#BUT he needed to end it completely single. No ted. No Jane. Learning to like himself
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coachbeards · 3 months ago
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Beard needs to pick himself.
you see that’s what i was saying the entire time and YET
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danadaria · 2 years ago
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Tedependent fic ideas
Fuck it.
Here are part of my Ted Lasso fic ideas. Some are wips, some are just the summaries.
There's a big chance I'll complete none, or one or two at most, but maybe sharing it with the world would inspire me (or you!) to write more.
P.S 1: All of them were written pre-S3
P.S 2: Feel free to comment :)
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"That would be your dream, isn't it? Food that makes you learn something." 
Or Ted goes to grab food with Trent, and he asks questions, and questions, and questions: About Shakespeare; the West End; the UE, Brexit, and the lettuce; the Queen and Queen, the best museums, and british series he watched with Beard in the 00s. 
And Trent is happy to provide. He was like a whole internet but with better hair, a handsome face, and a silky voice. 
Oh.
Oh.
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"So Ted, what is in your lockdown plan? Are you going to share housing with Beard?" "I wish! But no." "What do you mean with no?!" "Well, I offered to be roomies, but he's going to lock down with Jane. He has my key in case of emergency, but he's extremely responsible and anal with health relating things, so I doubt he'll go to my house. It's too big the risk." "I see. So are you… are you going to be by yourself?" "That's the plan, cayman. Well, seeing the bright side I have most of the streaming services." Ted started to fill his backpack with the last things from his office that he may need. "Do you think I'll need these book-" "Ted" "Yes?" "Go home with me." "What?!" "I mean-! … Ted, I have a spare room, a two-floor house, and a little yard. I know it's not much, but I think it would be good for you, I mean… I won't mind the company, even less the conversation. I can offer a roof, food, books and mostly reruns of every single Disney movie ever released. What do you think?
(Or the season 3 2020 AU where I decided to get some of my favorite characters to share part of the trauma that was the 2020 lockdown, but it's wrapped in a rom-com. Because I need it.)
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The thing is, Ted loves to know people. It is like reading a book, well, technically, listening to the audiobook version of the person in question.
And yeah, he tries really hard to actually listen, because he, better than anyone, knows how vital it is to be heard. And well, he's a curious person too. He loves when people start to brighten with a good question. It's like pushing the right switch. So he asks questions to all people. Most of them gave him the stink eye, and ignore him, but Trent Crimm enjoys questions too. Even if he has to answer them.
4 __________________________________________________
When Trent Crimm, newly Independent, started doing some freelancing at Richmond, Ted really hoped none of the guys held anything against him. What he never expected, it was Trent becoming rapid friends with Roy Kent, of all people. It didn't bother Ted. It didn't bother Ted at all.
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"Beard said something about Trent Crimm?" asked Nathan with interest. "Well, I accidentally heard a conversation between Lara and Sara, talking about how Trent has a crush on me." "Really? They said your name?" "Well, no. But they said somethin' about him having a crush on an American coach, who gave long philosophical answers and with who he had a one-on-one interview."
Or Ted hears a rumor, he shouldn't listen to the rumor, but he can't help wishing the rumor was true.
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peeterparkr · 4 years ago
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The Holiday.|Tom Holland
chapter two: Pride and Prejudice (Jane Austen)
↳ read Sophia’s version here and Tom’s phone call. (Tim fic) BY @jambrosemc​
There’s two sides to the story, the Tom fic written by me and the Tim fic by @jambrosemc​ for thw full experience (though you don’t need to) be sure to check out both! 
STORY SUMMARY:  Two women troubled with guy-problems, one who’s in love with love and one who doesn’t believe in it are both suffering from a broken heart, with little reasoning and nothing left to lose, they swap homes in each other’s countries for the holidays, where they’ll meet a local guy who will probably change their destiny.
chapter summary: new beginnings and first impressions pairing: tom holland x y/n | warnings: Chad word count: 7.8k
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You had gone through every single stage of a broken heart before, every single one of them. Haircuts. Wine. Clubbing. Reading. New life. Sobbing on the floor. Denial. Sort of acceptance. Working out. Eating your feelings. Coffee shops.Bars. Sleeping all day. Not sleeping at all.   But this? Exchanging homes with a complete strange and travelling to the other side of the world? This was crazy. Completely crazy, and yet, you didn’t want to back off. This was the one thing that, if it didn’t work, you were screwed. 
