#Basilisk: Ouka Ninpou-chou

[littleeyesofpallas]

BASILISK ~Ouka Ninpou-chou~[バジリスク ～桜花忍法帖～]: BASILISK ~Ouka Ninja Scrolls~

[otakunews01]

Steins;Gate, Code Geass, Aikatsu!, Basilisk, 22/7, Yuru Camp scans

[thedemonlady]

Basilisk Ouka Ninpou Chou Official Website: http://basilisk-ouka.jp/

Official Twitter: @basiliskouka

[newsintheshell]

Locandina e nuovi design di “Basilisk: The Ouka Ninja Scrolls”

La serie, in onda dal 9 gennaio, è attualmente in simulcast su Crunchyroll.

Pubblicati una nuova immagine promozionale e degli ulteriori design per il cast principale di “Basilisk: Ouka Ninpouchou”, adattamento ispirato all’omonimo romanzo in due volumi, pubblicato nel 2015, ambientato dieci anni dopo gli eventi del manga “Basilisk: I segreti mortali dei ninja” di Masaki Segawa, edito in Italia da Panini Comics.  

Diffuso anche un video riassuntivo delle prime cinque puntate della serie; dal prossimo episodio infatti ci sarà un salto temporale e la storia proseguirà seguendo i protagonisti ormai cresciuti.

Hachirou Kouga: Tasuku Hatanaka

Hibiki Iga: Inori Minase

Saizou Ishi: Katsuhiro Tokuishi

Shikibu Koura: Fukushi Ochiai

Shichigen Higurashi: Mitsuhiro Ichiki

Gorone Negoro: Shinichiro Miki

Hachisu: Saori Hayami

Rui: Reina Ueda

Utsutsu: Ayane Sakura

Namenba: Kaori Nazuka

La serie, diretta da Junji Nishimura presso lo studio Seven Arcs Pictures, ha esordito in Giappone il 9 gennaio e in Italia viene trasmessa in simulcast streaming da Crunchyroll con il titolo “Basilisk: The Ouka Ninja Scrolls”. L’anime sarà composto da 24 episodi in totale.

SilenziO)))

[FONTE]

[lia-nikiforov]

Winter 2018 Anime Final Review

Why yes, pretty much all the Spring premieres are done (don’t even remind me haha I’m so far behind) and this is horribly late, I had a busy couple of weeks ;---; and am still struggling to catch up, but here’s my final rundown of this long slow winter! Worst to best, as always.

Dropped

Basilisk Ouka Ninpou Chou: Although I’d said I’d keep watching for the Nobunaga twist, given the onslaught of new stuff for Spring, it’s unsustainable to keep watching something so mediocre I don’t even find anything to say about it. Also Nobunaga hasn’t been mentioned in three episodes.

DUMPSTER FIRE

Darling in the Franxx: So we’re halfway through the show and still feels nothing of importance has happened, except we learned “lesbians are not viable, what a relief” and also KOKORO REALLY WANTS TO MAKE BABIES. The whole Kokoro business is very unsavory because on the one hand the writing is a dick to Walking Fat Joke Futoshi, but on the other hand Futoshi is an entitled Nice Guy who acts like Kokoro has some obligation to return his feelings, so basically everyone sucks lmao. Btw, does anyone know what happened with episode 13? I went to watch it but what I got instead was a Deadman Wonderland episode, complete with the story of Palurdo meeting Lab Experiment-turned-Beast Waifu as children and making a promise that would subsequently be forgotten until they meet again in their teenage years. Jesus, does Womenz are Beastz: The Anime have a single original idea?

How am I supposed to measure my own disinterest and contempt

This basically means I didn’t care for these shows. I don’t hate them but I was aggressively unengaged in them and I can’t really rank them from worst to best because that would imply me having any measurable emotional reaction to them

Violet Evergarden: I don’t think I have much to add about this one that I haven’t said before. Tryhard Sad Anime Girl stories rehashing old clichés with little novelty to them,  with a bonus of a super poorly explained and thought out child super soldier tragic backstory that still has me ?????? The final episode has the addendum of trying to redeem That One Asshole in a “he treats her bad because he’s sad about his brother dying sob sob sob he’s totally not a jerk” and i was very annoyed by that.

