#Best Makeup Courses in Punjab
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Best Makeup Training Institute in Bhatinda
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Why is Professional Makeup Course So important & Scope- 99 Institute of Beauty & Wellness Hoshiarpur
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Best Party Makeup Look- Alex International Beauty Academy and Salon
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Exploring Indian Cuisine in Melbourne: A Culinary Journey
Melbourne, a city renowned for its vibrant food scene, offers a diverse array of dining options that reflect the multicultural makeup of its population. Among the many culinary delights that this city has to offer, Indian cuisine stands out for its rich flavors, aromatic spices, and the warmth of its traditional dishes. Whether you’re a long-time fan of Indian food or new to the experience, exploring Indian cuisine in Melbourne is a culinary journey you won’t want to miss.
The Essence of Indian Cuisine
Indian cuisine is a tapestry of regional flavors and cooking traditions that vary from the northern to the southern parts of the country. From the creamy curries of Punjab to the fiery dishes of Kerala, Indian food is known for its complexity and depth of flavor. The use of spices like cumin, coriander, turmeric, and garam masala, combined with fresh ingredients, creates dishes that are both aromatic and flavorful.
In Melbourne, the Indian food scene is a reflection of this diversity, with restaurants offering a wide range of dishes that cater to different tastes and preferences. Whether you’re craving a spicy curry, a flavorful biryani, or a light and fresh dosa, you’ll find something to satisfy your appetite.
Top Indian Dishes to Try in Melbourne
When exploring Indian cuisine in Melbourne, there are a few dishes that you simply must try. These dishes not only showcase the rich flavors of Indian cooking but also highlight the diversity of the cuisine:
Butter Chicken: One of the most popular Indian dishes worldwide, butter chicken is a creamy, mildly spiced curry that’s perfect for those new to Indian food. Made with tender chicken cooked in a rich tomato-based sauce, it’s a dish that’s both comforting and full of flavor. In Melbourne, you’ll find many restaurants that offer their own unique take on this classic dish.
Lamb Rogan Josh: A traditional dish from Kashmir, Lamb Rogan Josh is a flavorful curry made with tender lamb, yogurt, and a blend of aromatic spices. The dish is known for its deep, rich flavor and is best enjoyed with steamed basmati rice or naan bread.
Vegetable Biryani: Biryani is a fragrant rice dish that’s a staple in Indian cuisine. Made with basmati rice, mixed vegetables, and a blend of spices, vegetable biryani is a dish that’s as flavorful as it is aromatic. It’s a perfect option for vegetarians or those looking for a lighter meal.
Paneer Tikka: Paneer tikka is a popular vegetarian dish made with cubes of paneer (Indian cottage cheese) marinated in spices and grilled to perfection. The smoky flavor and spicy marinade make this dish a delightful appetizer or main course.
Samosas: A classic Indian snack, samosas are crispy pastries filled with spiced potatoes, peas, and sometimes meat. They’re the perfect way to start your meal and give you a taste of the bold flavors that Indian cuisine is known for.
Gulab Jamun: End your meal on a sweet note with gulab jamun, a popular Indian dessert. These soft milk dumplings are soaked in a sweet syrup and are the perfect way to round off a satisfying meal.
Where to Experience Indian Cuisine in Melbourne
Melbourne is home to a number of Indian restaurants, each offering its own unique take on traditional dishes. Some of the city’s best Indian dining experiences can be found in areas like Richmond, Brunswick, and the CBD, where you’ll find a mix of fine dining establishments and casual eateries.
For those looking for a more upscale dining experience, Melbourne boasts several fine dining Indian restaurants that offer a modern twist on traditional dishes. These restaurants often feature innovative menus that incorporate local ingredients while staying true to the essence of Indian cuisine.
If you’re after a more casual meal, there are plenty of Indian eateries and takeaway spots scattered across the city. These venues often serve up generous portions at affordable prices, making them a great option for a quick and satisfying meal.
The Indian Dining Experience in Melbourne
Part of what makes exploring Indian cuisine in Melbourne so enjoyable is the experience itself. Indian restaurants in Melbourne are known for their warm hospitality, vibrant decor, and inviting atmosphere. Whether you’re dining with family, friends, or enjoying a solo meal, the ambiance enhances your overall experience, making every visit memorable.
