#Bruno Parrinha

[narizentupidocartazes]

[2023] 17 de Junho | Desordem é Progresso#08 | Bruno Parrinha & João Gato | Mariana Dionísio & Duarte Ventura & Zé Almeida | SMOP - Lisboa Cartaz [Travassos]

[burlveneer-music]

Luis Lopes ABYSS MIRRORS - echoisms - Clean Feed is on a tear, check out this slab of free jazz from Lisbon

From the music recorded in two days at Namouche Studios Lisbon, and reaching the public through this cd, comes a constantly changing sound and atmospheric passages, managed with the tense restraint of someone who listens and understands their place within a great formation and moments of collective ecstasy with no final destination. Movements of elusive harmony that revolve around themselves in line with the haunting lyrics of 'He Loved Him Madly' by Miles, along with a whirlwind of strings that brings that liberation of Alan Silva's ensembles, electronic phrases as meta-rhythmic as landscapes and more detours and certain continuities, in an abysmal game of mirrors. The name is well placed! The troop, the Abyss Mirrors, invoked by guitar player Luís Lopes, as described in his own words draws from inspirational foundations and a search for continuity to music that is born from the ensembles of Sun Ra and advances through the electric periods of Miles Davis and Ornette Coleman, to continue with Wadada Leo Smith, and pinching from electroacoustic giants like Stockhausen or Gabriel Prokofiev. A Herculean task but full of intention, built by an ensemble made up of a dozen figures, 4 nationalities: Portuguese, Swedish, Finnish, and Brazilian, all currently based in Lisbon, coming from areas as disparate as intersectional: obviously from jazz but also free improvisation and experimental styles, from electronic to underground techno, contemporary or rock, with a good balance between electric and acoustic. All people recognized and recognizable in a collusion of more or less usual cronies from Lopes various wanderings. creditsreleased March 21, 2023 Luis Lopes electric guitar Flak electric guitar Jari Marjamaki electronics Travassos electronics Felipe Zenícola electric bass Yedo Gibson tenor , alto, soprano sax Bruno Parrinha alto, soprano sax Helena Espvall cello Maria da Rocha violin Ernesto Rodrigues viola All music by Abyss Mirrors under Lopes direction

[burpenterprisejournal]

WJM, POGO AND MARTIN LAU AT CREATIVE SOURCES FESTIVAL - BERLIN EDITION

2019/6/7-10 Creative Sources Festival Berlin Edition Kühlspot Social Club Berlin - DE

