#Ben Arbuckle

[roosterjournal]

Brent Venables Takes the Helm for Oklahoma's Defensive Strategy in 2025

Oklahoma Sooners head coach Brent Venables is set to take on a more hands-on role for the 2025 season by calling the defensive plays himself. This announcement came last Saturday, as the Sooners also revealed the addition of Wes Goodwin, former defensive coordinator at Clemson, and Nate Dreiling, who recently acted as interim coach at Utah State, to its defensive coaching staff. In a statement,…

[oldshowbiz]

Obscure Canadian comedian Sammy Sales was a regular performer at the Brown Derby Tavern on Yonge Street.

The Brown Derby Tavern was a familiar Toronto landmark with an exterior decorated with images of famous Mack Sennett comedians: Fatty Arbuckle, Charlie Chaplin, and Ben Turpin.

Located right next to the Yonge and Dundas subway station, it was known for its epic bar that stretched longer than any Woolworth’s lunchcounter - nearly one hundred and twenty stools in a row.

Sammy Sales memorized a joke book when he was 14 years old and recited its material for the next 45 years. First at the Victory Burlesque house on Spadina and much later at the Brown Derby.

"His engagement at the Brown Derby on Yonge Street lasted more than five years," explained the Toronto Star. "There he did songs and comedy routines of bygone days. Last November [1966] he went to hospital with a broken cheekbone after he was knocked unconscious by three customers.”

He died a few months later and was quickly forgotten.

[gh0stfactory]

So...

...I may have blacked out...

[friendlessghoul]

Mabel Normand, Roscoe Arbuckle, and Big Ben, Miss Normand's Pet Seal.

[sometimesigif]

⬇️ Tag drop ⬇️

Actors & Actresses

al st john

alan tudyk

aleksandr demyanenko

aleksandr trofimov

aleksei kuznetsov

alexandra yakovleva

alice lake

alice mann

alisa freindlich

alla demidova

anastasiya vertinskaya

anita page

andy whitfield

anne cornwall

barbara brylska

bartine burkett

ben barns

beulah booker

brown eyes

bruno ganz

buster keaton

conrad veidt

dmitri zolotukhin

dorothy christy

dorothy sebastian

edward norton

ekaterina savinova

eleanor keaton

evgeniy leonov

heath ledger

igor starygin

inna churikova

innokenty smoktunovsky

irene purcell

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ivan pyryev

jack black

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karin boyd

kate beckinsale

kate price

kathleen myers

kathryn mcguire

klara luchko

klaus maria brandauer

larisa guzeeva

linda hamilton

liv tyler

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luke the dog

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marceline day

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marina dyuzheva

marion byron

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orson welles

paul bettany

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peter falk

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roscoe arbuckle

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Characters

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Directors

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gleb panfilov

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james cameron

jim jarmusch

kirill mikhanovsky

leonid gaidai

mikhail shapiro

mikhail tsekhanovsky

nadezhda kosheverova

owen hurley

peter jackson

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Time Periods

1910s

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Films & Shows

a cruel romance

a knight's tale

a man from boulevard des capucines

adventures of mowgli

anastasia

at the beginning of glorious days

back stage

barbie as rapunzel

barbie as the princess & the pauper

barbie in the 12 dancing princesses

barbie in the nutcracker

barbie of swan lake

battling butler

carnival night

cinderella 1947

clever dog sonya

college

coney island

convict 13

cops

d'artagnan and the three musketeers

dämen der frauen

daydreams

der himmel über berlin

doughboys

for family reasons

free and easy

gentlemen of fortune

give me liberty

go west

good night nurse!

hard luck

high sign

his wedding night

ivan vasilievich changes occupation

jane eyre 1943

le roi des champs-élysées

look for a woman

love and doves

maugli

midshipmen onwards!

mirror

moonshine

morozko

my wife's relations

musketeers twenty years after

neigbors

oh doctor!

one week

only lovers left alive

operation y and shurik's other adventures

our hospitality

out west

parlor bedroom and bath

pokrov gates

prince of foxes

prisoner of the caucasus or shurik's new adventures

scarlet sails

seven chances

sherlock jr

sidewalks of new york

spartacus: blood and sand

spartacus: gods of the arena

speak easily

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terminator 2: judgement day

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the balloonatic

the beginning

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the hound of the baskervilles

the incredible hulk

the irony of fate or enjoy your bath!

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the lord of the rings

the love nest

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the rough house

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the scarecrow

the walking dead

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the words

this is your life

three ages

van helsing

watch out for the automobile

what - no beer?

wings of desire

young russia

[kylo-wrecked]

(Modern!Angelique) “It’s not the 20s anymore, is it?”

They were playing a Fatty Arbuckle short over the wall above the soda counter. Arbuckle's Coney Island skit was filmed circa 1917, while The Farmacy opened its doors in 2010, and here it was, serving its Oreo Egg Creams and beer well into the 2020s. Ben liked to go since, as with anything they found interesting in the previous decade, the cosmopolitans declared The Farmacy unfashionable and unpopular, and nobody he knew ever went. 

"It's the year of our Lord 2023," Ben said, glancing at his watch, and feeling bizarrely and suddenly in need of conversation. "So, yes and no. It might depend on who you are." 

There was no baseline anymore. Some people were experiencing the Roaring Twenties while he was living in the black bile of New New York. He looked at his watch again. It seemed to have stopped. Then he glanced at the woman. Very tall, glamourous. She wore white in the City, which drew him in at a surface level.

Swiveling around on a cherry red stool and catching himself with a Spanish heel, he said, "Do you time travel?" 

Her shoes were something. Her face was something else. Ben thought she looked familiar, but years pass, and faces, too, and he couldn't place her.

[lolahauri]

╰┈➤ Fandoms I Write For

Adventure Time/Fiona & Cake: PB, Marceline, Marshall Lee, Winter King, Candy Queen, Simon, Ice King, Fiona.

Attack On Titan: Armin, Eren, Mikasa, Sasha, Levi, Hanji, Annie, Historia, Reiner, Erwin, Ymir. 

Avatar: Jake, Neytiri.

Batman Begins Trilogy: Batman, Catwoman, Bane, Joker, Scarecrow.

Beauty & The Beast: Belle, Beast/Adam, Gaston.

Bee & Puppycat: Bee, Deckard, Cass, Toast.

Black Dynamite: Honeybee, Black Dynamite.

BNA: Michiru, Shirou.

Bob’s Burgers: Bob, Linda.

Breaking Bad: Jesse, Skylar.

Call of Duty: Konig, Ghost, Mace, Keegan, Krueger, Valeria, Farah.

Creepypasta: Jeff, Jane, Ben, Toby, EJ, LJ, Slenderman, Splendorman, Clockwork, Kate, Masky, Hoodie.

Dead by Daylight: The Spirit, Huntress, Trapper, Wraith, Trickster, The Artist, Amanda Young, Pyramid Head.

Desperate Housewives: Bree, Gabi, Edie, Lynette, Carlos, John.

Dune: Paul, Duke Leto.

Earth Girls Are Easy: Mac, Zeebo, Wiploc, Valerie.

Elemental: Wade, Ember.

Encanto: Isabela, Bruno, Dolores, Julieta.

FNAF Movie: Vanessa, Mike, William/Steve.

Frozen: Elsa, Anna, Kristoff.

Futurama: Leela, Fry, Amy, Bender.

Good Pizza, Great Pizza: Alicante, Octavia, Dr. Keh, Nasir, Flash, Cicero, Kimmy Slice, Dr. Price.

Grandma's Boy: J.P, Samantha.

Gravity Falls: Ford, Stan, Soos, Melody, Giffany, Bill.

Jane The Virgin: Jane, Michael, Petra, Luisa, Rose, Rogelio, Xiomara.

Jurassic Park (1993): Ian Malcolm, Ellie Sattler.

Jujutsu Kaisen: Gojo, Choso, Nanami, Sukuna, Toji, Shoko, Geto, Yaga Masamichi, Utahime, Uraume.

King of the Hill: Hank, Peggy, Luane, Nancy, Dale, Khan, Min, John Redcorn.

Lisa Frankenstein: Lisa, Creature, Taffy.

Little Mermaid (2022): Ariel, Eric.

Miller's Girl: Cairo, Johnathon.

Moon Knight: Moon System, Layla, Khonshu.

Mulan: Mulan, Li Shang.

National Treasure: Benjamin, Riley.

Nintendo: Link, Zelda, Peach, Daisy, Rosalina, Luigi, Bowser, Waluigi.

Princess & The Frog: Tiana, Lottie, Naveen, Shadow Man.

Ratatouille: Colette, Linguini. 

Regular Show: Mordecai, Margret, Eileen, CJ, Benson.

Rick and Morty: Rick, Jerry, Beth, Doofus Rick.

Riverdale: FP Jones, Hiram, Betty, Veronica.

Scott Pilgrim vs. The World: Kim, Ramona, Gideon, Wallace.

Scream 5/6: Amber, Tara, Sam.

Silverado: Slick, Rae, Mal, Paden.

Shallow Hal: Rosemary, Hal.

Shameless: Lip, Fiona, Kev, V.

SheRa (2018): All Adults.

Sherlock (2010): Sherlock, John Watson.

Slashers: Brahms, Ghostface, Michael Myers, Jason Vorhees, Pearl, Jennifer Check, Stu Matcher, Billy Loomis, Tiffany Valentine, Patrick Bateman.

Spiderverse: Miguel, Jessica Drew.

Spongebob: Dennis, Man Ray.

