#Bob Dylan & His Band | Explore Tumblr posts and blogs

blueberryarchive · 7 months ago

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The One Were Jungkook;

more slasher!jk

𝙩𝙝𝙚𝙢𝙚𝙨; slasher, 80s, psychological horror

𝙩𝙬; heavy non-con, somnophilia, horror, violence, blood

(thank you to @hoseokshobagi for helping me with this big mess, I love u, shut up)

NY, 1985

The little ol' Brew House wasn't like the bar you went to with Jimin. It was so small that you could feel the sweat running down your back, the ghost of a hand or a glance behind you with every step. There was a sour smell of old, dried beer on the rustic green furniture and freshly disinfected vomit in the corner where Jungkook motioned for you to sit.

"Sit down, don't move."

You climbed onto the cracked brown leather stool, your bare thighs sticking to it like Velcro. A band was playing Iron Man on the other side and it was so uncoordinated that it matched the people sitting there: middle-aged men in blue-collar jobs, women in black leather skirts and foreign students with little money, underworld poets and their upper class girlfriends living the fantasy of muses sitting one their boyfriend's thighs while they discussed Bob Dylan and Williams Burroughs. A green and brown amalgam of sweaty skin drinking warm beer and watered down whiskey.

You couldn't help but compare both places.

Sweaty Joe's was a bar just two corners from the university, it was bathed in colored lights and posters as old as the owners of the place themselves. Red leather sofas were distributed in the corners and those, for years, have belonged to the Maroon Knights players.

This is where you met Jimin, it was your first week and you and Bobby Joe decided to have a beer, you two were new, smiled candidly at each gentleman who offered you another drink. You had never done that in the small town where you came from.

Jimin was celebrating his first winter tournament, his crimson cheekbones and his elegant smile conquered your heart, he let you sleep in his room in the trailer where he lived with his four brothers. His hands never took yours without first asking you, never looked away. You fell asleep so quickly in that bed while the little snores of the quaterback kept you stable, safe.

At dawn, you couldn't even see his face, you spent a week avoiding the hallways where he frequented until you did what your mother did to apologize to people: you baked some cookies. Unfortunately, he was on a diet but he still accepted them, his younger brother would eat them all with pleasure, you offered him a kiss and he let himself go.

That afternoon you lost your virginity behind his secong-hand orange Pontiac, white cotton panties crumpled and drooled between your teeth as Jimin held your calves. You cried so much that he forgot to moan, but your boyfriend wiped away each tear with his wet tongue and his thumbs until his cum fell thickly onto your skirt and his uniform.

The second time was different. What you don't know is that you cooking for him lit a spark, a simple breeze in a dry forest and you were the summer sun. You were going to be his wife, he promised you, with drooping eyelids and your pelvis on top of a pillow, his hands guiding your ass until they collided with his waist.

“I'm going to make you mine, I'm going to buy you a house and a huge ring. Fuck—you’re going to have to stop me at some point because I’m going to get you pregnant every time you smile at me, love. Doesn't Ms. Park have a ring to it?" He growled grabbing your hair to pull you closer to his sweaty chest.

“What is that pretty head of yours thinking about, huh?” Jungkook snapped his fingers at you, placing a long mug of beer in front of you. The second cigarette of the afternoon dangled between his fingers as he waited for you to take a drink, his eyes darting from your chest to your hair. “I saw you look at the ring on your finger.”

“My boyfriend gave it to me a month ago.” You said fixing the thin silver ring, a promise desperate to be fulfilled.

“How very” The boy laughed, choking on the smoke, you held the beer and took a long drink.

You realized that men when they exist in a cloud of promises and anonymity are more fuckable, because now seeing the metalhead in front of you, you just wanted to hit him.

“I don't understand why you keep yapping when you're not here to hear me speak.”

“I didn't want us to move on to fucking so quickly, but if you can't wait, then we'll make a little something in the alley.” Seeing your face blush he laughed again. “I'm kidding, doll. Don’t be so rigid.”

With a whistle, Jeon effortlessly caught the eye of a man nearby. His muscles were noticeably defined, and he sported a pair of square glasses that added a touch of charm. Dressed in a casual plaid shirt, his hair styled like a military man. Spotting Jeon, his face lit up with recognition, and he quickly closed the distance between you.

“Kim, I thought you weren't coming to the meeting.” Out of the corner of your eye you caught a glimpse of the man's slight tensing as his friend spoke, but without skipping a beat, his hand gently landed on his friend's shoulder.

"What do you mean?"

"You literally said-"

"No, I didn't. Gosh, give me a break."

