#Bob De Moor

[tomoleary]

Bob de Moor - Original advertising poster of Tintin for Greenpeace with the title "Campaign to save the Antarctic.” Finished after Hergé's death by Bob de Moor, who worked with Hergé since 1950 on the Tintin books

Source

[personnage-neutre]

[eddiemort]

Tintin 'The Black Island'. Many of Herge's original books were updated in collaboration with the great Bob de Moor, including this one (1965).

The sky coloring, the waves the rocks, the gorilla! Perfection.

[sporcafaccenda]

Art: Bob De Moor

"Le Repaire du Loup" (Lefranc par Bob De Moor & Jacques Martin)

[victvideo]

Tintin Destination Moon Paint gag Comparison

Objectif Lune (Originally serialized as On a Marché sur la Lune)

Written by Hergé

Drawn by Studios Hergé (Hergé, Bob de Moor et al.)

In this blog I attempt to show the key differences between this gag in the original serialized version and the later collected edition. I originally wanted this to be a short and simple post but when analysing the strips more closely I started to notice many other differences between the two versions, and I started to write those down as well. Obviously, the colouring is very different between the two versions something which is to be expected and I won’t really comment on.

The original serialized version of the story has only ever been rereleased in French in Hergé, le feuilleton intégral tome 11 and Tintin Les premiers pas sur la Lune both of which can be purchased on the official Tintin store. Unfortunately, the Dutch translation of the original version was never rereleased, and it has never seen a release in English at all. The images I use for this blog are scans of the Dutch language versions of these stories.

On a marché sur la Lune, Le Journal de Tintin Year 5 #27/Mannen op de Maan, Weekblad Kuifje Jaargang 5 #27 was originally published by Le Lombard on the 6th of July 1950.

Objectif Lune/Raket naar de Maan/Destination Moon originally published in Dutch and French by Casterman in 1953 (This Dutch edition is from 1981).

I will be going over these pages panel by panel, describing what’s different and sometimes explaining why. The first panel has been completely redrawn, so all the characters fit in the now slightly shorter panel. Tintin’s position is unchanged, but Haddock and Calculus were moved more to the left. The pockets and folds in their clothing is slightly changed, Tintin’s eyebrows are more pronounced in the redrawn version. The biggest change in this panel is Haddock’s positioning, his head is now turned more to the left (our left). At first glance panel 2 seems to have only been shortened, cutting out Calculus’ question mark balloon, Haddock’s dialogues is shortened to “Watch out!...” dropping the word “Professor”. But on closer inspection we can see that Haddock’s head is drawn differently, Calculus’ pupils are also in a different position. The third panel is now longer and a Haddock chasing after Calculus was added. The man holding the grate has been completely removed from the comic, instead we now see a signpost with a sign saying “Watch out! Freshly painted!”. But these are not the only differences in this panel, when looking closer one can see the painter has also been redrawn slightly. His overall has more folds and is a bit more detailed, his neck has also gotten an extra line and his overall also doesn’t cover his shoes as much as it used to. When looking closely at his head we can also notice that he has a new cap in the redraw which is more spherical. The last difference surrounds the man walking in the background, his original position is now covered up by the sign, so he was moved to the left and is now walking the opposite direction. Panel 4 was also changed significantly. Obviously, the man holding the grate was removed again his exclamation mark balloon was also removed and instead the painter now gets a question mark balloon. The panel is also wider now, so we actually see Haddock getting hit by the paint. Calculus falling into the painter now also has the added side effect of knocking over the signpost, causing the sign to leap through the air. The painter was redrawn again for this version, his face was redrawn in a style much closer to Bob de Moor’s personal art style and his cap now has 129 on it instead of the double-digit number it had before. Panel 5 is also quite different, in the redrawn version Haddock no longer has the striped pattern because the man with the grate was removed and is instead completely read from the shoulders and above. The original panel shows us a medium shot of Haddock which the redrawn version changes to full shot. In the redrawn version the paint blast has also knocked over Haddock’s captain’s hat which can be seen (painted red) on the floor in the bottom left corner. The sign has also landed on Haddock for added comedic effect, the knocked over signpost can still be seen in the bottom right corner. Panel 6 was completely removed from the collected edition, its text now having been added to panel 7. The seventh panel is the only one not to have been redrawn, the only changes were the added caption from panel 6 and that the text balloon was moved down to make room for this.

