#Battery racks manufacturers

[rajconveyors]

Battery racks manufacturers

Battery racks manufacturers | Luxa Controls

Design: Designed to suit the requirements of the customer. Heavy gauge metal used with leg plates and provision for grouting the bolt to the ground or wheels for trolleys are provided. The leg plates secure the rack and there is no chance of falling down. 

The trolleys are sturdy with handles to move, giving flexibility and mobility of the batteries to the required place. We manufacture and supply battery racks of any size according to the requirements of the customer.

Material: Mild Steel (MS-CR) or any metal according to the choice of the customer.

Color: As Per Requirement Of Customer - Fine Finish.

Features: High quality, Long lasting.

Being the best battery rack manufacturers, the designs are according to the requirements of the customer gives flexibility in choice of the customer according to the site requirements.

Address :-

# 459, Lakshami Nivasa, 8th cross, Bhuvaneswari Nagar,Bangalore – 560024,

Email :- info@luxacontrols.com,

Phone :- 9449156930, 9844121505.

[addworldindia]

Fire and Industrial security control system Manufacturers | Luxacontrols

https://luxacontrols.com/

Luxa Control Systems provide safety to your Industry. They are the leading Fire detector back box manufacturers, CCTV poles manufacturers, Battery racks manufacturers, Security Systems, Surveillance and Access Control Security Systems, Fire and Life Safety, Network and Communication Security Systems manufacturers. 

[tranosng-blog]

Battery Cabinet Manufacturers in Nigeria: A Growing Industry

In recent years, Nigeria has witnessed significant growth in its industrial sectors, and battery cabinet manufacturing is one of the emerging industries that hold promise for the country's economic diversification and technological advancement. Battery cabinets, essential for housing and protecting batteries used in various applications, are increasingly in demand due to the rise in renewable energy projects, telecommunication needs, and other technological advancements in Nigeria.

The Role of Battery Cabinets

Battery cabinets are critical components in numerous sectors, providing secure, stable environments for batteries that power everything from solar energy systems to telecom base stations and uninterruptible power supplies (UPS) for critical infrastructure. These cabinets ensure the longevity and efficiency of batteries by offering protection against environmental factors such as temperature fluctuations, moisture, and physical damage.

Market Drivers

Several factors are driving the demand for battery cabinets in Nigeria:

Renewable Energy Boom: With Nigeria’s increasing focus on renewable energy sources, particularly solar power, the demand for reliable energy storage solutions has surged. Battery cabinets are integral to these systems, providing safe storage for batteries that store solar energy for later use.

Telecommunications Expansion: As Nigeria continues to expand its telecommunications infrastructure, the need for dependable power solutions, including battery cabinets, has grown. These cabinets are vital for ensuring uninterrupted service in telecom base stations, especially in remote areas.

Industrial Growth: The overall growth of Nigeria's industrial sector has also contributed to the increased demand for battery cabinets. Industries require reliable power backup solutions to maintain operations during power outages, making battery cabinets a critical component of their infrastructure.

Challenges and Opportunities

Despite the promising growth, the Battery Cabinet Manufacturer in Nigeria faces several challenges. These include high production costs due to the importation of raw materials, inconsistent power supply affecting manufacturing processes, and competition from imported products.

However, these challenges also present opportunities. Local manufacturers can capitalize on government initiatives aimed at promoting local content and reducing import dependency. By investing in local raw material sourcing and innovative manufacturing techniques, Nigerian companies can enhance their competitiveness.

Conclusion

The battery cabinet manufacturing industry in Nigeria is poised for significant growth, driven by the country's expanding renewable energy sector, telecommunications infrastructure, and industrial activities. As Industrial Manufacturing Companies in Nigeria continues to innovate and adapt to market demands, they will play a crucial role in supporting Nigeria's technological and economic development. The industry's future looks bright, with ample opportunities for those willing to navigate its challenges and harness its potential.

[medfetabdl]

My X2 Finally Came!

I’ve been waiting so long for it to come. I was super excited that it did companion mode right out of the box. It came with the little handle thing but I took it off so it would fit in my custom mount and I put the handle on my MP2 which is fitting because hilariously it came with an MP2 name plate. My MP2 ran software version G the X2 runs software version J and it was manufactured in 2012 which makes it the newest monitor I own although the MP50 runs the most recent software version in my fleet with version L. I was totally surprised that it came with a battery, the eBay listing didn’t say it came with one. That’s great because the winner of the MP2 when I give it away will get a battery with it. The really cool thing is that my MP50 can only display 4 waves so the X2 gives me another 3 waves to display. Right now they I have it setup so that it displays the 1, 3 and aVR waves. When I get the microstream CO2 module I’ll probably have the MP50 display the primary ECG lead, pleth, resp, and CO2, and the X2 will display V lead (secondary lead) I lead and III lead waves. I think my next upgrade is gonna be an SSR telemetry module so that I can use the Intellivue remote wirelessly and I can use wireless telemetry ECG modules which would be fantastic because that means I can get up from bed and still track ECG.

A lot of this stuff is so expensive though, I think I’m gonna sell a couple things I inherited from my grandfather that I’m never gonna use. When he was working for HP and even after he went into business for himself he specialized in grinding glass, ceramic, and silicon. He was one of the only people that specialized in that type of work in all of Silicon Valley at the time. To grind those materials it requires diamond tooling so I have thousands of dollars worth of diamond grinding wheels I’m never gonna use. I’ve got a couple made by Norton that are worth about $800 each so might sell 1 or 2 to buy an MX series monitor and some of the other stuff I want. Because I have all the rack modules and everything if I buy an MX series monitor I’ll buy an MX700 or MX800.

My recorder module and temp module come on Friday so that will be another thing I’m excited to play with.

[mariacallous]

On the top floor of a building somewhere in Ukraine is a drone workshop.

Inside is a chaotic workbench covered in logic boards, antennas, batteries, augmented reality headsets, and rotor blades. On one end of the room is a makeshift photo studio—a jet-black quadcopter drone sits on a long white sheet, waiting for its close-up.

This particular workshop’s Geppetto is Yvan. He grins as he shows off his creations, flittering around with a lit cigarette in his mouth, dangling ash, grabbing different models. (Yvan is a pseudonym; WIRED granted some of the people in this story anonymity due to the security risk.)

Yvan holds up a mid-size drone: This model successfully hit a target from 11 kilometers away, he says, but it should be capable of traveling at least 20. He’s trying different batteries and controllers to try to extend the range. He screws on a stabilizer tailpiece to a hard plastic shell—Yvan 3D-prints these himself—and holds up the assembled bomb. It’s capable of carrying a 3.5-kilogram explosive payload, enough to take out a Russian tank.

He uses his index finger and thumb to pick up a nondescript beige chip: This, he says, is what he’s really proud of.

One big problem with these drones—which are based on commercially available first-person-view (FPV) or photography drones—is that their explosive payload is jimmy-rigged on. It requires the drone to crash in order to close the circuit and trigger the explosion.

This chip, Yvan says, allows for remote detonation from a significant distance, meaning the operator can park their drone and lay in wait for hours, even days, before it goes off. He expects this technology could, eventually, be connected to AI—exploding only if it registers a nearby tank, for example. He has created a long-range smart land mine, I note. After the idea is passed through our translator, he nods enthusiastically.

There are many of these FPV drone workshops around Ukraine—Kyiv estimates there are about 200 Ukrainian companies producing aerial drones, with others producing land- and sea-based uncrewed vehicles. But Yvan, grinning proudly, insists that the manufacturer which he represents, VERBA, is the best.

Ukraine is facing increasingly tough odds in its defensive war against a better-resourced, better-equipped enemy. Thanks to delayed aid from Washington and shortages in other NATO warehouses, Ukraine has lacked artillery shells, long-range missiles, and even air defense munitions.

These drones, however, represent a bright spot for the Ukrainians. Entrepreneurship and innovation is scaling up a sizable drone industry in the country, and it’s making new technological leaps that would make the Pentagon envious.

The age of drone warfare is here, and Ukraine wants to be a superpower.

After Yvan showed off his workshop, we loaded into the car to visit one of his factories.

Behind a steel door is a room filled with racks, where 30 3D printers are working simultaneously, printing various drone components in unison. The twentysomething employees seem accustomed to the screeching alarm—some are soldering the drones together, others are tinkering with designs in AutoCAD, one is lounging on a sofa.

Strung across one shelf of 3D printers is a black flag, a take on Blackbeard’s (apocryphal) pirate flag. It shows a horned skeleton wearing an AR headset and holding a controller, thrusting his spear toward a bleeding heart as a quadcopter flies above.

In the first year of the war, when FPV drones were providing extraordinary footage of the front lines and viral video of unmanned aerial vehicles (UAVs) dropping grenades on Russian tanks captivated the world, Ukraine was snatching up every consumer drone it could find. Chinese technology giant DJI became a household name in Ukraine, thanks to its drones’ ubiquity on the front lines. Ukraine’s early advantage was quickly lost, however, as Russia scrambled to snatch up these Chinese-made UAVs.

“When Russia sees, from Instagram, my product, Russia starts buying all these components in China,” a VERBA executive says. The new demand from Moscow can often cause either shortages or inflation, squeezing out the Ukrainian companies. So entrepreneurs like Yvan began building their own.

When Yvan began his operation in the early months of the war following Russia’s February 2022 full-scale invasion, he was creating a handful of frankendrones to send to the Ukrainian Armed Forces. Now, Yvan says, his operation is producing 5,000 FPV drones per month. He offers a range of systems, from a mammoth 12-inch model to a 4-inch prototype.

At first, these entrepreneurs were pursuing this project on their own—scrambling, like most of the country, to be useful in helping Ukraine defend itself. Kyiv was initially cool to the idea that a domestic drone industry was worth the money and attention, especially given the demand for more conventional arms. Some in the military, one executive says, dismissed the utility of these innovative weapons and surveillance platforms as merely “wedding photography drones.” (One executive said Oleksandr Syrskyi, Ukraine’s new commander in chief, had been an early adopter inside the military, directly contracting 10 firms in early 2023 to begin assembling new technology for his forces.)

That attitude changed in 2023, when Ukraine set up Brave1, a government-run technology agency and incubator that helps connect private enterprise to the Ukrainian Armed Forces.

Since its creation, Brave1 has worked to streamline design, development, and procurement of new defense technology, while helping companies navigate government and military bureaucracy. Brave1 has already awarded more than $3 million in research and development grants and connected more than 750 companies to the Ukrainian Armed Forces.

When United24, the Ukrainian government’s in-house crowdfunding platform, first pitched an “army of drones” to its donors in 2022, it aimed to buy just 200 units. Today, Ukrainian president Volodymyr Zelensky projected late last year that his country would produce over 1 million drones in 2024.

“I would say that we can even double this number,” Natalia Kushnerska, head of Brave1’s defense technology cluster, tells WIRED.

