#Battery racks manufacturers

[rajconveyors]

Battery racks manufacturers

Battery racks manufacturers | Luxa Controls

Design: Designed to suit the requirements of the customer. Heavy gauge metal used with leg plates and provision for grouting the bolt to the ground or wheels for trolleys are provided. The leg plates secure the rack and there is no chance of falling down. 

The trolleys are sturdy with handles to move, giving flexibility and mobility of the batteries to the required place. We manufacture and supply battery racks of any size according to the requirements of the customer.

Material: Mild Steel (MS-CR) or any metal according to the choice of the customer.

Color: As Per Requirement Of Customer - Fine Finish.

Features: High quality, Long lasting.

Being the best battery rack manufacturers, the designs are according to the requirements of the customer gives flexibility in choice of the customer according to the site requirements.

Address :-

# 459, Lakshami Nivasa, 8th cross, Bhuvaneswari Nagar,Bangalore – 560024,

Email :- info@luxacontrols.com,

Phone :- 9449156930, 9844121505.

[addworldindia]

Fire and Industrial security control system Manufacturers | Luxacontrols

https://luxacontrols.com/

Luxa Control Systems provide safety to your Industry. They are the leading Fire detector back box manufacturers, CCTV poles manufacturers, Battery racks manufacturers, Security Systems, Surveillance and Access Control Security Systems, Fire and Life Safety, Network and Communication Security Systems manufacturers. 

[tranosng-blog]

Battery Cabinet Manufacturers in Nigeria: A Growing Industry

In recent years, Nigeria has witnessed significant growth in its industrial sectors, and battery cabinet manufacturing is one of the emerging industries that hold promise for the country's economic diversification and technological advancement. Battery cabinets, essential for housing and protecting batteries used in various applications, are increasingly in demand due to the rise in renewable energy projects, telecommunication needs, and other technological advancements in Nigeria.

The Role of Battery Cabinets

Battery cabinets are critical components in numerous sectors, providing secure, stable environments for batteries that power everything from solar energy systems to telecom base stations and uninterruptible power supplies (UPS) for critical infrastructure. These cabinets ensure the longevity and efficiency of batteries by offering protection against environmental factors such as temperature fluctuations, moisture, and physical damage.

Market Drivers

Several factors are driving the demand for battery cabinets in Nigeria:

Renewable Energy Boom: With Nigeria’s increasing focus on renewable energy sources, particularly solar power, the demand for reliable energy storage solutions has surged. Battery cabinets are integral to these systems, providing safe storage for batteries that store solar energy for later use.

Telecommunications Expansion: As Nigeria continues to expand its telecommunications infrastructure, the need for dependable power solutions, including battery cabinets, has grown. These cabinets are vital for ensuring uninterrupted service in telecom base stations, especially in remote areas.

Industrial Growth: The overall growth of Nigeria's industrial sector has also contributed to the increased demand for battery cabinets. Industries require reliable power backup solutions to maintain operations during power outages, making battery cabinets a critical component of their infrastructure.

Challenges and Opportunities

Despite the promising growth, the Battery Cabinet Manufacturer in Nigeria faces several challenges. These include high production costs due to the importation of raw materials, inconsistent power supply affecting manufacturing processes, and competition from imported products.

However, these challenges also present opportunities. Local manufacturers can capitalize on government initiatives aimed at promoting local content and reducing import dependency. By investing in local raw material sourcing and innovative manufacturing techniques, Nigerian companies can enhance their competitiveness.

Conclusion

The battery cabinet manufacturing industry in Nigeria is poised for significant growth, driven by the country's expanding renewable energy sector, telecommunications infrastructure, and industrial activities. As Industrial Manufacturing Companies in Nigeria continues to innovate and adapt to market demands, they will play a crucial role in supporting Nigeria's technological and economic development. The industry's future looks bright, with ample opportunities for those willing to navigate its challenges and harness its potential.

[mariacallous]

On the top floor of a building somewhere in Ukraine is a drone workshop.

Inside is a chaotic workbench covered in logic boards, antennas, batteries, augmented reality headsets, and rotor blades. On one end of the room is a makeshift photo studio—a jet-black quadcopter drone sits on a long white sheet, waiting for its close-up.

This particular workshop’s Geppetto is Yvan. He grins as he shows off his creations, flittering around with a lit cigarette in his mouth, dangling ash, grabbing different models. (Yvan is a pseudonym; WIRED granted some of the people in this story anonymity due to the security risk.)

Yvan holds up a mid-size drone: This model successfully hit a target from 11 kilometers away, he says, but it should be capable of traveling at least 20. He’s trying different batteries and controllers to try to extend the range. He screws on a stabilizer tailpiece to a hard plastic shell—Yvan 3D-prints these himself—and holds up the assembled bomb. It’s capable of carrying a 3.5-kilogram explosive payload, enough to take out a Russian tank.

He uses his index finger and thumb to pick up a nondescript beige chip: This, he says, is what he’s really proud of.

One big problem with these drones—which are based on commercially available first-person-view (FPV) or photography drones—is that their explosive payload is jimmy-rigged on. It requires the drone to crash in order to close the circuit and trigger the explosion.

This chip, Yvan says, allows for remote detonation from a significant distance, meaning the operator can park their drone and lay in wait for hours, even days, before it goes off. He expects this technology could, eventually, be connected to AI—exploding only if it registers a nearby tank, for example. He has created a long-range smart land mine, I note. After the idea is passed through our translator, he nods enthusiastically.

There are many of these FPV drone workshops around Ukraine—Kyiv estimates there are about 200 Ukrainian companies producing aerial drones, with others producing land- and sea-based uncrewed vehicles. But Yvan, grinning proudly, insists that the manufacturer which he represents, VERBA, is the best.

Ukraine is facing increasingly tough odds in its defensive war against a better-resourced, better-equipped enemy. Thanks to delayed aid from Washington and shortages in other NATO warehouses, Ukraine has lacked artillery shells, long-range missiles, and even air defense munitions.

These drones, however, represent a bright spot for the Ukrainians. Entrepreneurship and innovation is scaling up a sizable drone industry in the country, and it’s making new technological leaps that would make the Pentagon envious.

The age of drone warfare is here, and Ukraine wants to be a superpower.

After Yvan showed off his workshop, we loaded into the car to visit one of his factories.

Behind a steel door is a room filled with racks, where 30 3D printers are working simultaneously, printing various drone components in unison. The twentysomething employees seem accustomed to the screeching alarm—some are soldering the drones together, others are tinkering with designs in AutoCAD, one is lounging on a sofa.

Strung across one shelf of 3D printers is a black flag, a take on Blackbeard’s (apocryphal) pirate flag. It shows a horned skeleton wearing an AR headset and holding a controller, thrusting his spear toward a bleeding heart as a quadcopter flies above.

In the first year of the war, when FPV drones were providing extraordinary footage of the front lines and viral video of unmanned aerial vehicles (UAVs) dropping grenades on Russian tanks captivated the world, Ukraine was snatching up every consumer drone it could find. Chinese technology giant DJI became a household name in Ukraine, thanks to its drones’ ubiquity on the front lines. Ukraine’s early advantage was quickly lost, however, as Russia scrambled to snatch up these Chinese-made UAVs.

“When Russia sees, from Instagram, my product, Russia starts buying all these components in China,” a VERBA executive says. The new demand from Moscow can often cause either shortages or inflation, squeezing out the Ukrainian companies. So entrepreneurs like Yvan began building their own.

When Yvan began his operation in the early months of the war following Russia’s February 2022 full-scale invasion, he was creating a handful of frankendrones to send to the Ukrainian Armed Forces. Now, Yvan says, his operation is producing 5,000 FPV drones per month. He offers a range of systems, from a mammoth 12-inch model to a 4-inch prototype.

At first, these entrepreneurs were pursuing this project on their own—scrambling, like most of the country, to be useful in helping Ukraine defend itself. Kyiv was initially cool to the idea that a domestic drone industry was worth the money and attention, especially given the demand for more conventional arms. Some in the military, one executive says, dismissed the utility of these innovative weapons and surveillance platforms as merely “wedding photography drones.” (One executive said Oleksandr Syrskyi, Ukraine’s new commander in chief, had been an early adopter inside the military, directly contracting 10 firms in early 2023 to begin assembling new technology for his forces.)

That attitude changed in 2023, when Ukraine set up Brave1, a government-run technology agency and incubator that helps connect private enterprise to the Ukrainian Armed Forces.

Since its creation, Brave1 has worked to streamline design, development, and procurement of new defense technology, while helping companies navigate government and military bureaucracy. Brave1 has already awarded more than $3 million in research and development grants and connected more than 750 companies to the Ukrainian Armed Forces.

When United24, the Ukrainian government’s in-house crowdfunding platform, first pitched an “army of drones” to its donors in 2022, it aimed to buy just 200 units. Today, Ukrainian president Volodymyr Zelensky projected late last year that his country would produce over 1 million drones in 2024.

“I would say that we can even double this number,” Natalia Kushnerska, head of Brave1’s defense technology cluster, tells WIRED.

“We have the responsibility and the motivation to do it today and to do it very fast,” she says. “Because we don't have any other choice.”

This is a war, one executive told me, “where the economy matters.”

Even hampered by sanctions, Russia has a $2 trillion economy—about 6 percent of that is geared toward its wartime production. Ukraine’s entire GDP, by contrast, is less than $200 billion.

While Kyiv has received substantial support from its NATO partners, it faces constant pressure to find efficiencies. The economics of these drones are looking better and better.

Yvan’s drones are, compared to conventional munitions, cheap. His most expensive unit runs about $2,500, but the cheapest is only $400.

Early in the war, the Ukrainians could reasonably expect—depending on weather, the mission, and Russian jamming efforts—that about 30 percent of their drones would connect with the target. Today, good Ukrainian-made systems are approaching a 70 percent success rate.

It can often take four or five artillery shells to successfully destroy a medium-range target, such as a tank. At $8,000 per shell—which are in short supply and high demand—that is an expensive proposition. Even if it takes two of Yvan’s most expensive drones to achieve the same objective, that’s thousands of dollars in savings. The proliferation of these drones reduces the “cost-per-kill,” as one executive phrased it, and reduces the strain on those dwindling ammunition stockpiles.

Even if Yvan and other producers are making more and more of their systems in Ukraine, they still rely on Chinese suppliers for critical onboard components. That comes with a trade-off—Chinese suppliers are cheaper, but they tend to be of lower quality and are happy to do business with Russia as well. Other options, such as companies in Taiwan, the United States, Canada, or Europe, are better quality but can be several times more expensive.

These supply chains, Yvan says, are “complicated.” Drone manufacturers who spoke to WIRED say anywhere between 40 percent and 80 percent of their drone components are made in Ukraine. Asked how long it would take before Ukraine manufactures nearly everything in these drones, from the rotor blades to the onboard components, Yvan provides a bullish estimate: “six months.”