The main differences between the two versions are that the grate was removed from the joke and Haddock was more present in the drawings as extra set up. This last bit caused some panels to be widened which in turn caused others to be shrunk. Although Bob de Moor worked on both versions, it’s obvious judging by the style that he redrew the pages largely on his own.

Destination Moon and its companion book Explorers on the Moon have many differences from their original serialized version. Certain pages were added, others were scrapped, certain panels were redrawn, reordered, or slightly enlarged. Most of this was done because the original 118 page* story had to be divided over two collected editions each holding 62 pages of comic strips. Most of the new pages were added to Destination whilst about 2,5 pages were cut for Explorers. The reason I decided to focus on this paint gag specifically was because it looks very different from the original yet there seems to be no obvious reason for the change. Both versions take up the exact same amount of space on the page. Perhaps Hergé wasn’t happy with the original gag, the grate does make it a bit more contrived or perhaps he wanted Haddock to be more present in it. But this is pure speculation, in any case I’m happy it got redrawn. I personally find the version in the collected edition much funnier because there’s a bit more anticipation in this version; we see Haddock chasing after Calculus and then we actually see him get hit by the spray paint. That said I really like the original drawing on panel 5, I like Haddock’s expression and figure more in that one. The paint dripping off his fingers is a nice touch too. I hope you enjoyed my comparison of this short gag from Destination Moon, as mentioned before the story has many differences which I might delve into in the future!

*The exact number of pages depends on whether or not you count the cover pages especially made for the story and the summary page, I excluded these from my count (none of these made it into the collected editions anyway) including them the total would be 125 pages.

[tratadista]

[personnage-neutre]

"JOHAN: That respect was mutual. He [Bob de Moor] and Hergé were always happily surprised by the solutions they found to put certain scenes in images. I remember, for example, an image from The Castafiore Emerald. It's night and Tintin is looking outside. Dad had carefully drawn every one of Marlinspike Hall's bricks, but when Hergé looked at the page, he filled the entire panel with black and had Tintin backlit. He came tiptoeing in later to show Dad that page and said: "Bob, I'm sorry, I'm sorry!" It's true that drawing a scene like that could easily take half a day's work. Dad answered: "But that's wonderful, it's much better than what I had done." What people say, that he was in Hergé's shadow, is all talk. Because that's how they would work."

Johan de Moor on this panel, interview in Le Vif, 2009

[eddieredmayneargentinablog]

New post: "Taylor Sheridan’s ‘Landman,’ ‘The Day of the Jackal’ Starring Eddie Redmayne Lead SkyShowtime’s Upcoming Content Slate (EXCLUSIVE)".

By Ellise Shafer, Jun 3, 2024.

SkyShowtime has revealed its upcoming content slate for 2024 and beyond, including the anticipated new series “Landman” from Taylor Sheridan and “The Day of the Jackal” starring Eddie Redmayne.

Landman,” starring Billy Bob Thornton and Demi Moore and described as a “modern-day tale of fortune seeking in the world of oil rigs,” is coming exclusively to the European streaming service later this year. Meanwhile “The Day of the Jackal,” which also stars Lashana Lynch, is a 10-part series adaptation based on Frederick Forsyth’s novel and the subsequent 1973 film that follows a lone assassin (Redmayne) and the MI6 agent (Lynch) determined to hunt him down. The streaming date for “The Day of the Jackal” has yet to be announced.

(Excerpt) The Day of the Jackal”: TBA

This contemporary reimagining of the iconic thriller stars Academy, Tony and BAFTA award-winner Eddie Redmayne as The Jackal, an unrivaled and highly elusive lone assassin, and Lashana Lynch as Bianca, a tenacious MI6 agent in a relentless, global pursuit to catch him. Úrsula Corberó, star of global hit series “La Casa De Papel” (“Money Heist”), stars in the series as Nuria, someone at the heart of The Jackal’s personal life, entirely unaware of who he truly is. Other stellar cast include Charles Dance featuring in the role of Timothy Winthrop, Richard Dormer as Norman, Chukwudi Iwuji as Osita Halcrow, Lia Williams as Isabel Kirby, Khalid Abdalla as Ulle Dag Charles, Eleanor Matsuura as Zina Jansone, Jonjo O’Neill as Edward Carver and Sule Rimi as Paul Pullman. The 10-part adaptation is based on the seminal novel by Frederick Forsyth and subsequent award-winning 1973 film from Universal Pictures.