Koi wa Ameagari no You ni: It’s complicated to talk about this show. I really liked the first episode, hated the 4-6, then was mostly bored by the rest of it. The whole romance angle was completely dropped in the latter half, but I’m not even sure if that’s a good thing given how tastelessly it was being handled in some moments, or a bad one given how bland everything else was. It felt like Akira’s crush on Kondo turned out to be insignificant in the grand scheme of things. It also felt like Akira was profoundly underdeveloped, and it bothered me because Kondo was developed properly. His character felt more fully realized than hers. Like idk, I just cared so little for the last few episodes and it didn’t feel like Akira’s emotional progression was very connected with the first half of the show. 

Fate/Extra Last Encore: I don’t even have a screenshot. Apparently the reason the show started so late into the season is that it took a long time to produce, and apparently there are two more episodes that will be released at some point in July. But really, what matters is that I have no idea of what this show was trying to accomplish. The characters were a bunch of pieces of cardboard spouting pseudo nihilistic philosophical nonsense and I don’t even know how to describe the plot. It was generic in its Boss of the Week approach but the execution was often very flat. Definitely none of the fun from Apocrypha’s cool characters was to be had in this iteration of the franchise.

Too much iyashikei

This season we had too much iyashikei and I’m burned out. Here are the ones I didn’t hate but also wasn’t super in love with.

Miira no Kaikata: I think this show would’ve worked better as 3-minute vignettes. 20 minutes of it was a bit too much and I struggled to pay attention. I also felt the dragon and MukuMuku had very tangential roles. I don’t have a whole lot to say. It’s cute, if cute is your jam this show is for you. Connie is best smol monster.

Hakumei to Mikochi: Another cute show that gains extra points for its somewhat unique setting, beautiful color palette and picture book aesthetic and because the two main girls are great characters. I particularly liked the first and last episodes. It’s a relaxing, fun little show

Sanrio Danshi: The harbinger of feminism made into a toy commercial, while not quite iyashikei, is still a slice of life that just occassionally indulged in too much melodrama. It was nonetheless a fun little thing that managed to turn cynical consumerism into a positive message for boys: it’s okay to like non-traditionally-masculine things. One of the details I liked most was that none of the boys had to give up on their previous groups of friends even after “coming out”, Kouta’s friends and Shuu’s team were supportive of them and even participated in their dumbass musical play. Some may even read this show as a not-so-subtle allegory on homosexuality and while I don’t think this was Sanrio’s intent (their intent is to broaden their market, plain and simple) the fact that it works so well with that reading is honestly great. I had very minimal expectations for this show and I’m happy it turned out better than those.

Classicaloid 2: Classicaloid isn’t quite iyashikei either but it fits in the “didn’t love it, didn’t hate it” category. I’m a huge fan of season one, but unfortunately a big part of S2 failed to capture the magic. I think most of it was restored in the second cour, specially with brilliant episodes such as the one where Dovo-chan becomes a super-realistic painting of himself, and the last three episodes really captured what made Classicaloid great. I’ve really come to love this cast, so I wouldn’t complain if we got more seasons (please do Vivaldi!!!)

Shonen is a Good Genre, Actually

Shonen as a genre/demographic is much reviled for its repetitive clichés and childish stories, but I think we live at a time in which we can have well-executed shonen anime that, although falling for the same old clichés, have enough heart and sincerity that makes them enjoyable. This part also isn’t necessarily ranked, since my favorite one will change depending on which day you ask me

Nanatsu no Taizai: Imashime no Fukkatsu: As I have mentioned before, this second season seems to be the polar opposite of the first one’s rapid pace. It’s been a while since I read the manga, but I feel like it took a lot less to get to the mid-season cutoff point there than this anime would lead you to believe, especially the training part felt excruciatingly long. NanaTai has other various flaws including its 1000% not funny harrassment jokes and the dumb introduction of quantified “power levels” (why Suzuki), but characters like Diane, King and Ban give the show a unique flavor. And I’m not even gonna pretend to be unbiased, I just love everything involving Ban, even the weird and questionable choice of bringing Elaine back. I’m excited that we’re finally approaching Escanor’s arrival.

