#Baazaar review

[lifeisacinemahall]

'Baazaar' review: Bland Stock Exchange

‘Baazaar’ review: Bland Stock Exchange

LICH rating: [usr 1.5] (This rating is only a snapshot. The details are in the words.)

What does it take to make into the big, bad highs-and-lows world of market trading? Some manic focus combined with an eagle-eye on the indices? A ruthless, take-no-one-alive assassin-like steady hand on the “buy-sell” triggers? If director Gauravv K Chawlais to be believed, it’s none of this. What you need is a…

[releasesoon]

Baazaar: Saif Ali Khan's film could mark a new beginning for Bollywood with its treatment of financial markets

Baazaar: Saif Ali Khan's film could mark a new beginning for Bollywood with its treatment of financial markets

The Saif Ali Khan-starrer Baazaar is releasing after the mega success of Sacred Games. It is an important film for the actor considering his last four releases – Phantom, Rangoon, Chef and Kaalakaandi failed to leave a mark at the box office. The film also marks the debut of Rohan Mehra, son of…

[bollywoodisforlovers]

Episode 75 - 2018 Year End Review

We look back at the most notable Bollywood films of 2018!

Show Notes: 

We have new artwork design by Becca Dalke!

Kaalakaandi (our episode on Delhi Belly)

Mukkabaaz

Padmaavat (our episode on Padmaavat)

Pad Man

Love Per Square Foot

Aiyaary

Sonu Ke Titu Ki Sweety

Welcome to New York

Pari (our episode on Pari)

Raid

Hichki

Baaghi 2 (our episode on Baaghi 1)

Blackmail

October

Beyond The Clouds

102 Not Out

Raazi

Parmanu: The Story Of Pokhran

Veere Di Wedding (our episode on VDW)

Bhavesh Joshi Superhero (our episode on Sacred Games)

Race 3 (our episode on the Race films)

(INTERVAL (“DhayaanChand” from Manmarziyaan)

Sanju (our episode on Sanju)

Soorma

Dhadak

Saheb, Biwi Aur Gangster 3

Fanney Khan

Mulk

Karwaan

Gold

Satyameva Jayate

Stree

Manmarziyaan (Poonam & Priyanka Dance, the dancing twins)

Batti Gul Meter Chalu

Sui Dhaaga

Pataakha

Loveyatri

Andhadhun (our episode on Sriram Raghavan)

Namaste England

Badhaai Ho 

Baazaar

Thugs of Hindostan

Kedarnath

Zero

Simmba

NEXT TIME: the emotional and romantic lives of fictional pop stars

Bollywood is For Lovers is a member of the Alberta Podcast Network powered by ATB

Check out ATB LendR

Listen to Healthy Lifestyle Design

Find us on Apple Podcasts! and Stitcher! and audioBoom! and iHeartRadio! and Spotify! and Google Podcasts!

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Saif Ali Khan And Alaya Furniturewalla's Film Earns Over Rs 7 Crore

Jawaani Jaaneman: Alaya and Saif in the film. (Image courtesy taranadarsh)HighlightsThe film released on Friday The film collected Rs 4.55 crore on Saturday The film opened to largely positive reviewsNew Delhi: Jawaani Jaaneman, starring Saif Ali Khan and Alaya Furniturewalla in the lead roles, is performing well at the box office. The film has managed to collect Rs 7.79 crore within two days of its release, reports Bollywood trade analyst Taran Adarsh. In his tweet, Taran Adarsh stated that the film is trending much better than Saif Ali Khan's previous solo released like Chef, Kaalakandi, Baazaar and Laal Kaptaan. The film collected Rs 3.24 crore on its opening day and Rs 4.55 crore on Saturday.Sharing the film's box office performance so far, Taran Adarsh tweeted: "Jawaani Jaaneman gathers speed on Day 2... Being patronised by its target audience (metros)... Trending much better than Saif Ali Khan's previous solo movies (Chef, Kaalakaandi, Baazaar, Laal Kaptaan... Fri 3.24 cr, Sat 4.55 cr. Total: Rs 7.79 crore India biz."#JawaaniJaaneman gathers speed on Day 2... Being patronised by its target audience ... Trending much better than #SaifAliKhan's previous *solo* movies ... Fri 3.24 cr, Sat 4.55 cr. Total: 7.79 cr. #India biz.— taran adarsh (@taran_adarsh) February 2, 2020Jawaani Jaaneman opened to largely positive reviews from film critics. In his review for NDTV, film critic Saibal Chatterjee gave the film 3 stars out of 5 and he wrote: "The principal actors - Saif Ali Khan, debutante Alaya Furniturewalla and Tabu (in a special appearance as a coquettish bohemian who, by her own admission, is happy between meditation and hashish) - get into the swing of things with effortless ease, raising the dramedy to an out-of-the-ordinary level."Directed by Nitin Kakkar, Jawaani Jaaneman has been co-produced by Jackky Bhagnani, Saif Ali Khan, Deepshikha Deshmukh and Jay Shewakramani under the labels of Black Knight Films, Pooja Entertainment and Northern Lights Films. The film also stars Tabu, Kubbra Sait and Farida Jalal in pivotal roles. Read the full article

