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chronic-ghost · 1 year ago

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Chapter 1 of Recovery Road

chapter rating (this will change!): T

pairing: dieter bravo x f!reader

word count: 6444

chapter summary: dieter joins the production of an old friend and meets his new co-star

chapter warnings/tags: discussions of addiction/rehab, smoking, cursing, angst, no use of y/n, named reader but no physical descriptions other than hairstyle/clothing, adult language

a/n: Highly recommend reading the AO3 version. I've been working on doing some fun things with formatting work skins, so please check that out! My FC for Heidi is Sarah Goldberg and Timothy Olyphant as Mark, but yours doesn't have to!

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“Despite the meteoric success of their first and only film together, Recovery Road, neither Dieter Bravo nor Natalie Lorraine were present when the film won the Oscar for Best Picture that year— an oddity for the main leads of such a critical and commercial darling. Cobbled together from stories from other cast members, director’s cut commentary, and straight up rumors, there is no clear cut picture of what happened to prevent the two stars from basking in the rewards of the film’s success. Perhaps in twenty years, if we’re all still around and the internet monolith continues to chug forward, we’ll get some tell-all documentary on Netflix where all things will be revealed. Blood shed. Lives lost. The whole shebang. Until then, you can find this old reviewer sitting up in his attic rewatching one of the most poignant and moving depictions of love and addiction we’ve gotten in the last three decades. Recovery Road is not, nor has it ever been, one to miss.” - John Michael David, Rolling Stone, “Why Recovery Road Still Stays With Us Today”

It’s getting hot inside the car.

If he was going to sit this long in the fucking car, he should have left it running. Summers in LA are sneaky. Desert air is cold in the dark, but piercing in the day. He had purposefully parked in the shade, but it was still too much. He feels sweat break out across his hairline and he knows that won’t be a good look. He needs to look completely put together, completely at ease, relaxed. Unflinching. Unrufflable. Like he does tai chi every thirty minutes and can harmonize with the universe during rush hour traffic.

He’s got to keep it together.

But he can’t take his fucking palms down from his eyes. The heel of his hands dig into his eye sockets and for all the pressure it builds, it feels good. The pressure flushes out every other thought in his head and he needs to go into this clear-headed. If he fucks up again, it’s not just his ass on the line.

He wants to believe things are going to be different this time. He wants to believe he’s going to be different. He’s worked his ass off to get here – sweated and shook and vomited into his own lap as the withdrawals tightened every muscle in his body – and now he just needs this one chance. Chloe – patient, perfect Chloe – was counting on him. If she said he could do it, he probably could.

His left hand, third finger, twinges and that’s what brings his hands down from his face. He looks at the ring there. That gold beautiful ring. A promise made real. He swallows.

Today, it’s a table read. Done it a thousand times. He’s actually early, for fuck’s sake. He glances down, triple checking he’s not wearing slippers or that mangy robe. Jeans. Black shirt. Easy. Chloe warned against the rings, but he’d sooner part with those than his right hand entirely. Sure he fucked up, sure he was a fuck up, but there were parts of Dieter Bravo that just had a right to exist. People wouldn’t recognize him without his rings.

He did cave about the earring though.

You’re almost thirty-six, darling. Nobody but rockstars can wear earrings at that age.

When he went into rehab, he was thirty-three. He had lost two years of his life in that prison and he was not about to do it again. He had left his sobriety token at home, but he wished he had it now, just for something to squeeze, something to soothe his feverish palm. Again, Chloe had quietly nudged him: “do we need to get you a fidget spinner, baby?”

He wanted to joke, “that’s what the adderall is for”, but given that his doctor was forced to prescribe him something else for his ADHD after they found a dozen empty pill bottles under his bed, it probably wasn’t all that funny.

He breathes, counting down just like the nice lady at the rehab center taught him to.

Your self-destructive habits formed out of necessity. It’s time to reshape them.

Today, it’s just a table read. He can do this.

He pops the sunglasses out of their holder on the console and slips them over his eyes. He takes one more glance out of the rearview mirror, half-expecting to be staring down the long lens of a TMZ reporter. He grabs the script from the passenger seat, curls it under his fingers— and still doesn’t move.

He likes this script. He likes the writer, seen their work in the past and it rocks. It’s good. It’s a good part. It’s actually better than good. It’s Oscar bait, they say on the internet, and he has the lead part. An aging musician struggling to rebuild his life after a drug addiction ruined his band’s final tour. The scriptwriter didn’t actually say that he had Dieter in mind when he wrote the part, but Jesus– suffice it to say, he understood the material.

The aging musician was going to help a young upstart find her way in the music scene. She joins the band. They flirt, they fuck, they fall in love, and everything is ruined by their own egos. End credits. Lights up. Oscar in his hand.

He didn’t recognize the name of his co-star when his agent sent over the cast list. He honestly didn’t even ask about her. He knew the director, had worked with her in the past, and thought she had a real eye for scenecraft and a knack for finding that beating heart of a moment. He trusted her with casting the right part for his opposite, just as she had casted him. But it wasn’t even about her, his co-star– he was ready to dig in and see what the director could pull out of him.

And fuck, if it worked for RDJ, then it could work for him.

This had to work for him. He feels the pressure return behind his eyeballs.

“Fuck it,” he hisses and nearly kicks the door open. The script curled up in his hand like a baseball bat, Dieter Bravo strolls across the hot parking lot to the studio sound stage and into the rest of his life.

He is used to being stared at. He is used to all eyes on him, but not like this. This feels too much like that last party when the cops showed up and found all of his illegal prescriptions. It makes him itch.

The empty stage is filled mostly with crew and staff, setting up lighting and testing the sound recording. They’re all busy, getting ready for next week to start filming, but they all still have time to send him a worried glance. Because if he fucked up, they’d all be out of a job until shooting wrapped. They had enough courtesy to not actually whisper in front of him, but he knew exactly what they were saying just after he’s out of earshot:

“Oh, fuck, this is a Bravo flick? Shit, I gotta get another gig.”

“That asshole is here? Oh my God, this thing’ll be shut down in two weeks!”

“Fuck that guy and his stupid hair.”

Okay, that last one might have been projecting. He catches his own gaze in a pane of glass while he waits for the director’s assistant to return. His hair, despite his best attempts, would not lie flat, would not stay unrumpled. Another thing Chloe thought a man of his age shouldn’t have.

He hasn’t seen another cast member and now he’s worried he got the time wrong and he’s missed it and he’s already started all of this off all wrong —

“Dieter! Oh my God, you’re here!”

Heidi, the director, beams at him so bright he actually feels himself go warm. She has her arms out open for him and he rushes to her, picks her up in his arms and twirls her. Her hair is back to her natural silvery blonde, cut short and kept out of her face with a tornado of bobby pins. He’s never seen her without her jean jacket, even at premieres.

Early on in their careers, he found he had too much respect for her to try and sleep with her and they formed, over the years, the closest thing he could call a healthy relationship. She was like his sister, since his own didn’t seem like she’d ever pick up the phone again.

It also helped that she was a raging lesbian, happily married, and wouldn’t go near his dick for all the money at Warner Brothers Studios.

“Dieter, you look so fucking good, dude.” She pats his face and scrunches up her nose, those black headphones knocking around her neck. “Fuck, it’s been too long.”

“I know, Di, I know.” He always liked that their nicknames sounded alike. Dee and Di. A team. “How’s Lucy?”

“Pfft, you know her. Taken the kids up to Canada for the summer. Says the trees are more ‘real’ there,” she says, rolling her eyes. “I miss the little buggers, but shit, it’s nice to have a quiet house.”

He laughs, the knot in his chest easing. “Before school starts up again, you’ll have to come by the new place.”

“Oh, shit, that’s right. You just moved back into the neighborhood, didn’t you? I heard about that. You and, uh . . .”

He hides the blush in the tips of his ears with his hand, acting like he’s scratching an itch on the side of his head. “Yeah, Chloe and I are still together. Been married for a little over two years now.”

At that, Heidi’s bright green eyes snap open wide. She nearly launches herself at him to grab his hand, gawking at the only gold ring on his finger. “Shutthefuckup. You got married?! You asshole, why wasn’t I invited?”

He swallows past the hard knot in his throat. “It was a small thing. Could hardly call it a party.”

Heidi, as she usually does, takes not a lick of his bullshit. “Uh huh. Well, shit, I guess we have to double-date now.”

“I’d like that.” He grins.

Her shock softens, and she punches his shoulder softly, her smile wide across her face. “You fuckin’ dork. I can’t believe you got married. Who knew Dieter Bravo would settle down?”

He doesn’t know what to say to that, doesn’t know what’s going to come out of his mouth if he tries to answer, so he just shrugs. Her eyes linger on him for a second more, before looping her arm through his and leading him away from the stage.

“So have you read the script?”

He nods eagerly. “Yep. The whole thing. Front to back. It’s fucking incredible, Heidi.”

“Yes it is! There’s so much to work with. It’s a little hoity-toity for my taste in some places, but I think there’s a way to balance the shmaltz with genuine emotion, you know? The script, it’s so raw and real, I know you can get to those places.”

“Yeah, like I haven’t already,” he jokes off-handedly. They’re standing in the big open bay, where the crew can wheel in giant cranes for lighting or special effects, when Heidi freezes. A frown is growing over her face as though realizing something for the first time. A wind blows in and he thinks he can smell the desert in it.

“Oh, fuck, Dee,” she murmurs, not even looking at him. “This script, the material . . . you just got out of fucking rehab, and—,”

He shakes his head, a bit frantic. He’ll get on his hands and knees to let her keep him on this project. “Heidi, this is fine. I’m fine.”

He takes her by her shoulders and makes her look him in the eye.

“I want this part. I want this part so fucking badly. I know I can do it too. I’m going to do this project and it’s going to blow your fucking socks off. You can count on me. I’m responsible now, I promise.”

At that, her green eyes soften. “Responsible and married? Who the fuck are you and what have you done with Dieter Bravo?”

Early on in their careers, she had also been right by his side, doing line after line of coke off hookers and strippers. But then she grew up. If she can have a family and a beautiful wife, then why can’t he?

“Dee, look,” she says softly and touches the hand around her shoulder. “I’m not worried about any of that. I always knew you were something special, if you could just get out of your own way.” She glances away, shame making her mouth tick. “But I should have checked in more. I knew you were still in rehab, even after those times I called. I should have stayed in touch. I’m sorry.”

Something about her pity was unbearable. “Don’t. Please. It’s in the past. It’s over and I want to move on. This time, it’s going to be different.”

Heidi nods, smiling. “For sure, dude. We’ll do this together.”

He can fucking breathe again. She sees this and takes him by the arm, letting him get his feet under him. The air is warm, and Heidi’s hand is firm against his forearm.

“I know the email said to meet at the sound stage, but everyone’s working out here, so I just put us in the back of the studio. Much more quiet. C’mon, I think I saw Mark’s car up front.”

She leads him to the next building, chattering on and on about the composer they got. How the music is gonna fuck so hard, they’re even trying to convince the studio to let them record a full fake album for the movie — “if you don’t wanna sing, Dee, that’s totally fine but I am begging you to do at least some of the guitar,” — and the building door opens.

It’s a squat building, probably more offices than anything to do with production, but it’s where Heidi is taking him, and the door opens. A man, much younger than he is, stumbles out, giddily laughing over his shoulder. He looks to be a PA of some kind — wiry, a little strung out, probably with dreams of writing the next Citizen Kane someday — but he’s looking at something over his shoulder.

Or rather at someone.

A woman, barely that but with all the cosmic designs of one, steps out after him. Her white cowboy boots hug just below her knee, her smooth legs, rich with the sun, curl up into a men’s white collared shirt. She walks and only a flash of denim shorts peek out from under the shirt.

She isn’t laughing, but smirking. Knowing something this poor PA has no concept of. Her black aviators push her lush hair out of her face and her fingers glitter with silver jewelry. She’s smiling at the PA like a leopard seal smiles at lemmings.

She chews something in the back of her teeth and then blows a bright pink bubble. The PA’s smile falls off his face as he watches, wide-eyed, the gum snaps in her mouth.

Dieter immediately and, without question, dislikes her. Dislikes her so much, he can feel it burn in his chest.

Her wicked eyes slide from the PA, over his shoulder, and lands squarely on Dieter. She blinks.

“Oh, hey, kiddo, you found the right place.”

Heidi walks up to her and shakes her hand. That sharp-toothed glint in her eye is gone as she eagerly chats up Heidi, and the PA might as well have disappeared off the face of the earth.

Heidi waves him over and it takes a full two seconds for him to remember how walking works. The sun is hot on his back.

The woman — the girl — is looking him up and down, calculating and cool. As if she, unlike him, hasn’t quite made up her mind about what she thinks of him.

Heidi waves a hand in between you two. She says your name and his mind suddenly locks onto it. He suddenly knows who you are before Heidi says it. He read it on the cast list. He hadn’t given it a second thought.

“This is your new co-star, Natalie Lorraine. The other lead. You two will be working very closely together for the next couple of months.”

She’s stopped chewing gum. Either she swallowed it or tightly packed it to the back of her gums, because there’s no slur, no crumpled edge to her words, when she extends her hand and says:

“Hi, Dieter. Nice to meet you.”

Your hand is soft in his and your lotion reminds him of lilac.

Today is just a fucking table read.

He tries to unclench his jaw when he says, “nice to meet you too.”

He’s on his third bottle of water and he’s eying the trashcan in the corner, wondering how discreetly he could throw away several plastic bottles before it looks weird. He’s got the script out in front of him on a long, white plastic table and a few people have stopped by to say hi. He had gotten up to stand and shake their hand, and several of them had blinked up at him, as if they had forgotten how tall he was, when he wasn’t hunched over, fighting a hangover. Heidi was gathering the last of the cast mates before the table read and had been gone for twenty minutes or so. Maybe —

In the corner, she laughs, the sound brilliant and loud. In a world full of perfect, practiced laughs, hers is noticeable, but not entirely bad, and a few people turn to look at her. She’s got a hand on Mark Bronson’s arm, clearly delighted at something he said, and he is obviously starstruck.

Dieter actively fights the scowl on his face. He’d known Mark for a while. Good guy, little vices, always put in the work. Been married to the same waitress he met out in Oregon on a shoot a decade and a half ago, and never once stepped out. Dieter had been thrilled to see him, to catch up on old times, Dieter purposefully making a joke that referenced the one time they were on that old cop show together when they first got to Hollywood. “Nobody would really believe we’re gangsters, now, eh, Dee?” Mark had said with a grin. “Too fuckin’ old.”

Mark had stayed and talked and that again eased the tension in his chest. If Mark actually hated his guts, then the Oscar really should go to him.

But as more people filed in, he excused himself to catch up with one of the directors of the art department and Dieter had taken the opportunity to grab as many bottles as a reasonable person would from the cooler. He likes ice cold water. The colder, the better the burn.

But here Mark is, sidled up to that girl, laughing it up like they were old friends. Traitor, he muses glumly, and thumbs the white plastic cap. He’s thought about Googling her — who the fuck is this girl — but didn’t know how to justify it if someone caught him.

The back door to the room opens and Heidi steps in.

“Alright, five minutes. Take your smoke breaks, your pee breaks, your whatever breaks. Hopefully not all at the same time, but I ain’t here to judge.”

There’s a collective chuckle before everyone moves to take their seats. He keeps his eyes trained on the water bottle as bodies weave around him, chair squeaking as they are pulled out and sat on. The atmosphere is relaxed, easy, everything he wanted. So why is he so fucking tightly wound?

“Thirsty?”

It takes him a second to unstick his gaze from the bottle. He knows you’re talking to him.

