#Bartosz Beda
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my home isn't my home anymore, something's gone wrong along the way
noor hindi dear god. dear bones. dear yellow.: "pledging alliegance" (via @feral-ballad) \\ andrew collins \\ athena nassar, from love is not always song, but the swelling (via @weltenwellen) \\ @holly-warbs \\ yanyi dream of the divided field: poems: "the friendâ (via @dactylicreveries) \\ bartosz beda silent interior ii
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#on home#on self#on identity#on life#mine#my webweaving#web weaving#webweave#web weave#webweaves#ww#parallel#parallels#parallelism#compilation#compilations#intertext#intertextuality#comparative#comparatives#web#webs#noor hindi#dear god dear bones dear yellow#pledging alliegance#dear god. dear bones. dear yellow#athena nassar#andrew collins#yanyi#dream of the divided field
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Neither Sisters, Neither Twins (Red) II, Bartosz Beda, oil on canvas, 2016, Painting Series
Neither Sisters, Neither Twins (Red) II, Bartosz Beda, oil on canvas, 2016, Painting Series đ¨ Neither Sisters, Neither Twins (Red) II, created in 2016, is an oil on canvas piece that I made as part of a series exploring identity and connection.
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Bartosz Beda (Polish, b. 1984)
Resemblance of the Past II, 2022
Oil on Canvas
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Paintings 2014 | Bartosz Beda https://www.pinterest.es/pin/536069161904508208/
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New Post has been published on Consort PR
New Post has been published on http://consortpr.com/news/bartosz-beda-artist/
Bartosz Beda - Artist
Artist Bartosz Beda, at 33 years old, creates in his studio paintings that reference Francis Bacon, Frank Auerbach, and Gerhard Richter.
 Beda graduated in 2012 from Manchester Metropolitan University and in the same year won the Towry award for best painter in the North of England, he then exhibited at the Saatchi New Sensation group exhibition and was titled by the Caitlin as one of the most exciting emerging artists in the UK. He was awarded with a scholarship to the prestigious Dresden Academy of Art in Germany.
 In 2013, Beda moved to the United States where he has won several national competitions, had solo exhibitions in Spain, Colombia and the United States as well as the United Kingdom. Beda has been featured in the Financial Times and Money Week as a future star and a painter that you should take note of, collect and invest in. He was featured in the Independent, HSBCâ guide to investing in Art, The Guardian, BBC Radio 4, Spokesman-Review, InLander and many more. Bartosz represents a new generation of painters who explore new ideas in figurative expression and philosophical concepts in art.
 Today we are going to look back on some of Bartosz Bedaâs best quotes from past interview and articles and check out some of his best reflections on painting and painting philosophy.
 âPainting is an experience. If I want to experience a painting, then I am interacting with the surface face to face. That close interaction establishes a relationship and expresses my madness and mimesis. This allows me to focus on the here and now, which means that I am trying to understand what I can do with the process of painting and painting itself. It could happen through a simple act like refreshing my view on the painting by viewing other artworks by other artists. This allows me to be in the right time and space, and it helps me to create my own definition of a paintingâ.
Fitness By Bartosz Beda
 âI am learning everyday what painting is. I know how to do it. It is like making my best coffee. You know a recipe, but no one can tell you how to make it the best, because it all depends on many elements. This is the constant factor in my day-to-day studio practice. I improve with every next painting, even if I consider the painted piece as not successfulâ.
Bad Boys Have A Nice Beard By Bartosz Beda
âI am interested in reactions that viewers will have from paintings, and I expect viewers to be surprised by how much images control and cause anxiety. There is not one recipe for understanding painting, but there are many I can use to make it my passionâ.
 Flat Emotion By Bartosz Beda
 âMy paintings explore the relationship between daily life and human nature. I perceive humanity as a chocolate cake, where beneath the âicedâ surface lies an intriguing and challenging mixture of fears and social pathology. Through the application and process of painting, I cut a piece of this cake to explore the nature of these problemsâ.