[super-stevesmithus-blr-blog]

Baazaar movie survey, Baazaar, starring Saif Ali Khan and Rohan Mehra, is a drama that fails to shine due to its sketchy screenplay, says our review. like many young Indians Rizwan Ahmed (Rohan Mehra), from Allahabad recently renamed as Prayaag Raj, wants to move to Bombay, which goes as Mumbai, not "to struggle but to settle" he tells us. He doesn't want to make it in movies but crack the stock market and impress one of its most successful players Shakun Kothari (Saif Ali Khan), a greedy and powerful Gujarati trader. Like Shakun Kothari he too has the hunger to prove that his small town credentials, the absence of an IIM degree and limited English speaking skills don't determine his business sense.

[smartmeindia-blog]

Baazaar Movie Review: Saif Ali Khan Is Rock-Solid In A Passable Film

Baazaar Movie Review: Saif Ali Khan Is Rock-Solid In A Passable Film

Baazaar Movie Review: Saif Ali Khan and Rohan Mehra in the film. (Image courtesy: Instagram)

Cast: Saif Ali Khan, Rohan Mehra, Chitrangada Singh, Radhika Apte

Director: Gauravv K Chawla

Rating: 2 stars (Out of 5)

A stock market thriller, Baazaar, directed by first-timer Gauravv K. Chawla, spins mainly around on stock devices. A small-town lad heads to Mumbai with the intention of working with…

[sharmaheena850]

'Bazaar' review: Far from an Indian version of 'The Wolf Of Wall Street'

Director Gauravv K Chawla's "Bazaar" is a film with the cut-throat stock market, as the backdrop.

Rizwan Ahmed (Rohan Mehra) is an educated, bright boy from Allahabad who has lofty dreams and wants to make it big. Against his middle class father's will who attaches more importance to loyalty, Rizwan moves to Mumbai to try his luck and fulfil his ambitions.

He idolises, Shakun Kothari (Saif Ali Khan), a small town boy from Surat, who has become the wolf of the stock trading market and is known for his business acumen and understands "only maths".

How Rizwan makes his presence felt in the city of Mumbai, owing to his "emotional understanding" of the market, learns bitter lessons and bounces back, forms the crux of this film.

The narrative is lazily crafted. It follows a first-person account, where the protagonist, Rizwan recounts his life -- his trials and tribulations in Mumbai. A short-cut approach, this route tends to be a bit tedious and jarring for the viewers, as it breaks the flow of the narration and the seriousness of the craft. Read Complete Article

 Business standard

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First review of saif ali khan Baazaar, star cast, official trailer, Theatre is ready to buzz with stock market

First review of saif ali khan Baazaar, star cast, official trailer, Theatre is ready to buzz with stock market

Saif ali khan box office film Baazaar trending on social media. First poster of Baazaar released in previous months now. although his last film ‘Rangoon’ did not hit on the big screen on the hindi cinema box office. Saif ali khan tried his best to impress the audience with his performance but that doesn’t workout. Now the actor is back with the bang on box office with Baazaar which is releasing…

[smnews]

Actors and directors to soon add a ‘NO DIGITAL RELEASE’ clause in their contracts