Many Indian restaurants in Melbourne also offer a variety of dining options, from a la carte menus to tasting menus and buffets. This flexibility allows diners to sample a wide range of dishes and discover new favorites.
Conclusion
Exploring Indian cuisine in Melbourne is a culinary adventure that offers a rich tapestry of flavors, aromas, and textures. With a diverse range of restaurants to choose from, each offering its own unique take on traditional Indian dishes, there’s something for everyone to enjoy. Whether you’re a seasoned fan of Indian food or trying it for the first time, the Indian food scene in Melbourne is sure to delight your senses and leave you craving more.
So next time you’re in Melbourne and looking to embark on a flavorful journey, head to one of the city’s many Indian restaurants. Immerse yourself in the vibrant world of Indian cuisine, and enjoy a meal that’s as satisfying as it is memorable.
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Book Your Bridal Makeup at Home with MUA Mandeep Singh in Chandigarh
Mandeep Singh is an experienced celebrity bridal makeup artist in Chandigarh. He is one of the top-notch makeup artists in Punjab, and his exceptional work is proof of it. He is certified by CIDESCO and has the expertise to perform diverse looks on his brides. His international-level work is admired by many aspiring makeup artists, which is why he offers one-to-one training courses to many budding artists. He offers a wide range of services from hair or makeup to nails to your outfit settings. His talented team leaves no room for disappointment and offers their brides the best look they deserve. Our team understands the complexities of your skin type and commits to bringing all your expectations to reality.
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Who Reviews
Doctor Who: The Witchfinders, written by Joy Wilkinson. In the history of Doctor Who we've had three stories both written and directed by women. The last was Barbara Clegg's Enlightenment in 1983, an unusual story which stands out from its era and is easily one of the best of the 80s. The Witchfinders is a very solid tale, and you might say it succeeds as a traditional Doctor Who story more than any other this year. I've seen someone on Twitter call it the best so far and I can't concur with that, but this is a good opportunity to look at what's really been happening with Doctor Who this year overall.
Chris Chibnall as showrunner has brought us a Doctor Who which functions better as Genuine Adult Drama (GAD) than the Davies and Moffat eras did. You can feel the influence of Davies, but they've shaved his trademark silliness off the whole thing for a more muted feel to the proceedings. This is paired with an anamorphic desaturated feature-film look to the visuals. At times the series even feels bland and flavorless, but at its best we feel the weight of the adult concepts the TARDIS team are faced with - American racism in "Rosa" and the British-sparked conflict between Muslims and Hindus in "Demons of the Punjab." The Witch trials of the King James era are a weighty, depressing subject, and it seems a little bit of a shame to bring traditional Doctor Who alien monsters into it. To the episode's credit, it goes full horror movie with this. There's some CGI but it's mostly makeup straight out of a zombie film - specifically the Evil Dead series. It feels too scary for kids, and Doctor Who should occasionally feel like that. And oh, let's talk about King James. Russell T. Davies established the traditional of the "celebrity historical" where The Doctor meets a well known historical (or sometimes fictional) personage, often played by a recognizable guest-star actor. So here's Alan Cumming, a big-name actor coming in to play his part as an absolute lark. Openly gay and affecting a comical upper-class Scottish accent of some kind, he's a delight throughout, whether flirting with Ryan or trying to learn The Doctor's secrets. The half-comedic performance does undermine him a bit as a threat, but it's nice to see a guest actor having fun with a part. Cumming is a smart enough actor to never go fully over the top with it, pitching his performance at the right level so that it doesn't break the scene. The three companions have been reliably good, but not in a showy or cartoonish way. They only occasionally get standout moments. There's a lot of humor and energy to Jodie Whittaker's performance as The Doctor, which is not unlike David Tennant's popular Doctor, but it often feels like that energy is muted by everything else around her, as if she's acting in a tank of water. The Witchfinders is the first episode to show The Doctor struggling to get anyone to take her seriously, due to her gender. King James doesn't recognize her as being in charge, and she's sentenced as a witch and drowned. I'm glad an episode dealt with this, but it also speaks to a fundamental, and peculiar, powerlessness inherent to Jodie Whittaker's version of The Doctor. In the 60s-80s series, it was common for The Doctor to be mistrusted by everyone at the beginning of a story, and locked up until he could prove his worth. Jon Pertwee's Doctor spends much of Frontier in Space going from one prison cell to another. The faster-paced post-2005 series rightly dispensed with that as padding they didn't have time for. Psychic Paper was introduced to give The Doctor credentials and credibility at the beginning of a