#Bernard was found at Serene Shores

[deep-spacediver577]

I know people can't stand Dingo abandoning Bernard. But I'm actually impressed from the miles Dingo ran! That is if Olimar didn't just haul Bernard further away from wherever...

[riverdrifter]

River Plays: Pikmin 4 - Part 1: Catching Up

Since it's come to my attention that I cannot play games normally and have to write down my every experience and thought, I'm just going to jump right into journaling regardless of how late I am into the game! I'm finishing up my current day, then we can get into what I've completed so far.

☀️ Day 24 - Serene Shores

This area caused me to rage quit the last time I played this, because I went in overstimulated and the way the water was ignoring how Ice Pikmin are supposed to work was making me want to cry. But my friend told me I'm really going to like this area, so I'm going back in with a fresh mind. After completing the last day with little stress, I feel a lot more confident.

I get the little golf ball out of the way, as well as harvesting some flowers. At the point I've started writing this, I've cleared the enemies on the way up to the peak of the sandcastle, and I'm puzzling out how to conquer the base boss. Clearly, I can't attack it normally due to its impenetrable shell. So I'm using my items to figure out a different way...

Update: I FINALLY beat it after just, relentlessly throwing Reds at it during the phase where you're trying to pull its tail to the ground, because the whistle means nothing during this fight apparently and you can bust your lungs blowing it all you want but your Pikmin might as well be on another planet. It worked! It took a lot of trial and error, but it worked! So my base is now at the Sand Keep.

The rest of the day was just dandori as usual.

Exploration Results Rescues: 19 -> 19 Pup Drive: 1 -> 1

« Sparklium Discovered » - Orbital Communication Sphere ✧ 40 - Fish-Bed Snack ✧ 80 - Stellar Extrusion ✧ 40 - Nuggets x20 ✧ 100 Total: 9277 -> 9537

« Status Report: Serene Shores » Rescues: 1/??? Treasure: 8/??? Onions: 1/??? Progress: 14% -> 16% New Pikmin: 3 Yellow, 44 Blue Lost Pikmin: 5 Red, 1 Yellow Total: 567 Raw Material: 45 -> 77

❀*❧

NOW we can get into the exhaustive note-taking of everything I've completed so far.

❇️ Missions

[ Main Missions ] Rescue All Castaways - 13/??? Rescue Olimar 📌 - Definitely saving this for last. I know you get the end credits if you do this, and I really want to 100% the game. Secure Energy Source - Clear! Rescue the Rescue Corps - Clear!

[ Side Missions ] Cure the Leaflings 2 - 6/9 (Nice) Set the World Abloom - 0/300 Friend to All Pikmin - 55/300 Investigate Areas 3 - 2/3 You vs. Planet 3 - 358/1,000 Precious Scientists - 3/9 Researching Onions 3 - 4/6 Find the Missing Students - 0/3 Cave Delving 3 - 10/15 All the Little Darlings 3 - 67/75 Leafling Meet and Greet - 6/10 Beat Dandori Challenge 2 - 1/3 Dandori Battle Training 2 - 2/3 Appraisal Frenzy 2 - 92/100 Fusing Onions 3 - 3/4 Train a Rescue Pup - 19/??? An Ode to Science - 18/???

💳 ID Badges

With these, I'll also be listing what I think their name pun is, as it looks like all of the NPCs introduced in this game have dog breed names, and there's not a lot written on this outside of a Reddit thread that I found. I'll be marking the connections I didn't make myself and crediting them in the footnotes.

[ Rescue Corps ] Rescue Corps Officer: Atlas Rescue Corps Rescue Pup: Oatchi 🐶 Rescue Corps Captain: Shepherd (German Shepherd) ☀️ Rescue Corps Officer: Collin (Collie) ♡ 🔧 Rescue Corps Officer: Russ (Jack Russel) Rescue Corps Officer: Dingo (Dingo) 🌙 Rescue Corps Officer: Yonny (Papillon) ☺ Rescue Corps Officer: Bernard (St. Bernard)

[ Olimar ] Still Missing

[ Civilian Castaways] 📔 Treasure Appraiser: Schnauz (Schnauzer) 📗 Animal Enthusiast: Dalmo (Dalmation) 🤛 General Contractor: Corgwin (Corgi) ⏱️ Space Explorer: Jin (Jindo) ✗ 🪞 Universal Stylist: Puddle (Poodle) Research Task Force Lead: Chet (Shetland Sheepdog) Research Task Force Recruit: François (Anglo-Français de Petite Vénerie or literally any French breed I guess) ✗ Research Task Force Recruit: Pitunia (Pitbull) Research Task Force Recruit: Sy (Siberian Husky) Uncharted Planet Tourist: Mika (Mi-Ki) ✗ Florist: Kingsly (Cavalier King Charles Spaniel) Professional Spelunker: Dash (Dachshund) Unemployed: Patch (Pachón Navarro) ✗