“We have the responsibility and the motivation to do it today and to do it very fast,” she says. “Because we don't have any other choice.”

This is a war, one executive told me, “where the economy matters.”

Even hampered by sanctions, Russia has a $2 trillion economy—about 6 percent of that is geared toward its wartime production. Ukraine’s entire GDP, by contrast, is less than $200 billion.

While Kyiv has received substantial support from its NATO partners, it faces constant pressure to find efficiencies. The economics of these drones are looking better and better.

Yvan’s drones are, compared to conventional munitions, cheap. His most expensive unit runs about $2,500, but the cheapest is only $400.

Early in the war, the Ukrainians could reasonably expect—depending on weather, the mission, and Russian jamming efforts—that about 30 percent of their drones would connect with the target. Today, good Ukrainian-made systems are approaching a 70 percent success rate.

It can often take four or five artillery shells to successfully destroy a medium-range target, such as a tank. At $8,000 per shell—which are in short supply and high demand—that is an expensive proposition. Even if it takes two of Yvan’s most expensive drones to achieve the same objective, that’s thousands of dollars in savings. The proliferation of these drones reduces the “cost-per-kill,” as one executive phrased it, and reduces the strain on those dwindling ammunition stockpiles.

Even if Yvan and other producers are making more and more of their systems in Ukraine, they still rely on Chinese suppliers for critical onboard components. That comes with a trade-off—Chinese suppliers are cheaper, but they tend to be of lower quality and are happy to do business with Russia as well. Other options, such as companies in Taiwan, the United States, Canada, or Europe, are better quality but can be several times more expensive.

These supply chains, Yvan says, are “complicated.” Drone manufacturers who spoke to WIRED say anywhere between 40 percent and 80 percent of their drone components are made in Ukraine. Asked how long it would take before Ukraine manufactures nearly everything in these drones, from the rotor blades to the onboard components, Yvan provides a bullish estimate: “six months.”

It’s not an entirely unrealistic dream. Mykhailo Fedorov, Ukraine’s deputy prime minister and also minister responsible for digital transformation, said late last year that Kyiv hopes to break ground on a semiconductor factory, capable of producing 50,000 chips a year, by 2025. Ukraine produces about half the world’s supply of neon, necessary for the lasers used to make the chips.

There are already companies in Ukraine that have developed electronic design automation software—a necessary tool for producing chips—and that do electronic assembly inside the country itself. An industry source tells WIRED that a working group was formed in late 2023 to chart out how Ukraine could be a player in the semiconductor industry.

Another defense technology executive, Igor, manufactures considerably more-sensitive drones. “We definitely don’t buy anything from China,” he says. His products are more expensive, he says, “but we are looking for something that would differentiate us from the Russians.” At the moment, he says, “Russia is ahead.” He’s hoping to close that gap.

For any of this to work, however, there needs to be demand for these drones. The more they can sell, the more they can invest. “The things that they need,” Kushnerska says: “contracts and money.” Demand has certainly grown—fundraising platform United24 helped finance a fleet of naval drones and raised funds to purchase 5,000 surveillance UAVs. Other organizations have led similar purchases. The drone-makers, however, say it’s just not enough.

In early 2023, Ukraine’s parliament passed new laws to regulate how drone manufacturers can contract with the state; while profiteering is generally discouraged in the wartime economy, the law specifically allows the companies to charge up to 25 percent profit.

Yvan says he charges just a 10 percent premium for his drones and reinvests all that profit back into his operation. Representatives from other drone companies who spoke to WIRED say they operate on a similar basis.

More orders will mean more investment. Thus far, NATO countries have preferred to purchase locally-made equipment and ship it to Ukraine. That may be changing.

Bill Blair, Canada’s minister of defense, visited Kyiv shortly before I was there. While there, he announced that Ottawa would donate 800 Canadian-made drones to Ukraine. While the donation was lauded, a senior official asked the minister, “Why didn't you buy our drones?” After being briefed on the various innovations taking place in the Ukrainian drone industry, Blair was convinced. “We're also going to find ways to invest in Ukrainian industry,” he tells WIRED. “The point of the [Ukraine Defense Contact Group drone coalition] is to create capability, not only in the countries that are in the coalition but also capability in Ukraine.”

Even still, bureaucracy moves slowly. What’s more, startups—some of which are helmed by technologists or special effects gurus with no experience in procurement, let alone war—are often learning as they go. One executive, covering his eyes with his hand, says: “It’s like going completely blind.”

Not every company has been able to hack it. One executive says he’s aware of five defense technology startups that have shut down since the war began.

Much attention has been paid to FPV drones. They reinforce the idea that Ukraine’s defense is a scrappy, homespun effort. But even as the country has professionalized production of these light, agile drones, it has rapidly spun up production of other, more complicated systems.

One of Ukraine’s biggest disadvantages, from the start of the war, has been its difficulty in hitting targets inside Russia. Because Moscow has so effectively dominated the skies, Ukraine has been left playing defense.

That equation has changed substantially in recent weeks. Ukraine has had enormous success in attacking Russian oil refineries—knocking out as much as 15 percent of the country’s total refining capacity—and bombing Russian air bases. This has all been made possible by Ukrainian-made long-range attack drones.

Igor, who represents a company responsible for producing those long-range bombers, says they have developed a unit capable of flying 1,000 kilometers and carrying a 25-kilogram payload and has produced “several hundred” units for the Ukrainian Armed Forces. And they are actively working on a new model, capable of flying up to 2,500 kilometers. (It will pack a smaller punch, he said: “The longer you go, the lighter the payload.”)

These systems are more expensive: from $35,000 to $100,000. But if they can destroy millions of dollars worth of Russian equipment, that’s a bargain.

“These are no simple drones,” Igor says. “We don’t have the luxury, like the Western guys, to spend years in development.”

They’re not stopping with drones, either. They’re using the same technology to develop Ukrainian-made missiles, capable of flying farther and doing more damage to Russian military infrastructure, tucked well behind the front lines, which is regularly used to attack Ukrainian cities.

Igor’s goal is to “bring the war to Russia.” FPV drones have broadcast the realities of the front lines in high definition—long-range bombers could successfully make it feel real, he says. “They don’t suffer like we suffer.”

The effort to bring the war to Russia is advancing on multiple fronts. One of the most famous uncrewed systems of the war has been Kyiv’s Sea Baby drones. Videos have gone viral of these sleek ships clipping along the waters of the Black Sea.

According to Kyiv, they can carry 850 kilograms of explosives, go 90 kilometers per hour, travel some 1,000 kilometers—and they are invisible to radar. This is the kind of capability that the Pentagon, and other defense departments, has spent years trying to develop. “We like to joke that everything we do now, in Ukraine, takes three days—globally, it takes three years,” Brave1’s Kushnerska says.

Ask around Kyiv about these drones, however, and everyone is mum. Even otherwise talkative defense sources go quiet when asked about the Sea Babys. Asked about the vehicles, one defense executive smiled and said simply, “That’s classified.”

Kushnerska is equally evasive: “We need to keep silent about new solutions and new surprises that we are preparing for the enemy.”

The skullduggery is understandable. These uncrewed vehicles have been responsible for doing massive damage to Russia’s prized Black Sea fleet and spearheading the first major attack on the Kerch Bridge, in Crimea, in 2022.

Developing naval drones, however, is relatively easy compared to uncrewed land systems.

Over tea with Stepan, another defense entrepreneur, he lists the litany of difficulties of trying to build uncrewed land systems: They don’t travel well over tough terrain, they don’t operate well in inclement weather, and they don’t tend to go very far.

And yet, Stepan says, his company has overcome all those obstacles—which the Pentagon is still wrestling with—and has put these land systems in the field. Plus, Stepan says he’s “pleasantly surprised by how they’re being used.” He says their smallest unit, which has generally been used to deliver food and equipment, recently rescued and evacuated a wounded soldier from the front line.

Ukraine is not the only side deploying these land systems, however. In late March, pro-Kremlin channels celebrated what they said was the successful deployment of Russian-made uncrewed land systems, outfitted with an AGS-17 grenade launcher.

Ukraine believes its advantage will come from how it dispatches these systems. “You need a mesh system,” Stepan says. And that’s one of the single hardest things to do. Ukraine has started dispatching repeater UAVs, which are used to extend the base station signal, allowing the drones to fly farther and defend better against Russian jamming.

One ground drone, basically a mobile machine-gun turret, boasts an 800-meter range. What’s more impressive, however, is what happens when the land system is paired with a surveillance drone. Rather than them firing directly ahead, Stepan’s team has been training Ukrainian soldiers how to raise the weapon's trajectory, firing in a parabolic pattern and using the drone’s camera to adjust its aim. This tactic, he says, extends the drone’s firing range to 2.4 kilometers.

Doing combined operations with a couple of drones is hard enough. If Ukraine wants to really take advantage of these autonomous systems, it will need to figure out how to command multiple systems across land and air—and that’s where artificial intelligence comes in.

Stepan walks through the four levels of how AI can augment warfare: One is reconnaissance, where machine learning can be used to collate large volumes of footage and satellite imagery. Two is “copiloting,” as he calls it, where AI can analyze that intelligence and help draw insights. Third is planning, where AI can help develop “interlinked, complex orders” for multiple systems across land and air; he likens that to having AI develop football plays. Finally, step four is full autonomy, where AI collects intelligence, analyzes it, develops orders based on the intelligence, and dispatches and commands autonomous units based on that information—although humans review and approve each step of the process.

There are steps beyond this, Stepan notes, that remove human involvement entirely, but he isn’t interested in going there. Another executive recounted a story of how one company designed an autonomous machine gun, capable of conducting object detection and opening fire on its own—that was a “big, big problem,” he says, after the weapon’s radio signals were jammed and it began firing wildly. “I think we can do this slowly,” he adds.

Stepan’s systems are capable of operating at step four, he says. It means his systems have the “ability to take in variables” in real time—it allows his drones to change tactics depending on the environment. He provides examples: “What if our team is close? What if there is [electronic warfare]? What if one system loses connection?”

Kushnerska says Ukraine, alive to the concerns about and risks of AI on the battlefield, is mostly interested in using artificial intelligence only in the “last mile.”

It’s not enough to build drones. Ukrainians also have to know how to pilot them.

The last stop on Yvan’s tour is at a strip mall some distance away. Outside, a group of fresh-faced young men smoke cigarettes and enthusiastically greet him as he walks past.

Inside is a sterile classroom, with a dozen desks laid out—each featuring a tablet, a workstation, and an array of tools. In the back corner are pallets of FPV drones waiting to be unloaded.

This is Yvan’s drone school. Here, students learn not just the ins and outs of piloting these quadcopters but also how the machines work and how to repair them. Down the hallway is a large conference room where the students first test their skills—flags and checkpoints are propped up on cardboard boxes taped together into platforms of different levels. Once students can successfully navigate this makeshift course, they graduate to piloting the drones outside.