Squid Games: Gihun, Saebyeok, Ali, Sangwoo, Minyeo, Junho, Jiyeong, Inho, Hyunju, Daeho, Mina, Noeul, Junhee, Youngmi, Myunggi, Masked Officer, Namgyu, Gyeongseok, Minsu, Yongsik, Semi, Thanos, Mercenary Kim, Wooseok, Salesman. <3

Steven Universe: Garnet, Amethyst, Peridot, Lapis, Jasper, Blue Diamond, Rose, Greg.

Stardew Valley: All Adult Humans (Except George & Evelyn)

Stranger Things: Robin, Billy Eddie, Chrissy, Hopper.

Supernatural: Sam, Dean, Castiel.

Super Store: Amy, Jonah, Dina, Garrett, Cheyenne.

Tangled: Flynn, Rapunzel, Mother Gothell.

The Batman (2022): Batman, Riddler.

The Nanny: C.C, Fran, Maxwell.

Total Drama Island: S1 Contestants, Chris, Chef, Blainley.

Triple Frontier: Frankie, Santiago.

Turning Red: Ming Lee, Jin Lee.

Twilight: Edward, Carlisle, Alice, Charlie.

YOU: Beck, Joe, Peach, Love.

Young Sheldon: Mary, Connie.

~

Barbie (Barbie 2023)

Basil Stitt (Lightning Face)

Beverly Goldberg (The Goldbergs)

David Levinson (Independence Day)

Francine (American Dad)

Fujimoto (Ponyo)

Georgia Miller (Ginny & Georgia)

Jon Arbuckle (Garfield 2024)

John Doe (John Doe Game)

John Wick (John Wick 1)

Linda Gunderson (Rio)

Moe Doodle (Doodle Bops)

Nani Palekai (Lilo & Stitch)

Paul Blart (Paul Blart: Mall Cop)

Summer Field (Time Cut)

Tate Langdon (AHS: Murder House)

The Janitor (Willy’s Wonderland)

Thomas Magnum (Magnum, P.I 1980)

[cerinelle-stellarium]

A List of Highly Recommended Modern Western Animated Series

Or alternatively, A List of Modern Western Animated Series That Actually Stuck to Their Guns With Their Story/Character Writing/Endings. Yes, I'm still unfathomably angry about Star vs' downfall, incredibly bitter regarding the She-Ra 'reboot' and how its' messages were portrayed (and a whole lot of other issues), immensely frustrated on how Steven Universe's themes, world building plus characters were handled and extremely annoyed with Miraculous Ladybug refusing to evolve into something better, thank you for asking. :)

The 7D

101 Dalmatians Street

Adventure Time

Adventure Time: Distant Lands

The Adventures of Puss in Boots

The Adventures of Rocky and Bullwinkle

American Dragon Jake Long

Amethyst: Princess of Gemworld (2013)

Angelina Ballerina

Animals (2016)

Animaniacs (2020)

Anne of Green Gables: The Animated Series

Atomic Betty

Atomic Puppet

Avatar: The Last Airbender

Batman: The Brave and the Bold

Ben 10 (The entire OG series prior to the 2016 'reboot')

Beware the Batman

Big City Greens

Billy Dilley's Super Duper Subterranean Summer

Bless the Harts

Blood of Zeus

Blue's Clues & You!

Bob's Burgers

Bojack Horseman

The Bravest Knight

Breadwinners

Buzz Lightyear: Star Command

Carmen Sandiego (2019)

Central Park

Centaurworld

Chalkzone

Chaotic

Chowder

Clarence

Class of the Titans

Cleopatra in Space

Close Enough

Codename Kids Next Door

Cyberchase

DC Super Hero Girls (2019)

Dead End: Paranormal Park

The Deep

Detentionaire

Di-Gata Defenders

Dora the Explorer

DOTA: Dragon's Blood

Doug Unplugs

The Dragon Prince

DuckTales (2017)

El Tigre: The Adventures of Manny Rivera

Elliott From Earth

The Epic Tales of Captain Underpants

Epithet Erased

Ever After High

Fillmore!

Filly Funtasia

Fish Hooks

Generator Rex

Geronimo Stilton

The Ghost and Molly McGee

G.I. Joe: Renegades

Glitch Techs

Go Away, Unicorn!

Gravity Falls

The Great North

Green Eggs and Ham (2019)

Green Lantern: The Animated Series

The Grim Adventures of Billy and Mandy

Growing Up Creepie

Hanazuki: Full of Treasures

Harold and the Purple Crayon

Harley Quinn (2019)

Harvey Girls Forever!

Hi Hi Puffy AmiYumi

Hilda

The Hollow

If You Give a Mouse a Cookie

Iggy Arbuckle

Infinity Train

Invader Zim

Invincible (2021)

Jackie Chan Adventures

Jacob Two-Two

Jellystone!

Jurrasic World: Camp Cretaceous

Justice League

Justice League Action

Kappa Mikey

Kick Buttowski: Suburban Daredevil

Kid Cosmic

Kim Possible

King

Kulpari: An Army of Frogs

Kulipari: Dreamwalker

Kung Fu Panda: Legends of Awesomeness

The Last Kids on Earth

Legends of Chima

LEGO Elves: Secrets of Elvendale

Legend of the Three Caballeros

The Life and Times of Juniper Lee

Lilo & Stitch: The Series

Lily the Witch

The Lion Guard

Little Charmers

The Little Prince (2010)

Littlest Pet Shop (2012)

LoliRock

Love, Death & Robots

Mao Mao: Heroes of Pure Heart

The Marvelous Misadventures of Flapjack

Max and Ruby

Metalopocalypse

The Midnight Gospel

Milo Murphy's Law

Molang

Moominvalley

Motorcity

The Mr. Men Show

Muppet Babies (2018)

My Life As a Teenage Robot

My Little Pony: Friendship is Magic

Mysticons

Neo Yokio

Oban Star Racers

Onyx Equinox

Over the Garden Wall

Penn Zero: Part Time Hero

Phineas and Ferb

Pinkalicious and Peterrific

Polly Pocket (2018)

Pop Pixie

Pound Puppies (2010)

Puppy in My Pocket: Adventures in Pocketville

Potatoes and Dragons

Primal (2019)

The Proud Family

Randy Cunningham: 9th Grade Ninja

Regular Show

Rise of the Teenage Mutant Ninja Turtles

Ruby Gloom

Sabrina: Secrets of a Teenage Witch

Sadie Sparks

Samurai Jack

Santiago of the Seas

Scaredy Squirrel

Scooby Doo!: Mystery Incorperated

Sealab 2021

Secret Mountain Fort Awesome

Seis Manos

Shaun the Sheep

Sheep in the Big City

Shimmer and Shine

Silverwing

Simon in the Land of Chalk Drawings

Skylanders Academy

Slugterra

Sofia the First

Solar Opposites

Spirit: Riding Free

Spliced

Stanley

Star Beam

Star Wars: The Bad Batch

Star Wars: The Clone Wars

Star Wars Rebels

Static Shock

Stretch Armstrong and the Flex Fighters

Summer Camp Island

Su[er Drags

Sym-Bionic Titan

Tales of Arcadia franchise

Tara Duncan

Teen Titans

Thundercats (2011)

Totally Spies!

Trolls: The Beat Goes On!

Trollz

True and the Rainbow Kingdom

Tuca & Bertie

Twelve Forever

The Venture Brothers

Victor and Valentino

Villainous

Wakfu

Wander Over Yonder

Watership Down (2018)

Wayside

We Bare Bears

Welcome to the Wayne

What About Mimi?

Winx Club's first 3 seasons

W.I.T.C.H.

Xiaolin Showdown

Young Justice

Upcoming Modern Cartoons with Interesting Concepts!

The Inside Job

IRL Squad

The Lion's Blaze

Wings of Fire

[travsd]

7 Reasons Why 1917 Was the Most Auspicious Year in Silent Comedy

7 Reasons Why 1917 Was the Most Auspicious Year in Silent Comedy

We are now midway through the centennial anniversary of what may have been silent comedy’s most auspicious year. Yes, there were other momentous events in other years. Mack Sennett started Keystone in 1912. Charlie Chaplinmade his first film in 1914. The great comedy features by the silent masters were all made during the 1920s. But 1917 is notable for the number and diversity of its comedy…

[raindrop-on-a-spiderweb]

Do you have a fancast for Ben Nizzola?

Not a modern one yet, but I always saw him as Roscoe Arbuckle!

[oldshowbiz]

Pulp Comedy by Leo Guild

[damfinofanfiction]

Chapter 8: To the East and The Gold Rush

Waking up in New York City was nothing new for the former Vaudeville performer. Buster was accustomed to whichever time zone he was in. He had gone to the east coast for a business trip/vacation with his wife Natalie and they’re staying at the Biltmore Hotel. The couple had attended the premiere of Seven Chances at the Capital theater. They were accompanied by people more favorable to Keaton such as his father Joe, a friend from childhood, Lex Neal, and Nick Schenck, a brother of his boss Joseph. Knowing that the missus missed their children and her sisters dearly, he held her hand the entire event. The screening had a good reception. Keaton was glad that the movie was well-received, although he remained resentful. Natalie was grateful for his presence, but nothing had changed as they still sleep in different bedrooms based on her insistence. After a few busy days, the real vacation began. Now he will be spending a day with his better half.

Once out of bed, Buster puts on his robe and went to the sitting area of their suite to call room service. He saw that Natalie was already awake and sitting frantically on the couch, he said to her, "Good morning Nate."

The missus stopped what she was doing and replied calmly, "Oh Morning."

Her fingers tapped on her knee as she appeared agitated. Buster had not seen her in this state in a while. Natalie was staring at the door and he shot his eyes at it, "Are you waiting for the letter?”

She quivered when she said, “I haven’t heard from mother yet.” Peg was watching the Keaton boys back in California.