Credit Legend ♡ Credit to my mom ☺ Credit to Reddit user ToadBrigade5 ✗ Had to Google it

🛡️ Gear and Skills

[ Rescue Gear ] Charging Horn Idle Counter Headlamp Treasure Gauge Tuff Stuff Air Armor Rush Boots Triple Threat Brace Boots

[ Pup Gear ] Scorch Guard Air Armor+ Thermal Defense Tuff Stuff+

(As you can see, I've prioritized getting the defensive gear for Oatchi.)

[ Pup Skills ] Buff Lv. 3 Chomp Lv. 3 Rush Lv. 2 Doggy-Paddle Lv. 3 Jump Pluck Lv. 1 Dig Lv. 2 Heal Lv. 1 Command Lv. 3

📒 Rescue Journal

[ Tips and Tricks ] #1-9; #11-12

[ Captain's Diary] #1-7

[ Shepherd Family History ] #1-3

📖 Voyage Log

#1-10: Complete! #11-20: 11, 15, 16, 17, 18, 19 #21-30: 24, 25, 26, 27, 28, 29, 30 #31-40: 31, 32, 33, 36, 37, 40 #41-50: 41, 42, 43, 44, 45, 46, 47, 48 #51-60: 56, 57, 59, 60 #61-70: 62, 63, 64, 65, 66 #71-80: 71, 72, 74, 80

🗝️ Treasure Catalog

> ??? Universal Rubber Cutie / Planetary Rubber Cutie / Stately Rubber Cutie / ??? > ??? Sweet Stumble-Not / ??? / Deceptive Snack / Cookie of Nibbled Circles / Cookie of Prosperity / ??? ??? / ??? / ??? / ??? / ??? / S.S. Chocolate > ??? ??? / ??? / ??? / ??? / Sticky Jewel / Hoop of Healing ??? / Hoop of Fortune > Recreation Recollection Series Tandem Trainer / Sphere of Fuzzy Feelings / Orbital Communication Sphere / Orb of Destruction > ??? ??? / Disk of Joyous Wisdom / ??? / ??? / ??? / ??? > ??? ??? / Floral Instigator / ??? / ??? / Perforated Raft / ??? > ??? Memory Fragment (Top Left) / ??? / Memory Fragment (Top...Probably?) / Memory Fragment (Top Right) ??? / ??? ??? / ??? / ??? / ??? / ??? / Memory Fragment (Bottom Right) > ??? ??? / Flaky Temptation / ??? / ??? > ??? ??? / Sphere of Family / ??? / ??? / ??? / ??? ??? / ??? / Sphere of Support / ??? > ??? Sunseed Berry / Cupid's Grenade / Searing Acidshock / Velvety Dreamdrop / Astringent Clump / Wayward Moon > ??? Lesser Mock Bottom / Mock Bottom / ??? / ??? / ??? / ??? > ??? ??? / ??? / ??? / ??? / ??? / Disguised Delicacy Blonde Imposter > ??? ??? / Citrus Lump / Face Wrinkler / ??? / ??? > ??? ??? / ??? / ??? / Stellar Extrusion / ??? / ??? Fire-Breathing Feast > ??? Dusty Bed / ??? / ??? / Fishy Bed > ??? ??? / ??? / Daughter Doll Head / Mooching Vase / Mama Doll Head / Empty Vase > ??? ??? / ??? / ??? / Fish-Bed Snack / ??? > ??? Harmonic Synthesizer / Spouse Alert / Path Creator / Time Marker / Wind Detector / ??? ??? / Mechanical Harp (Memory Song) / ??? / ??? / ??? / Shake-a-Smile ??? > Great Adventure Series Double Dragon-Eyed Scope / Temporal Mechanism / Director of Destiny / Detective's Truth Seeker > ??? Unlimited Locomotive / Middle-Management Tank Car / ??? / ??? / ??? / ??? Back-at-the-Beginning Track / ??? > ??? ??? / ??? / Brush of Wisdom / ??? / ??? / ??? ??? > ??? ??? / Decorative Goo / Illumination Goo / ??? / ??? / Ambiguous Goo ??? / Refreshing Goo / ??? > ??? ??? / ??? / Ancient Statue Head / ??? / ??? / ??? ??? / Expression Hider / ??? > ??? Heat Sensor / Internal-Clock Measurer / ??? / ??? > ??? Octoplus / ??? / ??? / ??? > ??? ??? / Noble Bident / ??? > ??? Micromanagement Station / ??? / ??? / ??? / Masterpiece Plank / ??? ??? / ??? / Stone of Advancement / ??? > ??? ??? / ??? / Personal-Injury Plank / ??? > ??? ??? / ??? / Anxious Sprout / Crew-Cut Gourd / Child of the Earth / Daughter of the Earth Mysterious Carrage / Snack Bean / ??? > ??? ??? / ??? / Satellite Shield / ??? / ??? / ??? ??? / ??? / ??? / ??? > ??? Unfloatable Boat / ??? / ??? / Sweat-Soaked Blue Bird / Skin of the Phoenix / ??? Aspiration-Ritual Ball / Aspiration-Ritual Pole / ??? > ??? ??? / ??? / ??? / ??? / ??? / ??? ??? / ??? / Gold Nugget > ??? ??? / ??? / Chance Totem / ??? / Talisman of Life (Crane) / Talisman of Life (Cherry Blossom) Talisman of Life (Moon) / ??? / ???