Friday June 7th Kühlspot Social Club 74-79 Lehderstrasse, 13086 Berlin, Germany see map Excited to announce Roberta WJM Andreucci and Mat Pogo will perform a set with Martin Lau on the first day of the Creative Sources Festival in Berlin h. 23:30 Roberta WJM Andreucci - mix, players, vocal Martin Lau - vocal, electronics Mat Pogo - vocal, player, electronics CREATIVE SOURCES FESTIVAL 2019 4 days of improvised and experimental music – 72 musicians Friday, 7 June - Monday, 10 June @ the Kühlspot Social Club Creative Sources Recordings is a Portuguese label founded in 2001 by Ernesto Rodrigues that releases a wide range of improvised, jazz, experimental and electronic music. Counting over 570 CD releases at this moment, CS established itself as an important and renowned label in its field. With over 60 Berlin-based musicians recording on the label, and after last year’s success, Creative Sources now decided to organize the second Berlin edition of the festival. The venue of “Kühlspot Social Club” is situated in a historic courtyard built in 1904 that is still the site of stonemasonry workshops. The “Kühlspot” itself has been hosting exhibitions, concerts, art and cultural events of various kinds for several years now. ===================== FRIDAY, 7 JUNE 19:00-19:30 Elo Masing - violin Ame Zek - 12-string guitar, objects 19:45-20:15 Nikolaus Neuser - trumpet Davide Piersanti - trombone 20:30-21:00 Philippe Lemoine - tenor saxophone Marie Takahashi - viola Klaus Kürvers - double bass Rudi Fischerlehner - drums 21:15-21:45 Floros Floridis - reeds Matthias Bauer - bass 22:00-22:30 HANAM QUINTET Ernesto Rodrigues - viola Manuel Miethe - soprano saxophone Anna Kaluza - alto saxophone Antonis Anissegos - piano Horst Nonnenmacher - double bass 22:45-23:15 Andrea Parkins - electric accordion, objects, electronics Yorgos Dimitriadis - drums, electronics 23:30-00:00 Roberta WJM Andreucci - mix, players, vocal Martin Lau - vocal, electronics Mat Pogo - vocal, player, electronics ===================== SATURDAY, 8 JUNE 19:00-19:30 Biliana Voutchkova - violin Michael Zerang - percussion 19:45-20:15 Rieko Okuda - piano Hanna Schörken - voice 20:30-21:00 Tomomi Adachi - voice, electronics, self-made instruments Ganesh Anandan - shruti stick, self-made instruments 21:15-21:45 Kriton Beyer - daxophone Simon Rose - baritone saxophone Nicola Hein - guitar 22:00-22:30 BISTRE Matthias Müller - trombone Guilherme Rodrigues - cello Eric Wong - guitar 22:45-23:15 LARS BRÖNDUM / PER GÄRDIN DUO Lars Bröndum - modular synthesizer, theremin Per Gärdin - soprano & alto saxophone 23:30-00:00 DUO SUPRASÓNICO Juan Calvi - bass clarinet Maria do Mar - violin ===================== SUNDAY, 9 JUNE 19:00-19:30 Gerhard Uebele - violin Dietrich Petzold - violin Hui-Chun Lin - cello Stephan Bleier - double bass 19:45-20:15 WARBLE Miako Klein - amplified recorders Brad Henkel - amplified trumpet 20:30-21:00 Elean Kakaliagou - french horn Caroline Cecilia Tallone - hurdy gurdy Ulf Mengersen - double bass 21:15-21:45 Audrey Chen - voice Phil Minton - voice 22:00-22:30 Bertrand Denzler - tenor saxophone Ignaz Schick - turntables, sampler, live-electronics 22:45-23:15 Andreas Willers - electric guitar Meinrad Kneer - double bass Christian Marien - drums 23:30-00:00 Ligia Liberatori - voice, objects Bruno Parrinha - saxophone Fyodor Stepanov - double bass Samuel Hall - drums ===================== MONDAY, 10 JUNE 19:00-19:30 Frank Paul Schubert - soprano saxophone Richard Scott - modular synthesisers Maurizio Ravalico - percussion 19:45-20:15 Harri Sjöström - soprano & sopranino saxophone Achim Kaufmann - piano Andrew Lafkas - double bass Willi Kellers - drums 20:30-21:00 Edith Steyer - clarinet, alto saxophone Els Vandeweyer - vibraphone Sofia Borges - percussion 21:15-21:45 Ilia Belorukov - modular synthesizer, saxophone Alexander Markvart - guitar, amp, objects 22:00-22:30 Carina Khorkhordina - trumpet Eric Bauer - electronics 22:45-23:15 Bryan Eubanks - saxophone, electronics Fredrik Rasten - guitar 23:30-00:00 the Creative Sources Imp!Orch An “adhoc-orchestra” compiled by musicians of the festival

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[altamontpt]

José Bruno Parrinha, Luís Lopes, Ricardo Jacinto - Garden (2016)

Em Garden reúnem-se três discursos distintos, mas que se democratizam na vontade comum de superação das instâncias clássicas musicais.

Em Garden reúnem-se três discursos distintos, mas que se democratizam na vontade comum de superação das instâncias clássicas musicais. Garden reune três prolíficos e versáteis músicos da cena experimental portuguesa. O reconhecimento musical que lhes cabe é como que um tríptico que se adensa e conjuga ainda mais nas idiossincrasias de cada músico. Lopes invoca subversivamente a desolação através…

[andrehencleeday-blog]

Diceros_Recorded live on 18th January 2017 by Miguel Azguime at O’culto da Ajuda, Lisbon

Ernesto Rodrigues - harp, zither, dulcimer & rebec Andre Hencleeday - piano & psaltery Guilherme Rodrigues - cello & pocket trumpet Flak - acoustic guitar Paulo Curado - flute Bruno Parrinha - soprano, alto & bass clarinet Ricardo Guerreiro - computer Carlos Godinho - percussion

To BUY go to http://creativesourcesrec.com/catalog/catalog_426.html

[stressfm]

DESVIO - Mostra de Jazzes na Parede: Bruno Parrinha / Ricardo Jacinto / Luis Lopes

Entrevista conduzida por Filipe Quaresma e Rui Eduardo Paes com o trio de José Bruno Parrinha, Ricardo Jacinto e Luís Lopes.

A conversa tem tanto de esotérica (com Parrinha a definir a música do projecto como «a selva que se vê através da vitrina» e Lopes a defini-la como «um mistério») quanto de divertida, constituindo um grande momento radiofónico. As risadas ao longo das trocas de impressões dizem tudo. Segundo o público, foi uma das melhores actuações do Desvio.

Capa: a partir de cartaz de Madalena Matoso | Foto de Nuno Martins

Durante os dias 2, 3 e 4 de Junho de 2016 a stress.fm esteve na companhia de Rui Eduardo Paes à conversa com alguns dos intervenientes do Desvio, na SMUP. Todas as entrevistas estão disponiveis AQUI.

