#Best Poem on Tree in Hindi

[khwxbeeda]

Indian Dark Academia: Pune

(all of these are my experiences since moving to the city at the end of July this year)

.

The Peth areas are convoluted, haphazardly arranged and teeming with life. You walk through a lane crammed with stalls of fake jewellery, and you want to buy every pair of jhumka and bugdi you can see. You raise your phone and take a close up, deciding that you're gonna post it. (You never do. That picture feels personal, somehow, in a way you cannot explain.)

There is a plaza in Good Luck Chowk on FC road whose basement has a somewhat hidden bookshop. The books there are both fresh and second hand. You make your way to the second-hand shelves and breathe in deeply, savouring the smell of old books and yellowing paper. You want to buy all of them, but you take home the worn copy of a collection of Marathi stories. The old man at the counter gives you a bookmark and tells you to be back with a wide smile and crinkling eyes. (You go back within the week.)

You stand under the dubious protection of a patryacha chhat, cold fingers wrapped around a mud tumbler full of steaming aalyacha chaha. The rain does not look like it will stop anytime soon, but you're not worried. Your best friend is standing next to you with her own tumbler, and both of you are giggling at a story she tells you about her own college— she lives in Mumbai and is visiting for a day, just to spend time with you because she missed you. You silently hope the rain does not stop for a while yet; you're having too much fun.

The sun is high in the sky, but it hides behind rain clouds. You take a step, the soles of your sports shoes scraping over the uneven rock of the tekdi that you decided to explore on an impulse. You're alone, with only the trees and the dog that randomly decided to follow you up the hill in sight. Invisible birds chirp and sing, and you slide your phone out of your pocket to take a photo of the unbeaten path. A little part of you fears getting lost in an unknown place. The bigger, more curious part of you wants to know why the wind sounds so melodious when it slips between the leaves of the trees. You'll post the photo, you think, once you're home.

The college is quiet. It's seven in the morning, and you're already on campus, and have climbed up the walls of the main building to reach that unreachable part of the roof. Except it isn't as unreachable as you thought it to be— the walls are engraved with little messages from the students who came here before you, and you brush your fingers over the letters with a secret smirk. Someone had enough love in their heart to carve a short Urdu love poem for their partner. You search up the words on Google, but the results are inconclusive. An original piece, then. Shame, you think. That is beautiful wordplay. You take a photo, then go back to your book. Class starts at half past seven, and you want to finish at least this chapter.

The library is packed with people, but all of them are silent. It's eerie, but you've been living in libraries for as long as you can remember, and you're perfectly at home in this silence. It feels like being in a temple— there is a awed, almost devotional hush in the air, and you fear that you will breathe too loud. You slip between two darkwood shelves, and brush your fingers over the spine of an old hardbound collection of the works of Pu La Deshpande that looks like it will fall apart any second. You've read this one before, but you check it out anyway.

The exam is tomorrow, but you're sitting in the light of three diyas and feverishly flicking your eyes over the pages of your tattered copy of the Hindi translation of Chokher Bali. This is the eleventh time you're reading the book, but you're still obsessed with it for reasons unknown. Pariksha gayi bhaad mein, you think, and flip the page. The next day, you turn up at the exam hall with bags under your eyes, a completed book, and not a second of studying. You walk out with a score of 19 out of 20, and promptly fall asleep under the shade in the bamboo garden with your head on a friend's lap.

.

Tag list: @musaafir-hun-yaaron @hum-suffer @patriphagy @orgasming-caterpillar @mad-who-ra @kanha-sakhi @yehsahihai @h0bg0blin-meat

[feyres-divorce-lawyer]

Had to check if the one that liked the ask game was me💀 but 18, 17, 19, 15, and 30 and 3

ooh yay! favorite

3 - nostalgia-inducing possession?

my 9th grade biology notebook. cried several times, but goddamn does it contain the best notes i’ve ever taken. reminds me of houston and debakey’s shitty spicy chicken sandwiches, great times

15 - decade before the 2020’s?

uhhhh, 2010’s???? i mean it’s the longest one I’ve been alive for

17 - animated film/tv show?

gun to my head, camp cretaceous.

18 - constellation?

don’t have one, so virgo by default

19 - poem?

Fuck Your Lecture on Craft, My People Are Dying by Noor Hindi. colonizers really be writing about flowers while burning down olive trees

30 - book shorter than 300 pages?

i’m gonna be so real rn, i can’t remember the last book i read shorter than 300💀

tank you♥️♥️

[ruskinbondstories]

Who is Ruskin Bond?

Ruskin Bond is actually an award successful Indian creator of British descent, Noticeably renowned for his work in internet marketing little young children’s literature in India. A prolific author, he has published above five hundred compact stories, essays and novels. His effectively-regarded novel ‘The Blue Umbrella’ was crafted into a Hindi film of the same title which was awarded the Nationwide Motion picture Award for Very best Kid's Film, in 2007. He is likewise the author of much over fifty publications for children and two volumes of autobiography. Born as being the son of the British few when India was underneath colonial rule, he put in his early childhood in Jamnagar and Shimla. His childhood was marred by his father and Mother’ separation and his father’s Dying. He sought solace in looking at and composing, and wrote considered certainly one of his initial rapid tales for that age of sixteen. He then moved toward the U.K. on the lookout for superior prospective customers, but returned to India subsequent some a number of a long time. He acquired his residing by freelancing becoming a youthful male, crafting shorter tales and poems for newspapers and magazines. A couple of years As a result he was approached by Penguin Textbooks who launched various collections of his do the job, assisting establish him as being a well-known author in India. He was awarded the Padma Shri in 1999 and Padma Bhushan in 2014.

Childhood & Early Existence

Ruskin Bond was born on 19 Might probably 1934 in Kasauli, Punjab, British India, for your British pair, Edith Clarke and Aubrey Bond. His father served Along with the

Royal Air Travel from 1939 to 1944.

His Mother and father divided when he was youthful and his Mother ahead of extended remarried a Punjabi individual. Ruskin was extremely close to his father who died of jaundice when Ruskin was ten years aged.

He went in the Bishop Cotton College in Shimla, from anywhere he graduated in 1950. He beloved considering and was In particular motivated with the performs of T. E.

Lawrence, Charles Dickens, Charlotte Bronte and Rudyard Kipling.

Immediately he turned to developing also and gained A good number of crafting competitions within the varsity such as the Irwin Divinity Prize as well as the Hailey

Literature Prize. He wrote among the his First quick stories ‘Untouchable’ within the age of sixteen in 1951.

Before long immediately after graduating from highschool he went in the direction of the U.K. searching for improved prospective clients. However in London he commenced focusing on his Original novel, ‘The Area more than the Roof’. It attained the John Llewellyn Rhys Prize (1957), awarded to some British Commonwealth author lower than 30.

Profession

Ruskin Bond worked for pretty a while inside a photograph studio Whilst looking to locate a publisher for his performs. Once he commenced earning revenue from his developing, he moved back again to India and settled in Dehradun.

He invested A further few years earning his residing to become a freelance creator, penning short tales and poems for newspapers and Publications. In 1963, he went to are now living in Mussoorie the place by he furthered his composing profession.

By this time he was a favourite writer and his essays and posts were being getting revealed in quite a few Publications and newspapers, like ‘The Pioneer’, ‘The

Chief’, ‘The Tribune’, and ‘The Telegraph’. He also edited a journal for 4 quite a long time.

In 1980, certainly one of his most favored novels, ‘The Blue Umbrella’ was printed. His increasing fame like a writer caught the attention of Penguin Guides. The publishers approached Bond when within the nineteen eighties and requested him to jot down several guides. Two of his past novels, ‘The House more than the Roof’ and its sequel ‘Vagrants In the Valley’ had been staying printed in a single quantity by Penguin India in 1993.