Yvan’s drones are normally painted jet black, designed to look as nondescript as possible. One drone, sitting on a desk in the training school, is spray-painted a bright orange. Yvan grins: “We’re sick of losing them in the grass.”

As Kyiv mobilized tens of thousands of ordinary Ukrainian men to fight, training has been a critical necessity. Particularly as ammunition supplies have dwindled, virtual training has been especially attractive. High-tech combat simulators have allowed Ukrainian troops to simulate real combat scenarios with rifles, rocket-propelled grenades, even anti-tank missiles. Ukrainian entrepreneurs are hoping to have dozens of these simulators online in the near future, with the goal of training 100,000 troops.

An industry source tells WIRED that a drone combat simulator went online last month, allowing trainees to simulate the entire process of launching a long-range drone strike. Version 2.0 is being rolled out now, they say, adding that it is likely the first immersive offensive drone simulator in operation. The simulator is also intended to help Ukrainian pilots practice integrating their drones with land systems, which is notoriously difficult for even experienced soldiers.

While Yvan’s drone school offers hands-on experience for users of the FPV drones, this new drone simulator allows pilots to practice long-range targeting, flying in adverse weather conditions, and countering electronic warfare.

All of this—the FPV drones, the long-range bombers, the flight simulators—is Ukrainian innovation at work. And it is moving remarkably fast. Some day, after the war is over, Yvan may well be on the front lines of a Ukrainian technology renaissance, fulfilling orders for the Pentagon. First, both he—and Ukraine—need to survive.

In recent weeks, Russian forces have made modest but steady advances along the front lines. Defense executives, meanwhile, see sabotage and industrial espionage as constant problems. Even more acute is the threat of Russian air strikes. One executive recently recounted how one of his company’s main facilities was nearly hit by two Russian cruise missiles. The risk is very real.

Leaving the school, Yvan opens up the back of his car. He rummages around and hands me two patches: One features a cartoonish and scantily clad woman wearing an FPV headset with the Ukrainian flag on the side, piloting one of Yvan’s rotocopters. The other, an army-green Canadian flag, carries the words “ALWAYS BE READY.”

[caltropspress]

FIELD NOTES STRAIGHT FROM THE GLUMS OF NEW JERUZALEM: Fatboi Sharif + noface's Preaching In Havana

[I played the Preaching In Havana cassette on a Panasonic Portable AM/FM Stereo Boombox Model #RX-F9 (manufacturing date circa 1988) at nine predetermined locations around the state of New Jersey—1-2 songs per site location—over several weeks in February and March 2023. Each song was played a minimum of three times (“Notice parables of three in every other inference”). The boombox was battery-powered and preferably set atop a natural surface. No GPS was used to navigate to the sites; a superannuated Rand McNally folding map was utilized. Disorientation was embraced.]

Here is a clad doom.

—Clark Coolidge, “After Morandi” (c. 1984)

Oblivion: walking the edge of insanity sideways…

—Orko the Psykotik Alien, NMS, “Invisible Oblivion” (2003)

All the world had gone unreal, mere foolish play—a shoddy carnival, a magic show; and remembering those who had died…those real severed heads, mouths working in the dirt, those real bodies stretched and torn apart on the rack…

—John Gardner, Freddy’s Book (1980)

[SITE REF. → Holy, Holy, Holy Altar; Mt. Holly, NJ. The Jersey Devil was supposedly chained to the altar within the stone vault. Holy, Holy, Holy is inscribed across the lintel. Track played: “Static Vision.”]

I ask at the altar [paraphrasing Gardner]: WHO IS THIS SAURIAN BEING WITH THE GOATISH SMELL, THIS IDIOT GOD? On “Static Vision,” Fatboi Sharif bemoans the “info drain”—a residual from the age of the Info Kill. Company Flow told us we MUST GET IN SYNC, and Bigg Justoleum led the way as the horns blowed. Behold, in a dark universe Sharif is chasing shadows.

Sharif speaks lowly of the “blood-sucking corporations,” clued into Marx’s diagnoses. “Kapital,” Killah Karl spews, “is dead labour, that, vampire-like, only lives by sucking living labour, and lives the more, the more labour it sucks.” Succulent, right, you sucker MCs? We’re frightened into the factories as the “news footage funnel[s] fear.” It’s “death [we] watch”—our own. Our work is “converted into necessaries,” Marxy Marx and the Funky Bunch writes, “by the consumption of which the muscles, nerves, bones, and brains of existing labourers are reproduced.” Yum yum, you Dray and Skoob dum-dums. This is your feast of grotesqueries.

[NB:  I will be formatting Fatboi Sharif’s lyrics in a manner suitable to Clark Coolidge’s poetic lines in his 1967 chapbook entitled, confusingly, Clark Coolidge.]

KVU at the engineering deck, the control panel, the console—King Vision Ultra[-magnetizing], if you will—with ineffable efx. Super-scientifikal behind the boards, knob-turning and ear-worming like the Scientist that is/was Hopeton Overton Brown, almighty creator who Rids the World of the Evil Curse of the Vampires (1981). Geng PTP with transformer coils cloying at your cortex, fair listener. His dub-infused engineering fits noface’s krunk-skronk productions and Sharif’s vertiginous vocals into deep-space and crypt-encasement, equally [EQ]. Cryptic, ’cause Sharif’s Sick Wid’ It meanings are entombed:

He’s hanging loose; forget the Smith & Wesson at the Smithsonian—they found a noose! What U See (Is What U Get) now in the xzibit. So raid the tombs of your own mind. Clark Coolidge, too: “Scratch of lines, on a vast hill or prone tomb. / Nothing buckles from them, no sneezed move” (from “After Morandi”).

I ain’t scared no more, Sharif shouts, dry-throated. He gargles holy water and spits. I can’t believe you, he hollers, as dubious as Du Bois staring down the Talented Tenth. Preaching In Havana is Fatboi Sharif penning editorials for The Crisis. Like Eric B. in ’88, he’s never scared. He seeks your AttenCHUN! Larger-than-life, like Bone Crusher on “Never Scared” in 2003: Now the plasma is oozing out of your cerebellum. Snort the bone dust or arrange the remains ritualistically. 

↴

In Charles Chestnutt’s 1899 story “The Gray Wolf’s Ha’nt,” narrator John and his wife are warned by old man Julius about clearing a tract of swampland for agricultural use. “Uncle Julius” regales them with a murder account from slave days about a “conjuh man” who could make “monst’us powe’ful goopher” and used a “mixtry” to exact revenge for his son’s death. Through craft and cunning, the conjure man transforms the murderer into a gray wolf and cons him into killing his wife (similarly duped and transformed into a black cat). By crafty design, Julius’s tale keeps folks off that desirable tract of land with fears of what haunts it. But John is undeterred. He finds no evidence of a wolf’s dwelling there, and if a wolf “had once made his den there, his bones had long since crumbled into dust and gone to fertilize the rank vegetation.” Instead, John discovers a “bee-tree” with an “ample cavity in its trunk” and “stores of honey within.” Julius’s haint warning, it turns out, is nothing more than a ruse to maintain “his monopoly” over the honey stash. “Poison honeycomb, / Sticky situation,” Sharif says on “John Hinckley.” 

[SITE REF. → Sybil’s Cave; Hoboken, NJ. An early 19th century natural spring excavated from the rock wall along the Hudson River; the cave was frequented by tavern-goers. Mary Rogers’ body was discovered in the shallow waters near the site, strangled and sexually abused, and the cave was eventually filled in. Track played: “The Hybrid.”]

I replied my brains in a hybrid of pain, Sharif raps on “The Hybrid,” his syntax clunking and skulking in ways that shouldn’t make sense but do. Let me explaaaaaiiiiin, he begs. Threats loom as “grenades surround ledge” and “PTSD particles” spread. (Cough into your elbow, won’t you?!) Don’t push; we’re close to the edge. Living on shaky grounds; let’s see if Sharif—like Rakim—knows the ledge. I’ve no doubt he does, but he still squeals like a teenybopper on the airport concourse:

“The eight-year-old with a pipe bomb by its privates” sounds like textbook projection. [Rapidly consults the DSM-5.] But let’s bring it back to A HYBRID OF PAIN. It’s Sharif’s term-in-ol-og-y, like Pharoahe Monch on “Bring It On”; he flows awkwardly and incisions are made into the [maggot] brain. Bring it on, motherfucker, bring it on—but also bring the pain like Meth. Sharif came to bring the pain hardcore from the [maggot] brain. We go inside his astral plane.

Brrrrrrriiiiiiiiiiiiiiiiiiinng! Fatboi Sharif awakens like Bigger Thomas with fantasies of furnaces dancing in his head. [...alarm clock clanged…spring creaked…voice sang…surly grunt sounded…tinny ring of metal…] TURN IT UP! BRING THE NOISE! A certifiable consonantal ruckus—the brawling br-, the stinging /n/, the queasy -ng. KVU’s Pain of Mind (2018) comes to mind, undeniably.

[SITE REF. → Gates of Hell; Clifton, NJ. The “Gates of Hell” are a network of sewage tunnels and underground passageways behind the old Erie-Lackawanna railroad tracks. Devil worshipers frequent the location. Track played: “Sunday School Explosions.”]

Sharif combines elements: “Science with cosmic plague and Hooked On Phonics” (it worked for me!). He steals a complete set from the flea market and magnetizes the cassettes and places slips of Scotch tape over the top slots—write-protection begone and be-damned. He can feel his “pulse risen” at the “silent treatment” he receives from the ferric formulation spirits he summons—a kiss of haunting hiss. He translates “postcards in Arabic” at the “NA meeting” prior to filming a reproduction of the Jets and the Sharks dance-fight as “Cronenberg’s last scene.” What results is a “war world ouija [that] got West Side Story.” Thus, Stephen Sondheim and Leonard Bernstein get flayed and slayed on “Sunday School Explosives.”

I’m still haunted by Fatboi Sharif’s echoey Oh, I’m buggin’? from Gandhi Loves Children’s “I’m Buggin.” It comes to me in my sleep, like the Sandman (“Enter Sandman near banquet,” Sharif raps on “John Hinckley,” and we’re off to Never Neverland Ranch with all the Culkins in Jacko’s bed). Not a hypnagogic vapor wave—but the dissonant hatred of Nicholas Sandmann silently smirking at the ceremonial drum of an Omaha elder as Black Hebrew Israelites shout gay-bashy slogans in the background. “Cronenberg’s last scene” will be as body-horrific as all his previous ones. Sharif feasts on a naked lunch of flesh sandwiches while typing Burroughs-like cut-ups onto a scarab beetle typewriter. He snorts lines of minced and mortared-and-pestled Black Meat—the guts and entrails of Scolopendra gigantea. “Oh, I’m buggin’?” has become an earworm, and Fatboi Sharif is every poor child pulling up to the ER with a cockroach lodged in its ear canal. Ruptured tympanic membranes at every entrance, each exit. To borrow a neologism from k-the-i?, Fatboi Sharif breeds electrobugs.

