#Best music podcasts

[izel-scribbles]

strangler fig - the crane wives

(click for hd/closeups under the cut)

every single crane wives song fits malevolent (fight me on this. i'll win)

ty to @ganem-ouchie for giving me this idea last month in the replies of a random shitpost

[rosesofenvy]

Hold on tight to this time, this place 'Cause everything you know will be erased You were born inside your head And that is where you'll be when you are dead You're just a boy, you are no man And nobody you know will understand You're just a boy, you are no man And nobody you know will understand

[dudja]

"How much of your shift do you spend actually working?" Ме: #theovon #memes #comedy #funny #podcast

[sweetlittledudes]

this is why apple music will always be superior sorry

[emp-t-man]

so my friend @delaneytalks-tostatues very kindly sent me a prompt for the ask reblog and of course i had to blow it out of proportion so here’s a long and ramble-y description of what musical instruments would represent the cast of wolf 359 in an instrumental score (by a music major)

minkowski would have trumpet motifs. they’re bold, and loud, and often the leaders of the brass section, but can also have a beautiful and even melancholy sound when played in the right situation. trumpets are often used to solo, and hardly play as much as other brass or woodwind instruments in an ensemble, the way minkowski often places upon herself the entire fate of the crew and the mission and is reluctant to accept help when it doesn’t come to aspects of the mission itself. i can just imagine the slow, emotional solo that would play in the background of her breakdown in pan-pan and it’s. ugh /pos

lovelace would be repped by a trombone— very close to a trumpet, but slightly deeper, with more of a dark timbre behind it, reminiscent of the people she’s lost and what she’s had to go through to be where she is. they’re also more friendly in terms of playing with the rest of the ensemble and more flexible in moving between notes, but just as strong.

eiffel has french horn motifs. is it because the french horn is my favorite of the non-string instruments? maybe. but also it has such emotional depth behind it. it’s so full, and hauntingly beautiful, and i think it’d be a good representation of how deeply eiffel strives to be a good person to try and forget his past.

now, these three all have something in common, and that’s having their instrument be a member of the brass section. brass just seems very fitting for the protagonists of the series— it’s hopeful, it’s strong, it’s driving. but i’m missing a couple members of the hephaestus crew who i think wouldn’t be represented by brass motifs for one reason or another.

starting with hera. i think hera’s motif would be played by a flute for a number of reasons. for one, she just gives me flutist vibes. for two, flutes aren’t a member of the brass family, just as hera isn’t seen as a true member of the hephaestus by a lot of people for a long time. while the flute is a beautiful instrument on its own, it can sound sort of lonely among a big, strong brass ensemble. however, a soft, lilting flute melody above a brass accompaniment could be just what the ensemble needs to achieve the mellow timbre a piece could call for, just as hera’s persistence and determination and intelligence is often what pulls the crew through when they’re stuck doing nothing but yelling at each other. i think it could especially be really pretty with a muted trumpet as a duet, in the same way hera and minkowski grow to be very close and work rather well with one another as they go through everything together.

there’s another we gotta talk about but i gotta bring up SI-5 first—

while the hephaestus crew is represented by the brass section, i think it’d be cool to have SI-5 represented by woodwinds. they aren’t as strong aurally, but add essential undertones and accompanying cues that could make or break an orchestra.

maxwell has english horn motifs for little reason other than it just— sounds like her to me. it can either sound like a sunrise of a new day or the creeping sensation of dread as lights dim depending on what mode you’re in and what the accompaniment is like, just like maxwell is seen by hera as both a friend and someone who doesn’t respect her in the slightest at different points in the series, and sometimes at the same time. it’s bright, and beautiful, but sneaky, and i think that kind of motif would go hard

jacobi would be played by a bassoon. again, this is a little bit because two of my closest friends are bassoonists and i love the instrument to death but ALSO because it’s deep and looming and intimidating but can also be extremely moving and emotional if you listen closely enough.