Hoseok looked in your direction with a hint of distrust, the creases on his face sharpening with each step you took. You walked closer, his eyes traced your body from head to toe, his initial skepticism fading away the moment he reached your side. Your little shorts and Wham! t-shirt hugged your curves tightly, clinging to your tits like a sculpture of marble.

"What's this?" Hoseok pointed at you and moved his fingers up and down.

"Come, I want to introduce you to my friend. We met in…" Jungkook's smile widened as he tilted his hand. “Well, it doesn't matter. What does matter is that you have to make a place for her in the club, wouldn't you gladly have one of the sweetest pieces of meat of the whole faculty on the team, eh?”

Jungkook looked in your direction again, he knew that the way he spoke caused tremendous disgust in you and he enjoyed it. “This is Hoseok, the president of the archery club. Greet him before he hates you for some reason.”

"Shut up." Hoseok's voice cut through the air as he extended his arm to shake yours, his calloused hand brushing against your skin. His sharp eyes studied your hands intently, examining every detail. "You got weird fingers."

"Is that how you give compliments to pretty girls?"

Hoseok let out a sigh, nonchalantly plucking the cigarette from Jungkook's mouth. With a subtle gesture, he motioned for his friend to approach while bringing the cigarette to his own lips.

“If you want to fuck one of the cheerleaders, find another way, I'm not going to put her in the club, dude.” His failed attempt at whispering, which was clearly intentional, didn't escape your ears.

“Do you think I have to fuck one of you to be part of your Disney Heroe theatre team?”

Hoseok's eyebrow arched, while leaning back against the bar stool. With a confident yet subtle sway, he adjusted his posture, his pelvis shifting ever so slightly, but still managing to catch your eye. A mischievous grin formed on one side of his lips, knowing full well of the effect he had on you. “And why the hell are you looking for me if you don't need me, Barbie?"

"I'm here to let you know that I'll be waiting for you in the green area on Monday at 3, expecting you to hand me a bow and arrow," You declared, a sweet smile playing on your lips like a precious jewel shimmering beneath a cloak of innocence as you deftly snatched the cigarette from between his parted lips. "And I hope you show up with a smile that could outshine the sun and a more decent cologne."

Hoseok scoffed with raised eyebrows, clearly unimpressed by your little rebel talk as you took a drag from his stolen cigarette.

"You do realize you'll be the only woman in the group, right? The guys ain't going to like you, they tend to be very…"

"Terrified of women," Jeon chimed in, leaning against your shoulder.

"Exclusive," Hoseok added.

"They'll probably do a jerk-off circle if they see me in a skirt." You quipped, a sly smile playing on your lips.

The three of you looked at the cubicle where the a few memebers sat, all upper class kids who couldn't get into anything in their lives without Mommy opening the door for them first.

“Whatever, you're not even that hot, they'll live.”

You smiled, turning around on your stool to continue drinking your beer. “See you on Monday, four eyes.”

“Bye, Hobi-Bobby.” Jungkook rested his arm on the bar, his eyes positioned on your profile.

“Do you want to fuck now? I love women who know how to silence men, i'm already hard.”

"Why are you so fucking disgusting?"

"You're the one sitting next to me, you can go now." And he waited. You stayed there, speechless and waiting, too.

"Kim?"

"Who?"

“The dickhead called you Kim.”

“I don't know who that is, sweetheart.”

“Mm.” You nodded. You weren't too sure now. “Are you sure you're the one I talked to that night?”

"I promise you." Jungkook dragged his stool closer to your ear, the smell of nicotine and shaving cream was pleasant, manly. "Are those sugar tits as sweet as that voice of yours?"

“What time did I call you?” You ignored his nutty breath.

“Are you questioning me now?”

"Yeah."

His jaw tensed, biting the inside of his cheeks.

“I'm going to give you some advice, doll. If you want things to go well today, don't question me.”

You felt a rush cover your back, the beer felt colder on your fingers and you were more aware of his proximity. You were in his territory, you didn't know anyone there, you were screwed.

“Can you answer me just one thing and that's it?”

Jungkook moved closer and nodded, his pupils stabbing at your lips waiting for you to say something out of line so he would have an excuse to destroy you with.

“Why do people think you are weird?”

His sigh collided with your neck, a smile woven little by little; you could see stars in his eyes when he moved back. The raw desire to show you why.

He leaned close to your ear and whispered slowly, the urge to laugh drowned out by his words. Both his hands hiding his lips like a child. You swallowed as you finished listening, a long drink to finish the remaining beer.

He pulled out a new cigarette before your eyes met his again.

“So, in your room or mine?” He mumbled before lightning the tip.