He glances up at your face from under his lashes. You aren’t exactly smiling at him, but there’s a light in your eyes that feels . . . playful. What a normal, innocent question. But when he doesn’t respond, you lean forward on your elbows, your rings interlocking on your fingers. Your gaze drops his and nudges the two empty plastic bottles around his script.

“And there’s two more under your chair. So are you—,”

“I like to keep hydrated,” he says, cutting you off. “It’s summer in LA and . . . uh, it’s hot.”

“Uh huh,” you reply, slowly. “Can I have one? You know, since it’s hot.”

His mouth twitches — get off your perky ass and get one yourself — but then he’s liable to see your bare legs again. And he knows a comment like that would get him some stares, which would not be good.

He swears you know all of this too, by the way your eyes glitter at him, daring him. That’s the worst– he’s figured it out. You look at him from under your thick eyelashes like you want to play a championship round of Truth or Dare, but it would only ever be Dare. You want to see him dance on hot coals, eat a sword, kiss a snake. You want to watch him squirm and it’s so obvious, he clenches his jaw.

He swallows and bends down. He holds out the water bottle by the very end to you, but you somehow manage to brush your fingers up against his anyway. He doesn’t physically recoil but he feels like he needs to go wash his hands.

“Thank you,” you say as you unscrew the cap then drink heavily from the bottle. It’s halfway empty when you put it on the table. Your tongue laps up the water from your lip.

He grunts as a response. You open your mouth to bother him further, when Heidi calls the start of the read. Dieter pulls his reading glasses out of his pocket, when he sees you’ve done the same. Silver, though, to his black, they’re perched on the edge of your nose, and you’re looking down at the script as if trying to divine lighting rods. You’re focused, the playful, tempting air gone, and there’s an intensity to your eyes that wasn’t there before. You look . . . almost normal.

He slides his glasses on and looks back to his pages, the tips of his ears burning.

The table read goes well.

Sort of.

There’s a handful of scenes Heidi has picked out for the majority of the cast to read together. Mark does well, as the manager who is trying to hold all the egos together but struggling with demons of his own. He’s funny when he needs to be, but serious enough to flip a line read that deepens his character. God, he’s so fucking talented, Dieter thinks as the table laughs at one of his character’s jokes.

The other members of Dieter’s band in the movie are made up of a few guys, two girls. They have a natural chemistry that makes it seem like they’ve been friends for years. Dieter makes a note to try and get to know them better as people off the set to hopefully find his own rhythm with them. A few smile at him as he’s doing his own line reading and he feels good about it.

Everything is fine and easy, until there are a few scenes specifically between him and you.

You’re putting too much emotion into it for just a table read and it’s making him uncomfortable. These things are just to get to know everyone, to see how the cast can play off each other, but you’re out here acting like there’s cameras ten feet back. Have you ever even been to a table read before? Shouldn’t you know this?

After you deliver a heartfelt monologue about feeling lonely in the world, he hears a few sniffles. The two girls of the band are red-eyed and Mark is stone-faced. Even Heidi looks affected.

What the fuck is going on? Is he the only one not swayed by your bullshit?

All of a sudden, you take his hand from across the table, your eyes pouring into his and he’s caught off guard.

“Tell me you understand,” you say, your voice wet with emotion. “Tell me you understand why you can’t ever leave me.”

He wets his lips and sits up straighter in his seat. He squeezes your hand, opening up the light in his eyes. Fine, two can play that fucking game.

“I’m no good for you, baby,” he croons. “There’s a million of me out there and only one of you.”

“But you’re the only one I want. The only one I need.”

Fuck, you’re good. But he’s better. He turns your hand over, exposing your wrist to the cool air and thumbs your pulse gently. He smiles wistfully at you.

“What we want can kill us. I love you, darling, but that’s not enough.”

The room is silent.

He glances down and read the next stage action:

They meet in a passionate kiss.

His eyebrows raise and he glances back at you, halfway expecting you to throw yourself at him from across the table.

But, no. Instead of looking at him with love in your eyes, you are fucking furious. Your mouth is pulled into a tight line and he can see you mentally picture strangling him.

“Alright—,” Heidi calls out, her voice gruff. “Alright, let’s move on. Page one-fifteen.”

The room fills with the fluttering of paper and a few people sniff, rubbing their eyes.

You yank back your wrist out of his grip but don’t move to turn the page. And neither does he.

Oh, you’re mad that I did the exact same thing you were doing, but better? Sorry, hot tits, you have no idea who you’re fucking with. Welcome to the real world.

You look like you want to sink your fangs into him. You’re kind of cute, with your nostrils flared, in that megalomaniac kind of way.

A woman to his right asks what page they’re starting on, and it forces him to break eye contact with you. He tells her and thumbs to the correct page himself, where Mark is having an argument with one of the guys in the band.

He glances up at you. Tension still lines your body but you aren’t looking at him anymore. In fact, you’re making a clear point not to. His chest soars.

He is definitely counting that as a win.

He opens the back door to the studio lot and breathes in the evening air. Day one, knocked down and dragged out back. He feels so fucking good.

After the reading, Mark came over and congratulated him again on getting the part. He makes sure Dieter has his number before saluting him and announcing he’s heading home for the night. The band is hanging out in the corner, but the talk dies down as he approaches. One of the guys looks positively horrified as he smiles and waves at them.

“You did a great job today,” he says to their half circle. He’s never seen anyone’s eyes so wide in their heads before. “Have you all worked together before?”

“We’re an actual band and you’re really Dieter Bravo,” one of the girls blurts out. Her friend, presumably, elbows her and she blinks as though slapped. “I mean, we play real music. We’ve been on the radio a few times . . . but you’ve probably never heard of us . . .” She trails off, glancing helplessly at her friends to make her shut up.

Her friend, a young woman with hair so red it had to have been fake, rolls her eyes. “We’re The Sixers. We started out here in LA and we’ve been on the strip a few times. Our agent said that it would be great publicity if we were in a movie.”

“Oh, shit,” Dieter mutters, as surprised as they are, “The Sixers – yeah, I have heard of you before. I’m fucking old as hell, but I still listen to the radio.”

“You’ll have to give us some acting pointers,” one of the other guys offers up, his hands in his jean pockets. He seems less obviously starstruck but trying to play it cool.

“Only if you help me to remember how to play the guitar,” Dieter grins.

“You know how to play?” The first girl gawks.

He winks at her. “When everyone else around me is too drunk to notice I’m terrible.”

They laugh, the girl’s face whiter than a sheet, and then the redhead introduces everyone. “That’s Nick, Cooper, and Samuel. Our resident ghost here is Marie, and I’m Roxie.”

He vaguely wonders which of those are stage names, but is absolutely sure that’s not Roxie’s real name. But she seems like the kind of person who’d like it that way.

“You all are in good hands with Heidi,” he nods to the director, who’s been chatting with Mark and the art director. “She’s a visionary and really knows her shit. You’re lucky you get to have her as your first director.”

“Have you worked with her before?” Cooper, one of the guys with legitimate beatnik hair, asks.

Dieter nods. “Several times, actually. She’s fantastic.”

“Have you worked with her before?” Roxie asks as you walk across the room to pick up your purse. Dieter can feel that burn in his chest again as you bend over. He shakes his head.

“Is she new to the scene? Is that why she can’t afford any pants?” Roxie mutters and both Cooper and Samuel chuckle. Marie glares at her.

“I heard she was a child actress in the early 2000s,” Marie continues as if trying to re-right the ship. “Was pretty successful, but then dropped off the face of the earth. Until now, I guess.”

“Maybe she went the Bella Thorne way of child actresses,” Nick murmurs, shamelessly watching your ass as you’ve turned to speak with Heidi for a moment.

Roxie snorts. “She’s not that slutty. No one is that slutty, not even to sleep with the likes of you, Nicholas.”

“Oh, yeah, you’d like that, wouldn’t you –”

Roxie slams a hand over his mouth. “I will junk-punch you so hard if you say what I think you’re going to say.”

They’re like siblings, Dieter muses. Five, very talented, outrageous siblings.

“It was great to meet all of you,” he says and Marie’s eyes flutter back to him. “But I gotta split. We should all go out some time. Meet up outside of work.”

“Oh, I think we’d looove that,” Cooper sing-songs, his eyes on Marie. She flushes bright red and pinches his shoulder, while Samuel laughs. “Ow!”

Despite himself, this could actually be a fun shoot. He waves but none of them really see it, devolving into a squabble that makes him grin.

You’re gone, he notices, but Heidi is sitting alone at the table, going over her notes. The art director has left too.

He slides into the seat next to her and she lifts her head, smiling.

“Hey, Dee, you fucking crushed it today. Everyone’s been coming up to me to say how impressed they are with you.”

He huffs and rolls his eyes, leaning back in the chair. “Yeah, and did they follow it with, ‘especially after how much of a fuck up we thought he’d be’?”

Heidi playfully frowns at him. “C’mon, man, give yourself some credit. You earned the right to be here. I didn’t have to approve your audition.”

His throat tightens. No, she really didn’t. He shakes his head.

“You’re right. As always.”

Heidi grins, pleased, and drops her head back to her notes, marking things in a red pen.

“So what did you think of your co-star?”

Be nice, Dieter. “She’s . . . fine.”

Heidi smirks, but doesn’t look up. “Wow, I don’t think you’ve ever used less words to describe someone, much less a woman.”

He doesn’t like the way she says woman, as if there’s this cosmic reckoning that’s started and he just doesn’t know it yet. Sam and Diane, Bones and Booth – a destined sort of thing.

He rolls his jaw.

“She just acts . . . uppity, is all. Like she’s better than everyone else.”

Heidi snorts. “Okay, tell me how you really feel.”

“I don’t like her.”

At that, Heidi pauses and looks up, genuine concern on her face.

“Really? You don’t like her? She came recommended by the studio and she’s a bit much, but I didn’t think you’d actually dislike her.”

He back-pedals as fast as he can. This day is so close to being perfect.

“I mean, I don’t not like her . . . I just . . . I don’t know her.” If he is being honest, the best time to tell her exactly what’s been on his mind all day is probably right now. “And, fuck, Di, isn’t she a bit . . . I don’t know . . .” He swears he can hear the old Dieter laughing at him. “. . . young?”

Heidi grimaces, taking his concern seriously and he loves her even more for that.

“It was a studio note. Execs say it makes the central conflict feel more . . .”

“Predatory?” His eyebrow lifts, disdain evident in his drawl. She frowns at him.

“Transcendent.”

There is nothing about that girl that is transcendent, he thinks bitterly.

He sighs and leans closer. Heidi notices his change in body language and leans forward too.

“I just cannot fuck this up, Di. I have to come out on top with this. It’s really important.”

That pity flashes across her face again and his stomach curdles. But she soothes a hand over his, her eyes serious.

“Dee, I know. I really do. I’m not going to let anything bad happen here. She starts acting up, she’s out. We don’t need her that badly.”

He couldn’t be sure if she actually had the power to kick a co-star off the set, but he wanted to believe she did. More importantly, she wanted him to believe she did.

“Thanks, Di,” he sighs. “I don’t know what I would do without you.”

She chuckles and pulls her hand back.

“Go home to your wife at a normal hour.” She pauses, making a face as if she tasted something sour. “Your wife – God, I will never get used to that.”

“Hey, I got used to it, after my best friend left me for some brunette out in Bali,” he teases as he stands up.

Heidi scoffs. “That wedding was sick as fuck and you know it.”

“You know, I never did bill Lucy for the piercing I got there. Sober Dieter would never have made the decision to look like a Keith Richards knock-off.”

“Oh shut the fuck up and go home. To your wife.”

He’s laughing as he waves her good night.

He opens the back door to the studio lot and breathes in the evening air. Day one, knocked down and dragged out back. He feels so fucking good.

He’s thumbing through his keys when he smells smoke. Acidic smoke. Like those disgusting American Spirits he used to choke down.

You’re leaning by the trunk of your car, one heel kicked over the other, smoking a white cigarette through your fingers. Which would be fine with him, except your car is parked tightly in the space next to his and you’re blocking the way to the driver’s seat. He’d rather crawl through the trunk than have to bend around you.

You’re biting on your thumbnail, contemplative, and staring directly at him with unabashed contempt.

“Your reading was stilted,” you announce and then take a long drag.

“Excuse me?”

“Your reading today,” you say slowly as though talking to a stupid child, “it was stilted.”

He pops his jaw.

“That’s because it was a fucking . . .” He remembers to breathe. “That’s because . . . it was a table read. Have you ever been to one?”

“Yes.” You tap the ash off your cigarette on the heel of your boot, drawing his gaze to the flush of your thigh but he’s not going to fall for it. “It can be a great opportunity for actors to find their chemistry. To find their rhythm.”

“I know that.”

“Then where was yours? Huh?” You lift your eyebrows. Did you ever not want to play Dare?

“What are you talking about? I had a fine time with the band. We’re actually going to hang out outside–,”

“I mean with me.”

That burning sensation returns to his chest. You look at him as if you could sear a hole right through him. Your cigarette is left smoking, forgotten, between your fingers at your hip.

“The only time you ever gave me anything was after I touched you and even then, your performance was so saccharine, it made my teeth ache. I’m out here to prove I belong here, on this big budget film, and you’re stonewalling me. What do you have against me? What did I ever do to you?

He runs his tongue against the back of his teeth, guilt smothering the fight you aroused in him. He drops your gaze and puts his hands on his hips. He’s too old to be scolded like this.

“Nothing, alright? You didn’t do anything,” he says quietly. “It’s not you–,”

“Of course it fucking isn’t but thank you for saying so,” you snap.

You take one more drag before flicking the white butt onto the pavement of the gathering darkness.

“This is going to be a long shoot if you can’t get your head out of your ass.” You step forward and he instinctively takes a step back, but you come close anyway and shove a finger in his chest. “I don’t know what your deal is and I don’t care. We’re going to get through this even if I have to grab you by your hair and pull you to the finish line. Got it?”

Your eyes are shining, fierce, powerful. Your mouth could crush rocks.

He nods.

Maybe it’s the trick of the failing light, but he thinks your pupils are a little too unnaturally wide.

“Great. See you Monday.”

You turn away from him, stalking back to your car and hurling your purse into the side seat. The car, a Chevy that’s possibly older than he is, roars to life, with just as much vitality as you possess. He leaps back a second before the wheels squeal as the car lurches backwards and darts off into the dark.

He stands, watching the car pull away onto the road, until it’s gone. He can still hear the engine screaming in the distance.

He thumbs his keys again, shaking his head. For the first time in months, he would literally kill someone for a cigarette.

#dieter bravo #dieter bravo x f!reader #dieter bravo x reader #dieter bravo x you #dieter bravo fanfiction #pedro pascal characters #pedro pascal character fanfic #the bubble #the bubble fanfic #the bubble fic #the bubble fanfiction #the bubble 2016

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pencilxpaper · 2 years ago

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Vampire Media: TV Series

A review of various vampire focused series. More under the cut

Buffy The Vampire Slayer

I loved this series. It was on TV during a formative time in my life, and maybe it's why I like vampires. I don't know. If you hate Joss Weadon, that's completely understandable. There were hundreds of people involved in the making of this show, and they were good people, and they put their heart and soul into it, so I think it's worth watching despite Joss. There are some stellar episodes that might be worth watching the whole series for. Buffy is a great character. Spike (vampire villain turned good guy) is probably my favorite character of all time. I like the show's vampires. The episode where Dracula shows up is gold. This series did a mix of funny, terrifying, and serious, so prepare for your emotions to be played with. It's also a really satisfying watch.

I never watched the companion series Angel because I couldn't stand Angel as a character, so I can't comment on it for myself. I have friends who absolutely loved it.