He sat next to her and reassured her, "The boys are gonna be alright. We've only been gone since last Friday."

The tears started to form in her eyes, “This is the furthest I have been from our sons. Robert started babbling.” She wrapped her arms around herself, “What if he says his first word and I won’t be there to witness it?”

Buster patted on her shoulder, “I don’t think that would be likely.” He added, “I’m sure Bobby won’t say a thing until he sees his ma again.” To his surprise, Natalie hugged him in gratitude. Buster hugged her back until she broke the embrace to dry her tears. He went to the phone saying, “I’ll order us breakfast.”

That noon Buster and Natalie had lunch with the folks that went with them in addition to the Governor of New York. Joe Keaton shared stories of performing shows as The Three Keatons, dealing with wife Myra’s absences due to maternity leave, getting in trouble with The Gerry Society, and the times they fled out of burning Buildings. The couple spent the day together except when Natalie went out to buy gifts for the boys while Buster was catching up with Lex and discussing the latest film project. When he returned to their suite the middle Talmadge was already there, rounding out the toys and the clothes. He was going to ask her how much she spent on them, but he didn’t want to start another argument. 

She was in a cheery mood, “Got that letter back from mother. The boys are doing fine, they missed me. Dutch came over to cheer them up. She took them to the park for fun.” 

Keaton hid his hands in his pockets, “Did that letter said anything about me? Did the boys miss me too?” 

Natalie pulled a toy giraffe out of the bag, “It didn’t say anything about you. She usually didn’t acknowledge you in letters. I’m sure the boys miss you too. I can't wait to see their faces when they see what I got them."

What she said of the boys missing their father, Buster knew it might not be true. He wished to be a father, but had little time to spend with them because he was so busy at work. His fear arises with the thought of Natalie divorcing him and taking the sons away. He had to win her over to keep the family together. He asked her, “Nate, do you remember Coney Island?”

Natalie frowned upon taking a trip to memory lane, while neatly folding the boy’s overalls, “Why yes, it wasn’t long after Arbuckle made a short there. You took me because you wanted to include me and I obliged. You got us cotton candy to share, we rode on the carousel, and that one coaster you were begging me to ride along.”

Buster added with a narrow smile, “You were so scared that I held your hand the entire time.” he apologized for taking her to the coaster in the first place.

She concluded, “Then we finished the day with the Ferris wheel where we saw the bright spectacle and you pecked me on that cabin. It was a nice date.”

He sat gingerly on the bed, “I would be happy to take you to coney island again, but back then nobody could recognize me when I’m not with my folks, and then Roscoe and now if anyone took notice of me, that whole place would crumble.” 

She looked at him, “If you weren’t able to take me, why bring this up?”

He took her hands, “We were both very happy. I missed the days when you were in love with me. The same woman who proposed to me from another coast. I know the old Natalie is still there when you hugged me this morning.”

She took her hands off him to cross her arms, “That was only because I missed our boys.”

He put his hands behind him, “I missed them too. I can’t imagine life without all of you. I will take back the times I was unfaithful to you.”

“Buster, I don’t care if you embrace another woman behind my back. Please don't entice me to be in bed with you again.” She pointed him out of the door, “Please let me be alone to change for dinner.” Natalie closed the door behind him after leaving her room.

Buster was puzzled about the unusual pairings in his life; his parents, Joe and Myra, Norma and Schenck, and Natalie and himself. None of them shared the same age group except for the latter. He wished that his wife wasn’t a strict catholic so she could be comfortable with taking contraceptives and not worry about getting pregnant again and he wouldn’t have to cheat on her. But that’s the way it has to be. If he failed to win back his beloved, there are still less than 3 weeks of vacation to go.

****************

The hopes of Gail being a screen actress were dashed when production was delayed after Sennett comedian Ben Turpin backed out of the upcoming project due to personal matters. Gail wanted to take his place, but was unable to due to a lack of a contract. Though Sennett knew she wanted prominent roles, he was unable to fill them because too many actresses sought her out. But instead, he had heard his former employee Charlie Chaplin just returned from filming in Truckee to film more scenes in his studio and is seeking extras. So he recommended she find work in Chaplin's upcoming film The Gold Rush, and Gail was fine with it just to gain film experience. 

There at the Charlie Chaplin Studio, Gail is in the dance hall scene where Chaplin’s Tramp character dances with his love interest. She was busy dancing with a partner to watch the toothbrush-mustached comedian, but caught the part where he was tied to a dog and it chases the cat. She could laugh at this gag, but didn’t want to ruin a good take. The chestnut-haired woman across the hall seemed familiar. Gail didn't think she’s a famous actress. It must be on a tip of her tongue. Then the realization struck her, that was the same woman who was next to her onset of the seven chances. Their time between scenes was too busy to get them to chat. When everyone gets their lunch break, she located the woman eating with the other female extras in the studio courtyard. 

Gail sat at the same table as them, “Hi you remember me?”

The woman paused figuring out, “Oh goodness, we were extras in seven chances. Sorry we didn’t get to be properly introduced.” The woman extended her hand,  “My name is Eliza Smith.”

“I’m Gail Anders.” She shook it in greeting, “It’s good to see you again and I never got to thank you for saving me from the ridicule.”

“Don’t mention it. We actresses had to stick together.” 

Gail and Eliza were talking while having meatloaf and salad. Their discussion consists of their start on careers, Gail’s experiences as a bathing beauty, Eliza’s acting resume, their celebrity encounters, and then the subject fell to celebrity crushes.

"For me, it's Charlie Chaplin of course. I have a crush on him since I was barely a woman. Hell, if I was a virgin, I'd have saved it for him. Are you a virgin, Gail?”

Gail almost choked on her food being asked that. She replied with a blush, “That’s a very personal question to ask.” 

“That’s alright if you don't have to answer.” She raised her eyebrow leaning towards the raven-haired woman. “But tell me this is Buster Keaton the cat’s meow?”, When Gail couldn’t understand, Eliza rephrased, “Do you have a crush on Keaton?”

Gail's eyes were looking both ways as she drank her cup of water to try to avoid the touchy subject, but Eliza noticed the signs. “Please It’s all in your face. Your gaze was fixated on the stone face as if he was the king of England.” She chuckled, “It helped when you “pretended to faint” in front of him.”

Giving in, Gail confessed of the time she started seeing Buster in the Arbuckle films. She thought he seemed charming and took interest in watching his films because of his fascinating past, then when she heard the news of his wedding, she was a bit let down, but was happy for him and then she talked about her two other encounters with Keaton. In conclusion, She asked, “Is it wrong to have a crush on a married man?”

Eliza dropped a bombshell,  “Chaplin wasn't married when we dated.” Gail’s eyes widen and her jaw dropped hearing this “Really?!”

Eliza with a coy smile, whispered to her to avoid having others hear her “I met Chaplin when I started working in California. I took a job here as a part-time receptionist, but when he noticed me, He then hired me as an extra for his previous film, The Pilgrim. After production ended, we started a relationship. Spent countless nights with him,” she then frowned when she continued, “Then we broke up when he was seeing another woman, and another and another and another. But he did come back to me only for one-night stands and one of them happened while he’s married. Last I heard, if it's true, he has feelings for his leading lady."

She covered her face with her hand, trying to comprehend what happened, "Why are men so unfaithful to their wives?"

“Gail,” Eliza explained, “Men and women in Hollywood have unhappy marriages and have taken lovers. If Buster is one of them, you might have a chance.”

Gail stated, “But I have a boyfriend, I think I still do. And besides, I can’t see myself dating a married man.” Adding a final thought, “I would rather wait until he’s divorced.”

"True, but then where is the fun?” Before they finished eating Eliza looked Gail right in the eye and said, “I would recommend keeping this a secret. God knows what would happen to dear Chaplin if word got out.”

Gail returned to Lenore’s around 6 in the evening. Going inside she was surprised to see a finely dressed man talking with Sally and Lenore at the dining table. Upon noticing Gail’s presence, Lenore called, appearing to break away from her niece’s latest paramour, “Welcome home! We saved you fried cauliflower and turkey.”

The man said in his British accent told Sally, “I didn’t know you have a sister.”

The blonde chuckled, “She isn’t, this is my friend Gail Anders. I took her in when she moved from Nevada.”

The man stood up and bowed in greeting, “Sterling Thomas, my pleasure.”

As they shook hands, Gail said, “That accent, you must be British.”

 “Yes, Edinburgh very nice place.” Sterling’s dark hair was slicked back.

Lenore brought over her meal, “Gail just came home from work and you should be leaving too, sir.” This prompted Sterling to grab his hat and approached to the front door despite Sally’s protests for him to stay a little longer

He replied, "We can meet again. I'm here quite a while." She kisses him before watching him leave.

As Gail started eating, silence went on between aunt and niece. She later broke it when asking Sally, “How did you two meet?”

“Both of us were in New York City. I went to a nightclub and he was there. Same story, different ending.” 

“How did you find each other?”

Lenore added while crossing her arms, “I presume one of your nightly outings?”

Sally glared at her, "Well Auntie, we met somewhere, and I never felt lucky to bump into him again."

“How is Mr. Thomas any different from your last boyfriends?”

“He happens to be rich.”  

The aunt gave her a sarcastic look, “Oh, so now you're a gold digger?”

Sally stood up fumed, “How is that any different from you and Uncle Stanley?”

Lenore stood up in retaliation, “Don’t you bring my Stanley-”

Gail also stood up to soothe this out, “Could you not fight? I had a long day.” Sally and Lenore agreed and the table fell into silence for the whole dinner.