“I'm- I think I'm going home.”

"Isn't your home in the middle of nowhere in Pennsylvania, you silly little bun'?"

The man in front of you pouted, nodding with a dejected face when he saw you stand up, the large mug of beer hitting your trembling anatomy. You wanted to vomit, to shed your own skin to pieces, to vanish, to crawl along the road back home like a mass of nerves and to sleep in your bed until you forgot what this psychopath had just hummed in your ear in the middle of the crowd.

But what did you expect? Wasn't this what you were looking for?

That's why curiosity ends up being the cruelest animal feeling. It takes you to the cheese on top of the trap, it makes you look at the sun and go blind, it makes you run through the grass until you fall at the bottom of nowhere. Voices like Jungkook's end up taking you to a seedy bar, at the mercy of God if he is even allowed in these parts.

“Come on, I'll take the bike down for you, then.”

You grabbed your backpack and walked in front of Jeon, stares like needles digging into your shorts.

Outside, his arms stretched out to take the bicycle, as light as a feather.

“I would've take you to college but-”

“I think this is where our journey ends, Jungkook.” Your voice was firm, elegant. You knew when to say goodbye.

He remained silent, one last smile as a gift. "If you say so." His hands opened dramatically to show you the road.

You raised your leg until you sat down and accelerated down the street, the sun hiding on the horizon. You didn't know if it was the wind hitting your cheeks and eyes, but you felt the cold stream go down to your neck. You wanted the road to get shorter in front of you and suddenly you were crying like a lost child, the sharp exhale stinging your lungs, you took all the alleys you recognized and the ones you didn't and you looked around at the desolate sides of New York.

Hiding from the sun your skin grew cold and the sobs turned to murmurs praying that you would return alive to the arms of Steph or Bobby Joe.

But oh, how angelic you looked with the halo of Jungkook's car headlights on your back. A honk chilled your blood until you couldn't do anything but grip the handlebars until your knuckles turned white.

“I changed my mind, I'll take you.” His breathing was jagged, he was sweating deeply, swallowing hard to hide the psychosis.

“It won't be long now and my boyfriend is waiting for me.”

“Don't worry, just load the bike and I'll drop you off at his house.”

'No' was not an answer and you knew that, no one ever said no to him. And if they did no woman managed to keep her tongue to say it.

"Roger that. Thank you, Jungkook, you are a gentleman.”

“Of course, get off the bike now.” He muttered as he snatched the iron from your hands and threw it behind his vehicle.

The trip was lethargic, the music faltered in the car with each curve until you reached a neighborhood of white houses and yellowish lights, the crickets chirped in the safe silence of a suburb. You thought about getting out when the car stopped and screaming until your lungs vomited.

But of course, when you arrived the garage door was open, the car slid across the smooth concrete without a sound.

“Do you mind if I look for a few things before I take you home?” His voice sounded so carefree that you almost believed you were going back to your dorm room. You shook your head as he went down to close the garage door, the darkness consuming your hope.

Your heart began to beat blood so fast that your hands began to try to open your door, Jungkook tilted his head at the noise until he saw your reflection in the side mirror.

"Why you do that? God, you’re so stupid.” Jungkook took your hair in his hands and without much effort dragged you out of the vehicle and onto the garage floor. His hand covered your mouth, his calloused and sweaty fingers undoing the button on your Levi's until they stuck to your ankles.

“It's only once, you have to reward me for the beer you had, you know?” His voice burned in your ear along with the beating of your heart, a light hum of your soul trying to get away from your dirty body.

“Mm-” You groaned as you felt the fabric of his jeans mold between your ass. Moving was in vain, fighting a mere fantasy.

“Just a quickie and then I'll drop you off, don't be so rigid.”

Your body was puppeteered to the living room with dim lights, curved and modern furniture that someone paid great attention to match with the upholstery and the carpet that decorated the floor.

And your body was thrown to the edge of the pink couch, the metal underneath the cloth digging into your stomach, your ass in the air as you felt cold hands remove your underwear. Why weren't you moving? Why did you let this happen to you? What was your mom doing right now? You thought of her chubby body moving around her room while organizing her dresses, folding the flowery pieces and tucking in it away in her closet. Peacefully humming gospel songs.

Warm spit fell onto your pussy and you closed your eyes, the last tear creating a shadow on the corrugated carpet as Jungkook slid his cock around the entrance to wet the entire area. The phone rang five, six, ten times next to you. Beep.

Hello, you are calling the sweet home of Bee, Dr. Kim and Taehyung. We are on vacation in Florida, but when we arrive we will take your message. Bye bye!