now kepler, he’s represented with saxophones. the instrument that looks to be a brass instrument but in reality is part of the woodwind family, just as kepler appears to have the crew’s safety in his best interest and to want to be their friend at first, but is rather quick to let them know his only interest lies with himself and his mission. it’s also a very charismatic instrument and is used to charm people a lot of the time, just as kepler relies on to pull in and trap other people in his “big picture” before they even know it.

all of this leaves hilbert. hilbert, to me, would be played by a cello. it’s a string instrument, and has no part in the band ensemble, just as hilbert has no alliance with any of the other crew members. he does his own thing, and the decima project means more to him than any individual. it’s deep, and full, and just like eiffel’s french horn motif, hauntingly beautiful.

i’m too tired to come up with what goddard’s motifs would be (cutter, pryce, and rachel), but i might do them another time if this gets enough traction—

[nyxfaei]

I want to see what shenanigans Arthur got up to in college- it was during a period of his life that wasn’t densely traumatized and I want to see his college life

[secondhandjokess]

Taylor fucking KILLED IT in the new episode of The Wizard the Witch and the Wild One holySHIT I can't remember the last time I felt such pure concentrated joy as when Ame and Grandma Wren went flying together. Brennan and Erica were in fine form but then Taylor elevated it to this level that ... When I tell you I dropped what I was doing and started spinning around with my eyes closed and my arms out like I was flying too. I was unpacking art supplies into my new desk and then there was this moment right as they take off where the music... I genuinely, literally felt my stomach drop out like when you suddenly go over a little hill too fast in a car, then just SOARING, I could FEEL what Ame felt, all through the music, my GOD this guy DIDNT EVEN KNOW HOW TO COMPOSE MUSIC BEFORE THIS PODCAST GE TAUGHT HIMSELF I am losing my mind

[paradubolical]

going crazy over the latest woe.begone music. going insane, actually. I'm so honest when I say this is my favorite song right now. I recorded the mp3 and put it on my phone so I can have it on loop, and it's been going for hours.

I clean between their teeth

we preserve the legacy

that none of us will live to see

he's waiting for me

I clean between their teeth

you can feign your agency

but I dare you to move your feet.

I'm going to scream I'm going to cry I'm going to make fanart and it's gonna look so gd cool please this is the best thing I've ever heard in my life

[newmusickarl]

5-9’s Album of the Month Podcast – latest episode out now!

The latest episode of the 5-9 Album of the Month Podcast is here and it’s a bit of a sad one as 5-9 Editor Andrew Belt was unable to join us! So this time around it’s just me and Mama Mañana Records' Kiley Larsen reviewing five high profile album releases from the past month in music, ultimately naming one as our Album of the Month at the end of the discussion.

For our June 2024 episode, it was John Grant’s synth-soaked majesty on The Art of the Lie that took home the coveted Album of the Month title. For our latest episode, we look back at five big releases from July and the albums vying for recognition this time around are:

King of the Mischievous South Vol. 2 by Denzel Curry

Django’s High by Future Utopia (Poll winner, thanks for voting!)

As Above, So Below by Highly Suspect

Harmonics by Joe Goddard

HEAVY JELLY by SOFT PLAY

If you want to listen to this or any previous episodes simply follow the links below, but also be sure to follow 5-9 Blog on Instagram, Twitter and now YouTube for more news and polls relating to the podcast.

Listen on Spotify here

Watch, like and subscribe to our YouTube channel here

Album & EP Recommendations

Wild God by Nick Cave & The Bad Seeds

Let’s face it, Nick Cave doesn’t make bad records. However, even by his incredibly high standards across his illustrious career, his recent work has been truly exceptional, towering bodies of work. Fuelled by unimaginable tragedy, grief and loss, albums Skeleton Tree and Ghosteen rank among my favourite albums of the last decade, listening experiences that are beautiful yet emotionally devastating. His last album with just him and Warren Ellis, Carnage, was no slouch either, finishing in my Top 10 of the year back in 2021. Now both have reunited with the full Bad Seeds ensemble, and new album Wild God continues their recent hot streak.