True Blood

Based on the Sookie Stackhouse Series of books. The first season is pure atmospheric vampire gold. The vampires are sexy and scary, and the main character is naive, and Bon Temps still lives in my brain as a place. I love the idea that vampire blood is somehow a drug that gets people high. Later seasons get progressively less good. Part of it is, I think they didn't know what to do with the book storyline. Still worth it for the first few seasons.

Vampire Knight (Anime)

Ah... So I loved this. Typical anime where it's a high school, and you have vampires attending as well as normal kids. You get a love triangle. In the end, there is a twist, and there's an incest subplot that just... got weird. Overall, a great watch except for the incest thing at the end.

First Kill (one season)

Netflix canceled the second season, but in my opinion, it's still a different take on vampires. It is eye candy, and as long as you know that going in and you don't expect too much else from it, it's fun.

Castlevania

Show based on the video game. It's a video game I never played, so I feel like a few things I wasn't prepared for. This show is dark. Prepare for gore, and innocent people dying, and some truly terrible people. Body horror like you wouldn't believe. That said, I kind of love Alucard. Some amazing animation.

Hellsing and Hellsing Ultimate (anime)

I love both of these series for different reasons. Both are based on the manga. I love Alucard in this. He's a very interesting vampire. I am nuts for the police girl that he turns, especially in the original Hellsing, which focuses a little more on her. Basically, Van Hellsing created an organization to fight vampires, but it turns out they actually have a vampire working for them who might be someone important. There's a will-they-won't-they thing going on with Alucard and the head of the organization that is really engaging. Alucard keeps going up against bigger and bigger foes, and each time he unlocks a new level of power, and I'm a nut for it every time.

What we do in the Shadows

Last but not least. This show is peak vampire humor. It makes fun of EVERYTHING. There are digs at Anne Rice. There are digs at literally all other vampire media. There's a scene where they get actors from various movies to come in and play their vampire selves, and it is really funny. The characters are perfect, and the storyline is funny. I laughed out loud at least once an episode and often more. There's a movie that happened before this that is also really funny.

@rinniiart I forgot, in the movies, to include Only Lovers Left Alive. If you haven't seen that one, I think you might really like it. I thought of it because What We Do in the Shadows had a joke with Tilda Swinton and it was from that movie, so you kind of have to watch Only Lovers Left Alive to get why she's there. Basically, Tom Hiddleston and Tilda Swinton are vampires facing obsolescence. Beautiful movie. Interesting concept. I also realized I forgot to talk about Blade and Blade 2, both excellent vampire movies. Maybe in a later post I'll talk about them.

Let me know if you've seen any of these and if you did what you thought of them. Thanks for the opportunity to info dump about a special interest of mine.

#vampires

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flyinglotus777 · 3 years ago

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Netflix’s Squid Game

SPOILER ALERT! If you are interested in watching the series, I HIGHLY suggest you do so. This article will be an overall synopsis and my review of the show. For an in-depth analysis of the symbolism of the show and ending, scroll down to the fourth to last paragraph.

The Netflix show, “Squid Game,” written and directed by Hwang Dong-hyuk is a phenomenal Korean drama centered around our victor, Seong Gi-hun, played by Lee Jung-jae. Contestants were recruited to play in a life or death competition due to their lack of luck, financial knowledge, and influx of impending debt they have accumulated throughout their lives. We first meet Gi-hun as he is down on his luck. Living with his elderly, overworked mother (which in countries outside of the United States is not strange nor uncommon) Gi-hun was a friend to gambling, but that toxic love caused him to be in debt to a gang of (what seemed to be) loan sharks. When luck finally strikes him on the race track, life simultaneously decides to take an excrement on his reality. His debt seekers catch him on his hot streak and involuntarily sign him up to be a participant in the Squid Game.

Similar to many other of the 456 participants, they all shared a common denominator of being in situations it seemed only money could fix. Upon arrival the contestants were asked to voluntarily sign wavers in order to participate in the game, while unknowingly risking their lives, for the opportunity to win 456 billion won (which would be roughly over $3.5 million in US currency). The challenges were mostly based on nostalgic childhood games, both based in the United States and South Korea.

Now I knew due to the explanation in the introduction of episode one that if any player were to lose, they would die. So during the first challenge of red light green light, when players were bulletly penalized for losing I was not surprised. After the game, the players decided to rally together and quit playing. The influence of the cash prize split the decision down the middle, leaving the old man, player 1, to be the final decision. To my surprise he actually chose to decline, freeing all of the players. During the voting, many players screamed at each other as to why they would choose to stay in the hell hole as other players responded that the outside world was not any better if not the same as the harsh environment they were already in. This reality struck many contestants as they returned back to their reality of debt, dependents, and for some bounty hunts, thus resulting in them returning to the game.

During the whole season, I was trying to find the purpose of these games. We knew why the participants felt motivated to play, but I wondered what was the purpose of having them fight for their lives in the first place. When the PlayStation faced soldiers forced the doctor (player 111) to dissect the bodies for organs to sell at the black market, at first I thought that it was what the original game maker wanted which I thought was genius. Soon to learn that it was actually a violation to a code of equality that was placed inside the arena applying to all of those who existed, soldiers and participants alike. Which struck me as odd due to the soldiers being able to tote guns and wear masks based on their own hierarchy and the participants being collectively isolated and given numbers as if it was a remake of the Stanford Prison experiment. Nonetheless many soldiers faced the same fate as the players, and my pondering would meet the solution come the finale.

Let’s discuss players. I only favored Gi-hun because he was the protagonist, but throughout the story he grew on me as his big heart prevailed through the madness. I knew Choo Sang-woo, the embezzling business man and hometown friend of Gi-hun played by Park Hae-soo, was a psychopath when I saw him in a fully filled bathtub with his suit on. Running from the police, in debt or not, that’s just as much of a red flag for serial killer tendencies as sleeping with socks on or having too thin and highly arched eyebrows. The episode that he crossed Ali, the father of one from Pakistan with the missing fingers, made me hate Sang-woo for the rest of the series. I was infuriated and frustrated with Ali for being that naïve to believe that they could escape the round as a duo, but understood his perspective since up until that point Sang-woo was a dependable, trusted ally to Ali. However after that episode I didn’t care who won, I was just ready for Sang-woo to die.

Kang Sae-byeok, the skeptical and beautiful warrior from North Korea played by Jung Ho-yeon, deserves her own paragraph. Along with her beauty, her presence and demeanor was so bad ass. She was thrifty and intelligent, as her talent being pick pocketing. I was waiting for her to just be so bad ass. As the punk disguised to be gangster, Jang Deok-su, pushed her around which seemed to be normal behavior between the two, I was ready for Sae-byeok to twist his arm, send a plunging round house kick to his nuts, and cut his snake tattoo right off of his face. Although her exterior was tough, her heart was made of malleable gold which we got to see as she opened up to her female companion during the marble challenge and sobbed from her loss afterwards. Although she was not the killer bad ass queen I had wanted her to be, I still call her a warrior because of her resiliency throughout life’s and the game’s many obstacles and her drive to provide her younger brother with a better life.

Thankfully Deok-su got what he deserved as Han Mi-nyeo poetically decided to take both of their lives during the glass challenge. “You said we would be together till the end,” she said before diving into her inevitable death with her short lived lover. Mi-nyeo was incredibly annoying as I would often pinch the inside corners of my eyes and scratch my eyebrows when she would appear. However that crazy bitch served justice, and I love her for that.

I was highly disappointed by the demise of the detective Hwang Jun-ho, played by the handsome Wi Ha-joon. I was rooting for detective Jun-ho, as I’m sure we all were, on his pursuit to find his brother. I was not surprised that his brother was Front Man, as I had suspected that his brother must’ve died or been apart of the game making due to his absence in real life and the current game. After discovering his brother was the victor of his year, to me it only made sense that he would be apart of the game enforcement. As we saw from Gi-hun, a normal life is impossible to live after experiencing something so traumatic as a series of death ridden children games. However I was saddened and surprised that detective Jun-ho was unsuccessful in closing down the whole operation. I mean the man was close to performing forced, aristocratic fellatio in the name of serving and protecting the law. I truly thought because he had gotten so far and was so close to exposing the operation that the only choice he had was to be successful. At last he was shot and killed by his own blood, the one he had been looking for; providing us with a cinematic and heart jerking ending to detective Jun-ho.

Lastly lets discuss the old man, player 001 named O Yeong-su, whom I also nicknamed Poppy during the series. Deceivingly innocent and weak, I genuinely liked Yeong-su throughout the game play. I thoroughly enjoyed his relationship with Gi-hun and saw him as a valuable player in most instances. I believe he was one of the main reasons that Gi-hun continued to lead with his heart. Gi-hun claimed that Yeong-su was the reason he returned to the games and later found out that Yeong-su was the reason there were games in the first place. The climatic episode of the marble challenge was when their relationship had been defined as “gganbu” (which is a term for trusted, close friends in Korean, as explained in the series), thus Yeong-su establishing a special place in Gi-hun’s heart. During the challenge, Yeong-su begins to have an episode of what we all assumed to be dementia as the arena they are playing in is designed like his old neighborhood and he abandons the game to take a trip down memory lane. Gi-hun screams in frustration at the old man to play with him only to end up losing in their even and odd game and resulting in deceit, tricking the old man to let him be the victor. Now if I was Gi-hun, I would’ve convinced Yeong-su to let me hold his marbles for safe keeping and let him have a fun time reminiscing on his life while he ran down the clock. Then when it was time, I would’ve turned in all 20 marbles just as Sang-woo did and went about my business. It would’ve only been right for the old man to forfeit as he was already on his death bed, or so we innocently thought. Before I get into the ending, I want to talk about the last match between Sang-woo and Gi-hun.

Finally, the last game to see who would be victorious in a highly anticipated game of Squid between Gi-hun and Sang-woo. It seemed as if it were a battle between good vs evil; Gi-hun representing a more benevolent side as he would often optimistically look to help other competitors and extend the kindness he had been shown versus Sang-woo who represented a more vindictive and ruthless side, determined to hurt anyone in order to receive his highly coveted and long awaited prize in an arena that erased any foundation of morals or ethics as soon as the light turned red. Luck was on Gi-hun’s side as he had the opportunity to play offense. With a cunning mind and a vengeance for Sae-byeok’s death, Gi-hun delivered a can of whoop ass to his opponent. As the saying goes, the good shall always prevail. Perhaps his heart was too pure as Gi-hun halted from crossing the finish line and offered Sang-woo a chance to live, thus forfeiting the prize money. Needless to say, I applauded when Sang-woo committed suicide as it was the only right thing to do in his position.

A year passed by and Gi-hun seemed worse than before. Physically his style was bummy wealthy, a look pioneered by Bill Gates, but mentally he was in shambles. How could you blame him? Gi-hun discovered that the responsible party for these horrendous events was none other than his ggangbu, old man Yeong-su. The biggest, jaw dropping plot twist of the entire series. As they were joined on Christmas Eve and Yeong-su on his death bed, they placed one final bet on an assumed to be drunken, homeless man who sat on the streets as it snowed and waited for help to arrive. Yeong-su explained how he actually wanted to help people and give his money to people who needed it, but wanted to do it in an “entertaining way.” As Gi-hun flared with outrage towards the old man for finding amusement in killing people, the old man rebutted using horse races as an example of people’s amusement. Yeong-su also said he participated in the games because it was more fun to play than to be a spectator, which I had noticed him treating the competition as if it were adult summer camp. I had just assumed since he was old, he didn’t care if he had died or not.

I think most people will think that this show was a metaphor about how money and rich people are evil. However I think it can be seen as commentary on society as a whole, not just the wealthy. Yeong-su says on his death bed that it’s a test of humanity, and asks Gi-hun if he still has faith in humanity after what he has experienced. Although money was the luring motivator to win the game, people still chose to return to the competition to escape their problems. Sure, money was apart of their problems as all of the players (excluding Yeong-su) were in debt, but that was due to choices that they had made. Whether it had been through embezzling, gambling, lack of luck, or financial ignorance, it was the people who had gotten themselves into those situations. Money doesn’t have a personal vendetta against anyone nor does it have an inherent quality of good or evil. Money is a neutral energy used to be exchanged for goods and services. It’s people who designate that energy to their humane or inhumane desires.

Leading to the next point of the wealthy and how they are seen to be evil due to having wealth. Although I do believe that there are some wealthy people who act as villains, money didn’t create the villain inside of them. Those people were going to behave maliciously whether they have money or not. The VIPs, who were spectating the finale of challenges, were tied to a bank devoted to the wealthy and gambled on the competitors who played (and most likely helped subsidize the events). We place judgement on them, but as Yeong-su said, people gamble on horse races. Although people are not animals and by my knowledge I don’t believe most or any horses die during these races, it is still the principle of watching an entity being tortured for amusement, which is not only confined to the wealthy population. When the concept of killing and tormenting living breathing beings for amusement is normalized within society, the lines begin to blur on who is okay to perform and who is not. Take the audience of this show for example, we all watched a show where hundreds of people were mercilessly killed for the desire of winning a cash prize for our own amusement, thus making “Squid Game” the number one show on Netflix at the moment. Although the show is fictional and brilliantly written, this Hunger Games concept is not new. We come in contact again and again with the idea of people who are disadvantaged given an opportunity to better their lives through inhumane means, including risking their own lives or actively sacrificing the life of another, and being spectators on the edge of our seats who can’t seem to look away. It is no different than a Roman gladiator match in a grand colosseum, which in modern day would be a MMA fight at the MGM hotel. We blame it on the rich who are ridiculed for creating these events, but at the end of the day it is the people, rich,poor, and everyone in between, who continue to still go along with it and to some extent desire it. Which makes me question, what does that say about humanity, and do I actually have faith in us? Although Gi-hun went through hell and back, he still remained pure of heart and used his wealth to enhance his life and those around him; proving that wealthy people can still be benevolent and desire righteous good. Similar to Gi-hun, the optimist in me wants to believe that there are still people in this world with good hearts, but I guess we just have to wait until the time comes to see.

Ultimately the show was phenomenal, and definitely sparked a desire inside of me to watch more Korean dramas. I don’t think the show will have a second season. Simply because I think the story line would be better cut off there, thus leaving the audience always wanting more. However if season 2 ever comes out, I’m ready for Gi-hun to take a Liam Neeson approach to ending the Squid Game and hopefully with a beard. Thank you for reading my article. I know it was incredibly lengthy. I have just finished the season after a 2 day binge watch, and have a lot of emotions and thoughts ruminating in my brain. Let me know what you think of the show and what you think of the article. Did anyone else notice the paintings of the games on the walls of the dormitory?

God bless.

#squid game #netflix #review #korean drama #kdrama #series review #web series

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marzipanandminutiae · 4 years ago

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can you tell me what crimson peak is? (book, movie, tv show) and reccomend how-or if- i should consume it.

Crimson Peak is a gothic romance movie released in 2015. It was directed by Guillermo Del Toro, and the basic plot is that, in 1901, a young American woman with a propensity for seeing ghosts marries a mysterious British aristocrat and moves to his crumbling ancestral manse in The Middle of Nowhere, England. She begins to suspect that all is not as it seems with her new husband and his devoted but mercurial sister, sees more ghosts, and struggles to unravel the house’s secrets before it’s too late.

As you can probably tell, I ADORE this movie. Falling in Fandom with it is slightly more recent, but it’s been one of my favorites ever since I saw it in theatres. It was a box office flop and got mostly lukewarm reviews, due largely to the fact that Universal marketed it as a horror movie. So when horror fans got to the theatre and found a few jumpscares sprinkled in with a whole lot of Let’s Examine Some Interpersonal Relationships...there was disappointment.