This was certainly not what you had imagined you’d end up doing for the Holidays, yet it was better than any other idea you’d come up with, because maybe, though you tried to avoid the thought of knowing damn well you’d feel lonelier in a foregin place, it’d help you get out of your suffering. 
“So, okay, we went through dog food already right?” You asked, as you were on the back of the Uber on your way to the airport, your dog was still your number one concern. 
You were on the phone with Sophia, the british woman who had her life sorted up. “We did, yep.” She paused, thoughtfully. “And I told you everything about the shop and it’s hours?” 
You were getting cold feet, honestly. “Yes, right, but… I don’t have to worry about opening right?” You asked her. “That guy…. what was his name?” You couldn’t remember. “Ted? Opens up right?” 
“Tom,” she cleared up. Of course, how could you forget his name, his name was the same as your damned dog. “And no you don’t. He’ll take care of it all, or should. She got off the phone for a bit but then turned back to you. “If you don’t mind, keep me updated about him though?” 
“Oh, of course, I wouldn’t trust a man either, “ you laughed. “I’ll check on him.” If you had the time, you were going to make yourself explore the city. 
“Thanks.” She sounded relieved. “And I’ll of course update you on Tommy.” 
You were so nervous of leaving your dog to a stranger, maybe you could tell your brother to go and check on him, too. Yeah, you needed to give Tim a call. “Please, I’ve never been away from my baby… “ You pleaded and then went through the basics on your head. “Uh, so the keys are under the porch thing I told you.” 
“Right, and I put mine on that book,” she recalled. 
“Right, right…. “ And then suddenly you were arriving at the airport. It had turned real. “Okay so we are doing this.”
“Apparently so… This is a good idea, right?” Sophia asked you. 
In all honesty, it wasn’t. This was one of the-if not the craziest idea you’ve ever had, but at the same time it was thrilling. Exciting and inviting and it gave you the opportunity for a story, or time to write one, if you could. 
“Having second thoughts now?” You asked, amused. “When we’re both on our way to the airport?” 
That was a lie, you were already arriving. 
“No, no. I just… I guess I’m just a bit nervous is all,” Sophia admitted. 
You chuckled, nervously. “I’m kidding, I’m terrified, too.” 
Because who wouldn’t be? This was the one thing that was incredibly terrifying. 
“Well, I’m nearly there. I guess there is no going back at this point,” she said. 
Because there wasn’t. You were having second thoughts, honestly. Wanting to give up and go back to your boring life. But then again, this was your chance to escape your boring life and this was your chance to actually make something interesting for once in your life. 
You finally looked up, the driver was waiting for you as you got out of the car. 
“I’m… actually here, so I’ll…” You paused, you couldn’t breathe, your nerves were tickling as you picked your bags and then faced the small airport standing in front of you. “I was gonna say see you on the other side but that’s stupid so… I guess this is a sort of goodbye?” You gulped. 
This was it. 
“Guess so… I’ll talk to you later?” She suggested. 
You wondered if she was losing her shit as much as you were, honestly you wanted to jump and scream. You were excited, but excitement can often be confused with being scared, and you weren’t sure how thin this line was. 
You took a deep breath. “Right, and please send me a picture of Danny so I can personally slap him,” you were only half-joking. 
“Oh of course, and you’ll have to send one of Chad so I can slap him as well,” she answered with a sort of relief. 
“Well, this is…” You were shaking, you closed your eyes. “I…”You paused again. Good luck, here’s to a well deserved break.” 
“Good luck to you too.” Sophia on the other side sounded just as scared as you were. “I hope you’re able to clear your mind.” 
You hoped so, too. You hope your mind could finally get out of the trance that having Chad was. 
“You too, well here goes,” you said before heading to the airport.
“Goodbye then.”
“...Bye.” 
You hung up, and suddenly the small airport had never looked any bigger. You were so close to changing your life. Big opportunities, big, big chances. You couldn’t possibly dare. But you were there, at the airport, so hugely standing in front of you. You felt very small, that was nothing new. You always did feel small, The world was waiting for you.
But you were not ready for it. You were going to back away, you felt fear invading your stomach, you stepped back, but then you saw a couple, kissing in the distance, you felt sorry for yourself. You couldn’t keep longing for that if you never risked anything. You couldn’t continue saying you were tired of being a secondary character if you didn’t risk doing main character things. This was just halfway to it. 
You finally stepped in and made your way across it. 
