Creative Suite or Autodesk Maya as part of their package.

Top Providers for Graphic Desktops on Rent in Mumbai

Mumbai is home to several reliable rental services offering graphic desktops. Research providers, read reviews, Graphic Desktops on Rent in Mumbai  and compare pricing and features before making a decision. Some well-known names include:

TechServe Solutions: Specializes in high-performance desktops tailored for designers and animators.

RentOnGo: Offers customizable rental plans for both individuals and businesses.

Mumbai IT Rentals: Known for its flexible rental terms and prompt customer support.

RentSher: Provides a wide range of tech equipment, including graphic desktops, with doorstep delivery.

How to Get Started with Renting?

Renting a graphic desktop in Mumbai is straightforward. Follow these steps:

Assess Your Requirements: Determine the specifications you need based on your project.

Compare Providers: Check the offerings of various rental services, focusing on pricing, features, and customer reviews.

Review the Rental Agreement: Pay attention to details like rental duration, maintenance policies, and upgrade options.

Inspect the Equipment: Ensure the desktop meets the promised specifications and is in good working condition.

Start Creating: With your rented desktop set up, you’re ready to dive into your creative projects.

Conclusion

For designers and creative professionals in Mumbai, renting graphic desktops is a smart and cost-effective solution.

It provides access to top-tier technology, flexibility, and hassle-free maintenance without the financial strain of ownership.

Whether you’re a freelancer tackling a short-term project or a business scaling up for a major campaign, renting gives you the freedom to focus on what truly matters—your creativity.

So, if you’re on the hunt for graphic desktops on rent in Mumbai, explore your options today and elevate your design game with ease.

[threesixtylife2024]

Buy leather pen holders online

In the modern world, where productivity and aesthetics often go hand-in-hand, having an organized and stylish workspace is essential. Whether you're working from home or in a corporate setting, a well-ordered desk can help boost creativity, enhance focus, and promote efficiency. One of the most functional and stylish additions to any workspace is a quality pen holder, and Threesixty's leather pen holders are designed to offer both sophistication and practicality. Here’s why these leather pen holders are an absolute must-have for anyone looking to elevate their workspace.

1. Craftsmanship that Speaks of Elegance and Durability

When it comes to workspace accessories, craftsmanship plays a vital role in ensuring both beauty and longevity. Threesixty’s leather pen holders are meticulously crafted from high-quality, ethically sourced leather, offering durability that lasts through years of use. Each piece is hand-finished by skilled artisans who understand the importance of attention to detail. The result is a luxurious pen holder that not only looks stunning but also stands the test of time.

Premium Leather: Leather has long been associated with luxury, and Threesixty’s use of genuine leather brings a touch of class to your desk. The leather develops a beautiful patina over time, adding character and uniqueness to each pen holder.

Handcrafted Excellence: Threesixty’s artisans pour passion into every product, ensuring that each pen holder is a masterpiece. With carefully stitched seams and flawless construction, these pen holders are designed to showcase the beauty of traditional craftsmanship.

2. A Statement Piece for Any Workspace

For those who value aesthetics as much as functionality, Threesixty’s leather pen holders are more than just desk accessories – they are statement pieces. The sleek and minimalistic design makes them a perfect fit for any workspace, whether it’s a contemporary office, a home studio, or a professional corporate setting.

Sophisticated Design: Available in neutral tones and classic finishes, the leather pen holders exude sophistication. Their sleek design adds a layer of elegance to your desk, helping create an organized and professional environment.

Complementing Your Style: These pen holders seamlessly blend into any interior design scheme. Whether your workspace is minimalist, modern, or traditionally styled, the luxurious leather adds an element of refined taste.

3. Organization Meets Efficiency

One of the most important aspects of a productive workspace is organization. A cluttered desk can lead to distractions, making it harder to focus on tasks at hand. Threesixty’s leather pen holders help keep your essential writing tools organized, within reach, and neatly displayed.

Declutter Your Desk: By providing a designated space for your pens, pencils, and markers, these leather pen holders reduce desk clutter. A tidy workspace not only looks better but also helps improve your efficiency and focus.

Accessibility and Convenience: Threesixty’s pen holders ensure that your writing instruments are always easily accessible. No more searching through drawers or shuffling through papers – simply grab a pen and get to work.

4. Perfect for Professionals and Creative Minds Alike

Whether you’re a corporate executive, a designer, an architect, or a writer, Threesixty’s leather pen holders are versatile enough to suit any profession. These accessories are as practical as they are luxurious, making them perfect for anyone who values both form and function.

For the Professional: Impress your colleagues or clients with a workspace that reflects your professionalism. A leather pen holder from Threesixty instantly elevates your desk and adds an element of style that is hard to overlook.

For the Creative: For creative professionals, organization is key to maintaining workflow. Threesixty’s pen holders not only keep your tools in place but also add a creative flair to your workspace, inspiring you to produce your best work.