It’s not an entirely unrealistic dream. Mykhailo Fedorov, Ukraine’s deputy prime minister and also minister responsible for digital transformation, said late last year that Kyiv hopes to break ground on a semiconductor factory, capable of producing 50,000 chips a year, by 2025. Ukraine produces about half the world’s supply of neon, necessary for the lasers used to make the chips.

There are already companies in Ukraine that have developed electronic design automation software—a necessary tool for producing chips—and that do electronic assembly inside the country itself. An industry source tells WIRED that a working group was formed in late 2023 to chart out how Ukraine could be a player in the semiconductor industry.

Another defense technology executive, Igor, manufactures considerably more-sensitive drones. “We definitely don’t buy anything from China,” he says. His products are more expensive, he says, “but we are looking for something that would differentiate us from the Russians.” At the moment, he says, “Russia is ahead.” He’s hoping to close that gap.

For any of this to work, however, there needs to be demand for these drones. The more they can sell, the more they can invest. “The things that they need,” Kushnerska says: “contracts and money.” Demand has certainly grown—fundraising platform United24 helped finance a fleet of naval drones and raised funds to purchase 5,000 surveillance UAVs. Other organizations have led similar purchases. The drone-makers, however, say it’s just not enough.

In early 2023, Ukraine’s parliament passed new laws to regulate how drone manufacturers can contract with the state; while profiteering is generally discouraged in the wartime economy, the law specifically allows the companies to charge up to 25 percent profit.

Yvan says he charges just a 10 percent premium for his drones and reinvests all that profit back into his operation. Representatives from other drone companies who spoke to WIRED say they operate on a similar basis.

More orders will mean more investment. Thus far, NATO countries have preferred to purchase locally-made equipment and ship it to Ukraine. That may be changing.

Bill Blair, Canada’s minister of defense, visited Kyiv shortly before I was there. While there, he announced that Ottawa would donate 800 Canadian-made drones to Ukraine. While the donation was lauded, a senior official asked the minister, “Why didn't you buy our drones?” After being briefed on the various innovations taking place in the Ukrainian drone industry, Blair was convinced. “We're also going to find ways to invest in Ukrainian industry,” he tells WIRED. “The point of the [Ukraine Defense Contact Group drone coalition] is to create capability, not only in the countries that are in the coalition but also capability in Ukraine.”

Even still, bureaucracy moves slowly. What’s more, startups—some of which are helmed by technologists or special effects gurus with no experience in procurement, let alone war—are often learning as they go. One executive, covering his eyes with his hand, says: “It’s like going completely blind.”

Not every company has been able to hack it. One executive says he’s aware of five defense technology startups that have shut down since the war began.

Much attention has been paid to FPV drones. They reinforce the idea that Ukraine’s defense is a scrappy, homespun effort. But even as the country has professionalized production of these light, agile drones, it has rapidly spun up production of other, more complicated systems.

One of Ukraine’s biggest disadvantages, from the start of the war, has been its difficulty in hitting targets inside Russia. Because Moscow has so effectively dominated the skies, Ukraine has been left playing defense.

That equation has changed substantially in recent weeks. Ukraine has had enormous success in attacking Russian oil refineries—knocking out as much as 15 percent of the country’s total refining capacity—and bombing Russian air bases. This has all been made possible by Ukrainian-made long-range attack drones.

Igor, who represents a company responsible for producing those long-range bombers, says they have developed a unit capable of flying 1,000 kilometers and carrying a 25-kilogram payload and has produced “several hundred” units for the Ukrainian Armed Forces. And they are actively working on a new model, capable of flying up to 2,500 kilometers. (It will pack a smaller punch, he said: “The longer you go, the lighter the payload.”)

These systems are more expensive: from $35,000 to $100,000. But if they can destroy millions of dollars worth of Russian equipment, that’s a bargain.

“These are no simple drones,” Igor says. “We don’t have the luxury, like the Western guys, to spend years in development.”

They’re not stopping with drones, either. They’re using the same technology to develop Ukrainian-made missiles, capable of flying farther and doing more damage to Russian military infrastructure, tucked well behind the front lines, which is regularly used to attack Ukrainian cities.

Igor’s goal is to “bring the war to Russia.” FPV drones have broadcast the realities of the front lines in high definition—long-range bombers could successfully make it feel real, he says. “They don’t suffer like we suffer.”

The effort to bring the war to Russia is advancing on multiple fronts. One of the most famous uncrewed systems of the war has been Kyiv’s Sea Baby drones. Videos have gone viral of these sleek ships clipping along the waters of the Black Sea.

According to Kyiv, they can carry 850 kilograms of explosives, go 90 kilometers per hour, travel some 1,000 kilometers—and they are invisible to radar. This is the kind of capability that the Pentagon, and other defense departments, has spent years trying to develop. “We like to joke that everything we do now, in Ukraine, takes three days—globally, it takes three years,” Brave1’s Kushnerska says.

Ask around Kyiv about these drones, however, and everyone is mum. Even otherwise talkative defense sources go quiet when asked about the Sea Babys. Asked about the vehicles, one defense executive smiled and said simply, “That’s classified.”

Kushnerska is equally evasive: “We need to keep silent about new solutions and new surprises that we are preparing for the enemy.”

The skullduggery is understandable. These uncrewed vehicles have been responsible for doing massive damage to Russia’s prized Black Sea fleet and spearheading the first major attack on the Kerch Bridge, in Crimea, in 2022.

Developing naval drones, however, is relatively easy compared to uncrewed land systems.

Over tea with Stepan, another defense entrepreneur, he lists the litany of difficulties of trying to build uncrewed land systems: They don’t travel well over tough terrain, they don’t operate well in inclement weather, and they don’t tend to go very far.

And yet, Stepan says, his company has overcome all those obstacles—which the Pentagon is still wrestling with—and has put these land systems in the field. Plus, Stepan says he’s “pleasantly surprised by how they’re being used.” He says their smallest unit, which has generally been used to deliver food and equipment, recently rescued and evacuated a wounded soldier from the front line.

Ukraine is not the only side deploying these land systems, however. In late March, pro-Kremlin channels celebrated what they said was the successful deployment of Russian-made uncrewed land systems, outfitted with an AGS-17 grenade launcher.

Ukraine believes its advantage will come from how it dispatches these systems. “You need a mesh system,” Stepan says. And that’s one of the single hardest things to do. Ukraine has started dispatching repeater UAVs, which are used to extend the base station signal, allowing the drones to fly farther and defend better against Russian jamming.

One ground drone, basically a mobile machine-gun turret, boasts an 800-meter range. What’s more impressive, however, is what happens when the land system is paired with a surveillance drone. Rather than them firing directly ahead, Stepan’s team has been training Ukrainian soldiers how to raise the weapon's trajectory, firing in a parabolic pattern and using the drone’s camera to adjust its aim. This tactic, he says, extends the drone’s firing range to 2.4 kilometers.

Doing combined operations with a couple of drones is hard enough. If Ukraine wants to really take advantage of these autonomous systems, it will need to figure out how to command multiple systems across land and air—and that’s where artificial intelligence comes in.

Stepan walks through the four levels of how AI can augment warfare: One is reconnaissance, where machine learning can be used to collate large volumes of footage and satellite imagery. Two is “copiloting,” as he calls it, where AI can analyze that intelligence and help draw insights. Third is planning, where AI can help develop “interlinked, complex orders” for multiple systems across land and air; he likens that to having AI develop football plays. Finally, step four is full autonomy, where AI collects intelligence, analyzes it, develops orders based on the intelligence, and dispatches and commands autonomous units based on that information—although humans review and approve each step of the process.

There are steps beyond this, Stepan notes, that remove human involvement entirely, but he isn’t interested in going there. Another executive recounted a story of how one company designed an autonomous machine gun, capable of conducting object detection and opening fire on its own—that was a “big, big problem,” he says, after the weapon’s radio signals were jammed and it began firing wildly. “I think we can do this slowly,” he adds.

Stepan’s systems are capable of operating at step four, he says. It means his systems have the “ability to take in variables” in real time—it allows his drones to change tactics depending on the environment. He provides examples: “What if our team is close? What if there is [electronic warfare]? What if one system loses connection?”

Kushnerska says Ukraine, alive to the concerns about and risks of AI on the battlefield, is mostly interested in using artificial intelligence only in the “last mile.”

It’s not enough to build drones. Ukrainians also have to know how to pilot them.

The last stop on Yvan’s tour is at a strip mall some distance away. Outside, a group of fresh-faced young men smoke cigarettes and enthusiastically greet him as he walks past.

Inside is a sterile classroom, with a dozen desks laid out—each featuring a tablet, a workstation, and an array of tools. In the back corner are pallets of FPV drones waiting to be unloaded.

This is Yvan’s drone school. Here, students learn not just the ins and outs of piloting these quadcopters but also how the machines work and how to repair them. Down the hallway is a large conference room where the students first test their skills—flags and checkpoints are propped up on cardboard boxes taped together into platforms of different levels. Once students can successfully navigate this makeshift course, they graduate to piloting the drones outside.

Yvan’s drones are normally painted jet black, designed to look as nondescript as possible. One drone, sitting on a desk in the training school, is spray-painted a bright orange. Yvan grins: “We’re sick of losing them in the grass.”

As Kyiv mobilized tens of thousands of ordinary Ukrainian men to fight, training has been a critical necessity. Particularly as ammunition supplies have dwindled, virtual training has been especially attractive. High-tech combat simulators have allowed Ukrainian troops to simulate real combat scenarios with rifles, rocket-propelled grenades, even anti-tank missiles. Ukrainian entrepreneurs are hoping to have dozens of these simulators online in the near future, with the goal of training 100,000 troops.

An industry source tells WIRED that a drone combat simulator went online last month, allowing trainees to simulate the entire process of launching a long-range drone strike. Version 2.0 is being rolled out now, they say, adding that it is likely the first immersive offensive drone simulator in operation. The simulator is also intended to help Ukrainian pilots practice integrating their drones with land systems, which is notoriously difficult for even experienced soldiers.

While Yvan’s drone school offers hands-on experience for users of the FPV drones, this new drone simulator allows pilots to practice long-range targeting, flying in adverse weather conditions, and countering electronic warfare.

All of this—the FPV drones, the long-range bombers, the flight simulators—is Ukrainian innovation at work. And it is moving remarkably fast. Some day, after the war is over, Yvan may well be on the front lines of a Ukrainian technology renaissance, fulfilling orders for the Pentagon. First, both he—and Ukraine—need to survive.

In recent weeks, Russian forces have made modest but steady advances along the front lines. Defense executives, meanwhile, see sabotage and industrial espionage as constant problems. Even more acute is the threat of Russian air strikes. One executive recently recounted how one of his company’s main facilities was nearly hit by two Russian cruise missiles. The risk is very real.

Leaving the school, Yvan opens up the back of his car. He rummages around and hands me two patches: One features a cartoonish and scantily clad woman wearing an FPV headset with the Ukrainian flag on the side, piloting one of Yvan’s rotocopters. The other, an army-green Canadian flag, carries the words “ALWAYS BE READY.”