(“It’s not scary!” Yeah, it’s not supposed to be scary. Or at least, that’s not the primary goal. The studio really shot this poor movie in the foot.)

Though the plot was hit or miss for most people, everybody praised the visuals. Which are absolutely breathtaking. This movie is my gold standard for artistic period costumes, and the house (which they BUILT IN ITS ENTIRETY, WITH EVERY ASPECT FUNCTIONAL, ON A SOUNDSTAGE) is basically my dream home. I like the whole package, story and all, but everyone agrees that it’s a gorgeous movie.

That being said, we have some content warnings to go over. Namely: violence, gore, blood and blood imagery, descriptions of domestic abuse, emotional manipulation, gaslighting, and sibling incest. Sorry for the spoiler, but I know that’s a big trigger for some people. Also a dog gets killed, but the act itself is hidden behind a character’s huge billowy skirt, so you just hear brief anguished yelping.

I heartily recommend it if my description sounds appealing to you and none of the content is an issue. It’s on Netflix, if that helps. Hope that clears things up!

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themosleyreview · 4 years ago

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The Mosley Review: Army of the Dead

What happened to the zombie film genre? Why are zombie films so far and inbetween? I remember a time when zombie films used to be plentiful. They had the same plot of survival, but they would also go into different pockets of film genres and it was so much fun. I guess Hollywood decided to move on as the genre became too plentiful and The Walking Dead tv series took over. The 2004 version of Dawn of the Dead is and will always be one of my favorite zombie films because of its introduction of running zombies. The tension was insane, the gore was brutal and I loved the innovation of showing a new rule of if you're bitten and you're pregnant, then expect a zombie baby. The film introduced the world to Zack Snyder and I've been waiting for him to return to the genre and this was a fantastically gory return. Right from the beginning of the film, the film takes you through an epic, bloody, tragic, explosive and unique story driven montage that sets up the tone and style. I love that the film didn’t shy away from making the story almost reflect our current world and it was almost scary how close the parallels were. This film also takes the zombie genre to next level by making not just monsters, but smarter and more human like. The great George A. Romero touched on it in Land of the Dead and I think he would approve of how Zack has evolved the concept.

Dave Bautista was excellent as Scott Ward. He gets another chance to blend his action prowess with his more dramatic acting abilities which have drastically improved. There are moments in the film where he broke my heart. Ella Purnell was great as his estranged daughter Kate and I loved the dynamic between them. You can feel the tension and the love they have and you hope for them to reconnect amongst the madness. Ana de la Reguera was good as Scott's friend Maria Cruz and I liked the chemistry between them. Theo Rossi is always great and he was good as the douche bag security guard Burt. Hiroyuki Sanada was fun as Bly Tanaka and he brought a bit of class to the film. Garret Dillahunt was perfectly slimy and untrustworthy as Tanaka's right hand man Martin. Nora Arnezeder was cool as Lily and she delivers the new lore and rules of the zombies that have taken over Las Vegas. Tig Notaro was fun as Marianne. She had a number of good quips in the film, but I didn't find her as hilarious as she could've been. Raúl Castillo and Samantha Win were great as Mikey Guzman and his friend Chambers. Mikey was all about the YouTube fame, but Chambers was secretly the most badass at killing zombies in one best action scenes I've seen all year. Richard Cetrone was awesome as the ruler of all the zombies Zeus. He exudes so much power in every movement he makes and he gives an emotional depth to an otherwise simple villain in the wrong hands. Athena Perample was equally fun and strong as his Queen. Now the ones that nearly stole the film for me were Omari Hardwick as Vanderohe and Matthias Schweighöfer as Ludwig Dieter. Once both of them arrive on screen and are paired together, it is comedy gold. They immediately play off the classic trope of the muscle and the brains working together. The weird, hilarious and nerdy bond the two of them have is just too much for this film to handle.

The score by Tom Holkenborg was excellent and most epic towards the last 30 minutes of the film. Like I said before, the opening montage was beyond fantastic and Richard Cheese's cover of Viva Las Vegas was a showstopper. The action in the film was excellent and features one of the best and most satisfyingly gory kills by a tiger I've ever seen. Writer and Director Zack Snyder has made a fantastic and fun zombie action heist film that will quench your thirst for blood and keep you entertained the whole time. This is definitely one of his best original films in years and I can’t recommend it enough. The Netflix original is now streaming. Let me know what you thought of the film or my review in the comments below. Thanks for reading!

#army of the dead #dave bautista #ella purnell #omari hardwick #ana de la reguera #theo rossi #matthias schweighöfer #nora arnezeder #hiroyuki sanada #garret dillahunt #raúl castillo #tig notaro #samantha win #richard cetrone #zack snyder #netflix #netflix original

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nadineeb · 4 years ago

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CRAZY RICH ASIANS - MOVIE REVIEW

Hi dears! It’s me again. After my tech review, I’m navigated to this 2016 movie - Crazy Rich Asians which came from the first book of its trilogy novel. This is always at the top of my list and my favourite movie. Hope you’ll enjoy this movie review as it feels like you’re watching it when you’re really just reading. All credits goes to the owner of the photos and GIFs. Thank you so much!! Enjoy it as much as I do.

- XOXO, Nads <3

New York City - Rachel Chu, a young, lovely, part-timer economic professor who dates for over a year now, a hunk, eye-turner, history professor, Nick Young, at New York University. Rachel already introduced Nick at their family dinners but since Nick's family are from Singapore, he hasn't presented Rachel formally to them.

Nick's closest female cousin, a double - heiress in her family, an icon in the fashion industry, had already chatted with Rachel. She's the only one that has known her cousin's girlfriend. Astrid was always busy with the Paris' fashion week, shopping spree every week, buying ancient jewelries that costs a fortune and building her own family with her only son and her husband who's also busy gaining investors in his technology business.

(Astrid down below)

Being that it's Araminta and Colin's wedding, Colin, who happens to be Nick's bestfriend and cousin since their diaper days. Colin wants him to come home for he is his bestman in his wedding. He wants to take this chance for Rachel to meet his gigantic family and have her experience his childhood in the country where he grew up. It's also a great opportunity for her to visit her college bestfriend, Peik Lin , who always asks her to come to Singapore where she lives.

Excitedly, Rachel asks his mom for help with what dress will she be wearing when she meets his boyfriend's Ah-ma (grandmother in Chinese) during the family dinner to welcome the guests of the wedding. She forcibly agrees when her mom tries to get her wear the red dress. Her mom says that red is a color of good luck in Chinese traditions and also a little bit more of a plus point from Nick's Ah-ma though she also got a pure Chinese blood but grew up in America which promotes an entirely different culture.

Amazed by their First Class seats and soft silk pair of pj's given by the airlines, Rachel couldn't contain her happiness while sipping on their glass of champagnes on their flight to Singapore. Astonished as she seemed, she nags Nick on why he can afford the First Class tickets to a country miles away from them while Nick uses her Netflix password. He admits that they are living "comfortably" which what exactly a member of a crazy rich family says.

As soon as they land in Singapore, Araminta and Colin, the soon-to-be wedded couple was there at the airport with balloons in their hands and joy in their auras. After introducing them to Rachel, they plan to eat Newton Food Centre, a place where they serve delicious street foods especially laksa curry and satay bowls from street food vendors which gained Michelin stars.

Right before the Nick's family welcome dinner, Rachel visits Peik Lin in her house which everything is brilliantly gold-plated and was inspired by the Hall of Mirrors in Versailles. While catching up over their food for lunch, Peik Lin's mom interrogates her about her coming to Singapore. When she said that it's for the wedding of his boyfriend's bestfriend Colin, Peik Lin's family were shocked, they said that it is the wedding of the year and even them having that rich, they aren't invited to the wedding. It seems like Rachel didn't do a research at his boyfriend's family!

Peik Lin also warned Rachel that the Youngs are kind of snobbish that would belittle a commoner. She would not let Rachel wear that little red dress to the dinner so she gathered all of her fancy clothes and choose the best for Rachel to wear.

The Youngs - migrated in the 1800's to the small island of Singapore from their main land, China with a vast amount of fortune. They started real-estates business until this family became most probably the landlords of Singapore.

Nick escorted Rachel and Peik Lin to his Ah-ma's house which is the largest, most beautiful house that Rachel didn't expect to see. A house that Nick and Astrid grew up in. A house that has lots of wings that you'll probably get lost once you enter the wrong one.

Finally, Nick introduces Rachel to all of his cousins. Nick's mom, Eleanor, is busy in the kitchen scrutinizing every detail of the food to serve to their guests. When the couple went down to the kitchen, Rachel thrillingly hugs Eleanor which made Eleanor uncomfortable around Rachel. That is why Rachel immediately concluded that Eleanor doesn't want her for his son.

In the middle of the garden, sits a fragrant Tan Hua flower which usually blooms fully once a year, a great opportunity for the guests to see this once in a year. While waiting for it to fully bloom, Nick introduced Rachel to his Ah-ma, surprisingly, she likes Rachel the moment they talked in Chinese. She said that Rachel should come back to the mansion when there are no more craining necks so that she can teach Rachel how to make their family's traditional dumpling recipe which was passed to generations.

The Bachelor and Bachelorette's Party where Nick and Rachel's love was tested. The Bachelor's party is located literally in the middle of the ocean, filled the cargo-like ship with sexy girls and men that is enjoying the scenery. As they are talking about anything under the sun and with the influence of alcohol, some men questions Nick on Rachel's details. Though the men want to know more about Rachel, Nick went hot-headed as the men start to sexualize his girlfriend. He decides to leave the ship that day with Colin, the bachelor, to an island with a small wooden floating house and a raft.

On the other hand, Rachel met Nick's ex-girlfriend, Amanda, in Araminta's Bachelorette party at a private island. She did not know that Amanda wants to be friends with her so that she and her mean friends can pull off their plans and that Rachel would want to leave. Their plans succeeded, while crying Rachel went to her villa to get her things and leave, she bumped into Astrid. They two found that Rachel's bed was covered in tuna's blood with a tuna head at her headboard.

That incident led to them to the seashore talking about why Amanda is like that. Astrid also opened up to Rachel how she found out that her husband is not really busy going to business trips but rather he is busy having an affair with a woman she doesn't know. It seems like the two found comfort in each other.

Dumpling day comes and also another day to test their relationship. While making dumplings, Rachel found out that Ah-ma doesn't want Eleanor for Nick's father way back then and she doesn't have the heirloom engangement ring of the Youngs since Ah-ma didn't approve of her. Ah-ma arrived at the dining table exactly after Rachel knew the backstory of Eleanor and Nick's father. Ah-ma was pleased after seeing Rachel again. She adoringly expressed her interest in Rachel's face features which made Eleanor jealous of Rachel.

On her way to the toilet, Rachel's lost in the mansion and was shocked that Eleanor found her. Eleanor talked to Rachel and frankly told her that she will never be enough for her son.

(Rachel and Eleanor Scene)

The wedding of the year came, famous business elites and the royalties attended. Rachel wore a pretty blue elegant dress paid respects to Eleanor and Nick's aunties though Eleanor doesn't want her to sit with her.

Princess Inta, who demanded a whole row of the front seats to herself so she would not be bothered by anyone, approached by Rachel who doesn't have seats, she talked about the princess' book about economics and that they have the same stand. They immediately been comfortable with each other. Escorted by Astrid, Ah-ma came and everyone was shocked at her presence. They said that Ah-ma never came to such events.

Not long after Ah-ma arrived, the grand wedding started which left everyone in awe on how beautiful the oriental, Gothic-themed was.

After the ceremony, the program continued at the Gardens by the Bay, a reception for the wedding. It was filled with laughters, everyone is having a great time dancing and enjoying the beat. In contrast with this, stands Rachel and Nick called by Ah-ma and Eleanor for the truth behind Rachel's identity. They said that they cannot let Rachel join their family for the fact that she lied to them about his father after they hired a peivate investigator. Little did they know that Rachel only found out then that her mom's husband, which all throughout her life she believed wa sher father, isnt really her biological father. Rachel walked out for she is deeply hurt by their actions. Ah-ma later then gave Nick an ultimatum. Once he leave, he can't come back. Who will he choose? His family or Rachel?

After a few days of crying, Rachel's mom found her in Peik-Lin's house and not eating. Her mom admitted that she left her husband because she was impregnated by Rachel's father and that her husband was not kind after all. She flew all the way to America to start a new life with her baby, Rachel.

Before leaving Singapore, Rachel wanted to talk to two people; Nick and Eleanor. She ended her relationship with Nick and declined Nick's offer to marry her and start a new life in New York as he will cut his ties with his family.

Rachel meets Eleanor at a Mahjong Parlour where they had a mahjong game along with two deaf players. She told Eleanor everything that had happened before she met with her and that she knew that Nick loves his family so much that even though Nick decided to leave his family for her, she couldn't stand to see Nick away from them. He is the only son that would inherit their wealth. She decides to let him go.

Also broken-hearted with her cousin Nick, Astrid decides to leave his husband for she cannot be blinded by her husband's affair. She decides to take their son with her.

Rachel and her mom are boarding the aircraft when Nick chased her to fly to New York with her. She don't want to listen to Nick at first but when she realized what Nick's doing, she decided to clisten to him and is completely speechless when Nick get down on one knee. Her face brightened when she saw the small box with the emerald stone ring embedded in diamonds that Eleanor wore on their engagement with Nick's father is vividly shining right infront of her eyes. She said Yes!

Them three left the aircraft to celebrate their engagement with their friends at the top of Singapore's most popular hotel - Marina Bay Sands. Ended as Eleanor genuinely smiles at Rachel as Rachel shows her engagement ring.

This movie taught me that you can’t choose who you’ll love. If you're looking for someone with the same wealth level as yours or even the same race as yours, you may never find your true love. Given the circumstances of Rachel and Nick, they don’t want their wealth status to be a hindrance in their relationship.

Though family always comes first, if it's a matter of going through what your family wants for you or going through what you want for your future family, always choose the latter. I only get one chance to live and I don’t want any regrets, so for as long as possible, if my decisions don't violate a person's right, i’ll do everything and whatever it takes.

This part below, where Rachel met Eleanor at the Mahjong Place where they talked about why Eleanor didn’t want Rachel for Nick the second she arrived in Singapore. Eleanor said that there is a Hokkien phrase “Ka ki lang” which means “Our own kind of people.” This is why the Chinese people tend to want to marry the same ethnicity as them because they want to preserve their traditions and would want to keep it going for as long as possible, which Rachel is not. Not because she is not wealthy, but because she is a foreigner, an American, although the Chinese blood runs through her, she grew up in America and Eleanor doesn’t want that.

One of the Chinese’s cultures is that they are taught to build things that last and not to feed in what they want, but in what they need. I understand Eleanor in this part because as an Asian, we are taught by these things - to prioritize our needs and build connections that will benefit us in the future. But for me, we should give respect to other cultures and not close our circle entirely. We all have different perspectives regardless of our race, that is why we should not judge one’s personality based on their race.

Rachel said that Nick proposed to him the day before and she turned him down, though Nick stated that he will stay away from his family for good. She said that if Nick would choose Rachel, he would lose his family, and if Nick would choose his family, he might spend the rest of his life resenting Eleanor.

Eleanor shows her Mahjong tiles which she thought she won, but Rachel looks at her, sighs, and says,

“ I’m not leaving because I’m scared, or because I think I’m not enough, because maybe for the first time in my life, I know I am. I just love Nick so much. I don’t want him to lose his mom again, so I just wanted you to know that one day, when he marries another lucky girl, who is enough for you, and you’re playing with your grandkids, while the Tan Hua’s are blooming, and the birds are chirping, that is was because of me. A poor, low-class immigrant nobody.”