5. Sustainable and Ethical Craftsmanship

In today’s eco-conscious world, sustainability is a key consideration when purchasing any product. Threesixty is committed to creating environmentally friendly products through ethical sourcing and sustainable manufacturing processes.

Ethically Sourced Leather: Threesixty prioritizes using leather that is ethically sourced, ensuring that its products are both luxurious and sustainable. This commitment to the environment and ethical practices makes Threesixty a responsible choice for consumers who care about the planet.

Eco-Friendly Packaging: Along with their commitment to sustainable products, Threesixty uses eco-friendly packaging to reduce waste and minimize their environmental impact.

Threesixty’s leather pen holders are more than just a workspace accessory – they are a must-have for anyone who values elegance, organization, and craftsmanship. Combining premium materials, sustainable practices, and a timeless design, these pen holders elevate any workspace into a stylish, clutter-free zone. Whether you’re a professional looking to impress or a creative seeking inspiration, Threesixty’s leather pen holders offer the perfect blend of luxury and functionality. With their ability to declutter, enhance focus, and add sophistication, these pen holders are a worthwhile investment for your workspace. Whether you’re looking to treat yourself or searching for the perfect gift, Threesixty’s leather pen holders are the ultimate solution for those who seek to organize in style. Below are some of the leather-based office accessories options available online for your reference.

Leather Based Office Accessories Options For Your Work Desk:

Below are some leather office accessories options for your work desk which you can use to make your work desk aesthetics look better :

Sterling Pencup Tan  :

Add a touch of sophistication and sustainability to your desk with Threesixty’s Recycled Leather Pen Holder in a classic tan shade. Crafted from high-quality, recycled leather, this eco-friendly pen holder is designed to keep your workspace organized while maintaining a minimalistic, stylish appeal. Its sleek design and warm tan color blend effortlessly with any office decor, making it the perfect addition to both home and professional settings. Durable and elegant, the recycled leather not only ensures long-lasting use but also supports sustainable practices. Ideal for holding pens, pencils, and other essentials, this pen holder helps you declutter in style while reflecting your commitment to the environment. Whether as a gift or a personal desk accessory, Threesixty’s Recycled Leather Pen Holder is the perfect blend of luxury, functionality, and eco-consciousness. If you are looking to purchase these leather bar pen holder then you can find them at buy online leather pen holder.

Modella Pen Holder Taupe  :

Enhance your workspace with the sleek and eco-friendly Recycled Leather Modella Pen Holder in a sophisticated taupe shade from Threesixty. Made from premium recycled leather, this pen holder is not only a stylish addition to any desk but also a sustainable choice for the eco-conscious professional. Its neutral taupe color effortlessly complements modern and classic interiors, while its functional design helps you organize your writing essentials with ease. Perfect for keeping your workspace clutter-free, this durable and elegant pen holder adds a touch of luxury to your everyday routine. Whether you're looking for a refined office accessory or a thoughtful gift, Threesixty’s Modella Pen Holder offers the ideal blend of form, function, and environmental responsibility. If you are looking to purchase these leather bar pen holder then you can find them at buy online leather pen holder.

Apart from the above leather bar cabinets, portable bars or bar trolleys and counters, there are many other options in linear bench, multipurpose tray set, buy croco nested table you can explore. If you are looking out for such multipurpose desk caddy, leather desk blotter pad then Three Sixty Life is a one-stop solution for such kinds of leather bar cabinets, furnitures, home, travel accessories. 

To Know More    https://www.threesixty.life/collections/leather-bar-cabinet-for-home

[sdhokra]

Odisha’s Silver Filigree; A Timeless Craft Touching All Hearts

Odisha is a cultural treasure trove, known for its rich heritage of art and craftsmanship. Art flourishes in every nook and corner of Odisha such as Dhokra, Horn Work, Terracotta, etc. Every craft has its beauty.

One such prolific craft is Silver Filigree, from the historic city of Cuttack. Today as we delve into the art, we will unfurl what makes the craft so loveable and amazing. Also called Tarakasi locally, it stands out as a testament to the state’s creative spirit.

A Brief History

Tracing its roots from Cuttack, silver filigree art has been perfected by skilled artisans for over 500 years. The craft has been passed down through generations, which gives Cuttack its own distinct identity- the Silver City of Odisha. The artisans, with years of professional training and guidance, continue to produce masterpieces that captivate us all with their beauty and detail. Many of you might not have known that the art form received significant patronage under the Mughal Empire, which helped it flourish during its reign.

The Crafting Process

While every silver filigree artwork brings out creativity and craftsmanship in the best form, have you ever thought of the tedious process of making a tarakasi product?