About the following yrs numerous of his will get the job done such as a group of his non-fiction writings, ‘The easiest Of Ruskin Bond’ and collections of tiny tales

‘The Evening Coach at Deoli’, ‘Time Stops At Shamli’, and ‘Our Trees Yet Mature In Dehra’ had been produced. Some of his widespread titles during the supernatural genre are ‘Ghost Tales with the Raj’, ‘A Period of Ghosts’, and ‘A Handle at the hours of darkness as well as other Hauntings’.

Ruskin Bond’s crafting career spans in excessive of 5 decades earlier mentioned the analyze program of which he experimented with diverse genres which incorporates fiction, essays, autobiographical, non-fiction, romance, and textbooks for youngsters. He has authored a lot more than five hundred small tales, essays and novels, better than fifty textbooks for children, and two volumes of autobiography, ‘Scenes from the Writer's Existence’ and ‘The Lamp is Lit’.

Numerous of his is powerful materializing to become adapted for that Television set and films. Bollywood director Vishal Bhardwaj constructed a film In line with his novel for children, ‘The Blue Umbrella’ in 2007. The Movie received the Countrywide Award for Best Children's movie. The Hindi movie ‘seven Khoon Maaf’, depends on

Bond’s confined Tale ‘Susanna's 7 Husbands’.

Essential Operates

The novel ‘The Blue Umbrella’ is among his biggest acknowledged will do the job. The story is about a bit girl who trades her old leopard claw necklace for a pretty, frilly blue umbrella. Set in a small village in Himachal Pradesh, it is a straightforward but heartwarming story which was in a while tailored right into a Hindi movie by Vishal Bhardwaj and a comic book by Amar Chitra Katha publications.

Awards & Achievements

·        Ruskin Bond obtained the Sahitya Academy Award in 1992 for ‘Our Trees Even now Rise in Dehra’.

·        He was awarded the Padma Shri in 1999 and Padma Bhushan in 2014.

·        Unique Day to day dwelling & Legacy

·        Ruskin Bond infrequently married. He life together with his adopted loved ones in Mussoorie.

·        Trivia

·        The 1978 Hindi Film ‘Junoon’ is predicated on this famed creator’s historic novella ‘A Flight of Pigeons’.

[lifemotivation]

Happy Mothers Day Quotes

Mother's Day is a world event which is celebrated worldwide with magnificence and a full heart. Today commemorates the contributions and sacrifices a mother makes for his children and therefore the entire family. Each Mother holds a particular in her children's heart, and they eagerly wait for this splendid occasion to bestow their love & gratitude on them through Mother's Day gifts along with heartfelt for mothers day quotes. Each word stated in these quotes together decodes each silent feeling that a child holds in his or her heart's for his or her Mother. they're very emotional and inspirational, and strengthen the bonds of children with their mothers.

mother's day quotes Find the proper words to wish your mom a very cheerful Mothers day and express her how glad you're for all she's done for you with these beautiful Mothers day wishes, Mothers day poems, Mothers day quotes,  and beautiful quote pictures. mother's day quotes Whether you're crafting a greeting card, or posting a Facebook post for Mothers Day, or sending sweet SMS to your mom, Here we've got top of Whatsapp statuses inspiration, therefore, you'll truly cherish your mom and thanks her for unconditional love through life's.

mothers day quotes A mother is undoubtedly the most important person in a person's life. She is analogous to the giving tree who keeps giving, never asking for anything in return. To understand what mothers truly mean to the planet, you'll look for Happy mothers day quotes online. All notable personalities agree that their Mother played an important role in their success. Therefore are you searching for the best Mother's Day Quotes & Slogans in English, Arabic, Spanish, Tamil, Telugu, Hindi, Marathi & Urdu fonts? If yes then you return to the proper place as a result of today our team will publish high inspirational Happy Mother's Day Quotes and Quotations for Your mom.

Happy Mothers Day Quotes Mother is always a crucial part of our lives. Mother's Day is being celebrated with nice enthusiasm and joy this year, May 12th. If you're one of  them who wants to share the best happy Mothers Day Quotes, then you're within the right place. We are also providing short and celebrated Mothers Day Quotes from Son to daughter and Mother. Tell him that you consider yourself therefore lucky as to be like his Mother.

mothers Day quotes funny Hello, friends welcome to this most lovely website. This website is all concerning Funny Mothers Day Quotes. Mother's Day is celebrated in all over the planet. In this website I am sharing mothers Day quotes funny with you. As we know Mothers Day is famous on the second Sunday of May every year. Today is celebrated on the owners of all mothers and create them feel that they're special. All are spending time with their family. Mothers Day is celebrated as a festival in all over the planet. This is the day when all is wishing happy Mothers Day to their Mother and also to other relatives and friends.

Mothers day quotes for daughters This collection of mother daughter quotes paints an image of the relationship between mothers and daughter's, a bond that has inspired many writer's and poets to write thousands of words. However, the real significance of this relationship will probably only be understood by daughter's and their mothers, who have shared all the moment's of joy and grief, anger & forgiveness, and who have return through it all being wiser, stronger, and kinder for the expertise. it's a special form of love that can't be understood without going through it. For instance, you can compare these mother female offspring quotes with our love quotes. Enjoy our Quotes collection of mothers day quotes for daughters to inspire your heart and perhaps reflect some of the emotions you have experienced yourself.

Mothers day quotes from daughter Mothers day quotes from daughter, excellent for your mama, are simple, sweet, and beautiful. it's undeniable that mother-daughter relationships are one of the strongest and complex bonds within the world. it's considered one of the most strong connections in nature that only mothers and daughter's understand and share among themselves.

[houseofcocoweb-blog]

Top 10 Successful Short Story Writers in India

1.Rabindranath Tagore:Rabindranath Tagore (born May 7, 1861) was the first non-European laureate to win the Nobel Prize. Best known as a poet, he was a man with a great number of talents. He was a nationalist who gave up his knighthood to protest British policies in colonial India after the Jallianwala Bagh massacre. He was a painter and a songwriter too. One of these rare talents were short stories too. He wrote them in Bengali, English and Hindi. He even translated various famous English stories in Bengali and Hindi.

His famous short stories are: Sompotti Somorpon, Kabuliwallah (The Fruitseller from Kabul), Ghare Baire (The Home and the World), Jogajog (Relationships), Nastanirh (The Broken Nest), Shesher Kobita (The Last Poem or Farewell Song), Gora, Char Oddhay, Bou Thakuranir Haat, Malancha and Chokher bali are some of his excellent works in short stories.

Premchand: Munshi Premchand (born July 31, 1880), is one of the most renowned names in Hindi Literature. His original name was Dhanpat Rai. He was a novelist, a dramatist and mainly a short story writer. His translations into Hindi are still relevant. Munshi Ji was a teacher by profession but was still writing in Urdu language. He also wrote tiny stories. He was very patriotic and his works in Urdu depicted the conditions of the nationalist movement going on in colonial India. His thought-provoking short stories were realistic on one hand and poignant on the other. His short stories always carried some sort of social message while side by side entertaining the readers. His depiction of plight of girls and women in the 19th century is picturesque and hits the readers to create awareness about the status of women. He was later elected as Progressive Writers' Association in Lucknow.

His famous short stories are: Adeeb Ki Izat, Duniya ka Sabse Anmol Ratan, Bade Bhai Sahab, Beti ka Dhan, Saut, Sajjanata ka dand, Panch Parameshvar and Pariksha.

His famous short stories are: The timeless beastly tales and other stories, From Heaven Lake: Travels Through Sinkiang and Tibet, Arion and the Dolphin (for children)

R. K. Narayan: Rasipuram Krishnaswami Iyer Narayanaswami (born October 10, 1906) was an Indian writer who was renowned as a man of simplicity. His writing was as simple as his life was. He had been nominated for Nobel prize for literature several times. The compassionate humanism of each of his short and tiny stories. Swami was one of his best characters which was even adapted as a series on Doordarshan. Rasipuram Krishnaswami Iyer Narayanaswami won various awards and honors for his works. These include, Sahitya Akademi Award for The Guide in 1958 and Padma Bhushan in 1964.