After all that was going on around her, Gail would end the day by kindling herself to a good book. After losing interest in the middle of chapter four she switched to another book. It was a journal about her interest in Buster Keaton. She would write down about the movies she had seen and clipped off the news article featuring a movie review of his and just news about him. Gail turned to a page in which the subject was Our hospitality. A news article glued there featured a picture of Buster and Natalie both wearing pork pie hats for a publicity photo. It was interesting to see husband and wife on the screen together, but now it was bittersweet knowing that buster is probably cheating on his wife. If it was truly something that must be wrong between the two.

The next afternoon, Gail was making herself useful in the Sennett studio, modeling the swimsuits for the other bathing beauties. A crewmember notified her of a call from her residence. Gail answered the phone, the voice at the other end was Lenore.

“The telegram came from your mother.”

Gail has already known what was happening around her family; her sister Geraldine is having twins and her father is due to retire from ranch work. Judging from the woman’s sorrowful tone in her voice, it must be bad news.

 “It’s your grandmother, she died in her sleep.”

Devastated, She covered her mouth as her tears began to form and a similar lump grew in her throat. Her whole body shook with the realization that the woman who got her to California is gone.

Buster Keaton and Charlie Chaplin around 1918

[silent-era-of-cinema]

Wallace Fitzgerald Beery (April 1, 1885 – April 15, 1949) was an American film and stage actor. He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his titular role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery Sr. and uncle of actor Noah Beery Jr.

For his contributions to the film industry, Beery was posthumously inducted into the Hollywood Walk of Fame with a motion pictures star in 1960. His star is located at 7001 Hollywood Boulevard.

Beery was born the youngest of three boys in 1885 in Clay County, Missouri, near Smithville. The Beery family left the farm in the 1890s and moved to nearby Kansas City, Missouri, where the father was a police officer. He may have had an older sister based on a suspected recent found Victorian photo of a boy who strongly resembles Beery and an older girl.

Beery attended the Chase School in Kansas City and took piano lessons as well, but showed little love for academic matters. He ran away from home twice, the first time returning after a short time, quitting school and working in the Kansas City train yards as an engine wiper. Beery ran away from home a second time at age 16, and joined the Ringling Brothers Circus as an assistant elephant trainer. He left two years later, after being clawed by a leopard.

Wallace Beery joined his older brother Noah in New York City in 1904, finding work in comic opera as a baritone and began to appear on Broadway as well as summer stock theatre. He appeared in The Belle of the West in 1905. His most notable early role came in 1907 when he starred in The Yankee Tourist to good reviews.

In 1913, he moved to Chicago to work for Essanay Studios. His first movie was likely a comedy short, His Athletic Wife (1913).

Beery was then cast as Sweedie, a Swedish maid character he played in drag in a series of short comedy films from 1914–16. Sweedie Learns to Swim (1914) co-starred Ben Turpin. Sweedie Goes to College (1915) starred Gloria Swanson, whom Beery married the following year.

Other Beery films (mostly shorts) from this period included In and Out (1914), The Ups and Downs (1914), Cheering a Husband (1914), Madame Double X (1914), Ain't It the Truth (1915), Two Hearts That Beat as Ten (1915), and The Fable of the Roistering Blades (1915).

The Slim Princess (1915), with Francis X. Bushman, was one of the earliest feature-length films. Beery also did The Broken Pledge (1915) and A Dash of Courage (1916), both with Swanson.

Beery was a German soldier in The Little American (1917) with Mary Pickford, directed by Cecil B. De Mille. He did some comedies for Mack Sennett, Maggie's First False Step (1917) and Teddy at the Throttle (1917), but he would gradually leave that genre and specialize in portrayals of villains prior to becoming a major leading man during the sound era.

In 1917 Beery portrayed Pancho Villa in Patria at a time when Villa was still active in Mexico. (Beery reprised the role 17 years later in Viva Villa!.)

Beery was a villainous German in The Unpardonable Sin (1919) with Blanche Sweet. For Paramount he did The Love Burglar (1919) with Wallace Reid; Victory (1919), with Jack Holt; Behind the Door (1919), as another villainous German; and The Life Line (1919) with Holt.

Beery was the villain in five major releases in 1920: 813; The Virgin of Stamboul for director Tod Browning; The Mollycoddle with Douglas Fairbanks, in which Fairbanks and Beery fistfought as they tumbled down a steep mountain (see the photograph in the gallery below); and in the non-comedic Western The Round-Up starring Roscoe Arbuckle as an obese cowboy in a well-received serious film with the tagline "Nobody loves a fat man." Beery continued his villainy cycle that year with The Last of the Mohicans, playing Magua.

Beery had a supporting part in The Four Horsemen of the Apocalypse (1920) with Rudolph Valentino. He was a villainous Tong leader in A Tale of Two Worlds (1921) and was the bad guy again in Sleeping Acres (1922), Wild Honey (1922), and I Am the Law (1922), which also featured his brother Noah Beery Sr.

Beery had a large then-rare heroic part as King Richard I (Richard the Lion-Hearted) in Robin Hood (1922), starring Douglas Fairbanks as Robin Hood. The lavish movie was a huge success and spawned a sequel the following year starring Beery in the title role of Richard the Lion-Hearted.

Beery had an important unbilled cameo as "the Ape-Man" in A Blind Bargain (1922) starring Lon Chaney (Beery is seen crouching, in full ape-man make-up, in the background of some of the movie's posters), and a supporting role in The Flame of Life (1923). He played another historical king, King Philip IV of Spain in The Spanish Dancer (1923) with Pola Negri.

Beery starred in an action melodrama, Stormswept (1923) for FBO Films alongside his elder brother, Noah Beery Sr.. The tagline on the movie's posters was "Wallace and Noah Beery – The Two Greatest Character Actors on the American Screen."

Beery played his third royal, the Duc de Tours, in Ashes of Vengeance (1923) with Norma Talmadge, then did Drifting (1923) with Priscilla Dean for director Browning.

Beery had the titular role in Bavu (1923), about Bolsheviks and the Russian Revolution. He co-starred with Buster Keaton in the comedy Three Ages (1923), the first feature Keaton wrote, produced, directed and starred in.

Beery was a villain in The Eternal Struggle (1923), a Mountie drama, produced by Louis B. Mayer, who would eventually become crucial to Beery's career. He was reunited with Dean and Browning in White Tiger (1923), then played the title role in the aforementioned Richard the Lion-Hearted (1923), a sequel to Robin Hood based on Sir Walter Scott's The Talisman.

Beery was in The Drums of Jeopardy (1923) and had a supporting role in The Sea Hawk (1924) for director Frank Lloyd. He also appeared in a supporting role for Clarence Brown's The Signal Tower (1925) starring Virginia Valli and Rockliffe Fellowes.

Beery signed a contract with Paramount Pictures. He had a support role in Adventure (1925) directed by Victor Fleming.

At First National, he was given the star role of Professor Challenger in Arthur Conan Doyle's dinosaur epic The Lost World (1925), arguably his silent performance most frequently screened in the modern era. Beery was top billed in Paramount's The Devil's Cargo (1925) for Victor Fleming, and supported in The Night Club (1925), The Pony Express (1925) for James Cruze, and The Wanderer (1925) for Raoul Walsh.

Beery starred in a comedy with Raymond Hatton, Behind the Front (1926) and he was a villain in Volcano! (1926). He was a bos'n in Old Ironsides (1926) for director James Cruze, with Charles Farrell in the romantic lead.

Beery had the title role in the baseball movie Casey at the Bat (1927). He was reunited with Hatton in Fireman, Save My Child (1927) and Now We're in the Air (1927). The latter also featured Louise Brooks who was Beery's co star in Beggars of Life (1928), directed by William Wellman, which was Paramount's first part-talkie movie.

There was a fourth comedy with Hatton, Wife Savers (1929), then Beery starred in Chinatown Nights (1929) for Wellman, produced by a young David O. Selznick. This film was shot silent with the voices dubbed in by the actors afterward, which worked spectacularly well with Beery's resonant voice, although the technique was not used again during the silent era for another full-length feature. Beery then played in Stairs of Sand (1929), a Western also starring Jean Arthur (who would play the leading lady in the Western film Shane twenty-four years later) before being fired by Paramount.

Irving Thalberg signed Beery to Metro-Goldwyn-Mayer as a character actor. The association began well when Beery played the savage convict "Butch", a role originally intended for Lon Chaney Sr. (who died that same year), in the highly successful 1930 prison film The Big House, directed by George W. Hill; Beery was nominated for the Academy Award for Best Actor.

Beery's second film for MGM was also a huge success: Billy the Kid (1930), an early widescreen picture in which he played Pat Garrett. He supported John Gilbert in Way for a Sailor (1930) and Grace Moore in A Lady's Morals (1930), portraying P. T. Barnum in the latter.

Beery was well established as a leading man and top rank character actor. What really made him one of the cinema's foremost stars was Min and Bill (1930) opposite Marie Dressler and directed by George W. Hill, a sensational success.

Beery made a third film with Hill, The Secret Six (1931), a gangster movie with Jean Harlow and Clark Gable in key supporting roles. The picture was popular but was surpassed at the box office by The Champ, which Beery made with Jackie Cooper for director King Vidor. The film, especially written for Beery, was another box office sensation. Beery shared the Best Actor Oscar with Fredric March. Though March received one vote more than Beery, Academy rules at the time—since rescinded—defined results within one vote of each other as "ties".[8]

Beery's career went from strength to strength. Hell Divers (1932), a naval airplane epic also starring a young Clark Gable billed under Beery, was a big hit. So too was the all-star Grand Hotel (1932), in which Beery was billed fourth, under Greta Garbo, John Barrymore, and Joan Crawford, one of the very few times he would not be top billed for the rest of his career. In 1932 his contract with MGM stipulated that he be paid a dollar more than any other contract player at the studio, making him the world's highest-paid actor.