Emerging out of the vast darkness, their eighteenth studio album is a much brighter and more joyous experience compared to its predecessors. Filled with uplifting, string-drenched arrangements, some of which include none other than Radiohead’s Colin Greenwood on bass duties, the lyrics also find Cave in a much more optimistic mindset. It all makes for another endlessly captivating listen, with Joy the real standout in the first half, as Cave’s poetic lyrics are spun across a mostly minimal, piano-led composition. However, the finest moments for me are in the back half, with the gospel cries and stomps of Conversion, the operatic and ghostly Cinnamon Horses and standout single Long Dark Night a particularly incredible trio.

Once again, Nick Cave & The Bad Seeds have crafted one of the finest albums I’ve listened to all year. Impactful and stunningly orchestrated, it’s another stirring collection of songs that will keep you absorbed across countless repeated listens.

Listen here

I Lay Down My Life For You by JPEGMAFIA

Another album that has quickly become one of my favourites of the year, NY-rapper JPEGMAFIA has followed up his sensational collaborative album with Danny Brown, 2023’s Scaring The Hoes, with arguably his strongest solo outing to date.

It’s a rap record but with punk rock energy, with most of the tracks here under the three-minute mark and plenty of heavy guitars powering the sonics. JPEG uses the record’s frantic pace to jump wildly between each bold idea, with the production never anything less than stellar. Collaborating with the likes of Flume and Kenny Beats on the production front, he also pulls in other current rap superstars like Vince Staples and Denzel Curry to lend a few bars too. It all makes for a thrilling wall-to-wall listen but if I’m to pick out just a couple of highlights, it’s the metal-charged SAN MIEDO and string-tinged experimentation of Exmilitary.

Colliding fast and furious bars with heavy punk, noise rock and industrial influences, all in mesmerising fashion, this is without a doubt the rap record of the year for me so far.

Listen here

No Name by Jack White

Another man who rarely disappoints, guitar maestro and all-round modern legend Jack White returned recently with a surprise new album. Initially stealth releasing on vinyl towards the end of July, the record officially released to streaming platforms and critical fanfare at the beginning of August. While I may not agree with the consensus that this is his best solo outing to date, there’s no denying that this is another fun and mightily impressive release.

You see while some critics have found White’s solo discography to be quite patchy, I’ve actually been a big fan of his output over the last 12 years. Blunderbuss and Lazaretto both boasted songs that could be dubbed as instant rock classics, Boarding House Reach was wild but always fascinating in its experimentation, and the duo of Fear of The Dawn and Entering Heaven Alive showed that White’s songwriting shone through, whether plugged or unplugged.

With No Name, for me, what we ultimately get is more of what White has already done before and proved he can do previously. That said, the lo-fi production and fuzzy rock riffs still sound terrific, especially on tracks like Old Scratch Blues, Archbishop Harold Holmes, What’s The Rumpus and Terminal Archenemy Ending. So, while it lacks anything new or revolutionary and brings with it an air of safe familiarity, there is no denying that White can still rock out. If you’re a fan of his previous work, you’ll still find plenty here to enjoy.

Listen here

Lagos Paris London EP by Yannis & The Yaw

And finally on the EPs front, Yannis Philippakis of Foals finally released his long awaited first solo project, Lagos Paris London. A dazzling, collaborative five track EP featuring the late-great Nigerian drummer Tony Allen, the EP is as vibrant and sonically adventurous as the globe-trotting title would suggest. While Yannis brings his signature guitar grooves to the table, some soaring string arrangements, jazz-like horns and Allen’s Afrobeat-style drums ensure the project always has a different feel to anything under the Foals banner.

Whilst the whole EP is well worth 20 minutes of your time, it is Rain Can’t Reach Us and Clementine that particularly stand out for me.