Who were the animated voices humming on the phone and why was Jungkook's voice there? You looked at the stranger loosening his grip on the sudden crackling laughter coming from the small speaker on the phone.

"Fuck." The now stranger mumbled, holding your neck with his forearm.

"You got the wrong kid, callgirl." And your eyes opened like a full moon, you looked at the closed windows of the room. “Taehyung, you have ten to hide.”

"Shit." Taehyung whimpered behind you pushing your body to the ground, instinctively you grabbed his leg causing his body to fall to the ground next to yours.

If you were going to die today, you wouldn't do it alone.

"Five, six…"

“What the fuck are you doing, you fucking whore?! I will die if he finds me.” His reddened face dragged trying to take your sudden weight and strength off of him. It was useless. Black Sabbath began to play above the house, reverberating, like thousands of wasps between the walls. “I'm sorry, I won't do it again, please. Let me go."

Taehyung's head reached the kitchen when a worn military boot stopped his movements. The muddy sole of the boot collided with Taehyung's head, making it bounce again and again and again against the wood of the kitchen. It was a hollow, wet sound, more forceful with each blow.

You leaned your body back until you collided with the sofa, your nails anchored in the carpet.

"Sorry. I'm sorry, ple-” Taehyung tried to speak until the boot took the last hit and his jaw hung from his mouth like a toy. His eyes looked back with mercy. Run, he shouted to you with his bleeding eyes, run until you die but run. A broomstick passed through his mouth until his body bounced once more. And then...

So still.

Drool was falling from the corners from having your mouth open for so long. Why didn't you run? Is it that the boot you were looking for so long? Was the cruelty of being curious true?

An excessively tall figure passed through the kitchen frame, avoiding Taehyung's lifeless body. Black was the first thing you saw: the dirty jeans, the leather jacket tied around his waist, the Motley Crue tank top pressing against his chest and shoulders. Sweat dripped from his mullet to his tattoos.

His face, soft and covered in red. His oval nose and thin lips, eyes like a dead deer. Metal surrounding the room like the choir of fallen angels.

It was him, it was Jungkook.

“Poor little thing.” He licked his lips as he held your chin so you were looking at him. “Look at you, so afraid of that fucking-” he growled under his breath, getting down to your level.

"Please don't kill me." You cried, the air was thick, like sulfur around him.

“I didn't promise you that in the call, baby. Did you forget already?"

His hands were delicate under your armpits until he lifted you up and took your body to the furniture sitting you on top of his wide thighs. Your body looking at the turned off television, the curved reflection showed the difference in size. You were a doll on top of that beast.

“Put your foot up.” He ordered as he grabbed your knee to help you put on your Levi's with the softness of a creature in feather hands. "Stop crying."

“I can't, I'm too scared, I want to go home.”

"Pity." Jungkook sighed, taking your underwear from his jeans, wet with some chemical. His tattooed fingers took the flimsy cotton to your nose. Bitter at first and then it burned in your lungs. “Don't try to fight it, it'll be worse for you, baby. Atta girl, just let go, inhale.” His voice was serious, unharmed, like an anesthetic just like the clorophorm. There was no harm in closing your eyes if you were in the great hands of a beast, a mammoth.

"I like you girls manageable, stupid." Was the last thing you heard, a smile grazing your neck.

Your body rose without permission, abrupt. The pain was immeasurable.

“Jimin, she's up!” You heard a small voice in the corner of a familiar room, the sheets rough and thick.

The silhouette of Jimin's younger brother ran to the kitchen. The other two brothers approached the door, their blond heads peeking out. Jimin pushed them until he reached you.

“Hyung-”

“Shut the door, JP. I’m sick of you, just eat your fucking breakfast and get out of the house.” Jimin shouted, looking at his brothers out of the corner of his eye.

The slow footsteps receded and Jimin turned his attention to you.

“Love, no, don't cry. I'm here.”

His name fell from your lips desperately as you squeezed his face, consuming every detail so your body knew it was real and wouldn't squirm like a worm.

“Breathe with me, come on.”

You closed your eyes hugging your boyfriend's neck.

“Come on, I've prepared a hot bath for you in the twins' room.” You shook your head frantically without breaking away. “It's just to get the mud off your body, then we'll go back to bed.”

"Mud?"

“Minjun found you outside this morning, do you know where you were last night, who did this to you?”

You grabbed the sheets and uncovered your body, bruises covering your legs and stomach. The dried mud covering the sheets of Jimin's bed. A scream choked in your throat.