Yowapeda Glory Road: I also forgot to grab a screenshot lmao. Yowapeda is a very particular beast, and with its episode count already in the hundreds, it’s not something I’d reccommend unless you’re super into dragged out ridiculous sports anime. This second season of Onoda’s second year has not been without its flaws either, starting with the, imho absurd persistence in making Sohoku look like underdogs even though they’re reigning champions. It’s made a lot of the first two days of the Interhigh feel a lot grimmer than this cheerful show ought to. Kaburagi is still an insufferable character, and the fact that he drags the team down doesn’t help him either, and I just wish the writers would let Best Boy Teshima win anything. I hope the second day ends on a lighter note, because the gloom and doom is making this a less enjoyable watch than it should be

Mahoutsukai no Yome: I feel a little better about this one knowing the final was anime-original, but at the same time I’m beyond livid with how it was wrapped up. I loved the second half of the series because of how well-written and emotional Chise’s growth was, and everything up to her embracing of Cartaphilus’s curse was a beautiful display of her strength and will to live. What I’m not here for is that asspull wedding whatever that makes no sense in the context of the previous events, especially because after the fact, Elias’s attempt to kill Stella is swept under the rug. This could’ve been my favorite show of the season without that bullshit ending and while I don’t regret watching it, it leaves me with a sad feeling of what could have been

Best of the season

Hakata Tonkotsu Ramens: It had a slow start, but with its endearing cast and well-developed character relationships, HTR won me over, especially the last quarter. The animation was veeery barebones, but Lin and Bamba’s charisma and their organically developed relationship carried the show to be one of the most enjoyable of the season. I also really appreciate the fact that the series includes a gay couple with an adopted daughter and that Lin’s crossdressing is never used as a joke or treated as a character flaw or a “phase”. I love stories about found families and I’d love to see more of this gang fighting crime and doing shady business in their city of assassins.

Garo: Vanishing Line: This iteration of Garo had a somewhat slow start, but boy did it pick up steam in the second half. The action was great -the final fight against King had some incredible stylistic choices, the characters’ journeys felt complete and very human and the story was interesting and different enough from other Garo to not feel repetitive, yet with enough Garoisms that made it feel connected to everything else. Like I said, I love stories about found families, so the way Sophie found a home with Gina, Luke and Sword by the end was very touching. Watching Sophie’s journey has been a treat, and I’m immensely happy that this wasn’t a Guren no Tsuki disaster, but was more in line with the excellence of Honoo no Kokuin.

Gakuen Babysitters: This was the huge surprise of the season for me, I almost expected it to be pretty dull. Instead it turned out to be super cute and extremely heartwarming. It had a couple of duds here and there, mostly the not-actually-a-pedophile joke character and the early love triangle skits, but the former disappeared and the latter was vastly improved in the second half of the show. I wish Ryuichi’s grief had been dealt with a bit more, but I think what they did show was very well executed and empathetic. And the portrayal of the kids felt very realistic, including both children’s most adorable and most obnoxious behaviors. KIRIN IS BEST GIRL

Card Captor Sakura Clear Card arc: I have expressed some complaints and dissatisfactions with this sequel all through the season. Mostly in regards to the new cards and how the old ones seem to have been forgotten (also the lazy designs of the new cards). In spite of that, Sakura hasn’t lost any of its heart in these 20 years, the characters are still the kids we grew up with. It is an overwhelmingly cheerful and positive show, from Sakura and Syaoran’s shyly developing relationship, to the hopefulness of Sakura’s magic and just the simple day to day life of Sakura and her friends. In spite of all its flaws, Sakura is still my favorite show of the season and I’m happy we get to spend one more season with these characters. Just please give me more Yue??? 

Ooooof, finally I’m done with this! PLEASE LET’S NOT TALK ABOUT THE 20+ SHOWS I’M SAMPLING FOR SPRING AHAHAHAHA. There’s too much anime. Anime must be stopped, immediately. Don’t hesitate to send me your thoughts about the winter season, even if it seems I’m losing my mind a little Dx TOO MUCH ANIME

[animecovers]

“Basilisk: The Ouka Ninja Scrolls” (バジリスク ～桜花忍法帖～ ) is  a 2018 anime series produced by Seven Arcs Pictures based in a two-part novel sequel titled “The Ōka Ninja Scrolls: Basilisk New Chapter” (桜花忍法帖～バジリスク新章 Ōka Ninpō Chō ~ Bajirisuku Shinfumi), penned by Masaki Yamada.

The story is set 10 years after “Basilisk: Kouga Ninpou Chou” in 1626.

[pkjd]

Basilisk: Ouka Ninpouchou TV anime new key visual revealed. 