[boricuacherry-blog]

I sought out Grier because I wondered, with all the testimony emerging from actresses about sexual harassment and assault incidents they had suffered in silence for so long, what must Hollywood have been like for Grier during the alpha male chauvinist '70s culture, when she was one of the few actresses of color playing the heroine in movies like Foxy Brown and Coffy.

Her path has led her to interact with some recently fallen figures - Harvey Weinstein made the Quentin Tarantino-directed Jackie Brown, which reignited Grier's career - and even more recently, Grier said she had been set to star in the Amazon Studios series that David O. Russell was directing with Robert De Niro and Julianne Moore. That series imploded directly because of the Weinstein scandal, but she still is hopeful it will come back around as the Weinstein Company is about to be resuscitated by a female-led board and leadership. I was surprised to hear that Grier experienced relatively little sexual harassment during her rise.

There is a disturbing tale in her book about a time she was invited to Sammy Davis Jr's house where, in front of his wife Altovise, the singer became so aggressive in his attempt to bed Grier that she had to enlist Liza Minnelli and her husband Jack Haley Jr to drive her away from the estate while she hid in the back seat. "It's true. Altovise and Liza helped me. I hid in the bathroom, and Sammy came out looking for me. Liza and her husband pulled up their burgundy Rolls-Royce, where they would signal for me to run out and jump into the back seat of the car, and she'd hide me with her fur, and they'd drive me out of there." But most of the pain caused by men took place far from Hollywood.

Grier said that her saving grace during her rise was signing with APA agent John Gaines, who repped her since she moved from receptionist at AIP to a star.

You read the stories about actresses whose reps didn't have the foresight to accompany them to clandestine meetings in hotel suites, and Grier acknowledges that hers could have been a much different story if she didn't have Gaines, an agent who made sure that she didn't find herself in potentially dangerous situations when she went up for roles. Gaines, who died in 1992, also repped Steve Martin, John Candy, Tamara Dobson (Cleopatra Jones), Shaft star Richard Roundtree and Oscar-winning Shaft singer-songwriter Isaac Hayes. She was able to create a circle of trust within that group.

harassment you might think. I wonder if they saw my films and thought that I could probably beat them up. And you know, I could, because I studied enough martial arts seriously that I probably could have really hurt someone."

She has good memories of Harvey Weinstein, who with brother Bob responded to a fundraising effort to feed the homeless on Thanksgiving, by matching the entire donation, allowing for 20,000 extra dinners. "I don't mean to soften anything he might have done or who he might have hurt, but they matched that money in my honor and they didn't have to."

Grier had sympathy for each woman who swallowed the shame for decades but finally spoke out. Her own decision to disclose the rapes in her life came, she said, from counsel by Gloria Steinem and in observing Maya Angelou's experience in divulging the trauma of a childhood sexual assault. In that case, Angelou was raped by her mother's boyfriend, and she told a family member. Her attacker subsequently was killed, possibly by her uncle - an incident that so upset the future poet that she didn't speak for the next five years.

Grier kept her assaults secret for similar fears. Said Grier: "My grandfather Daddy Ray taught all us girls to hunt, fish, shoot and drive the boat and a tractor. ...If I had told my family, especially what happened when I was 6? The men in my family would have hunted those boys down, for hurting me. It would have destroyed my family, and I decided to stay quiet and see how long I can go and how much stronger I can be with this energy inside me."

Grier hopes that the women who've relived horrible memories in this #MeToo movement felt the relief she did after taking advice that Steinem gave her back when Grier became the first African-American actor to grace the Ms. magazine cover, long before Grier was ready to talk about her sexual assaults.

Grier had a romantic life where she fell in love with Abdul-Jabbar, Prinze and Pryor but stopped short of marriage to all of them because she would have had to become something she wasn't.