[SITE REF. → Shell Pile ghost town; Port Norris, NJ. Named for its mountains of oyster shells, a WPA guidebook from 1939 described Shell Pile as “a community of about 1,000 Negroes living in wooden barracks erected on stilts over the salt marshes.” A pathogen known as MSX devastated the local oyster industry in the mid-50s, and the community never recovered. The shell piles remain. Track(s) played: “John Hinckley” and “Sugarcane Plantation.”]

In 1990, Tragedy Khadafi (née Intelligent Hoodlum) proposed we arrest the president (NB: Your mother’s buggin’—her mind slanted, he rapped). In 1992, Paris became a Bush Killa, delivering a bullet from the barrel of a Black guerrilla. In 1998, Non Phixion dropped “I Shot Reagan” and Sabac dragged First Lady Nancy into the crosshairs: “His wife’s the hostage, / Her body parts up in a grab-bag.” On “John Hinckley,” Sharif’s ode to POTUS-pistol whippings, he speaks of the “covenant grab-bag.” It’s a covenant signed by Tragedy, Paris, Non Phixion, and now Sharif himself (among many other signees—Chuck D comes to mind as he invokes the Honey Drippers’ nix-Nixon anthem and its foundational drum break on 1987’s “Rebel Without A Pause”: Impeach the president—pulling out my raygun). 

“John Hinckley popped that president,” Sharif raps, and he did it with a naked raygun (...throb throb…throb throb…)—a Röhm RG-14. Sharif rap-renders the scene into a 60-second assassination, and he can sympathize with Hinckley—both film buffs, fans of Taxi Driver (1976). Jodie Foster—the child-actor playing child-prostitute—turned into a child-bride in Hinckley’s obsessive mind. Hinckley’s single “We Got That Chemistry” is streaming on all DSPs—I’m searching the liner notes for the Sharif feature; a collab for the ages. 

For his assassination plot, Fatboi Sharif readies “gun fire sun visor” with “spinning Budweiser breath.” He’s funky cold medina, cold lampin’, and “coldstone hypnotic.” He opens the “seventh seal,” chopping and playing chess with Myka 9 and Max von Sydow in a seaside “fog of chronic.” This is Sharif’s “daily operation”—peep him on the cover of Gang Starr’s Daily Operation (1992). He’s there—amongst the messy mahogany table covered with money stacks, Elijah Muhammad’s Message to the Black Man in America paperback, typewriter, and skull. He’s there—top-right, hiding behind the mounted boar’s head. He wears it like a mask. The illest brother when he gets his mic check.

He’s ready and willing to go underground—deep cavities and cavernous tunnelways:

After he goes for the headshot (like John Wilkes Booth with his derringer, like those old Rhymesayers cassette tapes…), Sharif’s weapon is a “soul glowing hidden in the briefcase.” The execution is the pulpiest fiction emanating an aura of Diaspora Problems.

In David Gordon Green’s 2000 film George Washington, the character George—young, strange, and Black—“had to be very careful never to get his head wet…”:

See, his fontanel was very, very, very, very soft. Like a baby’s head. And when he soaks it or itches it, it irritates his brain. He don’t like it, ’cause if somebody hit him in his head, he’d probably die.

As George and his group of mangy misfits fool around in a bathroom, another character, Buddy, pushes George and bangs his head against the wall. In retaliation, George pushes Buddy who slips and loses consciousness. When he comes to, blood begins to dribble from a crack in his skull and he ends up slumped in a urine-splashed stall—dead. “Everything’s blue in this world—all fuzzy,” Trent Reznor groans on Nine Inch Nails’ “The Downward Spiral,” “Spilling out of my head,” and from such a tiny little hole.

The character Nasia speaks with a Malick-inspired voiceover. Considering the unsettling tone and disquieting details of the film’s narration, Nasia’s name may as well be “Nausea.” Nas: I’m out for dead presidents to represent me. George Washington, Abraham Lincoln, JFK, Ronald Reagan, et al. In Hayao Miyazaki’s Nausicaä of the Valley of the Wind (1984), Nausicaä collects spore samples (like Ced-Gee collected Melvin Bliss records and transformed “Synthetic Substitution” into “Ego Trippin’”) and is eventually revived by Ohmu tentacles. Miyazaki’s ravaged world—his crushed-killed-destroyed eco-stressed landscape—is like Bliss sings: “Synthetic substitution has taken over this land, / There’s no one to blame but man.” Those monstrous Ohmu are roly-polies [Armadillidium vulgare] navigating digable planets. Oh, I’m buggin’?

In Blood and Guts in High School (1978), Kathy Acker’s “mysterious Mr Linker” rhetorically asks: “Where does culture come from? I will tell you. It comes from disease. All the great artists, Goethe, Schiller, and Jean-Paul Sartre—you must read Nausea in the French, in English it is nothing—have said this. They are aware how evil they are. They are aware this life is truly evil; due to this awareness, they are able to go beyond.” [Acker also depicts her protagonist Janey getting assaulted by a man whose “hands ran huge insects down (her) back.” Oh…I’m…buggin’?]

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Earlier in George Washington, Buddy paces a stage in some dilapidated auditorium (all the film's settings are ruinous—real Sharif video shoot environs) with a T-Rex mask on as he recites passages from the Book of Job:

All kinds of pests, like, all over its legs. Oh, that I were as in the months of old, as in the days when God watched over me: When His lamp shone over my head...and by His light I walked through darkness: When I was in my prime: When the friendship of God was upon my tent: When the Almighty was with me: When my children were around me: When my steps were washed with milk...and the rock poured out for me streams of oil.

[SITE REF. → Venusian alien contact location; West Main Street; High Bridge, NJ. Howard Menger purported to bear witness to cosmic lifeforms on his property. Track(s) played: “1999 Hacker Worldwide” and “Parasite.”]

Let transmission commence. Fatboi Sharif bends and adjusts the rabbit ears antenna on “1999 Hacker Worldwide.” Through the snow and noise (talkin’ about static vision, folx) emerges a “televised child slave, / Live at 11” (later, on “Sugarcane Plantation,” it’s the “news at 12” when he’ll “crucify white Jesus” on a live-feed). The commercial break previews what’s coming up next: “Tonight we loot the church.” Yes, loot the church and the monastery, because you know now that the Dalai Lama leaves your boo-boo achin’ like Bambaataa and requests you suck his tongue. Gimme the loot, gimme the loot! Sharif’s a bad, bad boy, in the pitchdown death-voice of Kid Hood on ATCQ’s “Scenario (Remix)”—his opening salvo is a son’s cry as he was murdered just days after recording his verse shirtless in the booth [cut to footage of Sharif performing shirtless]. “He didn’t say hello or nothin’,” Q-Tip told The Source for Hood’s obituary, “he just started rhymin’.” Gimme the loot, gimme the loot! Anthony Iles sees “the suspension of the normal ordering” and “new and unforeseen relations” between objects and behaviors when we loot. “[W]hen looters use a mannequin leg to break a shop window to impose some asset relocation from below we are talking about media as impure means.” Sharif’s got the impurest means and the impurest thoughts.

The carnivalesque catastrophe of Fatboi Sharif’s mind unravels. You know the “economy collapsing” and “fi…nan…cial by…pass…ing”—all that hocus-pocus. [I’m shaping your brain like pot…ter…y, Monch says, his motor temporarily running low on power but only to deconstruct the temporality.] Sharif has access; he’s got the “skeleton key” as he danses macabre, as he speaks “open sesame,” pulling from Antoine Galland’s orientalist Ali Baba and his Forty Thieves (or his Sporty Thievz, but the tomb raiders and grave robbers ain’t getting nada from us). Open Sesame Street to hip-hop. See MC Lyte rock the stoop in her purple sweatsuit. Sharif riding side-saddle on Snuffleupagus with the subwoofer pumping KMD’s “Humrush,” Bert philosophizing Buddhist emptiness (śūnyatā). (Oh, an empty place…a perfect place to practice the exciting art of humming.) Meanwhile, Sharif is on an expedition to “Woodstock 2030.” The brown acid warning still reverberates across space and time and he’s finger-crossed that there’s a few tabs left (the “final acid trip” he growls about on “5G Celsius Cell Tower”).

“1999 Hacker Worldwide” plays like Y2K paranoia—a glitch-hop ode to the millennium bug (Oh, I’m buggin’?). Kool Keith emerged as Black Elvis in 1999 and proceeded to get Lost in Space. The soundbombing of Common and Sadat X on “One-Nine-Nine-Nine” [...inch nails through each one of my eyelids, c. ’99] penetrated RealAudio players, and the Hi-Teknological production set the doom mood. On “Parasite,” Sharif “ride[s] a push on a Greyhound / Searching for a way out” with Dirt McGirt inflections. Behold a Pale Snuffleupagus.

[SITE REF. → VHS Walkway; Fort Lee, NJ. The original motion picture industry in America was located in Fort Lee, and in that spirit, a patio and walkway made up of VHS tapes surrounds a private residence. Track played: “Paging Dr. noface.”]

Fatboi Sharif has an ongoing appointment with his octagonecologyst, but Dr. Octagon isn’t answering his calls. Instead, he pages Dr. noface. And noface’s sonix are aptly described in Gardner’s Freddy’s Book: “Outside someone was again banging metal against metal. The sound was too irregular to be the work of a hammer, and the sound was sometimes loud, sometimes lighter, a mere clink.” noface takes the folk of “If I Had A Hammer” and filters it through his failed state fuzz. Peep him on the PTP cassette cover, his void-face hidden behind a Baphomet mask. He flexes his equilibrium—a sabbatic goat prematurely goated. He’s Black Phillip from Robert Eggers’ The Witch (2015), pacing his pen and passing you a ballpoint pen to sign your deal with the Devil. He doesn’t blink—redaction bars for pupils. “It was true that the Devil could sometimes read one’s mind,” Gardner writes, “that once he’d gotten into you there seemed to be no shaking him; but at least one could in some measure limit the monster’s conversation.” Sharif’s conversation with the listener knows no limits, though. For noface’s Baphomet cosplaying, Gardner’s Devil masquerades as a mule:

“What kind of fool are you, trying to block out the voice of the Devil with your fingers?” the mule scoffed. “Plug your ears with pebbles if it pleases you, and sing at the top of your voice to drown me out. I’ll still be heard!”

noface will still be heard as he activates the widening gyre (peace, Yeats) that is Preaching In Havana.

Furthermore, the album is a set of interlocking spirals—a helix, a hex. Spin yourself silly on a spiral staircase to Hell—ride a helicoid to the void. Listen as you’re yeah-boyee’d by the endless [eternal and infernal] echo of Flavor Flav—voices whirlpooling the River Styx. Eyes pierced by an unwound spiral notebook containing handwritten transcriptions of Malleus Maleficarum. noface’s productions aren’t beats; they’re dungeon bludgeonings. His loops are spirals, deranged and ceaselessly spinning out of control. A loop begins linear but soon goes labyrinthine. In Dante’s Inferno, his circles of suffering—circles and circles, oodles and oodles and oodles of o’s—from embryo to man and back again, form a downward spiral. Reznor razor-wire torture. “Slow it behoveth our descent to be,” the Italian in the Black medallion (no gold) writes. According to him, we have to acclimate “to the sad blast”—but I prefer to get dizzy from the disorientation. 