[caltropspress]

FIELD NOTES STRAIGHT FROM THE GLUMS OF NEW JERUZALEM: Fatboi Sharif + noface's Preaching In Havana

[I played the Preaching In Havana cassette on a Panasonic Portable AM/FM Stereo Boombox Model #RX-F9 (manufacturing date circa 1988) at nine predetermined locations around the state of New Jersey—1-2 songs per site location—over several weeks in February and March 2023. Each song was played a minimum of three times (“Notice parables of three in every other inference”). The boombox was battery-powered and preferably set atop a natural surface. No GPS was used to navigate to the sites; a superannuated Rand McNally folding map was utilized. Disorientation was embraced.]

Here is a clad doom.

—Clark Coolidge, “After Morandi” (c. 1984)

Oblivion: walking the edge of insanity sideways…

—Orko the Psykotik Alien, NMS, “Invisible Oblivion” (2003)

All the world had gone unreal, mere foolish play—a shoddy carnival, a magic show; and remembering those who had died…those real severed heads, mouths working in the dirt, those real bodies stretched and torn apart on the rack…

—John Gardner, Freddy’s Book (1980)

[SITE REF. → Holy, Holy, Holy Altar; Mt. Holly, NJ. The Jersey Devil was supposedly chained to the altar within the stone vault. Holy, Holy, Holy is inscribed across the lintel. Track played: “Static Vision.”]

I ask at the altar [paraphrasing Gardner]: WHO IS THIS SAURIAN BEING WITH THE GOATISH SMELL, THIS IDIOT GOD? On “Static Vision,” Fatboi Sharif bemoans the “info drain”—a residual from the age of the Info Kill. Company Flow told us we MUST GET IN SYNC, and Bigg Justoleum led the way as the horns blowed. Behold, in a dark universe Sharif is chasing shadows.

Sharif speaks lowly of the “blood-sucking corporations,” clued into Marx’s diagnoses. “Kapital,” Killah Karl spews, “is dead labour, that, vampire-like, only lives by sucking living labour, and lives the more, the more labour it sucks.” Succulent, right, you sucker MCs? We’re frightened into the factories as the “news footage funnel[s] fear.” It’s “death [we] watch”—our own. Our work is “converted into necessaries,” Marxy Marx and the Funky Bunch writes, “by the consumption of which the muscles, nerves, bones, and brains of existing labourers are reproduced.” Yum yum, you Dray and Skoob dum-dums. This is your feast of grotesqueries.

[NB:  I will be formatting Fatboi Sharif’s lyrics in a manner suitable to Clark Coolidge’s poetic lines in his 1967 chapbook entitled, confusingly, Clark Coolidge.]

KVU at the engineering deck, the control panel, the console—King Vision Ultra[-magnetizing], if you will—with ineffable efx. Super-scientifikal behind the boards, knob-turning and ear-worming like the Scientist that is/was Hopeton Overton Brown, almighty creator who Rids the World of the Evil Curse of the Vampires (1981). Geng PTP with transformer coils cloying at your cortex, fair listener. His dub-infused engineering fits noface’s krunk-skronk productions and Sharif’s vertiginous vocals into deep-space and crypt-encasement, equally [EQ]. Cryptic, ’cause Sharif’s Sick Wid’ It meanings are entombed:

He’s hanging loose; forget the Smith & Wesson at the Smithsonian—they found a noose! What U See (Is What U Get) now in the xzibit. So raid the tombs of your own mind. Clark Coolidge, too: “Scratch of lines, on a vast hill or prone tomb. / Nothing buckles from them, no sneezed move” (from “After Morandi”).

I ain’t scared no more, Sharif shouts, dry-throated. He gargles holy water and spits. I can’t believe you, he hollers, as dubious as Du Bois staring down the Talented Tenth. Preaching In Havana is Fatboi Sharif penning editorials for The Crisis. Like Eric B. in ’88, he’s never scared. He seeks your AttenCHUN! Larger-than-life, like Bone Crusher on “Never Scared” in 2003: Now the plasma is oozing out of your cerebellum. Snort the bone dust or arrange the remains ritualistically. 

↴

In Charles Chestnutt’s 1899 story “The Gray Wolf’s Ha’nt,” narrator John and his wife are warned by old man Julius about clearing a tract of swampland for agricultural use. “Uncle Julius” regales them with a murder account from slave days about a “conjuh man” who could make “monst’us powe’ful goopher” and used a “mixtry” to exact revenge for his son’s death. Through craft and cunning, the conjure man transforms the murderer into a gray wolf and cons him into killing his wife (similarly duped and transformed into a black cat). By crafty design, Julius’s tale keeps folks off that desirable tract of land with fears of what haunts it. But John is undeterred. He finds no evidence of a wolf’s dwelling there, and if a wolf “had once made his den there, his bones had long since crumbled into dust and gone to fertilize the rank vegetation.” Instead, John discovers a “bee-tree” with an “ample cavity in its trunk” and “stores of honey within.” Julius’s haint warning, it turns out, is nothing more than a ruse to maintain “his monopoly” over the honey stash. “Poison honeycomb, / Sticky situation,” Sharif says on “John Hinckley.” 

[SITE REF. → Sybil’s Cave; Hoboken, NJ. An early 19th century natural spring excavated from the rock wall along the Hudson River; the cave was frequented by tavern-goers. Mary Rogers’ body was discovered in the shallow waters near the site, strangled and sexually abused, and the cave was eventually filled in. Track played: “The Hybrid.”]

I replied my brains in a hybrid of pain, Sharif raps on “The Hybrid,” his syntax clunking and skulking in ways that shouldn’t make sense but do. Let me explaaaaaiiiiin, he begs. Threats loom as “grenades surround ledge” and “PTSD particles” spread. (Cough into your elbow, won’t you?!) Don’t push; we’re close to the edge. Living on shaky grounds; let’s see if Sharif—like Rakim—knows the ledge. I’ve no doubt he does, but he still squeals like a teenybopper on the airport concourse:

“The eight-year-old with a pipe bomb by its privates” sounds like textbook projection. [Rapidly consults the DSM-5.] But let’s bring it back to A HYBRID OF PAIN. It’s Sharif’s term-in-ol-og-y, like Pharoahe Monch on “Bring It On”; he flows awkwardly and incisions are made into the [maggot] brain. Bring it on, motherfucker, bring it on—but also bring the pain like Meth. Sharif came to bring the pain hardcore from the [maggot] brain. We go inside his astral plane.

Brrrrrrriiiiiiiiiiiiiiiiiiinng! Fatboi Sharif awakens like Bigger Thomas with fantasies of furnaces dancing in his head. [...alarm clock clanged…spring creaked…voice sang…surly grunt sounded…tinny ring of metal…] TURN IT UP! BRING THE NOISE! A certifiable consonantal ruckus—the brawling br-, the stinging /n/, the queasy -ng. KVU’s Pain of Mind (2018) comes to mind, undeniably.

[SITE REF. → Gates of Hell; Clifton, NJ. The “Gates of Hell” are a network of sewage tunnels and underground passageways behind the old Erie-Lackawanna railroad tracks. Devil worshipers frequent the location. Track played: “Sunday School Explosions.”]

Sharif combines elements: “Science with cosmic plague and Hooked On Phonics” (it worked for me!). He steals a complete set from the flea market and magnetizes the cassettes and places slips of Scotch tape over the top slots—write-protection begone and be-damned. He can feel his “pulse risen” at the “silent treatment” he receives from the ferric formulation spirits he summons—a kiss of haunting hiss. He translates “postcards in Arabic” at the “NA meeting” prior to filming a reproduction of the Jets and the Sharks dance-fight as “Cronenberg’s last scene.” What results is a “war world ouija [that] got West Side Story.” Thus, Stephen Sondheim and Leonard Bernstein get flayed and slayed on “Sunday School Explosives.”

I’m still haunted by Fatboi Sharif’s echoey Oh, I’m buggin’? from Gandhi Loves Children’s “I’m Buggin.” It comes to me in my sleep, like the Sandman (“Enter Sandman near banquet,” Sharif raps on “John Hinckley,” and we’re off to Never Neverland Ranch with all the Culkins in Jacko’s bed). Not a hypnagogic vapor wave—but the dissonant hatred of Nicholas Sandmann silently smirking at the ceremonial drum of an Omaha elder as Black Hebrew Israelites shout gay-bashy slogans in the background. “Cronenberg’s last scene” will be as body-horrific as all his previous ones. Sharif feasts on a naked lunch of flesh sandwiches while typing Burroughs-like cut-ups onto a scarab beetle typewriter. He snorts lines of minced and mortared-and-pestled Black Meat—the guts and entrails of Scolopendra gigantea. “Oh, I’m buggin’?” has become an earworm, and Fatboi Sharif is every poor child pulling up to the ER with a cockroach lodged in its ear canal. Ruptured tympanic membranes at every entrance, each exit. To borrow a neologism from k-the-i?, Fatboi Sharif breeds electrobugs.

[SITE REF. → Shell Pile ghost town; Port Norris, NJ. Named for its mountains of oyster shells, a WPA guidebook from 1939 described Shell Pile as “a community of about 1,000 Negroes living in wooden barracks erected on stilts over the salt marshes.” A pathogen known as MSX devastated the local oyster industry in the mid-50s, and the community never recovered. The shell piles remain. Track(s) played: “John Hinckley” and “Sugarcane Plantation.”]

In 1990, Tragedy Khadafi (née Intelligent Hoodlum) proposed we arrest the president (NB: Your mother’s buggin’—her mind slanted, he rapped). In 1992, Paris became a Bush Killa, delivering a bullet from the barrel of a Black guerrilla. In 1998, Non Phixion dropped “I Shot Reagan” and Sabac dragged First Lady Nancy into the crosshairs: “His wife’s the hostage, / Her body parts up in a grab-bag.” On “John Hinckley,” Sharif’s ode to POTUS-pistol whippings, he speaks of the “covenant grab-bag.” It’s a covenant signed by Tragedy, Paris, Non Phixion, and now Sharif himself (among many other signees—Chuck D comes to mind as he invokes the Honey Drippers’ nix-Nixon anthem and its foundational drum break on 1987’s “Rebel Without A Pause”: Impeach the president—pulling out my raygun). 

“John Hinckley popped that president,” Sharif raps, and he did it with a naked raygun (...throb throb…throb throb…)—a Röhm RG-14. Sharif rap-renders the scene into a 60-second assassination, and he can sympathize with Hinckley—both film buffs, fans of Taxi Driver (1976). Jodie Foster—the child-actor playing child-prostitute—turned into a child-bride in Hinckley’s obsessive mind. Hinckley’s single “We Got That Chemistry” is streaming on all DSPs—I’m searching the liner notes for the Sharif feature; a collab for the ages. 