-Synopsis-

“The story is set 10 years after Basilisk: Kouga Ninpou Chou in 1626.“

-Staff-

Director: Junji Nishimura

Series Composition: Shinsuke Ohnishi

Character Design: Takao Maki

Chief Animation Director: Takao Maki

Music: Go Sakabe

Opening Theme: Onmyo-Za

Ending Theme: Nana Mizuki

Animation Production: Seven Arcs Picture

-Cast-

Tasuku Hatanaka

Inori Minase

Takuya Kirimoto

Ryuu Yamaguchi

Chou

Shoei To

Kousuke Sakaki

Chafurin

Yuji Murai

Toru Sakurai

Katsuhiro Tokuishi

Fukushi Ochiai

Mitsuhiro Ichiki

Shinichiro Miki

Saori Hayami

Reina Ueda

Ayane Sakura

Kaori Nazuka

Toshiyuki Toyonaga

Hiroshi Tsuchida

Umeji Sasaki

Yui Horie

Takaya Hashi

Source: http://basilisk-ouka.jp/

[usotaku]

Post 00056: Winter is Coming! What Will You be Watching this Season by usotaku

Once again the seasons are changing and so are the new anime releases for this year. Fall 2017 had given us some really great entries and some massive disappointments so what do we have to look forward to in the winter of 2017? Honestly nothing! In scrolling through the list of up coming shows for this season I couldn’t find one I was even remotely excited about but that doesn’t mean it won’t be a great season for many of you. Now I’m left with the task of picking what I’ll be watching blind and sharing it with you. This is defiantly going to be interesting, so here is a quick look at what I’ll be watching this winter. 

1. Beatless

A Sci-Fi romance between 17 year old Arato Endo and a highly advanced AI Equiped with a coffin shaped device. No one knows where these beings came from or what their purposes is but what is a boy in love supposed to do? This series looks like a classic boy meets kick butt robot and then things go crazy anime trope but watching it all blow up in his face is half the fun!

2. Basilisk: Ouka Ninpouchou

Set 10 years after the events of Basilisk: Kouga Ninpou Chou this story revisits a classic fans have been hoping for, for years. I remember watching the original a number of years ago some and I’m glad to see it finally return. I guess I’ll have to rematch the original before this comes out. 

3. Death March

Well if you weren't sick of the isekai genre yet get ready for another foray in to the crazy that is getting dumped in to another world. 29 year old programer finds him self in side a fantasy RPG as a 15 year old boy Satou with a limited use ability that can wipe out a whole army. From the trailer it looks like an SAO clone complete with harem and OP power but it might still be fun.

Well those are the only 3 shows I found for this season with not much else on the list that looked to pleasing. If once the season has started and something that has the communities attention comes along I might just start watching it also but for now this is it. What are you going to be watching this Winter and what do you think of my picks? Until next time, jane!

Image source: https://myanimelist.net/anime/season

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[waifukuid-blog]

Tentang Anime Basilisk: Ouka Ninpouchou - Wikipedia Anime Cerita berlatar belakang 10 tahun setelah seri Basilisk: Kouga Ninpou Chou Baca Lebih Lanjut Yuk di http://waifuku.web.id/anime/basilisk-ouka-ninpouchou/?feed_id=4977&_unique_id=5d080d71c780b #wikipedia #wikipedianime #anime #animegirl #AnimeArt #AnimeBoy #animelover #animefan #animeworld #animegirls #animememe #animeedit #animecosplay #animestyle #animekawaii #animelife #animecouple #animefacts #animefreak #animemanga

[anime-ace]

Winter 2018 (part 3/8)

Basilisk: Ooka Ninpouchou

Other Titles: バジリスク ～桜花忍法帖～, Basilisk: The Ouka Ninja Scrolls

Source: novel

Studio: Seven Arcs Pictures

Genre: action, historical, drama, martial arts, seinen

The story is set 10 years after Basilisk: Kouga Ninpou Chou in 1626.

The original Basilisk series is based on a novel; this sequel is based on a sequel novel, which also has a manga adaptation. It’s basically Romeo and Juliet, but it’s about edgy ninjas. I have no qualms with it. -Ace

Ryuuou no Oshigoto

Other Titles: りゅうおうのおしごと！, The Ryuo's Work is Never Done!

Source: light novel

Studio: Project No.9

Genre: game, slice of life, comedy

The story is about a teenage boy who happens to be a shogi master. One day, a nine-year-old girl turns up at his house, requesting to be taken as his disciple. From there, all kinds of wacky hijinks ensue.