His famous short stories are: Gods, Demons and Others, The Grandmother's Tale and Selected Stories, A Horse and Two Goats and Other Stories, Malgudi Days (book), Under the Banyan Tree and Other Stories and The World of Malgudi.

Ruskin Bond: Ruskin Bond (born May 19, 1934) is a great Indian writer of British descent. He has authored many great children's stories and was awarded Sahitya Akademi award to honor his work of literature. His famous character is Rusty who was involved in various mischievous activities since his birth.

His famous short stories are: The sensualist, The night train at Deoli, The cherry tree, The tiger in the tunnel, Time stops at shamli, Sussana's 7 husbands, Delhi is not far, The room in the roof, Death of the trees, The blue umbrella, A flight of pigeons, When darkness falls.

Mahadevi Verma: Mahadevi Verma (Born March 26, 1907) was in true sense the modern Meera as Mahadevi Verma was greatly influenced by Buddhism and she was deeply aesthetic. Her poetry is marked by a constant pain, the pain of separation from her beloved, the supreme being.She brought Chhayavaad generation back to its position when romanticism was at its peak. She received Jnanpith award in the year 1982.

Her famous short stories and prose are: Ateet Ke chalchitra, Kshanda, Mera Parivaar, Path ke Saathi, Sahityakaar ki Asatha, Sambhashan, Sankalpita, Shrinkhla ki kadiya, Smriti Ki Rekhayen

Khushwant Singh: Khushwant Singh (Born Feb 02, 1915) was an Indian novelist, a lawyer and a journalist. He was a man of rare intellect and possessed many hidden talents. He was a graduate of St. Stephen's College, Delhi and King's College London.He was the editor of many reputed newspapers and magazines like, The Illustrated Weekly of India, The National Herald and the Hindustan Times.

His famous short stories' collections are: The Mark of Vishnu and Other Stories, The Voice of God and Other Stories, A Bride for the Sahib and Other Stories, Black Jasmine, The Collected Stories.

Mulk Raj Anand: Mulk Raj Anand (Born Dec 12, 1905) was the first Indian writer in English to be in the light in the international scene. He can be considered a pioneer in anglo-Indian fiction and the first to depict the masses and their plight. He highlighted many social evils prevailing in the society of that time. He himself was born in a coppersmith family but being an avid learner, he went to Cambridge for higher studies.

His famous short stories' collections are: The Lost Child and Other Stories, The Barber's Trade Union and Other Stories, The Tractor and the Corn Goddess and Other Stories, Reflections on the Golden Bed, The Power of Darkness and Other Stories Lajwanti and Other Stories, Between Tears and Laughter, Selected Short Stories of Mulk Raj Anand, Tales Told by an Idiot: Selected Short Stories.

Jhumpa Lahiri: Jhumpa Lahiri(Born July 11, 1967) is a Pulitzer prize winning writer known for works of fiction like Interpreter of maladies, The Namesake, Unaccustomed Earth and The Lowland. She is famous for the pondering thought she spends on each and every character and the mesmerizing emotional connection with them.

Her famous short stories' collections are: Interpreter of maladies, the namesake

Vikram Seth: Vikram Seth (Born June 20, 1952) is an Indian novelist, poet, travel writer best known for his epic novel 'A Suitable Boy'. For more than three decades he has been writing and getting the due appreciation from critics. He graduated from Corpus Christi College, Oxford and did his master's in economics from Stanford University, U.S.A. The novel 'The Golden Gate' published in 1986 made him one of the most highly acclaimed novelists of his time and the book won him plenty of accolade from readers as well as critics.

Anita Desai: Anita Desai(Born June 24, 1937) is one of the most notable contemporary Indian fiction writers in English. She was born to a Bengali father and how many pages is 1000 words  a German mother. She grew up in Delhi, receiving her education first at Queen Mary's School and later at Miranda House, one of Delhi University's most prestigious colleges. At the early age of seven, she published her first novel,Cry, the Peacock, in 1963. Desai since then published novels, short stories, and children's literature.

[diogodxlot]

i got tagged by @lewmilton !

get to know me!

nickname: vii

ethnicity: gujarati (hindu)

eye colour: brown

do you have siblings?: no

country: india

do you have any pets?: no but i really want a puppy :(

how many languages do you speak?: english, hindi, gujarati, a bit of spanish

guilty pleasure: 80s music

favourite thing to do w your friends: talk and just hang out together

favourite songs atm:

chantaje - shakira ft. maluma

no brainer - dj khaled, justin bieber, chance the rapper, quavo

climax - usher

favourite movie: the notebook

how many countries have you visited: 8

what are your favourite hobbies:

binge-watching TV shows lol

reading books

writing poems

watching football and cricket

any phobias: do ghosts count?

name 3 things you don’t like about yourself and 3 other things you love (physical and/or intellectual):

- I'm short tempered

- stubborn

- my fingers

love

- my jokes lol

- my eyebrows

- my hair

what was/is your best subject at school/uni?: math

favourite sports: football and cricket

what style best describes you?: 🤷

is marriage included in your life goals?: hell yeah lol

write a funny fact about yourself: I've watched the Conjuring more than 20 times and I still can't sleep properly at night after watching it lol

i tag @prettyboyswow @prettieparker86 @wolfdeamonghoul @trees-and-ink

[scribblesofabeloved]

Greetings for surpassing your junior years!

Wherein you discovered lesser rest yet

Yet full or jeers

Now get ready to present your very best

Trust me to choose Humanities and Social Sciences

For you will overcome not just a paper, but even a life test

In here, creative writing can move you into different ambiances

This is also where counseling and social work collaborate

As well as Philosophy let you learn in few glances

If you’re also fond of participating in a debate,

Have fun in speaking and thinking critically

So take HUMSS now, mate!

WELCOME DEAR!

It’s my pleasure to be with you here in my so-called “hood”. So maybe you’ll gonna ask if what is this for. Actually, I was just busy jotting down my ideas until I realized that I have to quit wasting time since this is for a scheduled task. (Hahaha!)

Anyway, let me introduce myself first.

My name is Camille and I’m 17. I’m in grade 12 right now and taking Humanities and Social Sciences strand under the academic track. Be joyful kid, because I’ll be your “not-so-pretty-but-just-tall” advocate for this time!! But before anything else, I want you to be informed about this blog.

This isn’t about your favorite love quotes

This isn’t a site for online dating so stop browsing on my account!

We’ll gonna learn how to become a good student here. (Believe me)

This is a serious business so I’ll be letting you to grab your daily dosage of happy pill right now. Hurry!

Now count 1 to 10 and we’ll gonna start!

So, what is it?

Under the academic track there are four main strands, namely Science, Technology, Engineering and Mathematics (STEM), Accountancy and Business Management (ABM), Humanities and Social Sciences (HUMSS) and General Acadmic Strand (GAS).

If you’re one of a kind having a deep passion towards literary, communication skills, psychology, counseling and law, well, welcome to the club! You’re maybe one of us–having creative minds, passionate souls and soft cinnamon hearts (the last word isn’t a joke!) because those things belong to HUMSS. Dealing with the subjects and lessons within this strand wasn��t difficult, neither easy too. All you have to possess are the following, in order for you to survive:

Two cups of patience (one for yourself and the other for your teachers (oops)

An abundant supply of papers and pens (those are tools for survival!)