For his assassination plot, Fatboi Sharif readies “gun fire sun visor” with “spinning Budweiser breath.” He’s funky cold medina, cold lampin’, and “coldstone hypnotic.” He opens the “seventh seal,” chopping and playing chess with Myka 9 and Max von Sydow in a seaside “fog of chronic.” This is Sharif’s “daily operation”—peep him on the cover of Gang Starr’s Daily Operation (1992). He’s there—amongst the messy mahogany table covered with money stacks, Elijah Muhammad’s Message to the Black Man in America paperback, typewriter, and skull. He’s there—top-right, hiding behind the mounted boar’s head. He wears it like a mask. The illest brother when he gets his mic check.

He’s ready and willing to go underground—deep cavities and cavernous tunnelways:

After he goes for the headshot (like John Wilkes Booth with his derringer, like those old Rhymesayers cassette tapes…), Sharif’s weapon is a “soul glowing hidden in the briefcase.” The execution is the pulpiest fiction emanating an aura of Diaspora Problems.

In David Gordon Green’s 2000 film George Washington, the character George—young, strange, and Black—“had to be very careful never to get his head wet…”:

See, his fontanel was very, very, very, very soft. Like a baby’s head. And when he soaks it or itches it, it irritates his brain. He don’t like it, ’cause if somebody hit him in his head, he’d probably die.

As George and his group of mangy misfits fool around in a bathroom, another character, Buddy, pushes George and bangs his head against the wall. In retaliation, George pushes Buddy who slips and loses consciousness. When he comes to, blood begins to dribble from a crack in his skull and he ends up slumped in a urine-splashed stall—dead. “Everything’s blue in this world—all fuzzy,” Trent Reznor groans on Nine Inch Nails’ “The Downward Spiral,” “Spilling out of my head,” and from such a tiny little hole.

The character Nasia speaks with a Malick-inspired voiceover. Considering the unsettling tone and disquieting details of the film’s narration, Nasia’s name may as well be “Nausea.” Nas: I’m out for dead presidents to represent me. George Washington, Abraham Lincoln, JFK, Ronald Reagan, et al. In Hayao Miyazaki’s Nausicaä of the Valley of the Wind (1984), Nausicaä collects spore samples (like Ced-Gee collected Melvin Bliss records and transformed “Synthetic Substitution” into “Ego Trippin’”) and is eventually revived by Ohmu tentacles. Miyazaki’s ravaged world—his crushed-killed-destroyed eco-stressed landscape—is like Bliss sings: “Synthetic substitution has taken over this land, / There’s no one to blame but man.” Those monstrous Ohmu are roly-polies [Armadillidium vulgare] navigating digable planets. Oh, I’m buggin’?

In Blood and Guts in High School (1978), Kathy Acker’s “mysterious Mr Linker” rhetorically asks: “Where does culture come from? I will tell you. It comes from disease. All the great artists, Goethe, Schiller, and Jean-Paul Sartre—you must read Nausea in the French, in English it is nothing—have said this. They are aware how evil they are. They are aware this life is truly evil; due to this awareness, they are able to go beyond.” [Acker also depicts her protagonist Janey getting assaulted by a man whose “hands ran huge insects down (her) back.” Oh…I’m…buggin’?]

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Earlier in George Washington, Buddy paces a stage in some dilapidated auditorium (all the film's settings are ruinous—real Sharif video shoot environs) with a T-Rex mask on as he recites passages from the Book of Job:

All kinds of pests, like, all over its legs. Oh, that I were as in the months of old, as in the days when God watched over me: When His lamp shone over my head...and by His light I walked through darkness: When I was in my prime: When the friendship of God was upon my tent: When the Almighty was with me: When my children were around me: When my steps were washed with milk...and the rock poured out for me streams of oil.

[SITE REF. → Venusian alien contact location; West Main Street; High Bridge, NJ. Howard Menger purported to bear witness to cosmic lifeforms on his property. Track(s) played: “1999 Hacker Worldwide” and “Parasite.”]

Let transmission commence. Fatboi Sharif bends and adjusts the rabbit ears antenna on “1999 Hacker Worldwide.” Through the snow and noise (talkin’ about static vision, folx) emerges a “televised child slave, / Live at 11” (later, on “Sugarcane Plantation,” it’s the “news at 12” when he’ll “crucify white Jesus” on a live-feed). The commercial break previews what’s coming up next: “Tonight we loot the church.” Yes, loot the church and the monastery, because you know now that the Dalai Lama leaves your boo-boo achin’ like Bambaataa and requests you suck his tongue. Gimme the loot, gimme the loot! Sharif’s a bad, bad boy, in the pitchdown death-voice of Kid Hood on ATCQ’s “Scenario (Remix)”—his opening salvo is a son’s cry as he was murdered just days after recording his verse shirtless in the booth [cut to footage of Sharif performing shirtless]. “He didn’t say hello or nothin’,” Q-Tip told The Source for Hood’s obituary, “he just started rhymin’.” Gimme the loot, gimme the loot! Anthony Iles sees “the suspension of the normal ordering” and “new and unforeseen relations” between objects and behaviors when we loot. “[W]hen looters use a mannequin leg to break a shop window to impose some asset relocation from below we are talking about media as impure means.” Sharif’s got the impurest means and the impurest thoughts.

The carnivalesque catastrophe of Fatboi Sharif’s mind unravels. You know the “economy collapsing” and “fi…nan…cial by…pass…ing”—all that hocus-pocus. [I’m shaping your brain like pot…ter…y, Monch says, his motor temporarily running low on power but only to deconstruct the temporality.] Sharif has access; he’s got the “skeleton key” as he danses macabre, as he speaks “open sesame,” pulling from Antoine Galland’s orientalist Ali Baba and his Forty Thieves (or his Sporty Thievz, but the tomb raiders and grave robbers ain’t getting nada from us). Open Sesame Street to hip-hop. See MC Lyte rock the stoop in her purple sweatsuit. Sharif riding side-saddle on Snuffleupagus with the subwoofer pumping KMD’s “Humrush,” Bert philosophizing Buddhist emptiness (śūnyatā). (Oh, an empty place…a perfect place to practice the exciting art of humming.) Meanwhile, Sharif is on an expedition to “Woodstock 2030.” The brown acid warning still reverberates across space and time and he’s finger-crossed that there’s a few tabs left (the “final acid trip” he growls about on “5G Celsius Cell Tower”).

“1999 Hacker Worldwide” plays like Y2K paranoia—a glitch-hop ode to the millennium bug (Oh, I’m buggin’?). Kool Keith emerged as Black Elvis in 1999 and proceeded to get Lost in Space. The soundbombing of Common and Sadat X on “One-Nine-Nine-Nine” [...inch nails through each one of my eyelids, c. ’99] penetrated RealAudio players, and the Hi-Teknological production set the doom mood. On “Parasite,” Sharif “ride[s] a push on a Greyhound / Searching for a way out” with Dirt McGirt inflections. Behold a Pale Snuffleupagus.

[SITE REF. → VHS Walkway; Fort Lee, NJ. The original motion picture industry in America was located in Fort Lee, and in that spirit, a patio and walkway made up of VHS tapes surrounds a private residence. Track played: “Paging Dr. noface.”]

Fatboi Sharif has an ongoing appointment with his octagonecologyst, but Dr. Octagon isn’t answering his calls. Instead, he pages Dr. noface. And noface’s sonix are aptly described in Gardner’s Freddy’s Book: “Outside someone was again banging metal against metal. The sound was too irregular to be the work of a hammer, and the sound was sometimes loud, sometimes lighter, a mere clink.” noface takes the folk of “If I Had A Hammer” and filters it through his failed state fuzz. Peep him on the PTP cassette cover, his void-face hidden behind a Baphomet mask. He flexes his equilibrium—a sabbatic goat prematurely goated. He’s Black Phillip from Robert Eggers’ The Witch (2015), pacing his pen and passing you a ballpoint pen to sign your deal with the Devil. He doesn’t blink—redaction bars for pupils. “It was true that the Devil could sometimes read one’s mind,” Gardner writes, “that once he’d gotten into you there seemed to be no shaking him; but at least one could in some measure limit the monster’s conversation.” Sharif’s conversation with the listener knows no limits, though. For noface’s Baphomet cosplaying, Gardner’s Devil masquerades as a mule:

“What kind of fool are you, trying to block out the voice of the Devil with your fingers?” the mule scoffed. “Plug your ears with pebbles if it pleases you, and sing at the top of your voice to drown me out. I’ll still be heard!”

noface will still be heard as he activates the widening gyre (peace, Yeats) that is Preaching In Havana.

Furthermore, the album is a set of interlocking spirals—a helix, a hex. Spin yourself silly on a spiral staircase to Hell—ride a helicoid to the void. Listen as you’re yeah-boyee’d by the endless [eternal and infernal] echo of Flavor Flav—voices whirlpooling the River Styx. Eyes pierced by an unwound spiral notebook containing handwritten transcriptions of Malleus Maleficarum. noface’s productions aren’t beats; they’re dungeon bludgeonings. His loops are spirals, deranged and ceaselessly spinning out of control. A loop begins linear but soon goes labyrinthine. In Dante’s Inferno, his circles of suffering—circles and circles, oodles and oodles and oodles of o’s—from embryo to man and back again, form a downward spiral. Reznor razor-wire torture. “Slow it behoveth our descent to be,” the Italian in the Black medallion (no gold) writes. According to him, we have to acclimate “to the sad blast”—but I prefer to get dizzy from the disorientation. 

In an interview with Fatboi Sharif for The Next Movement podcast, co-host E. Fortson precisely sketches Preaching In Havana’s lineage to Divine Styler’s Spiral Walls Containing Autumns of Light (1992). On Preaching In Havana, she tells Sharif, it feels as if we’re granted access to his mind: “We’re hearing your internal thoughts, and we can witness how you’re processing them.” On Styler’s “Heaven Don’t Want Me and Hell’s Afraid I’ll Take Over,” the message blares like a Network nervous breakdown: “NEWS, NEWS, AND NEWS! MORE BLUESY NEWS!!!” Sharif adopts the mantle of the mad prophet of the airwaves.

Fatboi Sharif holds not a conch to his ear but a nautilus—a mollusk with musical musculature. What Bob James calls the “atmospheric orchestration” of “Nautilus” (1974) unravels as an infinite scroll for sample use—hordes of hip-hop producers synthesizing and submerging the oceanic depths Bob James chose to navigate. They abide by the spells Sharif proposes on “Sugarcane Plantation”: a “PCP posted, / Psychedelic relic, / Road atlas.” Their stems create helices of recorded sound—much like noface. Preaching In Havana devolves into a Wichita Vortex Sutra in an Allen Ginsberg mode, only to reveal the Beat poet’s affiliation with NAMBLA and how he squeezed my uncle’s thigh once at a book signing hoping for lemon juice to run down his leg.

Oh, the places you’ll go! Suessian spirals lead us to the Final Whorl Front. We link galaxy arms across the universe—needle our way through the Realm of the Nebulae. We crack the human genome with DNAlysis and hogtie James Watson in the process. Evocations of the inventor’s spring, of horrific histories like the lynch mob’s corkscrew used on Luther Holbert in 1904 in Doddsville, Mississippi to bore holes into his body and extract, in the words of the Vicksburg Evening Post, “quivering flesh.” On “Sugarcane Plantation,” Sharif is howling—he “yell[s] terrorist threats, / The coldest spirit, / In pig Latin” (emphasis on pig). His anti-rhymes coordinate with Lune TNS’s “Plantation Rhymes.” Pliny the Elder described comets as “knot[s] of fire” with an appearance that was “twisted like a spiral.” We’re fired up. Sharif’s got incendiary comments for daze, and each hits like a Molotov.