“Its okay, I can change the sheets. Don’t worry about that. Let's go champ, up.” Jimin patted your injured thigh so you would chain your legs around his abdomen. With a grunt, Jimin lifted you up and carried you to a makeshift tub of hot water.

The little beds were together on one side of the small room, a metal tub emanating sweet steam covering the walls of the room in a thin web of drops.

“Raise your arms.” Jimin kissed your neck gently, the nausea returning little by little but you just let your body melt in the arms of the only person who mattered. His eyes shone with the concern of a father, he undressed you as quickly as possible so that the bruises didn't have time to hurt. Reaching your shorts, he knelt in front of you and stared at your tired face.

“I shouldn't have gone to the bar last night.” He wavered his speech for a second as he slowly lowered the zipper.

“Shh.” Your hand fell into his messy hair, he was still wearing his pajamas, what time did Jungkook throw you in front of Jimin's trailer?

The silence became strange, different. You didn't understand Jimin's sudden furrowed eyebrows when he took off your Levi's.

“Minnie?”

“Motherf-” Jimin stood up and hit the wall hard. His body turned around until he was looking at the jeans on the floor again. “That's it, I'm calling Yoongi.”

"What? Yoongi, what for? Minnie, don't leave, please."

"Don't move!"

Your boyfriend disappeared from the room before you asked him what was happening. You sighed with a heavy heart as you walked in pain to the mirror on the wall: a wide, slimy stain extended from front to back of your panties, hickies covered your stomach. The pants fell to the floor and you went to the mirror on the wall.

Your trembling finger curved until you felt the hole between your legs, the whitish and salty cum thread stretched from your entrance to your shocked face.

You don't remember Taehyung penetrating you. Was Jungkook such an animal that he came inside while you were passed out? How could he?

Tears gathered in your eyes as you laughed silently, the pain was unbearable around your waist and legs, pussy still numb and you could only remember the patterns on the carpet.

Cruel curiosity.

#❗slasher! jk thoughts #bts imagines #bts #bts fanfic #bts smut #jungkook smut #jungkook fanfic #jungkook imagine #jungkook #jungkook x reader #jungkook x you #bts dark fic

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muzaktomyears · 4 months ago

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George Harrison and Paul McCartney interviewed about Bob Dylan and the Beatles by MOJO magazine in 1993, including extracts from John Lennon being interviewed about Dylan in 1979:

GEORGE HARRISON

Do you remember Dylan at The Albert Hall?

Oh yeah, I was there. I remember it a lot. First of all you had him saying, You remember this song? This is how it used to go and this is how it goes now! But the thing I remember most about it was all these people who'd never heard of folk until Bob Dylan came around and two years later they're staunch folk fans and they're walking out on him when he was playing the electric songs. Which is so stupid. But he actually played rock'n'roll before. Nobody knew that at the time, but Bob had been in Bobby Vee's band as the piano player and he'd played rock'n'roll. And then he became Bob Dylan the Folk Singer so, for him, it was just returning back. And maybe The Beatles - well, not just The Beatles but the whole wave of rock'n'roll that happened again in the '60s - spurred him on into wanting to get back into the electric guitar.

Was there a degree of Beatles/Dylan mutual envy at that time?

Well, he got a little bit of pleasure out of us and we got a lot of pleasure out of him. But you know everybody starts out being slightly grungey, rebels against the world, we were like that too. You know the famous Beatles story: we cleaned up our act a bit because Brian Epstein could get us more work if we had suits. By the time Bob came along it was like, Yeah, we all want to be more funky again, and please put a little more balls into the lyric of the song. There's a funny thing that I don't think anybody else has noticed and that is when John wrote Norwegian Wood, it was obviously a very Bob Dylan song, and right after that Bob's album came out and it had a song called 4th Time Around. You want to check out the tune of that - it's the same song going round and round.

You were very consciously listening to each other?

Well I can't speak for him but we were listening. I think it was his second album we heard first in February or January of '64 and we were in Paris at The Olympia Theatre and we got a copy of Freewheelin' and we just played it, just wore it out. The content of the song lyrics and just the attitude - it was just incredibly original and wonderful, you know.

Did you meet him in '66?

I met him every time. I felt a bit sad for him because he was a bit wasted at that time. He'd been on a world tour and he looked like he'd been on a world tour. He looked like he needed a rest and that was the time he went back home and fell off his bike and almost broke his neck. So...

PAUL MCCARTNEY

What sort of shape was he in? He was just winding up a world tour...

He was pretty wasted. There were a couple of times I went to hotels - one was the Mayfair, I can't remember the other one. But he didn't appear much more wasted than anyone else - you know, we kept up with him! We all sort of lay around together; it wasn't the kind of scene where you had to say anything enlightening.