Then she showed her Mahjong tiles and she won to Eleanor. She left the table and fetched her mother with a smile at the other table to leave the place. What a queen! Powerful. That is the best scene ever. The feels, the script, the emotions, they are just so perfect.

Astrid, my favorite character, not just she is stunningly beautiful but among all the cousins, she has the purest heart. She doesn’t want the people around her to feel that they are left out when they are with her. She wanted everything to be perfect when it comes to her family. Though her shopping spree every time she’s going to Paris fashion week is a bit overwhelming to commoners, she deserves all of it.

Astrid and I have similarities in our personalities. I’m also calm when there are problems that are coming my way. I can remain composed and I buy my time until I can find solutions to it. I remember the time when the man I loved cheated on me just like when Michael (Astrid’s husband) cheated on Astrid.

I can relate to her when she said that she’s wrong when she’s turning down jobs because Michael might feel lesser than her. I used to lower myself when I’m with him because I worry that he might feel that I’m the superior one between the two of us. But when he cheated, I realized that it shouldn’t be like that. It will be his fault for being insecure in me. Just like what Astrid said,

“It’s not my job to make you feel like a man. I can’t make you something you’re not.”

#crazy rich asians #astrid leong #rachel chu #nick young #movie review

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crowdvscritic · 3 years ago

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round up // AUGUST 21

Happy 2nd birthday to these Round Ups! For two years I’ve been making monthly pop culture picks, and they’ve included:

More than 200 movies

32 TV shows and specials, plus 8 different Saturday Night Live Round Ups

27 albums, singles, playlists, and more music picks

13 podcasts

12 books

2 concerts

There have also been articles, events, museums, social media bits, trailers, and a service that helps you find movies across streaming platforms. (Find all of them here.) This month I’m adding a few more, like:

2 podcasts

2 albums

5 vampire movies

A conversation between two GOATs

A very funny dead guy

A terrifying Robert Mitchum performance

Another Dumb Rom-Com I Nevertheless Enjoyed

Here’s to another year!

August Crowd-Pleasers

1. Jungle Cruise (2021)

Indiana Jones meets Pirates of the Caribbean with a dash of The African Queen. I like all those movies, so sue me, I had a nice time! Crowd: 8.5/10 // Critic: 7/10

2. Deep Blue Sea (1999)

Genetically-enhanced sharks try to break free of their cages in an ocean research facility, chaos ensues for the characters, and it’s a delight for us. For no intelligent reason, I love movies that make me guess who’s going to get killed off next, so a big dumb shark movie starring L.L. Cool J and Samuel L. Jackson? It’s a particular brand of joy. Crowd: 8/10 // Critic: 5.5/10

3. Double Feature — Adam Sandler Comedies: 50 First Dates (2004) + Murder Mystery (2019)

Adam Sandler movies are little like IcyHot for the brain—that is, they’re the relaxing kind of mind-numbing. Thanks to a stressful month at work, I watched six Sandler flicks in August—which I don’t necessarily recommend but also don’t regret—and the Netflix original Murder Mystery (Crowd: 8.5/10 // Critic: 7/10) was one of the the best of the bunch. It’s a silly spoof of Agatha Christie’s work, and it’s a scenic two-hour European vacay. I also gave 50 First Dates (Crowd: 8.5/10 // Critic: 7/10) another try and was pleasantly surprised. Once you get past some of the gross-out humor at the beginning, you’ll find a sweet story all about how we need to keep showing up for the people we love.

4. Double Feature — SNL Comedies: Wayne’s World (1992) + Hot Rod (2007)

My love for Saturday Night Live is more than well-documented, so exactly zero mes were surprised that I loved these flicks from its alums. Wayne’s World (Crowd: 9/10 // Critic: 7/10) follows up with Wayne and Garth in the basement we first saw on late night. Now they have the opportunity to make it big on TV thanks to a sleazy exec (Rob Lowe). Brian Doyle-Murray and Chris Farley show up, and so do Laverne and Shirley? Hot Rod (Crowd: 8.5/10 // Critic: 6.5/10) follows Rod (Andy Samberg) as he tries to make it big as a stuntman and impress his stepdad (Ian McShane). Will Arnett, Bill Hader, and Chris Parnell show up, and now I can mostly forgive all those boys in high school who quoted this movie non-stop.

5. Weekend at Bernie’s (1989)

If those SNL comedies weren’t enough silliness for you, how about you add some Bernie to your lineup? Andrew McCarthy and Jonathan Silverman are wannabe-yuppies who think they’ve got their career breaks when an exec named Bernie invites them to his vacation home for the weekend. What they don’t know is that Bernie (Terry Kiser) has been laundering money, is connected to the mob, and, is now, um, dead. The right thing would be to call the police, but then we wouldn’t have a 97-minute high-concept comedy, now would we? Crowd: 9/10 // Critic: 7/10

6. Twilight series (2008-12)

I mostly skipped the Twilight phenomenon at its peak, but I’m so glad I hopped on the train years later—this series of vampire vs. werewolf showdowns are ridiculous. But major kudos to the filmmakers who somehow turned a dump truck of nonsensical gobbledygook and unhealthy teenage relationships into something insanely watchable. Also, major kudos to Billy Burke and his understated, curmudgeonly, sarcastic performance. Bella’s dad is the MVP with the only appropriate responses to all of the nonsense he's forced to participate in and the only tether this franchise has to reality. Be sure to watch with a friend so you have someone else to process this weirdness with. Series Crowd: 8/10 // Series Critic: 5/10

7. Seven Brides for Seven Brothers at The Muny

You know what’s great? Live theater! This month I made my first trip back to the stage at America’s oldest and largest outdoor amphitheater, the Muny in St. Louis. Their productions never disappoint, and these performers reminded me of Howard Keel, Jane Powell, and Russ Tamblyn in the best ways.

8. Wimbledon (2004)

Paul Bettany and Kirsten fall in love at Wimbledon! Frankly, that premise alone should be enough to sell you on this very winning rom-com. Crowd: 8.5/10 // Critic: 7.5/10

9. Career Opportunities (1991)

This month’s Dumb Rom-Com I Nevertheless Enjoyed! Frank Whaley and Jennifer Connelly fall in love while stuck overnight at a Target—which honestly sounds like a dream scenario—and since it’s a John Hughes script, it’s got some heart beneath its thin premise. John Hughes directing would’ve made it better, but there’s enough Hughes in there to catch my heart. Crowd: 7/10 // Critic: 4.5/10

10. First Blood (1982)

Aka Rambo: Part I. Sylvester Stallone is a tough-as-nails Vietnam vet, and Brian Dennehy is the self-righteous sheriff who ticks him off. It digs a bit into PTSD and how we don’t take care of our veterans, but mostly, it’s just Stallone going ape with a knife and explosives. Oddly, also from the same director as Weekend at Bernie’s! Crowd: 8.5/10 // Critic: 7/10

August Critic Picks

1. TCM’s The Plot Thickens Season 2 (2021)

You know those movies that make you ask, “How on Earth did this get made?” This season of The Plot Thickens, subtitled The Devil’s Candy, is an attempt to answer that question. Pretty much no one thinks 1990’s The Bonfire of the Vanities works as a film—including yours truly—and reporter Julie Salomon documented many of its production troubles leading to the final product. A must-listen for anyone who loves hearing behind-the-scenes stories or just gets a kick out of schadenfreude.

2. Gene and Roger (2021)

Gene and Roger, the summer series on The Big Picture podcast, is an overview and reflection on the work of Gene Siskel and Roger Ebert, starting with the launch of their individual careers in the ‘60s through their partnership that lasted into the ‘90s. Another must-listen for movie lovers, especially those who love digging into the history and criticism.

3. Gold-Diggers Sound by Leon Bridges (2021)

Chill vibes and cool groves to transition you from Summer to Autumn.

4. The Good, the Bad and the Ugly (1966)

Come for the Clint Eastwood, stay for the Ennio Morricone. Actually you can stay for Eastwood, too, because his humor is at his driest, and for Eli Wallach, whose Tuco is an insanely charming cockroach. It’s almost three hours, but this treasure hunt breezes by like a tumbleweed in the wind. Crowd: 8/10 // Critic: 9/10

5. AFI’s Master Class - The Art of Collaboration: Steven Spielberg and John Williams (2011)

Two GOATS talking about making some of the GOATs. They share clips and explain their collaborative process (including on projects like Jaws and Schindler’s List), and they take questions from film students at AFI. I’m only wishing it were 10 hours instead of 1!

6. The Night of the Hunter (1955)

Robert Mitchum’s terrifying preacher elevates this classic into more than just a standard crime thriller. Crowd: 8/10 // Critic: 8.5/10

7. Respect (2021)

While a few scenes indulge in melodrama, Jennifer Hudson’s killer performance—both in vocals and character work—more than makes up for it. This Aretha Franklin biopic hits the familiar beats, but it makes you feel like you’re in the room listening to Franklin sing , which is really all you want from a movie like this. Crowd: 8/10 // Critic: 8/10

8. Solar Power by Lorde (2021)

At first listen, this minimalist pop record sounds worlds away from the angst of Pure Heroine and the melodrama of Melodrama. At second listen, you realize it’s the Lorde you know and love, just with a Laurel Canyon influence. Carole King even gets a shout!

Also in August…

This month Kyla and I checked out Loveline, a call-in radio show popular during the run of Gilmore Girls. Should our favorite Yale students give up dating OR call into the syndicated radio show Loveline? Should Dr. Drew Pinsky and Adam Carolla give strangers advice OR make fun of them? Oh, and Germany OR Florida? Listen to ep. 107 of SO IT’S A SHOW?

The '40s are coming! Reviews of 1940s Best Picture winners are on their way, and I kicked it off with an overview of the Academy that decade focusing on how they responded to World War II and their new prestigious reputation.

Photo credits: The Muny, The Plot Thickens, Gene and Roger, Leon Bridges, AFI, Lorde. All others IMDb.com.

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psychic-refugee · 4 years ago

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My thoughts on Fate: Winx Saga

SPOILERS

I was never into the cartoon, it was only in my peripheral growing up. I did like fairies in general, particularly that they had magic and could fly. Other than that, Winx just didn’t have a pull for me. I wasn’t that into the animation style, and every character was just so weirdly tall and skinny for me.

So, in terms of nostalgia or any connection with the cartoon, it’s just not there for me. I don’t have those type of complaints.

I do think the criticisms of whitewashing are fair and hopefully the writers/directors/casting directors take note.

This review is written de novo, it’s watching it as a totally outside viewer and judging it on the series itself. I will be reviewing as if I had NO prior knowledge of the show (which I basically didn’t) and will review as if the whitewashing hadn’t happened. I'll also admit that I was in and out when actually paying attention because I got bored, so some questions might be things I missed.

I think there’s way too many references to the cartoon without any world building. They keep mentioning different realms and different types of people, there’s an entire monarchal system that it all just kind of is mentioned but not built upon. Sky’s apparently a prince but they totally glaze over that.

Some other things they mention are the Specialists. Are there “humans” in these different realms, is that what they call non-magical people who aren’t fairies? They just kind of drop Bloom into this world, and us with her, and I feel there’s no foundation. I’m just lost and clueless as to where she is and what is going on. They do some flashbacks, but they only serve to show how traumatized Bloom is and I guess make her more sympathetic.

So, there’s too many references to the show for new people…but it has none of the charm and nostalgia for fans of the cartoon series. It’s the worst of both worlds.

I don’t get why it was only six episodes. Most Netflix originals are at least 8 and usually 10 episodes. It feels like they didn’t have that much confidence in the series, or was it cut short because of Covid? I feel like they should have used those missing 2-4 episodes to world build. I would have preferred they actually show Bloom on Earth (1st realm?) pre-powers and show her meeting Dowling. Then Dowling does an in-depth explanation of Other Realm.

They basically need a Hermione to infodump.

Once again, to make the series “dark and edgy” they hire 25-30somethings to play teenagers. Bloom says she was born in 2004? If it’s 2020/21 then she’s 16/17…yeah no. Abigail Cowen is a beautiful woman, but she is not a teenager. Alfea is a school to teach fairies their magic, are they all supposed to be around that age? NO WAY they are. The girls who know they’re fairies, why are they just now going to school? It feels like they’ve known about and had their powers for a while, why is there no fairy highschool?

What’s the time period of the series? It feels like it takes place over a week, two at most. The relationships and pacing feels super rushed. Everyone is like protective and “we’re deeply close friends” even though we’re super bitchy to each other most of the time. Nothing was resolved.

Was it really just a 6-episode trailer for the actual season if it did well enough?

Why is Bloom so insanely gullible? She literally believes EVERYONE’S story they tell her even though she literally just met them.

I thought Aisha just blurting out, second day she’s known Bloom btw, Bloom’s a changeling was like super fucking harsh. Like this is beyond tactless. “Let me tell you this possibly traumatic and lifechanging news even though I literally don’t know you and I know nothing about your family or history.” And she told Bloom in the middle of the fucking mess hall, in a public place. This is just messy and lazy writing, they’re bum brushing through the season and plowing through important plot points.

Everything else feels like tired tropes on steroids. Beautiful rich girl is a megabitch with a sad rich girl story. Fat girl is shy and awkward with a heart of gold and a crush on a guy who doesn’t see her at all. They dress her in the most unflattering clothes they can find. Not that anyone has a particularly eye catching fashion sense (especially not in line with the cartoon), but fuck them for making Terra dowdy. Dane is I guess the outcast that gets pulled into what looks to be a fascist extremist group with Beatrix. Sure, why not.

Why is Dane all up in Beatrix’s snatch? “She makes me feel…” asshole, you’ve hung out with her once and aren’t even sleeping with her. He basically commits treason for two people who haven’t even shown romantic interest in him. Furthermore, Riven and Beatrix are bitchy to him, what does he get out of this friendship?

The Sky-Silva-Andreas plot makes NO sense. So, Andreas thinks Rosalind committed a war crime and wants to report her. Silva is like, no we’re soldiers and must follow orders, he is loyal to Rosalind/their military order to the point he actually “kills” Andreas to prevent him from reporting what they had just done. Sometime after that, Rosalind saves and convinces Andreas to her side…and convinces him to keep pretending to be dead and effectively abandons his son, in addition to his kingdom because he is king to another planet in the Other Realm.

We don’t actually know if Rosalind killed regular civilians or blood witches. The latter is the story she tells and it seems Dowling and Silva believe it right away…but why? We never actually see anyone alive in that town, we only see it from a distance when Rosalind lays waste to it, and its ruins when Beatrix and Bloom investigate. We sort of know that Bloom is special, but why save Beatrix? Is she also part of a secret royal line that gives her the electricity power?

What did Rosalind tell Andreas to convince him to her side? What was worth giving up his crown and his son for 18 odd years? If he’s raising Beatrix (I guess that makes Sky and Beatrix adoptive siblings), why not snatch Sky and raise him in secret as well?

And why Andreas? I figure the guy (Silva) who literally killed his friend in order to follow Rosalind’s orders would be the guy to pick. How does Andreas go from “I’m going to report this” to Rosalind’s crony?

If Andreas is presumed dead, doesn’t that make Sky king? He may need a regent until he turns 18, but I feel like that’s something that ought to have been expounded upon.

What exactly is the hierarchy here? The Specialist train at Alfea and appear to be quasi-military/paramilitary force…but who do they report to? Alfea is on Solara, which is ruled by Queen Luna. If Andreas is a king, why is he a Specialist for a foreign government?