That began when she fell in love with UCLA basketball star Lew Alcindor. After he changed his name to Kareem Abdul-Jabbar and converted to a Muslim, he pressed her to marry. But the required submissiveness was just too much for her. One fateful morning he told her that an arranged marriage was set for him for 2pm that day, with a woman who was a converted Muslim. He would keep the date unless Grier agreed to marry him and embrace his religion. Unwilling to live a subservient life where everything but her hands would be covered when seen in public, Grier basically told him, congratulations on your big day. "Without all of that, he was the perfect man. He loved jazz. He loved sports. He was an academic. He could have been that first love," Grier says.

lost too much.' I think, 'How do I help this man who is so despondent, and who has a gun?' Grier got him money that she hoped would not go to drugs. "I was so compelled to just run over there, but I just didn't feel I could," she said. "I felt there's danger that I can't control. Days later, a friend told her Prinze had succumbed to his demons and killed himself. "I didn't know how to stop him, and I didn't know if I would have survived trying."

Her relationship with Pryor also disintegrated over his drug problem. This after they had a long romantic relationship in which she helped Pryor overcome insecurities that included illiteracy - she helped him learn to read, and they settled into a real home life that settled a comic who'd famously grown up in a brothel. But the bad influences around Pryor, and drugs, got the best of him. She received a similar crisis call as she got from Prinze, only this one came from Sidney Poitier, who was directing Pryor and Gene Wilder in 1980's Stir Crazy.

'" Pam, Richard's high, and we're like 10 weeks behind and they're going to pull the plug on the movie,' Sidney says. 'Gene Wilder...everybody's mad. Everybody's upset. Everyone's afraid they're going to lose their jobs. Can you come down here and talk to Richard? I think you're the only person who can reach him.'

"Just as I couldn't change the attacks or the people who attacked me. I couldn't change Richard. I couldn't change Freddie or Kareem. And I realized it's not about changing other people, it's about changing myself. And that is what I want to tell people with this, that there will be pain in life, but you can survive it and it will make you stronger and protect you from other instances. I wanted to save their lives, but I had to save my own."

[tomoleary]

Bob de Moor (1925-1992) - Portfolio

Source

[personnage-neutre]

[jazzreloaded]

Play On! By Talawa Theatre @Belgrade Theatre 26 / 09/ 24

Review by Vidal Montgomery

The press night performance of Play On! - A Broadway Blues with a twist on "Twelfth Night" - was not undersold in terms of bums on seats ( because it was a full house, and based on this showing it deserves a full house everywhere it goes!), but in terms of spectacle; because for the near-three hours running time, it was thoroughly engaging, spectacularly entertaining and, despite dealing with some serious subject matters ( such as how a misogynistic Harlem resists change, made all the more relevant with the recent revelations around Music Moghul Sean Comb's recent indictment), it was joyful for the audience from start to end, evidenced by the raucous laughter, gasps and applause throughout.

The title "Play On!" may also refer to the four year development process to get a work of this magnitude and depth and craft and intimacy and nuance in front of a live audience; it is no mean feat that this splendid work of Ellingtonian excellence by Liam Godwin and Benjamin Burell is finally in front of an audience, and with a truly magnificent cast from top to bottom:

Although the dramaturgy obviously has its focal characters, the dancers / understudies / supporting cast acquit themselves equally well, and the audience is gifted with over a dozen amazing voices ( of which Lifford Shillingford was my personal favourite ), who perform comparably, shouldering the responsibility of energetic dance, tense drama and soulful song, and carrying the narrative along. This for me is the most captivating thing about this show. Tanya Edwards as Miss Mary and Llewellyn Jamal as Jester deliver stylish and soulful performances late on into the second act just I thought the show had probably reached its peak - boy was I wrong!

The core story of Play On! revolves around the day Duke Ellington loses his muse, and the lengths- and distance! - one lucky lady will go to to help him get it back; Earl Gregory, Koko Alexandra, Tsemaye Bob Egbe, and Cameron Bernard Jones play the four pillars of the love quadrangle that is "The Duke", his old flame ( lady Liv ) , his new muse ( Viola "Vyman" ) and Rev, the manager of the Cotton Club clutching at straws and clasping his hands in his hopes of keeping the four together as exemplars of Ellingtonian Excellence - and also keeping the show on the road...