story, along with other tricks often involving the Sonic Screwdriver - which by this point is an all-purpose tool but can also be used for its traditional purpose of opening locks to get The Doctor - and the writer - out of a dead end. The Psychic Paper fails The Doctor in this one, as King James doesn't respect a woman's authority. It was usually easy for The Doctor, as played by Eccleston, Tennant, Smith or Capaldi, to talk his way into a position of authority, and Whittaker's Doctor managed that in her first scene. But increasingly it's become apparent that The Doctor is not doing an amazing job of solving every problem in an episode like an all-powerful God, or kid's TV hero. The Davies and Moffat eras often wanted to show you how amazing and powerful The Doctor is. This Doctor keeps ending up with endings in which some immediate threat has been vanquished, but larger societal problems linger, and people we care about are dead. Last week's episode, Kerblam!, set up an apparently dystopic capitalist future, where an Amazon-like retailer had replaced 90% of employees with automation, and was required by law to keep a 10% human workforce. The employed workers were treated like machines, and were miserable, and the unemployed were apparently living in even greater misery and poverty. The episode couldn't, or wouldn't, imagine an automated future where the unemployed are cared for. Capitalism can't imagine that either. The Doctor sees that misery and doesn't do much to help. She solves the immediate problem that is killing workers, so that the company can keep on running, more or less as it did before. This has been something of a running theme. The Doctor doesn't fix anything for citizens of this galaxy at large. The Doctor can't improve the racism of 20th Century America, only observe it and make sure that Rosa Parks' protest happens as scheduled. You could say the same about the border dispute tearing India apart in 1947. History isn't changed, only observed and mourned, and the role of the colonizing British in creating his situation is not dealt with in any overt way. Grace dies in the course of The Doctor's first adventure. The Doctor feeds the dangerous Pting, calming it for awhile, but sets it loose afterward. We never see The Doctor deal with the giant spiders or, more importantly, the toxic waste that created them. That waste was itself the product of deregulation under the laissez-faire rule of Chris Noth's Robertson, an uber-capitalist narcissist psychopath who is compared to Trump (though not as vile). The Doctor and Ryan are seen to trap the large spiders for a natural death, but what happens after that is not dealt with onscreen. Instead we get this companion team officially joining The Doctor in the TARDIS. In every episode this year, we witness a very messed-up situation, often caused by some intersection of capitalism and racism. But it's not a situation The Doctor can fix by the end of the episode. She can only mitigate the stranger, monster-based elements, the threat that they're facing immediately in the moment. She removes whatever is gumming up the gears of progress so that the actual horrors of the society in question can continue unchallenged. Of course in the more historically-based episodes it's too much to ask that The Doctor Solve Everything, in capital letters. Is she supposed to solve racism? But the more fantasy-based episodes like Kerblam! have much less excuse. It's telling, I think, that these episodes overall are better at dealing with America's failures than Britain's. The Doctor is powerless to deliver a truly happy ending, or even to show she's trying for one, and I wonder if that's intentional or due to a lack of political consciousness on the part of the writers and showrunner. This year on Halloween, the leftist Youtube channel Philosophy Tube did a piece about the horrors of the witch trials, and how they were used to break the power that women had in a feudal agricultural society, including traditional medicine, and how this led to modern capitalism. He covered the same material on Twitter, and I'll link to that here. https://twitter.com/PhilosophyTube/status/953277894813536256 https://www.youtube.com/watch?v=tmk47kh7fiE "The Witch-Hunt is classic Divide and Rule: paint women as dangerous so the new proletariat are busy fighting 'witches' instead of joining together and fighting the rich. There are massive rollbacks of women's rights … Records were often kept of how much land or money was seized from them, but not how many were murdered." It's an interesting take on just how bloody the transition to an industrial capitalist society was, and how the people and their "old ways" had to be broken for this to happen. It was a means of controlling women's options, and the options of the average worker, something that's still relevant to today's society. In some ways we still live, today, in the cages that the witch-hunters built. Today's politicians like Mike Pence are just witch-hunters in different clothes. And that's something this Doctor Who story doesn't deal with. I've mentioned this, but when the Rosa Parks story was announced, I saw a lot of people on Twitter, who aren't Doctor Who fans, assuming that a Doctor Who take on Rosa Parks would by nature have to be a disgusting exercise in tastelessness. Maybe they thought The Doctor would be taking on some kind of Racism Monster. Apart from introducing The Doctor and a villain