Beery was a German wrestler in Flesh (1932), a hit directed by John Ford but Ford removed his directorial credit before the film opened, so the picture screened with no director listed despite being labeled "A John Ford Production" in the opening title card. Next Beery was in another all-star ensemble blockbuster, Dinner at Eight (1933), with Jean Harlow holding her own as Beery's comically bickering wife. This time Beery was billed third, under Marie Dressler and John Barrymore.

Beery was loaned out to the new Twentieth Century Pictures for the boisterously fast-paced comedy/drama The Bowery (1933), also starring George Raft, Jackie Cooper and Fay Wray, and featuring Pert Kelton, under the direction of Raoul Walsh. The picture was a smash hit.

Back at MGM he played the title role of Pancho Villa in Viva Villa! (1933) and was reunited with Dressler in Tugboat Annie (1933), a massive hit. He was Long John Silver in Treasure Island (1934), described as a box office "disappointment"[9] despite being MGM's third largest hit of the season, and remains currently viewed as featuring one of Beery's iconic performances.

Beery returned to Twentieth Century Productions for The Mighty Barnum (1934) in which he played P. T. Barnum again. Back at MGM he was a kindly sergeant in West Point of the Air (1935) and was in an all-star spectacular, China Seas (1935), this time billed beneath Clark Gable.

O'Shaughnessy's Boy (1935) reunited Beery and Jackie Cooper. He had the lead as the drunken uncle in MGM's adaptation of Ah, Wilderness! (1936) and went back to Twentieth Century – now 20th Century Fox – for A Message to Garcia (1936).

At MGM he was in Old Hutch (1936) and The Good Old Soak (1937) then he was back at Fox for Slave Ship (1937), taking second billing under Warner Baxter, a rarity for Beery after Min and Bill catapulted his career into the stratosphere in 1931, during which he received top billing in all but six films (Min and Bill, Grand Hotel, Tugboat Annie, Dinner at Eight, China Seas and Slave Ship).

The status of Beery's films went into a decline, possibly due to a scandal in which Beery was implicated in the death of Ted Healy in 1937, which was apparently kept out of the newspapers by the studio's "fixer" Eddie Mannix, who eventually became head of MGM. After an abrupt European vacation, Beery was in The Bad Man of Brimstone (1938) with Dennis O'Keefe (and Noah Beery Sr. in a cameo role as a bartender), Port of Seven Seas (1938) with Maureen O'Sullivan, Stablemates (1938) with Mickey Rooney, Stand Up and Fight (1939) with Robert Taylor, Sergeant Madden (1939) with Tom Brown, Thunder Afloat (1939) with Chester Morris, The Man from Dakota (1940) with Dolores del Río, and 20 Mule Team (1940) with Marjorie Rambeau, Anne Baxter and Noah Beery Jr., enjoying top billing in all of them.

Wyoming (1940) teamed Beery with Marjorie Main. After The Bad Man (1941), which also stars Lionel Barrymore and future US president Ronald Reagan, and was the remake of a Walter Huston picture, MGM reunited Beery and Main in Barnacle Bill (1941), The Bugle Sounds (1941), and Jackass Mail (1942).

Beery did a war film, Salute to the Marines (1943) then was back with Main in Rationing (1944). Barbary Coast Gent (1944), a broad Western comedy in which Beery played a bombastic con man, teamed him with Binnie Barnes. He did another war film, This Man's Navy (1945), then made another Western with Main, Bad Bascomb (1946), a huge hit, helped by Margaret O'Brien's casting.

The Mighty McGurk (1947) put Beery with another child star of the studio, Dean Stockwell. Alias a Gentleman (1947) was the first of Beery's movies to lose money during the sound era. Beery received top billing for A Date with Judy (1949), a hugely popular musical featuring Elizabeth Taylor. Beery's last film, again featuring Main, Big Jack (1949), also lost money according to Mannix's reckoning.

On March 27, 1916, at the age of 30, Beery married 17-year-old actress Gloria Swanson in Los Angeles. The two had co-starred in Sweedie Goes to College. Although Beery had enjoyed popularity with his Sweedie shorts, his career had taken a dip, and during the marriage to Swanson, he relied on her as a breadwinner. According to Swanson's autobiography, Beery raped her on their wedding night, and later tricked her into swallowing an abortifacient when she was pregnant, which caused her to lose their child. Swanson filed for divorce in 1917 and it was finalized in 1918.

On August 4, 1924, Beery married actress Rita Gilman (Mary Areta Gilman; 1898–1986) in Los Angeles. The couple adopted Carol Ann Priester (1930–2013), daughter of Rita Beery's mother's half-sister, Juanita Priester (née Caplinger; 1899–1931) and her husband, Erwin William Priester (1897–1969). After 14 years of marriage, Rita filed for divorce on May 1, 1939, in Carson City, Ormsby County, Nevada. Within 20 minutes of filing, she won the decree. Rita remarried 15 days later, on May 16, 1939, to Jessen Albert D. Foyt (1907–1945), filing her marriage license with the same county clerk in Carson City.

n December 1937, comedic actor Ted Healy was involved in a drunken altercation at Cafe Trocadero on the Sunset Strip. E. J. Fleming, in his 2005 book, The Fixers: Eddie Mannix, Howard Strickling and the MGM Publicity Machine, asserts that Healy was attacked by three men:

Future James Bond producer Albert "Cubby" Broccoli

Local mob figure Pat DiCicco (who was Broccoli's cousin as well as the former husband of Thelma Todd and the future husband of Gloria Vanderbilt)

Wallace Beery

Fleming writes that this beating led to Healy's death a few days later.

Around December 1939, Beery, recently divorced, adopted a seven-month-old girl, Phyllis Ann Beery. Phyllis appeared in MGM publicity photos when adopted, but was never mentioned again. Beery told the press he had taken the girl in from a single mother, recently divorced, but he had filed no official adoption papers.

Beery was considered misanthropic and difficult to work with by many of his colleagues. Mickey Rooney, one of Beery's few co-stars to consistently speak highly of him in subsequent decades, related in his autobiography that Howard Strickling, MGM's head of publicity, once went to Louis B. Mayer to complain that Beery was stealing props from the studio's sets. "And that wasn't all", Rooney continued. "He went on for some minutes about the trouble that Beery was always causing him ... Mayer sighed and said, 'Yes, Howard, Beery's a son of a bitch. But he's our son of a bitch.' Strickling got the point. A family has to be tolerant of its black sheep, particularly if they brought a lot of money into the family fold, which Beery certainly did."

Child actors, in particular, recalled unpleasant encounters with Beery. Jackie Cooper, who made several films with him early in his career, called him "a big disappointment", and accused him of upstaging, and other attempts to undermine his performances, out of what Cooper presumed was jealousy. He recalled impulsively throwing his arms around Beery after one especially heartfelt scene, only to be gruffly pushed away. Child actress Margaret O'Brien claimed that she had to be protected by crew members from Beery's insistence on constantly pinching her.

In his memoir Rooney described Beery as "... a lovable, shambling kind of guy who never seemed to know that his shirttail belonged inside his pants, but always knew when a little kid actor needed a smile and a wink or a word of encouragement." He did concede that "not everyone loved [Beery] as much as I did." Beery, by contrast, described Rooney as a "brat", but a "fine actor". Future author Ray Bradbury recalled meeting Beery as a young boy on a Hollywood street and that his autograph request resulted in Beery cursing and spitting on him.

Beery owned and flew his own planes, one a Howard DGA-11. On April 15, 1933, he was commissioned a lieutenant commander in the United States Navy Reserve at NRAB Long Beach. One of his proudest achievements was catching the largest giant black sea bass in the world — 515 pounds (234 kg) — off Santa Catalina Island in 1916, a record that stood for 35 years.

A noteworthy episode in Beery's life is chronicled in the fifth episode of Ken Burns' documentary The National Parks: America's Best Idea: In 1943, President Franklin D. Roosevelt signed an executive order creating Jackson Hole National Monument to protect the land adjoining the Grand Tetons in Wyoming. Local ranchers, outraged at the loss of grazing lands, compared FDR's action to Hitler's taking of Austria. Led by an aging Beery, they protested by herding 500 cattle across the monument lands without a permit.

On February 13, 1948, Gloria Schumm (aka Gloria Smith Beery, née Florence W. Smith; 1916–1989) filed a paternity suit against Beery. Beery, through his lawyer, Norman Ronald Tyre (1910–2002), initially offered $6,000 as a settlement, but denied being the father. Gloria had given birth on February 7, 1948, to Johan Richard Wallace Schumm. Gloria, in 1944, divorced Stuttgart-born Hollywood actor Hans Schumm (né Johann Josef Eugen Schumm; 1896–1990), but remarried him August 21, 1947, after realizing that she was pregnant. Prior to remarrying Hans Schumm, Gloria, on August 4, 1947, met with Beery at his home, where he gave her the name and address of a physician to submit an examination.[29] At or around that time, she also asked Beery to marry her to legitimatize the expected child (words), which Beery refused.

According to newspapers, Gloria claimed to have been intimate with Wallace Beery on or about May 1, 1947, at his home in Beverly Hills (in the court proceedings, however, she claimed to have been intimate with Beery on May 17, 1947). Beery conceded that he had known Gloria for about 15 years and that, under the pseudonym "Gloria Whitney", she had played bit roles in 6 films that he starred in. She again separated from Hans Schumm April 15, 1948.