In an interview with Fatboi Sharif for The Next Movement podcast, co-host E. Fortson precisely sketches Preaching In Havana’s lineage to Divine Styler’s Spiral Walls Containing Autumns of Light (1992). On Preaching In Havana, she tells Sharif, it feels as if we’re granted access to his mind: “We’re hearing your internal thoughts, and we can witness how you’re processing them.” On Styler’s “Heaven Don’t Want Me and Hell’s Afraid I’ll Take Over,” the message blares like a Network nervous breakdown: “NEWS, NEWS, AND NEWS! MORE BLUESY NEWS!!!” Sharif adopts the mantle of the mad prophet of the airwaves.

Fatboi Sharif holds not a conch to his ear but a nautilus—a mollusk with musical musculature. What Bob James calls the “atmospheric orchestration” of “Nautilus” (1974) unravels as an infinite scroll for sample use—hordes of hip-hop producers synthesizing and submerging the oceanic depths Bob James chose to navigate. They abide by the spells Sharif proposes on “Sugarcane Plantation”: a “PCP posted, / Psychedelic relic, / Road atlas.” Their stems create helices of recorded sound—much like noface. Preaching In Havana devolves into a Wichita Vortex Sutra in an Allen Ginsberg mode, only to reveal the Beat poet’s affiliation with NAMBLA and how he squeezed my uncle’s thigh once at a book signing hoping for lemon juice to run down his leg.

Oh, the places you’ll go! Suessian spirals lead us to the Final Whorl Front. We link galaxy arms across the universe—needle our way through the Realm of the Nebulae. We crack the human genome with DNAlysis and hogtie James Watson in the process. Evocations of the inventor’s spring, of horrific histories like the lynch mob’s corkscrew used on Luther Holbert in 1904 in Doddsville, Mississippi to bore holes into his body and extract, in the words of the Vicksburg Evening Post, “quivering flesh.” On “Sugarcane Plantation,” Sharif is howling—he “yell[s] terrorist threats, / The coldest spirit, / In pig Latin” (emphasis on pig). His anti-rhymes coordinate with Lune TNS’s “Plantation Rhymes.” Pliny the Elder described comets as “knot[s] of fire” with an appearance that was “twisted like a spiral.” We’re fired up. Sharif’s got incendiary comments for daze, and each hits like a Molotov.

Sharif paints with a Tesla coil—streamer arcs and brush discharges. Voltage flashing from his cranium. As Kool Keith says, he’s “Eveready, like a battery—charged, / [He’s] worth the alkaline.” Ultramagnetic, indeed. Play Preaching In Havana backwards. Watch Fatboi Sharif perform: a human Fraser spiral illusion—hypnotic, fuck up your optics like ELUCID fucks up electronics. Misalignments and distortions. Ha, Sharif is sicker than your average. Can’t you see? Sometimes his words just hypnotize you. Or, as Archimedes wrote in On Spirals circa 225 BC:

I say that the area added by the spiral in the third revolution will be double of that added in the second, that in the fourth three times, that in the fifth four times, and generally the areas added in the later revolutions will be multiples of that added in the second revolution according to the successive numbers, while the area bounded by the spiral in the first revolution is a sixth part of that added in the second revolution.

Right? Right. (Oh, you buggin’?)

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Like the dark and droney ambience of Bobby Krlic’s Haxan Cloak moniker, noface fashions his own Excavation Musick, digging deep only to resurface, bedraggled and cloak tattered. Krlic (also noted for his role as an Ari Aster collaborator) described his first album as “a person’s decline towards death.” His follow-up was described as a “journey [to] a different plane.”

The 1922 silent film Hӓxan, directed by Benjamin Christensen [“hӓxan”:  Swedish for witch], plays like watching Fatboi Sharif perform live on mute. Christensen’s goal was to “throw light on the psychological causes of…witch trials by demonstrating their connections with certain abnormalities of the human psyche, abnormalities which have existed throughout history and still exist in our midst.” Such abnormalities exist—gloriously—on Preaching In Havana.

One of Hӓxan’s intertitles details “the terrible confessions” that can be “forced from [a victim] in less than a minute” by using the thumbscrew [tumskruv]. (The thumbscrew, naturally, being yet another spiral.) The brevity of the songs on Preaching In Havana have the same excruciating effect.

[SITE REF. → Bergwald Nazi Bund Camp; Federal Hill; Bloomingdale, NJ. The ruins of a Nazi Youth camp that was shut down by the FBI in 1941. The remnants of a stone cistern, storage silo, cabinets, and iron grates are still visible. Track played: “Nazi Needle Marks.”]

Outspoken about his adoration for Gonjasufi, Sharif channels his die-verse-ified voice often. We could compare his timbral offerings to Gonjasufi’s delivery on “Venom” from 2012’s MU.ZZ.LE. It’s not “singing” we hear, per se—it’s [sin]ging, it’s [singe]ing—transgressive, burning; a vicious and venomous flow. Sharif’s baritone [bury-tone] is throat-scourged. Liken it to the outro on Busta Rhymes’ When Disaster Strikes… (1997) where Busta screams and talks, stalks and fiends—“rap” as emceeing; “rap” as talking. Give me that ol’ “Preparation for the Final World[/Whorl] Front” religion. 

On “Nazi Needle Marks,” Sharif raps in “nauseous nasal chalk-line intervals,” to use his own phrase. The French Revolution comes for the Queen in b-boy style: “Exorcism Antoinette headspin.” The guillotine uprocks and downrocks until Marie’s dome rolls off the platform and into the crowd. Regan projectile vomits the greenest sticky-icky as she goes full Rock Steady on the 180-degree rotation. “Death of a salesman,” Sharif mutters with anti-consumerist ire. In Sharif’s looney-tune universe, Arthur Miller dicks down Marilyn Monroe before penning the final pages of his play—post-coital when he sends Willy Loman’s Studebaker speeding into a suicide machine. As for Marilyn, maybe it’s the “poison dart slumped her.”

Sharif says a prayer at the altar of the Beastie Boys’ prank-calling “Cooky Puss” (1983):

These pussy crumbs are making me itch! Sharif and the ill-communicating saboteurs are capable of making our skin crawl, not unlike El-P pontificating about how he “could suck a cookie out a pussy, no question” on Co Flow’s “Definitive.” Sick fux.  Before long, Sharif is back inhaling John Brown’s vaporizer and riding a white steed. He’s gonna “burn [the] village in search of [his] masterrrrr.” Torches, pitchforks, and hedge-shears in his holster. Fighting fire with fire to the point of self-immolation is a necessity for survival. Kathy Acker shows us what we’re up against:

One of the landlords burned down his building so he could collect the insurance money. Two families and one pimp were sleeping in this building when it burned down. The landlord sold the charred lot for lots of money to McDonald’s, a multinational fast food concern. This is how poor people become transformed into hamburger meat.

Or, as Sharif would versify it:

Ridin’ filthy-mangy-grimy-raunchy-dirty out of Rahway, bumping the Dead Kennedys’ “Nazi Punks Fuck Off” in the lemon. Screaming, lung-top, with Jello Biafra: We ain’t trying to be police. “The Nazi showed his needle marks” like the NJ state trooper showed his “Blood Honor” neck tats on his driver’s license photo ID.

[SITE REF. → Ong’s Hat village; Pemberton Township, NJ. Deep in the Pine Barrens, a group known as the Moorish Science Ashram established an Institute of Chaos Studies in Ong’s Hat and opened a portal to another dimension. Track played: “5G Celsius Cell Tower.”]

On “5G Celsius Cell Tower,” the cell tower sprouts polystyrene branches and the drones surveil the 5G conspiracists—they wouldn’t dare. Sharif says things have become “ice storm hazardous,” with the soul-lift of Godfather Don—we’re talking about a hellofasong. Fever-inducing frequencies are emitted, so Sharif raps like he’s caught an ague—he’s “breaking atoms.” The cover of Main Source’s Breaking Atoms (1991), which includes a spiral-in-the-making comprised of protons, neutrons, electrons [read it in the tone of Prince Po’s insight, foresight, more sight from OK’s “Releasing Hypnotical Gases”—yes, hypnotical], flashes across our mind’s eye.

“Jacob’s ladder staggered on” as a symbol of numbskull persistence. Sharif trudges through the stagger grass [a man from the meadows], swaggering like Stagolee, and he’s stopping for an intermission to stream one of his fave films: Jacob’s Ladder (1990). His physical form atomizes as he hallucinates the rungs of Jacob’s ladder twist and deform and become a helix. (William Blake’s 1805 watercolor shows a spiraling ascent.) Sharif cannonballs instead into the Boogiemonsters’ “Old Man Jacob’s Well” (1994)—a well where souls dwell. “I got the cravings again of the wicked,” and child abductions are the only answer. Demented, sick, and vile. Climb Jacob’s jaundiced ladder from well-to-cell tower.

The temperature’s rising on the “5G Celsius Cell Tower,” and we’ve got our culprit for coronaviruses, microchip implants, and mind control. But what you’ve really got to be concerned with—many people are saying—is that havoc-causing Havana syndrome. Fatboi Sharif is here to get idiopathic for you idiots. He’s hunkered down at the U.S. embassy in Cuba while the C.I.A. (Criminals In Action) claims Fidel Castro’s corpse is responsible. Someone somewhere under some top-secret security clearance is whispering about Sharif, and his ears ring out with tinnitus intensity. Ours, too.

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By now you know Fatboi Sharif is an atrocity exhibitionist who’d have the PMRC’s panties in a bunch, an MC whose processional route is the Stations of the Crass. Just as Chuck D’s voice from “Bring the Noise” (Once again, back, it’s the incredible…) reverberates through time, Fatboi Sharif’s tone pongs within the popcorn walls of our mind [substitute diabolical for incredible, though]. His white noise machine is a gnash teeth-grinder, perfection for fist-fucking fascists ’til they see shuriken stars between their eyes. I’m reminded of the caustic words of upfromsumdirt—his poem “Orisha Obsidious”:

this embryo of dark / black space spiral / virile midnight swirling / this onyx wet and non-unctuous vaginal and oleaginous this / this magnetic venom rancid with non-white wonder / rancid with non-white vocabulary self-servile, reverse-transcendent - pagan and perversely reported with discarded veins throbbing in black omniscience / chews its own adventure

In the “Static Vision” video, Sharif wears a fencing mask like a soiled diaper, a MU.ZZ.LE on loan from Gonjasufi. Olaudah Equiano was familiar:

I had seen a black woman slave…and the poor creature was cruelly loaded with various kinds of iron machines; she had one particularly on her head, which locked her mouth so fast that she could scarcely speak, and could not eat or drink….I afterwards learned [it] was called the iron muzzle.