into the proceedings, "Rosa," as an episode, was tastefully done. While it didn't show clearly that Rosa Parks planned her protest beforehand, it did show that Parks was an activist who planned her actions alongside others (including Dr. King), which is more than many history books do. But their fears were not unfounded. It's common for pop culture to create extended and elaborate metaphors about bigotry as if they're making some grand statement, but also reinforce that bigotry as somehow justified along with it. In Disney's Zootopia, there are classes of predator and prey animals, and the predators are discriminated against and find it difficult to get ahead in society. This is a metaphor about racism, but it would be entirely justified for a rabbit to be afraid of a fox. In the wild, a "predator" would eat the "prey" animal. If this is truly taken as a metaphor for white racism against black people in America, it's an offensive one. Race is a social construct, and racism as we know it was created to enforce slavery. It established people with dark skin of African descent as an underclass, to exploit in order to grease the wheels of capitalism in the centuries before the Civil War (and afterward, if we're being quite honest). Black people and white people are genetically identical, and without the shadow of slavery (created by the rich to enrich themselves) would have identical rights. Foxes and rabbits are not genetically identical. One is likely to eat the other. In the X-Men series, mutants are feared and shunned by society. They have superpowers from birth, and are genuinely extremely powerful and potentially dangerous. So if the public fears them, that's actually entirely justified. The mutants are different from "normal" humans and could assert their power in very dangerous ways if they wanted. Wolverine is virtually an immortal with knives for hands. Phoenix could easily destroy the earth. The endless comics, TV series and films featuring the X-Men have positioned Xavier and Magneto as the "Dr. King" and "Malcolm X" of their story, in that Xavier wants mutants to have equal rights and is more palatable to the mainstream, while Magneto is "too radical." But this is an offensive metaphor when you break it down. Of course neither Xavier nor Magneto are black Americans. Both Dr. King and Malcolm X were considered extreme radicals in their time, and they agreed on many concepts. Dr. King spoke out for worker's rights generally, and for class consciousness. He was murdered for his beliefs. Magneto has magnet powers and runs a club called "The Brotherhood of Evil Mutants" which seeks to dominate over humanity. He's a bad guy who does bad things and constantly emperils the world in general. Comparing him to a 60s civil rights leader is an offensive metaphor, unless you accept that the X-Men series just wants to touch on the history of bigotry in America as subtext without accepting everything that comes with it, which is fair enough. It's not a history lesson. But like almost all sci-fi stories, it makes no sense without our understanding of how black people and other groups have been marginalized in America, but makes the story about white people instead, like a cartoon fox played by Jason Bateman. The history of slavery, oppression, bigotry, Nazism, fascism, and so on is the subtextual backstory for pretty much all sci-fi media. So many villains are based on the Nazis, but this rarely takes into account the racist ideology behind fascism. Hitler came to power after Germany's economy had collapsed, partly due to the Great War. The average worker was living in hopeless poverty, and either they were going to develop class consciousness and tear down capitalism, asserting their rights as a worker, or they were going to need someone to blame. Hitler gave them someone to blame. He rounded up the socialists, communists and Marxists who were preaching against capitalism. He blamed it all on the Jewish people, who traditionally had been excluded from many professions and were often involved in banking. It was apparently easy to make up conspiracy theories about them Actually Being in Charge of Everything. He rounded up the LGBT people, burned gay and trans literature. He targeted the Romani "gypsies" who had been marginalized for centuries. There was no logical underpinning behind this. There never really is, with racism. Hitler only wanted power, and he saw that the people had lost faith in the world, with capitalism and their government. They were being oppressed by economic depression, and had a general unfocused rage. He used that anger and directed it toward groups that were already marginalized in some way. He distracted the people and consolidated his power by giving them something to hate. He slaughtered six million Jewish people in an apparent bid to wipe an entire religion off the face of the Earth - the religion which gave us Christianity, for that matter. Since the 80s, Capitalism and greed has gone unchecked by any desire to actually help people and have a functioning society. After George W. Bush's trillion-dollar wars for oil, the economy has crashed and not really gotten better. People are noticing. The rich are getting obscenely so, as if they're being gifted the equivalent of a brand new car every few seconds. The poor are begging for scraps. There is a general unfocused rage. Donald Trump, a fake billionaire, has gotten a large chunk of America to blame