Beery died of a heart attack on April 15, 1949 (14 months, 1 week, and 1 day after Johan Schumm's birth) — while the suit was pending. Beery had been reading a newspaper at his Beverly Hills home when he collapsed.[31] His body was interred at Forest Lawn Memorial Park in Glendale, California. The inscription on his grave reads, "No man is indispensable but some are irreplaceable."

Beery died intestate. In the paternity suit, Gloria Schumm's attorneys demanded $104,135 against Beery's $2,220,000 estate. In February 1952, Judge Newcomb Condee approved a $26,750 settlement from the estate. Gloria Schumm accepted the settlement, and Beery's paternity of Johan Schumm was not acknowledged.

When Mickey Rooney's father died less than a year later, Rooney arranged to have him buried next to his old friend. "I thought it was fitting that these two comedians should rest in peace, side by side", he wrote.

The paternity suit, and subsequent suits – including appeals – extended through about 1952 and were internationally publicized, particularly in gossip columns and tabloids. The litigation has endured as case law with, among other things, treatises addressing the rights of illegitimate offspring against legitimate heirs in races for inheritance.

The upshot was that Schumm's paternity suit against Beery's estate put would-be half-siblings and other would-be family legatees, including a would-be uncle, Noah Beery, Sr., in the position as de facto defendants. Phyllis Ann Riley was not named in Beery's will. Part of plaintiff's claim, initially, hinged on whether an oral agreement was binding. Gloria had claimed that Beery, while alive, agreed to provide for the child. However, on November 17, 1949, Judge William B. McKesson (1895–1967) threw out Gloria's claim. The judge reasoned that any oral agreement between the two, specifically any that was intended to provide for maintenance and care of a minor, was not binding because the amount allegedly agreed upon was in excess of $500, which must be made in writing.

Another matter in the case hinged on a "peppercorn" rule. That is, in order for any agreement, oral or written, between Wallace and Gloria to be binding, there must be consideration. The court, initially, found that Beery agreed to an oral contract where Gloria would (i) include the name "Wallace" in the child's name if a male, or "Wally" if a female, and (ii) refrain from filing a paternity suit that both agreed would damage Beery's "social and professional standing as a prominent motion picture star."

Generally, under California state law at the time, a father who neither marries the mother nor acknowledges paternity does not have a right to name the child. That right belongs to the mother. In exchange for Gloria's promise to name the child "Wallace" or "Wally" (the promise representing a form of consideration), Wallace Beery agreed to arrange for the payment of $100 per week to the child (as a third-party beneficiary under the contract), plus a lump sum of $25,000 to the child when he or she attained age 21, in addition to the customary obligation to pay for the "maintenance, support and education according to the station in life and standard of living of Wallace Beery."

For his contributions to the film industry, Wallace Beery posthumously received a motion pictures star on the Hollywood Walk of Fame in 1960. His star is located at 7001 Hollywood Boulevard.

Beery is mentioned in the film Barton Fink, in which the lead character has been hired to write a wrestling screenplay to star Beery.

In the 1968 comedy "The Projectionist" actor and comedian Chuck McCann impersonates Beery quoting a line from "Min and Bill"

[classicfilmfan64]

Yes, his autograph is part of my character Actor autograph collection. I found this extensive biography online.

Lionel Jay Stander (January 11, 1908 – November 30, 1994) was an American actor in films, radio, theater, and television.

Lionel Stander was born in The Bronx, New York, to Russian-Jewish immigrants, the first of three children.

According to newspaper interviews with Stander, as a teenager, he appeared in the silent film MEN OF STEEL (1926), perhaps as an extra, since he is not listed in the credits.

During his one year at the University of North Carolina at Chapel Hill, he appeared in the student productions The Muse of the Unpublished Writer, and The Muse and the Movies: A Comedy of Greenwich Village.

Stander's acting career began in 1928, as Cop and First Fairy in Him by E. E. Cummings, at the Provincetown Playhouse. He claimed that he got the roles because one of them required shooting craps, which he did well, and a friend in the company volunteered him. He appeared in a series of short-lived plays through the early 1930s, including The House Beautiful, which Dorothy Parker famously derided as "the play lousy".

In 1932, Stander landed his first credited film role in the Warner-Vitaphone short feature IN THE DOUGH (1932), with Fatty Arbuckle and Shemp Howard. He made several other shorts, the last being THE OLD GREY MAYOR (1935) with Bob Hope in 1935. That same year, he was cast in a feature, Ben Hecht's THE SCOUNDREL (1935), with Noël Coward. He moved to Hollywood and signed a contract with Columbia Pictures. Stander was in a string of films over the next three years, appearing most notably in Frank Capra's MR. DEEDS GOES TO TOWN (1936) with Gary Cooper, MEET NERO WOLFE (1936) playing Archie Goodwin, THE LEAGUE OF FRIGHTENED MEN (1937), and A STAR IS BORN (1937) with Janet Gaynor and Fredric March.

Stander's distinctive rumbling voice, tough-guy demeanor, and talent with accents made him a popular radio actor. In the 1930s and 1940s, he was on The Eddie Cantor Show, Bing Crosby's KMH show, the Lux Radio Theater production of A Star Is Born, The Fred Allen Show, the Mayor of the Town series with Lionel Barrymore and Agnes Moorehead, Kraft Music Hall on NBC, Stage Door Canteen on CBS, the Lincoln Highway Radio Show on NBC, and The Jack Paar Show, among others.

In 1941, he starred in a short-lived radio show called The Life of Riley on CBS, no relation to the radio, film, and television character later made famous by William Bendix. Stander played the role of Spider Schultz in both Harold Lloyd's film THE MILKY WAY (1936) and its remake ten years later, THE KID FROM BROOKLYN (1946), starring Danny Kaye. He was a regular on Danny Kaye's zany comedy-variety radio show on CBS (1946–1947), playing himself as "just the elevator operator" amidst the antics of Kaye, future Our Miss Brooks star Eve Arden, and bandleader Harry James.

Also during the 1940s, he played several characters on The Woody Woodpecker and Andy Panda animated theatrical shorts, produced by Walter Lantz. For Woody Woodpecker, he provided the voice of Buzz Buzzard, but was blacklisted from the Lantz studio in 1951 and was replaced by Dal McKennon.

Strongly liberal and pro-labor, Stander espoused a variety of social and political causes and was a founding member of the Screen Actors Guild. At a SAG meeting held during a 1937 studio technicians' strike, he told the assemblage of 2000 members: "With the eyes of the whole world on this meeting, will it not give the Guild a black eye if its members continue to cross picket lines?" (The NYT reported: "Cheers mingled with boos greeted the question.") Stander also supported the Conference of Studio Unions in its fight against the Mob-influenced International Alliance of Theatrical Stage Employees (IATSE). Also in 1937, Ivan F. Cox, a deposed officer of the San Francisco longshoremen's union, sued Stander and a host of others, including union leader Harry Bridges, actors Fredric March, Franchot Tone, Mary Astor, James Cagney, Jean Muir, and director William Dieterle. The charge, according to Time magazine, was "conspiring to propagate Communism on the Pacific Coast, causing Mr. Cox to lose his job".

In 1938, Columbia Pictures head Harry Cohn allegedly called Stander "a Red son of a bitch" and threatened a US$100,000 fine against any studio that renewed his contract. Despite critical acclaim for his performances, Stander's film work dropped off drastically. After appearing in 15 films in 1935 and 1936, he was in only six in 1937 and 1938. This was followed by just six films from 1939 through 1943, none made by major studios, the most notable being GUADALCANAL DIARY (1943).

Stander was among the first group of Hollywood actors to be subpoenaed before the House Un-American Activities Committee (HUAC) in 1940 for supposed Communist activities. At a grand jury hearing in Los Angeles in August 1940—the transcript of which was shortly released to the press—John R. Leech, the self-described former "chief functionary" of the Communist Party in Los Angeles, named Stander as a CP member, along with more than 15 other Hollywood notables, including Franchot Tone, Humphrey Bogart, James Cagney, Clifford Odets, and Budd Schulberg. Stander subsequently forced himself into the grand jury hearing, and the district attorney cleared him of the allegations.

Stander appeared in no films between 1944 and 1945. Then, with HUAC's attention focused elsewhere due to World War II, he played in a number of mostly second-rate pictures from independent studios through the late 1940s. These include Ben Hecht's SPECTER OF THE ROSE (1946); the Preston Sturges comedy THE SIN OF HAROLD DIDDLEBOCK (1947) with Harold Lloyd; and TROUBLE MAKERS (1948) with The Bowery Boys. One classic emerged from this period of his career, the Preston Sturges comedy UNFAITHFULLY YOURS (1948) with Rex Harrison.

In 1947, HUAC turned its attention once again to Hollywood. That October, Howard Rushmore, who had belonged to the CPUSA in the 1930s and written film reviews for the Daily Worker, testified that writer John Howard Lawson, whom he named as a Communist, had "referred to Lionel Stander as a perfect example of how a Communist should not act in Hollywood." Stander was again blacklisted from films, though he played on TV, radio, and in the theater.

In March 1951, actor Larry Parks, after pleading with HUAC investigators not to force him to "crawl through the mud" as an informer, named several people as Communists in a "closed-door session", which made the newspapers two days later. He testified that he knew Stander, but did not recall attending any CP meetings with him.

At a HUAC hearing in April 1951, actor Marc Lawrence named Stander as a member of his Hollywood Communist "cell", along with screenwriter Lester Cole and screenwriter Gordon Kahn. Lawrence testified that Stander "was the guy who introduced me to the party line", and that Stander said that by joining the CP, he would "get to know the dames more" — which Lawrence, who did not enjoy film-star looks, thought a good idea. Upon hearing of this, Stander shot off a telegram to HUAC chair John S. Wood, calling Lawrence's testimony that he was a Communist "ridiculous" and asked to appear before the Committee, so he could swear to that under oath. The telegram concluded: "I respectfully request an opportunity to appear before you at your earliest possible convenience. Be assured of my cooperation." Two days later, Stander sued Lawrence for $500,000 for slander. Lawrence left the country ("fled", according to Stander) for Europe.