So it was pretty much Dylan holding court.

Oh it was, very much. It was a little bit An Audience with Dylan in those days: you went round to the Mayfair Hotel and waited in an outer room, while Bob was, you know, in the other room, in the bedroom, and we were getting ushered in one by one. I know Keith was there. And Brian.

Didn't you feel you both had to perform?

No, not really. I was just quite happy to pay homage. The only trouble really was that occasionally people would come out and say, you know, Bob's taking a nap or make terrible excuses, and I'd say, It's OK man, I understand, he'd out of it, you know. And they were a bit guarding, like the Pope's men at The Vatican. He can't see you just now...

Didn't he come round and play you an acetate of Blonde On Blonde? Or you played him an acetate of Revolver?

No, I played him some stuff off Pepper later. And I'd brought it on acetate or a tape of Pepper...

It must have been Revolver. This was '66.

I'm pretty sure it was Pepper 'cos I remember him saying, Oh I get it, you don't want to be cute any more. And I was saying, Yeah, that's it. We really admired him. I'd known his stuff as long as I'd known Ray Charles's, so he was a big hero of ours. He was very keen on I Wanna Hold Your hand - he'd thought the middle eight, "I can't hide, I can't hide" was "I get high, I get high" and was rather amused by that. And we were amused that he was amused. Then we eventually met him in New York, one of the big hotels there, he came round with his road manager who was a nice bloke. Al Aronowitz was there, a kind of mate of ours, Dylan, his road manager and a few other people showed up. And they brought along with some illegal substances of which we partook and had... quite a wild night.

What happened?

Well, I was wandering around looking for a pencil because I discovered the meaning of life that evening and I wanted to get it down on a bit of paper. And I went into a little room and wrote it all down, 'cos I figured that, coming from Liverpool, this was all very exotic and i had to let my ordinary people know, you know, what this was all about: like if you find the meaning of life you've got to kind of put it about! Mal handed me the little bit of paper the next morning after the party and on it was written, in very scrawly handwriting: THERE ARE SEVEN LEVELS. Till ten we'd been sort of hard scotch and coke men. It sort of changed that evening.

In '66 it seemed as though you almost wanted to change places: Dylan was the mystic folk prophet who wanted to be a pop star; The Beatles were the pop stars who wanted to go underground. Was there a kind of mutual envy?

None whatsoever, no. I think it was mutual admiration, certainly from our side there was admiration. I mean to this day... I just met him at the airport about a year ago and he just kind of shambles up and says, Hey Paul, y'alright man, and we give each other a big hug. I was in Heathrow and he was. He had an anorak on and had the hood pulled up. He was really like a kind of bagman, you know. And he just kind of shambled up to me, Hey Paul, alright man.

He seemed very attracted at that time by the idea of being a pop star, the suits, the screaming women...

Well I think he found something attractive about that. I don't really think it changed his stuff an awful lot. I don't know, there might have been some feeling that it was time for him to get off the street and into the hotel or something. I don't know.

That was the time when your music had the most in common, Revolver and Blonde On Blonde. You almost crossed over at that point.

Well, he influenced us and a lot of people. He influenced the Stones. Sympathy For The Devil is very Dylan, just the endless lyrics. I remember us being round at John's house at Weybridge, when I went round to write once, and he'd just got Like A Rolling Stone and we put it on and it seemed to go on and on forever. It was just beautiful. I don't know if he aspired to that showbiz thing you were saying but he showed us all that it was possible to go a little further. But the nice thing about Dylan for me was that he brought back poetry. We'd come from that student scene, 'cos we'd all started as students, you know - I was a kind of sixth form layabout, John was at the art school next door - and we'd started out with things rather like poetry readings in Liverpool. Hamburg was a student scene. There were kids in Hamburg who called themselves The Exies - The Existentialists - and wore a lot of black; Astrid and Jorgen and Klaus, they figured they were Exies. That was one of the sad things about The Beatles: we got so huge that that kind of student thing got cut short, but Dylan reintroduced that into all our lives. I always thought of Dylan as a poet first - him and Allen Ginsberg holding up signs, all very hand-held camera from New York, all very enigmatic.

You were never in awe of each other?

Oh he wasn't in awe of us. He just liked "I get high." As the guy who introduced us to smoking dope he just thought it was hilarious! I always like those sort of things, it's like Jake Riviera thinking "living is easy with eyes closed" was "living is easy with nice clothes". They're always better, those adaptations. But John was probably the most influenced. And George is one of those guys who can quote all Dylan's lyrics. There's always a lyric for an apt situation: George goes, Oh well! Remember! The pumps don't work 'cos the vandals took the handles! George knows the whole works of Dylan. But I think John was the most influenced in the vocal style. Certainly You've Got To Hide Your Love Away is a direct Dylan copy, it's like an impression of Dylan, Yeeew've got to hayed... that lerv ay-wayyy. Just saying ay-wayyy, rather than away...

