#Because I also lover her

[xx-sketchy-xx]

I absolutely fell in love with joy in the second movie. And now I am obsessed with mania too, already taking the darker pathway of my new hyperfixation. Sorry y’all

speaking of which

She’s not necessarily an emotion, but she is sure as heck in charge of my emotional control panel at all times

maybe I should color her

[lucabyte]

some thoughts on Claude

alt title: diversity win! this Butch Nun is crafting bombs in an unventilated room in her convent while actively courting Mother Superior! Do Not Give Them Access To Unlimited Power No Matter How Nice They Are

+ bonus

[the-star-rigel]

pjo/hoo/toa + the cycle

The Lightning Thief / Growing Sideways, Noah Kahan / Ivan the Terrible and His Son Ivan, Ilya Repin + Saturn Devouring His Son, Goya + Saturn, Rubens / The Blood of Olympus / The Family Jewels, MARINA / The Last Olympian / The Sea of Monsters / The Family Jewels / Orestes Pursued by the Furies, Bouguereau / The Hidden Oracle / Apollo and Marsyas, Manfredi / In The Blood, John Mayer / The Sea of Monsters / The Combat of Ares and Athena, Jacques Louis David / The Family Jewels / Mark of Athena / The Combat of Ares and Athena / The Lightning Thief / Family Line, Conan Gray / Cronos and Rhea, Schinkel / The Lightning Thief / The Blood of Olympus / In The Blood / The Last Olympian / Chronos and His Child, Romanelli / Desireé Dellagiacomo / The Lightning Thief / Family Line / The Fallen Angel, Alexandre Cabanel + The Last Day of Pompeii, Bryullov / The Blood of Olympus / The Outcast, Botticelli / Glass, Irony and God, Anna Carson / House of Hades / Family Line / The Last Olympian / The Lament for Icarus, Herbert Draper + Sacrifice of Iphigenia, Roman School + Minerva and Arachne, Houasse + Venus Induces Helen to Fall in Love with Paris, Kauffmann / The Last Olympian / Hadestown / The Lightning Thief / apple, Charli xcx / The Last Olympian / I Would Leave Me If I Could, Halsey / The Sea of Monsters / ? / LET YOUR DAD DIE ENERGY DRINK, Lavery and Corrigan / The Last Olympian / Eat Your Young, Hozier / The Last Olympian / Orpheus and the Bacchantes, Lazzarini / The Blood of Olympus / Susan Smith, wych elm / Orpheus and the Bacchantes / The Burning Maze / ? / The Tyrant’s Tomb / Perseus Freeing Andromeda, Veronese / Abduction of Psyche, Bouguereau + Bacchus and Ariadne, Van Loo / The Tower of Nero / The Tower of Nero / The Tower of Nero

[homkamiro]

just wanted to let you know that i've thought about your masc scout/fem sniper art. it is genderous to me, thank you

Ahhh thank you so much anon!!!🥺I really like them too, they give me a nice change in scenery and a very funny dynamic to play with

[lostinthemazewiththehallows]

cannot even begin to describe how much i love the historical inaccuracy in bridgerton this season- they’ve just fully leaned into it. the hair, the outfits, philippa featheringtons lush tan, i can’t get enough thank you!

i LOVE a silly romance - i don’t CARE about historical accuracy, i like pretty colours and happy couples

so WHAT the napoleonic war was supposed to be going on- NOBODY CARES! :D

[kingofmyborrowedheart]

Begging swifties to understand that Taylor didn’t write reputation and Lover with the knowledge of how the relationship was going to end and that trying to “excavate” those albums for evidence to prove a specific theory as to why it ended is not how they should be viewed. Taylor wrote those songs feeling a very specific way because that’s what she was experiencing and she is now reflecting on them with hindsight and relates to them differently than when she first created them. These conflicting emotions can exist; how she views it now doesn’t diminish how she felt about it when she first released it.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[unpersoniverse]

Skén:nen sá:sewh

as promised, here's Precious boy™ getting kissed by Precious wife™ because he deserves all the love in the world :cc

translation: Get home safe

[trappedinafantasy37]

POV: Evil murder kitten tries to evil murder you in your sleep. She's desperate for a reason not to evil murder you because she does not want to.