How where they able to cover up Andreas’ death? He’s killed by a fellow Specialist in the middle of nowhere, how could Silva not know he hadn’t killed his friend in the time it took for help to arrive?

Overall, I think the story is insanely weak. It feels like they were counting on fans of the cartoon for all the hype…but then didn’t do anything for the fans to like.

#fate winx club #winx club #spoilers

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majingojira · 4 years ago

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Brief Review of Every Dinosaur/Prehistoric Documentary/Educational Short I’ve ever seen (1923-1996).

And thanks to a certain project, I’ve seen a LOT!

Evolution (1923) - This is the oldest of the bunch, a silent film. Mostly it uses modern animals to represent ancient forms, with a few statues and brief animated bits to fill things out. The only real highlight? Seeing where some of the “film real” segment from Gigantis the Fire Monster comes from!

Monsters from the Past (1923) - A short documentary with original stop motion (this was pre-The Lost World, so that’s to be expected). Triceratops, Tyrannosaurus, and Brontosaurus are the key creatures. Included as an extra on the second DVD release of The Lost World.

Prehistoric Animals (1938) - Reuses footage from The Lost World (1925) for its prehistoric segments. This will not be the last time it happens.

Prehistoric Times: The World Before Man (1952) - This thing is so quintessentially 1950s, it’s highly riff-able. It uses a mix of paintings, sculptures and some live animals to represent prehistoric life.

A World Is Born (1955) - Ya know what Fantasia needed? Overbearing Narration! That’s it. That’s what this documentary is. I saw this thing rebroadcast in the 90s on the Disney Channel, believe it or not.

The Animal World (1956) - Ray Harryhausen. Willis O’Brian. Their stop motion segment is the ONLY notable part of this documentary. This is also the only part that has seen some release in modern times, as a bonus feature on the DVD of The Black Scorpion.

Prehistoric Animals of the Tar Pits (1956) - Black and white, but also quintessentially 50s and riff-able. Aside from the bones, it shows some wooden models to represent the animals.

Journey into Time (1960) - Fantasia this is not, but it TRIES to be. Lord it tries. Or, rather, there’s a Fantasia-adjacent thing elsewhere which does the same thing. Has some unique choices for animals to represent, including showing Permian forms like Scutusaurus and Inostrancevia.

Dem Dry Bones: Archaeology, Paleontology, Identification, and Preservation (1966) - This was a lucky find, it was on Youtube for half a second. And not worth digging out, really. Stuffy, dry, and mildly condescending. It was still interesting looking at the dinosaur hall of the Smithsonian back in the 1950s.

Dinosaurs - The Terrible Lizard (1970) - The stop motion here is pretty neat, if slow and plodding, it’s refreshing after all this crap. The puppets for many of these would later be re-used for The Land of the Lost. Including Grumpy, Alice, and Spot.

NOVA: The Hot-Blooded Dinosaurs (1977) - Robert Bakker’s first appearance in a documentary. HE HAS SUCH LONG HAIR! Not bad, a little dry, with National Geographic titles. It reminds me of 1990s documentaries, just so show how long it’s taken for various ideas to filter down. Currently, it’s available on Archive.org.

Dinosaurs: A First Film (1978) - The art style for this half-animated 70s abomination makes identifying various prehistoric animals almost impossible. Almost painful to sit through. Stops with the Dinosaurs.

Dinosaurs: The Age of the Terrible Lizards (1978) - Similar to the above, but available from Rifftrax, so much more watchable. Also, it’s actually animated!

Dinosaur (1980) - Wil Vinton Claymation with Dinosaurs. A few edits of this exist, the latter works a bit better, but the original is interesting to track down. Most of the edits are audio only, so you aren’t missing anything. The dinosaur sin this are top notch for color and design. They even have Corythosaurus and Tyrannosaurus not dragging their tails!

Cosmos (1980) - the animated segment covering Evolution is still wonderful if only for the narration from Carl Sagan.

The Age of Mammals (1981) - A follow up of sorts to Dinosaurs: The Age of Reptiles. Decent stop motion if a little slow. Decent variety for the time.

64,000,000 Years Ago (1981) - A solid stop motion short film. Still worth checking out for stop motion fans. Available on Youtube legally!

Dinosaurs: Fun, Facts, and Fantasy (1981) - Nostalgic for some, but aimed at a rather young audience. Some interesting stop motion bits in here too... if awkward in that way British stop motion can be outside Aardman Studios.

Reading Rainbow “Digging up Dinosaurs” (1983) - Definitely nostalgic for me. Besides, it’s Reading Rainbow! And opens with a clip from One Million Years B.C.! What’s not to love?

Prehistoric Beast (1984) - One of the best stop motion shorts on this list. Included because it INSPIRED a documentary from it. Phil Tippett firing on all cylinders. Well worth watching. And he uploaded it on Youtube himself!

Dinosaurs, Dinosaurs, Dinosaurs (1985), More Dinosaurs (1985), Son of Dinosaur (1988), Prehistoric World (1993) - Gary Owens and Eric Boardman have a series of documentaries on dinosaurs and prehistoric life. The presenters are what really make these work. Colorful, fun, and yes, silly, these still hold a nostalgic gleam for people like me. The last one has Dougal Dixon talk about his After Man speculations. Fun times.

Dinosaur! (1985) - Hosted by Christopher Reeve, this is one of the best documentaries of its time. Reeves loved dinosaurs and was happy to work on this project with Phil Tippet behind the animation. Covers a lot in its hour long format, and well worth watching. Do you know how good this special was? When Reeve died in 2004, the Discovery Channel (or similar station) re-aired this thing as a tribute. It holds up that well!

Tell Me Why: Pre-Historic Animals, Reptiles and Amphibians (1986) - This is something I had when I was a little kid. Dry, straight forward, a “Video Babysitter” at it’s best. It consists of a narrator while looking at pictures of the Invicta Dinosaur Toys that were also on the poster.

Dinosaurs! A Fun-Filled Trip Back in Time (1987) - Wil Vinton’s Dinosaurs! tied with a short setup/framing device with the kid from the Wonder Years involving a low-animation music video (this was the MTV age) and a guide through art from various dinosaur books from the 1950s through the 1980s. Rather meh, but Wil Vinton is why we are here. This was the only way to get Wil Vinton’s short back in the day, and is the version of the short shown in Museums like The Academy of Natural Sciences.

Digging Dinosaurs (PBS-WHYY) (1988) - Something I managed to record of TV back in the day, though not much of it, about the uncovering and preparation of Avaceratops. Bone Dry.

Maia: A Dinosaur Grows Up (1988) - A VHS version of the picture book, with narration and the whole spiel. Actually not to bad for what it is, but it is what it is. The art for that book is rather wonderful.

Lost Worlds, Vanished Lives (1988) - David. Attenburrough. Need I say more? Not one of his best, but still wonderful. Hard to track down.

Dinosaurs (1989) - From the Smithsonian Institute, one of the video followups sold in various museums (I have one from the Royal Tyrell, but haven’t been able to track it down). Not great, but I’ve seen worse.

Infinite Voyage: The Great Dinosaur Hunt (1989) - A rather dry documentary, but one I find extremely relaxing and calming. Very nostalgic for me. But still dry.

Vestie Video Sitter: Dinosaurs (1989) - This is for babies. It hurt to watch.

In November, 1990, Jurassic Park (novel) was released, and thus began the great shift.

In Search of the Dragon: The Great Dinosaur Hunt of the Century (1991) - a.k.a. The Dinosaur Project, The Great Dinosaur Hunt, The Hunt for China’s Dinosaurs. Edited into a 1 hour NOVA special from a nearly two hour documentary, all about the joint Canadian/Chinese Gobi Desert Expedition in the 1980s that gave us Mamenchisaurus among many other species. With another stop in the Arctic for good measure. Some good stop motion and pencil animation for Troodon round this one out.

A&E’s Dinosuar! (1991) - There’s so many things named “Dinosaur” that I have to specify. Hosted by Walter Cronkite, this is rather dry, but still entertaining documentary series has some nightmare-fuel puppet-work. The ‘sad’ music gets caught in my head sometimes when I think about it. It is 4 episodes long. “The Tale of a Tooth”, “The Tale of a Bone”, “The Tale of an Egg”, and “The Tale of a Feather”

T. Rex: Exposed (1991) - a Nova Documentary on T. Rex. Not too bad overall, focusing on the Wrankle Rex unearthing. Parts of it are available on Youtube, but not all of it.

The Case of the Flying Dinosaur (1991) - the third in the “NOVA” 91 trilogy, this covers the bird-dinosaur connection as it was still contentious at the time.

PBS’ The Dinosaurs! (1992) - A gold standard for documentaries on dinosaurs. The hand drawn animation with colored pencil style still hold up today. The narrator has a bit of an accent and pronounces “Dinosaur” oddly, but that is the only complaint I can really give. It has 4 episodes: “The Monsters Emerge”, “Flesh on the Bones”, “The Nature of the Beast”, “Death of the Dinosaurs.”

Muttaburrasaurus: Life in Gondwana (1993) - A half-hour short about dinosuars and mesozoic life in Australia. Solid stop motion animation. Australian Accents makes it fun to listen too.

NOVA: The Real Jurassic Park (1993) - Jeff Goldblum narrates this bit of scientists going on about “But what if we really did it?” Quite fun, lotta fun details the movies and even the books didn’t get into. My favorite bit had Robert Bakker talking to a game keeper at the Rockefeller Refuge in a Louisiana Cypress Swamp about what could happen if they kept a few dinosaur there (Edmontosaurus, Triceratops, and T. Rex). Namely, he talks about housing ‘about a thousand” Edmontosaurs on the 86K acre facility, with 2 or 3 mated pairs of Rexes. It’s fun getting numbers like that.

Bill Nye the Science Guy “Dinosaurs” (1993) - BILL! BILL! BILL! BILL! BILL! Not a bad kids entry for documentaries. Available from Netflix.

Paleoworld (1994-1997) - Running originally for 4 years, and being revamps once along the way, this rather dry, “Zoom in on paleoart” style of documentary was a good holdover for bigger things, and covered some pretty niche topics. Much of the later version has been uploaded to youtube.

Dinosaur Digs: A Fossil Finders Tour (1994), Dinosaurs: Next Exit (1994) - These films hurt me. They hurt me so much. I’ve seen some painful things, but these are hour long tour advertisements for road trips with annoyingly earworms. Available on youtube, but I ain’t linking anything!

Eyewitness: Dinosaur (1994) - Not a bad documentary, but I still hold a grudge on it for replacing Wil Vinton’s work at my local museum! Still, it is narrated by Martin Sheen. The clip selection is wide and varied, but we’re still getting The Lost World (1925) footage.

Planet of Life (1995) - This documentary series is rather dry, but boasts some interesting coverage of topics. Though some of it’s conclusions regarding dinosaurs are... not great. Still, the episode “Ancient Oceans” is a favorite of mine.

Once Upon Australia (1995) - The bests stop motion documentary on Australia’s prehistory. Has some humor to is, and Australian fauna that it does cover is solid. Though finding out how one of the animals is spelled, ( Ngapakaldia) drove me nuts for literally decades.

Dinosaurs: Myths and Reality (1995) - Like a little more polished episode of Paleoworld, with a lighter-voiced narration, this covers common myths about dinosaurs. Overall, a Meh. But it has a LOT of movie clips. Which makes sense given it was funded by the Disney Channel!

The Ultimate Guide: T. Rex (1995) - The Ultimate Guide series of docs were overall rather solid, as was the Tyrannosaurus one. Stop Motion animation along with puppets and some minor CG help round out the normal talking heads and skeleton mounts. Along with a solid narrator, it has a real mood to it.

The Magic School Bus “The Busasaurus” (1995) - The original Magic School Bus was a solid series, and their episode on Dinosaurs bucks trends even the reboot didn’t cover. The core thrust here wasn’t just dinosaur information, but the idea that Dinosaurs were not Monsters, but animals. And they conveyed it in a unique way.

I may do more of these mini-reviews, but there are a LOT of documentaries post The Lost World: Jurassic Park that don’t have as much easy access. Like, I’ve seen them, but digging out links/citing places to watch them is a lot harder.

#Dinosaurs #Documentaries #Documentary #Review #Dinosaur #Prehistoric

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archivingspn · 4 years ago

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Cas/Misha Saved the Show?

Cons

• 2016: SDCC - Bob Singer (four leads) • 2017: Jaxcon - J2 gold (no mention of Cas or Misha) • 2017: Nolacon - J2 - (two leads) • 2018: Chicon - J2 gold (no mention of Cas or Misha) • 2019: SDCC - (Rich introduces Misha as a guest star turned iconic fan fav, Rich introduces and attributes spn success to J2, Misha says he’s goal of becoming a regular on spn came true, Singer says that spn’s longevity starts with J2 and J2’s magic in a bottle carried them through less good scripts) • 2020: PaleyFest NY SPN - J2MA, Dabb, Singer (15x20) • 2020: Twitter- #DCOnline -Nov- Misha (Cas not a part of the family till Jack)

Interview/Articles

• 2007: TV Guide - Jensen talks about how many hours J2 work compared to other characters • 2009: Chicago Tribune - for Cas/Angel story saving the show via giving the writers fresher material to work with. • 2010: WarnerBros - TV Guide attributed fans to Winchester brothers • 2010: TVGuide - TV Guide attributed fans to Winchester brothers • 2011: The New York Times - NYT - (Cas isn’t even named in the article) • 2011: The Backlot - Misha (neither confirms nor denies the interviewers thoughts about being the heart of the show) • 2013: Zap2it - Pedowitz (finalized deals with J2, explained that Spn may not be the best launchpad for another series when asked about a spin-off for Cas) • 2014: The New York Times - (Castiel is defined as the Winchester mascot, Netflix credited for increasing viewership) • 2014: Variety - (talks about Angel Mythology/Castiel as being a turning point) • 2015: ET Online - (spn’s high demand attributed mostly to Netflix) • 2015: Variety - Pedowitz (If the numbers hold, the guys want to do it, we’re in) • 2015: Deadline - Pedowitz (If the numbers hold, and the (producers and stars) want to do it) • 2016: Variety -Jan- Pedowitz (No mention of Misha) • 2016: ENews -Aug- Pedowitz (No mention of Misha) • 2016: EW - (on the road lifestyle and risky eps kept the audience engaged, J2 stars of spn, Pedowitz says if the guys are happy and ratings are relatively stable) • 2016: Variety -Sep 21- Pedowitz, Kripke, J2 (Longevity thanks to taking risks, moving SPN out of the friday slot and pairing it with other shows, Netflix Deal, word of mouth) • 2017: Variety- Jan 8- Pedowitz (as long as the show is performing and the boys want to do it and I’m sitting in this chair) • 2017: The Hollywood Reporter- Jan 9- Pedowitz (As long as it’s performing and the boys want to do it and I’m sitting in this chair) • 2017: Hypable - Perez (Two mains) • 2017: The Hollywood Reporter -Aug 2- Pedowitz (As long as the boys [series stars Jensen Ackles and Jared Padalecki] want to do it and the ratings hold) • 2017: KSiteTV -Aug 3- Pedowitz (As long as the boys want to do it and ratings hold) • 2017: EW - (on the road lifestyle and risky eps kept the audience engaged, Pedowitz says if the guys are happy and ratings are relatively stable J2 stars of spn, just two protagonists) • 2018: EW - J2 (no mention of Cas) • 2018: TV Guide - TVGuide (Everyone knows the show lives and dies with Ackles and Padalecki) • 2018: TVLine- Pedowitz attributes spn success to J2 • 2018: TVGuide - Pedowitz (no mention of Misha) • 2018: Nerdist- Pedowitz attributes spn success to J2 • 2018: TV Insider- author attributes success partly to J2M • 2019: The Hollywood Reporter - Jan- Pedowitz (no mention of Misha) • 2019: Variety - Netflix bump in 2011-2012 • 2019: Review Nation - Jensen (believes the brother chemistry is what kept the show going) • 2019: Variety - Aug 4 - Pedowitz (only mentions J2 and says the show’s essence and blood is J2) • 2019: EW - Aug 4 - Pedowitz ( only mentions J2, “if you can convince [J2] to come back, I’m open, “show’s essence and blood is Jared and Jensen” ) • 2019: Variety - Aug 4 - Jensen (show anchored around two characters) • 2019: Den Of Geek -Aug 14- Singer (cites “tremendous support” from the CW for their longevity and security, mentions only talking to J2 and Dabb about the end) • 2020: TVLine - Sep 10 - TVline (Misha defined as Co-star) • 2020: TVLine - Sep 17- TVline (doesn’t mention Misha in leading men) • 2020: Glamour - Oct- Glamour, Jensen (Misha defined as Co-star, Jensen only mentions 2 leads) • 2020: EW - Nov 4 - Richard (the success is thanks to the environment on set by all the crew members. Great writing, great stories, and great people that made it a livable space) • 2020: Next|TV - Nov 16- (Roth: great writing, great performances, great execution, and two stars whose skills and charisma for success. Pedowitz: the edgy kinship between the Winchester brothers for success, Dabb: atmosphere that Singer and Kripke for success, Dabb: Netflix for success) • 2020: USA Today - Nov 18 - USA Today (attributes Netflix and TNT reruns for new fans) • 2020: CBR.com - Nov 10 CBR (series stars J2M) • 2020: CBR.com - Nov 22 - CBR (Supernatural stars J2MA) • 2020: EW - Nov 26 - EW (Misha introduced as Supernatural Star in the title) • 2021: The Hollywood Reporter - Jan 14 - Pedowitz (no specification on which boys) • 2021: London Screenwriters’ Festival - Kripke • 2021: TV Guide - (not even mentioned) • 2021: Looper - (the article or interviewer did not mention Misha, but the actress herself only said Supernatural and didn’t name any names) • 2022: Looper - Feb 7- Glass (didn’t mention Cas) Looper (labeled Sam and Dean as main characters)

