#Bok Gyu Hyun

[nunafilms]

NO GAIN, NO LOVE 손해 보기 싫어서 Episode 1. Kim Jung Shik (dir)

[desire-for-madness]

Damn, I was kind of against that "Enemies to Lovers" loveline from the beginning, between the second couple Ja Yeon and Bok Gyu Hyun, because it was more "Abuser and Victim to Lovers". I don't like that forced sympathy for someone who deliberately tried to hurt someone with their words (over a hundred times). I don't think that shit should be romanticized.

But from the beginning, it felt like the dude never took it seriously, his main focus was hiding he's rich. The second time they met, he even snapped at her, like, did you think you'll apologize once and she'll forgive you?! Oh you're having a bad day? What about all the bad days you gave her??

And the volunteering, he's not even doing it genuinely, lying, buying machines, making his secretary do more than half the work (on his day off may I add, which is just abuse of power as well).

I understand the show is trying to make us sympathize with him cuz his father is hard on him since youth, but that doesn't excuse you from wrongdoings, that you should genuinely repent for.

She's so sweet, and I really don't want her to end up with a dude who'll only repent once he falls in love with her, instead of the secretary who buys her food, remembers what she liked, goes out to meet her, believes she's a great writer.

I don't think any victim of verbal abuse would fall in love with their abuser, when said abuser genuinely don't even realize what they did wrong.

[kdim]

No Gain No Love 손해 보기 싫어서 (2024) | Episode 8 The "malicious commenter" is in love. 🫠

[i0099z]

no gain, no love is genuinely so good, i am absolutely hooked

[iamcatmansblog]

You all the chemistry between nam ja yeon and Bok gyu is so freaking good wtf??????? 😭😭 LIKE PLEASE WE AS A COMMUNITY OF KDRAMABEBS HERE NEED TO APPRECIATE THE TENSION BETWEEN THEM

*chefs kiss 💋*

[dylan-rodrigues]

I thought he was just a sassy software twink, I cannot believe Ha-jun took over hate comment duties and left some of the worst ones... It feels like such a ham fisted move in terms of plot, a way for Ja-yeon to stop liking him and move her towards Gyu-hyun...

Ofc, she might just say Bok You to both men and live her best life as a smut writer. Which is fair and valid, no matter how much I ship her with Gyu-hyun.

[cosmosbeelover]

The History of Korean Male Groups – From Yeonhee Professional Singers’ Quartet to BTS -> Pt. 5/? (Rewrite)

I am quite surprised by the limited information available regarding this male group, which is known by two different names. I will endeavour to clarify the situation; the group in question is referred to as either 'Arirang Boys' (아리랑보이즈는) or 'Joseon Music Troupe' (조선악극단). It remains unclear why they operated under these two names. This situation is reminiscent of the male groups 'Yeonhee Professional Quartet' (연희전문사중창단) and 'Youth Member' (청년회원), where the former has significantly more information available compared to the later.

Before Liberation – 1940s

Prior to delving deeper, I would like to clarify my approach to discussing this male group, which predates the liberation era and thus had limited information available, similar to my previous post regarding the first two male groups (Part 2). I will first outline the group and its members, followed by the company they were associated with. Additionally, I will mention the 'Jeogori Sisters,' who were part of the same company as the 'Arirang Boys,' noting that one member from each group is a married couple. However, I will refrain from providing extensive details about the 'Jeogori Sisters' as they will be addressed in a future post within The History of Korean Girl Groups.

The Arirang Boys (아리랑보이즈는), a four-member project group, emerged around 1940 and frequently performed alongside the Jeogori Sisters, a female ensemble featuring Lee Nan-young (이난영), Jang Se-jeong (장세정), Kim Neung-ja (김능자), Lee Jun-hee (이준희), and Seo Bong-hee (서봉희). The group comprised Kim Hae-song (김해송), a singer and composer married to Lee Nan-young, composer Park Si-chun (박시춘), comedian Lee Bok-bon (이복본) known for his jazz performances, and composer-arranger Song Hee-sun (송희선). Additionally, Hyun Kyung-seop (현경섭), a trumpet player for an orchestra record company, occasionally filled in for other members.

In no particular order, members of Arirang Boys: Kim Hae-song (김해송), Park Si-chun (박시춘), Lee Bok-bon (이복본), Song Hee-sun (송희선) and Hyun Kyung-seop (현경섭) who occasionally filled in for other members.

Despite not releasing any albums, they achieved popularity through their use of instruments like the guitar and violin, enhancing their stage performances. According to singer Kim Jeong-gu's (김정구) testimony prior to his death, the Arirang Boys were particularly cherished for their comedic interludes during shows.

The Arirang Boys Members:

I will briefly talk about the ‘Arirang Boys’ members here but will go into detail about them separately in future posts.

Kim Hae-song (김해송)

A few other photos of him here.

Kim Hae-song, whose real name was Kim Song-gyu (金松奎) and Japanese name Kyouya Kobayashi (金山松夫), was born in December 1911 in Gaecheon, Pyeongannam-do, during the Japanese colonial era, and he passed away around 1950 at approximately 39 or 40 years of age. It is believed that he remained in Seoul throughout the Korean War and died while being abducted to North Korea.

A multifaceted artist, he was a composer, singer, lyricist, guitarist, and musical director, active from 1935 to 1950. He graduated from Pyongyang Gwangseong High School in 1933, and although there are unverified claims of his attendance at Sungsil College and Jochi University in Japan, these remain unconfirmed. In 1935, he signed with Okeh Records, marking the beginning of his career as a singer and composer.

Lee Bok-bon (이복본)

Lee Bok-bon (李福本), born in Seoul in 1911 and died around 1950?, he was a singer from Joseon and South Korea . He first appeared on the stage of Joseon Theater Company in 1933 and appeared in director Ahn Jong-hwa's (안종화) film 'Crossroads of Youth' (청춘의 십자로) in 1934. He is also called "Korea's first jazz singer" as a member of the Seoul theater company 'Mooran Rouge'. However, during the Korean War, he was kidnapped by the North Korean People's Army during the Battle of Seoul and disappeared thereafter, and is presumed to have died.

Park Si-chun (박시춘)

A few other photos him and information but nothing new here.

Park Si-chun, real name Park Soon-dong (박순동; 朴順東) was born on October 28, 1913, in Miryang, South Korea, was a versatile artist who passed away on June 30, 1996, at 82. His talents included music composition, guitar, and proficiency in instruments like the trumpet, violin, and saxophone. He also worked in the film industry as an actor, director, producer, and music director.

One of his notable works is the pro-Japanese song "Blood Letter Support," which expresses a desire to serve as a volunteer soldier during the Pacific War. The lyrics, by Jo Myeong-am, reflect strong pro-Japanese sentiments. In 2008, he was recognized as a pro-Japanese figure by the Institute for Research in Collaborationist Activities, and a festival honouring him sparked controversy. He was also listed among 705 pro-Japanese anti-nationalists by the Truth and Reconciliation Commission in 2009.

Song Hee-sun (송희선)

I’m not shore which person in the photo shown above is Song Hee-Sun, but I hope this information that I found on him even though it a lot, is the wright Song Hee-sun.