The muzzle Equiano describes is depicted on Gonjasufi’s album cover, albeit shaded and spectrummed. He and Sharif both rupture the iron muzzle with punctuated flashes of resistance, hence the cleaving periods [MU.ZZ.LE]—they’ve got the makings of an ellipsis.

[SITE REF. → Mary’s Tower; Flemington, NJ. A dilapidated edifice in a wooded area off a county road. “Mary” committed suicide in a third story bedroom and her red-eyed specter haunts the tower. Track(s) played: “Smells Like Autopsy” and “Fentanyl Firing Squad.”]

I’m gonna allow Kathy Acker to set the scene for “Fentanyl Firing Squad”:

We had heard that this rock band called THE CONTORTIONS was gonna play in a redneck town in New Jersey and the white head singer thought he was James Brown. The rest of the band would be too drunk to stop the rednecks from beating up Brown.

James Brown was crawling baby-style across the floor. The rednecks were jerking their cocks off in a corner. James Brown crawled up to the redneck's boot. The redneck, confused, jumped James. Everyone in the club started hitting each other. I heard cops' sirens. I ran.

Acker writes Blood and Guts in High School in blood and guts—smeared and splattered. (L7 tossed tampon tricks and theatrics. Find yourself hungry for stink.) Picture “pig” painted in blood on Sharon Tate’s white front door by the Manson Family—the recording location of NIN’s The Downward Spiral [“spiral,” motherfucker, spiral!]. Reznor seethes on “Piggy”: “Black and blue and broken bones, / You left me here, I’m all alone.” Tally two hog heads for the haram tableau:

Sharif surely strikes a vital nerve, proving he’s been the nastiest one since birth [auto/matic…]. He can “purple haze testify” to that—and with the Fuzz Face pedal helping him power through what nixed Hendrix: a puke puddle; axed down by Vesperax. “Smells Like Autopsy,” hmm? Not like Teen Spirit scrrrawled by Kathleen Hanna on Kurdt’s wall. noface detours through The Caretaker’s haunted ballroom. That must be the ghost of electricity howling in the bones of his [no]face.

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Poet Phillip B. Williams introduces a Black hauntology, one of creaky floorboards and box fans that whisper in their manufacturing of wind. Williams calls each haunting “a loop of existence.” In “Haunting, Blackness, and Algorithmic Thought,” an essay that appears in a 2021 issue of e-flux journal, Ezekiel Dixon-Román reminds us of Derrida’s insight that “in every being there is a haunting.” Dixon-Román sees possibility in this. He conceives an “operation of Black techno-conjuring [as] a technological force that has the potential to reroute and alter the logic of the system.” With Fatboi Sharif’s steady output of discursive, deviant deviations, you can’t tell me he isn’t the prime mover of such potentialities. It’s not all so gravitationally heavy, though, seeing as how Sharif floats and flits about with the wreckless abandon of Slimer.

ANEC[/ANTI]DOTE 1:

I wanted to completely unhinge the language and then see if I could put it, if that would make an energy that would then hook up in some other way, like a magnet, like resistance—poles pushing and coming together…. There wasn’t any system of structures. The space between words became very important. How close together they were…. [Y]ou know what loop-players are? You make a loop of tape and there are these tape machines that have one play-back head and a single drive-wheel and you can put a loop on it and it has a rheostat knob so you can change the speed. I was doing these experiments…. I put a couple of words, or even one word at first, one each on two loops and put them both on, and I’d vary the times. And I swear that I could see…in fact, I wish that someone would scientifically follow this up, it was interesting. Let’s say that you had “of       this”,—you had “of” on one tape and “this” on another, and you would change the times until they came closer together in time and farther away, and I swear that you could join and become a phrase, and one millisecond on either side of that they don’t, they’re disembodied, and I got fascinated with that. I had this thing, I made a tape out of it, where they went in and out of phrase with each other for a half hour period so you could follow this, and I thought, well, hey, that’s interesting…. You really began to feel there was a magnetic force in language.

—Clark Coolidge interview with FRICTION magazine, Number 7 (1984)

[sample pack from Clark Coolidge, 1967]

ANEC[/ANTI]DOTE 2:

For Joy Division’s “She’s Lost Control” (1979), drummer Stephen Morris sprayed an aerosol can of tape head cleaner into a microphone to produce a drum sound (that’s a KVU move if I’ve ever seen one). Morris nearly passed out from the fumes. Fatboi Sharif has timewarped and is in that recording booth as a willing huffer of chlorofluorocarbons. What he produces as a result is a babbling brook of jabberwocky jargons:

Sharif clearly audited classes at Clark Coolidge’s School of Disembodied Poetics—body-the-track training, if you will. His method isn’t just sheer madness. He takes rumors of “bad blood’ and infusions of syphilis to the face. He spins plastic bendy straws into gold but not before sucking a spiral of backwashed spit from his cauldron. Wu-Tang is for the children, but Sharif is here to scare the children with his fury and fairy tales. Just accept it. After all, “our brains been programmed for so loooong!”

Images:

Le Sabbat des sorcières, Hans Baldung Grien, c. 1508-10 (detail) | Holy, Holy, Holy Altar (screenshot, via YouTube) | The Scientist Rids the World of the Evil Curse of the Vampires, 1981 (album cover) | Gates of Hell (screenshot, via YouTube) | Hooked on Phonics cassette set | Nausicaä of the Valley of the Wind, dir. Hayao Miyazaki, 1984 (screenshot) | George Washington, dir. David Gordon Green, 2000 (screenshot) | Venusian alien contact location (screenshot, via YouTube) | Apple Lisa Workshop not accepting Y2K date | "The Sabbatic Goat" from Dogme et Rituel de la Haute Magie, Éliphas Lévi (1856) | Drawing by Nikola Tesla showing stages in his evolution of the high frequency resonant transformer used in his Tesla coil (1899) | Haxän, dir. Benjamin Christensen, 1922 (screenshot) | Carvel "Cookie Puss" TV commercial (1985) | Jacob's Dream, William Blake (c. 1805) | "Slave with Iron Muzzle," illustration from Souvenirs d'un aveugle, Jacques Etienne Victor Arago (1839) | Mary's Tower (screenshot, via YouTube) | Haxän, dir. Benjamin Christensen, 1922 (screenshot) | Le Sabbat des sorcières, Hans Baldung Grien, c. 1508-10 (detail)

[harveypower]

How Long Does A Lifepo4 Battery Last?

With the development of new energy equipment, the lifepo4 battery lifespan is one of the important factors we consider, but many people do not know how long the lifepo4 battery can be used.

So I write an article about the "lifepo4 battery cycle life and calculate its endurance", I hope this will help you choose the battery.

How Long Does a LiFePo4 Battery Last (cycle life)？

Generally, the lifepo4 battery lifespan can be as long as more than 10 years, we can estimate the upper limit of battery lifespan by the number of rated cycles.

For example, our lifepo4 server rack battery life cycle is at least 6000, then you will get:

6000/365= 16.43 years

How to Calculate Battery Endurance?

Assuming that the lifepo4 battery pack capacity is 2kWh, and a mobile phone with a power of 10W needs to be charged.

It can last for 2000/10=200 hours.

Summary

As can be seen from the above, lithium iron phosphate batteries inherently have a superior foundation. The upper limit of battery life is affected by the cycle life of the battery, depending on the level of research and development of different manufacturers, its life can be maintained for at least 10 years.

And in daily use, we keep the battery shallow charge and discharge (30%-80%), and try to avoid fast charging, which can more effectively extend the life of the Lifepo4 battery.

Of course, if not properly maintained, it will directly affect the actual battery lifespan. Therefore, the correct maintenance method also can make the actual life of the battery infinitely close to the upper limit of the cycle.

Although the initial cost of the lifepo4 battery is high, it is a very cost-effective investment project in terms of long-term battery lifespan.

[breezeriderebike]

Best Cheap E-Bike - Getting the Most Out of Your Purchase

You may have heard about the advantages of best cheap e-bike, but you're not sure how to go about getting one. Fortunately, there are a few things you should consider before making the final purchase. This article will help you decide which type of electric bike is right for you. The following tips will help you get the most out of your best cheap e-bike purchase. First, make sure the e-bike you purchase fits you properly. The seat should be low enough that it does not interfere with pedaling and be as visible as possible.

Power Switch

Most cheap e-bike have a power switch that will let you adjust the amount of assistance you receive. Some offer very little assistance, while others offer more power than a standard bike. To determine how much assistance you need, look for a bike with a pedal assist system that can accommodate the rack you plan to use. Depending on your needs, you may want to choose a bike with low assist, but still be able to ride a steep hill.

Benefits

In addition to being more convenient, cheap e-bikes also reduce the number of car trips you make. According to a recent survey, 28 percent of people purchased an e-bike to replace their car. In addition to saving gas, e-bikes are also a good option for delivering cargo and reducing traffic and parking costs. They also reduce environmental concerns. Finally, an electric bicycle means no more sweating or changing clothes to get to work or school.

Battery and Motor

The battery and motor in a cheap e-bike are the main components. Because of these components, they are considerably heavier than a standard bike. The extra weight of the motor and battery means that an e-bike is harder to lift. However, once you start pedaling, the extra weight dissipates. That means you can ride further without sacrificing scenic views. With this, you can save time on your commute and still enjoy the scenery.

Before purchasing a best cheap e-bike, make sure you know the laws in your area. The different classes of ebikes may vary between manufacturers and retailers. You should also check local laws to ensure you're not breaking any laws. Even though you're unlikely to get pulled over for speeding in a bike lane, you'll never know. It's always a good idea to find out what the laws are before making a purchase.

The National Park Service (NPS) is working with local communities to determine how to best manage the use of e-bikes on public land. E-bikes can be used on local and federally-funded trails as long as they are under 100 pounds. If you're wondering about safety, make sure to read the regulations before riding an e-bike on public land. These regulations will be effective in 2020. Once they are in place, you can start enjoying your electric bike.

The electric motors in electric bikes are built into the bike frame and provide a boost to the rider's pedaling power. E-bikes can be purchased with or without a display screen. Some bikes can pedal on their own, while others require the rider to pedal. Regardless of which one you choose, electric bicycles offer many benefits to consumers. They can be an excellent choice for anyone who wants to maximize their health and fitness while traveling.

[peregrinramblings]

I wouldn't usually chime in on something but I do feel to point out that this last idea of swappable batteries is probably not a great idea. Coming from the perspective of someone very closely involved in EV manufacturing, specifically on the thermodynamics end of keeping those batteries *cool*, those battery cells are 1) HEAVY, 2) The whole length of the car, and 3) not at all something you want to be loose or not properly seated. I'm sure we could engineer a way to do this in a more safe fashion, but pulling in and out introduces lots of wear, and wear is not really something you want next to something commonly considered a "high shock risk".