Social Media

• 2014: Twitter- Sep- Glass (Starts with Sam and Dean but Misha and Mark helped sustain the show too) • 2020: Twitter - Nov - Dabb (called Sam and Dean the heart of the show, then attributed J2M, Mark, Ruth, Rob, Alex, and the crew for a show that’s important to people, a show that will be remembered)

Data

• 2014: The Wrap- Q score of J2 • 2020: Screen Time Data- (supports the two leads argument)

Misc.

• 2011: Supernatural Season 6 DVD Extra - Main character - Edlund • 2013: Season 8 DVD Extra “Angel Warrior: The Story of Castiel” - (No mention of saving the show) • 2014: TV Fanatic - (nominee for supporting actor) • 2014: A Very Special Supernatural Special - Kripke, Carver, Singer, J2M2 • 2014: The Essential Supernatural: On the Road with Sam and Dean Winchester - (Two leads, attributes the brother’s relationship for viewers glued to their screens for 9 seasons going on 10)

#*topics #c/m saved the show #subject to updates

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supervalcsi · 4 years ago

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2020 year in review

I saw @myriadimagines do this, and I felt like I should review this year!

5 fav movies ive watched 2020

Soul

Klaus

The Old Guard

Gentlemen

Knives Out

5 fav tv shows ive watched 2020

La Casa de Papel

Santa Clarita Diet

Suburra: Blood on Rome

On my Block

Derry Girls

fave songs

Pocket full of gold by American Authors

Chango on the Rise by Avi Kaplan

In Hell I’ll be in Good Company by The Dead South

False Confidence by Noah Kahan

Porszem by Follow The Flow

top 5 albums

I don’t liten to full albums

top 5 books

From Sand and Ash by Amy Harmon

The Huntress by Kate Quinn

and that’s all the real books I read, but so many fanfiction....

how did you spend your bday?

hm... It was during the first quarantine, so I don’t really remember, probably studying to my finals

most memorable day

June 18, because I graduated college with a Bachelor’s Degree

most memorable meal

my graduation dinner, I guess?

new hobbies

I found my way back to both writing and giffing

Oh and I solved a lot of jigsaws/puzzles

5 good things

Well I already mentioned it, but I graduated! But I also got accepted to do my Master’s Degree, which is awesome!

I made so many, amazing, new friends here!

I passed my German language exam, so I have a B2 level!

Even tho, me and my whole family got Covid, we came out of it pretty quickly and effortlessly, even my granparents and I am really grateful for that!

I got a Netflix subscription!

big lessons learnt

You never know what happens next, so just do everyting you want while you can

what are you looking for in 2021

Since me and most of my family works in tourism, I really hope it will come back at some extent in the next year even if just the domestic tourism

I tag some people, but you can just ignore it! @biscottibitch, @everyhowlmarksthedead, @mayans-sauce, @returnofahsoka, @dontdowhatisayandnobodygetshurt, @saritanotserena

#tag game

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agentnico · 4 years ago

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Da 5 Bloods (2020) Review

WAKANDA FOREVER!!!!!!!

Plot: From Academy Award® Winner Spike Lee comes a new joint: the story of four African American Vets - Paul (Delroy Lindo), Otis (Clarke Peters), Eddie (Norm Lewis), and Melvin (Isiah Whitlock, Jr.) - who return to Vietnam. Searching for the remains of their fallen Squad Leader (Chadwick Boseman) and the promise of buried treasure, our heroes, joined by Paul's concerned son (Jonathan Majors), battle forces of Man and Nature - while confronted by the lasting ravages of The Immorality of The Vietnam War.

Talk about coincidental relevancy! The Black Lives Matter movement is in full swing currently (following the death of George Floyd), and non-other than Spike Lee releases a Netflix film about Vietnamese veterans, emphasising that it wasn’t only the whites who fought and died for their country during the war. On a serious note, racism was always an issue in the US, so movies like this should always be welcomed, with or without the movement. Director Spike Lee recently addressed the fact of his new film’s release timing accidentally coinciding with what is happening on the news recently in an interview with Variety, where he said the following: “I cannot take any credit for this. The film was shot when it was shot; it was ready to come out when it was ready to come out. And then the world changed for everybody. When something is repeated all the time it becomes a cliché … but that doesn’t mean it’s not the truth. And the truth I’m talking about is timing is everything. This film’s coming out at the right time for the world we live in.” Couldn’t have put it better myself, Mr Lee! This reiterates how severe racism is engraved in America’s DNA, especially that we keep coming back to this issue over and over again. You’d think that by now people would have learnt from their mistakes and would have become better. But as I said, it’s in the DNA of the US, and there is only so much that that can be changed unfortunately. History has taught us a lot, and sadly history tends to repeat itself. But let’s not talk about negatives. In this pandemic filled world where new films are such a rarity due to cinema closures, we actually have a decent film to talk about! So let’s talk about it!

In a nutshell, this is a quest film! Find a fallen comrade and do some good ol’ gold digging whilst they’re at it! As expected with these treasure escapades, things get out of hand. Straight off the bat, our four leads meet up at the beginning of the movie, and right away you sense the camaraderie between these guys. Through the solid writing and great acting, you truly get the feel that these are true friends who have been through a lot together, like, say, a war! You get to observe their friendship and their love for one another, and though each of them have their own ideologies and beliefs, they work naturally well together, and at the end of the day that is what friendship is. A group of different people who share something in common. That is a theme I’m sure everyone can relate to. That is unless you don’t have any friends, in which case I am very sorry to hear that. Wish I could help. Not even much for advice on that one. Maybe get out more? Honestly, I’m no counsellor, so not the best point of conversation on this topic. I can provide you with a pat on the shoulder and a “there there” if necessary, but that’s about it... Anyhow, friendship!! There’s a lot of it in this movie! That’s just one of the many profound themes applicable to humanity that are present amongst the scenes that play out before our eyes. Even with the Vietnam war aspect, from the trailer I thought this was going to be a war movie, but it actually isn’t. Don’t get me wrong, the war element is certainly present in flashback form, but otherwise it is a modern day set tale. So the war is done, but that is the thing, for these guys, this war never ended. They still suffer from PTSD, getting nightmares and constantly being haunted by past demons, and thus the horrors of war are constantly surrounding them. Again, a very timely theme that can resonate with a few, even as loosely as the idea of being tormented by the past. This makes the movie work really well. It feels real, as it is dealing with a lot of true to life human emotions.

I need to also mention the technical side, as the way this movie is filmed....it feels like a filmmaker who knows his chops! For example, the way aspect ratio is used in this movie to emphasise the time and place in certain scenes really helps in separating the different story elements and tones. The modern day plot-line is presented in normal scope 23.5 aspect ratio as well as 1.78, then the flashbacks that show the Bloods fighting in the jungles of Vietnam during the war are shown in 4:3 (basically a slightly widened square shaped, very old-school) ratio with a more grainy palette, that very much adds to the feel of the past. Heck, for many audiences this might not be a big deal, but I appreciated this cinema trickery.

As a whole this movie is a solid watch (and surprisingly intense with quite a few shoot-outs), and, like The Irishman last year, perfect for a streaming service like Netflix, as it’s a pretty long movie, reaching over 2 and a half hours, so it’s very comforting to split your viewing into two or three sittings. In terms of negatives, there aren’t many. As I said, it is a bit long, and 20 minutes could have been chirped off, and also at times the movie does come off a bit preachy and on-the-nose with some of its ideas, which seems to be a bit of a Spike Lee shtick, as I had the same little complaint with his previous directorial outing BlacKkKlansman (though, again, that was a very good movie too!), but never so much that it was beating you over the head with its messages. Though as previously stated, a lot of the themes and ideas are timely messages and thus I cannot really fault them. Also a shout-out to the entire cast, everyone is on their top game, and as I haven’t seen many of these actors before, I will definitely make sure to keep an eye out for them from now on, as these fellas have talent! Special applause goes to Delroy Lindo, who gives such a raw, emotion-filled, vulnerable performance, that I really hope The Academy consider him for an Oscar nomination at the ceremony next year. The film as a whole to be honest definitely oozes with awards potential. We’ll just have to see if these nominations truly come to fruition. Also those looking forward to seeing Black Panther himself, Chadwick Boseman, in this movie, just want to warn you, he isn’t in the film much. That being said, his role is very important and has a great impact on it’s characters. So don’t worry, you will still get your chances to scream “Wakanda Forever!” at the top of your lungs, you Marvel sycophants!

Overall score: 8/10

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aruviwrote · 4 years ago

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[MIRROR] Titillation and perversion: the cis lens of Super Deluxe

Posting a mirror of this: original at http://theworldofapu.com/super-deluxe-critical-analysis/

Super Deluxe (2019), directed by Thiagarajan Kumararaja, has been a polarizing film in my queer circle. To those convinced of its brilliance, it is nothing short of a cinematic revolution. However, to the rest of us, it is difficult even to describe how depraved the moral center of the movie is, surrounded as it is by an aura of big names lauding it as years ahead of its time. This becomes an especially difficult matter when the narrative of the film is praised for being trans-inclusive. Many see it as Tamil cinema’s big favour to transgender folks, which makes it that much harder to argue that the film is transphobic to its core.

Structured as a set of four seemingly disconnected storylines, which eventually converge in unexpected ways, Super Deluxe is a potpourri of things that sound like Really Cool Movie Ideas—shower thought after shower thought thrown at you, plot devices that may well have come from that one college friend obsessed with Quentin Tarantino. The cult success of Aaranya Kaandam (Kumararaja’s previous and first film) led to a breathless build-up around Super Deluxe, and that resulted in a movie so convinced of its own hype, that it never stopped to consider the fact that these Cool Movie Ideas may not fit coherently. The movie is always smugly convinced of its own brilliance, all the way from the titillating title sequence to the ending that featured a bizarre exposition (aliens give you cash! morality is relative!), revealing the film’s sheer contempt for the viewer’s intelligence. Leaving aside the gratuitous violence and the rampant transphobia, Super Deluxe is a drab movie at best.

To begin with, Super Deluxe is not kind to its cis women. It opens with Samantha playing an archetype of a modern woman that has plagued Kollywood since time immemorial. Her character, Vaembu, speaks about sex in a way that is reminiscent of a schoolboy’s fantasy, calling herself an ‘item’ by way of introduction. We see a neat correlation being drawn, between the sexual openness of the character and the trouble she is in. Later on in the movie, a weak attempt is made to subvert this portrayal, along the predictable lines of the How Many Partners Have You Had conversation. By that point, the plot seems to have lost any semblance of life. The less said about Leela, the better—Ramya Krishnan makes a brave attempt to authentically portray one of the most ham-fisted stereotypes of Sex Worker with a Heart of Gold I have seen yet from Mysskin (one of four writers credited on this movie).

However, the violence that registers most is the one that comes disguised as empowerment. The character of Shilpa, a trans woman, is played by actor and cis man Vijay Sethupathi. Shilpa’s story is the detailed recounting of every single way in which trans women can be humiliated. My favourite critical review of the filmmaking on display here comes from the blog The Seventh Art, where Srikanth Srinivasan notes that the camera and the soundtrack share the point of view of the aggressor time and again. We rarely see Shilpa’s plot from her own perspective; it is always the perspective of a condescending observer or a crying wife. One such instance of this voyeuristic framing and subsequent othering is the scene where Shilpa is shown draping a saree. She dresses herself in front of a mirror while her wife stands and watches, sobbing. The soundtrack is giggling out Maasi Maasam Aalana Ponnu, a song from the 1991 film Dharmadurai, mockingly dissonant from the context. The camera zooms into Shilpa smoothening her wig, and she has the slightest moment of genuine euphoria that she looks good for her walk. The camera, of course, makes fun of this vulnerability all along—titillating noises from the sex song still running, it switches over to the sobbing wife who says, “I don’t know what’s harder, having lived so long without a husband or having to live with a husband like this.” This is the point of view the camera wants you, the viewer, to have. It wants you to watch while ‘something like this’ gets humiliated. This is supposed to be the progressive portrayal of a trans woman in this movie, obsessed with her appearance, indifferent to her wife’s pain; a balding sex trafficker who dresses up while her wife watches.

Srikanth goes on to observe: “In the scene at the police station, the only point of view the audience is allowed to recognize is the sleazy cop’s. The cop, of course, is a caricature and the audience is made to feel morally superior to him, while not having anything to do with Shilpa beyond dispensing sympathy for her subhuman status. By making Shilpa the passive object of contempt, the film forestalls even the possibility of the audience’s identification with Shilpa that the casting of Vijay Sethupathi might have offered. There’s a special violence in the fact that the transference of identity that the film demands from its trans viewers for its other characters is not matched with a demand from its cis viewers towards Shilpa.”

It deserves to be said that it is profoundly unethical and transphobic to cast cisgender men to play trans women. Jen Richards put it across wonderfully in the Netflix documentary Disclosure (2020):

“Having cis men play trans women, in my mind, is a direct link to the violence against trans women. And in my mind, part of the reason that men end up killing trans women out of fear that other men will think that they’re gay for having been with trans women, is that the friends, the men whose judgement they fear of, only know trans women from media. And the people who are playing trans women are the men that they know. This doesn’t happen when a trans woman plays a trans woman.”