it on non-white minorities, such as people from Mexico. This is what Hitler did. I've gotten way off topic, but for a reason. The people who burned witches in the 17th century and thereabouts were not actually killing people who had any magical powers. They were murdering their neighbors, and consciously or not it helped the world change. The world's economy was changing. Land was being seized. Power was shifting. People were losing rights and property they had previously been entitled to, as part of a series of steps which led to factory work in the 19th century. They killed women to kill off the old ways. And I'm watching a rather good Doctor Who episode about that, about killing witches to "fight the powers of Satan," and it turns out that in this episode they actually have good reason to be killing off their neighbors, or to fear the powers of Satan, because there's actually some evil alien stuff going on, and it's infecting people and raising people from the dead and it all looks very scary and supernatural. If you're in the mood to be offended it does feel a little like a Witch Trial but with Actual Witchcraft, portraying the witch-hunters as absurd and awful but also somewhat vindicated by the events of the story, not unlike our X-Men and Zootopia examples. So it's a good Doctor Who yarn, but as a metaphor it doesn't even get started. The episode isn't that interested in the larger societal issues at play here, although it does deal with sexism, which covers a lot of that territory in a general sense. It largely focuses on female characters (except for King James), and both the writer and director are women, for the third time in Doctor Who history. And that's been due to sexism. There haven't been a ton of women writing Doctor Who, or directing it (despite the big-name appeal of Tank Girl director Rachel Talalay). And that's a problem. And it's a problem the show has temporarily solved, by hiring women for this week only. The larger cultural problem remains. And the show keeps fighting for diversity, this year. British writer Malorie Blackman OBE handled "Rosa" with real sensitivity. And Vinay Patel handled "Demons of the Punjab" with full awareness of its historical background. Between them they've probably delivered the two best episodes this year. Indeed these have all stood above the episodes credited to Chris Chibnall. The diversity this year has been welcome, as it's resulted in some good television. But like The Doctor's actions in these episodes it's just a band-aid placed over any larger cultural issues. She can stop the problem of the week, but she really can't fix everything. Which is fine. Realistic, even, which fits the tone of this year in general. My question is, does she want to fix everything? Are The Doctor and her writers socially aware enough to use these larger issues responsibly? So far, in terms of social consciousness, this year's Doctor Who raises a lot of questions it can't actually answer. Not in a way which satisfies the kids, or the adults - for different reasons. It's still very good television, and I'll give it points for asking some of these questions in the first place.
#doctor who#jodie whittaker#the witchfinders#thirteenth doctor#chris chibnall#who reviews#philosophy tube
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Your Nail Are The Perfect Canvas
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#plouiseprogress Week 20 Do you like this as much as I do? Can't believe I did this on my first attempt! What do you think I will do on second attempt? Tag @bperfectcosmetics @plouise_makeup_academy @revolutionpro @nykaabeauty If anyone want to improve their skills professionally, you need to do the 20 Week Pro Course by @plouise_makeup_academy. It was the best decision I have made in makeup! Used:- @bperfectcosmetics x @staceymariemua carnival pallete, envy @plouise_makeup_academy base shade 02 and secret sinner pallete, affair and climax @kingdomoflashesofficial ginger lashes @revolutionpro brow pomade in dark brown @nykaabeauty eyem24x7 kajal Brushes by @paccosmetic and @proarteworld #undiscoveredmuas #undiscovered_muas #underratedmuas #undiscoveredgem #muasfam #muaunderdogs #indianmakeupsociety #blazin_beauties #universodamaquiagem_oficial #muasworld_3 #bretmansvanity #dangyourhighness #indian_muas #covert_beautiez #desi_artist #muasfeaturing #bperfectcosmetics #carnivalpallete #stacymariemua #plouisebase #secretsinnerpalette #revolutionpro #nykaabeauty (at Amritsar, Punjab) https://www.instagram.com/p/BsqAL_RBmD3/?utm_source=ig_tumblr_share&igshid=1by837q3ggodz
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Best Makeup Training Institute in Bhatinda
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"Lakme Makeup Academy Bathinda: Transform your passion into expertise, And best makeup training academy in Bathinda, we offer comprehensive courses for aspiring makeup artists. Our curriculum covers everything from professional makeup courses to bridal makeup classes. Gain hands-on experience in hair extensions and nail art classes. Whether you’re pursuing a makeup artist course or a beautician course, Lakme Academy ensures you learn from industry experts. Our world-class infrastructure and facilities empower you to shine backstage at fashion shows and photoshoots. Craft your identity as a certified makeup artist with Lakme Academy Bathinda! Join now and leave your footprints in the world of beauty and wellness."
