#Bob Guccione

[kitsunetsuki]

Bob Guccione - Josee Troyat (Penthouse 1971)

[20th-century-man]

Avril Lund / Penthouse Pet of the Month, March 1973 / photo by Bob Guccione.

[classicfilmpunk]

Caligula (1979)

[neutron669]

Delia Sheppard 1987 35mm By Bob Guccione

[infiniteartmachine]

a woman in a leoper leoper leoper leoper leoper leoper leoper leoper leoper leoper leoper leoper leoper leoper leoper leoper leoper leoper leoper leoper leoper leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo leo

[schlock-luster-video]

On February 15, 1982 Caligula debuted in Madrid, Spain.

[replica-watch1]

Noobwristwatch,Professional sell best replica luxury watches bags many years,Worldwide shipping within 1-3 days.please contact us if you are interested.

Whatsapp:+86 181 2599 9400

Website:https://noobwirstwatch.net

https://s.wsxc.cn/SuxJ7B

[famousdeaths]

Robert Charles Joseph Edward Sabatini Guccione was an American visual artist, photographer and publisher. He founded the adult magazine Penthouse in 1965. This...

Link: Bob Guccione

[kitsunetsuki]

Bob Guccione - Maggi Burton (Penthouse 1973)

[filmhoundsmag]

Must Be Seen To Be Believed - Caligula: The Ultimate Cut (Film Review)

Continue reading Must Be Seen To Be Believed – Caligula: The Ultimate Cut (Film Review)

[beautiesofbygoneeras]

Polly Anne Pendleton is a British Penthouse model. She was born on May 3, 1952 in London, England. She was chosen as Penthouse Pet of the Month in July 1970. She was photographed by Bob Guccione.

[luxury-homes]

[haggishlyhagging]

In the early days, when the women's movement began to take on the pornography industry, people said: "It's pointless. It's hopeless. You can't go up against them. There's nothing we can do." Their power seemed so overwhelming because their money was overwhelming. The fact that they owned media made them a formidable kind of opponent. We didn't own very much. Their access to legitimacy—the stables of lawyers that they have to protect their interests; what were we going to do in the face of all of this?

And we would take our raggedy little signs and we would march 10,000 miles in a circle. And we'd be tired and dead and defeated, and we would say, "We're not getting anywhere." And the next day we would go out again, and we would march another 10,000 miles in another circle somewhere. And all over this country, in cities and in towns, everywhere, women were activists against pornography.

The media never reported it. Whole bunches of people didn't care about it. But feminism was alive and well throughout the country because women were activists on the issue of pornography and, at the same time, were using pornography to build a very sophisticated and new understanding of the reality of sexual abuse: how all the sexual abuses cohere to hurt us, to put us down, to turn us into commodities.

Then in Minneapolis we developed a civil-rights law, and suddenly the pornographers understood that we were trying to take their money away from them. Not only were all these strange little women marching in circles and making themselves dizzy, but we actually thought we were going to walk into a courtroom and say: "We're breaking your piggybanks open, and we're taking all your change, and we're using it for women. That's what we're going to do." Their reaction, their mobilization against the civil-rights ordinance, has been spectacular. It hasn't been spectacular because they think the ordinance isn't going to work. Their anger, their hostility, their frustration, their aggression, is because finally they take us seriously as a political presence that can hurt them.

And, horribly, at exactly the same moment, the ground collapses out of the women's movement. And everybody turns into chicken shit and runs. Now we try not to tell them that. We try to keep it to ourselves as much as we can and we don't say, "Well, you know, really, we use mirrors." We have approached them as if we know what we're doing, as if we know what they're doing, as if we know what they're going to do tomorrow the same way that we figured out what they did yesterday.

But the reality is that the will to destroy them has gone out of fashion, because destroying them is a bad thing, because destroying them is censorship. And if little Bob Guccione can't say what he wants to say—even though he happens to need a woman's body to say it—then the country is poorer in ideas, in political freedom—our political freedom, we're told. We have to protect him in order to protect our political freedom. Our bodies are his language that he's expressing himself in, and our responsibility is to make sure that he keeps doing it.

And the horror has been that women have fallen for it, women have bought into it, women have been intimidated, women have been shut up in defense of this First Amendment that is not even ours to use. You have to be able to express your communication before it's entitled to First Amendment protection and you can't express it if you are too poor, not to mention if you are too crazy, which a hell of a lot of women are after what we have all been through, not to mention if you have been silenced by sexual abuse, not to mention if it began when you were a child, and you have been fighting, and fighting, and fighting for your identity and your integrity because somebody tried to destroy it back then before it was even fully formed. This silence that we live in is supposed to be okay. We're supposed to accept it.

-Andrea Dworkin, “Resistance” in The Sexual Liberals and the Attack on Feminism

[infiniteartmachine]

"a cartoon of a man with a weird head and teeth"

[schlock-luster-video]

On February 1, 1980 Caligula debuted in New York City.