All the subplots share one thing in common: the setup is fantastically contrived with no aspersions to realism or believability, with the exception of sexual violence, which is gratuitous, uncomfortably real, and never-ending. Don’t get me wrong—I think there can be artistic value in making a viewer squirm in their seat, discomfited by sexual violence, especially if you’ve been a victim of it. However, to do so with no narrative significance and to follow it up by saying “Everything is Meaningless” is the kind of depravity that I could not stomach, in a movie that everyone seems to love. Ostensibly, there seems to be an uplifting and empowering message that is arrived at, but not through any meaningful transformation, or moral discourse, or even the triumph of good over evil. This is the thematic methodology of the movie: it first completely reinforces harmful stereotypes for the entirety of the plot, in excruciating detail, and then says, “I was just joking, a flyaway TV knocks out the sexual predator, isn’t life funny?”

The most egregious of these, to me, is the resolution of Shilpa’s narrative, when she comes back and speaks to her wife and son. “I didn’t think of you or your pain. I didn’t know that I would have a son who loved me and ask me why I left him,” she says.

Raasukutty and Jothi berate and gaslight this sobbing survivor of sexual assault, accusing her of being stone-hearted and plotting to leave her family. And then Raasukutty says reproachfully that although everyone else mocked her, he and his mother accepted Shilpa the way she was. “Did I or mother say a single word to you?” he asks. This is not true; Shilpa was thoroughly humiliated when she returned home, including by Jothi, who responds to her transition by alternating between shock, unveiled disgust, and mourning at lost masculinity. But coming from the mouth of precocious child Raasukutty, it is merely a reflection of cis-fragility that doesn’t even register they drove Shilpa away.

Shilpa sobs a little more. Raasukutty says, “I don’t care, be a man, be a woman, be whatever you want. Never leave us again.” The scene fades into black.

My blood boils.

How could this be the resolution? The movie features a trans woman being mocked in ways that feel like the camera is laughing at her, a trans woman being sexually assaulted, a trans woman who is told that expecting society to accept her is too much to ask, a trans woman who gets driven out of every place she wants to exist in, only for her to be told, “I don’t care who you are.”

“I don’t care who you are” is not acceptance. I might have forgiven it all if Raasukutty had instead said “Why did you leave me, mother?” But what we get instead is a return to square one: Shilpa being berated for not being a father, a father she never wanted to be.

Shilpa is never offered simple acknowledgement of her womanhood, or her personhood even. She is always treated as a thing, never a woman. She is seen as an aberration, something grotesque, and the progressive message seems to be that these grotesque things must be accepted for whatever they are. I keep going back to that scene of Shilpa draping a saree, and the awful cognitive dissonance of it. In the end Shilpa says, “As a woman, I understand what you’re going through.” The irony sends shivers down my spine. If the filmmaker had actually believed that, he would have made a very different movie.

There is a profound cis male perversion in the way Shilpa’s story is told. It takes a cis man to devise a plot where a trans woman takes her young child to a public bathroom and zips him up, in a pose that looks like she is fellating her own son. It takes a cis man to write a plot where a trans woman is a child trafficker who upon losing her child in the market, screams that she’s a sinner who transferred her sin to her son when she touched him. It takes a cis man to gaze so long and unblinkingly at the debasement of trans life, and intercut to jokes about porn. This isn’t progressive thought.

One of the most enduring and harmful transphobic stereotypes in existence is the idea that transgender (and other) alms-seekers are running begging and child trafficking rings. This is a popular idea with very little evidence: Sabina Yasmin Rahman calls it the mafia of middle-class convenience. Having noted that police have run multiple investigations in Delhi which failed to establish the existence of a begging mafia, she concludes that this idea of a begging mafia is perpetrated by popular culture and widely-held beliefs, but in reality is hugely exaggerated. Most beggars just live in debilitating poverty. This harmful myth is reinforced in this movie. And really, the more I recall this movie, the more shocked I am that anybody thinks this is progressive. This is what cis people think trans folks do.

In his article on trans characters in Indian cinema, film critic Baradwaj Rangan (who happens to be cis male) had said, “Had Super Deluxe not been a “mainstream” movie, had it played only in festivals to sympathetic and (dare I say) “evolved” audiences, there might have not been the fear that Shilpa is showing the transgender community in a bad light.” For what it’s worth, I’d like to make it clear that sex trafficking is not a realistic character flaw, and rape is not a humanizing portrayal. I leave it to the reader to ponder how utterly offensive this idea is, that a mainstream portrayal of transgender people should shy away from such esoteric things like human dignity.

Even within the Indian trans community, there are divergences in what is considered problematic within the movie. Some of the criticism leveled at it, such as that of transgender activist Grace Banu’s (in an interview to Vikatan; article in Tamil), has been regressive and homophobic, calling into question the logic of Shilpa transitioning as an adult or being attracted to her wife.

Transgender people of all gender identities have the right to choose when to undergo surgical changes, if at all they want to undergo them, and have the express right to fall in love with or have children with or live with people of any gender. One of the common effects of Hormone Replacement Therapy is infertility—there are plenty of folks within the trans community who live their lives precisely in the way that Grace dismisses as illogical. For a trans woman who wants to father children, the two options are to freeze her sperm before starting HRT (expensive and inaccessible) or have a child before starting HRT (which is what Shilpa has done). Grace’s unnecessary and bigoted detour into Shilpa’s bedroom provides no teeth to her critique, which is otherwise spot-on in terms of the movie bringing back the many indignities that the trans community has finally moved past.

Super Deluxe will have to bear the cross for perpetuating the violent lie that women like Shilpa are men like Vijay Sethupathi in makeup and a dress.

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randomestfandoms-ocs · 5 years ago

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OC Olympian Tag – Aurora Anderson

Requested by @the-october-reviewer

Rules: Bold those traits and aesthetics that apply to your character.

OC: Aurora Anderson

#aurora anderson #about aurora a #olympian ask #somewhere only we know

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imthederpyfox · 5 years ago

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Rant About YouTube Copyright.

by imthederpyfox, Moments ago

Journals / Personal

I know nobody's here anymore, hi, nobody~

But I need to take a minute to rant about YouTube's copyright system for a moment.

I know it's come a long way in the past few years, content creators never used to be able to defend their work with copyright under YouTube guidelines, and it's great that they now can. However, there is also the problem that as content creators can fairly and justly claim others videos that include misused content off their own, creators will also claim videos just because they don't like them. AKA 'foodybeauty' and 'Amber-Lynn Reid', to name a few...

Along with this, we also have major companies who think they should copyright any video posted about one of their shows or films or games, or anything really.

Now I know, full re-uploads of these things are against copyright law, well done YouTube, would you like a gold star? Well, guess what, you don't get one. Because not only can they claim these full videos, they have also been going on binges, where as soon as ANY kind of content related to their products comes out, it becomes copyrighted before the content creator can even so much as blink or press save.

I'm talking about videos where you can barely see what the creator's watching, i.e - an UNLISTED video I just posted of a review/reaction to a Netflix show called Haunted.

Now, I have posted another reaction for Riverdale, and spent months trying to figure out the best action to take. Bare in mind, these videos are 'unedited' for my patrons, and the links are only available to my patrons. But guess what? I HAVE NO PATRONS! First of all, HOW do these big companies find an unlisted video? Are they my patrons? I mean that'd be nice, but no. They Aren't.

Second of all, why the fuck would you block an UNLISTED video, when so many people upload full copyrighted re-uploads of films and TV with no issue?

Third of all, how did you even know my video contained any of your program when it's not even named after the show AT ALL because I KNOW you'll copyright it immediately if the title has so much of a WHISPER of the show included.

Now, I will admit, I understand why my first video got copyright claimed - despite being unlisted, which I'm still annoyed about - because most of the screen was taken up by the episode of Riverdale, rather than my reaction. I get it, fine. So, I edit it, I make myself the main focus - ew, I know - and I lower the opacity of the original video, and I cut out any songs that go on for too long, and I make sure that 1/4 of the video isn't even FUCKING VISIBLE!

Safe to say, this is not a re-upload of the original content. This is an upload of a reaction to said content. My reaction, in which I am constantly talking throughout, constantly cutting in, constantly ruining this series for everyone that decides to give me money to watch, what a good YouTuber I am indeed.

So, because I couldn't let sleeping dogs lie when I earned my SECOND COPYRIGHT CLAIM ON THIS UNLISTED PATREON VIDEO! I decided to look more into the company trying to claim it. Was it Netflix? Nope. Was it a TV company? Well, sort of? A french company that distributes TV shows, or so it claims. See what I did there? Good right? No, ok, moving on. So upon my research I happened to come across multiple videos, saying that the company was a scam, that they were fake and shouldn't even be copyrighting things.

SO, what did I do? Well, just to make sure I checked which part of my video was still listed under their 'copyrighted content' thing, because if you check it'll tell you time stamps and give you the option to trim. So, there was about 5-6 minutes of my video that for some reason was still being claimed as copyrighted, so I went in, and edited little bits out, where there was no dialogue, no important things, and then I saved it, and waited for it to process, and then I went into that copyright claims and I said, ya know what? I'm not taking this shit, I worked hard for this video, I made sure to do everything I needed to do, and since these videos fall under fair use due to the cutting and editing and the fact you can't SEE 1/4 OF THE VIDEO, I sent a dispute.

Now I have to admit, I was nervous. If the company that copyright claimed my video didn't like the fact that I'd done that, they could CHOOSE TO COPYRIGHT STRIKE ME. Like, no review from YouTube, nothing like that. If this company didn't like that a tiny channel with only 57 subscribers put in a dispute against them, they might get pissed. They might not like the fact that someone's done that, and they might turn around and say to YouTube, FUCK this channel, bye bye, bitch.

So I was worried to say the least, but I have never been one to back away from bullying, and in this case, I class it as bullying.

I filled in all the relevant details, including a very in depth explanation as to why my video was counted under fair use, and how my channel is tiny, how I don't have any Patrons to see the video, how my video was unlisted, and heavily edited to make sure the copyright did not count against me, including the use of disclaimers in both the video and the description.

I was professional.

I was right.

And I won the dispute.

A day later I get an email telling me the company decided to release my video of all claims and it is now available for all none of my viewers to watch! How exciting, right?

Well, today I decided that I'd upload my second reaction that I'd recorded, I did the same as with the last one, having learned something. I lowered opacity, I covered any nudity, I cut off 1/4 of the video, I made it so the focus would be on my ugly ass mug instead of the TV show itself. And I spent hours trying to upload it for it to fail and me have to do it again.

And low and behold, after all my troubles, all my trials and tribulations, all my blood, sweat and tears and turmoil... I got copyright claimed once again.

Now, it's safe to say, I'm a little bit pissed, ya know?

My video - much like last time - hadn't even fully been uploaded, around the 97% mark, and boom, claim. So I took a deep breath, ya home boi is NOT happy, and I see where exactly it thinks my video is not covered under copyright law. And this is where I think these companies don't care if you are actually covered under the law or not, because it's always a random part of the video, it's always about a 5 minute chunk of the video regardless of what you do.

Which leads me to my next conclusion, in order for these companies to be finding these videos - especially with them being in the unlisted category (needing a specific link to be able to view), and the title not being related, and the video being edited to make sure it isn't eligible for a copyright claim, they MUST have a bot, or a program running that searches YouTube for clips of their content, regardless of how it's presented, or whether it's a review or not.

Which I have to say, is unfair. Especially in the case of the unlisted thing. I know, YouTube can't help it if these companies have bots and programs and code, they can't stop that from happening. But what they can stop? What they SHOULD stop? Is these companies being able to claim videos that aren't even eligible for it.

YouTube, man, you gotta work on this.

We were rooting for you! We were ALL rooting for you!

Anyway, seriously, YouTube really needs to find a way to make sure copyright is fair and just and not maintained by just programs and bots. YouTube, why not create a part of your company that reviews these claims, checks the videos, guarantees that the claims only go to those ACTUALLY abusing the copyright system? Instead of those of us who just want to make fun content for our viewers, who strive to just make good reaction videos? Because that's what they are, REACTION videos. Not re-uploads, not someone else's content.

'Great poets imitate and improve, whereas small ones steal and spoil.'

Give a little back to the people that got you where you are today YouTube. None of these big companies had you raking in money to begin with, it was the little guys, the small content creators who now have millions of viewers, because they enjoy what they do. Well, most of 'em anyway...

Just think about your content creators, rather than appeasing the companies that give you a bit more money. I know they won't, because capitalism rules despite how shit it is.

Is it really a wonder that so many creators are turning to streaming through sites like Twitch.tv instead of uploading to YouTube? Even the other day, on a live stream I was doing myself, me and my friends talked about how much better streaming is, how you don't have to constantly be worried about making sure the video is friendly for 2 year olds. 2 YEAR OLDS SHOULDN'T EVEN BE WATCHING, OK?!

My goal has been to be a YouTuber since I was about 12. I'm now almost 22. That's just under 10 years of my life, where my goal, my one finish line, has been to become a YouTuber. But the more and more things like this happen, the more and more I want to listen to that voice in my head telling me to give it up and go to Twitch, become a streamer, not stress so much about copyright strikes and issues with monitisation, and having such UNREALISTIC goals in order to achieve being monitised and YouTube partner in the first place.

I have edited this video, the parts it told me to, I have made sure to cut out the music bits and make sure it's up to par with copyright based on where they claimed the video. But my issue with sending off this newest in what I assume will be a long line of copyright disputes, because someone, even as small a channel as mine, with my 57 subscribers and my 5 views a video (at a push), has to push back and say 'NO. THIS ISN'T OK.' and not let themselves be pushed around, my issue with this?

The company that claimed the video this time was Netflix itself. And we all know Netflix has money. And Netflix doesn't care if it shuts down a tiny little channel like mine. All my content? All my videos? All views and subs and likes I've somehow managed to accumulate? All gone. Like Thanos snapping his fucking fingers.

Regardless of what I do to make these videos fair use, big companies like this get the final say over them, and as far as they're concerned, us little creators who don't make YouTube money yet, but still hold onto that hope that, maybe, hopefully, one day we will be able to do it, we're the 50% they want to snap and get rid of.

And it'll stay that way for a long time, unless people actually stand up and talk about it. Heck, it'll probably end up staying that way even then, but at least we TRIED.

I have respect for Matpatt, I watched his video explaining the work he and other creators have done in bringing awareness to the higher ups in YouTube, using their platforms to help each other and millions of other creators, people who just want to make other people laugh or forget about their problems for a while, or just upload stupid, 2 minute clips because of inside jokes, or they find it funny, they enjoy doing it.

If we as humans have been taught anything recently during this quarantine, it's that a lot of our societal structures are flawed, some may even say broken. Big companies scam us, use us, and give nothing back in return. If peoples eyes aren't open now, when will they be?

This won't get views. This won't get likes or favourites or shared to other people because of some powerful message.

But maybe one day, someone from YouTube will be randomly scrolling through the internet, and find a random post on a crude fanart website amongst all the sonic and Mario at the Olympic fuck games art, and maybe they'll read it and take note.

But we all know that'll never happen.

So I'm gonna wait for the video to finish saving the changes I made to it, and I'm going to dispute the claim Netflix made against me. And I'm going to anxiously wait to see if I get to continue making content for another day, or whether I get taken down by the snap.

------------

If you made it this far, thanks for listening to my rambling.

I feel strongly about a lot of things, and my friends often tell me that I should post about them, because I have such an... Eloquent way or wording things. Well, I finally decided to, because I need to vent as much as the next asshole. They're right, I AM eloquent!

Seriously though, thank you for reading, I know nobody would have but hey, maybe you're one of the 3 views I get on my YouTube videos!

I am blessed.

With like 50,000 curses going on at once.

Such a time to be alive.

Stay safe, look out for each other, and I may do another rant at some point, because this was fun I guess.

-Exza~

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