Did John ever mention that car ride with Dylan which was filmed for Eat The Document?

Mmm?

You know, when the two of them got driven around Hyde Park with Pennebaker filming them?

Well he might have but not at length. We didn't really chat about that too much. I know he was very keen on Dylan.

There's a great bit in the film, when he's in the car with Dylan and it's five in the morning, and Dylan's drunk and completely out of it and threatening to throw up and John says: Do you suffer from sore eyes, groovy forehead or curly hair? Take Zimdon!

Zimdon! Ha ha ha. Zimdon! Well that's nice stuff, but he turned on the whole Zimmerman bit and made a lot of fun of Bob later.

When do you mean?

Later, you know. I got a feeling...

He recorded those Dylan parodies in the '70s, didn't he? [There are tapes of three of them - Serve Yourself, an acid response to Dylan's You've Got To Serve Somebody, the equally self-explanatory Mama Take This Make-Up Offa Me, and a spontaneous moulding of the live TV news into Stuck Inside of Lexicon With The Roget's Thesaurus Blues Again.]

He did. He always had a go at people, John. That was really part of his charm. He was ballsy enough to have a go at you, you know, then he'd lower his little glasses, look at you over the top of them and say, It's only me! John was the mouth. He was a lovely boy but he did shoot his mouth off. Quite often.

Why did he have a go at Bob?

I think he was quite disappointed that his name wasn't Dylan. Finding out that it was a Jewish name that he'd changed I think he felt a bit betrayed. I remember him making quite a stink about that.

But he must have known that from the start.

I'm not sure we did. No. I think we sort of found all that out later. He had a go at everyone then. Including, probably most of all himself. That's who the real go was at. You know, to understand John you had to sort of look at his past. The father leaving home when he was three. Being brought up by his aunt. And his mother, you know. It's extraordinary he made it to the age he made it to. So John had a mighty chip on his shoulder - we all did to some extent. John could say to you, Fuck off yer twat. Then he'd just go, Only kidding! You had to accept that he could swing both ways.

Why did he feel so let down by Dylan?

He loved Dylan so much. He did feel a little let down. John was like that. John like gurus. John was always looking for a guru. When he introduced Magic Alex who was just some Greek guy who was a bit of an expert in electronics. And I remember John coming round to my house and saying (mystic voice) This is my new guru, Magic Alex. And you had to sort of smile a little and go, OK well that's cool, Wow, knowing that this may not last. But... John had found a guru.

Was it the same with Dylan? You know, he wanted to sit at his feet?

Yeah. I think he did worship Dylan to some degree. He was certainly the big one. There was Elvis before that... but Elvis was a different kettle of fish. Elvis was going to shop us on the Nixon Tapes. That's another story...

I want to hear it!

You know those Nixon Tapes that he kept rolling all the time? There's a set of tapes were Elvis is trying to shop The Beatles. (Courteous Southern accent) "You know, Sir, They're very un-American! I believe they smoke drugs!" Elvis! Telling Nixon! He's trying to get made a marshal, trying to get made a US marshal.

Have you heard this tape?

No, I've just seen a transcript of it. It's quite wild. 'Cos Elvis is ryng to shop us. No doubt about it. Definite bad move, El!

That's hysterical!

It is, it's wild! You've got to laugh. But as I say, I think to John these people were great heroes and he found out a little later they were only human. Think about the Maharishi. We all went off with this guru and John got very let down and wrote Sexy Sadie. He was always doing that, he was always having an idol and seeing it knocked down. If you think about it it's probably very symbolic of his whole life, the father figure. Yoko in a way was a father figure. Hate to say it. But John always required that. Complex boy. He was a lovely boy but, perhaps, you know... idols with feet of clay. John always wanted people to be magic and, you know, we're all human.

What did he see in Dylan?

Inspiration, maybe. I don't know. Maybe that he allowed us to go further. He allowed the Stones to go further, then we did Pepper and we allowed everyone else to go further, It was like boots walking... we'd take a step, Dylan'd take a step, Stones'd take a step, we'd take another step, John'd take a step. I'd take a step, I'd do Why Don't We Do It In The Road?, John'd go, Fuck, I wish I'd written that...

Which of John's songs would you like to have written?