It’s going to be a harem, I declare it now. The MC is the only boy on the cover, plus it’s a light novel. Watch him be an unbeatable genius with girls falling all over him. If it gets too loli... -Ace

Dame x Prince Anime Caravan

Other Titles: ダメプリ ANIME CARAVAN

Source: visual novel

Studio: Flad

Genre: adventure, romance

I think it’s about a princess who travels around in a caravan with a bunch of useless princes, otome-style. -Ace

Märchen Mädchen

Other Titles: メルヘン・メドヘン, Fairy Tale Girls

Source: light novel

Studio: Hoods Entertainment

Genre: magic, fantasy, school

When the two girls meet, the magic begins. Hazuki Kagimura loves stories, an orthodox girl who is overly imaginative. Because her relationship with her new family does not go well, the environment sends her toward the stories in which she spends her days. One day after school, Hazuki gets lost among the bookcases of the library, leading her to a mysterious school where meets Shizuka Tsuchimikado. It is a magic school where girls (called "mädchen") are selected by the magical texts from which the world's stories are born. Hazuki herself is said to be chosen by the book of Cinderella. In order to become a true magician, Hazuki becomes friends with Shizuka and begins her new life at the school.

All the characters are female, what else can I say? Stop sullying my precious folklore with moe. That said, this is a slightly sad broadcasting since the author died a year or so ago. -Ace

Death March kara Hajimaru Isekai Kyousoukyoku

Other Titles: デスマーチからはじまる異世界狂想曲, Death March to the Parallel World Rhapsody

Source: light novel

Studio: Connect, Silver Link

Genre: fantasy

29-year-old programmer Suzuki Ichirou finds himself transported into a fantasy RPG. Within the game, he's a 15-year-old named Satou. At first, he thinks he's dreaming, but his experiences seem very real. Due to a powerful ability, he possesses with limited use, he ends up wiping out an army of lizard men and becomes a high leveled adventurer. Satou decides to hide his level and plans to live peacefully and meet new people. However, developments in the game's story, such as the return of a demon king, may cause a nuisance to Satou's plans.

It’s a loli harem, even if Suzuki insists it’s not. He’s affable enough, but the more girls join his harem the more boring it gets. -Ace

[teamgensokyo-blog]

TV Anime "Basilisk: Ouka Ninpouchou" new visual, staff and cast revealed!

The series will premiere on January 2018!

<Staff> Studio: Seven Arcs Pictures Director: Junji Nishimura (ViVid Strike!) Series Composition: Shinsuke Oonishi (Senkou no Night Raid) Original Character Design: Masaki Segawa (Basilisk: Kouga Ninpou Chou) Character Design, Chief Animation Director: Takao Maki (Trinity Seven Movie: Eternity Library to Alchemic Girl original illustration) Opening Theme Song Performer: Onmyo-za Ending Theme Song Performer: Nana Mizuki

<Cast> Hachirou Kouga (CV Tasuku Hatanaka) Hibiki Iga (CV Inori Minase) Kazuma Kusanagi (CV Takuya Kirimoto) Kasou Himouji (CV Ryu Yamaguchi) Tenzen Shichito (CV Cho) Tenshin Yusa (CV Shouhei Tou) Kareha Shogyou (CV Housuke Sakaki) Houetsu Tsuta (CV Chafurin) Itsuma Irootoroe (CV Yuuji Murai) Shuugetsu Suiren (CV Tooru Sakurai)

src: http://yaraon-blog.com/archives/114914 http://bit.ly/2g9cdAW

[otakunews01]

Newtype magazine january issue 2018 anime scans!! 

[otakunews01]

La novela secuela de Basilisk: Ouka Ninpou-chou tendrá Anime para televisión

La historia secuela se ubica diez años luego del final del Manga original de Basilisk 

Una web oficial ha abierto el miércoles para anunciar que un Anime para televisión adaptación de la novela secuela de Basilisk: Ouka Ninpou-chou por Masaki Yamada tiene luz verde para su producción. La novela es una secuela del Manga original de Basilisk por Masaki Segawa. Kodansha publicó los dos volúmenes de la novela en noviembre y diciembre del 2015, con ilustraciones de Segawa. La web también reveló una imagen teaser para el Anime (arriba).

La historia se establece diez años después de la conclusión del Manga original, centrándose en Hachiro y Hibiki, dos ninjas de élite de los clanes Kouga e Iga.

El Manga original de Basilisk de Segawa también adapta la novela The Kouga Ninja Scrolls por Futaroh Yamada lanzada en 1959. El Manga inspiró un Anime para televisión en 2005. La novela también inspiró una película live-action en 2005 titulada SHINOBI - Heart Under Blade.

[otakunews01]

Basilisk: Ouka Ninpouchou TV Anime PV!! Airs January 8th 2018.