Silversmiths use 90% alloy or pure silver in their work. It all begins with melting silver lumps in clay pots over a coal fire, with the temperature carefully regulated by bellows operated it takes about ten minutes for the silver to melt completely, and it is then poured into a rod-like mould, which is then submerged in the water for cooling.

Next, the cooled silver is placed in a machine that will press the rods into long, thin wires. These wires are then twisted and moulded into interesting shapes and designs by the artisans. Once the designs are complete, the artworks are then put through the process of cleaning and polishing. The pieces are dipped in an acidic solution and polished using various tools, bringing out a fine shine that highlights their intricate details.

A Saga of Revival

Over time, the craft began gaining popularity under the Mughals and the Marathas.In between the craft lost its sheen for the buyers. But again, it was revived during the 20th century, by Madhusudhan Das, who is known as the architect of modern Odisha. He set up a workshop called Utkal Arts Work Factory.

Despite the daunting challenges our artisans face, their dedication and hard work is unwavering. Their creativity shines through the products and jewellery that they craft, which features intricate floral designs, and finely crafted animals and birds. These handcrafted pieces of joy often serve as cherished souvenirs, adorning elegant homes.

As Decors & Utility Items

For those who love adorning themselves with handcrafted jewellery, Odisha’s silver filigree offers a variety of options. From earrings and necklaces to bracelets and brooches, these handmade pieces suit every occasion. If you are an avid shopper and also a lover of handicrafts, you must visit silver shops in Odisha for an enchanting piece of silver filigree to add to your collection of jewels and décor items.

If you frequently attend parties, outings, and functions, consider wearing silver filigree ornaments to stand out in the crowd. Embellished with intricate designs, these ornaments have an allure to them! They will add a unique touch to your personality and style.

If you are an admirer of art, remember that silver filigree work is not limited to only jewellery, but there is a vast variety of art pieces to explore from. Jewellery boxes, pen holders, purses, sindoor boxes etc, you will be enthralled to see the variety of silver filigree products from Cuttack in the marketplaces.

So when are you planning to buy a silver filigree product for yourself?

Weekends will be a good time. Take some time out and visit a good silver shop that sells silver filigree products form Odisha.

[tuxture]

Trehan Luxury Floors: A Pinnacle of Elegance in Modern Real Estate

In a world where luxury real estate is often characterized by grandiosity and ostentation, Trehan Luxury Floors stands out by embodying a refined and sophisticated approach to high-end living. As a distinguished name in the realm of premium residential properties, Trehan Luxury Floors exemplifies a commitment to excellence, innovation, and unparalleled quality.

The Genesis of a Vision

Trehan Luxury Floors is a premier subsidiary of the renowned Trehan Group, a real estate conglomerate with an illustrious history spanning over 30 years. The Trehan Group has long been recognized for its commitment to delivering exceptional real estate projects, and Trehan Luxury Floors represents the zenith of this legacy. The company’s mission is clear: to craft luxurious living spaces that are not only aesthetically stunning but also provide the utmost comfort and convenience.

The Essence of Luxury Redefined

Trehan Luxury Floors reimagines the concept of opulent living through a meticulous blend of architectural innovation and classic sophistication. Each project is designed to transcend conventional notions of luxury, offering residents an extraordinary living experience.

1. Innovative Architecture

Trehan Luxury Floors is known for its groundbreaking architectural designs that push the boundaries of creativity. Collaborating with top architects and designers, the company creates residences that are both visually striking and functionally superior. The architectural approach is characterized by clean lines, modern aesthetics, and a seamless integration with the environment. Whether it’s a sleek urban apartment or a sprawling villa, each property is a masterpiece in its own right.

2. Uncompromising Quality

Quality is the hallmark of Trehan Luxury Floors. Every project is built with an unwavering focus on excellence, using the finest materials and cutting-edge construction techniques. From luxurious marble flooring and custom-designed cabinetry to advanced home automation systems, every element is crafted to perfection. The result is a residence that not only meets but exceeds the highest standards of luxury living.

3. Prime Locations

Understanding the significance of location in luxury real estate, Trehan Luxury Floors meticulously selects prime sites for its developments. The company’s properties are situated in prestigious neighborhoods that offer both exclusivity and convenience. Whether it’s a serene suburban retreat or a dynamic cityscape residence, each location is chosen to enhance the living experience and provide easy access to essential amenities and cultural landmarks.

The Trehan Experience

At Trehan Luxury Floors, the focus is on providing a holistic and personalized experience for each client. The company’s approach to customer service is designed to ensure that every aspect of the home-buying process is as seamless and enjoyable as possible.

1. Personalized Consultations

Trehan Luxury Floors offers a highly personalized approach to real estate, with dedicated consultants who work closely with clients to understand their specific needs and preferences. This bespoke service ensures that each client finds a home that perfectly aligns with their lifestyle and vision. From selecting the ideal property to customizing interior features, the company provides expert guidance at every step.