Sadly the live band - directed by the unassuming Ashton Moore and delightfully driven by the delicate drumming of Empirical's own Shane Forbes - are not featured as characters in their own right - I am sure that later productions in the three month run will attend to this oversight.

Despite this, the mix of moods and blues and beats and grooves from the bandstand become the main character, and for me ( as a musician! ) this is the star of the show: Ellingtonian Classics like Mood Indigo, I got it Bad, It Don't mean a thing, Black Butterfly Rocks In My Bed and In a Mellow Tone are turned inside out and taken back from the trash heap of Abersold Appropriation,and are played in a way that suits the strengths of individual artists, and balances temperaments of their characters as a whole as they play moves towards reaches its climactic reveal; at this moment the only other disappointment was that the band was not as big as, say, the English Touring Opera's for the recent run of "The Rakes Progress" : With this amount of dramatic tension in the stage, and with the audience in the palm of the band's hands the Ellington Big band, really needs to be a BIG band.

As it was, on the night Kaz Hamilton and Alexander Polack acquited themselves very well, making a myriad of moods that were both historically authentic and stylistically de jour. And the commitment to shared seat of Chris Hyde / Josh Vadivello on Double bass ( NO electric big band era please! ) brings gravitas authenticity and sensuality to the greatest american songbook in a way that only a Double Bass can. This show is all about that bass!

Having recently sat through the often turgid and salacious KAOS, a reworking of the mythology of Orpheus and Euridice, ( which was not a patch on Marcel Camus Seminal 1950's classic ) and also attended the afforementioned reworking of Igor Stravinsky's "Rake's Progress" ( often not my sense of humour, albeit markedly less turgid and salacious than Charlie Covell's Netflix Production ) I was far from convinced that , per se, " A reworking of Twelfth Night " was going to as vivacious, contemporary , and nourishing to the soul as it turned out to be. But on this occasion I was rewarded for my bravery ( And by "bravery" I mean only braving the inclement British weather ) , and I will forever regard Play On! as somewhat of a late birthday present - ( or maybe early Christmas gift? )

Ironically, whilst sipping free Prosecco and listening to a(nother) jazz function band in the reception area after the show , I had the good fortune to speak with one the trustees of the Talawa Theatre and we discussed how important it may be to not label Play On! as ( simply ) a "jazz show", because of how many people may miss out on an amazing contemporary socially and culturally relevant human experience, simply because they do not know or have not yet been sold the depth and breadth of the jazz canon.

But Play On! is "Jazz Hands" in safe hands. And I can say with confidence that Talawa Theatre have a winner on their hands; it is Black Joy. And "Black Joy" may turn out to be a better euphemism for the vibrancy we expect "Jazz" to bring to us. Congratulations on the fully immersive experience that Director Michael Buffong brought to the Belgrade Theatre tonight.

PS: As with many theatre shows, the stupidly difficult train schedule doesn't really support the 2+ hour format, but I can only say that on this occasion it was worth missing our last train to catch the "A Train" one more time...

Talawa’s Black Joy season presents:

Play On!

A new Jazz musical

Based on Shakespeare’s

“Twelfth Night”

Conceived by Sheldon Epps

Book by Cheryl L.West

Music by Duke Ellington

Produced by Talawa Theatre Company and The Belgrade Theatre

Co-produced with Birmingham Hippodrome, Bristol Old Vic, Liverpool Everyman & Playhouse, Lyric Hammersmith Theatre and Wiltshire Creative

Artwork by Feast Creative

For the full programme, click or scan the image below:

[telaviv-delhi]

Hátigen A vicc, hogy az Apollo 11 legénységének is van csillaga a tv-ben nyújtott tevékenységért. Talán a Holdtagadók Társasága szponzorálta :) Végülis: Churchill meg irodalmi Nobel-díjat kapott :)

VIDEO:

A lencsevégre kapott valakik, benne néhány kivándorolt/elmenekült/elűzött magyarral:

Elvis Presley, Orson Welles, Clark Gable, Audrey Hepburn, Arthur Spiegel, Apollo 11 Crew (Neil Armstrong, Edvin E. Aldrin), August Lumiere, Johnny Cash, Humphrey Bogart, Ernest Borgnine, Mariska Hargitay, Kim Novak, Kevin Bacon, Lassie, Ronald Reagan, George Cukor, David Niven, Marlene Dietrich, Jane's Addiction, Richard Pryor, Alfred Hitchcock, Frank Sinatra, Orson Welles, Joseph Szigeti, Tom Jones, Eva Gabor, Larry King, John Cusack, Vladimir Horowitz, Daniel Radcliffe, Celine Dion, Bee Gees, Matt Damon, Forest Whitaker, Martin Landau, Billy Bob Thornton, Harrison Ford, Kevin Costner, Russel Crowe, Anthony Hopkins, Martin Scorsese, Charlize Theron, Nicole Kidman, Halle Berry, Steven Spielberg, Jamie Foxx, Jamie Foxx, Susan Sarandon, Whoopi Goldberg, Bela Lugosi, Arnold Schwarzenegger, Rod Stewart, Hugh Laurie, Ella Fitzgerald, Aerosmith, Janis Joplin, Mötley Crue, Marilyn Monroe, Ozzy Osbourne, Jay Leno, Sandra Bullock, Keanu Reeves, Anthony Perkins, Britney Spears, Antonio Banderas, Peter Jackson, Ryan Reynolds, Ricky Martin, The Doors, Slash, John Travolta, Salma Hayek, Charles Bronson, William Shatner, Godzilla, Tom Selleck, Tom Selleck, Jodie Foster, Quentin Tarantino, Zsa Zsa Gabor, Elton John, Billy Crystal, Bruce Willis, Tommy Lee Jones, Bruce Lee, Orlando Bloom, Eddie Murphy, Drew Barrymore, Julio Iglesias, Glenn Close, James Dunn, Alice Cooper, Henry Fonda, David Hasselhoff, Patrick Swayze, Richard Chamberlain, Samuel L. Jackson, Johnny Depp, RuPaul, Peter Falk, Thomas A. Edison, Helen Mirren, Tony Curtis, Dwayne Johnson, Groucho Marx, Greta Garbo, Kermit the Frog, Mariah Carey, George Clooney, Colleen Moore, Eddie Murphy, Denzel Washington, Walter Matthau, Arnold Schwarzenegger, Peter Sellers, Sophia Loren, Anthony Quinn, Sean Connery, Al Pacino, Johnny Depp, Robert de Niro, The Hunger Games, Kevin Costner, Kim Novak, Henry Fonda, etc.

As of 2023, the Walk of Fame comprises 2,752 stars, which are spaced at 6-foot (1.8 m) intervals. There is a $75,000 sponsorship fee upon selection. The fee is used to pay for the creation and installation of the star, as well as maintenance of the Walk of Fame.

Donald Trump valamivel leöntve. Nem akarom tudni, hogy mivel öntötték le ennek a derék, becsületes, szőke, fehér hazafinak a csillagát.

[knightofchariot]