Could it be engineered? Yes, probably, at least to swap a few cells out in a controlled way, likely losing a tiny bit of efficiency to do so. But this still introduces gradual wiggle, and if you remember the "EV cars catch fire in your driveway" craze a few years ago, a lot of that could be attributed to individual cells coming loose of their tight grouping on the cooling racks and starting to wiggle, leading to spark gaps or overheating when it's not being cooled correctly because it's out of position. Quite a lot of engineering has actually gone into making them *less* separable from each other for this exact reason.

EV batteries aren't the 12V car battery you're used to, they're not even the larger ones used for PITs or lifts, and you want to have as little wear on the batteries, collector plate, and electrical harness as possible.

Okay also I’ve been driving electric cars long enough now to be really emphatic that the fact that they’re not all automatically built with solar panels in the roofs is a scandal.

And somehow almost every time I tell anyone this they roll their eyes and attempt to explain to me that this would not create a perpetual motion machine because of the limitations of the area relative to the power draw of the motor, which is incredibly annoying because that’s not the point.

Yes it’s possible that driving in the sunshine with a solar collector dripping into the battery would net you a little more mileage on that trip before needing recharge, but the usefulness of a solar-topped electric car is that if you drive it someplace–say, to work–and leave it outside in the sun all day, you’ll definitely have more range available by the time you’re ready to head home.

Also if you fuck up your calculations because of the inefficiency induced by cold weather or something and get yourself stranded without anywhere to charge, like halfway up a mountain or, more likely, six miles from home, you can call for rescue or walk away, come back later, and it’ll be able to move again.

This is important because unlike running out of gas you can’t really go get some electricity.

[onlineupsprice15]

In today’s fast-paced, technology-driven world, power interruptions can bring operations to a standstill, whether in homes, offices, or industries. A reliable Uninterruptible Power Supply (UPS) is essential to ensure that equipment runs smoothly, even during power failures. Among the most trusted names in the UPS industry is APC, known for its innovative and high-quality products. One such product that stands out for larger operations is the APC 10kVA UPS.

If you're looking to invest in an APC 10kVA UPS for your power backup requirements, you may be wondering about its price, its features, and whether it’s the right choice for your needs. This blog will provide a detailed overview of the APC UPS 10kVA, along with its price range, helping you make an informed decision.

What is an APC 10kVA UPS?

APC, or American Power Conversion, is a leading manufacturer of UPS systems, surge protectors, and power management solutions. The APC 10kVA UPS price is designed for use in medium to large-sized enterprises, where uninterrupted power supply is critical to maintaining operations.

With a 10kVA rating, this UPS system can support equipment drawing up to 10,000 watts, making it an ideal choice for larger servers, data centers, office setups, and industrial operations. It provides power protection and ensures that sensitive equipment doesn’t suffer from downtime during power surges, outages, or fluctuations.

Key Features of APC 10kVA UPS

Before we dive into the pricing, let's look at the top features that make the APC 10kVA UPS a valuable asset:

High Capacity for Demanding Applications: The 10kVA rating ensures that even large office networks, servers, and critical infrastructure can run without interruption. It's designed for environments where power backup is crucial, such as IT data centers, telecommunications, and industrial facilities.

Battery Backup and Runtime: APC UPS systems are equipped with high-performance batteries that provide power for an extended period, depending on the load. This gives businesses enough time to power down equipment safely during long outages or switch to a secondary power source.

Advanced Power Protection: The UPS offers superior protection against power surges, spikes, and voltage dips, which are common causes of equipment damage. This ensures that your valuable equipment remains protected from any electrical damage.

Space-Saving Design: Despite its robust performance, the APC 10kVA UPS comes with a compact and rack-mountable design that saves valuable space in your office or data center.

Remote Monitoring and Management: APC's user-friendly interface allows users to monitor the UPS in real time, check battery health, and configure settings remotely. This feature is crucial for businesses that require constant monitoring of their power backup systems.

Energy Efficiency: With its energy-saving features, the APC UPS minimizes energy wastage, which can help reduce long-term operational costs.

APC 10kVA UPS Price Range

The price of an APC 10kVA UPS price depends on various factors, including the model, additional features, and warranty options. On average, the price of an APC 10kVA UPS typically ranges between ₹1,50,000 to ₹3,00,000 in India. However, prices can vary based on your location, and any added customization or support packages.

It’s important to note that while the initial investment might seem high, the long-term benefits outweigh the cost, especially when considering the UPS’s ability to prevent costly downtime, equipment failure, and data loss.

At Online UPS, we offer competitive pricing for APC 10kVA UPS systems along with professional installation, maintenance, and support services. Our goal is to ensure that your power supply is as reliable as possible, and we provide expert guidance to help you choose the perfect UPS solution for your business needs.

Why Choose APC UPS 10kVA?

Proven Brand Reputation: APC is a trusted name in the power protection industry. With over 30 years of experience, they are known for their durable, high-performance systems.

Reliability: APC’s products are tested to handle even the most demanding power situations, ensuring that your equipment stays safe and powered during outages.

Service and Support: APC provides excellent customer service and after-sales support, ensuring that you are never left stranded if something goes wrong.

Return on Investment (ROI): The APC 10kVA UPS is an investment in your business’s infrastructure. By preventing power disruptions and costly downtime, it offers significant ROI over time.

Conclusion

The APC 10kVA UPS price is a powerful, reliable, and cost-effective solution for businesses and industries that need a robust backup power system. While the price may seem high initially, the protection it offers for your critical equipment, along with its efficiency, makes it a smart choice for enterprises seeking seamless, uninterrupted power.

If you are considering purchasing an APC 10kVA UPS, Online UPS is your go-to destination. We offer the best prices, professional support, and tailored UPS solutions that meet your specific needs. Contact us today to get a quote or to know more about the APC UPS 10kVA and how it can help secure your business’s power supply.

[forkliftswork]

Forklifts Rental: A Smart Choice for Your Business

Forklifts are essential in industries such as warehousing, construction, and logistics, helping to move heavy goods quickly and efficiently. However, purchasing a forklift can be a significant investment, especially if you only need it for a short-term project. In such cases, renting a forklift offers flexibility, cost savings, and access to top-notch equipment without the long-term commitment.

In this blog, we’ll explore the benefits of forklift rental, the different types available, and why renting may be the ideal option for your business.

Why Rent a Forklift?

1. Cost-Effective Solution

Purchasing a forklift comes with high upfront costs, plus ongoing maintenance, repairs, and storage fees. By opting for forklift rental, you can avoid these financial burdens. You pay only for the time you need the equipment, which is perfect for one-time or short-term projects.

2. Flexibility

Renting a forklift allows you to choose the exact type and size you need for the duration of your project. Whether it’s for a day, a week, or several months, forklift rental offers maximum flexibility without the need to make a long-term investment.

3. Access to Well-Maintained Equipment

When you rent a forklift from a reputable provider, you’ll have access to well-maintained, up-to-date equipment that’s ready to work. Rental companies handle maintenance, ensuring that the forklifts are in top condition and meet all safety regulations, reducing the chances of breakdowns during your project.

4. Avoid Storage and Maintenance Costs

Storing a forklift when it’s not in use can be costly, as well as managing the ongoing maintenance. Renting eliminates the need for long-term storage and upkeep, as the rental company handles all these concerns for you. This makes renting an efficient solution, particularly for businesses that don’t need forklifts year-round.

5. Test Before You Buy

If you’re considering purchasing a forklift in the future, renting one allows you to test various models and configurations to determine which one best fits your operational needs. Renting gives you the opportunity to assess the performance, capabilities, and features of different forklifts before committing to a purchase.

Types of Forklifts Available for Rent

1. Electric Forklifts

Description: Powered by batteries, electric forklifts are environmentally friendly and operate quietly.

Ideal For: Indoor use, especially in warehouses and distribution centers where emissions and noise need to be minimized.

Use: Perfect for material handling in closed spaces with smooth surfaces.

2. Internal Combustion Forklifts

Description: These forklifts run on gasoline, diesel, or propane, and are designed for heavy-duty tasks.

Ideal For: Outdoor work on rough or uneven terrain, such as construction sites and large warehouses.

Use: Ideal for lifting heavy loads in outdoor settings or on rugged surfaces.

3. Reach Forklifts

Description: Reach forklifts are designed with extendable forks to allow the operator to reach higher shelves and racks.

Ideal For: Warehouses with narrow aisles and tall racking systems.

Use: Great for maximizing vertical storage in tight spaces.

4. Order Pickers

Description: These forklifts are specifically designed for order-picking operations, where the operator is elevated to retrieve items.

Ideal For: Warehouses and distribution centers with a high volume of picking tasks.

Use: Commonly used in industries like retail, e-commerce, and manufacturing for inventory management.

5. Rough Terrain Forklifts

Description: Rough terrain forklifts are built with large tires and a higher clearance to handle uneven or rugged outdoor environments.

Ideal For: Construction sites, farms, and outdoor projects where surfaces are uneven or unpaved.

Use: Perfect for lifting and transporting materials on challenging terrain.

Factors to Consider When Renting a Forklift

1. Load Capacity

Ensure the forklift you choose can safely handle the weight of the materials you need to move. Forklift capacity varies depending on the model, and it’s important to match the lift's capacity with your requirements.

2. Lift Height

Consider the maximum height that the forklift can reach. If you need to lift materials to higher racks or shelves, be sure to rent a forklift that meets your vertical reach requirements.

3. Terrain

Consider where the forklift will be used. If you’re working outdoors or on rough terrain, you’ll need a rugged, all-terrain forklift. For indoor tasks, an electric forklift will be more suitable.

4. Rental Duration

Think about how long you will need the forklift. Rental companies typically offer daily, weekly, or monthly rates, so choose the option that aligns with your project timeline.

5. Rental Provider

Choose a trusted forklift rental provider with a reputation for quality service and well-maintained equipment. Ensure the company offers the type of forklift you need and provides reliable customer support throughout the rental period.

Where to Rent a Forklift?

For businesses in need of high-quality, reliable forklift rentals, Reach International is the go-to solution. As an authorized dealer for Hyundai and JCB, Reach International offers a wide range of forklifts for both indoor and outdoor use. With well-maintained equipment and flexible rental terms, Reach International ensures you get the right forklift for your project, whether it’s a short-term or long-term rental.

Conclusion

Renting a forklift is a smart, cost-effective solution for businesses that need reliable material handling equipment without the long-term commitment. Whether you need an electric forklift for indoor use or a rugged diesel forklift for outdoor tasks, rental options offer flexibility, cost savings, and access to top-quality machines. Choose Reach International for your next forklift rental and experience exceptional service and equipment that meets all your business needs.

Renting a forklift provides the flexibility you need to handle your business tasks with ease. Reach out to Reach International for more information and get started with your forklift rental today!