  âArt is something I have always been fascinated byâŚâ
 âSuccess is 5% talent and 95% hard work.â
 Nuns Coordinated By Bartosz Beda
âI donât think about how to paint a hand or a face or a figure, or what colours to use. I just do that spontaneously, and Iâm actually more interested in deforming the painting. Iâm interested in finding a kind of flatness in colour or form, so itâs nothing to do with figurative painting, even if you can see a figure there; itâs primarily about erasing the focal point. I try to create limitless space, as Rothko did in his paintings. Itâs more about experimenting. I donât know where it will take me, but itâs good practice for something new.â
 âI think that spoken or written words connect with painting and add importance.â
  âI do apply the paint impasto. I like to have parts of the canvas where the paint is really thin, where you can almost see the primer, and other areas where the paint is very thickly applied. I also work wet on wet, so the paint mixes all the time. Sometimes, I want to prove to myself that I can still paint figures in a traditional sense, so I limit my palette to maybe two colours and sort of draw the figure into the painting and then, when Iâve proved to myself that I can still do it, I start to destroy the figure. So Iâll create something really realistic and then take it out little by little.â
 âNo, I wouldnât go to other mediums. Iâd rather dedicate my time to painting.â
 âNow Iâm trying to find my own vision of painting, to bring a new perspective to painting. This is a long process. We all copy and use the ideas of others and itâs not a bad thing.â
 âChange is always good, but at the beginning it creates a lot of expectation in people when you change place, when you change friends and when you start a new life. It is like youâre reborn a little bit, so maybe it takes time to see a different angle.â
 âWork hard and create a good portfolio. I think that the best opportunities are those we create.â
 â âHear My Voiceâ. These three words are my momentum for the entire adventure in this exhibition.â
 Looking At Things And Feeling Good About ThemIII By Bartosz Beda
 âI have to push the boundaries of painting.â
   Please check out Bartosz Beda at:
http://bartoszbeda.com/, https://www.facebook.com/bartoszbeda/, https://twitter.com/BartoszBeda , https://www.instagram.com/bartoszbeda/
Article by Matthew John
https://www.facebook.com/HeddaMovie/
#artist#Bartosz Beda#http://bartoszbeda.com/#https://twitter.com/BartoszBeda#https://www.facebook.com/bartoszbeda/#https://www.instagram.com/bartoszbeda/
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Amazing paintings from USA based Polish painter Bartosz Beda at http://bartoszbeda.com/ "Ten Starts From One", oil on canvas, 183 x 212cm, 2017, Š Bartosz Beda
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"Lo que en nosotros se vuelve hacia lo desconocido es mĂĄs bien raro, somos animales gregarios y desconfiados. Admitir lo desconocido estĂĄ fuera del terirtorio de la neurosis, es todo lo que ella teme. Su obsesiĂłn, es eso contra lo que, pacientemente, ella construye nuestras defensas [...] Puesto que esta maquinaria (ÂżcĂłmo nombrar a la neurosis?) no tiene la capacidad de inventar otra cosa que una combinaciĂłn de lo que ya fue hecho o vivido. Lo nuevo es un riesgo prodigioso. Lo inĂŠdito es antinĂłmico respecto de la defensa neurĂłtica que le opondrĂĄ siempre las fidelidad es anteriores, los juramentos a respetar, las promesas a mantener, mismo cuando ellas no fueron realizadas por el sujeto sino se sesenta aĂąos atrĂĄs por un ancestro deshonrado.
El encuentro es otra metĂĄfora, bastante dulce, de lo inĂŠdito cuando se posa detrĂĄs de usted un instante y le sopla una propuesta ilĂcita. Porque a los encuentros nada les gusta tanto como que trasgredamos las fronteras conocidas, eso es bien sabido. Y mientras tienen lugar, se apuesta fuerte porque hay amor en juego. Porque lo mismo, quĂŠ mĂĄs bella expresiĂłn de lo inĂŠdito que el amor, cuando nada pasa como lo habĂamos previsto, imaginando, querido, que sin embargo nos sentimos liberados del peso de la espera, y en fin, agradecidos" Anne Dufourmantelle en el libro "En caso de amor. PsicopatologĂa de la vida amorosa" (pp.96 y 97, Nocturna editorial)/ Bartosz Beda's painting #annedufourmantelle #antinĂłmico #neurosis #amor #encuentro #metĂĄfora
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Invisible Table, Bartosz Beda, oil on canvas, 2012, Painting Series
Invisible Table, Bartosz Beda, oil on canvas, 2012, Painting Series Invisible Table is my oil on canvas painting from 2012, measuring 30x30 cm. đ¨â¨
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Bartosz Beda (Polish, b. 1984)
I dont know what to call you II, 2020
Oil on Canvas
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