ENOUGH self-esteem

A very courageous heart with a deep breath and an immortal soul

LOVE (since it conquers all. even your seatmate)

On the other hand, it is so enjoyable to study HUMSS since it really discuss about humans, society, politics and everything in it. Hey I’ll be sharing you some of my stories about being a HUMSS student for you to find out why did I choose HUMSS and why must you should do the same thing.

“Simula ng Huli” the making

I have the best pals

The first one was the called “best”

Next was only “pal”

In our Contemporary and E-Tech subjects, we had been given a task by our teachers to create our 10-minute short film. We decided to create something different since our fellow classmates agreed to come up with horror films. We made a drama out of a spoken poetry. We do not have dialogues instead we act the scenes that the poem portray.

Share some?

The story began when a Senior High School girl, Marisol, decided to step outside her shell. From an introvert, she made friends with some other people. Now, just like the usual scenarios, they made memories and shared struggles as well. But the sad thing happened then when many of her friends chose to part ways and everything about there friendship ruined. The story ended not in a blissful one, thus, remained melancholic.

The Sample Script

Pero siguro kailangan ko na nga talagang maniwala Maniwala na nasasaktan na ako at kailangan ko nang sumuko Dahil mahirap nang maibalik yung mga parte ng pinunit na pahina nitong bawat kabanata ng ating istorya Mahirap nang manatili sa isang sulok habang naaalala kung pano lang kayo nagparanas ng ligaya pero nagpalit din ng sugat na kailanman ay di na nga mabubura Pero Salamat parin, Salamat sa pagbibigay ng aral sakin na hindi lahat ng nagdudulot ng kasiyahan ay mananatili kailanman Siguro ito na nga ang panahon para matanggap kong ito na..

Ang Simula ng Huli

NOW, LET”S ESCAPE FROM REALITY!

Let us now talk about creative writing

What comes in your mind when hearing it?

Did you know that it is more of thinking?

Writing your thoughts might have spirit!

All you have to do is to hold a pen and sit

So you people with imaginations as high as a mountain’s peak,

Here is where you really fit

In the real world, let us come out and sneak!

It isn’t just about writing guys. It’s actually more on about thinking creatively and separating yourself from this world. And if you will gonna ask if what can I use to describe Creative Writing subject, I’ll just answer you with one word and would expound it..

AMAZEMENT! 

Now, ponder of what does being amazed means and you will be able to understand what message you’re intended to receive right now. Just kidding.

Creative writing subject is a break from the real routine of this world. Maybe in a newspaper, it is the feature page. It is the desert in a heavy main course. It is the apple of a pie and can be the water break of your practice. But it doesn’t mean that you’ll have to forget about your self and the society where you belong. No. Creative writing only wants us to breathe and pause amidst the fast run of a train. It wants us to have a short break while watching a long and annoying TV program. To sum it all, it intends to let us escape for a while in this real world through our own imaginations wherein we’re able to create our own world.

To share some, the most unforgettable moment during our creative writing subject was when we’re asked by our teacher to write our own ending of a particular story. Moreover, we wrote also our own short story inspired by a song. But it did not end there, because we usually ought to make a role play out of those stories. Amazing. Aside of those, writing or composing poems with different rhyme scheme is one of my favorite activities too. 

To learn isn’t just the goal of this subject, but rather, to make our experiences alive.

”Experience is the best teacher” as the cliche goes, because in my own perception it really gave us the grades. (HAHAHA!) I mean, our experiences and the emotions within those always lead us to a better piece of a story or stunning lines of a poem. This is the reason why many loves this subject. (including our teacher, yay!)

Oh, speaking of experiences, let me share you my great travel ever!

Three Days In the Paradise!

If you are lonely,

Keep in mind that you are best

And made splendidly!

Last June, I and the worship team members of our church had gone to a vacation. From San Jose del Monte Bulacan, it took us 4 hours and 20 minutes to arrive at Bongabon, Nueva Ecija. We spent our first day in Simple Life Resort.

The pool’s water wasn’t very strong with chemical contents since it came from the mountain brook. The staffs were very cheerful, the entrance fee was only 20php while the cottage rent costs 100php to 1000php and that made us stayed there until 7 in the evening. 

Simple Life Resort

The “Batanes of The East” and the Lighthouse in Aurora

After an enjoyable swimming and bonding, we headed our way to Dingalan Aurora. The travel time was only 1 hour and 5 minutes. That was the place where we’re really going to stay until the third day of our vacation. The people welcomed us in a certain beach resort  and they were very friendly. There, we had rented two cottages. 

The sea was so tidy  and the waves were very calm that’s why we almost lived there. Incidentally also, we’re fortunate to witness the opening of the town feast happened. The boats made up of flamboyant colors with patrons and bands paraded on the sea. 

I and my fellow youths together with our youth leader also did not let the day passed without even visiting the famous white beach resort in Dingalan. We did not actually went there for swimming, but for mountain climbing. It took us about 25 minutes riding a boat from the island where we’re staying in to the white beach resort, and so we’re welcomed by an abundance of jellyfish. It took us almost 30 minutes climbing the two famous mountains in Aurora. But even though my heart almost fell on my soles, the mountain view did not disappoint me. It actually made my breathe away! Believe me, my tears fell when I saw how beautiful and wonderful the scene was when we reached the peak of the second mountain (which was my favorite also), the so-called “Batanes of the East”. The temperature wasn’t that high that time that’s why we really enjoyed our climb. The mountain was still full of green tall trees and the ocean behind us was said to be a part of the Pacific ocean. I almost cry aloud when I thought how Great God is. The aesthetic made me realize that if God alone shaped these majestic things, how special we are, since we were the most important in all His creations.

Humanities and Social Sciences is perfect for your run, 

It isn’t as harsh as a bullet of a gun

But just as bright as the splendid sun

Now trust me because for sure, you’ll really have fun!

Hey! I hope that I inspired you and encourage you as well as you read through. If you’re still confused about the strand that you’ll be taking for your Senior Years, keep in mind that you have always to follow your passion. 

In HUMSS, maybe you’re not going to study numbers, but you will know the importance of those. You’re not going to balance an equation, but you will learn how to find equality and justice despite of the world’s realities. You’re not going to compute for a product’s value, but you will know how to value one’s life and the society’s products. So if you want to become a future world changer, having a passion for humanities and looking forward to a better society, be one of us! Choose HUMSS. 

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My Garden Essay In Hindi

I am writing to express my concern over the hindi language. Mera, dosa essay in hindi.

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There was a beautiful garden at my friend, riya’s place and i wished we had one too every time i saw it.

My garden essay in hindi. 6) a small part of my garden is used for growing. Sanskrit essay on my garden. My garden essay 4 (500 words) introduction.

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Since i water them i take care of them like my little ones. When we go to kerala for vacation, i help my grandmother to water the plants. It is my favourite place in the house.my garden has all types of plants and some trees.

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Gender: Female

Origin: Persian

Meaning: Lilac Tree

1. Meaning of the name "Lila"

Derived from Arab leila (night, dark beauty) or Persian leila (black hair). It is used in England starting with the poem "The Giaour" by George Byon (1813). Lila's name is the name of a girl of Arabic, Hindi, Persian meaning "night; play".

Lila is derived from the Arabic wag, meaning night. It has distinct origins in Sanskrit with the meaning of the game. In Hinduism, Lila is a concept of the universe as a playground of the gods. Lilah and Lyla are variant spellings.

L. Hardworking and strong, Lila is a little bit closer to the East. In Hinduism, Lila is a conceptualism of the universe as a playground of the gods. The only reminder: As a group, the double names have become so stylish that they are filled with a comprehensive trend and tend to blend together.

So while there may not be another girl named Lila in town, among people named Lillian, Lily, Layla, etc., you may feel there is a double overload. Lila has been a recent hot TV character name, seen on such shows as Damages and Dexter, as well as Friday Night Lights, where the name is spelled Lyla—another trendy version.