📗 Piklopedia

💭 Other Goals & Specifics

[ Dandori Training ] Dandori Day Care - Platinum Hotshock Canyon - Bronze Rockaway Cellars - Bronze

[ Dandori Battle ] Trial Run - Gold Battle in a Box - Gold Dandori Castle - Silver

[ Area Progress ] ✿ Sun-Speckled Terrace - 100% ✿ Blossoming Arcadia - 100% Serene Shores - 16% Hero's Hideaway - 0%

[ Night Missions ] ✿ Sun-Speckled Terrace ---✿ 1. Ancient Arches ---✿ 2. Rugged Scaffold ---✿ 3. Meandering Slope ✿ Blossoming Arcadia ---✿ 1. Fragrant Ravine ---✿ 2. Sunwashed Plateau ---✿ 3. Misshapen Pond Serene Shores --- 1. Blossoming Dunes --- 3. The Sand Keep

❀*❧

That's all I can really handle in one sitting, so even though I only did one ingame day this session, I feel good that I'm caught up so it'll be much easier to take notes from here on out. Next time I promise I'll actually have gameplay to read about!

[arthisour-blog]

Abdallah Benanteur, born March 3, 1931 in Mostaganem and settled in France in 1953, is one of the “founders” of modern Algerian painting.

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He began drawing and painting in 1943, attended the sculpture and then painting studios of the Ecole des Beaux-Arts in Oran, where he met Guermaz. In 1953, with his childhood friend Mohammed Khadda, he moved to Paris. After his first solo exhibition in 1957, he exhibited regularly in France but also in Germany and Denmark. In 1961 he made drawings for Matinale of my people by the poet Jean Sénac.

Beginning in 1962 Benanteur practices the engraving, again illustrates the poems of Senac and realizes his first books of bibliophily. He participated in the exhibition “Algerian Painters” organized in 1963 in Algiers for the “Feasts of 1 November” and prefaced by Senac1 then in 1964 to that which is presented in Paris at the Museum of Decorative Arts. In 1965 he founded the Charef collection, the name of his brother who disappeared during the Algerian War, which in the course of forty years has 1,500 works. Benanteur most often chooses the texts among the Arabic and Persian mystical poets he has read in his adolescence, contemporary Algerian writers, his wife’s poems, Monique Boucher, also a painter and, since 1994, a wide choice Of poets from all over the world. Benanteur conceives the typography of his books, himself carries out the composition and printing, to a limited number of copies, which he enriches with test trials of his engravings, drawings and gouaches. Retrospectives of his works were presented at the Museum of Modern Art of the City of Paris in 1970 and at the Institute of the Arab World in 2003. He is the father of the photographer Dahmane Benanteur.

Benanteur was a professor at the Ecole Nationale Superieure des Beaux-Arts in Paris and then at the School of Decorative Arts from 1971 to 1974. He is a member of the Young Contemporary Engraving Committee, the National Committee for the French Illustrated Book, The National Library and the Arsenal Library. Having worked for a long time in a printing press, he devoted himself entirely to painting from 1989 onwards, exhibiting his work every year at the Claude Lemand Gallery (prefaces by Monique Boucher, Michel-Georges Bernard, Bruno Jaubert, Raoul-Jean Moulin, Bernard Fabre And Yuri). Since 1994 he has produced a thousand books with a single copy.