The birth and death dates of Song Hee-sun remain unknown. He began his music education at Sungsil High School in Pyongyang and later ventured into the Japanese light music scene, establishing himself as a saxophonist and subsequently performing with OK Grand Shodan.

His notable contributions include musical dramas like "Dongyang no Rose" (동양의 장미) and "Golden Come Out Ttuktak," (금 나와라 뚝딱) as well as the song "The Young Days of the Sea" (바다의 젊은 날). Additionally, the arrangements he created for Lee Hwa-ja (이화자) during the Japanese colonial era are featured on the Oke album.

Hyun Kyung-seop (현경섭)

I’m not shore which person in the photo shown above is Hyun Kyung-seop, he might not be in the photo because he was occasionally filled in for other members at the time.While I was looking into Hun Kyung-seop I found this blog about him, that the National Museum of Korean History published a collection of Hyun Kyun-seop.As there is little information that I could find I’m going to add all the information here, but i will post him and other members' information separately in the future.

The National Museum of Korean History has published a collection featuring 267 artifacts related to Hyun Kyung-seop, a prominent trumpet player associated with Oke Records during the Japanese colonial era. This collection encompasses photographs of Hyun Kyung-seop and his personal diaries, providing insight into his life during this tumultuous period. Despite his significant contributions to music, particularly as a key member of the Joseon Music Troupe, Hyun Kyung-seop remains largely unremembered by contemporary audiences.

Beginning his career at the age of 22 in 1935, Hyun Kyung-seop gained recognition for his performances in Japan and China, with media outlets even comparing him to the legendary Louis Armstrong. His versatility extended beyond trumpet playing to include arranging, acting, dancing, and singing. However, his life took a tragic turn during the Korean War when he was abducted by North Korean soldiers in Seoul, leading to a prolonged absence that left his family in distress. Despite efforts by his son, Hyun-won, to locate him, including a DNA test through the Red Cross, the family faced numerous hardships due to the stigma associated with his disappearance, which severely restricted their opportunities and freedoms.

Hyun Kyun-seop playing the trumpet in the middle.

This compilation encompasses original images from each day of Hyun Kyung-seop’s diary, a variety of identification documents, photographs of his music colleagues, and all phonograph records he possessed, which have been digitally restored and compiled onto a DVD.

However, these DVDs are currently unavailable for access to my knowledge.

The once-obscure trumpet player Hyun Kyung-seop, who nearly faded from historical memory following his performance at the Seoul Geukdo Theatre in June 1950, has been immortalized through a collection published by the National Museum of Korean History. Transitioning from anonymity to becoming a symbol of the Japanese colonial era and the post-liberation music scene, this collection, made possible by the contributions of his family and the museum's restoration efforts, serves as a crucial resource for understanding the evolution of popular music in Korea.

Okeh Records (오케레코드):

Oke and Okeh Records are the same company. The photos shown below are people that worked for or with Okeh Records, and were attached with the information that I found of the company.

Founded in the early 1930s, Okeh Records highlighted diverse talents from Korea and Japan. Despite facing censorship and limitations, the label effectively developed around six notable groups, producing music films and establishing the Orchestration Team, Orchestra Music 'n Dance Research Institute, while managing Okestudio and theatres both domestically and internationally. The label also toured extensively across Korea, Japan, and Northern Asia, and created military songs. Although Okeh ceased its activities due to the Pacific War, its substantial yet often overlooked influence laid an essential groundwork for future artists following liberation.

Oke Records, a South Korean record label, was operational both prior to and following the country's liberation. The name "Okeh" derives from the Japanese pronunciation of the English term "Okay," and it is represented in the alphabet as 'Okeh.'

Founded in 1932, the exact date and conditions of its inception are not well-documented; however, the celebration of the '15th Anniversary of the Joseon Musical Troupe' (조선악극단) in April 1947 implies that the organization may have been established around April 1932.

Okeh Records was the latest addition to the five major record companies active during the Japanese colonial period, which included Columbia Records, Victor Records, Polydol Records, and Taepyeong Records, all of which ceased operations by 1943, coinciding with the end of the Pacific War. Despite being the last to enter the market, Okeh Records achieved notable success, becoming the second-largest producer of records and playing a crucial role in promoting many of the era's most prominent artists and songs.

Initially, the company was known as the Japanese Okeh Gramophone Company Gyeongseong Temporary Sales Office, later rebranded as the Gyeongseong Branch. The management was overseen by a Korean named Lee Cheol, although information regarding the company's financial structure is scarce. It is clear that Okeh Records depended on Japan's Teichiku Records for its recording and pressing operations, indicating a significant initial partnership with Teichiku. A theory suggests that Lee Cheol's wife, Hyeon Song-ja, had a school friend whose father was an executive at Teichiku Records, which may have aided in the branch's establishment; however, this connection remains unverified.

Okeh Records launched its first album in February 1933 and maintained an active production schedule for approximately 11 years, concluding around late 1943 or early 1944. It ranked second in the volume of new album releases, following Columbia Records, and played a pivotal role in the popular music industry, significantly outpacing its rivals. Initially, the company operated from the Japanese Deichiku Records studio until early 1936, after which it established its own recording facilities in Gyeongseong (Seoul) by late 1936, marking the beginning of its Gyeongseong recording era.

From its inception, Okeh Records prioritized stage performances and album production, featuring one of the finest bands of the time. The company distinguished itself by ensuring that all arrangements and accompaniments for popular music were performed by Korean musicians as Gyeongseong recording evolved. In 1937, Teichiku Records appointed Imura Ryozui as branch manager, taking over the operational rights from Lee Cheol, which led to the rebranding of the company as Teichiku Records Gyeongseong Branch.

Following a fire in January 1941, plans for a new office building were set in motion, resulting in a facility with studios completed by mid-May. Although the precise date of Okeh Records' final album release remains uncertain, it is believed that production continued until late 1943, with operations effectively ceasing in 1944 after the withdrawal of Japanese capital post-liberation. The reestablishment of Okeh Records in August 1948, highlighted by albums such as “Cry Silver Bell,” signified a new entity while honouring the legacy of the original Okeh Records.

Okegrand Show (오케그랜드쇼)

Since its inaugural album release in 1933, Okeh Records had prioritized stage performances, featuring a performance group known as the "Okeh Ensemble," (오케 앙상블) which consisted of artists exclusive to the label and toured extensively across the country, Japan, and Manchuria during recording intervals.

The transition of Okeh Ensemble into the Okeh Grand Show occurred when the operational rights of Okeh Records were transferred from Lee Cheol to Imura Ryozui, who had been sent from Japan's Teichiku Records post-1937.

Group of women that worked in Okeh Records. Not shore when this photo was taken probably around 1940s, and the name of the women are in the photo.

Following this shift, Lee Cheol, facing limitations on his decision-making in the recording industry, founded the Joseon Entertainment Company (initially named Joseon Recording Company) in January 1938, thereby venturing into a new domain of stage performances.

This evolution led to the reformation of the traditional orchestra into the Orchestra Grand Show, which emerged as the premier performing group in Joseon, eventually evolving into the ‘Joseon Musical Troupe’ (조선악극단) after its inaugural tour of Japan in 1939.