2. Comprehensive Support

The commitment to client satisfaction extends beyond the purchase of a property. Trehan Luxury Floors provides a range of post-purchase services, including property management, maintenance, and concierge services. This comprehensive support ensures that clients can enjoy their homes without the hassle of everyday management tasks, allowing them to fully embrace the luxury lifestyle.

Commitment to Sustainability

In an era where sustainability is increasingly important, Trehan Luxury Floors is dedicated to incorporating eco-friendly practices into its developments. The company integrates energy-efficient technologies, sustainable building materials, and green design principles into its projects. This commitment not only enhances the environmental sustainability of their properties but also provides residents with energy-efficient and environmentally responsible living spaces.

A Glimpse into the Future

As Trehan Luxury Floors continues to evolve, the company remains focused on setting new benchmarks in the luxury real estate sector. With a forward-thinking approach and a dedication to innovation, Trehan Luxury Floors is poised to lead the industry in creating extraordinary living environments that blend elegance, comfort, and modernity.

In summary, Trehan Luxury Floors is more than a real estate company; it is a curator of exceptional living experiences. With its dedication to architectural excellence, superior quality, personalized service, and sustainability, Trehan Luxury Floors is redefining luxury real estate and setting new standards for opulent living. Each project is a testament to the company’s commitment to creating not just homes, but masterpieces of modern living.

[studioahead]

Ann Hatch: Northern California Legacy Spotlight

Ann Hatch has had many lives: ceramicist, entrepreneur, philanthropist, visionary founder of the Capp Street Project and the Oxbow School. “I believe ideas and projects have a relevance at a certain time… Things change. It is important to know when it is over,” she said to us, reflecting on a decades-long career that no matter its form has always centered on the arts, even as the city and the scene changes.

The other great constant in Hatch’s life, besides art, is her curiosity for culture. This was abundantly clear when we visited her home in Sebastopol earlier this year. Designed by her ex-husband, the architect and Buddhist priest Paul Discoe, the house is itself a work of art, with obvious Japanese influences and a respect for the materials, often left in their natural state. What makes this house Hatch’s own, however, are the artworks throughout—so perfectly selected that it is no surprise why Hatch has had success through all her personal reinventions.

Studio AHEAD: Years before we met, I came to your Sebastopol property—I didn’t know it was yours at the time—to pick up a piece by Jesse Schlesinger, who was living there. Tell us about this house, which was designed by Paul Discoe.

Ann Hatch: Designing and building a house with Paul was a unique experience. He had just started his construction business. Everything was done in the Japanese tradition. We had a terrific time designing and planning. We both had wild ideas. He could do them and make them unusually beautiful. When the project was finalized, we realized we really wanted to be together. Since we were both married that took some time. Paul is one of the most creative designers I had ever met—nothing was impossible. We shared a love of wood and using materials in creative but functional ways. He designed and built the New York apartment, as well.

Studio AHEAD: Do you regularly open up your home to artists? 

Ann Hatch: There was a time when I had lots of receptions and parties. Now, I invite assorted people for small gatherings, mostly to the ranch. It’s fun to show them the details and materials of the house. I have, like everyone, realized how important my friends are. One benefit of getting old is the depth of friendship that we have.  

Studio AHEAD: Is this the same kind of energy that pushed you to found the Capp Street Project?

Ann Hatch: I started Capp Street unexpectedly. I saw a David Ireland-designed house, which was for sale, empty. I met him on his birthday. I had a lot of apples in the car, which I took over to his personal residence to meet him. I soon agreed to buy the house he designed at 65 Capp Street without really knowing what I would do with it. But I knew it was a special space: I liked the changing light and sculptural elements, especially when it was empty. I knew the house could be a springboard for new ideas, not just a house. It was an immediate decision that you can’t explain. All my projects have started with a burst of confidence. I just knew it was the right idea for that time and needed to be done. I was fortunate to have the resources and advisors to get these projects started. In all cases my intention was that the project would be sustainable. It worked pretty well back then. (Things are different now).

Interestingly, my great grandfather T. B. Walker started the Walker Art Center out of his house. Maybe that had imprinted on me in some deep place. I moved quickly to develop the concept for an artist-in-residency, which was a new idea back in 1983. Artists were very enthusiastic about coming to San Francisco and making new work. We got the bravest and the best of the installation artists. Initially they made loose proposals; it was expected they would use S.F. or the house as a source of inspiration. I learned a great deal about Bay Area history from their projects: shredded money came from our mint, razor blades made from requisitioned cannons in the Presedio, seismic activity, recycled paper from Recology, and what people discard on the street. One collaborative team put fish hooks on all the street detritus around the building. We all had so much fun and realized amazingly bold ideas. The word spread fast among the artists—we were real and could do stuff! We facilitated the artists wishes, and that was thrilling.

Studio AHEAD: Could you have started Capp Street anywhere or was it something unique to the feel of San Francisco at the time? Perhaps it wouldn’t even be possible in San Francisco now.