Sharif paints with a Tesla coil—streamer arcs and brush discharges. Voltage flashing from his cranium. As Kool Keith says, he’s “Eveready, like a battery—charged, / [He’s] worth the alkaline.” Ultramagnetic, indeed. Play Preaching In Havana backwards. Watch Fatboi Sharif perform: a human Fraser spiral illusion—hypnotic, fuck up your optics like ELUCID fucks up electronics. Misalignments and distortions. Ha, Sharif is sicker than your average. Can’t you see? Sometimes his words just hypnotize you. Or, as Archimedes wrote in On Spirals circa 225 BC:

I say that the area added by the spiral in the third revolution will be double of that added in the second, that in the fourth three times, that in the fifth four times, and generally the areas added in the later revolutions will be multiples of that added in the second revolution according to the successive numbers, while the area bounded by the spiral in the first revolution is a sixth part of that added in the second revolution.

Right? Right. (Oh, you buggin’?)

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Like the dark and droney ambience of Bobby Krlic’s Haxan Cloak moniker, noface fashions his own Excavation Musick, digging deep only to resurface, bedraggled and cloak tattered. Krlic (also noted for his role as an Ari Aster collaborator) described his first album as “a person’s decline towards death.” His follow-up was described as a “journey [to] a different plane.”

The 1922 silent film Hӓxan, directed by Benjamin Christensen [“hӓxan”:  Swedish for witch], plays like watching Fatboi Sharif perform live on mute. Christensen’s goal was to “throw light on the psychological causes of…witch trials by demonstrating their connections with certain abnormalities of the human psyche, abnormalities which have existed throughout history and still exist in our midst.” Such abnormalities exist—gloriously—on Preaching In Havana.

One of Hӓxan’s intertitles details “the terrible confessions” that can be “forced from [a victim] in less than a minute” by using the thumbscrew [tumskruv]. (The thumbscrew, naturally, being yet another spiral.) The brevity of the songs on Preaching In Havana have the same excruciating effect.

[SITE REF. → Bergwald Nazi Bund Camp; Federal Hill; Bloomingdale, NJ. The ruins of a Nazi Youth camp that was shut down by the FBI in 1941. The remnants of a stone cistern, storage silo, cabinets, and iron grates are still visible. Track played: “Nazi Needle Marks.”]

Outspoken about his adoration for Gonjasufi, Sharif channels his die-verse-ified voice often. We could compare his timbral offerings to Gonjasufi’s delivery on “Venom” from 2012’s MU.ZZ.LE. It’s not “singing” we hear, per se—it’s [sin]ging, it’s [singe]ing—transgressive, burning; a vicious and venomous flow. Sharif’s baritone [bury-tone] is throat-scourged. Liken it to the outro on Busta Rhymes’ When Disaster Strikes… (1997) where Busta screams and talks, stalks and fiends—“rap” as emceeing; “rap” as talking. Give me that ol’ “Preparation for the Final World[/Whorl] Front” religion. 

On “Nazi Needle Marks,” Sharif raps in “nauseous nasal chalk-line intervals,” to use his own phrase. The French Revolution comes for the Queen in b-boy style: “Exorcism Antoinette headspin.” The guillotine uprocks and downrocks until Marie’s dome rolls off the platform and into the crowd. Regan projectile vomits the greenest sticky-icky as she goes full Rock Steady on the 180-degree rotation. “Death of a salesman,” Sharif mutters with anti-consumerist ire. In Sharif’s looney-tune universe, Arthur Miller dicks down Marilyn Monroe before penning the final pages of his play—post-coital when he sends Willy Loman’s Studebaker speeding into a suicide machine. As for Marilyn, maybe it’s the “poison dart slumped her.”

Sharif says a prayer at the altar of the Beastie Boys’ prank-calling “Cooky Puss” (1983):

These pussy crumbs are making me itch! Sharif and the ill-communicating saboteurs are capable of making our skin crawl, not unlike El-P pontificating about how he “could suck a cookie out a pussy, no question” on Co Flow’s “Definitive.” Sick fux.  Before long, Sharif is back inhaling John Brown’s vaporizer and riding a white steed. He’s gonna “burn [the] village in search of [his] masterrrrr.” Torches, pitchforks, and hedge-shears in his holster. Fighting fire with fire to the point of self-immolation is a necessity for survival. Kathy Acker shows us what we’re up against:

One of the landlords burned down his building so he could collect the insurance money. Two families and one pimp were sleeping in this building when it burned down. The landlord sold the charred lot for lots of money to McDonald’s, a multinational fast food concern. This is how poor people become transformed into hamburger meat.

Or, as Sharif would versify it:

Ridin’ filthy-mangy-grimy-raunchy-dirty out of Rahway, bumping the Dead Kennedys’ “Nazi Punks Fuck Off” in the lemon. Screaming, lung-top, with Jello Biafra: We ain’t trying to be police. “The Nazi showed his needle marks” like the NJ state trooper showed his “Blood Honor” neck tats on his driver’s license photo ID.

[SITE REF. → Ong’s Hat village; Pemberton Township, NJ. Deep in the Pine Barrens, a group known as the Moorish Science Ashram established an Institute of Chaos Studies in Ong’s Hat and opened a portal to another dimension. Track played: “5G Celsius Cell Tower.”]

On “5G Celsius Cell Tower,” the cell tower sprouts polystyrene branches and the drones surveil the 5G conspiracists—they wouldn’t dare. Sharif says things have become “ice storm hazardous,” with the soul-lift of Godfather Don—we’re talking about a hellofasong. Fever-inducing frequencies are emitted, so Sharif raps like he’s caught an ague—he’s “breaking atoms.” The cover of Main Source’s Breaking Atoms (1991), which includes a spiral-in-the-making comprised of protons, neutrons, electrons [read it in the tone of Prince Po’s insight, foresight, more sight from OK’s “Releasing Hypnotical Gases”—yes, hypnotical], flashes across our mind’s eye.

“Jacob’s ladder staggered on” as a symbol of numbskull persistence. Sharif trudges through the stagger grass [a man from the meadows], swaggering like Stagolee, and he’s stopping for an intermission to stream one of his fave films: Jacob’s Ladder (1990). His physical form atomizes as he hallucinates the rungs of Jacob’s ladder twist and deform and become a helix. (William Blake’s 1805 watercolor shows a spiraling ascent.) Sharif cannonballs instead into the Boogiemonsters’ “Old Man Jacob’s Well” (1994)—a well where souls dwell. “I got the cravings again of the wicked,” and child abductions are the only answer. Demented, sick, and vile. Climb Jacob’s jaundiced ladder from well-to-cell tower.

The temperature’s rising on the “5G Celsius Cell Tower,” and we’ve got our culprit for coronaviruses, microchip implants, and mind control. But what you’ve really got to be concerned with—many people are saying—is that havoc-causing Havana syndrome. Fatboi Sharif is here to get idiopathic for you idiots. He’s hunkered down at the U.S. embassy in Cuba while the C.I.A. (Criminals In Action) claims Fidel Castro’s corpse is responsible. Someone somewhere under some top-secret security clearance is whispering about Sharif, and his ears ring out with tinnitus intensity. Ours, too.

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By now you know Fatboi Sharif is an atrocity exhibitionist who’d have the PMRC’s panties in a bunch, an MC whose processional route is the Stations of the Crass. Just as Chuck D’s voice from “Bring the Noise” (Once again, back, it’s the incredible…) reverberates through time, Fatboi Sharif’s tone pongs within the popcorn walls of our mind [substitute diabolical for incredible, though]. His white noise machine is a gnash teeth-grinder, perfection for fist-fucking fascists ’til they see shuriken stars between their eyes. I’m reminded of the caustic words of upfromsumdirt—his poem “Orisha Obsidious”:

this embryo of dark / black space spiral / virile midnight swirling / this onyx wet and non-unctuous vaginal and oleaginous this / this magnetic venom rancid with non-white wonder / rancid with non-white vocabulary self-servile, reverse-transcendent - pagan and perversely reported with discarded veins throbbing in black omniscience / chews its own adventure

In the “Static Vision” video, Sharif wears a fencing mask like a soiled diaper, a MU.ZZ.LE on loan from Gonjasufi. Olaudah Equiano was familiar:

I had seen a black woman slave…and the poor creature was cruelly loaded with various kinds of iron machines; she had one particularly on her head, which locked her mouth so fast that she could scarcely speak, and could not eat or drink….I afterwards learned [it] was called the iron muzzle.

The muzzle Equiano describes is depicted on Gonjasufi’s album cover, albeit shaded and spectrummed. He and Sharif both rupture the iron muzzle with punctuated flashes of resistance, hence the cleaving periods [MU.ZZ.LE]—they’ve got the makings of an ellipsis.

[SITE REF. → Mary’s Tower; Flemington, NJ. A dilapidated edifice in a wooded area off a county road. “Mary” committed suicide in a third story bedroom and her red-eyed specter haunts the tower. Track(s) played: “Smells Like Autopsy” and “Fentanyl Firing Squad.”]

I’m gonna allow Kathy Acker to set the scene for “Fentanyl Firing Squad”:

We had heard that this rock band called THE CONTORTIONS was gonna play in a redneck town in New Jersey and the white head singer thought he was James Brown. The rest of the band would be too drunk to stop the rednecks from beating up Brown.

James Brown was crawling baby-style across the floor. The rednecks were jerking their cocks off in a corner. James Brown crawled up to the redneck's boot. The redneck, confused, jumped James. Everyone in the club started hitting each other. I heard cops' sirens. I ran.

Acker writes Blood and Guts in High School in blood and guts—smeared and splattered. (L7 tossed tampon tricks and theatrics. Find yourself hungry for stink.) Picture “pig” painted in blood on Sharon Tate’s white front door by the Manson Family—the recording location of NIN’s The Downward Spiral [“spiral,” motherfucker, spiral!]. Reznor seethes on “Piggy”: “Black and blue and broken bones, / You left me here, I’m all alone.” Tally two hog heads for the haram tableau:

Sharif surely strikes a vital nerve, proving he’s been the nastiest one since birth [auto/matic…]. He can “purple haze testify” to that—and with the Fuzz Face pedal helping him power through what nixed Hendrix: a puke puddle; axed down by Vesperax. “Smells Like Autopsy,” hmm? Not like Teen Spirit scrrrawled by Kathleen Hanna on Kurdt’s wall. noface detours through The Caretaker’s haunted ballroom. That must be the ghost of electricity howling in the bones of his [no]face.