Orchestration Team (오케싱잉팀)

As the Joseon Akgeukdan expanded and managing multiple schedules became increasingly challenging, a sister group was established to split the performances into two factions, concentrating on popular music. This led to the formation of the Okesinging Team.

Both Photos - Not shore the name of the two ladies but both worked with Okeh Records. Note shore when both of these photo’s was taken, probably around 1940s.

The Okesinging (오케싱잉) Team, or Okegayodan (오케가요단), made its debut in June 1940, showcasing prominent artists from Okerecord, such as Lee Nan-young, Nam In-su, and Lee Hwa-ja. Despite its formal designation as a distinct entity, the Okesinging Team frequently performed alongside the Joseon Akgeukdan during events. Active until 1941, the Okesinging Team focused on musical performances before entering a brief hiatus. In 1943, it rebranded as the Shinseng Theatre Group (신생극단), broadening its repertoire beyond music and re-emerging on stage.

Orchestra Music and Dance Research Institute (오케음악무용연구소)

Akgeuk and Akgeukdan are the ‘Joseon Musical Troup’, I’m not shore why they are written as Akgeuk or Akgeukdan.

The Okeh Music and Dance Research Institute, founded by Lee Cheol (이철), who also established the Joseon Entertainment Company and led the ‘Joseon Musical Troupe’ (조선악극단), aimed to continuously identify and cultivate talent in popular arts, marking it as the first specialized educational institution for this field in history. Established in September 1940, the institute was directed by Lee Cheol, supported by a faculty of 13 professors from diverse disciplines who provided rigorous education to carefully selected students. Notable faculty members included Kim Hyeong-rae (김형래) in music, along with Kim Min-ja (김민자), Jo Yeong-suk (조영숙), and Lee Jun-hee (이준희) in dance.

This photo was taken in 1943 after the ‘Joseon Musical Troupe’ (조선악극단), the greatest entertainment group of its time, finished a performance in Tokyo to comfort Prince Yeong Chin. It was obtained and made public by Lee Jun-hee (이준희), a visiting professor at Sungkonghoe University (성공회대학교; 聖公會大學校). English – (1) Prince Yeong Chin (Lee Eun) (2) Princess Yi/ Lee Bang-ja (3) Kim Jeong-gu (4) Jang Se-jeong (5) Lee Nan-yeong (6) Lee Cheol, head of the Joseon Musical Troupe (7) Kim Hae-song (8) Lee Bok-bon (9) Lee Jong-cheol. Korean – (1) 영친왕(이은) (2) 이방자 (3) 김정구 (4) 장세정 (5) 이난영 (6) 이철 조선악극단장 (7) 김해송 (8) 이복본 (9) 이종철.

In February 1941, the inaugural performance of the first class of cadets, who had trained for approximately six months, took place, with Kim Baek-hee (김백희; 金白姬) emerging as the most distinguished among them; she later became a leading figure in musical theatre following Korea's liberation. By April 1941, an advertisement was released to recruit the second class, establishing an annual selection process for new cadets. These trainees underwent three years of instruction, during which they were not initially compensated but were exempt from tuition and provided with fashionable uniforms. After acquiring sufficient training and skill, they performed as backup dancers or in the chorus for the Joseon Music Troupe, with the most talented individuals given the chance to perform solo by their third year. Those who remained until their third year could earn a significant salary.

Baek Seol-hee (백설희; 白雪姬), who later thrived in musical and popular song genres post-liberation, was part of the third class selected in 1942 and made her solo debut just before graduating in 1944. Alongside Kim Baek-hee and Baek Seol-hee, the Okeh Music and Dance Research Institute nurtured numerous other talents in music and dance, such as Kang Yun-bok (강윤복; 康允福), Shim Yeon-ok (심연옥; 沈蓮玉), and Joo Ri (주리; 朱莉), significantly contributing to the continuation of Lee Cheol's legacy until the 1950s. The Aoi (アオイ) Music Theatre Troupe, a performance group, was established in May 1941.

Similar to the Joseon Music Theatre Troupe, the Joseon Entertainment Company managed the Aoi Music Troupe, which seemingly maintained a strong affiliation with the Okeh Music and Dance Research Institute. The troupe consisted entirely of female newcomers, and the Okeh Institute was the primary source for such talent, indicating a natural collaboration. The term 'Aoi,' which translates to 'blue' in Japanese, likely derives from 'Aoyama,' the surname of Lee Cheol, the leader of the Joseon Entertainment Company.

Following Lee Cheol's death in June 1944, the Okeh Institute rebranded itself as the Cheongsan Music and Dance Research Institute, further linking the name to Lee Cheol. The Aoi Music Troupe made its debut along the Honam Line in late May 1941; however, the absence of subsequent records suggests it may not have achieved commercial success and was likely disbanded. From the perspective of the Joseon Entertainment Company, this initiative can be viewed as a trial endeavour.

The last witness of the 'Joseon Musical Troupe', the life of Kang Yun-bok

This article was published after Kang Yun-bok’s (강윤복) who was a veteran dancer passed away in 2015, and talk about his life who worked for Okeh Records, and like the title says, he was a witness of the ‘Joseon Musical Troupe’ (조선악극단). I’ll briefly talk about him with the little information i found about him, as for some reason there is little information about him, don’t know why?

Veteran dancer Kang Yun-bok, whose birth name was Kang Yun-deok (강윤복), passed away on May 12, 2015, at the age of 91, due to natural causes.

Born in Pyongyang in 1924, Kang was a prominent member of the Joseon Music Troupe, a notable musical ensemble during the Japanese colonial era, and subsequently performed with the KPK Orchestra under the direction of composer Kim Hae-song, as well as the 8th US Army Show.

Kim Yun-bok during a KPK Orchestra performance in the late 1940s.

The 8th US Army Show thrived from 1953, coinciding with the presence of US forces during the Korean War, until the mid-1960s, when troop levels decreased due to the Vietnam War, and it was instrumental in launching the careers of various stars, including Patty Kim and Bok hee Yoon.

Music critic Park Sung-seo remarked that Kang Yun-bok was the last living member of the Joseon Akgeukdan, the premier popular culture group of the Japanese colonial period, noting that his low public profile has contributed to his obscurity, despite his significant role in the history of popular music.

Kang was married to the late Jeon Hae-nam, a trailblazer in Korean tap dancing, and he is survived by his son Park Jae-bin and daughters Dan-hee, Jin-hee, and Hyeon-hee.

---------------------------------------------------------------------------------------------

In September 1940, a significant milestone occurred in the realm of Korean popular arts with the establishment of the Okeh Music and Dance Research Institute by Lee Cheol, a prominent figure in colonial Joseon's music scene. Lee, who had already made a substantial impact through his work with Okeh Records and the Joseon Music Theatre Company, aimed to cultivate future talent in popular arts through this private educational institution. The institute became a breeding ground for numerous musicians and dancers who gained prominence in the 1940s and 1950s.

Kim Hae-song, Kang Yun-bok, and Joo Ri during a KPK Orchestra performance in the late 1940s.