Trivia tidbit: Diane Sawyer was born Lila Diane.

2. Lylah

Lylah is a fanciful respelling of either Lila from the Hindu female name (लीला) meaning “play, amusement” or Lila which is an English simplified variation of Leila (an Arabic name meaning “night”).

According to Arabic tradition, Leila has been used for girls born at night or for girls who exhibit the characteristics of the dark beauty of Islam. Please see related name pages for more detailed information.

The only English speaking nations that opt for the Lylah spelling besides the United States are Canada and Australia. Lylah is a new and yet common name for similar sound names.

3. Top 3 Famous Person Named Lila

Lila Downs:

Lila Downs (born September 19, 1968) is a Mexican-American singer-songwriter. She performs her works as well as traditional Mexican music and music. She also incorporated Mexican indigenous influences and recorded songs in indigenous languages ​​such as Zapotec, Maya, Nahuatl and P'urhépecha.

Lila Bell Wallace:

Lila Bell Wallace (December 25, 1889 – May 8, 1984) was an American magazine publisher and philanthropist. Wallace co-founded Reader's Digest with her husband Dewitt Wallace, publishing the first issue in 1922.

Lila Kedrova:

Lila Kedrova (full name in Russian Елизавета (Лиля) Николаевна Кедрова) (9 October 1909 - 16 February 2000) was a Russian-born French actress.

She won the Academy Award for Best Supporting Actress for Zorba the Greek (1964), and the Tony Award for Best Performance by a Featured Actress in a Musical for the same role in the musical version of the film.

More ideas for you: Georgia Name Meaning

From : https://wikitopx.com/name-meanings/lila-name-meaning-714841.html

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Wombwell Rainbow Interviews

I am honoured and privileged that the following writers local, national and international have agreed to be interviewed by me. I gave the writers two options: an emailed list of questions or a more fluid interview via messenger.

The usual ground is covered about motivation, daily routines and work ethic, but some surprises too. Some of these poets you may know, others may be new to you. I hope you enjoy the experience as much as I do.

Amit Shankar Saha

is a widely-published award-winning poet and short story writer. He has won the Poiesis Award for Excellence in Literature, Wordweavers Prize (both for poetry and short story), Nissim International Runner-up Prize for Poetry. He has been nominated for the Pushcart Prize and the Griffin Poetry Prize. His works have been included in Best Indian Poetry 2018 anthology. He has been a delegate writer at Sahitya Akademi and Apeejay Kolkata Literary Festival amongst other literary festivals. He is the co-founder of Rhythm Divine Poets, Assistant Secretary of Intercultural Poetry and Performance Library, Fiction Editor of Ethos Literary Journal and Chief Executive Editor of Virasat Art Publication. His debut collection of poems is titled “Balconies of Time” and his latest collection of poems is titled “Fugitive Words”. He has co-edited a collection of short stories titled “Dynami Zois.” He has a PhD in English from Calcutta University and teaches in the English Department of Seacom Skills University. His articles, stories and poems have appeared in newspapers, magazines, journals and anthologies nationally and internationally like Ann Arbor Review, Entropy Magazine, The Winnow Magazine, Harbinger Asylum, Tuck Magazine, I am Not a Silent Poet, Duanes PoeTree, Queen Mobs Teahouse, Le Simplegadi, International Times, Oddball Magazine, The Wagon Magazine, Shot Glass Journal, Cha: an Asian Literary Journal, Kitaab Magazine, Asia Writes, The Cauldron, The Pangolin Review, Hakara Journal, Estrade Magazine, Four Quarters Magazine, Coldnoon, Muse India, Palki, The Leaky Pot, Kritya, Writing Raw, Learning and Creativity, Dissident Voice, Different Truths, Indiaree, Hall of Poets, IPPL Journal, Journal of Bengali Studies, Desi Journal, Desilit Magazine, Boloji, Rupkatha, Langlit, Diplomatist, Asian Signature, Setu Mag, The New Indian Express, The Statesman, etc.

Author of “Balconies of Time” and “Fugitive Words” Blog: http://amitss6.blogspot.in Website: http://sites.google.com/site/amitshankarsaha

The Interview

1. When and why did you start writing poetry?

I have been writing poetry since my early school days but then later one of my poems got published in my school’s wall magazine which encouraged me to look seriously into writing poetry. In 1995 when I was hardly eighteen I wrote a poem “I Met a Cherub in My Dream” in imitation of John Keats which later got published in Muse India magazine. This poem helped me realize much like Keats that I shall be amongst the poets. So one can say that is how it all began.

Regarding why I write poetry, is like asking why I speak or breathe. It came naturally since from my childhood I have been studying literature and poetry has been a major part of it. But to answer why I write what I write in poetry can have a different answer. Poetry is often very personal for me. It is my personal expression though it may not be always be the best expression deemed by a critic. It is because I may have a strong association with a less appropriate word which no one else is privy to. Poetry is also a display of my erudition and poetic abilities because those are also part of my personality. Then there is also a struggle, a struggle of words. The words that enter my poem are always in minority to the words that don’t enter the poem and the majority constantly tries to diffuse in my poem. My struggle is to keep them at bay, cutting out superfluity until I am on the brink of a crisis of syntax and I have a poem. Poetry is also a kind of rebellion for me. It is the rebellion of a cornered cat between the walls of languages (English, Bengali, Hindi), between the walls of reasoning and passion, between the walls of utilitarianism and art. But the corner is also a place of privilege because it is here that I find the intersection of walls. It is a marginal space and even though I cannot live here, I can spring forth from here. This springing forth of the cornered cat is poetry. Art lies in painting oneself into a corner and giving oneself no choice but to spring forth in spontaneous composition of poetry.

2. Who introduced you to poetry?

I started studying poetry seriously in depth with all its nuances under the tutelage of my school teacher Steve Menezes. He encouraged me to read beyond the syllabus. Later I came in contact with fellow poets like Kushal Poddar and Ananya Chatterjee who influenced me a lot. Also as part of Rhythm Divine Poets, a poetry group co-founded by me for the promotion of poetry, I came across a lot of contemporary poets who constantly shape my imagination through their works.

3. How did Kushal Poddar and Ananya Chatterjee influence you?

I was quite a proficient creative writer all throughout my school and college days. But when I started doing my PhD in English at Calcutta University, which made me adopt the academic register in writing extensively, I somehow lost the free flow of my creative writing. After my PhD in 2010 I started attending creative writing workshops to get back the so-called “shaping spirit of my imagination”. There I met Sufia Khatoon and Anindita Bose and with them I co-founded Rhythm Divine Poets poetry group. Through it I came in touch with the two poets Ananya Chatterjee and Kushal Poddar. Since my writing had become devoid of emotion and very distanced, the works of these two poets and the conversations I had with them helped me to get back the spontaneity and passion in my writing. They inspired me both in exploring the content and craft of poetry, themselves being excellent poets in their own right. Kushal Poddar introduced me to contemporary poetry and poets, especially of the West. Ananya Chatterjee gave me the very reason to compose poetry.

4. Often in your poems you combine two different ways of using images. For example in “Body”

Our bodies become forgotten rain, Pours like amnesia.

A transformation then a neurological condition?

My usage of images often marks a movement, either progression or digression. This dynamism is very organic in the sense that I don’t use it deliberately but it comes naturally as a creative trajectory. There is usually a link like in the example that you have cited from the poem “Body”. The transience of rainfall and the transience of physical experience bring together the first imagery but the link word here is “forgotten”. The rain that is forgotten or the physical experience that is forgotten is transient but it is also part of a perpetual and progressive forgetting like amnesia. The rain that is forgotten is still pouring in that forgotten space called amnesia. The mind will forget what the body experienced but the past cannot be wiped out, so the experience will stay recorded in some inaccessible corner of unconscious or subconscious. The neurological disorder of amnesia does not wipe out the past or the memory of it but just displaces it in an inaccessible spot or diffused space. There is a logical sequence in the progression of imagery from tangible to amorphous. The solid body becomes the fluid rain, which in turn becomes something metaphysical. This is what poetry does; it transforms the concrete into the abstract, the particular into the universal.