After that, Stander was blacklisted from TV and radio. He continued to act in theater roles and played Ludlow Lowell in the 1952-53 revival of Pal Joey on Broadway and on tour.

Two years passed before Stander was issued the requested subpoena. Finally, in May 1953, he testified at a HUAC hearing in New York, where he made front-page headlines nationwide by being uproariously uncooperative, memorialized in the Eric Bentley play, Are You Now or Have You Ever Been. The New York Times headline was "Stander Lectures House Red Inquiry." In a dig at bandleader Artie Shaw, who had tearfully claimed in a Committee hearing that he had been "duped" by the Communist Party, Stander testified,

"I am not a dupe, or a dope, or a moe, or a schmoe...I was absolutely conscious of what I was doing, and I am not ashamed of anything I said in public or private."

An excerpt from that statement was engraved in stone for "The First Amendment Blacklist Memorial" by Jenny Holzer at the University of Southern California.

Other notable statements during Stander's 1953 HUAC testimony:

- "[Testifying before HUAC] is like the Spanish Inquisition. You may not be burned, but you can't help coming away from a little singed."

- "I don't know about the overthrow of the government. This committee has been investigating 15 years so far, and hasn't found one act of violence."

- "I know of a group of fanatics who are desperately trying to undermine the Constitution of the United States by depriving artists and others of life, liberty, and the Pursuit of Happiness without due process of law ... I can tell names and cite instances and I am one of the first victims of it. And if you are interested in that and also a group of ex-fascists and America-Firsters and anti-Semites, people who hate everybody including Negroes, minority groups and most likely themselves ... and these people are engaged in a conspiracy outside all the legal processes to undermine the very fundamental American concepts upon which our entire system of democracy exists."

- "...I don't want to be responsible for a whole stable of informers, stool pigeons, and psychopaths and ex-political heretics, who come in here beating their breast and say, 'I am awfully sorry; I didn't know what I was doing. Please--I want absolution; get me back into pictures.'"

- "My estimation of this committee is that this committee arrogates judicial and punitive powers which it does not possess."

Stander was blacklisted from the late 1940s until 1965; perhaps the longest period.

After that, Stander's acting career went into a free fall. He worked as a stockbroker on Wall Street, a journeyman stage actor, a corporate spokesman—even a New Orleans Mardi Gras king. He didn't return to Broadway until 1961 (and then only briefly in a flop) and to film in 1963, in the low-budget THE MOVING FINGER (although he did provide, uncredited, the voice-over narration for the 1961 noir thriller BLAST OF SILENCE.)

Life improved for Stander when he moved to London in 1964 to act in Bertolt Brecht's Saint Joan of the Stockyards, directed by Tony Richardson, for whom he'd acted on Broadway, along with Christopher Plummer, in a 1963 production of Brecht's The Resistible Rise of Arturo Ui. In 1965, he was featured in the film PROMISE HER ANYTHING. That same year Richardson cast him in the black comedy about the funeral industry, THE LOVED ONE, based on the novel by Evelyn Waugh, with an all-star cast including Jonathan Winters, Robert Morse, Liberace, Rod Steiger, Paul Williams, and many others. In 1966, Roman Polanski cast Stander in his only starring role, as the thug Dickie in CUL-DE-SAC, opposite Françoise Dorléac and Donald Pleasence.

Stander stayed in Europe and eventually settled in Rome, where he appeared in many spaghetti Westerns, most notably playing a bartender named Max in Sergio Leone's ONCE UPON A TIME IN THE WEST. He played the role of the villainous mob boss in Fernando Di Leo's 1972 poliziottescho thriller CALIBER 9. In Rome he connected with Robert Wagner, who cast him in an episode of It Takes a Thief that was shot there. Stander's few English-language films in the 1970s include THE GANG THAT COULDN'T SHOOT STRAIGHT (1971) with Robert De Niro and Jerry Orbach, Martin Scorsese's NEW YORK, NEW YORK (1977), which also starred De Niro and Liza Minnelli, and Steven Spielberg's 1941 (1979).

Stander played a supporting role in the TV film Revenge Is My Destiny with Chris Robinson. He played a lounge comic modeled after the real-life Las Vegas comic Joe E. Lewis, who used to begin his act by announcing "Post Time" as he sipped his ever-present drink.

After 15 years abroad, Stander moved back to the U.S. for the role he is now most famous for: Max, the loyal butler, cook, and chauffeur to the wealthy, amateur detectives played by Robert Wagner and Stefanie Powers on the 1979–1984 television series Hart to Hart (and a subsequent series of Hart to Hart made-for-television films). In 1983, Stander won a Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film.

In 1986, he became the voice of Kup in THE TRANSFORMERS: THE MOVIE. In 1991 he was a guest star in the television series Dream On, playing Uncle Pat in the episode "Toby or Not Toby". His final theatrical film role was as a dying hospital patient in THE LAST GOOD TIME (1994), with Armin Mueller-Stahl and Olivia d'Abo, directed by Bob Balaban.

Stander was married six times, the first time in 1932 and the last in 1972. All but the last marriage ended in divorce. He fathered six daughters (one wife had no children, one had twins).

Stander died of lung cancer in Los Angeles, California, in 1994 at age 86. He was buried in Glendale's Forest Lawn Memorial Park Cemetery.

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[milkteadancer]

THE DANCE AWARDS FOOTAGE

ALL BEST DANCER DANCE-OFFS

these are all of the dance-offs i could find, it seems there aren’t any from 2012, 2011 or 2013 (other than mini female). likewise, any others that i couldn’t find i’ve indicated with an asterisk - if you can find these let me know and i’ll add them to the list.

MINI FEMALE

2013 / NEW YORK  tate mcrae, sophia lucia, kayla mak, brynn rumfallo, rosie elliott, madison foley, paige litle, carlee schield, madi toney, jaycee wilkins

2014 / NEW YORK kayla mak, charlee fagan, ruby castro, emily roman, destiny kluck, sarah moore, isabella baldino, kelsey cook, makenna miller, camila schwarz

2014 / LAS VEGAS brynn rumfallo, bostyn brown, dabria aguilar, keara nichols, courtney mccolley, jezzaeyah slack, jenna valenzuela, amber skaggs, ysabella reyes, emma york, carlee schield

2015 / NEW YORK jezzaeyah slack, bella klassen, ashley vallejo, ava brooks, ying lei pham, eliana hayward, halle lum, courtney lam, sarah moore, malli grace lackey

2015 / LAS VEGAS avery gay, kaylee quinn, peyton macdonald, brooklin cooley, kiarra waidelich, jessamina piazza, haley beck, ava dipretoro, cami ritzler, christian burse

2016 / ORLANDO diana pombo, destanye diaz, casey tran, alexis adair, brooke shaw, dyllan blackburn, ella saunders, hailey bills, madison brown, rachel leon

2016 / LAS VEGAS kiarra waidelich, brooklin cooley, hailey meyers, brightyn brems, alexis de lucas, bryten belka, carly allyn, samantha eve, summer montenegro, vanessa francis

2017 / ORLANDO hailey bills, dyllan blackburn, mariella saunders, cameron voorhees, brightyn rines, kaitlyn winnell, casey tran, lucy charlton, alexis adair, elliana walmsley

2017 / LAS VEGAS brightyn brems, sabine nehls, brooklin cooley, summer montenegro, crystal huang, aimee cho, ali ogle, alexis de lucas, savannah kristich, charlotte cogan

MINI MALE

2014 / NEW YORK brady farrar, zachary doran, charlie macdonald, jonah benyamin, devin mar,  liam ramdeen

2014 / LAS VEGAS joziah german, tristan ianiero, summit geiselman, sam kurtz, artyon celestine, morgan stowell

2015 / NEW YORK* tristan ianiero, jonathan paula, nicholas jacobsen, justin stillwagon, zachary doran, ryan scalero, garris munoz, ethan thai

2015 / LAS VEGAS gavin morales, artyon celestine, devin mar, lawson sharrer, mason kolontay, ramsey morrell, andrew imm, morgan stowell, collin benning, diego garcia, anthony curley, cristian ponder, andrew nash

2016 / ORLANDO jonathan paula, stefano bonomo, jackson foley, david consuegra, hayden mucha, sam fleshler, saverio tedesco, shawn taylor, tj beal, william huguet

2016 / LAS VEGAS artyon celestine, nathaniel chua, anthony curley, amadeus tiesling, arthur celestine, devin mar, diego garcia, jonah smith, timmy zvifel, wyatt moss

2017 / ORLANDO stephano bonomo, nicholas bustos, luke barrett, david consuegra, jason patryluk, william huguet, timothy zvifel, brady amaya, tristan gerzon, talen tsigaris, nathaniel chua

2017 / LAS VEGAS jt church, marcus taylor, roman pesino, degie setnes, jonah benyamin, patricio lopez, landon incorvaia, shane wexelman, nathan coish, asher morgado, oscar moreno, merce meynardie, ethan huang

JUNIOR FEMALE

2014 / NEW YORK sophia lucia, talia seitel, olivia alboher, rachael anderson, grace lethbridge, vivian ruiz, amy benedetto, mims mckee, anessa zivic, gabreille woodall

2014 / LAS VEGAS emma sutherland, jaycee wilkins, lauren yakima, brynklie brown, keely meyers, megan goldstein, michelle siemienowski, lucy vallely, lauren shaw, alexis watson