“I was very young attracted by drawing. My luck may have been a whole series of long-term infantile diseases that kept me at home. At eleven, I drew a lot, flowers, still lifes with lemons, later portraits. I got to painting. I copied black and white reproductions from Rembrandt. I liked the classics of the nineteenth century, notably Monticelli, from whom there were several paintings in the museum of Oran. Afterwards, I discovered Matisse, Paul Klee, dazzled by this colorful Orient that they had painted and that I did not know. But also Franz Marc and German Expressionism, “Benanteur confided.

When he settled in Paris in 1953, it was only natural that he entered, trained in the abstract vision of the signs that dotted the potteries, carpets and chests of his childhood, in the path of non-figuration. Between gray and extinguished ochres, blue and green muffled, a light often lunar illuminates his canvases. Benanteur soon disentangles the interlacing of his arabesques, The lines of the ancestors (1957) make appear like fragments of writings disappeared. Through a thin network of ribs and cracks, their signs branch and then become entangled. The auroral tones turned to the deaf browns of the bark, the ocher of the desert sand and rocks (On the banks of the Nile, 1958, Hoggar, 1959).

“Monochrome has prevailed in my painting,” Benanteur confided, “for five years, it was ocher that reigned, with its gradients, honey and sand.” From 1960, the large touches of color thickened on his canvases, covered the fine grating that articulated them. Then his painting seems, around 1962, to settle on the edge of obscure lands that only illuminate distant marblings. After this “dark period”, it is as on the other side of the shadow that light reappears in 1970, by degrees, unreal, in the halos of mysterious Pots or flasks irradiating it in the middle of the shadow . From their inner clarity the colors resurface, intense again. Four years later, the procession of the Errantes, which appear in the collection of the Institute of the Arab World, announces the long series of Visiteuses. In a space of nowhere go from canvas to canvases of pale presences undecided, about to take shape at the edge of their disappearance.

Benanteur’s painting never ceases later, after 1976, it absorbs all the tones of dawn and sunset. In its amber flows among masses of deep blues, a polyptych of five meters in length brought back the painter in the most solar ranges in 1981. A sort of “ultra-light”, as in fusion, discolours of its incandescence the center or the upper part of its canvases. In the diptychs and polyptychs that he multiplies then Benanteur finds the shores of a Mediterranean whose beyond the memory sharpens the shards (Landscape at Medea, 1984, Pastures of Light, 1985, Return to Tipaza, 1986, Spring In the village, 1988). Aerial, brighter or darker according to the element in front of which they glide, tiny silhouettes remain, solitary or grouped, which the painter names according to his mood (Les élus, 1987, Les contemplatifs, 1988; Of clouds, The pythonisses, 1989; The poet, The couples, 1990). At the same time, oneiric visions of the universe of ancestors, the resurgence of markets and childhood festivals, dialogue with the classical works of Italian or Flemish painting, this anonymous crowd gives space an immensity dimension, Climate of Serenity (1989).

Beginning in 1991 Benanteur embarked on a series of broader imaginary journeys (Walk in Persia, East, India, Pakistan, Algeria, Djurdjura, Kashmir). From canvas to canvas stretches a Highland bounded by gorges and defiles, collars and cliffs, scree, clearings and groves. The horizons stand there in distant massifs, the color seeming to sprout porosities of the rock, scales of the soil, faults of the mountains. In the more veiled lights, these non-figurative landscapes gave way to a more diffuse presence in the late 1990s. Benanteur never represents nature in the reality of his spectacles, but by refracting the pure impulse of colors and lights, his painting never leaves him for a moment.

“Every morning, when I open the door of my studio, I hear the art say:” Here is the crack that comes to my house “. I address my appreciation to art but I have never heard him thank me. I would like to erase myself in art. To be a painter is to be the “larbi” of art, and few people accept it. It saddens me to be a child of our time because it is artistically the worst and most complacent. While being artistically small, one has the opportunity to be consecrated media greatly. It is the media that creates, disseminates and celebrates. Finally, what one knows about the person does not exist, the painter’s person is an obstacle between him and painting. It is by effacing ourselves in it that we will make it exist. In museums, before the glorious production of the past, I do not feel for a moment a painter. In the face of the glorification of modernity, on the other hand, I feel myself painter again. Every time I look at the works of the past, my faith in art as a sure and absolute value increases. (O. Hadjari, Interview with Benanteur, in “Ruptures”, No. 19, Algiers, 18 May 1993).

Abdullah Benanteur was originally published on HiSoUR Art Collection