The recently released film on Netflix, Drive, seemed like an exciting venture when it was launched with lot of fanfare in 2017. It was backed by one of the leading producers of Bollywood, Karan Johar and was helmed by Dostana director Tarun Mansukhani. The pairing of Sushant Singh Rajput and Jacqueline Fernandez also added to the buzz. However, soon this hype began to slip as the film’s theatrical release got pushed on some pretext or the other. Finally, it released on the streaming platform on November 1 and was met with terrible reviews. But even before it was out on the streaming giant, it was clear the film is not upto the mark due to the incessant delays. And a direct release on Netflix added to the film’s harm. The moment Dharma Productions announced about the plan to get the film on Netflix, it became apparent that the film is not well made and hence the makers are not taking the risk of releasing it cinemas, which also adds to the budget. This phenomenon of films meant for theatrical release releasing directly on OTT platforms instead is already giving sleepless nights to the actors. One might argue that these platforms also stream web series featuring popular actors like Saif Ali Khan, Nawazuddin Siddiqui, R Madhavan etc. But that’s different since web series like Sacred Games, Breathe, Bard Of Blood, The Family Man etc were always meant to come directly online. It wasn’t like it was supposed to release in cinemas and that the makers then changed their mind. Hence, in that regard, these OTT portals can be quite lucrative. Even a mega star like Akshay Kumar is expected to soon come up with his Amazon Prime original. Also, blockbuster film director Ali Abbas Zafar is coming up with a web series, Tandav, starring Saif Ali Khan, which will be aired on Amazon Prime. Coming back to Drive, sources say that Sushant Singh Rajput wasn’t happy with this development. He insisted on a theatrical release and tried his best to persuade them for it. But ultimately, Karan had to take a decision that was practical for him. Sushant was hurt and no wonder, that he never posted anything related to Drive on his Instagram handle. On Twitter, he merely retweeted three tweets of Tarun Mansukhani pertaining to the film. Jacqueline Fernandez, meanwhile, regularly shared updates of the film with her million plus followers. Another source, who has seen the rise of OTT from the inside, says, “At the scripting stage, it becomes difficult for producers at times to know how the film will ultimately shape up. At times, they believe the script has potential and there are times when they refuse to see the reality and end up approving a bad script. It’s only when the see the final product do they realize that they have created a bad film that can entail losses. Earlier, a producer would have no choice but now, OTT platforms are giving them a chance to recover the costs.” This source further adds, “The producer is relived that he didn’t make a loss, notwithstanding the immense trolling that he might receive, as it happened in the case of Drive. But in the process, the actors of that film can suffer. They sign a film with the hope that it’ll make it to cinemas. A direct OTT release harms the film and also their track record. Sushant, for instance, must have hoped that a film with Dharma Productions would add to his brand. And it was a given that the film will first release in theatres. Hence, he felt shortchanged but there’s nothing he can do about it.” But going forward, actors will now be careful of this aspect. This source says, “From now on, most of the major and mid-level actors will add a ‘no digital release’ clause in their contracts when they want to do a film. It simply means that the producer will be legally bound to release the film in cinemas and not straightaway on Netflix or Amazon Prime, failing which the actor can sue the producer.” He also states, “The whole industry has observed what happened to Drive and don’t want to be in Sushant’s shoes. As a result, this clause will become commonplace in the days to come.” Another row happened last year with Saif Ali Khan whose film on stock market, Baazaar, almost made it to Netflix directly. “The producer Nikkhil Advani wasn’t finding a studio to back the film as Saif had given back-to-back flops. But the actor was dead against skipping a theatrical release. Fortunately for him, his web series Sacred Games, which incidentally streamed on Netflix, did very well and improved his track record. Viacom18 Motion Pictures then came on board and released the film,” says the source and further adds, “The perception in the industry was that Baazaar is not getting buyers and hence, it must be a pretty bad movie. However, all that changed once the trailer was unveiled. It indicated that the film can be quite an entertaining ride. Even at the box office, it wasn’t a huge hit but wasn’t a flop either.” Not just actors, even directors can soon add this clause in their contracts. Another recent case is that of Lootcase, a comic caper starring Kunal Kemmu, Rasika Dugal, Ranvir Shorey, Vijay Raaz and Gajraj Rao. It is directed by Rajesh Krishnan whose Soda Films is a co-producing banner along with Fox Star Studios. The source says, “Fox was happy with the film but had doubts over its commercial prospects. Hence they took the decision to cancel its theatrical release, scheduled for October 11. Rajesh Krishnan however wasn’t happy with this decision and protested. He also had the right to do so since he was a co-producer as well. This was also a reason why Fox Star Studios management then announced that they’ll go back to their original decision of releasing the film in cinemas as the tussle was becoming too ugly.” The source then opines, “Even for a director, it can be a harrowing experience if his film, which was to hit cinemas on the big screen, is instead seen by viewers on their laptops or mobile phones. Also, it can affect his remuneration for his next project. And for a director who already has few hits or important films under his belt, a direct-OTT release of his film can be humiliating. A ‘no digital release’ clause will prevent such a situation.” But isn’t it impractical for an actor or director to expect a theatrical release when the situation warrants a release on digital platforms instead? The source says, “That’s debatable. The producer might argue that actors should put themselves in his shoes and only then they’ll understand why he’d go for a release on OTT. But even the actors and director make the same argument. To avoid such problems and most importantly, to avoid any bad blood, signing the said clause is the best solution.” Also Read: Post the Sushant Singh Rajput – Jacqueline Fernandez starrer Drive, Netflix to do a quality check

from BollywoodHungama.com News https://ift.tt/2X21BZe

[newonnetflixusa]

Baazaar

Baazaar is available in: Hindi [Original] on Netflix USA

[fanarttv id=”tt6514196″] [traileraddict id=”tt6514196″]

A wide-eyed graduate learns the ugly side of ambition when he joins in the dubious business practices of his idol, a ruthless Mumbai stock tycoon.

Reviews Watch it on Netflix USA

[imdb id=”tt6514196″]

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[amoljoshi009]

From powerful dialogues to a beautiful screenplay, Saif Ali Khan’s comeback movie with Radhika Apte & Chitrangada Singh is a bang on minus the technical terms of the stock market.

[technicalbaccha]

from Movie Review – The Indian Express https://ift.tt/2ORm7Li