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Poet Phillip B. Williams introduces a Black hauntology, one of creaky floorboards and box fans that whisper in their manufacturing of wind. Williams calls each haunting “a loop of existence.” In “Haunting, Blackness, and Algorithmic Thought,” an essay that appears in a 2021 issue of e-flux journal, Ezekiel Dixon-Román reminds us of Derrida’s insight that “in every being there is a haunting.” Dixon-Román sees possibility in this. He conceives an “operation of Black techno-conjuring [as] a technological force that has the potential to reroute and alter the logic of the system.” With Fatboi Sharif’s steady output of discursive, deviant deviations, you can’t tell me he isn’t the prime mover of such potentialities. It’s not all so gravitationally heavy, though, seeing as how Sharif floats and flits about with the wreckless abandon of Slimer.

ANEC[/ANTI]DOTE 1:

I wanted to completely unhinge the language and then see if I could put it, if that would make an energy that would then hook up in some other way, like a magnet, like resistance—poles pushing and coming together…. There wasn’t any system of structures. The space between words became very important. How close together they were…. [Y]ou know what loop-players are? You make a loop of tape and there are these tape machines that have one play-back head and a single drive-wheel and you can put a loop on it and it has a rheostat knob so you can change the speed. I was doing these experiments…. I put a couple of words, or even one word at first, one each on two loops and put them both on, and I’d vary the times. And I swear that I could see…in fact, I wish that someone would scientifically follow this up, it was interesting. Let’s say that you had “of       this”,—you had “of” on one tape and “this” on another, and you would change the times until they came closer together in time and farther away, and I swear that you could join and become a phrase, and one millisecond on either side of that they don’t, they’re disembodied, and I got fascinated with that. I had this thing, I made a tape out of it, where they went in and out of phrase with each other for a half hour period so you could follow this, and I thought, well, hey, that’s interesting…. You really began to feel there was a magnetic force in language.

—Clark Coolidge interview with FRICTION magazine, Number 7 (1984)

[sample pack from Clark Coolidge, 1967]

ANEC[/ANTI]DOTE 2:

For Joy Division’s “She’s Lost Control” (1979), drummer Stephen Morris sprayed an aerosol can of tape head cleaner into a microphone to produce a drum sound (that’s a KVU move if I’ve ever seen one). Morris nearly passed out from the fumes. Fatboi Sharif has timewarped and is in that recording booth as a willing huffer of chlorofluorocarbons. What he produces as a result is a babbling brook of jabberwocky jargons:

Sharif clearly audited classes at Clark Coolidge’s School of Disembodied Poetics—body-the-track training, if you will. His method isn’t just sheer madness. He takes rumors of “bad blood’ and infusions of syphilis to the face. He spins plastic bendy straws into gold but not before sucking a spiral of backwashed spit from his cauldron. Wu-Tang is for the children, but Sharif is here to scare the children with his fury and fairy tales. Just accept it. After all, “our brains been programmed for so loooong!”

Images:

Le Sabbat des sorcières, Hans Baldung Grien, c. 1508-10 (detail) | Holy, Holy, Holy Altar (screenshot, via YouTube) | The Scientist Rids the World of the Evil Curse of the Vampires, 1981 (album cover) | Gates of Hell (screenshot, via YouTube) | Hooked on Phonics cassette set | Nausicaä of the Valley of the Wind, dir. Hayao Miyazaki, 1984 (screenshot) | George Washington, dir. David Gordon Green, 2000 (screenshot) | Venusian alien contact location (screenshot, via YouTube) | Apple Lisa Workshop not accepting Y2K date | "The Sabbatic Goat" from Dogme et Rituel de la Haute Magie, Éliphas Lévi (1856) | Drawing by Nikola Tesla showing stages in his evolution of the high frequency resonant transformer used in his Tesla coil (1899) | Haxän, dir. Benjamin Christensen, 1922 (screenshot) | Carvel "Cookie Puss" TV commercial (1985) | Jacob's Dream, William Blake (c. 1805) | "Slave with Iron Muzzle," illustration from Souvenirs d'un aveugle, Jacques Etienne Victor Arago (1839) | Mary's Tower (screenshot, via YouTube) | Haxän, dir. Benjamin Christensen, 1922 (screenshot) | Le Sabbat des sorcières, Hans Baldung Grien, c. 1508-10 (detail)

[harveypower]

How Long Does A Lifepo4 Battery Last?

With the development of new energy equipment, the lifepo4 battery lifespan is one of the important factors we consider, but many people do not know how long the lifepo4 battery can be used.

So I write an article about the "lifepo4 battery cycle life and calculate its endurance", I hope this will help you choose the battery.

How Long Does a LiFePo4 Battery Last (cycle life)？

Generally, the lifepo4 battery lifespan can be as long as more than 10 years, we can estimate the upper limit of battery lifespan by the number of rated cycles.

For example, our lifepo4 server rack battery life cycle is at least 6000, then you will get:

6000/365= 16.43 years

How to Calculate Battery Endurance?

Assuming that the lifepo4 battery pack capacity is 2kWh, and a mobile phone with a power of 10W needs to be charged.

It can last for 2000/10=200 hours.

Summary

As can be seen from the above, lithium iron phosphate batteries inherently have a superior foundation. The upper limit of battery life is affected by the cycle life of the battery, depending on the level of research and development of different manufacturers, its life can be maintained for at least 10 years.

And in daily use, we keep the battery shallow charge and discharge (30%-80%), and try to avoid fast charging, which can more effectively extend the life of the Lifepo4 battery.

Of course, if not properly maintained, it will directly affect the actual battery lifespan. Therefore, the correct maintenance method also can make the actual life of the battery infinitely close to the upper limit of the cycle.

Although the initial cost of the lifepo4 battery is high, it is a very cost-effective investment project in terms of long-term battery lifespan.

[breezeriderebike]

Best Cheap E-Bike - Getting the Most Out of Your Purchase

You may have heard about the advantages of best cheap e-bike, but you're not sure how to go about getting one. Fortunately, there are a few things you should consider before making the final purchase. This article will help you decide which type of electric bike is right for you. The following tips will help you get the most out of your best cheap e-bike purchase. First, make sure the e-bike you purchase fits you properly. The seat should be low enough that it does not interfere with pedaling and be as visible as possible.

Power Switch

Most cheap e-bike have a power switch that will let you adjust the amount of assistance you receive. Some offer very little assistance, while others offer more power than a standard bike. To determine how much assistance you need, look for a bike with a pedal assist system that can accommodate the rack you plan to use. Depending on your needs, you may want to choose a bike with low assist, but still be able to ride a steep hill.

Benefits

In addition to being more convenient, cheap e-bikes also reduce the number of car trips you make. According to a recent survey, 28 percent of people purchased an e-bike to replace their car. In addition to saving gas, e-bikes are also a good option for delivering cargo and reducing traffic and parking costs. They also reduce environmental concerns. Finally, an electric bicycle means no more sweating or changing clothes to get to work or school.

Battery and Motor

The battery and motor in a cheap e-bike are the main components. Because of these components, they are considerably heavier than a standard bike. The extra weight of the motor and battery means that an e-bike is harder to lift. However, once you start pedaling, the extra weight dissipates. That means you can ride further without sacrificing scenic views. With this, you can save time on your commute and still enjoy the scenery.

Before purchasing a best cheap e-bike, make sure you know the laws in your area. The different classes of ebikes may vary between manufacturers and retailers. You should also check local laws to ensure you're not breaking any laws. Even though you're unlikely to get pulled over for speeding in a bike lane, you'll never know. It's always a good idea to find out what the laws are before making a purchase.

The National Park Service (NPS) is working with local communities to determine how to best manage the use of e-bikes on public land. E-bikes can be used on local and federally-funded trails as long as they are under 100 pounds. If you're wondering about safety, make sure to read the regulations before riding an e-bike on public land. These regulations will be effective in 2020. Once they are in place, you can start enjoying your electric bike.

The electric motors in electric bikes are built into the bike frame and provide a boost to the rider's pedaling power. E-bikes can be purchased with or without a display screen. Some bikes can pedal on their own, while others require the rider to pedal. Regardless of which one you choose, electric bicycles offer many benefits to consumers. They can be an excellent choice for anyone who wants to maximize their health and fitness while traveling.

[forkliftswork]

Stacker Sales: A Comprehensive Guide to Choosing the Right Equipment

Stackers, or pallet stackers, are essential tools in material handling, particularly in warehouses, distribution centers, and manufacturing facilities. They help lift, move, and stack pallets efficiently, making them indispensable for operations that involve heavy or bulky goods. If you’re looking to purchase a stacker, understanding the types available, key features, and considerations can help you make an informed decision.

In this blog, we’ll cover everything you need to know about stacker sales, including the different types of stackers, factors to consider when buying, and tips for finding the best deals.

Types of Stackers

When searching for stackers for sale, it’s important to know the different types and their specific uses. Here are the main types of stackers:

1. Manual Stackers

Manual stackers are operated by hand and use a hydraulic pump to lift and lower the load. They are ideal for lighter loads and smaller warehouses where the need for lifting and stacking is infrequent. Manual stackers are cost-effective and simple to use, making them a good choice for businesses with occasional material handling needs.

2. Electric Stackers

Electric stackers are powered by batteries and are designed for heavier loads and continuous use. They offer greater lifting power and efficiency compared to manual stackers and are suitable for larger warehouses and distribution centers. Electric stackers are quieter, require less physical effort, and are ideal for indoor environments where low emissions and noise are important.

3. Semi-Electric Stackers

Semi-electric stackers combine manual and electric features, providing a balance between cost and performance. They are operated manually for steering and travel but use electric power for lifting and lowering the load. These stackers are versatile and suitable for medium-duty tasks, offering improved efficiency over purely manual models.

4. Reach Stackers

Reach stackers are designed for high-reaching tasks, such as accessing tall racking systems in warehouses. They have an extended mast and are capable of lifting loads to greater heights. Reach stackers are ideal for environments with high storage racks and are commonly used in distribution centers and large warehouses.

5. Counterbalanced Stackers

Counterbalanced stackers are equipped with a counterweight at the rear to balance the load being lifted at the front. They offer stability and maneuverability, making them suitable for use in narrow aisles and confined spaces. Counterbalanced stackers are versatile and can handle a range of load sizes and weights.

Key Considerations When Purchasing a Stacker

Before buying a stacker, consider the following factors to ensure you choose the right equipment for your needs:

1. Load Capacity

Determine the maximum weight capacity required for your stacker. Stackers come in various capacities, typically ranging from 1 ton to 2.5 tons or more. It’s essential to select a stacker with a capacity that meets your load requirements to ensure safe and efficient operation.

2. Lift Height

Consider the maximum lift height needed for your operations. Stackers are available with different lift heights, so choose one that can reach the required height for stacking and retrieving loads. Ensure the stacker’s lift height is compatible with your storage racks and work areas.

3. Type of Operation

Think about how frequently the stacker will be used and the type of operation it will perform. For continuous use and heavier loads, an electric stacker may be the best choice. For occasional use and lighter tasks, a manual or semi-electric stacker might be sufficient.