5. What is your daily writing routine?

At present I don’t have a routine for writing daily. But at various phases of my writing career I have had different routines. Usually it is either early in the morning before the day begins or late in the night till I fall asleep. During the day there are too much of intrusion of the world to have that creative space. Though I have written during daytime also especially when I am in a writing workshop.

6. In Balconies there is a series of poems featuring trees and forests, both externally and internally in relationships and sometimes the forest takes on a mission of its own.

Yes. Many poems in “Balconies of Time” have trees and forests. There are multiple reasons for it. Firstly, in 2017 I shifted from the city of Kolkata to the predominantly rural campus of my university in Kendradangal (Birbhum) near Bolpur (Shantiniketan). I came in contact with nature. That was one inspiration. When I first reached Bolpur it was the Bengali month of Bhadra, which is considered inauspicious to begin anything new. Hence it was difficult for me to find a place on rent to stay there. I got a place away from the town proper in Ballavpur. The poem “Unseason” was born there during a morning walk amidst rural surrounding and written in a girl’s voice. Secondly, the train journeys every weekend between Kolkata and Bolpur also provided me sights of nature. Poems like “Impressions from a Train” and “Silhouttes” were born thus. Thirdly, some of my poems are written in response to or as companion pieces to Ananya Chatterjee’s poems, like “Birch”, “Lost Verdancy”, “A Secret of Forests”, which have lots of nature imageries. Some poems like “Heartbreak of the Lost Earth” are written as ekphrastic pieces on seeing pictures posted by her of places like Binsar to California during her visits. Moreover, I grew up appreciating poetry of the English Romanticism, so the influence of nature remains, if not directly then as metaphor. Many of my poems are written “against the grain” of prevalent mode of poetry writing that is in vogue. Poetry for me is very organic and not just an intellectual exercise in craft and the traditions I belong to are multiple. So there is always the danger of my poetry being interpreted partially because it is difficult for a single person to access all the layers of my influence. But usually my poems yield to three layers of meanings – the social, the aesthetic and the personal. But be careful, the social appeal may be for a western reader, the aesthetic emanating from Bengali culture and the personal may be too private to know. The complexities in modern poetry need not be invested only through form; there are other more organic modes of modernity too.

7. How do the writers you read when you were young influence your work today? How aware are and were you of the dominating presence of older poets traditional and contemporary?

Writers one reads while growing up stay for a long time. Sometimes it can be a hindrance as the influence stops one from finding one’s own voice. Such was my condition under the influence of the poets of English Romanticism. Some of the best poems of my younger days were written in imitation of Coleridge and Keats. As a student of literature I could feel it when I was nearing them in quality. That gave me confidence that I have talent but it did not give me my own distinct voice. Later on when I started reading the modern poets and, under the influence of Kushal Poddar, contemporary American poets like Charles Simic and Billy Collins I started integrating the two influences. Take for example the conversation poems of Coleridge like “This Lime Tree Bower My Prison” or “Frost at Midnight” where he starts with something personal and specific and gradually reaches a universal appeal or philosophy. Many of my poems like “Double Helix” are written in that mode but without the Romantic ornamentation but employing contemporary techniques of poetry writing.

8. In many poems, as in Spices you make inanimate objects take on human characteristics.

I believe poetry rides on metaphors. Recently, writing about my poetry in The Asian Age newspaper Sudeep Sen remarked about the oblique nature of my poems. When I invest inanimate objects with human characteristics it is usually either because these objects are standing for something else, which are animate, or they have come alive in the imagination and such a perception too obliquely tends towards a purpose. Take for example the poem you mention, “Spices”. The first line of the poem echoes the title of a chapter in Arundhati Roy’s Booker Prize winning novel “The God of Small Things”. Immediately through an intertextual network the background of the poem is set. The poem speaks of the spice trade that used to take place on the coast of Kerala during ancient times. Those migrant traders and ancient grandmothers are no longer there but the spices still remain and they bear the same smell from those past times. They are the connectors, the carriers of history – the forefathers and foremothers of the spices. The fenugreeks, the cardamoms, the mustard, the bay leaves, the cloves are the great migrants over time. They stand for all the ancient sailors and traders who migrated. By giving the spices human characteristics I am making them speak for the absent or missing or unrecorded migrants of the global past. But there is still more. The key line is “listening to smells, smelling stories” which evokes a state of synaesthesia. This is how we should read the history of those who have not left any written history. Since the perception in poetry is at an oblique angle it opens up a position of vantage that is not available to others. Only a poet can perceive the restlessness of mustard.

9. Who of today’s writers do you admire the most and why?

There are many prose writers and poets whom I admire but if I have to choose the one poet I most admire it has to be Kushal Poddar. He is not just a fantastic poet but has a felicity with words that is quite unmatched. He knows all the techniques of the craft of poetry writing and yet he is so unobtrusively original. He just takes the breath out of the reader by the way he perceives an image. At a time when many poets and critics discourage ending a poem with a punch line, he does so with aplomb and gets critically appreciated too for the same. His poetry assures us of the future of the art and no doubt he has such a dedicated following all over the world.

10. As in your answer to my first question and in many of the poems in Fugitive words become alive and act in human ways.

Exactly. In fact the opening poem of my second collection “Fugitive Words” is titled “My Words” where I ask the question: “my words, those that live in huts by the tracks,/ who owns their lives in this light of dusk?” My words are like those people living on the margin and like those people these words are alive. When I first showed the manuscript of “Fugitive Words” to the noted poet and scholar Philip Nikolayev he gave me some very good feedback. But he also had reservations on my usage of Indian English. I replied that the instances of Indian English, for example “will shy to flower here”, are deliberate and are attempts to break syntax to prove their inadequacy to express thoughts emanating from a different culture. He objected to my usage of the word clamber in the poem “My Words” because it meant “to climb” and I explained that this usage is also deliberate because I observed the broken roof and broken bridge from moving vehicles (car and train) and the perspective was that of ants for whom I believe walking on the floor and climbing up a wall are the same motion. The poem My Words shows how impostor words (the fugitives), words that convey provincialism, dialects, culture-specific passions, etc. invade the domain of cultured and standard English of my poems. If words are not alive, they can’t invade.

11. The themes of memory and water run through the poems in Fugitive Words.

The theme of memory is perennial in my poems because most of my poems start from a speck of memory. Too much of presentism is sometimes a deterrent for my poems. So I look back into the past and it is in retrospect that I attain a reflective mood for poetry. I believe there is something soft and fluid in my poems and hence the abundance of the theme of water. Be it “The Waterfall” or “The Last Riverine Civilization” from “Fugitive Words” or even poems like “The River and I” from “Balconies of Time”, water takes my poems forward. Just like it is the major constituent of the earth and our body, it too constitutes majorly my poems. When Duane Vorhees had interviewed me I had told him that “Poetry is like water, it takes its own shape.”

12. What would you say to someone who asked you “How do you become a writer?”

The primary thing to become a writer is to write. Often diligently, looking for scope of writing and be patient. And one has to identify it as a calling. If one heeds to the call one cannot escape from becoming a writer. If there are nets flung at you by society and family then James Joyce in three words has given the escape route in his autobiographical novel “A Portrait of the Artist as a Young Man” – silence, exile and cunning. And obviously one needs some talent. I became a writer through this recipe even before I read the book and I recommend the same to others. If I am not writing poetry, then I am writing book reviews or research articles or short stories or at least reading. Reading is essential because it is then that then one comes to know the tradition and where one stands in it.