Because this was the first time you ever did anything, this was the first time you were getting lost in a dream, and letting yourself slip into time and actually going through with things. The day had been sunny. This was supposed to be your day. You wondered if people even turned to see you, you were nothing important, not really standing out from the crowds. But they didn’t know you were having the biggest adventure of a lifetime. Silly to think. 
As soon as you were sitting on the plane, you knew you couldn't back away now and this was it. This was it, a new beginning, tarnishing every single fear upon you, you tried to mingle your feelings and calm down your nerves. You knew it was the right choice, otherwise  you’d end up curled up on your sofa, digging your nose into each and every one of the books you’ve read already and staring at the ones waiting to be read, but never did for a reason or another. You couldn’t have another Christmas like that, this was it, not another one with you trying to avoid the question of why you were lonely again on Christmas and giving an excuse for each year. Sure, you’d be lonely but at least you didn’t need to answer questions about it. Besides, who knows, this was your chance, and you were already in the place so you couldn’t do much. You had an open window for freedom, for lessons to be learned and—Probably not that much, honestly. It was just a trip, how much can a trip change your life? 
A handsome man had walked in, and smiled at you. He was around your age, gentle smile and blue eyes. This was your first sign, because you did believe in them, mo matter how stupid you believed life found a way to tell us we were doing the right choices, only you’d always avoided them. Yes, it had been the right choice. Who knows? Maybe you’d end up finding love in a plane. Oh who were you kidding, you probably had no chance, and you were proven you wouldn’t right away as you saw the man’s beautiful girlfriend sitting right beside him. 
You wouldn’t find a chance like that, you were not a main character. You’d always known you were a plot device. There were main characters, secondary characters and plot devices. You were the last one. 
Your phone dinged. And the sound made you shiver. A friend of yours had once advised to give a specific notification sound for Chad, so therefore you’d avoid it. Needless to say, it had been counterproductive since you would dream with that sound and hope you’d end up hearing it every day. 
But this was different. This wasn’t him answering to another one of your lame attempts to start up a conversation. Chad had been the one who reached out to you. 
“Hey, y/n! Couldn’t see you after the party, are you up for tonight?”
You only stared at the text. This was the reason why you needed to get out. Him reaching out and your heart jumping a little. You needed some willpower. You couldn’t let yourself fall again for the lie his lips were, you couldn’t let yourself be tangled against the sheets with a man who didn’t love you as he should, who didn’t love you for that matter. 
“I’m going on vacation. London. “ you answered. 
He texted back, quickly. That was a first.  “First vacation in three years is turning point. 
It was, for sure. “Yeah.”
He didn’t answer. 
“Congrats on your engagement.” Though you did not mean it. 
“Thanks xx. So, when can we facetime?” He asked. 
With all the pain in your heart, but with the same courage you’d taken to finally go away you said: “We both know I need to fall out of love with you. Would be great if you would let me try.” 
You sent it and then turned your phone off. 
You didn’t need any more Chad. This was it, the one time you needed to escape and this was your chance. 
A chance to finally get away from him for real, a chance to forget it. And to not feel deplorable on Christmas. You needed to forget him, you couldn’t stay with someone who didn’t celebrate your love. You needed to be loved and though you knew you wouldn’t find love in London, maybe you could learn to love yourself. It was the main reason why you knew you loved Chad, because you didn’t stand up for your own. 
You slept for most of the flight, then connected to the other one and then it was real. You had left the US, and off to the other side of the water. Maybe it hit you until that point, the last person you’d ever gone on vacation with had been Chad and this--- No, this was the reason why you were leaving, your mind had to stop going back and forth with him. 
Before you knew it, you were in London, the dawn welcoming you in all your esplendor. And it felt… different, and it hit you. For the first time you’d gotten out of your little cage and this was big. This probably had been the best idea, though crazy, the best idea you’d ever had. You were out, you were in a city that was giving you endless possibilities to wander, and to explore and endless possibilities to find yourself. 
Someone had once told you that to find yourself, you’d have to be lost first, you had never felt more lost in your life, so this was your chance, to get even more lost in a city, and this was your chance, to get out there.
 It was raining as you’d arrived, and as you’d ran out of the airport, small droplets had fallen on you. You could go straight to the house, but something about trying new things had gotten on to you. 
It felt like Christmas, in a way. Everyone walked with their coats and umbrellas and scarfs around their necks, people who were busy, people who weren’t. People walking into shops, and people walking to their jobs, and drunken people walking out of the pubs, welcoming the sun. 