The inaugural class attracted many teenage girls, who were enticed by the offer of free music, dance, and liberal arts education for three years, with the opportunity to perform on the Joseon Music Theatre Company stage for those who excelled. Ultimately, around 40 students were selected based on their appearance, talent, and growth potential, although the curriculum, which encompassed music theory, vocal training, and diverse dance styles, proved to be quite challenging.

After three years, only nine students graduated from the initial cohort of 40, among whom Kang Yun-bok (1924-2015) emerged as a notable dancer alongside Kim Baek-hee, a vocal music standout. Kang, who passed away on May 12, had initially enrolled at the research institute while attending Sookmyung Girls’ High School, driven by her passion for dance despite her family's strong opposition. Her remarkable talent and dedication soon alleviated her family's concerns, allowing her to flourish in her chosen path.

In April 1941, merely six months after his enrolment at the institute, he made his debut with the ‘Joseon Musical Troupe’ (조선악극단), quickly becoming a prominent member of the ensemble that performed across Korea, Manchuria, Japan, and China. By May 1943, he witnessed Prince Yeong Chin moved to tears by Kim Jeong-gu’s rendition of “Fallen Flowers Three Thousand” at the Prince’s Tokyo residence, and in June 1944, he learned of the unexpected passing of Lee Cheol, the troupe's leader, in Shanghai.

Kang Yun-bok, who appeared in a theatre show in the late 1950s

Following liberation, as the Joseon Akgeuk Troupe began to wane, Mr. Kang Yun-bok transitioned to the KPK Orchestra, which debuted in December 1945. This orchestra, founded by composer Kim Hae-song—a former key member of the Joseon Akgeuk Troupe who had departed earlier—incorporated many of its members, including Mr. Kang Yun-bok, effectively becoming its successor.

While the early 1940s marked the prominence of the Joseon Akgeuk Troupe, the late 1940s signified the rise of the KPK Orchestra. With the burgeoning Akgeuk market, Mr. Kang Yun-bok not only performed with various groups, including the KPK Orchestra, but also emerged as a significant choreographer.

The onset of the Korean War led to the loss of Kim Hae-song, the disbandment of the KPK Orchestra, and a swift decline in Akgeuk; however, Mr. Kang Yun-bok's influence in popular dance expanded during this tumultuous period.

In addition to various performances that supplanted musicals, the U.S. 8th Army Show, which gained momentum in the mid-1950s, and the presence of U.S. troops in Okinawa, Japan, created a demand for Mr. Kang Yun-bok's dance expertise. Furthermore, with the decision to deploy Korean troops to the Vietnam War, the Southeast Asian performance venues also sought his talents.

Beginning in the late 1960s, Kang Yun-bok primarily focused on stage and broadcast choreography while dedicating himself to mentoring future artists. His nearly four-decade career, which concluded in the late 1970s, represents a crucial chapter in the evolution of Korean popular dance. Despite the significant decline of this genre over the years, Kang's contributions extend beyond popular dance, playing a vital role in enriching the broader narrative of modern and contemporary Korean performing arts.

Group of women that worked in Okeh Records. Not shore when this photo was taken probably around 1940s, and the name of the women are in the photo.

The National Arts Archives has persistently sought Kang Yun-bok's involvement in the ongoing "Oral Recording of Korean Modern and Contemporary Art History" project, initiated in 2003. After several refusals, he finally agreed to participate on the 15th of last month.

Preparations for the project were progressing smoothly, with plans to finalize administrative tasks and commence the official oral recording in early June; however, Kang Yun-bok's unexpected passing occurred before this could take place. The loss of this key figure, who could have provided invaluable insights into the largely unrecognized Chosun Akgeukdan and KPK Orchestra, is profoundly felt.

While it is not uncommon for an individual's death to erase memories of a particular era, the immediate sense of loss in this instance is striking. Nevertheless, Mr. Kang Yun-bok left behind words and materials, and it is hoped that these can be gathered to illuminate the rich history of the past stage performances.

Joseon Musical Troupe's Performance to visit Prince Yeong Chin

This article published in 2010 was about a photo of the ‘Joseon Musical Troup’ visiting Prince Yeong Chin, that was deemed lost or a myth being found. I won’t go into much detail about the two royal family members shown in the photo as my main focus here is the ‘Joseon Musical Troup’.

Crown Prince Uimin Yi Eun, also known as Prince Yeong Chin or Lee Eun, lived from October 20, 1897, to May 1, 1970. He was part of the Imperial Family of the Korean Empire and held a political role within the Empire of Japan. He was married to Princess Yi Bang-ja, who was born on November 4, 1901, and passed away on April 30, 1989. Princess Yi Bang-ja was also a member of the Imperial Family of Japan and was the eldest daughter of Prince Nashimotonomiya Morimasa, making her the first queen.

At the former location of the palace, the evening smoke drifts lazily in the gentle river breeze, prompting a reflection on the fate of the three thousand palace ladies who once resided there.

In 1943, Kim Jeong-gu, a prominent 27-year-old singer of his era, performed his renowned song "Fallen Flowers Three Thousand" (낙화삼천) at the Akasaka mansion in Tokyo for Prince Yeongchin (Lee Eun) and Princess Yeongchin (Lee Bang-ja), who were held captive in Japan. The poignant performance moved Prince Yeongchin to tears, and soon, all fifty attendees were similarly affected.

A notable legend in Korean pop history recounts how the finest singers of the Joseon dynasty travelled to Japan to perform for Prince Yeong Chin, resulting in a collective outpouring of tears from the audience. The photograph surfaced, providing evidence that substantiates this poignant narrative. (The photo in question shown below)

This photo was taken in 1943 after they finished a performance in Tokyo to comfort Prince Yeong Chin. It was obtained and made public by Lee Jun-hee (이준희), a visiting professor at Sungkonghoe University (성공회대학교; 聖公會大學校). Prince Yeong Chin (Lee Eun) (영친왕(이은) and Princess Yi/ Lee Bang-ja (이방자) can be seen in the centre of the photo surrounded by the ‘Joseon Musical Troupe’.

Lee Jun-hee, a visiting professor at Sungkonghoe University and an authority on vintage pop music, revealed on the 24th that he uncovered a commemorative photograph of the ‘Joseon Musical Troupe’ (조선악극단), which featured prominent artists of the era such as Kim Jeong-gu, Lee Nan-young, Jang Se-jeong, Song Dal-hyeop, and Kim Hae-song, alongside Lee Bok-bon and Lee Jong-cheol, during their visit to Prince Yeong Chin’s residence in Akasaka in 1943, where they held a consolation performance for the king.

The photograph was preserved by Kang Yun-bok, an 86-year-old first-year researcher at the Music and Dance Research Institute of Oke Records, led by Lee Cheol, the troupe's head, and Kang's experience parallels that of a modern trainee in a major entertainment agency. He also recounted the poignant moment when Prince Yeong Chin and the troupe members were moved to tears by Kim Jeong-gu's performance.

The professor noted that the Joseon Akgeukdan, established in the 1930s, was instrumental in cultivating many legendary singers and enjoyed significant popularity in Japan, which contributed to their emotional connection to Prince Yeong Chin, reflecting their sorrow over the loss of their homeland, a sentiment shared by all the performers who have since passed away.