Ann Hatch: Honestly, I would never be able to do a Capp Street project now. Everything is so charged and PC. I was born in S.F. and feel it has amazing qualities and depth. I wanted to see what artists would find interesting and worth focusing on. It might have worked in Chicago or any big city. Our artists, after 15 years, told us they were getting museum and gallery opportunities, which was great and why we closed. I believe ideas and projects have a relevance at a certain time. They can adapt and change sometimes, but it’s OK to "sunset" projects.

Later, I started Oxbow School in 1997, which we are closing after 25 years. I also closed Workshop Residence after 9 years when the pandemic hit. Things change. It is important to know when it is over.

Studio AHEAD: In the 80s and 90s you put on wild shows in your gallery: in one, the artist purposely flooded the exhibition space; in another, the street was extended right into the gallery, so that you couldn't tell which was interior/exterior. You have a much more adventurous, exploratory spirit than most patrons....

Ann Hatch: In the 80s it was a more adventurous and free time. There were lots of non-profit spaces that did great programs. The artists always wanted tech and unusual materials, which were difficult and challenging to find. Each residency exhibit was completely different. Capp Street Project had t-shirts that said "Weird things in a big room.” We had a small budget with lots of friends and connections. People wanted to be generous and part of these projects.

Studio AHEAD: What drew you to Napa to start the Oxbow School?

Ann Hatch: I was meeting the Mondavi family with a friend who was writing Robert Mondavi’s biography Harvest of Joy. My friend wanted to pitch Mondavi to fund a TV series of artists talking about their work. I said "no, that's a dreadful idea. Artists should not talk about their work… if I were Mondavis, I would start a school." So I was invited up to lunch… many lunches. I showed them many ways the arts can enrich young people and the community. He wanted to do something in the town of Napa that would have national impact. I quickly bought 15 pieces of property that were in the floodplain. It was across the river from his big project, Copia: The American Center for Wine, Food, & the Arts, which made it an "arts" district. Acquiring the properties was easy, as all the owners wanted out of the floodplain. The idea of having a semester for high school students with an arts focus was unique. Subjects taught in tandem with academics: English with painting, math with sculpture, for example. New ways of getting students thinking and engaged. Again, a bold idea that had its time. Oxbow did it really well, as the students say that I’ve changed their lives. I'm very proud of that.

Studio AHEAD: Twenty years ago you did a fascinating interview with Richard Whittaker and gave a great piece of advice to young artists: “You've got to be centered in what the work is about.” How have you remained centered in your own work?

Ann Hatch: That sounds preachy. I was probably thinking about the students at Oxbow School. If we could get the students focused in creative ways, they really blossomed. I have had the opportunity to start three projects. I've needed to be very focused on those to have them realized. Personally, I'm a bit hectic. I try to do too many things. That’s changing now...

In The Dogpatch you had Workshop Residence. Elena came after class from SFAI to a workshop headed by Max Lamb. Tell us about those times. Again I developed a plan for something that did not already exist. I wanted to have a store with limited editions of objects and work made by artists.  Again , we rolled up our sleeves and made things with artists partners and fabricators. rugs made out of fire house, Sol Le Wit blankets, coffee cups made by 3D printing  coffee grounds,, door stop made from skateboards, Perfume made locally, knot tieing Indigo and broom makingtied workshops, broom making,.etc

Studio AHEAD: Let's say I am a young person of certain means who wants to become a patron. What advice would you give? What has been most useful in your career?

Ann Hatch: Try new ideas that are within your means. Research what exists and find a niche. Be bold in concept. Use your friends and contacts. I needed an army for all my projects. It is one of the good parts of getting older, you have deep friendships. If you have financial resources, don’t be shy about using them in a constructive way. Starting projects takes energy, vision, and money. That’s nothing to be embarrassed about. I wanted to keep a low profile. Maybe that’s not possible now? If you’re making an impact, the word gets out by your deeds. Not social media.

Studio AHEAD: In a career of constantly looking forward, what is next for you?

Ann Hatch: I think my ceramics will hold my attention. I can control the whole process and keep learning. No board of directors, staff, or committees. I am enjoying doing porcelain portrait dog and cat bowls. People are crazy about their pets. They should have beautiful dinner dishes. It’s fun to capture their charming distinct expressions. 

Studio AHEAD: Along with your house in Sebastopol, you have a home in the city, and also I think one in New York. Is there a commonality among all the houses you’ve lived in—something that makes you say to yourself, Yes this is my home.

Ann Hatch: Actually, all three are really different, which show I have many sides and interests. 

Studio AHEAD: Can you share a favorite part of your house with us?