[rajconveyors]

CCtv poles manufacturers

CCtv poles manufacturers | Luxa Controls

Luxa Control System’s CCTV Mounting Poles (Outdoor) are heavy duty and varying in length according to the customer’s requirements. The camera mounting platesare provided with multiple slots and adjustable pole mount loop brackets which gives the flexibility of moving the direction of the camera according to the site requirements. Base plates are provided with 32 to 50 mm Diameter slots in the base plate for taking the underground cables inside. Customized design is an advantage to meet the variable requirements of the sites.

Material: Mild Steel (MS-CR) as well as Galvanized Iron (GI) as per requirement of the customer.

Color: As Per Requirement Of Customer - Powder Coated – Fine Finish.

Address :-

# 459, Lakshami Nivasa, 8th cross, Bhuvaneswari Nagar,Bangalore – 560024,

Email :- info@luxacontrols.com,

Phone :- 9449156930, 9844121505.

[addworldindia]

Security system, Fire Safety for your Industry | Luxa Control Systems

Luxa Controls is an organization consisting of a group of expert consultants with proven experience and vast expertise in multifaceted industries. We provide you various levels of control to safeguard your Industry and premises by way of design, development and training.

We even provide end-to-end solutions in all our competency areas. We also provide liaison services with government officials in various matters.

Being leading Security system manufacturers, they manufacture

Fire detector back box manufacturers 

CCtv poles manufacturers

Battery racks manufacturers

[qocsuing]

Finding the Best Deals on Stacker Trucks: Your Comprehensive Buying Guide

Finding the Best Deals on Stacker Trucks: Your Comprehensive Buying Guide

Stacker trucks are essential equipment in warehouses and industrial settings, designed to facilitate the efficient handling and transportation of goods. Whether you're looking to upgrade your current fleet or invest in new stacker trucks, finding the best deals is crucial for optimizing your budget and enhancing operational efficiency. This comprehensive buying guide will help you navigate the process and secure the best stacker trucks for your needs.

Understanding Stacker Trucks Stacker trucks, also known as pallet stackers, are material handling equipment designed to lift, move, and stack pallets and other heavy loads. They come in various types, including manual, semi-electric, and fully electric stacker trucks. Each type has its own advantages and is suitable for different applications. China price Trader Manufacturer Wholesale Materials Handling Platforms Aerial Platforms sale Buy Online Industrial Equipment Key Factors to Consider When Buying Stacker Trucks Type of Stacker Truck

Manual Stacker Trucks: These are operated manually and are ideal for smaller warehouses or lighter loads. They are cost-effective and require minimal maintenance.

Semi-Electric Stacker Trucks: These combine manual and electric operation, offering greater ease of use and efficiency. They are suitable for medium-sized warehouses.

Fully Electric Stacker Trucks: These are fully powered by electricity and are designed for heavy-duty applications. They offer maximum efficiency and ease of operation, making them ideal for large warehouses and industrial settings.

Load Capacity

The load capacity of a stacker truck is a critical factor to consider. Ensure that the stacker truck you choose can handle the weight of the loads you need to move. Overloading a stacker truck can lead to safety hazards and equipment damage.

Lifting Height

The lifting height of the stacker truck should match the height of your storage racks and shelves. Consider the maximum height you need to lift and stack pallets to ensure the stacker truck meets your requirements.

Maneuverability

Maneuverability is essential for navigating tight spaces and aisles in a warehouse. Look for stacker trucks with a compact design and tight turning radius to ensure ease of movement in confined spaces.

Battery Life and Charging Time

For electric stacker trucks, battery life and charging time are important considerations. Choose stacker trucks with long battery life and short charging times to minimize downtime and ensure continuous operation.

Safety Features

Safety is paramount when operating stacker trucks. Look for features such as emergency stop buttons, overload protection, and stability control to ensure the safety of operators and warehouse staff.

Tips for Finding the Best Deals Research and Compare

Conduct thorough research and compare different stacker truck models and brands. Look for reviews and testimonials from other users to gauge the performance and reliability of the equipment. Comparing prices from different suppliers can help you find the best deals.

Consider Used or Refurbished Stacker Trucks

Used or refurbished stacker trucks can offer significant cost savings while still providing reliable performance. Ensure that the equipment has been properly inspected and maintained before making a purchase.

Look for Promotions and Discounts

Keep an eye out for promotions, discounts, and special offers from suppliers and manufacturers. Seasonal sales, trade shows, and online marketplaces can be good sources for finding great deals on stacker trucks.

Negotiate with Suppliers

Don't hesitate to negotiate with suppliers for better prices or additional perks such as extended warranties or free maintenance services. Building a good relationship with suppliers can also lead to future discounts and benefits.

Evaluate Total Cost of Ownership

Consider the total cost of ownership (TCO) when buying stacker trucks. This includes not only the purchase price but also maintenance, operating costs, and potential downtime. Choosing high-quality, reliable equipment can result in long-term savings.

Recommended Brands and Models Toyota BT Staxio Series

Toyota's BT Staxio series offers a range of electric stacker trucks known for their reliability, efficiency, and advanced safety features. They are suitable for various applications and provide excellent maneuverability.

Crown ESR Series

The Crown ESR series of stacker trucks is designed for heavy-duty applications, offering high load capacities and lifting heights. They come with advanced ergonomic features and intuitive controls for enhanced operator comfort.

Hyster S1.0-1.5C Series

Hyster's S1.0-1.5C series includes compact, electric stacker trucks that are ideal for narrow aisles and tight spaces. They offer impressive performance and energy efficiency, making them a cost-effective choice for many warehouses.

Conclusion Finding the best deals on stacker trucks requires careful consideration of your specific needs and thorough research of available options. By understanding the key factors to consider and following the tips outlined in this guide, you can make an informed decision and secure the best stacker trucks for your warehouse operations. Investing in the right stacker trucks will enhance efficiency, improve safety, and ultimately contribute to the success of your business.

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] From the manufacturer CORDLESS & EASY-TO-CARRY: The portable air pump features a cordless and compact design, which allows you to take it anywhere and inflate items wirelessly. Moreover, the bendable air hose can be stored on the appliance as well as serve as a handle when not in use MADE FOR AIR REFILLING: This air compressor with portable design has a high-performance copper motor that provides 28L/min of airflow, up to 150 Psi pressure, and inflates tires quickly. It only takes few minutes to inflate a 196/65 /R15 tyre from 22 to 36 Psi. DURABLE & RECHARGEABLE BATTERIES: Comes with rechargeable 3*2000mAh batteries. This portable tyre inflator does not require an external power supply while working. Just recharge the appliance for 3-5 hours and it can work continuously for 15 minutes. For maintaining its good performance, it's recommended to rest for 3-5 minutes after each 10-minute use EASY TO USE: There are 4 pressure units for you to choose from: PSI, KPA, BAR, and KG/CM². It also has a large LED display that shows real-time pressure value and preset value, which is convenient to observe the tyre pressure status. On top of that, with the auto shutoff, you don't need to worry about over-inflating at all 3-IN-1 TYRE INFLATOR: On the top of the pump is a LED light providing convenience for you to inflate, change tires in the dark, or warn cars at night. On the bottom there is a Type-C charging port and an USB output port, making it an emergency power supply for your electronic devices. Besides, its compact size can easily fit in your car, bicycle rack, or backpack. Power: 90W; 1 Year warranty [ad_2]

[msp234]

UPS Maintenance and Professional Services

The importance of UPS maintenance goes beyond mere operational efficiency. It encompasses the reliability and longevity of your power protection system. Regular UPS maintenance, including tasks such as monitoring and charging of the battery, checking of the battery connection, etc, will help pinpoint problems before they become major ones, making it all set to take over in case of power failure.

Proper maintenance extends the life of the battery, thereby improving the overall reliability and performance of the UPS system. Sudden power outages are thus prevented from harming equipment and data.

Disadvantages of Professional UPS Maintenance: 

1. Cost: Maintenance UPS services are usually costlier when outsourced to professionals since they do charge for service, sometimes spare parts, and labor, amongst others.

2.Scheduling: Visits might take time considering that the availability of service companies may take some time to come; hence, it may take time before the much-needed upkeep is done, and therefore scheduled maintenance is affected.

3. Dependency: You are a prey to other people who may render you the maintenance services, which is quite a hassle in case of emergency or urgent issues.

UPS Maintenance Steps:

Whichever type of UPS maintenance is adopted, whether DIY or professional, it should not be without a step-by-step procedure. Here are the UPS maintenance steps at a glance:

1. Visual Inspection The UPS unit should be visually inspected from time to time for indications of wear, damage, and loose connections, such as those of the battery cabinet and battery rack.

2. Battery Test Cycles: Check periodically to ensure that the batteries are holding a good charge, and swap it if necessary so that they live on up to optimum battery life. It has checking battery voltage, battery capacity, and battery discharge rates.

3. Connection Check: Inspect all electrical connections, such as a UPS battery connection, and check whether they are tight or free of corrosion or damage on them.

4. UPS Firmware Updates: Make sure that the UPS firmware is updated to its latest version for improvement as well as fixing bugs that the manufacturer provides.

5. Load Testing: Load bank testing is done so that the UPS can withstand the possible power load that might be incurred during an outage. So, this would ensure the readiness of the UPS to protect the concerned equipment.

 6.Cleaning: The UPS unit and its environment should be kept clean to avoid dust collection, which may cause overheating and bad efficiency.

Conclusion:

The selection between DIY and professional UPS maintenance can be determined by analyzing important parameters, such as budget, technical experience, and level of system criticality. DIY maintenance saves costs and allows for hands-on exposure but requires much time and technical expertise. Professional UPS service provides expert care and reliability but at a much greater cost.

Knowing how to do UPS maintenance and why you have to do UPS maintenance may help you make the right decision for your needs.

Doing UPS maintenance means regular and proper UPS maintenance, be it DIY or professional, and that is actually important in extending the battery life and ensuring the continuous operation of your UPS system.

Whether you want to increase the reliability and lifespan of your UPS or make sure that there is a continued supply of power without involving minimum inefficiency, all of these and more will be done with our professional UPS maintenance service.

Whether you need more elaborate do-it-yourself plans or professional maintenance programs, the team is here to help you find the best solution customized to your specific requirements. We extend the life of your batteries and even reduce the cost of maintenance on your UPS, offering comprehensive support to keep your systems running.

Take the next step towards the reliability of your power protection system today. Invest in regular UPS maintenance and get to follow the essential steps for UPS maintenance in protecting your critical equipment .

Contact us now to learn how our maintenance services can help improve the performance of your system with a guaranteed robust protection against power-related disruptions.

Contact us today to find out how our UPS maintenance solutions can benefit your operations and protect against unexpected failures.

/businessups-maintenance-email/ Email us at: marketing@msplgroup.com

/businessups-maintenance-call/ Call us at: +91 96960 86262 / 022-40991100

Upgrade your UPS reliability and protect your critical infrastructure today-contact us now!