I found the news clip of the ‘Joseon Musical Troupe’ first public release of footage of them. First public release of footage of the 'Joseon Akgeukdan' from the Japanese colonial period Anchor Translation – “Do you know about the 'Joseon Musical Troupe', which featured the best stars of the time during the Japanese colonial period? KBS has obtained footage of the Joseon Musical Troupe's activities, which soothed the nation's sorrow. This is reporter Cho Ji-hyeon.” Report Translation - "This is a performance by the Joseon Music Troupe in Japan in 1939, during the Japanese colonial period. The song they are singing passionately is the new folk song “A New Day Is Dawning.” You can see the faces of Go Bok-su, the greatest star of the time, from Living in a Foreign Land, Lee Nan-young from Tears of Mokpo, Jang Se-jeong from The Ferry Departs, and Nam In-su. This is “Money Song” sung by Kim Jeong-gu. <Recording> “The wind is blowing. The wind of money is blowing.” The conductor, Son Mok-in, is a giant of our music industry who composed Tears of Mokpo and Living in a Foreign Land. These videos were inserted into a Japanese film and are being released for the first time in 70 years. <Interview> Lee Jun-hee (Visiting Professor at Sungkonghoe University): “The oldest popular song material... It has tremendous historical significance.” During the Japanese colonial period, the Joseon Music Troupe enjoyed immense popularity, to the point of touring China and Japan. A photo taken in 1943 with the Joseon Music Troupe at the invitation of Prince Yeongchin, who was taken as a hostage to Japan, has also been released. It is said that Prince Yeongchin shed tears when Kim Jeong-gu sang 'Nakhwasamcheon', which is about the fall of Baekje. The Joseon Musical Troupe, which comforted the pain of the nation with songs during the colonial period. You can watch videos of their activities on the special song stage for the founding of the public corporation. This is Jo Ji-hyun from KBS News."

The photograph was featured on KBS 1TV's "Gayo Stage" as part of a special broadcast commemorating Independence Movement Day on March 1. During this episode, a video from 1939 showcasing the Joseon Akgeukdan was presented, which the production team acquired through a professor. The footage included performances by notable singers such as Nam In-su, Kim Jeong-gu, Go Bok-su, Jang Se-jeong, and Lee Nan-young, who collectively sang contemporary folk songs like "Don Taryeong" and "A New Day Is Bright." Producer Kang Young-won remarked that this video is likely the oldest surviving recording related to Korean pop music

There are probably more interviews about people talking about Okah Records and other Korean record company artists out there but at this point i can't find any more. If people can find any more interviews about veteran artists just post them below, it would really helpful.

While concluding my research on Okah Records, I discovered several interviews filmed in 2009 featuring individuals who were either married to or children of the artists associated with Okah Records during the 1940s. The interviews included Lee Young-mi, daughter of Lee Cheol; Oh Jeong-sim, wife of Son Mok-in; and Kim Young-jae, son of Kim Seong-heum. Unfortunately, these videos lack subtitles, leaving me unable to comprehend their discussions.

Despite the limited availability of videos featuring their families discussing these renowned artists, gaining insights and engaging with those who knew them proves invaluable for understanding the history of the Korean entertainment industry prior to liberation.

[zhoufeis]

kdrama ask meme

based on my cdrama ask meme: send me a number and I’ll reply with a gifset

1: extraordinary you or true beauty 2: goblin or hotel del luna 3: bring it on, ghost! or happiness 4: i’m not a robot or see you in my 19th life 5: doom at your service or tale of the nine-tailed 6: w - two worlds or flower of evil 7: moon lovers or alchemy of souls 8: weightlifting fairy kim bok-joo or strong woman do bong-soon 9: 100 days my prince or the tale of nokdu 10: semantic error or the eighth sense

11: haru or baek kyung 12: jang man-wol or myul mang 13: jang uk or naksu 14: park bong-pal or seon woo-hyul 15: kim hyun-ji or dong dong-ju 16: eun dan-oh or tak dong-kyung 17: ki seon-gyeom or lee young-hwa 18: oh yeon-joo or yoon sae-bom 19: kim min-gyu or kang chul 20: hong cha-young or seo dan-ah

21: haru / eun dan-oh or lee soo-ho / im ju-kyung 22: im ju-kyung / han seo-jun or eun dan-oh / baek kyung 23: kim bok-joo / jung jun-hyung or cha heon / shin sol-yi 24: wang so / hae-soo or jang man-wol / koo chan-sung 25: kang chul / oh yeon-joo or ban ji-eum / moon seo-ha 26: jang uk / naksu or tak dong-kyung / myul mang 27: seo dan-ah / lee young-hwa or ki seon-gyeom / oh mi-joo 28: song geu-rim / ji soo-ho or kang dan-i / cha eun-ho 29: sae-bom / yi-hyun or do hyun-soo / cha ji-won 30: cho ji-a / kim min-gyu or hoo joon / lee geun-young

[usagirotten]

The South Korean apocalyptic horror series 'Sweet Home' season 2 Trailer

The South Korean apocalyptic horror series "Sweet Home" is returning to Netflix with its second season on December 1, the streaming giant announced Wednesday. Netflix bared the new season's premiere date through a teaser video released on its YouTube channel. The show's first season centered on the residents of an apartment complex who struggled to survive in a world where humans began to turn into monsters based on their desires.

The teaser shows Hyun-su being taken to a mysterious facility where he will undergo an experiment. In a statement, director Lee Eung-bok described the new season as a "full-fledged apocalyptic drama." "While Season 1 portrayed tension and fear in the confined space of the Green Home (the apartment complex), Season 2 will be set in an open space with the introduction of a whole new group of characters and monsters," he said. Lee Jin-wook, Lee Si-young, Go Min-si and Park Gyu-young are returning for the season while new cast members include Jung Jin-young, Yoo Oh-seong, Oh Jung-se and Kim Moo-yeol, according to Netflix. Adapted from the popular webtoon of the same name by Kim Carnby and Hwang Young-chan, the show follows the story of troubled high school student Cha Hyun-soo, played by Song Kang. Cha and the rest of the residents of Green Home soon find themselves surrounded by monsters that want to wipe out humanity. Together, they fight off these blood-thirsty creatures and try to save their lives.

Read the full article

[weeguttersnipe]

Stop talking like an actor in a historical drama. It’s really annoying.

Black, ep 8 (Korean tv series, 2017)

[nunafilms]

A handwritten apology letter won't excuse you from trying to kill me with those hate comments. I didn't write them with such malice. So you meant for the comments to be hurtful, not fatal? Am I supposed to respect your intent and forgive you while licking my wounds? Don't send me apology letters. I have no intention of forgiving you, or settling.

[dramastream]

Park Gyu-young as Yoon Ji Soo SWEET HOME (2020) dir, Lee Eung-bok, Jang Young-woo & Park So-hyun

[lycheesqueeze]

5 Non-Romance Kdramas

I know. I know. Everyone wants sweet romance scenes. But every now and then we need to give other Dramas space. Dramas that shine with a good plot, interesting themes or storylines, diverse characters or thrilling vibes. I love to watch romance series, that's without a doubt, but I also really enjoy action, thriller or horror Dramas.