Ann Hatch: The morning and the shadows that play on the windows and surfaces. Each house has a unique character. The NYC apartment is so traditionally Japanese, it is like being in Japan. It’s very high contrast to the street energy. I see and think differently in each house. Outside at the ranch everything is fresh. You can hear things growing as I water the vegetables and assess the day. S.F. is home in lots of ways. I’m very lucky to have these places and I treasure them in different ways. 

Photos by Ekaterina Izmestieva

[alltheflair]

It's all Simlish to me

Collaboration with Emma Fringuelli

In defense of ‘The Sims 4’

Fringuelli:

I, unlike many players of the “Sims” games, hopped on the bandwagon pretty late.

The numbers on my Electronic Arts account might make you think I have been playing “The Sims” for years, since I have racked up more than 300 hours playing the game, but in reality, I have not even had the game downloaded for a full year.

My first time playing “The Sims” was after my family won an iPad in a raffle. My sister and I downloaded the free mobile version of “The Sims.” The limited version of the game meant less customization, fewer functions, and altogether less fun.

We deleted the app pretty quickly.

Flash forward nearly 10 years later, and I realized that “The Sims 4” was free — and available on Mac computers.

Once I downloaded the game, I got the satisfaction the mobile version lacked. It was everything I had hoped “The Sims” would be.

The graphics, though not lifelike, are enough to get me immersed in the lives of the silly little digital people I control.

At the end of the day, that is the point: losing myself in the game. 

I play “The Sims” not because I have a memory of the crunchy, harsh graphics of the 2000s. I don’t long for certain functions in the earlier games because I never played them.

I play “The Sims” because right now, I can control things in the game that I cannot control in my own life. You will not find me buying a giant mansion, becoming a secret agent, or risking my life fixing an oven in the real world. But in “The Sims 4,” I can do all that and more with little to no consequence.

And when there are consequences, they sure are funny. 

Picture my shock when I find one of my sims trying to repair a radio while standing in a puddle of water, only for him to be electrocuted and die. When pleading with the Grim Reaper to spare him failed, I turned to a trick: reloading the game and trying again. The sim returned to the broken radio and puddle, and he swiftly got zapped and died again. So I reloaded the game again — and gave up on the radio.

Electrocute me once, shame on you. Electrocute me twice, shame on me.

There is also the side of “The Sims” that lets me live out my fantasy of being an architect. In the real world, I have to bear witness to McMansions with gorgeous front facades and a hodgepodge of asymmetrically placed windows on the other three sides.

In “The Sims,” though, I can channel my frustration into something a scintilla more productive. I can make houses the way they should be: with symmetrical windows and shutters that make sense.

I also get to see the creativity of people who are somehow more into “The Sims” than I am and all the custom features that they create — often for free — for other users. From in-game furniture to whole new modified gameplay features, these people are way more creative and technically advanced than I am.

What my enjoyment of “The Sims 4” boils down to is the essence of the “Sims” franchise. I get to simulate a life that is more grand, more chaotic, and more outrageous than my own. It is an opportunity to focus on stuff that truly does not matter.

In a world that demands our attention at every waking moment, I know when I fire up “The Sims 4” that I can spend a while obsessing over decorating a kitchen, getting my sim that promotion, or trying to figure out why all the babies and toddlers look so weird.

I can get back to my real-world issues later, just let me marry Eliza Pancakes first.

The problem with ‘The Sims 4’

Valente:

“The Sims” franchise holds a very special place in my heart. The original was released in 2000, but I didn’t learn about it until 2001, when I would watch my older brother play on the family PC. To my young eyes, it was one of the coolest games I had ever seen. You get to create your own person, build your home, and control what they do in their day-to-day lives. It was like creating your own sitcom or movie. Although my parents did not allow me to play it for quite a while due to some of the violence and adult themes in it, that didn’t stop me from waking up an hour or two before everyone else in the house and sneaking to the computer to get my “Sims” fulfillment. After some convincing, my parents allowed me to play the game without having to go behind their backs. (Eventually, I was caught when the computer froze and my dad came downstairs before I could unplug the machine). 

A memory I hold dear is my birthday in 2003 when my now-late grandfather gifted me “The Sims: Makin’ Magic.” I’m sure I found it especially cool because Harry Potter was quite the rage at the time and I was a superfan of the franchise. 

In 2004, “The Sims 2” was released into the world. I can’t fathom how many hours I spent playing the game, and how much money my parents spent buying different expansion packs during the following five years of the game’s life. Although “The Sims” was quite innovative for the time, as it was really the first life-simulation game, “The Sims 2” further expanded the genre and you could tell the team that put the game together put a lot of work into it.

With the success of “The Sims 2,” Electronic Arts had to follow up with something big. In 2009, “The Sims 3” was released, and it was just that. Although I found the sims themselves to be ugly, even back then, the team took what was great about the first two games and built upon it. I was impressed with the innovation and advancements that EA had made.