Tarot Books List - part one

1-2-3 Tarot: Answers in an Instant Donald Tyson 101 Tarot Spreads Sheilaa Hite 21 Ways to Read a Tarot Card Mary K. Greer 22 Paths of Inperfection Matt Laws 360 Degrees of Wisdom Lynda Hill 365 Tarot Activities Deanna Anderson 78 Degrees of Wisdom Rachel Pollack 90 Days to Learning the Tarot Lorri Gifford A Guide To Mystic Faerie Tarot Barbara Moore A Guide to Tarot and Relationships Dolores Fitchie & Andrea K. Molina A Guide to the Nomadic Oracle Jon Mallek A Keeper of Words Anna-Marie Ferguson A Sephirothic Odyssey Harry Wendrich & Nicola Wendrich A Wicked Pack of Cards Michael Dummett & Ronald Decker & Thierry Depaulis A Year in the Wildwood Alison Cross Absolute Beginner's Guide to Tarot Mark McElroy Alchemy and the Tarot Robert M. Place All Love Goes Before Me Stewart S. Warren An Introduction to Transformative Tarot Counseling Katrina Wynne Ancient Mysteries Tarot: Keys To Divination And Initiation Roger Calverley Angel Readings for Beginners Elizabeth Foley Animals Divine Companion Lisa Hunt Best Tarot Practices Marcia Masino Beyond the Celtic Cross Paul Hughes-Barlow & Catherine Chapman Book of Thoth Aleister Crowley Brotherhood Tarot Companion Patric Stillman aka Pipa Phalange Buddha Tarot Companion Robert M. Place Chakra Wisdom Oracle Toolkit Tori Hartman Choice Centered Relating and the Tarot Gail Fairfield Chrysalis Tarot Holly Sierra & Toney Brooks Complete Guide to Tarot Illuminati Kim Huggens Confessions of a Tarot Reader Jane Stern Conscious Channeling From the Akashic Rozàlia Horvàth Balàzsi Creator's Tarot Nicole Richardson Daily Spread Tarot & Oracle Journal Alyssa Montalbano Dark Goddess Tarot Companion Ellen Lorenzi-Prince Designing Your Own Tarot Spreads Teresa Michelsen Destiny's Portal Barbara Moore Deviant Moon Tarot Patrick Valenza Discovering Runes Bob Oswald Discovering Your Self Through the Tarot Rose Gwain Easy Tarot Ciro Marchetti & Josephine Ellershaw Easy Tarot Guide Marcia Masino Easy Tarot Reading Josephine Ellershaw Encyclopedia of Tarot Volume IV Stuart Kaplan & Jean Huets Enochian Tarot Betty Schueler & Sally Ann Glassman & Gerald Schueler Essence of the Tarot: Modern Reflections on Ancient Wisdom Megan Skinner Explaining the Tarot Thierry Depaulis & Ross Caldwell & Marco Ponzi Explore the Major Arcana Judyth Sult & Gordana Curgus Exploring the Tarot Carl Japikse Fortune Stellar Christiana Gaudet Fortune's Lover: A Book of Tarot Poems Rachel Pollack Going Beyond the Little White Book Liz Worth Good Cat Spell Book Gillian Kemp Guide to the Sacred Rose Tarot Johanna Gargiulo-Sherman Heart of Tarot Amber K Hieros Gamos: Benediction of the Tarot Stewart S. Warren Holistic Tarot Benebell Wen Integral Tarot: Decoding the Essence Suzanne Wagner It's All in the Cards: Tarot Reading Made Easy John Mangiapane Jung and Tarot Sallie Nichols Kabbalistic Tarot Dovid Krafchow Kaleidoscope Tarot Leisa ReFalo Karmic Tarot William C. Lammey Learning Tarot Reversals Joan Bunning Learning the Tarot Joan Bunning Light-Of-Day: Tarot & Dream Work - A Practical Guide Gigi Miner Magic Words: A Dictionary Craig Conley Meditations on the Tarot Anonymous Messages from the Archetypes Toni Gilbert, RN, MA, HNC Mirror of the Free Nicholas Swift My Tarot Journal Katrina de Witt Mystical Origins of the Tarot: From Ancient Roots to Modern Usage

[tratadista]

[deanwasalwaysbi]

23 Republican Senators & 124 Congressmen signed an amicus brief to the Supreme Court asking for a 50 state ban on mifepristone, a drug safer than tylenol that is standard treatment for abortion & miscarriages, "due to safety concerns". The brief DARES to argue that banning the life saving drug would save women from 'reproductive control'. (x) These 147 people would rather have women die of sepsis than let women control their own bodies. If your representatives are on this list, call them and tell their office you will be voting against them in the next election because they asked SCOTUS to throw the US medical drug system into chaos at the cost of American lives.

United States Senate

Lead Senator: Cindy Hyde-Smith (MS) John Barrasso (WY) Mike Braun (IN) Katie Britt (AL) Ted Budd (NC) Bill Cassidy (LA) Kevin Cramer (ND) Mike Crapo (ID) Ted Cruz (TX) Steve Daines (MT) Josh Hawley (MO) John Hoeven (ND) James Lankford (OK) Mike Lee (UT) Cynthia Lummis (WY) Roger Marshall (KS) Markwayne Mullin (OK) James Risch (ID) Marco Rubio (FL) Rich Scott (FL) John Thune (SD) Tommy Tuberville (AL) Roger Wicker (MS)