With that being said, I collected a few of my personal non-romance Kdramas, that focus on different genres and non-romantic storylines (but still offer some relationships between the characters).

Let me know what you think about them and if you have other suggestions!

- Sweet Home [스위트홈] // 2020 by Lee Eung-Bok & Jang Young-Woo // 10 Episodes

If you haven't watche Sweet Home yet, are you even a Kdrama Fan? It is based on the same name Webtoon and tells the story about the occupants of Green Home Building Compelx who get locked up inside as strange things start to happening outside. People start to turn into monsters of every sort, starting with heavy nosebleeding and fainting. There are many main characters in this story but it mostly evolves around Cha Hyun-Su who is a Hikikomori ( a loner, or a person who never leaves the house) and mobbing victim. As the story moves on many more interesting characters are introduced such as Lee Eun-Hyuk a medical student who becomes the leader of the group, the mysterious hitman Pyeon Sang-Wook or the charismatic firefighter Seo Yi-Kyeong.

It is definitely a horro series so if you can't watch things like that I don't recommend it. It has some jump scares as well as bloody scenes so if you are sensitive towards these pictures please refer from watching. It also needs a trigger warning because mental health problems are shown. But if you can handle these type of storylines than you will love Sweet Home!

Main Actresses and Actors: Song Kang as Cha Hyun-Su // Lee Do-Hyun as Lee Eun-Hyuk // Lee Si-Young as Seo Yi-Kyeong // Lee Jin-Wook as Pyeon Sang-Wook

- Vagabond [배가본드] // 2019 by Yoo In-Sik // 16 Episodes

Now this one remains one of the most thrilling and interesting Kdramas I have ever watched. The story evolves around a mysterious plane crash, terror organizations and bribed politicians. The main hero of this series Cha Dal-Gun (played by the incredible Lee Seung-Ri) wants to get revenge for his little nephew and with the help of Go Hae-Ri who works for the Korean National Intelligence Service he tries to discover the people who are behind the plane crash. It's a Drama which definitely has action movie vibes to it.

This Drama is extremely suitable for binge watching so be aware!

Main Actresses and Actors: Lee Seung-Gi as Cha Dal-Gun // Bae Suzy as Go Hae-Ri // Shin Sung-Rok as Gi Tae-Ung

- Save Me [구해줘] // 2017 by Kim Sung-Soo // 16 Episodes

This Drama is about a young girl who moves with her family from Seoul to the suburbs of Daegu. After the death of her younger brother, her parents get dragged into a religious cult and she becomes the main target of the cult leader who wants to form her into his own 'spiritual mother'. As her father gets completely brain washed Sang-Mi is unable to escape. Han Sang-Hwan (a former school mate) and his friends eventually try to save her from the cult.

I think I never saw a similar plot before so this one is really interesting to watch. It has a lot of untypical style choice, the area it plays in is rarely seen in other Kdramas. Most of the characters have the typical Satori (사투리) Dialect which is also rare. It is thrilling and has excellent cliffhangers so this one as well has binge watching potential.

Main Actresses and Actors: Ok Taec-Yeon as Han Sang-Hwan // Seo Yea-Ji as Im Sang-Mi // Woo Do-Hwan as Suk Dong-Chul

- The School Nurse Files [보건교사 안은영 ] // 2020 by Lee Kyoung-Mi // 6 Episodes

The School Nurse Files is about a woman who is able to see 'Jellies' (which are human desires, spirits and feelings) that appear in the school she is working at. Her job is to keep the students safe and try to discover the source of those 'Jellies'. She befriends the son of the founder of that school Hong In-Pyo who has a magic protection shield against those creatures. Along her way she meets many other new friends. This Drama is so weird that you just can't stop watching it. It's plotline, characters and features are totally unique and everything but normal. It feels like a different universe which it totally is.

I highly recommend this one if you need a quick pause from your usual Kdrama Storylines. Because it has only 6 episodes it doesn't take away much time but is still really worthy to watch.

Main Actresses and Actors: Jung Yu-Mi as Ahn Eun-Young // Nam Joo-Hyuk as Hong In-Pyo

- Extra Curricular [인간수업] // 2020 by Kim Jin-Min // 10 Episodes

The last one on this list is a short Drama as well. It tells the story about a highschooler named Oh Ji-Soo who is an unpopular kid in his school and without parents. As he needs to make money (and he wants to make a lot) he runs a highly controversial business. His secret gets discovered by his class mate Bae Gyu-Ri and he is forced to work together with her in order to silence her. As the story develops both of them get into dangerous situations and their secret business is about to get exposed.

This Drama in my opinion is a bit controversial but still worth a watch. As it tells a story we normally don't hear and also talks about serious topics without glorifying them it can have the potential to make people think. If you have no problems watching violent scenes and if you are not sensitive about themes like prostitution you should definitely give it a try.

Main Actress and Actor: Kim Dong-Hee as Oh Ji-Soo // Park Joo-Hyun as Bae Gyu-Ri // Jung Da-Bin as Seo Min-Hee

[simulacrahelps]

In this masterlist you’ll find  First & Last names from the Netflix series Squidgame.

Like or reblog if you thought it was useful

First names(Actors)

A-In

Anupam

Byung-Hun

Byung-Joo

Byung-Taek

Choon-Gyu

Choong-Goo

Christian

Daniel

Don-Sun

Dong-Hyun

Dong-Jun

Dong-Won

Doo-Seok

Han-Sol

Hee-Seo

Ho-Yeon

Hye-Jin

Hyun-Jin

Hyun-Sook

Hyung-Soo

Ja-Hyoung

Jae-Kwon

Jae-Sup

Jeong-Heon

Ji-Ha

Ji-Hoon

Ji-Yeon

Ji-cheol

John

Joo-Ryung

Jung-Dae

Jung-Eon

Jung-Jun

Kye-Sun

Kyung-Min

Mal-Bok

Mal-Geum

Min-Che

Min-Sik

Pub-Lae

Sang-Hee

Seo-Ha

Seo-Hwan

Seo-Hyun

Seong-Ju

Seung-Hoon

Si-Wan

Si-Won

Sung-Gon

Sung-Tae

Tae-Jul

Woo-Hyuk

Yeon-Ung

Yeong-Geol

Yeong-Taek

Yoo

Yoo-Mi

Youn-Hee

Young-Kyun

Young-Ok

Young-Soo

Young-Soon

Young-Sun

Yun-Tae

First Names(Characters)

Ali

Byeong-Ki

Cheol

Ga-Yeong

Gi-Hun

Il-Nam

Ji-Yeong

Jin-Woo

Ju-Un

Jun-Ho

Mi-Ok

Min-Tae

Sang-Hun

Sang-Hyuk

Sang-Woo

Sun-Young

Yeong-Uk

Yun-Ho

Last Names(Actors& Characters)

Abdul

Cho

Choi

Gong

Ha

Han

Heo

Hwang

Jang

Jo

Jun

Jung

Kang

Kennedy

Kim

Ko

Kwak

Lagahit

Lee

Michaels

Min

Moon

No

Oh

Park

Pyo

Seong

So

Son

Song

Tripathi

Wie

Won

Woo

Yang

Yoon

[chcrrypcps]

(f) korean names; mix n match !