Now, I don’t want to say I hate “The Sims 4,” but I’m not the biggest fan. When it was announced in 2014, I was thrilled by the prospect. With how much the games had grown and built upon themselves with each title, I was excited to see what EA would bring to the table. At the time, I was a junior in high school. I was only working during the weekends at McDonald’s and I wasn’t making that much money, but I decided to splurge and buy the Digital Deluxe Edition of “The Sims 4” out of pure excitement.

On release day at 12 a.m., I excitedly started my computer and opened up the game for the first time. I created my sim, built them a snazzy house, and began to play. Ten minutes into the game, I was sitting there and wondering… What is this? It felt lifeless, dull, and uninspiring. I exited the game and forgot that it even existed for the next three years.

Does the game look pretty? That’s subjective, but I believe so. Did they improve in some areas, like sim customization and lot-building? Sure. But the game was a big downgrade when it came to gameplay and overall entertainment. “The Sims 4” feels like a mix of the first “Sims” and “The Sims 2,” but without the charm and personality. I love those two games and go back to play them from time to time, but I don’t want the newest and latest game in the franchise to feel like it was released almost 20 years ago. A lot of long-time “Sims” players felt the same way and decided to stop playing the game altogether.

A lot of new players might enjoy “The Sims 4”, but a lot of them never got to experience the previous “Sims” titles, as EA does not make them easy to access. I feel if they were able to play them, they would realize how much of a downgrade “The Sims 4” truly is. I’m sure EA doesn’t care that much since the company knows a lot of “Sims” players are dedicated and won’t leave the franchise behind, instead hoping it improves. Not only that, but EA essentially has a monopoly on the life-simulation genre, as there is little to no competition to be had.

I still hold out hope that the “Sims” franchise will return to its glory — if not for the fans, than for the competition. One game in particular that is set to release in the near future is “Paralives,” a life-simulation game that has a lot of “Sims” fans wondering if it is time to leave the series behind. Perhaps a little competition will drive some innovation, and less laziness, to keep fans on the side of “The Sims.” Only time will tell.

[alessandro55]

The Long Journey Home

The 1932 Motorcycle Voyage of Robert E.Fulton, Jr.

Photography and Introduction by Robert E.Fulton, Jr.

Essay by Alexandra Bowley, Chronology by Catlen Fitgerald

August Press,New York 2000, 90 pages, ISBN 0-9678484-1-8

euro 50,00

email if you want to buy booksinprogressmilano@yahoo.it

In 1932, Robert Fulton Jr. -- inventor, sculptor, architect, writer, film maker, pilot and explorer -- undertook and filmed an 18 month motorcycle voyage around the world. Descendant of the inventor of the steam ship, Fulton has travel and intrepid adventure in his blood, and has only recently been acknowledged for his many creative endeavors, including his work in photography and film. In 1932, following a year of architectural studies in Vienna, young Fulton set off on a modified Douglas twin-cylander motorcycle to film the architectural wonders of the world, but soon came to realize that he was interested in filming people as well as places. Fulton credits this journey with shaping his life, his attitudes, his curiosity, his respect for other cultures and for nature, his understanding of solitude and interconnectedness. The Long Journey Home chronicles the 18 month voyage from London, through Europe, the Middle East, India and Asia, with stills from the original 35mm nitrate film Fulton shot along the way. His beautifully composed images express the wonder of a young man realizing the world for the first time, and reveal all the attendant felicity and tribulation he experienced.

23/06/24

[portmcau]

Reasons Shipping Containers Are Popular in Construction

Shipping containers have transformed from simple cargo carriers to integral components of innovative construction projects. Their popularity stems from a blend of sustainability, cost-effectiveness, and versatility. To get more information about where and how to buy shipping containers, visit this website.

This comprehensive guide explores the various factors that make shipping containers a favourite choice for builders and architects.

Durability and Strength

Shipping containers are designed to withstand harsh environments at sea, making them incredibly durable and robust.

Built from high-quality Corten steel, these containers can handle extreme weather conditions, heavy loads, and potential impacts. This resilience translates well into construction, where strength and durability are paramount.

The Corten steel used in shipping containers is a type of weathering steel that forms a stable rust-like appearance after exposure to weather, which acts as a protective layer against further corrosion. This property ensures that the containers can endure the elements for decades, making them a reliable choice for building structures that require long-term stability.

Cost-Effectiveness

One of the most compelling reasons for using shipping containers in construction is their cost-effectiveness.

Compared to traditional building materials like brick or wood, shipping containers are relatively inexpensive. Additionally, they reduce the need for extensive structural materials since they come with built-in walls, floors, and ceilings.

The cost savings extend beyond just the initial purchase price. The prefabricated nature of shipping containers means that less labour is required for construction, which can significantly reduce overall project costs. Moreover, the rapid construction timeline associated with shipping container projects translates into lower labour costs and quicker returns on investment.