Listen here

Also well worth checking out:

DAYS BEFORE RODEO by Travis Scott

Imaginal Disk by Magdalena Bay

True Magic by Salute

This World Fucking Sucks by Cassyette

A Firmer Hand by Hamish Hawk

Participation Trophy by China Bears

Heartbreak Town EP by GIRLBAND!

Song Recommendations

The Emptiness Machine by LINKIN PARK

It’s been quite the month for big comebacks, hasn’t it?!

First came the colossal news that the Gallagher brothers would finally be reforming Oasis for a huge 2025 tour, before Linkin Park also made their long-awaited return, announcing new album From Zero will be dropping this November. The Emptiness Machine is the first taste of that new record and their first single to feature new vocalist, Emily Armstrong.

Emily’s arrival into the band has certainly caused controversy, with her links to Scientology already a hot topic amongst fans. While that debate will continue for the foreseeable, what is clear from this single and the band’s return livestream performance is that Emily certainly has the vocal capabilities needed to front the iconic, much-loved band. While of course no-one could fully replace the late-great Chester Bennington, I am glad to have Linkin Park back making music once again.

Listen to The Emptiness Machine here

Watch the livestream performance back here

All You Children by Jamie XX featuring The Avalanches

A late contender for song of the summer, this huge collaboration between Jamie XX and The Avalanches was on heavy repeat for me towards the end of August. Propelled by an infectious tribal beat that will just make you want to get up and dance, it’s left me hugely hyped for Jamie’s new album In Waves dropping in a few weeks’ time.

Listen here

He by Hayden Thorpe

Another album I cannot wait for dropping at the end of September, Hayden Thorpe’s adaptation of Robert Macfarlane’s book Ness will also soon be here. With book and album both inspired by Orford Ness in Suffolk, He is the ultra-groovy second single from the project. Featuring an endlessly fascinating arrangement that even includes a sackbut (a 15th century early trombone) and a spinet (a small 17th century harpsichord), Hayden's unique songcraft shines through once again.

Listen here

A Landlord’s Death by One True Pairing

And Hayden is not the only Wild Beasts alumni to be releasing new music this year. A month later in October, Tom Fleming will also be releasing his second solo album, Endless Rain. Working with acclaimed producer John ‘Spud’ Murphy, the singles so far have suggested a much more traditional and folk-inspired sound compared to his solo debut. A Landlord’s Death continues this hypothesis, featuring some stomping acoustic riffs, wild strings and a catchy chorus.

Listen here

Sick Of The Blues by Porridge Radio

Another album due for release in October, indie rockers Porridge Radio will be returning with their new opus, Clouds In The Sky They Will Always Be There For Me. Sick of the Blues is the closing track for the project but also the album’s first teaser single, finding frontwoman Dana Margolin in an apathetic mood as raw rock riffs build and erupt around her.

Listen here

Straight To Heart by ALT BLK ERA

From MOBO and Heavy Music Award nominations to storming festival sets at the likes of Glastonbury and Download, there is absolutely no stopping ALT BLK ERA’s momentum right now. Now with their highly-anticipated debut album Rave Immortal due for release in January, the alternative sister duo have released the second taste of the upcoming record. The synth-soaked track highlights the continuing maturity of their songwriting, with Straight To Heart seeing Nyrobi open up and reflect on her agonising battles with chronic illness.

Listen here

Nothing Compares To Nineteen by Fiona-Lee

Another one of the UK’s most promising emerging voices, singer-songwriter Fiona-Lee has recently returned with her second-ever single. A hugely emotive track, it was written in the wake of Fiona tragically losing a lifelong friend after he took his own life. Recalling her struggles with anxiety, grief and depression, along with conversations with her father on mental health, it’s another hard-hitting single that absolutely soars.