The city lights felt magical, and you had always loved the feeling of being away from the ocean on Christmas. But now, this was a city, full of possibilities. This was exciting. 
You’d seen places you’d seen in movies before, there was a nearby park, you thought about going there later, and exploring a nearby market. You’d be walking all day. Kensington, this place was absolutely gorgeous. And just 6 minutes away from Notting Hill, you still had the thought of the fantasy in your mind. But then… suddenly you were there, standing in front of the bookstore that would be your home for two weeks. Sophia had warned you there was a way in from the shop, and another one from the other place, but the key would be in the bookshop, inside this specific book. 
You had walked into the bookstore, a bell had rang as soon as you’d opened the door, you had looked up, it was decorated, elegantly, christmas lights hanging on the shelves, the place was small and comfortable, topped with books here and there, taken out of your dreams, it was small, but it gave a sort of feeling that it was eternal. Infinite place where you could read books over and over. You’d seen the guy-Tom, you assumed, look up and hint a smile as he was talking to an old lady about a book, he was carefully listening to her, so attentive. 
“Oh, eh, uh, morning,” he managed to say.  He had turned to give you a second glance, you locked eyes with him for a brief second, he had smiled again and then turned away.  
“Morning,” you answered. 
You’d barely looked at him, but you couldn’t help but notice he was attractive. Very attractive. Had you… blushed? You quickly shook the thought away, this was no time to crush on an english boy, besides this was the guy who probably was in love with Sophia, and you were the plot device, you knew that, you couldn’t even bother to look at him. No, you couldn’t. 
Besides, were you that desperate? So incredibly drawn to something you knew would lead nowhere. And how quick were you to jump to conclusions from barely a glance. A smile, a very pretty smile, that crinkled his eyes. No, you couldn’t keep staring 
He kept talking to the lady, you could barrel and overhear the conversation as you, still with your luggage, strolled through the places, touching the books, books you’ve read, books you hadn't. 
“Yes, I want to give this to my granddaughter, I love this book, Momo,” the old woman explained.
“Incredible read,” the british man answered with a grin. “Michael Ende is-” 
Michael, he said Michael, not ‘Michael’, he knew how to pronounce it. Like it was supposed to be pronounced. In german, not like you’d pronounce your friend’s Michael name. Mi- cha- el. Not sure why that had made him even more appealing—No, you couldn’t do this to yourself. This was old y/n kind of thinking, to get out of  a broken heart. You always did this, try to fixate on someone else to get over Chad. It never worked. But you were in London, but—No. He was Sophia’s coworker, Sophia’s friend and he was most likely in love with her. Someone like him had to love someone like her. 
However, it didn’t hurt if you looked again. Or—did it?
You decided you could look at the guy once again, his eyes brightened up as he watched the woman ramble. He was so delicate, yet bold. Handsome, very. Under his sweater he probably was hiding some well defined muscles, you could tell, not that it mattered, but it did grow something more appealing to him. He was very handsome. Not in a conventional way for your taste, so different from the guys back home. He carried a certain sensuality, but was also heavy on being adorable. A very dangerous combination. His lips were small, his jawline defined, but his sight… As if that pair of eyes could paralyze you, tender eyes with a hint of joy and innocence. He wasn’t innocent, though, he could look, but he wasn’t. He was tapping his fingers, anxiously and he took deep breaths as he listened and gave the lady wider smiles and melodious chuckles. He had blushed at the old lady’s remark that he was handsome, you agreed. His lips were dry, probably from the cold, and he licked them too much while he was speaking to the lovely lady in front of him. His eyes were surrounded by some-not so heavy dark circles, but you could tell he hadn’t probably slept. You wondered why. 
 You liked to observe people, you were a writer so you liked those little details that people didn’t stop to look at, like the way he would bite his inner cheeks while listening, or raise his eyebrows with surprise every now and then. You liked those details, thinking one day you’d have enough to build up a person, made completely out of details. 
You looked away once again, fearing he’d notice your staring and strolled through the books, the arrangement was impeccable, of course Sophia would have the place perfectly ordered. But there were some books here and there that didn’t—make sense for your taste. Or didn’t make sense at all, like an autobiography in a section that was definitely for fairytales. 
You heard the bell ring again, an old man. Early 80’s, you guessed, he used a clutch. He wore a vest, a cardigan on top, and a very nice green beret on top of his head, a grey scarf around his neck, he had a coat, still covered from the rain. He seemed adorable. 