>>https://www.youtube.com/watch?v=981KbvGGLYw 

[newsintheshell]

“Basilisk: Ouka Ninpouchou”

Serie TV anime, 9 gennaio 2018

Episodi: 24

Serie basata su “Basilisk: Ouka Ninpouchou”, romanzo in due volumi, pubblicato nel 2015, ambientato dieci anni dopo gli eventi del manga “Basilisk: I segreti mortali dei ninja” di Masaki Segawa, edito in Italia da Panini Comics.

-STAFF-

Regia: Junji Nishimura 

Sceneggiatura: Shinsuke Oonishi 

Character design originale: Masaki Segawa 

Character design/Supervisione animazioni: Takao Maki 

Prop design: Gouichi Iwahata 

Sub-character design: Kazuhisa Kosuge 

Fondali: Kazusuke Yoshihara

Direttore artistico: Ritsuko Kaizu

Colorazioni: Fusako Nakao 

Direttore della fotografia: Tadashi Kitaoka 

3D CGI: Tetra

Effetti speciali: Naomasa Fukuda 

Montaggio: Kazuhiko Seki 

Direttore del suono: Chikako Yokota 

Produzione sonoro: Glovision

Musiche: Go Sakabe 

Produzione musicale: King Records

Studio di animazione: Seven Arcs Pictures 

Sigla di apertura: Onmyo-za  Sigla di chiusura: Nana Mizuki

-CAST-

Hachirou Kouga: Tasuku Hatanaka 

Hibiki Iga: Inori Minase 

Kazuma Kusanagi: Takuya Kirimoto 

Kasou Himouji: Ryu Yamaguchi 

Tenzen Shichito: Cho 

Tenshin Yusa: Shouhei Tou 

Tsuibamu Kujaku: Toshiyuki Toyonaga

Magoroku Rinne: Hiroshi Tsuchida

Chiou Neiri: Umeji Sasaki

Itaru Yasha: Yui Horie

Joujin: Takaya Hashi 

Saizou Ishi: Katsuhiro Tokuishi 

Shikibu Koura: Fukushi Ochiai 

Shichigen Higurashi: Mitsuhiro Ichiki 

Gorone Negoro: Shinichiro Miki 

Kareha Moromichi: Kousuke Sakaki

Norietsu Kazura: Chafurin

Itsuma Shikisui: Yuuji Murai

Akitsuki Suiren: Tooru Sakurai

Hachisu: Saori Hayami 

Rui: Reina Ueda 

Utsutsu: Ayane Sakura 

Namenba: Kaori Nazuka 

La storia è ambientata 10 anni dopo gli eventi di “Basilisk” ed è incentrata su Hachirou e Hibiki, due ninja appartenenti clan rivali Kouga e Iga.

Un adattamento manga di “Basilisk: Ouka Ninpouchou” è stato lanciato da Masaki Yamada e Tatsuya Shihira nel luglio 2017.

Fuutarou Yamada è l’autore dei romanzi originali intitolati “Kouga Ninpouchou”, pubblicati fra il 1958 e 1959, sui quali si basano i vari adattamenti di Basilisk. L’opera ha ispirato nel 2005 un film live-action dal titolo “Shinobi - La spada contro il cuore” arrivato anche in Italia, oltre alla serie tv animata “Basilisk” prodotta dallo studio Gonzo nello stesso anno.

Sito ufficiale Twitter ufficiale

SilenziO)))

[otakunews01]

Las novelas secuela de Basilisk tendrán adaptación a Manga el 24 de julio

Basilisk - Ouka Ninpou-chou se ubicará diez años luego del final del Manga original

La edición 30 de la revista Young Magazine de Kodansha ha anunciado que Tatsuya Shihara lanzará un nuevo Manga titulado Basilisk - Ouka Ninpou-chou en la edición 34 de la revista, a la venta el 24 de julio. El Manga es una adaptación de las novelas secuela de Masaki Yamada para el Manga de Basilisk de Masaki Segawa. Kodansha publicó ambas novelas en noviembre y diciembre del 2015, con ilustraciones de Segawa.

La nueva historia se establece diez años después de la conclusión del Manga original, centrándose en Hachiro y Hibiki, dos ninjas de élite de los clanes Kouga e Iga.

El Manga original de Basilisk de Segawa adapta la novela The Kouga Ninja Scrolls por Futaroh Yamada lanzada en 1959. El Manga inspiró un Anime para televisión en 2005. La novela también inspiró una película live-action en 2005 titulada SHINOBI - Heart Under Blade.

Shihara previamente dibujó el Manga de Robotics;Notes Revival Legacy en la revista Ultra Jump de Shueisha en 2012.