Address: 1st & 2nd Floor, Bharpur Complex, 100 Feet Rd, near Maheshwari Chownk, Model Town, Phase-3, Model Town, Bathinda, Punjab 151001 Phone: 9855237645
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Why Choose NIIB Institute?
Choosing NIIB Institute means choosing excellence. As the Best Beauty Academy in India, we are committed to providing high-quality education and hands-on training. Our experienced instructors are industry professionals who bring a wealth of knowledge and expertise to the classroom. We use cutting-edge techniques and the latest industry tools to ensure our students are well-prepared for successful careers.
In addition to our top-notch courses, NIIB Institute offers a supportive and inspiring learning environment. We are dedicated to fostering creativity and helping each student achieve their full potential. Our graduates leave with the confidence, skills, and professional network needed to excel in the dynamic beauty industry.
Join Us Today!
Embark on your journey to a successful career in beauty with NIIB Institute, the Best Beauty Academy in India. Whether your passion lies in makeup, nails, hair design, or bridal makeup, we have the perfect course to help you achieve your dreams. Enroll today and transform your passion into a rewarding profession.
https://newimageinstitute.com/
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99 Institute of Beauty & Wellness Hoshiarpur
Bridal Makeup Institute in Hoshiarpur- Join 99 bridal makeup institute in Hoshiarpur to make a bright career as a professional and well-known makeup artist. We provide the best Indian bridal makeup courses and hair courses in Hoshiarpur & Punjab. #ProfessionalMakeup #NailExtensions #AdvanceHair #BestBeautyAcademy #Hoshiarpur 8️⃣4️⃣3️⃣7️⃣6️⃣8️⃣7️⃣0️⃣0️⃣0️⃣ Now offering up to 50% OFF on all advance beauty courses, offer valid till 30th Nov 2020 Enroll today#BestBeautyServicesinHoshiarpurr #BestsaloninHoshiarpur #BestHairInstituteinHoshiarpur #BestCosmetologyInstituteinHoshiarpur #BestBridalMakeupinHoshiarpur #BestBeautySchoolinHoshiarpur #bridalmakeupinHoshiarpur #partymakeup #99partymakeuplook #BeautySalonHoshiarpur
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Alex International 50% OFF all beauty Courses in Ludhiana
All you’ve got need to attempt to do is to choose the foremost reputed bridal makeup experts artist, hair and makeup courses to book your seats Alex International Ludhiana and compare to find out the best to suit your desires. SCF-23, Ground Floor, Reliance Market Shaheed Bhagat Singh Nagar Ludhiana, Punjab Call us- 98883 62286 -flat 50% All Beauty Courses -with free International valid certificates -This offer is valid till 15th September 🙏 So rush fast and grab this opportunity #offer #anniversary #salon #academy #makeup #ludhiana #hair #makeup #skincare #mircoblading #powderbrowscanada #threadingeyebrows
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Bridal Makeup and Hairstyles by 99 Beauty Institutes in Ludhiana
To learn the skills of #Makeup artistry call us at 84376-27000 or visit us at ferozepur road, opp. silver Arc mall, 2nd floor Madhok complex, ludhiana ... New Admissions Open...We welcome admissions in short term beauty courses...Rush it now: Check out: http://ninetynine.sg/best-beauty-institute-in-ludhiana/ Address: level 2, Madhok complex, opp silver Arc Mall, Ludhiana, Punjab 141001 Phone: 084376 27000
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Best beauty academy in ludhiana
99 Beauty Academy Ludhiana (International Affiliation : Manipal Global & City & Guilds UK) is one of best Beauty Academy in Ludhiana. Beauty Academy Ludhiana offer high-quality beauty, Cosmetology, Hair Designing, makeup, and Course at very Affordable Fee Structure.
Beauty Academy Ludhiana
99 Academy
Best Beauty Institute and Salon
Madhok Complex,2nd Floor, Opposite Silver Arc Mall
Ludhiana,
Punjab
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