80+ KOREAN SYLLABLES to mix n match together to form names! 

-- common hanja meanings attached !  

**not all name meanings are listed & not all names have to mean something-- some people just like the sound of them! 

(male version here!)

애 (ae)

愛  love, like, to be fond of 

哀 sad, mournful, pitiful, pity 

涯  shore, bank, water's edge 

埃  fine dust, dirt

碍  obstruct, block, deter, hinder 

艾 artemisia, mugwort

아 (ah)

兒 son, child, oneself; final part

亞 second

我 our, us, my, we

牙 tooth, teeth; serrated

芽  bud, sprout

雅 elegant, graceful, refined

안 (ahn)

安 peaceful, tranquil, quiet

案 table, bench

眼 eye; hole

岸 bank, shore, beach coast 

顔 face, facial appearance

배   (bae) 

北 north, northern 

配 match, pair; equal

杯 cup, glass 

輩 generation, lifetime 

korean for pear

백 (baek)

白 pure, white, unblemished 

百 one hundred

 비  (bi/bee)

秘 secret, mysterious 

悲 sorrow, grief; sorry, sad

飛  fly, go quickly 

卑  humble, low, inferior 

肥 fat, plump; fertile 

丕 grand, glorious, distinguished

빈  (bin)

彬 cultivated; well-bred

분 (boon/bun)

芬 perfume. fragrance. aroma 

憤 resentment, hatred

보  (bo)

保 protect, defend, care for 

寶 treasure, jewel, precious, rare 

普 universal, widespread

補 mend, fix, repair, restore 

甫 begin, man, father, great

 輔 protect, assist

복 (bok)

福 happiness, good fortune, blessings 

卜 fortune, prophecy 

馥 fragrance, scent, aroma

별  (byul/byeol)

korean for star

차 (cha)

茶 tea 

差 different, wrong

채 (chae)

采 gather, collect; pick, pluck 

採 gather collect, pick select 

彩 hue, colors

초 (cho)

草 grass straw herbs  

哨 whistle, chirp

 焦 burned scorched; anxious vexes

천 (cheon/chun)

千 thousand 

天 sky, heaven; celestial, god 

川 stream, river 

泉 spring, fountain; wealth money 

淺 shallow, superficial 

賤 cheap, worthless

다 (dah/da)

多 much, many 

茶 tea

도 (do)

道 path, road 

島 island 

都 elegant refined 

徒 disciple, follower 

桃 peach; marriage 

悼 grieve, lament, mourn

어 (eo)

語 language. words, expressions 

漁 to seize; to pursue 

御 chariot

억 (eok)

億 many; hundred million 

憶 memory; to remember, reflect upon 

抑 to repress, curb, or hinder

언 (eon)

言 words, speech, speak 

彦 elegant

은 (eun) 

銀 silver, cash, money, wealth 

恩 kindness, mercy, charity 

隱 hidden, secret

殷 abundant, flourishing; many, great 

誾 respectful

가 (gah/ga)

歌 song, lyrics; sing chant; praise

價 price, value

佳 good, auspicious; beautiful; delightful

고 (goh/go)

古 old, classic, ancient 

苦 bitter; hardship, suffering 

固 strength; solid, strong 

孤 orphan; solitary 

故 ancient, old 

枯 withered, decayed

국 (guk/gook/kuk/kook)

國 nation, country 

菊 chrysanthemum

규 (gyu/kyu)

叫 cry, shout; hail, greet, call

하 (ha)

夏 summer 

河 river, stream 

荷 lotus, water lily

해 (hae )

海 sea, ocean

 害 harm, destroy, kill

희 (hee/hui)

喜 joy, love 

希 rare; hope, expectations 

稀 rare, unusual 

姬 beauty 

熹 warm bright; glimmer 

禧 happiness

화 (hwa)

火 fire flame; burn; anger, rage 

花 flower, blossoms

 和 harmony, peace; peaceful, calm

 嬅 beautiful 

禍 misfortune, calamity, disaster

혜 (hye)

慧 bright, intelligent

현 (hyun/hyeon)

賢 virtuous, worthy, good 

炫 shine glitter; show off, flaunt 

玄 deep, profound

효 (hyo)

曉 dawn, daybreak; clear

孝 mourning; obedience

일 (il/eel)

一 one; alone, singular 

日 sun, day, daytime

인 (in)

麟 female chinese unicorn 

人 people, mankind, man, population 

仁 humane; benevolence, kindness 

認 to recognize, know, understand 

寅 respect, reverence 

忍 endure, bear, suffer

재 (jae)

才 talent, ability 

災 calamity, disaster, catastrophe 

財 wealth, riches 

宰 to slaughter; to rule 

栽 to cultivate; to care for plants

자 (jah/ja)

子 child, offspring; fruit, seed 

資 property; wealth 

慈 kind, charitable, benevolent 

紫 purple, violet; amethyst 

磁 porcelain

지 (ji/jee)

地 earth, ground, soil 

紙 paper 

志 determination, will 

智 wisdom, knowledge, intelligence 

池 pool, pond

진 (jin)

珍 precious, valuable; rare 

眞 genuine, real, true

주 (ju/joo)

晝 daytime, daylight 

朱 cinnabar, vermilion

酒 wine, spirits, liquor 

宙 time as a concept 

洲 island 

珠 precious stone, gem, jewel, pearl

정 (jung/jeong)

正 right, proper, correct

情 emotion, feeling, sentiment 

程 journey, trip 

精 essence, spirit 

征 invade, attack, conquer 

靜 gentle, quiet, still 

淨 pure, clean, unspoiled 

貞 loyal; virtuous pure 

晶 crystal; clear, bright, radiant 

汀 beach, bank, shore 

禎 good omen, lucky

경 (kyung/kyeong/gyung/gyeong)

敬 respect, honor

輕 light, gentle 

警 guard, watch 

鏡 mirror, glass 

卿 noble 

炅 brilliance 

瓊 jade; rare, precious; elegant

미 (mi)

美 beautiful, pretty; pleasing 

微 small, tiny 

迷 bewitch, charm

민 (min)

閔 mourn, grieve 

憫 pity, sympathy 

敏 clever, smart 

旻 heaven

玟 gem

문 (moon/mun)

門/ gate, entrance 

文 literature, writing; culture

명 (myung/myeong)

命 life; destiny, fate, luck 

明 light, bright, brilliant 

冥 dark, gloomy; night

나 (nah/na)

奈 bear, endure

내 (nae)

耐 patient; endure, bear

남 (nam)

南 south

오 (oh)

五 five 

午 noon 

惡 evil, wicked, bad, foul 

傲 proud, haughty; overbearing 

嗚 sound of crying, sobbing; sound of sadness 

娛 pleasure, enjoyment, amusement 

汚 filthy, dirty, impure 

烏 crow, raven; black, dark

옥 (ok)

鈺 rare; treasure 

玉 jade; precious stone, gem

沃 rich, fertile

라 (rah/ra la/lah)