[narizentupidocartazes]

[2025] 08 de Março | Fim de Emissão#46 | ‘Como se apaga uma Mulher?’ - Elisa Scarpa com música de Bruno Parrinha | Ely Janoville & Bibi Cavalcanti | De Gaer | Mamis 2000 [dj] | Desterro

Cartaz [Isabela Abate]

[burpenterprisejournal]

REANIMATION ORCHESTRA MEETS IN WENDEL

2018/12/05 REANIMATION ORCHESTRA -work in progress- Wendel Berlin - DE

“Reanimation - work in progress” is a concert series started in November 2017 at Cafe Wendel. It’s a monthly meeting which moves between the idea of open rehearsals of Reanimation Orchestra and the development of new sound-pieces

This time Reanimation Orchestra will play a new composition by Guilherme Rodrigues based on the graphic score by José Bruno Parrinha.

The piece will be performed by Guilherme Rodrigues - Composition, Cello Elo Masing - Violine Marie Takahashi - Viola JD Zazie - Turntable, CD Players, Field Recordings Caroline Cecilia Tallone - Hurdy Gurdy Ingólfur Vilhjálmsson - Contra Bass Clarinet Adam Goodwin - Double Bass

REANIMATION ORCHESTRA is an international open-structured multidisciplinary group; an electro-acoustic ensemble of musicians. We are conductors, composers, interpreters of contemporary classical and baroque music, experimental improvisers, avant-turntablists, field recording phonographers, arrangers, singers, noise musicians, photographers, writers, painters and activists. Our diversity characterises our group-sound, blending of brass, woodwind, string and electronic sounds. Driven by the origins of sound, the domain of silence and modulations happening in time and space, Reanimation Orchestra explores forms and structures in  relation to our time, from corporeal and sound relationships, spacial- and psycho-acoustics, experimental approaches and electronic music to contemporary art and beyond. An approach situated at the intersection of composed and improvised music, all members, in addition to performing, take turns as composer for the group. As an orchestra form part of larger communication platform as a catalyst for new generations who are ready for events evolving every moment around the world in the arts as they are in social, environmental, cultural and political movements to come.

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[zaratanartecontemporanea]

PERFORMANCE/CONCERT/VIDEO > Golfo Místico | Transição /// 16 AUGUST > Festival Múltiplo 2018 Organized by João Madeira, Golfo Místico is a cycle of improvisation that intends to create a collaboration between the music and the visual or performative arts. The cycle involves two parallel and subsequent calls. On one hand Zaratan will invite a visual artist to elaborate a list of 5 sounds / musical themes / melodies; on the other hand João Madeira will gather and direct a small orchestra, with different formations, in order to translate and interpret one or all the 5 songs suggested by the artist, who is challenged to improvise during the concert.The output of the cycle Golfo Místico is an artist video that will lately be edited in a DVD.In this third edition, Helen Ainsworth, puppetry artist, will improvise to the sound of the orchestra composed by Carlos “Zingaro” (violin) Costanza C. Homem (vocals), José Bruno Parrinha (clarinet), Miguel Mira (cello), Nuno Morão (percussion), Paulo Curado (flute) and directed by the same João Madeira. Mar Suárez is the artist invited to perform an artist video from the filming of the event. https://ift.tt/2OnXotp https://ift.tt/2vwuEHI

[zaratanartecontemporanea]

PERFORMANCE/CONCERT/VIDEO > Golfo Místico | Transição /// 16 AUGUST > Festival Múltiplo 2018⠀ ⠀ Organized by João Madeira, Golfo Místico is a cycle of improvisation that intends to create a collaboration between the music and the visual or performative arts. The cycle involves two parallel and subsequent calls. On one hand Zaratan will invite a visual artist to elaborate a list of 5 sounds / musical themes / melodies; on the other hand João Madeira will gather and direct a small orchestra, with different formations, in order to translate and interpret one or all the 5 songs suggested by the artist, who is challenged to improvise during the concert.The output of the cycle Golfo Místico is an artist video that will lately be edited in a DVD.In this third edition, Helen Ainsworth, puppetry artist, will improvise to the sound of the orchestra composed by Carlos “Zingaro” (violin) Costanza C. Homem (vocals), José Bruno Parrinha (clarinet), Miguel Mira (cello), Nuno Morão (percussion), Paulo Curado (flute) and directed by João Madeira. Mar Suárez is the artist invited to perform an artist video from the filming of the event.⠀ ⠀ https://www.facebook.com/zaratan.ac/videos/931646523658051/

[andrehencleeday-blog]

Ornithorhynchus anaticus_Recorded 30th December 2016 by Carlos Santos at Galeria Monumental, Lisbon.