[marzipanandminutiae]

Museum Exhibit I'd Like To Curate:

"Never Married; Best Friends- Erasure, Discovery, and the Work of Queer Historians"

(shocker: we're not all straight/cis and we're not all out to erase queer history at every turn. never have been. of course, that doesn't mean queer historians have never been complicit in erasure, for safety reasons or personal bias against another letter of the acronym or what have you. I'd love to explore that- and our contributions to the queer history field -in greater depth)

[rosurie]

he's such a freak ♡ @bad-wink-scribbling

BONUS with @wreckowafer 's Yunie ♡:

moments before disaster. little did Damsel know by interacting with this freak one time, he would decide she was his best friend because she's Yunie's best friend. [local popular girl talks cordially to man once: instantly regrets it]

[gardenwalrus]

went down a rabbit hole looking into george martin’s estranged eldest son and my god this guy is strange

[my-world-my-stories]

Aftermath cuddles with a giant, buff alien lady that just became your GF. Is there anything better?

Also, a lovely bracelet Wy'ld made for Cat as a mating gift (As seen in Chapter 15). Space hunters need hobbies too.

[hadesisqueer]

I like how Violet is so used to having dramatic ass children that Francesca marrying with no drama was too odd to her lmao. And thinking about how her story will unfold is actually kinda hilarious because it's gonna be like:

Violet: Well, that's it. John is a very good man and Francesca is comfortable and happy with her choice and if this is what she truly wants, it's all that matters💜

Violet: Also, it's kinda refreshing to finally have a normal child that doesn't do any dramatic or scandalous shit.

Francesca a few seasons later after her husband passes: *fucks and falls in love with her husband's cousin -who is a woman-*

Violet:

Violet: Honestly, I should've seen this coming, none of my children will actually ever be normal.

[waitingtobreatheagain]

You know what I hate real real bad?

How people mischaracterize Colin (they do the same to Pen but I am going to make that a separate post for her) when we have proof that directly goes against their claims.

"Colin did not see Pen as worthy"

"Colin did not have love for/care for Pen/or pay attention to her until season 3"

"Colin does not truly love her it's only lust"

I understand having your own opinion but there are times when the opinion is OBJECTIVELY WRONG. I also don't like how folks have chosen to do this to likely the kindest male lead we'll have who expressed his love for his partner CONSTANTLY and CONSISTENTLY.

Those aren't the only things I've heard or seen but they are among the biggest misconceptions. Outside of not realizing the extent of his feelings for Pen until a catalyst (the first kiss, while we also see in the first two episodes moments that are also leading up to the realization), it is and has never been that he sees Pen as unworthy he sees HIMSELF as unworthy. WE see this even after he knows that she returns his feelings which he did not even know until the carriage. After the carriage and even while he is working through the LW reveal, he still does not feel worthy of her which is a big part of Pen reminding him in words and actions that being him makes him more than worthy. We see how worthy he sees her when he tells her to never forget that SHE is Penelope Featherington. We also see it when he is absolutely puzzled during the first kiss scene at the fact that Pen sees herself in such a self-deprecating way. He can not even imagine a life for her that is not reflecting the very best.

Next, Colin is arguably the main person we see show a genuine interest in Pen as well as truly treasuring her in his life. From dancing with her in a protective fashion after Cressida through a drink at her, having conversation together where they are the only people who get what they are saying and what it means, getting involved with Jack's plot in order to protect Pen and by extension the Featheringtons because that is Pen's family, writing to her and seeing her correspondence as his most treasured, laughing with each other on multiple occasions, seeking her out for either conversation or a dance no matter what whenever they come across each other at a social gathering. I could go on and that's just in the first two seasons. Not showing romantic interest does not mean that he did not deeply love and care for her. Colin and Pen mutually made each other feel seen and understood in a way in no one else did...is that not an expression of love? If Colin had not already treated Pen in the way he had she likely would not have fallen so deeply in love with him. Colin being so loving, caring, kind, understanding, interested in Pen and what she had going on, and much more also plays a role in why she is able to forgive him for his thoughtless comment last season. He reflects the character we have known him to be towards the end of S3 E1 when we see a genuine apology where he takes accountability tells Pen how much she means to him and seeks out how he can make up for his mistake.

