#Brett Gurewitz
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BAD RELIGION ON THE JON STEWART SHOW, 1994.
#bad religion#greg graffin#brett gurewitz#greg hetson#melodic hardcore#hardcore punk#punk rock#skate punk#jay bentley#bobby schayer#punk
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Brett Gurewitz *May 12, 1962
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An urban sprawl sits Choking on its discharge Overwhelmed by industry Searching for a modern day Savior from another place Inclined toward charity Everyone's begging for an answer without regard to validity The searching never ends, it goes on and on and on for eternity
Bad Rellgion -- "The Answer"
#SoundCloud#bad religion#greg graffin#brett gurewitz#punk#punx#punk rock#punk music#hardcore punk#melodic hardcore#skate punk#1990s music#1990s punk#90s music#90s punk#political punk#generator#epitaph records
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Bad Religion
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i love you rock and roll
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American punk rock band, Bad Religion that formed in Los Angeles, California, in 1980 Members Greg Graffin – lead vocals, piano, synthesizers, acoustic guitar Brett Gurewitz – guitar, backing vocals Jay Bentley – bass, backing vocals Brian Baker – guitar, backing vocals Mike Dimkich – guitar Jamie Miller – drums, percussion
Studio albums
How Could Hell Be Any Worse? (1982)
Into the Unknown (1983)
Suffer (1988)
No Control (1989)
Against the Grain (1990)
Generator (1992)
Recipe for Hate (1993)
Stranger than Fiction (1994)
The Gray Race (1996)
No Substance (1998)
The New America (2000)
The Process of Belief (2002)
The Empire Strikes First (2004)
New Maps of Hell (2007)
The Dissent of Man (2010)
True North (2013)
Age of Unreason (2019)
100+ Rock Band Posters and Canvas Prints
Print Option: ♦ Framed Poster Print ♦ Canvas Print ♦ Metal Print ♦ Acrylic Print ♦ Wood Prints 🌐 Worldwide shipping
#Bad Religion#Greg Graffin#Brett Gurewitz#Brian Baker#Greg Hetson#Jay Bentley#Brooks Wackerman#Bobby Schayer#Mike Dimkich#Jamie Miller#Pete Finestone#Paul Dedona#Jay Ziskrout#Tim Gallegos#Davy Goldman#Lucky Lehrer#John Albert#rock band#poster#albums
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My fav tracks of Bad Religion
#music#bad religion#Greg Graffin#Brett Gurewitz#Jay Bentley#Brian Baker#Mike Dimkich#Jamie Miller#punk#punk rock#skate punk#Spotify#listening rn
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just came on here to say, once again, that mr. brett is the ultimate DILF
#daddyb#i would let him do some wild things to me stg#ik he's older now then in this pic but he could still get it in a fucking heartbeat#brett gurewitz#i basically made this account to worship daddy brett#bad religion#punk rock#skate punk#epitaph#mr brett
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Rancid Announces New Album Tomorrow Never Comes for June 2023 Release & Shares Video for Title Track
https://music.mxdwn.com/2023/04/18/news/rancid-announces-new-album-tomorrow-never-comes-for-june-2023-release-shares-video-for-title-track/
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44 years ago today
Bad Religion performing live at USC Fraternity house, Los Angeles, November 20, 1980.
Left to right: Brett Gurewitz, Greg Graffin, Jay Ziskrout and Jay Bentley.
Photo by Gary Leonard
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A bit of a hidden gem, this EP seemingly came out of nowhere in early 2004 as a one-off from a trio consisting of Atticus Ross (well before deeper integration with Nine Inch Nails but after 12 Rounds and the tail end of Nothing Records), his brother Leopold, and Brett Gurewitz, all elevated with vocals by Greg Puciato (Dillinger Escape Plan).
An extreme and wonderful whirlwind of punk-infused, electronic noise and digital percussion. It feels very influenced by the end of the Digital Hardcore Recordings era (ex: 2001's Alec Empire - Intelligence & Sacrifice; 1999's Atari Teenage Riot - 60 Second Wipe Out). It's adrenaline-pumping with some violent abuse of digital breaks and distortion, all so excellently complimented and led by Greg's vocals, which even at times get chewed up and spit out in the production.