Listen here

Split Lip by Dolores Forever

One of my other favourite new music discoveries in 2024, I’ve had the pleasure of catching indie-pop duo Dolores Forever twice over this summer’s festival season. With their debut album finally dropping at the end of September, Split Lip is one of the latest singles taken from the project and a song that really stood out in their live performances. Hugely anthemic amidst captivating vocal harmonies and shimmering synths, this upcoming record is slowly shaping up to be one of the best debuts of the year.

Listen here

One Day by Hallworth

Released at the end of August, singer-songwriter Hallworth also recently released her heartfelt new single, One Day. Inspired by the Netflix movie of the same name and written while she was in Nashville, it’s a stirring track about her struggles with a long-distance relationship. With Hallworth’s own tender vocals at the fore, it’s a gorgeously laidback love song that will have you hitting the repeat button.

Listen here

Never Meant by Iron & Wine / For Sure by Ethel Cain

And finally, this year marks the 25th anniversary of one of my favourite albums of all time and a seminal work that still inspires countless musicians today – American Football’s self-titled debut. To mark the occasion, the band are releasing a remastered version of the original record, along with a brand new covers version.

The first two of these covers have been revealed and they are both unsurprisingly stunning. Firstly, American singer-songwriter Samuel Ervin Beam transforms the iconic Never Meant into a wonderful, folky lullaby, reminiscent of Bon Iver. Then, the much beloved Ethel Cain has turned the haunting For Sure into a near 10-minute moment of beauty and ethereal transcendence.

If all the covers are to this standard, with more cuts from the likes of Manchester Orchestra and Blondshell still to come, this project could be something very special.

Listen to Never Meant by Iron & Wine here

Listen to For Sure by Ethel Cain here

Also worth checking out:

Ego by Halsey

You by Ktlyle

JACKIN’ THE SYSTEM by NOISY

Tonight, Tonight (Smashing Pumpkins Cover) by Snail Mail

Hometown Edge by Kele

Bright Lights by The Killers

HERE WE GO! by Lil Nas X

Find The Way by Peggy Gou

SO WHAT by Confidence Man

SilverCane by Corinne Bailey Rae

REMINDER: If you use Apple Music, you can also keep up-to-date with all my favourite 2024 tracks through my Best of 2024 playlist. Constantly updated throughout the year with songs I enjoy, it is then finalised into a Top 100 Songs of the Year in December.Add the Best of 2024 playlist to your library here

[irregularbillcipher]

watched the musical demon show (don't wanna name it so this post isn't in the tags) at the behest of an IRL friend and i can already tell this is going to be a piece of media where i absolutely cannot stop thinking about it, not because i really love the show as-is, but because it has so many individual components i really like and find incredibly fun or compelling, and i'm so frustrated that it doesn't come together for me

i think the main thing i can say about it as a show, setting aside some of the insensitive choices that were made that i really don't feel qualified to tackle or talk about, is that the entire thing sort of gives off this vibe of someone really excited to show you every single oc they made in high school and college and i very genuinely mean that in both the best and worst ways possible

there are some good hooks for season two though so i will absolutely give them that

[multifandom-rambler]

I love composing!

[izel-scribbles]

see you - lady lamb

(click for HD / closeups under the cut)

this song has been driving me so insane, i needed to draw something for it or i was going to explode.

[dudja]

Amazing Katt Williams Impression #Comedy #Funny #Tony #standupcomedy #killtony #classic #kattwiliams

[hiphopheadspodcast]

The HipHopHeads Podcast: Episode 73 (HipHop Olympics)

http://www.thecryptonlone.com The HipHopHeads Podcast Episode 73: HipHop Olympics Olympics are all about the hiphop, Bonafide and myself go to some old man rap shows. Bunch of new music on deck, we talk Longlegs and so much more! Now available on YouTube! SHARE – SUBSCRIBE – COMMENT

[mctreeleth]

One day I'll do up all the stupid memes I think up that apply incredibly specifically to my 5 hour roadtrip home.

[july-19th-club]

hyperion city in the summer. sweltering by anyone's standards