裸 bare, nude

란 (ran)

蘭 orchid; elegant, graceful 

亂 create chaos; revolt

리 (ri/li/lee/ree)

李 plum 

梨 pear

림 (rim)

林 forest, grove

린 (rin)

麟 female chinese unicorn

사 (sa)

四 four 

使 messenger 

死 die; death; dead 

士 scholar 

思 think, consider, ponder 

師 teacher, master 

私 secret, private, personal 

絲 silk, fine thread 

:沙 sand, pebbles 

蛇 snake 

詐 trick, cheat, swindle, feign 

邪 wrong, evil, vicious 

唆 mischievous

상 (sang)

上 top, superior, highest 

賞 reward, prize 

傷 wound, injury 

常 common, normal, frequent 

象 ivory; elephant 

喪 mourn 

祥 happiness; good luck, good omen 

裳 beautiful 

霜 frost; crystallized

서 (seo)

西 west

庶 numerous various 

徐 composed, dignified; quiet, calm 

恕 forgiveness; mercy 

誓 swear, pledge, promise, oath

설 (seol)

雪 snow; avenge

선 (seon/sun)

瑄 ornamental jade 

仙 transcendent, immortal 

善 good, virtuous, charitable, kind 

鮮 fresh, new; rare 

璿 fine jade 

璇 star; beautiful jade

 성 (seong)

晟 clear bright; splendor 

城 castle; city, town 

誠 sincere, honest; true, real 

聲 sound, voice, music

聖 holy, sacred 

盛 abundant, flourishing 

星 a star, planet

승 (seung)

勝 victory 

承 succeed 

乘 rise, ascend 

昇 peace; rise, ascent

신 (shin)

辰 early morning 

信 trust, believe 

新 new, fresh, modern 

神 spirit; god, supernatural being 

晨 early morning, daybreak 

辛 bitter

시 (si/shi)

矢 vow, swear, promise 

時 time season; age, period, era 

施 grant, bestow, give 

詩 poetry 

屍 corpse

소 (so)

消 vanish, die out, melt away 

笑 smile, laugh 

素 white silk 

昭 bright, luminous 

蘇 revive, resurrect

슥 (sook/suk)

宿 constellation 

淑 good, pure, virtuous, charming

순 (soon/sun)

純 pure clean simple 

循 obey, comply, follow 

殉 to be a martyr, to die for a cause

脣 lips

淳 honest, simple

수 (su/soo)

樹 plant, tree 

守 defend, protect, guard 

收 gather collect; harvest 

秀 refined, elegant, graceful 

壽 old age, long life 

殊 different, special, unusual

와 (wah/wa)

瓦 pottery

왕 (wang)

王 king, ruler, royalty

旺 prosperous; prosperity

위 (wee/wi)

位 throne, rank, status 

偉 great, robust, extraordinary 

危 dangerous 

威 power; powerful; dominate 

慰 calm, comfort, console 

衛 guard, protect, defend 

違 disobey, defy, rebel; be different than 

尉 officer, military rank

원 (won)

源 spring 

園 garden, park, orchard 

原 beginning, source, origin 

願 to wish, ambition, desire, want 

怨 hatred, enemy, resentment

 苑 park, garden 

瑗 a ring of fine jade 

媛 beauty; a beautiful woman

우 (woo/wu)

友 friend, companion

牛 cow, ox, bull 

雨 rain; rainy 

優 superior; excellent 

宇 house, building, structure 

愚 stupid, foolish 

憂 sad, grievance; grief, melancholy 

羽 feather, plume; wings 

佑 to help, bless, protect 

祐 protection; divine intervention

욱 (wook/ook)

頊 grief, anxiety 

旭 brilliance, radiant 

昱 dazzling, bright light, sunlight 

煜 bright, shining, brilliant 

郁 sweet smelling; rich in aroma

운 (woon/wun)

運 luck, fortune 

雲 clouds 

云 clouds 

芸 art, talent ability; rue (herb)

야 (yah/ya)

夜 night, dark 

野 open country, wilderness, field 

惹 irritate, offend

예 (yeh)

禮 manners, courtesy, customs, rights 

藝 art, talent, ability 

豫 comfortable, relaxed, at ease 

譽 fame, praise 

銳 sharp, keen, pointed, acute 

隷 servant 

睿 shrewd; clever, keen

芮 tiny, small 

醴 sweet wine; sweet spring

여 (yeo)

女 woman, girl; feminine 

旅 journey, travel; traveler 

與 to give or to grant 

餘 surplus, extra, excess, remainder 

麗 beautiful, magnificent, elegant 

勵 to strive, encourage 

廬 hut, cottage 

驪 a pure black horse, stallion

열 (yeol)

烈 fiery, violent, ardent 

劣 bad, inferior

연 (yeon)

然 promise, pledge

燃 burn; ignite 

緣 karma, fate

戀 love, long for, yearn for 

燕 swallow (bird) ; comfort, enjoy 

蓮 lotus, water lily; paradise 

漣 flowing water; ripples

영 (yeong/young)

永 perpetual, eternal, forever 

英 petal, flower, leaf; brave, hero; england, english 

令 commandant, magistrate

領 neck, collar; leader, guide 

映 to reflect light 

榮 glory, honor; to flourish or prosper 

寧 serenity, peace; peaceful 

嶺 mountain ridge, mountain peak 

影 shadow, reflection; photograph 

泳 to dive, swim 

詠 sing, hum, chant 

零 zero; fragment, fraction, sliver 

靈 spirit, soul 

瑛 crystal, gem 

盈 full, overflowing

이 (yi/ie)

二 two; twice 

利 gains, profit 

李 plum 

易 change 

異 different, unusual, strange 

梨 pear; opera 

泥 earth, mud, clay 

怡 harmony, joy, pleasure; to be glad

유 (yoo/yu)

柳 willow tree; pleasure 

遊 wander, roam, travel 

柔 soft, gentle 

維 maintain, preserve 

裕 rich, abundant, plentiful 

劉 to kill, destroy

육 (yook/yuk)

六 six

율 (yool/yul)

栗 chestnuts, chestnut tree

윤 (yoon/yun)

潤 soft, moist; sleek, fresh 

尹 govern, oversee, direct 

胤 heir, successor

[yoonsiyoonmusings]

Repost from @seorina_world Romantic Comedy Movie 'Nikang Naekang'/'You And I' starring Seol In Ah and Yoon Si-yoon ,will be released around April 2022 (or later than April - may get delayed due to Corona) Kim Chang-soo Played by Yoon Si-yoon Jo Ara Played by Seol In-ah Casting Manager Na Played by Kim Young-woong Geum Eun-hee (Ara's friend) Played by Moon Ji-in Gye Jun-il (Chang-soo 's senior) Played by Lee Gyu-bok James (Researcher) Played by Noh Sang-hyun Can't wait for the movie to be released!! Thanks for sharing! 😍🤗 #yoonsiyoon #yoonshiyoon #yunsiyun #윤시윤 #yoondonggu https://www.instagram.com/p/CcI96Q4N2HR/?igshid=NGJjMDIxMWI=