4. Indoor vs. Outdoor Use

Stackers designed for indoor use typically have smaller wheels and are built for smooth surfaces. If you need a stacker for outdoor use or rough terrain, look for models with larger, more durable wheels that can handle uneven surfaces.

5. Maneuverability and Size

Evaluate the stacker’s size and maneuverability based on your workspace. For narrow aisles or confined areas, a compact stacker with good maneuverability is essential. Ensure the stacker’s dimensions and turning radius are suitable for your facility.

Tips for Finding the Best Deals on Stackers for Sale

To make the most of your purchase and find the best deals on stackers for sale, follow these tips:

1. Work with Reputable Dealers

Choose a reputable dealer with a track record of providing high-quality stackers and excellent customer service. A reliable dealer will offer detailed information about the stackers, including their condition, specifications, and pricing. They can also provide valuable advice and support throughout the buying process.

2. Compare Different Models

Don’t settle for the first stacker you find. Compare different models from various manufacturers and dealers to evaluate features, pricing, and performance. Consider new and used stackers to find the best value for your budget.

3. Inspect Used Equipment Carefully

If you’re considering a used stacker, inspect it thoroughly to ensure it’s in good condition. Check for signs of wear and tear, such as hydraulic leaks, worn tires, or damaged components. Request maintenance records and a service history from the dealer to verify the stacker’s condition and ensure it has been well-maintained.

4. Consider Total Cost of Ownership

When evaluating the price of a stacker, consider the total cost of ownership, including maintenance, operating costs, and any additional features or accessories. A lower purchase price may result in higher long-term costs, so factor in these additional expenses when making your decision.

5. Explore Financing Options

Many dealers offer financing options to make purchasing a stacker more affordable. Explore leasing or payment plans that allow you to spread the cost over time, making it easier to fit the purchase into your budget. Financing options can help you acquire the equipment you need without a large upfront expense.

Conclusion

Selecting the right stacker is crucial for optimizing your material handling processes and ensuring efficient operations. Whether you’re looking for a manual, electric, or reach stacker, understanding the different types and key considerations will help you make an informed decision.

By working with reputable dealers, comparing options, and considering financing and total cost of ownership, you can find the perfect stacker to meet your needs and enhance your productivity. Investing in the right stacker will contribute to the success and efficiency of your material handling operations.

[qocsuing]

Maximizing Warehouse Efficiency with Reach Truck Forklifts

Maximizing Warehouse Efficiency with Reach Truck Forklifts

In the fast-paced world of logistics and supply chain management, warehouse efficiency is paramount. One of the key tools that have revolutionized warehouse operations is the reach truck forklift. These specialized forklifts are designed to navigate narrow aisles and lift heavy loads to significant heights, making them indispensable in modern warehouses. This article explores the benefits of reach truck forklifts and how they can maximize warehouse efficiency.

Enhanced Maneuverability Reach truck forklifts are specifically designed for narrow aisle operations. Their compact design and ability to extend their forks allow them to reach deep into storage racks, making it easier to retrieve and store pallets. This enhanced maneuverability means that warehouses can utilize more of their available space, increasing storage capacity without the need for costly expansions. Forklifts Scrubber |china manufacturer Trade price on wholesale Scrubber truck material handling Sale Buy Online USA/UK/India/Australia/CANADA | ForkLift Increased Storage Density One of the primary advantages of reach truck forklifts is their ability to operate in narrow aisles. Traditional forklifts require wider aisles to maneuver, which can limit the amount of usable storage space. Reach trucks, on the other hand, can operate in aisles as narrow as 8 to 10 feet, allowing for higher storage density. This increased storage density translates to more efficient use of warehouse space and can significantly reduce the cost per square foot of storage.

Improved Safety Safety is a critical concern in any warehouse environment. Reach truck forklifts are equipped with advanced safety features that help prevent accidents and injuries. These features include stability control systems, ergonomic operator cabins, and enhanced visibility. By reducing the risk of accidents, reach trucks contribute to a safer working environment, which can lead to lower insurance costs and fewer lost workdays.

Enhanced Productivity Reach truck forklifts are designed to handle heavy loads with ease. Their ability to lift pallets to significant heights means that warehouse staff can quickly and efficiently retrieve and store items. This increased productivity can lead to faster order fulfillment times and improved customer satisfaction. Additionally, reach trucks are often equipped with advanced technology, such as telematics and automation, which can further enhance productivity by providing real-time data and optimizing workflows.

Cost Savings Investing in reach truck forklifts can lead to significant cost savings for warehouses. By maximizing storage density and improving productivity, reach trucks can reduce the need for additional storage space and labor. Additionally, their advanced safety features can lower insurance premiums and reduce the costs associated with workplace accidents. Over time, these cost savings can provide a substantial return on investment for warehouse operators.

Environmental Benefits In addition to their operational advantages, reach truck forklifts also offer environmental benefits. Many modern reach trucks are powered by electric batteries, which produce zero emissions and reduce the warehouse’s carbon footprint. This is particularly important as more companies strive to meet sustainability goals and reduce their environmental impact. By choosing electric reach trucks, warehouses can contribute to a cleaner, greener future.

Conclusion Reach truck forklifts have become an essential tool in modern warehouse operations. Their enhanced maneuverability, increased storage density, improved safety, and productivity benefits make them a valuable investment for any warehouse looking to maximize efficiency. By incorporating reach truck forklifts into their operations, warehouse operators can achieve significant cost savings, improve safety, and contribute to environmental sustainability. As the logistics industry continues to evolve, reach truck forklifts will undoubtedly play a crucial role in shaping the future of warehouse management.

[godigitalblog]

Choosing the Right Electric Forklift for Your Business

Discover how selecting the perfect electric forklift can elevate your operational efficiency and sustainability.

Understanding the Basics of Electric Forklifts

Electric forklifts are essential tools in modern warehousing and manufacturing. They differ from traditional internal combustion forklifts by using electric motors powered by rechargeable batteries. This results in a quieter, cleaner operation with fewer emissions and often lower operating costs. Understanding the basics includes grasping the types of batteries used, charging requirements, maintenance needs, and the impact of electric forklifts on workplace safety and efficiency.

Additionally, the versatility of electric forklifts makes them suitable for a variety of indoor tasks. They can range from simple pallet lifting to complex order picking operations. With advancements in technology, these forklifts have become more powerful and reliable, capable of handling a wide range of load weights and sizes, making them a go-to choice for many businesses.

Evaluating Your Business Needs

When evaluating your business needs for an electric forklift, consider the size and nature of your operations. Assess the weight and dimensions of the typical loads, the height requirements for stacking, and the aisle width in your storage area. It's also important to consider the frequency and duration of use to determine the battery life and charging solutions needed. Analyzing your current and future business needs will help guide your decision in selecting a forklift that can grow with your company.

Furthermore, think about the ergonomics and comfort for the operator. Features such as adjustable seats, controls, and visibility can impact operator fatigue and productivity. A thorough needs assessment will ensure that you choose a forklift that not only meets today's requirements but is also scalable for future demands.

Comparing Types of Electric Forklifts

There are several types of electric forklifts available, each suited to different working environments and tasks. Three-wheel counterbalance forklifts, for instance, are known for their maneuverability in tight spaces. Reach trucks are ideal for high rack storage, while pallet jacks are perfect for horizontal transport and low-level lifting. Understanding the specific capabilities and limitations of each type of forklift is crucial in making an informed decision that aligns with your operational needs.

The decision should be based on the specific job requirements, such as lifting capacity and height, aisle width, and the type of material handling involved. Some electric forklifts are designed for specialty tasks, such as order picking or working in narrow aisles, so it's important to compare the various models and features to find the one that best fits the unique demands of your business.

Key Features to Consider in an Electric Forklift

When selecting an electric forklift, key features to consider include battery life, charging time, and overall energy efficiency. Look for models with regenerative braking systems that can help to extend battery life. The forklift's lift capacity and the ease of maintenance should also be top considerations. Features like programmable performance settings can be beneficial for customizing the forklift to specific tasks or operator preferences.

Safety features are paramount. This includes automatic braking systems, warning signals, and good visibility. Forklifts with advanced safety technology can greatly reduce the risk of accidents in the workplace. Additionally, consider the availability of after-sale support and parts, as this can significantly affect the long-term value and usability of the forklift.

Implementing Your Electric Forklift for Maximum Efficiency

Once you have selected the right electric forklift, implementing it into your operations effectively is key to maximizing efficiency. This involves training your staff on the proper use and maintenance of the forklift to ensure long-term reliability. Additionally, analyze your workflow to optimize the use of the forklift, including storage layout, charging station placement, and work schedules.

Consider implementing a fleet management system to track forklift usage and maintenance schedules. Regularly reviewing performance data can lead to improvements in operation efficiency and the prevention of downtime. By strategically integrating your electric forklift into your business operations, you can achieve improved productivity, reduced operational costs, and a stronger return on your investment.

Keywords: Bendi Forklift Training, Narrow Aisle Forklift, Order Picker, Mini Forklifts, Electric Forklift

Website:

https://translift-bendi.co.uk/

https://translift-bendi.co.uk/driver-training/

https://translift-bendi.co.uk/ep-equipment/

https://translift-bendi.co.uk/order-pickers/

https://translift-bendi.co.uk/mini-bendi-pedestrian-articulated-forklift/

https://translift-bendi.co.uk/drexel-narrow-aisle-longloader-forklifts/

Source: https://seoe2zblogs.medium.com/choosing-the-right-electric-forklift-for-your-business-6393a8be7085

[rajconveyors]

CCtv poles manufacturers

CCtv poles manufacturers | Luxa Controls

Luxa Control System’s CCTV Mounting Poles (Outdoor) are heavy duty and varying in length according to the customer’s requirements. The camera mounting platesare provided with multiple slots and adjustable pole mount loop brackets which gives the flexibility of moving the direction of the camera according to the site requirements. Base plates are provided with 32 to 50 mm Diameter slots in the base plate for taking the underground cables inside. Customized design is an advantage to meet the variable requirements of the sites.

Material: Mild Steel (MS-CR) as well as Galvanized Iron (GI) as per requirement of the customer.

Color: As Per Requirement Of Customer - Powder Coated – Fine Finish.

Address :-

# 459, Lakshami Nivasa, 8th cross, Bhuvaneswari Nagar,Bangalore – 560024,

Email :- info@luxacontrols.com,

Phone :- 9449156930, 9844121505.

[addworldindia]

Security system, Fire Safety for your Industry | Luxa Control Systems

Luxa Controls is an organization consisting of a group of expert consultants with proven experience and vast expertise in multifaceted industries. We provide you various levels of control to safeguard your Industry and premises by way of design, development and training.

We even provide end-to-end solutions in all our competency areas. We also provide liaison services with government officials in various matters.