13. Why do write? Is it an impulse, a vocation?

Because writing is the one activity that I have been doing since my childhood – be it writing an answer to a question or writing a story. In both the cases there is creativity involved. I was never one who would memorize things and reproduce. So naturally I grew up doing that as best and it became my vocation. When my parents forced me to study science after school I was quite baffled because all throughout my school life I had studied English language and literature as major subjects and logically developed the most liking and proficiency in those subjects. I could not reconcile with the irrational arguments of the people on the side of science and so even though I graduated in science I had not given up my study of literature. Later on I went on to do my masters and doctorate in English from Calcutta University. I desisted from speaking during this period and writing became my predominant mode of expression. I created my blog with the subtitle A Room of My Own. Writing somehow makes me feel empowered; it is something basic in me. I always felt its calling. For example a piece of writing that I liked in a newspaper in 1992 I had cut it and kept it because I had a vague sense that I will use it somewhere in my writing career and I did use it about twenty years later. There are numerous such instances. I never doubted myself that I will not be a writer even when I was very young.

14. There is a lot of rain in these Fugitive Words?

Rains and clouds have enormous significance in Indian culture and mythology. The monsoon rainfall comes after the hot summer months in India and is hence harbinger of relief and good omen. So when I use the symbolism of rain in my poems it usually represents something good and pleasant like in the poem “Forgetting the Rains”. Rains also indicate a kind of dynamism, a kind of precipitation of action as opposed to the stasis of words. Rains replenish the theme of water that runs through my poems.

15. What do you hope readers will be left with after reading both these collections?

Poetry has seen a sort of revival in the recent years thanks to the efforts of organizations in India like RædLeaf Foundation for Poetry & Allied Arts, Great Indian Poetry Collective, Rhythm Divine Poets, Poetry Paradigm and now we have the Intercultural Poetry and Performance Library helmed by Bashabi Fraser, Sanjukta Dasgupta and Jaydeep Sarangi. Along with these there are independent presses like my publisher Hawakal and others who have aided in this revival. There is support from seniors like Sanjeev Sethi to juniors like Nikita Parik and the poetry community as a whole is also very supportive. In this perspective of having contributed in cultivating the field in which I want my poetry to exist, if I place my two books I first have to judge who my readers are before I can say what they will take from my books. My two books are not on any particular theme or written in any particular style. If the reader is a dilettante or a connoisseur or a layman or a critic, each will find something of his/her choice in the variety of poetry I present. Perhaps no one reader will be able to love my entire collection or hate it for that matter fully because of this diversity. The underlying thread of creativity that connects my poems of the collections may not be discernible to anyone apparently. So I would expect a reader to take back a multiplicity of experience though my collections where there are free verses, sonnets, ghazals, and so on and get to know a complete poet in the process. In due course of time they might discover the underlying thread of creativity too. Predominantly my poems are about love and nostalgia, both of which comes easy, and that is why to write something genuinely different and original in thought or expression or in combination on those topics is a big challenge. I hope the readers will be able to identify that newness and get pleasure too in the process. Too much sameness in poetry writing, especially in style, stagnates the field. I would not like reading poetry to be an exercise in intellectual code breaking or looking at a piece of ornamental art exclusively. The right balance is the key. If the reader can get that key I would be happy and if the aspiring poet can imbibe that instinct to balance I would be even happier.

16. Tell me about writing projects you are involved in at the moment.

There are quite a few writing projects I am currently involved in. As the Chief Executive Editor of Virasat Art Publication an anthology paying poetic tributes to Jalianwala Bagh is getting ready. Gopal Lahiri is editing the volume. With fellow poet Jagari Mukherjee I am planning an anthology of Kolkata Poets for the Intercultural Poetry and Performance Library. I have done around forty book reviews and I would like to produce a book of book reviews. Though lately I have not been writing short stories many of the awards I have won are in that category. So I would like to get a collection of my short stories published soon. More collections of my poems will definitely come out in the near future. Then there is a very interesting Indo-US poetry project I was involved in along with Kushal Poddar, Sana Mohammed, Kevin David LeMaster, Julie Kim Shavin, Sufia Khatoon, Anindita Bose, and others where we wrote poetry letters to each other in 2015-16. That manuscript is in its draft stage and I am not getting time to take it up further. Also I have been writing very little poetry at this stage of my writing career because I would like to go to the next level of poetry writing as Keki Daruwalla recently indicated that to me and I am waiting for that breakthrough. I think I owe it to my followers and readers.

Wombwell Rainbow Interviews: Amit Shankar Saha Wombwell Rainbow Interviews I am honoured and privileged that the following writers local, national and international have agreed to be interviewed by me.

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01/14Celebrate World Poetry Day with 13 poets you should definitely read

Poetry is a beautiful literary form of expression that has the power to touch and caress the deepest core of one’s heart and soul. Not only does it have the power to express deep emotions with meaningful symbolisms, rhythmic verses and powerful imageries, but it can also communicate values, beliefs and ideas that have travelled through generations and different cultures. William Wordsworth had once defined poetry as “the spontaneous overflow of powerful feelings” and up until today, poetry is seen as one of the best literary mediums to express oneself. It is true that one cannot imagine a world without poetry.

21st March is recognized by UNESCO as World Poetry Day, wherein all the poets in the world are celebrated and commemorated for their creative spirits and the ability to beautifully convey their messages through lyrical expression. On this special day, here are 13 outstanding poets you should definitely read:

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02/14Robert Frost

Robert Frost, also known as the poet of sadness, was one of the most-renowned American poets of his time. The only winner of four Pulitzer Prizes, Frost’s poetry mainly deals with themes of isolation and alienation, depicting his deep understanding of the human nature and existence. Known for his beautiful and realistic depiction of rural life, some of his best poems include “Birches”, “The Road Not Taken”, “Mending Wall” and “Nothing Gold Can Stay”.

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03/14John Donne

John Donne was an eminent scholar and poet of his time. One of the greatest representatives of the metaphysical age, his literary poems were known for their metaphorical references and sensual styles which included sonnets, love and religious poems, elegies and satires. Donne’s style of writing was famous for its abrupt openings and ironies. Some of his best works include “The Flea”, “The Good-Morrow” and “The Canonization”.

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04/14William Wordsworth

William Wordsworth was one the first English Romantic Poets, who along with Samuel Taylor Coleridge began the wave of Romanticism in English Literature with their joint publication “Lyrical Ballads”. A poet laureate, he is known for his themes of spiritual and epistemological connections between the humans and nature. He advocated using words and speeches in literature that were more accessible to the common man. Some of his most read poems include “Ode: Intimations of Immortality from Recollections of Early Childhood”, “The Prelude” and “The Solitary Reaper”.

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05/14Maya Angelou

One of the most inspirational and acclaimed poets, author and activist, Maya Angelou is well-known for her generous contributions to the literary field. While her poems explore variety of themes including love, loss, gender, sexuality and racism, they have been referred to as anthems for African-American people. Often known as the “People’s poet” or “the black woman’s poet laureate”, some of her famous poems are “Phenomenal Woman”, “Alone” and “Still I Rise”.

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06/14Rabindranath Tagore

Rabindranath Tagore is a world-renowned Indian poet and philosopher, who has inspired an entire generation of literature enthusiasts. A Nobel Prize winner for Literature, Tagore was also known by some as the ‘Bard of Bengal’ for his continuous efforts and contributions in reshaping Bengali literature and music. “Gitanjali”, Tagore’s anthology of poems is considered one of his most applauded masterpieces in the world of Indian literature.

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07/14Alfred Lord Tennyson

A poet laureate Ireland of the Victorian era, Alfred Lord Tennyson was one of the three most famous living persons of his time. He was an official poetic spokesperson for the period of Queen Victoria’s reign and went on to receive much acclaim for his contributions to the poetic world. Most of his writings portrayed a deep sympathy towards the loss of a rural existence due to the coming of an industrial age. Therefore, most well-known works of Tennyson include “Ullysses”, “Break, Break, Break” and “Mariana”.