United States House of Representatives

Lead Representative: August Pfluger (TX–11) Robert Aderholt (AL–04) Mark Alford (MO–04) Rick Allen (GA–12) Jodey Arrington (TX–19) Brian Babin (TX–36) Troy Balderson (OH–12) Jim Banks (IN–03) Aaron Bean (FL–04) Cliff Bentz (OR–02) Jack Bergman (MI–01) Andy Biggs (AZ–05) Gus Bilirakis (FL–12) Dan Bishop (NC–08) Lauren Boebert (CO–03) Mike Bost (IL–12) Josh Brecheen (OK–02) Ken Buck (CO–04) Tim Burchett (TN–02) Michael Burgess, M.D. (TX–26) Eric Burlison (MO–07) Kat Cammack (FL–03) Mike Carey (OH–15) Jerry Carl (AL–01) Earl L. “Buddy” Carter (GA–01) John Carter (TX–31) Ben Cline (VA–06) Michael Cloud (TX–27) Andrew Clyde (GA–09) Mike Collins (GA–10) Elijah Crane (AZ–02) Eric A. “Rick” Crawford (AR–01) John Curtis (UT–03) Warren Davidson (OH–08) Monica De La Cruz (TX–15) Jeff Duncan (SC–03) Jake Ellzey (TX–06) Ron Estes (KS–04) Mike Ezell (MS–04) Pat Fallon (TX–04) Randy Feenstra (IA–04) Brad Finstad (MN–01) Michelle Fischbach (MN–07) Scott Fitzgerald (WI–05) Mike Flood (NE–01) Virginia Foxx (NC–05) Scott Franklin (FL–18) Russell Fry (SC–07) Russ Fulcher (ID–01) Tony Gonzales (TX–23) Bob Good (VA–05) Paul Gosar (AZ–09) Garret Graves (LA–06) Mark Green (TN–07) Marjorie Taylor Greene (GA–14) H. Morgan Griffith (VA–09) Glenn Grothman (WI–06) Michael Guest (MS–03) Harriet Hageman (WY) Andy Harris, M.D. (MD–01) Diana Harshbarger (TN–01) Kevin Hern (OK–01) Clay Higgins (LA–03) Ashley Hinson (IA–02) Erin Houchin (IN–02) Richard Hudson (NC–09) Bill Huizenga (MI–04) Bill Johnson (OH–06) Mike Johnson (LA–04) Jim Jordan (OH–04) Mike Kelly (PA–16) Trent Kelly (MS–01) Doug LaMalfa (CA–01) Doug Lamborn (CO–05) Nicholas Langworthy (NY–23) Jake LaTurner (KS–02) Debbie Lesko (AZ–08) Barry Loudermilk (GA–11) Blaine Luetkemeyer (MO–03) Tracey Mann (KS–01) Lisa McClain (MI–09) Dr. Rich McCormick (GA–06) Patrick McHenry (NC–10) Carol Miller (WV–01) Mary Miller (IL–15) Max Miller (OH–07) Cory Mills (FL–07) John Moolenar (MI–02) Alex X. Mooney (WV–02) Barry Moore (AL–02) Blake Moore (UT–01) Gregory F. Murphy, M.D. (NC–03) Troy Nehls (TX–22) Ralph Norman (SC–05) Andy Ogles (TN–05) Gary Palmer (AL–06) Bill Posey (FL–08) Guy Reschenthaler (PA–14) Mike Rogers (AL–03) John Rose (TN–06) Matthew Rosendale, Sr. (MT–02) David Rouzer (NC–07) Steve Scalise (LA–01) Keith Self (TX–03) Pete Sessions (TX–17) Adrian Smith (NE–03) Christopher H. Smith (NJ–04) Lloyd Smucker (PA–11) Pete Stauber (MN–08) Elise Stefanik (NY–21) Dale Strong (AL–05) Claudia Tenney (NY–24) Glenn Thompson (PA–15) William Timmons, IV (SC–04) Beth Van Duyne (TX–24) Tim Walberg (MI–05) Michael Waltz (FL–05) Randy Weber, Sr. (TX–14) Daniel Webster (FL–11) Brad R. Wenstrup, D.P.M. (OH–02) Bruce Westerman (AR–04) Roger Williams (TX–25) Joe Wilson (SC–02) Rudy Yakym (IN–02)

If your representatives are on this list, call them and tell their office you will be voting against them in the next election because they asked SCOTUS to throw the US medical drug system into chaos at the cost of American lives.

Help to patients who have to cross state lines to get medical care by donating to your local abortion fund here. (x)