Ernesto Rodrigues viola Maria do Mar violin Guilherme Rodrigues cello Miguel Mira double bass André Hencleeday tenor psaltery oscillator and megaphone Miguel Almeida acoustic guitar Maria Radich voice Paulo Curado flute Paulo Chagas oboe Nuno Torres alto saxophone Bruno Parrinha clarinet & bass clarinet Fernando Simões trumpet Eduardo Chagas trombone Abdul Moimême electric guitar Carlos Santos electronics Monsieur Trinité percussion

[andrehencleeday-blog]

Maat mons_Live recording on 19th November 2016 by Miguel Azguime at O’Culto da Ajuda during the CreativeFest #10

Ernesto Rodrigues - stroh violin & conduction Maria Do Mar - violin Miguel Mira - cello João Madeira - double bass Abdul Moimême - classical guitar & clarinet Andre Hencleeday - tenor psalterium & radio Maria Radich - voice Tiago Varela - melodica Paulo Curado - flute Nuno Torres - alto saxophone José Lencastre - alto saxophone Bruno Parrinha - clarinet & alto clarinet Paulo Galão - bass clarinet Guillermo Torres - pocket trumpet Eduardo Chagas - trombone Vítor Rua - electric guitar Manuel Guimarães - piano Carlos Santos - synthesizer Nuno Moita - turntables Monsieur Trinité - percussion Pedro Santo - percussion

To buy go to the http://creativesourcesrec.com/catalog/catalog_406.html

[andrehencleeday-blog]

QUASAR_ Recorded Live on 29th November 2015 at St. George’s Church by André Silva and Pedro Serrano (Scratch Built Studio). Mixed and Mastered by Nuno Mourão and Ernesto Rodrigues. Photography by Nuno MArtins. Graphic Design by Carlos Santos. Production by Ernesto Rodrigues.

Ernesto Rodrigues - conduction & harp Maria da Rocha - violin Emanuela Lioy - violin Maria do Mar - viola Guilherme Rodrigues - cello Miguel Mira - cello Alvaro Rosso - double bass Adam Pultz Melbye - double bass Hernâni Faustino - double bass Adriano Orrú - double bass João Madeira - double bass Miguel Ivo Cruz - viola da gamba Emídio Buchinho - acoustic guitar Flak - acoustic guitar Abdul Moimême - electric guitar Paulo Duarte - electric guitar António Chaparreiro - electric guitar Stephan Sieben - electric guitar Guilherme Carmelo - baritone guitar Maria Radich - voice Paulo Curado - flute Paulo Chagas - oboe Bruno Parrinha - clarinet & alto clarinet Ricardo Ribeiro - bass clarinet Paulo Galão - bass clarinet Luiz Rocha - bass clarinet Albert Cirera - soprano & tenor saxophone Nuno Torres - alto saxophone Sei Miguel - pocket trumpet Yaw Tembe - trumpet Luís Vicente - trumpet Fala Mariam - alto trombone Eduardo Chagas - trombone Fernando Simões - trombone Carlos Santos - electronics João Silva - electronics Nuno Moita - turntable Armando Pereira - toy piano Manuel Guimarães - church organ Silvia Corda - melodica Nuno Morão - drums Monsieur Trinité - percussion Carlos Godinho - percussion Håkon Berre - percussion André Hencleeday - percussion Pedro Castello Lopes - percussion

To buy go to https://www.creativesourcesrec.com/catalog/catalog_358.html

[andrehencleeday-blog]

LULU AUF DEM BERG_Live recording on 31st May 2015 by John Klima(scratch Built) at Panteão Nacional during the “Escuta Profunda” Festival, Lisbon. Mixed and mastered by Nuno Morão.                  

Ernesto Rodrigues viola, conduction Gerhard Uebelle violin Guilherme Rodrigues cello Miguel Mira cello João Madeira double bass Hernâni Faustino double bass Adriana Sá zither Paulo Curado flute Mariana Chagas flute Bruno Parrinha alto clarinet Paulo Galão clarinet, bass clarinet Nuno Torres alto saxophone Albert Cirera tenor & soprano saxophone Sei Miguel pocket trumpet Yaw Tembe trumpet Fala Mariam alto trombone Eduardo Chagas trombone Maria Radich voice, dance Armando Pereira accordion António Chaparreiro electric guitar Abdul Moimême electric guitar Carlos Santos synthesizer André Hencleeday electronic percussion João Silva harmonium, electronics Nuno Morão drums Carlos Godinho percussion

To buy go to https://www.creativesourcesrec.com/catalog/catalog_325.html