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08/14Walt Whitman

An American, Walt Whitman is considered one of the greatest literary poets in English language of his time. He is widely known for his epic collection of poetry “The leaves of Grass” published in 1855 and republished several times until his last publication that consisted of 400 poems that he cherished the most. He is also famously known for his poems such as “Song of Myself” and “I Sing the Body Electric”.

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09/14Sylvia Plath

Sylvia Plath is one of the most cherished poets of the 20th Century. She died at a young age of 30, but was successful in creating a literary legacy that has inspired many young aspiring writers. She is credited with starting the literary genre of ‘confessional poetry’, which focuses on the emotional journey of the Self. Some of her best works include “Lady Lazarus”, “Daddy”, “The Moon and the Yew Tree” and “Morning Song”.

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10/14Nirala

Suryakant Tripathi, better known by his pen name ‘Nirala’ was one of the most-acclaimed poet of the modern Hindi literature. Not only did he write in Hindi, he also mastered other languages such as Sanskrit, English and Bengali. Little-known to the English speaking world of poetry, Nirala majored the art of writing in the Hindi Literature with mastery of Khari Boli. Some of his most well-known works are “Dhwani”, “Geet Gunj” and “Janmabhumi”.

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On Stories We Tell

For my twin toddlers, the instant attention-grabbing words are — Once upon a time. They drop everything and dash to whoever uttered those words.

It’s my only weapon to break their fights and tantrums. But once those words slip out then there is no escape.

“Tell me the story, Papa. Please tell me the story.” To their relentless prodding, I give in every time.

It doesn’t matter how interesting or boring the story is. Neither does it matter if I am telling them the same narrative for the hundredth time. Fed up they’re not. Any pause to catch my breath is cut short by an impatient stare demanding an exciting twist in the tale. Their eyes widen as if it’s not the ears but eyes they’re listening with.

Kids are suckers for stories. So are adults. Aren’t we?

The content may change but the fascination for stories is deeply ingrained trait that evolution has bestowed on the human brain. What separates a story from an uninteresting collection of information?

John found a cat is information. John found Mary’s cat is a story. Brilliant, isn’t it?

It’s extraordinary how human species raced to the top of the food chain in a matter of few thousand years in spite of being physically weaker than many other animals. Historians provide several explanations for that but one of the most convincing theory among them gives credit to Homo Sapiens’ unique ability to believe in imagined realities — stories and fiction.

Yuval Harari, in his brilliant book Sapiens, writes –

…fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world, whereas ants eat our leftovers and chimps are locked up in zoos and research laboratories.

Over the past thousands of years, human brain has evolved rapidly and optimized itself for using language. The more adept we became in employing language the better we became with imagination. The more we imagined, sharper became the brain for processing stories.

Today, memory champions exploit this all the time. A trick called Mental Palace is a brilliant hack to remember a random piece of information e.g. a shuffled deck of cards.

This is how Mental Palace works: Imagine a palace with large rooms, vivid objects, and fancy props. Then as you are shown the cards, start placing these cards mentally inside the palace in such a manner that it creates a coherent story. Of course, it takes some practice. But it’s not very hard. You should hear my kids making up their own stories where they make Warren Buffett and Charlie Munger fight with Rhinos and Lions.

The best thing is that it’s an imaginary palace. Which means you can even bend the space, twist the walls, and blow things up or shrink them down out of proportion. Do whatever makes the picture vivid and amusing to your grey cells.

Thanks to evolution again, human mind is strikingly good in remembering visual map of physical spaces. So when those physical spaces are superimposed onto a logical sequence of events, i.e., a story, very minimal effort is required to recall the order of the deck of cards because all you have do is mentally revisit the imaginary palace and recall the stories associated with it.

Mental palace is a brilliant tool to leverage our brain’s superpower, i.e., special liking for stories and maps of physical spaces.

In the mental palace trick, the imagined story as well as the piece of information — a shuffled deck of cards — were both unimportant. Yet, our brain was fooled into treating it as important data and processed its storage and retrieval efficiently.

The lesson that I take away is that a story is a very effective tool to package any message or an abstract idea. Stories themselves are unimportant. What’s more important is the idea the construct of a story is enclosing inside it.

An idea doesn’t stick well if it’s not packaged in the form of a story.

Ancient Indian sages were called rishis, explains famous mythologist and author Devdutt Pattanaik, “those who saw what others did not see. They had discovered the value of stories a long time ago. The word for story, katha, and epic narrative, ka-avya, is rooted in ka, the first alphabet of Sanskrit, which is also the root of all interrogative words, in Sanskrit, as well as in Hindi today: kab (when), kahan (where), kyon (why), kaun (who). In the Veda, Ka is one of the earliest name of God. Ka-tha and ka-avya means stories and poems that enable humans to answer the questions about their existence and purpose. They are maps of the human mind. Mahabharata and Ramayanas were kathas and ka-avyas, composed by Vyasa, the sage who compiled and classified the Vedic mantras into chapters (mandalas), who passed it on to bards or sutas.”

In some way, all the mythological stories are just that — stories. One could debate endlessly if Ramayan or Mahabharat really happened. But there is little doubt about their resilience for they have survived through centuries. However, how many of these stories were successful in preserving the original message? The jury may still be out on that.

The best stories are the ones which leave enough room for the audience to fill in their own imagination. That’s the reason why stories take completely new form as they travel between one person’s mouth to another one’s ear. Everyone has his/her own interpretation of these stories. And what message do we derive out of these stories is again very subjective. The version of a story we propagate is heavily influenced by how we interpreted it at the first place.

Telling stories is not easy, writes Harari, “The difficulty lies not in telling the story, but in convincing everyone else to believe it. Much of history revolves around this question: how does one convince millions of people to believe particular stories about gods, or nations, or limited liability companies? Yet when it succeeds, it gives Sapiens immense power, because it enables millions of strangers to cooperate and work towards common goals.”

That brings us to another important missing piece here. If story is a box and the message is the jewel inside, then “the context” is the key that unlocks the box. Wrong context, i.e., wrong key and the box doesn’t open. The story doesn’t work.

In other words, when the key is misplaced, when the context is forgotten, the message becomes inaccessible and people mistake the box, i.e., the story itself to be the message.

That’s why the world rewards those who have mastered the art of summoning a great story under the right context. A great storyteller is one who knows which stories need to be told and when.

When an entrepreneur creates a startup, he believes in a story. And then he builds his team by telling the same story to others — his investors, his partners, his employees, vendors, and customers. The success of his endeavour rests on his ability as a storyteller. Ditto for a CEO who runs a large organization. The company’s goals, mission, vision, culture etc. are all stories and a great management is one who can communicate these stories convincingly.

So as an investor, when you are evaluating the ability of the CEO to execute, look for this trait – Is he/she a good storyteller?

I’ll leave you with this unnerving observation from Harari —

Over the years, people have woven an incredibly complex network of stories. The kinds of things that people create through this network of stories are known in academic circles as ‘fictions’, ‘social constructs’ or ‘imagined realities’. An imagined reality is not a lie. Unlike lying, an imagined reality is something that everyone believes in, and as long as this communal belief persists, the imagined reality exerts force in the world. Most millionaires sincerely believe in the existence of money and limited liability companies. Most human-rights activists sincerely believe in the existence of human rights.

Ever since the Cognitive Revolution, Sapiens have thus been living in a dual reality. On the one hand, the objective reality of rivers, trees and lions; and on the other hand, the imagined reality of gods, nations and corporations. As time went by, the imagined reality became ever more powerful, so that today the very survival of rivers, trees and lions depends on the grace of imagined entities such as the United States and Google.

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