Modular Design

The modular nature of shipping containers allows for easy stacking and interlocking. This feature facilitates creative architectural designs where units can be combined horizontally or vertically to create large spaces or multiple stories. The modular design streamlines the construction process and offers significant flexibility in design options.

This modularity also means that shipping container structures can be easily expanded or reconfigured as needed. For example, additional containers can be added to an existing structure to create more space or to accommodate changing needs.

This flexibility makes shipping containers an ideal choice for projects that require adaptability and future growth potential.

Eco-Friendliness

Repurposing shipping containers for construction helps reduce waste by giving new life to used containers that might otherwise sit idle or be scrapped. This recycling aspect contributes positively to environmental conservation efforts by minimising resource consumption and reducing carbon footprints associated with manufacturing new materials.

Moreover, the use of shipping containers in construction aligns with the principles of sustainable development.

By repurposing existing materials, we can reduce the demand for new resources and decrease the environmental impact associated with traditional construction methods. This approach supports the circular economy and promotes a more sustainable future.

Speedy Construction

Using pre-fabricated shipping containers significantly speeds up the construction timeline. Since they arrive ready-built with floors, walls, and roofs, much of the time-consuming groundwork is already completed off-site. This efficiency accelerates project completion times compared to conventional building methods.

For many projects, time is a critical factor. The faster a building can be constructed, the sooner it can be put to use.

Shipping container construction offers a solution that minimises downtime and allows for rapid deployment. This is particularly beneficial for projects that require quick turnaround times, such as emergency housing, pop-up businesses, or temporary event spaces.

Mobility

Shipping container structures offer exceptional mobility compared to traditional buildings. They can be transported easily via trucks or ships without compromising their integrity. This portability makes them ideal for temporary installations such as pop-up shops or emergency housing solutions that require quick setup and relocation.

The mobility of shipping containers also opens up opportunities for innovative uses in remote or challenging locations. For example, containers can be transported to areas affected by natural disasters to provide immediate relief structures.

Similarly, they can be used in remote areas where traditional construction would be logistically challenging or cost-prohibitive.

Versatility in Use

Shipping containers serve a wide range of purposes beyond just storage space. They can be converted into homes, offices, schools, cafes, medical clinics—the possibilities are endless! The versatility offered by these sturdy modules opens up numerous opportunities for creative applications in both commercial and residential sectors.

The adaptability of shipping containers means that they can be customised to meet the specific needs of different projects.

For example, a container can be transformed into a modern, stylish home with all the amenities of a traditional house. Alternatively, it can be converted into a functional office space, complete with meeting rooms, workstations, and break areas.

Customisability

Despite their rigid exterior appearance initially suggesting limited adaptability—shipping containers are highly customisable! Windows can be added; insulation installed; additional doors fitted; partitions introduced—the modifications one could make allow transforming basic metal boxes into comfortable living/working environments tailored precisely according to specific requirements!

The customisability of shipping containers extends to both the interior and exterior.

The interior can be outfitted with a wide range of finishes and fixtures to create a comfortable and attractive space. The exterior can be painted, cladded, or even landscaped to enhance the aesthetic appeal and integrate seamlessly with the surrounding environment.

Sustainability Practices

Incorporating recycled materials, such as used shipping containers, aligns with sustainable development goals. This aligns with promoting eco-friendly practices within industries globally. Today, this consideration is increasingly crucial among conscientious developers.

They seek green alternatives over conventional counterparts. Consequently, this contributes towards achieving long-term sustainability targets effectively.

The use of shipping containers in construction is a practical example of how recycling and repurposing can contribute to sustainability.

By giving new life to used containers, we can reduce waste and lower the environmental impact of construction projects. This approach supports the broader goals of sustainable development and helps create a more resilient and sustainable built environment.

Regulatory Compliance

Many regions worldwide now recognise container-based constructions officially through regulations. These regulations ensure safety standards are met adequately, providing legal assurance to prospective developers.

This simplifies permitting processes, facilitating smoother implementation phases. As a result, bureaucratic hurdles often encountered by traditional frameworks are eliminated. This encourages the adoption of innovative solutions industry-wide.

Consequently, container-based constructions are rapidly gaining mainstream acceptance.

This marks a significant paradigm shift toward future-oriented development approaches. These approaches emphasise practicality, innovation, and adaptability. They are harmoniously balanced and seamlessly integrated in a holistic manner. This reflects a progressive vision and collective aspirations.

Conclusion

As the popularity of shipping container construction continues to grow, regulatory frameworks are evolving to accommodate this innovative approach.

This trend is encouraging more developers to consider shipping containers as a viable option for their projects, knowing that they can meet safety standards and navigate the permitting process with greater ease.

The recognition of shipping container construction in building codes and regulations is a testament to its viability and potential to shape the future of sustainable building practices.

Source From: Reasons Shipping Containers Are Popular in Construction