The artwork is a perfect fit, while it seems of the era of the flat design elements, it still is explosive and refined with it's dark and specific color palette. An excellent use of the rarely-used 'minimax' CD format.
While I regularly wish for more of this (and there is a remix they did plus Black Sabbath cover out there around the time on some compilations), there's something satisfying with this existing solely on it's own as this raw and brutal, digital punk release. It regularly finds it's way into my music rotation every few months even after all these years.
Crucial listening. Highly recommended.
#my discogs scans#error#2004#atticus ross#leopold ross#greg puciato#epitaph#electro-hardcore-punk#industrial#digital hardcore#industrial punk#86666-2#nothing's working#💣💣💣#nine inch nails#the dillinger escape plan
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my brain has chosen to combine two of my biggest hyperfixations of recent years and i am now sitting on a beautiful beautiful concept for an rdr2 au set in the 90s hardcore scene in california*
no but imagine dutch as a manager of a diy hardcore band in the age of every major label suddenly looking to sign the next nirvana and promising the world to bands only then to fuck them over beyond belief and try to make them marketable according to what the labels think is marketable (make micah the pushy label a&r)
mix that with the rise of nu metal and the toxic cis het masculinity of it all and how certain bands literally split up because they couldn't handle their queerer weirder audiences get fucked up at festivals by the nu metal bros
make arthur the frontman (javier is lead guitar, john is bass, bill is fhe drummer) who is very uncomfortable with all this on multiple levels
and i haven't settled on the plot wheels yet but charles is either hired into this as a tech (even though he's a really fucking good musician), OR arthur used to do rhythm guitar as well but now they want him to focus more on performance and "arthur will you stop hiding behind that guitar of yours already" and charles is a session musician they hired for a tour to play arthur's rhythm guitar parts
and we are really fucking golden
don't even get me started about how easy would it be to borrow from larry livermore + green day biography to explain why arthur and john have been around for so long
or on the opportunities for all the side characters (o'driscolls and colm easily morph into a version of epitaph records and brett gurewitz and rancid which makes it easy to draw another link between brody dalle and sadie)
* not in the historic precision sense but in a vague rockstar sense because i have no intention of actually being accurate or figuring out how these characters would fit into the existing dynamic of the scene
#rdr2#rdr2 au#the only problem is i don't have a name for the band#some twist on red dead and redemption could work but i'm not sold on it#this would be something that arthur and john came up with as teens#i think i need to channel them and think what sort of shit they'd be obsessed with and i'll get it#and yeah idk where is hosea in this#probably silently helping dutch to manage all of his ventures like the club and the label but like actually getting things done#maybe producer? idk#that doesn't quite channel the conman energy#anyway#i am normal about this#and oh yes it's absolutely#chartur
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Brett Gurewitz *May 12, 1962
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Ronnie Radke talking about his loyalty to Epitaph Records, the reasons he's been working with Brett Gurewitz all along his career and that he will be working with him till forever and a day 🫶❤️ (12/2022)
Watch the WHOLE INTERVIEW
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NOFX
grupo musical estadounidense
NOFX fue una banda californiana de punk rock formada en 1983[6] por Fat Mike como bajista, vocalista y compositor, y el guitarrista Eric Melvin. El baterista Erik Sandin se les unió poco después, y junto con El Hefe (guitarra principal y trompeta desde 1991) conforman la banda en la actualidad.
Bad Religion
grupo musical estadounidense
Este artículo o sección necesita referencias que aparezcan en una publicación acreditada.
Bad Religion es una banda estadounidense de punk rock fundada en 1980 en el sur de California por Greg Graffin (voz), Jay Bentley (bajo), Jay Ziskrout (batería) y Brett Gurewitz (guitarra), a la que se le adjudica haber guiado el resurgimiento del punk rock en el mainstream, así como haber influenciado a lo largo de su trayectoria a un gran número de músicos del punk y del rock.
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Rancid - ...And Out Come The Wolves
..And Out Come the Wolves è il terzo disco per i californiani Rancid.Prodotto dal duo Brett Gurewitz-Jerry Finn e pubblicato dalla Epitaph Records questo seminale lavoro si presenta come manifesto pluripremiato del frizzante movimento Ska-Punk e Street-Punk della West-Coast. Il capitolo più fortunato del gruppo di Berkeley è una bomba che sancisce l’ascesa di tutta la scena, il successo…
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