Lastly, the Colin does not love her and only lusts for her is just not even kind of true. We are talking about the same man who has expressed his love (whether via 'i love yous', in his words, actions, looks, closeness, etc.) for his partner so so so often and in such a way we likely will never see with another pairing. This the man who would prefer sleep than to be awake because in his dreams they were in love and together. The same man where his whole world was topsy turvy following his realization of those same feelings. The same man whose dream about Pen that STARTED with Pen returning his feelings of love for her then led to a hot makeout. The same man who put it all on the floor and said societal rules be damned (as he always did with her) because even if it was unrequited he was going to let Pen know just how much he loved her and wanted to be with her...to show her that one person in her life would be willing to fight her no matter the opponent or cost because she would always be worth it. The same man who stood up to her mother to show that she would no longer be allowed to treat the love of his life in such an ugly way. The same man who expresses his love for Pen without ceasing and even when we did not hear the expressions as much (while working through the LW reveal and his own insecurities). The same man who turned his fianceé around so that she could only day see and believe everything he loved about her for herself. The same man who put so much intention into their first time so that it reflected something they were doing together. The same man who was so in love enamored and joyful to be with the love of his life that it felt like his first time. The same man who even when never considered not marrying Pen even at his most heartbroken and angriest DUE to how much he loved her and knowing and believing that she felt the same. The same man who when he sees her come down the aisle he forgets everything else and only thinks about how lucky he is to marry his favorite person, his best friend, and the love of his life. The same man who has given us arguably the most touching love confession that will be so hard to beat because he expresses not only how much loves and admires Pen; he expresses what he was struggling with (how he overcame it and reframed it) and how he realized that his ultimate joy and privilege in this one life he gets to live is to be able to love and be loved by her. The love is on display in countless ways. While we also know that they match each other's freak real bad and have palpable passion and desire for each other...the love is and has always been the center even before they knew the love was requited.

I don't know which Colin Bridgerton alot of folks saw but it was not the one we have seen from season 1, 2, or 3. Do you have to love Colin/Pen/Polin/or their story with your whole heart like me? Of course not. I can't allow the blatant and incorrect character assassination though. Turn your brains on, I beg.

[bumblingbabooshka]

Inspired by this post: What if B'Elanna reveals to Harry that she feels insecure about not knowing much about her Human (Puerto Rican) heritage after two interactions at the beginning of the episode - one with Chakotay and one with Tuvok where they both display a deep connection to their heritages and cultural practices. Harry then reveals that he's also mixed - his mother being Chinese while his father's Korean. Like Chakotay, he wasn't very interested in cultural practices as a kid (he seems like he'd find them boring at a young age) and his parents didn't push him to participate or learn which was fine when he was a kid but as he got older he began to feel a sense of displacement, guilt, and frustration. It's easier to just be 'Human' rather than taking ownership of anything more specific, especially since to most people he's not visibly mixed, but with being away from his family he feels now more than ever that he wishes he'd connected to that heritage. He expresses the same yearning that B'Elanna brings to him - he's also noticed that Tuvok and Chakotay can connect to their parents, their people, their faith even so far away...that connection gives them a strength and assurance that both Harry and B'Elanna envy. He tells her about the Alter Ego coaching incident and B'Elanna tells him about the Meditation Fail. They both tease each other good naturedly. B'Elanna tells Harry about how Chakotay instructed her in some of his cultural practices (we see in 'Cathexis' that she has knowledge of these practices) and how she started being jealous then, specifically of how he can connect to and sort of amend his relationship with his father (which was rocky in life) THROUGH these practices and the faith he carries in them. She sometimes tried to do the same privately but it felt like acting, uncomfortable. B'Elanna's different from Harry, having been bullied for her Klingon side heavily, she wanted very much to claim her Human (Puerto Rican) heritage. She never saw it as something boring and often tried to connect with her cousins etc over it but they always pushed her away, asserting she was 'Klingon' and as 'Other.' After her father left, she seems to have been entirely cut off from her Human side of the family. When she grew enough to do her own research into her heritage, she felt overwhelmingly that it was already too late for her to connect to this side of herself. People already only call her "Klingon" though she's half Human. If she were to attempt to claim anything more specific, she'd surely just be laughed at. Harry smiles and bumps her shoulder with his own. "I'm not laughing," he says. "You're smiling." "I usually am." Then B'Elanna smiles too. Throughout the series (from that point on) we can see B'Elanna and Harry practicing Mandarin, Korean, and Puerto Rican Spanish. Though they start off just helping the other, they start to learn all three languages between them and sometimes have conversations as they're working together which become less and less stilted as time goes on. Harry even learns a bit of Klingon! This leads to B'Elanna's Human grandmother or something being the one to contact her instead of her no-good-space-racist-daughter-abandoning-terrible-scum-father and B'Elanna opening the conversation by speaking to her in Spanish, to the woman's unabashed delight. B'Elanna quickly wipes away a tear at hearing how proud the woman is of her, how she grew up so beautifully, how she was afraid she forgot all about them or hated them for what her father did to her family but she's so pleased that obviously isn't the case, not if she took the time to learn their language. Afterward, we see B'Elanna restless in her quarters. She gets up and begins a letter. It's to her mother, whom she still doesn't know the status of (her grandmother hasn't been in contact with her or B'Elanna's father). She starts in Standard then pauses and has the computer erase that entry, beginning again in Klingon. End.