John's? Oh... if forced on the point I'd have to say, Help, Imagine, Strawberry Fields. But it doesn't matter, all in all, here we are, born, die, and on the way stuff happens. John did some magic stuff, Dylan did, Stones did, all of us have from time to time. I remember Dylan defending one of his loose vocals - some critic somewhere - by saying, (nasal whine) "Listen man there's an A in there somewhere! It goes from A flat to B flat but it goes through an A. Every note's in tune!" You know, there is an A in the middle of it somewhere but he just chooses to go around it. Great! Rules are meant to be broken.

So do you think he's deliberately 'deconstructing the myth'? How many opportunities has he had to reach a larger audience - Farm Aid, he was the final act of Live Aid, The 30 Year Tribute concert? The last two were absolutely appalling.

I think he does it on purpose, you know. He does it on purpose. I know someone played with him in one of his latest bands - G.E. Smith, New York guy - and I said, How is it, man? And he said Oh great! He said, We'd come up to him after a show and say, Fantastic man, Tambourine Man went down so beautifully, and then he wouldn't do it for two weeks! But I can see that...

Keep a good head and always carry a light bulb!

Yeah, it was nice, all that stuff. But the only pity really is that it's all closed up, like Moses passing through the waters, the Red Sea. We all got through it all, it tended to close up when everyone's got through it. Now it's re-opening a little bit. The modern scene's getting a little crazier again, but it's all a little bit corporate now. Very corporate. Sickeningly so. And you know it wasn't that way before. And he was one of the catalysts in the whole movement.

JOHN LENNON

Extracts from interviews broadcast in 1979 on New York's 1027WENW radio in The Lost Lennon Tapes (interviews by Jonathan Cott, David Shepp and Jann Wenner).

You first heard Dylan on a visit to Paris in 1963?

I think that was the first time I heard him at all. I think Paul got the record (Freewheelin') from a French DJ. We were doing a radio thing there and the guy had the record in the studio and we took it back to the hotel and (gauche accent) fell in luv, like!

Do you still see Dylan as a primary influence on your writing?

No, no. I see him as another poet, you know, or as competition. Just read my books which were written before I'd heard of Dylan or read Dylan or even heard of anybody. It's the same, you know. I didn't come after Elvis and Dylan, I've been around always. But it I see or meet a great artist, I love 'em, you know. I just love 'em. I go fanatical about them - for a short period. And then I get over it! And it they wear green socks, I'm liable to wear green socks for a period, you know.

You've Got To Hide Your Love Away and I'm A Loser?

Yeah, that's me in my Dylan period, 'cos that's got the word 'clown' in it. I always objected to the word 'clown' - or clown image that Bowie was using 'cos that was always artsy-fartsy - but Dylan had used it so I thought it was all right and it rhymed with whatever I was doing. So that was my Dylan period.

So you were saying, If Dylan can go it I can do it?

No, I'm just influenced by whatever's going on. It's the same as if Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can do it. If Goffin and King can do it, Paul and I can do it. If Buddy Holly can do it, I can do it. Whatever it is, I can do it!

How would you characterise your relationship with Dylan?

Whenever we used to meet it was always under the most nerve-wracking circumstances. And I know I was always uptight, and I know Bobby was. And people like Al Aronowitz would try and bring us together. And we were together and we'd spend some time but I always used to be too paranoid or I'd be aggressive or something and vice versa. He'd come to my house - can you imagine it? This bourgeois home life I was leading? - and I used to go to his hotel. And I loved him, you know, because he wrote beautiful stuff. I used to love those so-called protest things. I loved the sound of him. I didn't have to listen to his words. He used to come with his acetates and say, Listen to this John, did you hear the words? And I'd say, It doesn't matter, you know, the sound if what counts, the overall thing. You don't have to hear what Bob Dylan says, you just have to hear the way he says it. Like, the medium it the message.

Your appearance in Eat The Document was a little edgy.

I've never seen it! I'm in it, you know! Frightened as hell, you know! I was always so paranoid. He said, I want you to be in this film and I thought, Why? What? He's going to put me down! It's gonna be... you know and I went all through this terrible thing. So in the film I'm just blabbin' off, just commenting all the time like you do when you're very high and stoned. But it was his scene, you know, that was the problem for me. It was his movie. I was on his territory. That's why I was nervous, you know. I was on his session.

MOJO (November 1993)

#bob dylan #the beatles #george harrison #paul mccartney #WHERE IS RINGO #john lennon #bob&george #also:#john&paul #because there's a lot of john in the paul interview (of course)#yoko in a way was a father figure #the interviewer telling paul john's joke and paul loving it #a lovely boy #a complex boy

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