Being leading Security system manufacturers, they manufacture

Fire detector back box manufacturers 

CCtv poles manufacturers

Battery racks manufacturers

[smartparts-001]

Complete Overview of Volkswagen Polo Spare Parts Pricing

When it comes to maintaining a Volkswagen Polo, having access to high-quality spare parts is crucial. Whether you’re dealing with routine maintenance or unexpected repairs, understanding the pricing of Polo spare parts can help you make informed decisions. Smart Parts Exports, a leading manufacturer and wholesaler of automotive spare parts, provides a comprehensive overview of Volkswagen Polo spare parts pricing to assist car owners and mechanics worldwide.

Understanding Volkswagen Polo Spare Parts

The Volkswagen Polo, known for its reliability and performance, relies on a range of spare parts to keep it running smoothly. These parts include essential components such as the engine, transmission, braking system, and electrical parts. Here’s a breakdown of some key categories of Polo spare parts and their typical pricing ranges:

Engine Components:

Air Filters: Essential for keeping the engine running efficiently. Prices typically range from $20 to $50.

Oil Filters: Necessary for maintaining engine health. Expect to pay between $15 and $35.

Spark Plugs: Crucial for engine ignition. They usually cost between $10 and $30 each.

Transmission Parts:

Clutch Kits: Vital for smooth gear shifting. Prices generally range from $150 to $300.

Gearbox Oil: Essential for the smooth operation of the transmission. Expect costs between $40 and $80.

Braking System Parts:

Brake Pads: Important for safe stopping power. Prices typically range from $60 to $120 per set.

Brake Discs: Crucial for effective braking. They generally cost between $100 and $200 per pair.

Suspension and Steering Parts:

Shock Absorbers: Key for ride comfort and handling. Prices usually range from $100 to $250 each.

Steering Rack: Essential for precise steering control. Expect to pay between $300 and $600.

Electrical Components:

Batteries: Vital for starting the car and powering electrical systems. Prices generally range from $70 to $150.

Alternators: Crucial for charging the battery and powering the vehicle’s electrical systems. Expect costs between $200 and $400.

Factors Affecting Spare Parts Pricing

Several factors can influence the pricing of Volkswagen Polo spare parts:

Brand and Quality: Genuine Volkswagen parts are typically more expensive but offer superior quality and reliability compared to aftermarket alternatives.

Supply and Demand: Prices can fluctuate based on the availability of parts and market demand.

Location: Costs may vary depending on your geographic location and local pricing structures.

Dealer and Distributor: Prices can differ based on the dealer or distributor you purchase from.

Smart Parts Exports: Your Source for Volkswagen Polo Spare Parts

Smart Parts Exports stands out as a premier manufacturer and wholesaler of automotive spare parts. The company specializes in producing high-quality spare parts for all car brands, including Volkswagen. With a global distribution network, Smart Parts Exports ensures that customers worldwide have access to the parts they need at competitive wholesale prices.

Company Bio: Smart Parts Exports is a leading manufacturer and distributor of automotive spare parts, catering to a diverse range of brands and models. The company operates on a wholesale basis, ensuring cost-effective solutions for clients around the world. With a focus on quality and reliability, Smart Parts Exports is committed to providing top-notch spare parts that meet the highest industry standards.

Conclusion

Understanding the pricing of Volkswagen Polo spare parts is essential for effective vehicle maintenance. By choosing high-quality components and purchasing from reputable sources like Smart Parts Exports, you can ensure that your Polo remains in top condition while managing your repair and maintenance costs effectively. For more information on pricing and to explore Smart Parts Exports' comprehensive range of spare parts, visit their website or contact their sales team.

[msp234]

Easy-UPS-On-Line

key features of Easy-UPS-On-Line

User-friendly Interface and Management:

LCD Display: Most models come with an intuitive LCD display that provides real-time information on power conditions, load status, and battery health.

Remote Monitoring and Management: Easy UPS On-Line systems often support network management cards, allowing for remote monitoring and management via software or web interface, making it easy to manage power across multiple locations.

Compact and Versatile Design:

Rack/Tower Convertible: These UPS systems are designed to be versatile, with configurations that can be easily installed in either rack or tower formats, fitting into various IT environments.

Compact Footprint: Easy UPS On-Line models are designed to save space while providing high power density, making them suitable for environments where space is limited.

High Availability and Reliability:

Wide Input Voltage Range: These UPS systems can operate across a wide input voltage range, ensuring continuous operation even in areas with unstable power supply.

Cold Start Capability: The UPS can be started directly from the battery, providing power even when there is no utility power available, ensuring uninterrupted operation.

Compliance and Safety:

Standards Compliance: Easy UPS On-Line systems comply with international safety and performance standards, ensuring reliable and safe operation.

Audible Alarms: The UPS provides audible alarms to notify users of critical conditions, such as low battery or overload, ensuring prompt action can be taken to protect connected equipment.

Applications:

Data Centers and Server Rooms: Ensures continuous operation of critical IT infrastructure, protecting against data loss and downtime.

Industrial and Manufacturing: Provides stable power to sensitive industrial equipment, reducing the risk of production interruptions.

Healthcare Facilities: Protects vital medical equipment and systems from power disturbances, ensuring patient safety and care continuity.

Telecommunications: Ensures reliable power for telecom infrastructure, supporting uninterrupted communication services.

Conclusion:

The Easy UPS On-Line series offers reliable, efficient, and scalable power protection solutions that are ideal for environments where continuous uptime is critical. With advanced features like double-conversion technology, modular design, and remote management capabilities, these UPS systems provide robust protection for a wide range of applications, from IT infrastructure to industrial processes.

[epromptenterprise1]

Reliable Power Solutions: Eprompt Enterprise - Your Trusted UPS Dealer in Gujarat

Eprompt Enterprise, one of the leading UPS Dealer in Bharuch engaged in manufacturing, supplying and service providing of Power Division, System Integration Division and Solar Power Division. The offered series includes UPS System, Servo and Static Voltage Stabilizer, Electric Panel, Isolation Transformer, Batteries, Transient Voltage Suppressor, Battery Bank, etc.

Our production unit uses the best quality raw material available in the market, obtain from our certified vendors. Eprompt Enterprise, the UPS Dealer in Bharuch have an experienced production unit with advanced machines and the latest technology in order to meet the client’s requirements and to match industrial terms. Our valuable customers can avail this product from us at an economical price.

Eprompt is the leading distributor and UPS Dealer in Bharuch of IGBT Based Online UPS, UPS and our product is made up of good quality.

UPS Dealer in Bharuch offers UPS Series is a full-featured scalable UPS designed to provide long backup time for network equipment and small computer rooms.

Using true online double conversion UPS technology, Eprompt, UPS Dealer in Bharuch provides UPS services of high efficiency and reliability with 0.92/0.82 output power factor that can power 15–35% more load than other ordinary UPS.

This UPS offers adjustability with parallel-able configuration and extended backup time with external battery cabinets.

You should check the system wiring and conduct the panel setting manually capable of parallel connection to achieve parallel redundant power.

High-frequency dual conversion topology structure, with high input power factor, huge input voltage range, and output immune to grid interference, thus adaptable to areas with unstable mains supply high power densities.

Full latest the digital control technology based on the digital signal processor to achieve high system reliability with fault diagnosis and self-protection functions intelligent battery management to extend the battery module life operation and display panel with both LED and LCD indication.

Rack installation and tower installation are voluntary to meet different installation requirements capable of eco power supply mode, which helps you save energy to the maximum range of flexible network management.

Eprompt, UPS Dealer in Bharuch provides critical infrastructure technologies and rapidly deployable customized remedies to meet specific business needs and requirements.

Our dedicated group focuses on surpassing clients expectations and ensures that services are always up to the mark from smooth order processing to on-schedule delivery.

Quality goods and timely service to our clients being the objective that governs the company, the team at Eprompt the UPS Dealer in Bharuch aims to understand the requirements of the clients thoroughly in order to impeccably supply and serve to them. Our customers include a large number of distributors, contractors, resellers, wholesalers located within and outside of India with whom our teams work very closely in order to obtain feedback on services and products for further improvement and magnification.

For More details visit our Website :- http://www.epromptenterprise.com/

[lunimasafety00]

Price and Features by OnlineUPSPrice

What Makes the Emerson GXT MT+ 6kVA Special?

The Emerson GXT MT+ 6kVA is designed to provide seamless power protection for critical applications. Here’s why it’s a preferred choice:

High Capacity and Efficiency:

The 6kVA capacity ensures that it can handle substantial loads, making it suitable for servers, network equipment, and other sensitive electronics.

It boasts high efficiency, reducing electricity consumption and operational costs.

Advanced Technology:

The GXT MT+ series incorporates advanced technology to deliver reliable performance. It features a true online double conversion technology that provides consistent power quality.

It has a wide input voltage range, ensuring compatibility with different power conditions without draining the battery.

Robust Protection:

This UPS system offers comprehensive protection against power surges, spikes, and voltage fluctuations, safeguarding your equipment from potential damage.

It also provides extended runtime during power outages, allowing for safe shutdowns and preventing data loss.

User-Friendly Interface:

The Emerson GXT MT+ 6kVA comes with an intuitive LCD display that provides real-time information on UPS status, load levels, and battery health.

It also features network management capabilities, allowing remote monitoring and management.

Scalability and Flexibility:

This UPS system is scalable, meaning you can add more battery modules to extend runtime as your needs grow.

It is also flexible in installation, suitable for both rack-mounted and tower configurations.

Competitive Pricing at OnlineUPSPrice

At OnlineUPSPrice, we understand the importance of getting the best value for your investment. We offer the Emerson GXT MT+ 6kVA at competitive prices, ensuring you get top-quality power protection without breaking the bank. Our pricing is transparent, and we provide detailed quotations upon request.

Why Choose OnlineUPSPrice?

emerson gxt mt+ 6kva price

Expertise and Experience:

With years of experience in the UPS market, we have the expertise to guide you in choosing the right UPS system for your needs.

Our knowledgeable team is always available to answer your questions and provide technical support.

Quality Assurance:

We source our products from reputable manufacturers, ensuring that you receive genuine and high-quality UPS systems.

Our commitment to quality means you can trust the reliability and performance of the products we offer.

Customer Satisfaction:

We prioritize customer satisfaction by offering exceptional service, from the initial consultation to after-sales support.

Our aim is to build long-term relationships with our clients by providing reliable products and outstanding service.

How to Purchase the Emerson GXT MT+ 6kVA

Purchasing the Emerson GXT MT+ 6kVA from OnlineUPSPrice is simple and hassle-free. Visit our website and navigate to the product page. Here, you can find detailed specifications, user manuals, and customer reviews. Once you’ve decided, you can place an order directly through our secure online platform. Alternatively, you can contact our sales team for a personalized consultation and quotation.

Conclusion

Investing in a reliable UPS system like the Emerson GXT MT+ 6kVA is crucial for ensuring continuous power supply and protecting your valuable equipment. At OnlineUPSPrice, we offer this top-tier UPS system at competitive prices, backed by our expertise and commitment to quality. Don’t let power disruptions affect your operations — choose the Emerson GXT MT+ 6kVA and enjoy peace of mind knowing your power needs are covered. Visit OnlineUPSPrice today and secure the best power protection solution for your needs.