2015 / NEW YORK tate mcrae, lily gentile, emma york, maddie ziegler, madison foley, madi toney, gabrielle woodall, faith huguet, jenna waller, skye ayala

2015 / LAS VEGAS jaycee wilkins, quinn starner, bostyn brown, emmy cheung, eva igo, sophia frilot, courtney mccolley, jenna valenzuela, mia maxwell, dabria aguilar, julia depretoro, keely meyers, paige litle

2016 / ORLANDO bostyn brown, bella klassen, kayla mak, burkelle, reighard, camila schwarz, charlee fagan, courtney mccolley, destiny kluck, hallie green, isabella baldino, lizzy zaritsky, malli grace lackey

2016 / LAS VEGAS emma york, haley beck, abbey mcwhirter, alexandra andrada, alexis weldner, ava brooks, carlee schield, ella horan, emmy cheung, jade bucci, samantha mcgowan

2017 / ORLANDO bella klassen, jezzaeyah slack, brooke judge, lindsey wade, elliana mannella, bella mills, ava arbuckle, josabella morton, olivia deangelo, emma johnson

2017 / LAS VEGAS avery gay, ella horan, ava brooks, christian burse, ava wagner, brooke shaw, hailey meyers, haley beck, peyton macdonald, brooke cheeke, bennet espinda

JUNIOR MALE

2014 / NEW YORK findlay mcconnell, tristan simpson, julian sanchez, giovanni castellon, jacob lipke, anthony kelly, jeffrey lapira, adam iantorno, spencer seebach, brian hooper

2014 / LAS VEGAS carter williams, ryan maw, nate milledge, alec mittenthal, beni gottesman, yadiel figueroa, zach cordova

2015 / NEW YORK murphy lee, parker garrison, holden maples, nate milledge, aydin eyikan, justin luca, hayden luedde, kyler durrence, landen glass, daniel paula, marcel cavaliere

2015 / LAS VEGAS ryan maw, sage rosen, summit geiselman, alex cohoon, tj williams, mikey tua, zach cordova, michael filgas, justin renaud, joshua ukura, carter musselman

2016 / ORLANDO parker garrison, joziah german, daniel paula, daniel vargas, david keingatti, ethan thai, jackson rolof, jared grospe, russell schuller, ryan fiore, zachary doran

2016 / LAS VEGAS holden maples, easton magliarditi, ryan williams, alexander shulman, ashton eatchel, ethan taylor, holden kunowski, jemoni powe, moses rankine, sky bleeker

2017 / ORLANDO brady farrar, jackson rolof, hans anderson, jalen scriven, shawn taylor,  john mays, anthony dessables, tyreke holt, russell shuller, eliazar jimenez, anthony mattson, hayden mucha

2017 / LAS VEGAS tristan ianiero, easton magliarditi, jackson foley, holden kunowski, jonah smith, morgan stowell, colin benning, tai pampo, garris munoz, amadeus tiesling, rylen besler, isaiah wilson

TEEN FEMALE

2014 / NEW YORK jayci kalb, payton johnson, briar nolet, taylor sieve, madelyn link, makayla ryan, katrina khachi, kierstyn typa, madison macgregor, kerrynton jones, jessy lipke

2014 / LAS VEGAS simrin player, ashley green, addison moffett, kenedy kallas, alexis warr,  lexi tonniges, mackenzie meldrum, sam grayson, ambry mehr, olivia gieringer

2015 / NEW YORK payton johnson, kennedy kallas, ariana mcclure, jamie bacon, makayla ryan, anessa zivic, alexis warr, morgan higgins, paylina macias, ali deucher

2015 / LAS VEGAS lucy vallely, lauren yakima, kalani hilliker, mackenzie meldrum, mykayla hicks, sidney ramsey, aaliyah zolina, lauren shaw, emma janus, megan goldstein, talia seitel, kennedy huff

2016 / ORLANDO morgan higgins, quinn starner, samantha soto, lauren yakima, anessa zivic, bridget lee, camille cabrera, lauren shaw, lily gentile, rosie elliott, skye ayala, sydney burtis, vivan ruiz

2016 / LAS VEGAS emma sutherland, bella allen, kalani hilliker, denise goping, elise monson, ellie wagner, maria rosenberg, megan goldstein, olivia aboher, shelby patterson, talia seitel, taylor nunez

2017 / ORLANDO quinn starner, kelis robinson, vivian ruiz, anessa zivic, emily valencia, lily gentile, jenna meilman, ruby castro, trinity bonilla, skye ayala

2017 / LAS VEGAS megan goldstein, lauren yakima, chau, eva igo, briana del mundo, emmy cheung, mia maxwell, taylor nunez, ellie wagner, lauren shaw, madison foley

TEEN MALE

2014 / NEW YORK julian elia, jonathan wade, jhaleil swaby, ty forhan, liam melady, niko martinez, dean husted, d’angelo castro, mariano zamora, myles erlick

2014 / LAS VEGAS lex ishimoto, justin pham, nathan hirschaut, braxton hew-len, dylan slamka, spencer mccarrey, christian smith, michael artiga, quintin hugate, vince castillo

2015 / NEW YORK logan hernandez, eli alford, stefano gallelli, ezra soso, joey socci, wyeth walker, alex swader, scott autry, joseph harrington, shamus moriarty, scott dudas

2015 / LAS VEGAS graham feeny, d’angelo castro, christian smith, nathan hirschaut, anthony tette, julian lombardi, tristan simpson, evan iguanez, yadiel figueroa, emanuel dostine

2016 / ORLANDO d’angelo castro, gino cosculluela, findlay mcconnell, jamaii melvin, anthony kelly, harrison knostman, kyle anders, stefano gallelli, stephen myers, tim blankenship, troy martin

2016 / LAS VEGAS sage rosen, christian smith, carter williams, andres penate, brian hooper, ezra sosa, ferris schley, jaxon willard, nate milledge, tyler smith, zach cordova

2017 / ORLANDO* findlay mcconnell, joziah german, julian lombardi, sam mcwilliams, stefano gallelli, julian sanchez, anthony kelly, kyle anders, tj williams, daniel paula, murphy lee, tyler smith

2017 / LAS VEGAS* ryan maw, jaxon willard, carter williams, yadiel figueroa, jemoni powe, alexander shulman, brian hooper, spencer seebach, zack sommer, joshua ukura

SENIOR FEMALE

2014 / NEW YORK brianne sellars, briana morrison, chantelle good, jessica ferretti, candace vincent, vanessa kiriakou, alexa barzuna, selena lucchese, zoe hollinshead, audrianna martin del campo

2014 / LAS VEGAS alyssa allen, aika doone, hayden hopkins, cassidy fulmer, taylor labruzzo, lily leyva, nadia antonangeli, bostyn asjian, savannah latimer, paulina meneses, ale perciago, mccall olsen

2015 / NEW YORK jazzmin james, briar nolet, zoe hollinshead, christine mirando, sami eismont, kae kae lee, takia hopson, kalyn langford, ellen giffings, selena lucchese

2015 / LAS VEGAS ashley green, aika doone, taylor sieve, amanda sun, addison moffett, natasha wells, bostyn ashjian, ambry mehr, jennie palomo, alex brooks

2016 / ORLANDO jayci kalb, mackenzie meldrum, paulina macias, sidney ramsey, amanda baez, andrea ward, ashley coulson, kae kae lee, kaylin maggard, makayla ryan

2016 / LAS VEGAS taylor sieve, kailyn rogers, simrin player, justice moore, kennedy huff, kierra kelp, michaela horger, mykayla hicks, nichole bennis, nicole ishimaru, olivia gleringer

2017 / ORLANDO payton johnson, jessy lipke, sidney ramsey, megan caines, allie best, ashley coulson, ali stevens, mykayla hicks, paulina macias, samantha soto, makayla ryan

2017 / LAS VEGAS simrin player, elise monson, jamie bacon, ariana mcclure, jaida underwood, mindy platt, taylor payne, aubrey mccleary, aria terango, lexus johnson

SENIOR MALE

2014 / NEW YORK keanu uchida, kyle patrick clarke, issac lupien, shannon womble, jack moore, tristan ghostkeeper, wesley tang, matthew taylor, ethan colangelo, devon brown, derek piquette

2014 / LAS VEGAS eric schloesser, moises parra, jeremy platt, mathew rogers, ben green, lucas santhon, zane green, omar rivera, peter elakis, daniel bordonali

2015 / NEW YORK kyle patrick clarke, myles erlick, jay jay dixonbey, devon brown, liam melady, barry gans, shannon womble, niko martinez, dean husted, mariano zamora, jeremy platt

2015 / LAS VEGAS michael hall, chase bowden, nico lonetree, justin pham, andres cruz, eliott trahan, keegan hill, aaron williams, riley kurilko, evan morash, andrew mulet, damian terriquez, zane green

2016 / ORLANDO jonathan wade, nick daniels, nathan hirschaut, alex swader, david wright, dean husted, eli alford, howard johnson, niko martinez, shannon womble, asten stewart

2016 / LAS VEGAS lex ishimoto, jay jay dixonbey, riley kuriko, andres cruz, justin pham, luke kamppila, maclean frey, michael garcia, michael novitski, michael thurin, nico lonetree, samuel hall, scott autry, todd baker

2017 / ORLANDO wyeth walker, michael novitski, benjamin peralta, alex swader, tyrese parker, shamus moriarty, ian sanford, brendan moran, eli alford, tyler hutchings,  conner chastain

2017 / LAS VEGAS timmy blankenship, sam hall, christian smith, emiliano jimenez, tucker ferguson, riley kirlko, scott autry, david wright, ezra sosa, joshua bergner