“Good morning, Thomas!” He greeted him. 
Tom smiled. Felt weird knowing his name without having met him yet.“Henry, good morning, I’ll be there with you in a second, I’m here with lovely Doris,” he announced, still listening to the lady.
The old man, Henry gave him a smile  and then  looked at you. “Good morning, young lady, it’s pouring isn’t it?” 
“Morning,” you answered, shyly. “Seems to be.” 
“Ah, american, interesting,” he pointed out, his voice was cheerful, old but you could tell he was a lovely human being. “What brings you here to a lovely bookshop in London?” 
You smiled. “An adventure,” you said without thinking about it. It sounded better in your head. 
He smiled, “I love that answer,” he pointed out. “What kind of adventure?” 
You looked around the shop, “Don’t know yet,” you admitted. “I’m trying to find a good story.” 
He grinned, “Hm what kind of story?” 
“Don’t know,” you admitted again. “I’ll keep looking through the books.” 
“Oh,” he nodded slowly. “I thought you wanted a story for yourself.” 
“Myself?” you chuckled. “No, I’m good at reading someone else’s. Not good enough to be one myself.” 
He stared at you, kindly. “I wouldn’t be so sure about that,” he declared, and then looked at the shelves. “What to read now.” It amazed you how big of a main character he was, too, you’d probably love to write about him. He turned to you. “You seem… Like a reader.” 
“I am,” you said. Though, lately you’d been stuck reading the same ones, never wanting a new story. 
“Do you have any suggestions?” He asked. 
You grinned, “Well, I guess it depends,” you said. “What do you feel like reading?” 
He shrugged and gave you a tender smile, his eyes were shining. “Romance, perhaps?” 
“What kind of romance?” You asked, following the same path he had when asking you questions. 
“Classic.” 
You gave it a thought, he probably had read Shakespeare already, he seemed like a connoisseur.  But, somehow,  you looked him in the eye and knew your answer. “Love in the time of Cholera, have you read it?” you asked. 
“Surprisingly, I have not,” the man seemed perplexed. 
“Gabriel Garcia Marquez, it’s… about true love that endures and overcomes adversity for a lifetime, it is a tribute to love, adventure, time, old age and death, ” you said. “It’s an ode to true love.” 
“Sounds lovely,” he said. “Well, can you help me find it, please? I’d ask young Thomas but he’s there talking to lovely Doris there.” 
“Of course,” you grinned. You proceeded to walk through the store trying to find the book, hoping they would have it. 
“What’s your name young lady?” Henry asked. 
“Y/N y/l/n” you answered simply. 
“Hm, a main character name,” he pointed out. 
You shook your head. “You’re wrong about that,” your eyes kept looking through the shelves. 
“I’m Henry, Henry Abbot,” he said. “It’s a pleasure to meet Miss y/l/n.” 
“Pleasure is mine.” 
You needed that book and... It was not in the poetry section, which had you perplexed, they had to have it. “Oh.” 
“Is it not here?” Henry asked. 
“It’s not,” you frowned. “It’s-” 
“Hello, Henry, hi, hello, is there anything I can help you with?” Tom had asked as he had snuck behind, you accidentally stepped back and bumped into him, causing him to knock down two books. 
“Oh, I’m so sorry,” you said. You were an idiot. 
“No, don’t be, it’s alright, it’s my fault, I should’ve announced myself,” Tom answered with a smile, that you knew was probably a fake customer service smile, as he picked up the books. 
You then saw the old woman, Doris walk out with not only the book you’d initially seen her with, but other four, Tom was good at selling, you saw Henry had his eyes on her but proceeded to turn back at you. 
You were definitely not expecting Tom, right in front of you, you could smell his cologne, it smelled good. Why the hell had you noticed that? You shook your head, before he could notice any sign of your stupidity. 
“Oh, er-” 
He only raised his eyebrows with a smile. 
It was no secret that you were stupid around men, especially around men who were attractive. 
“The young lady, miss y/l/n here is helping me,” Henry intruded quickly. “She recommended a book.” 
“Oh,” Tom grinned. “Thanks for helping me out with Henry, did you not have trouble giving him a recommendation?” He turned to you again. “He’s read everything,” he said with complicity. 
You only smiled and shook your head. 
“She didn’t,” Henry pointed out. “Gave me an option right away, perhaps she should have your job instead,” Henry joked. 
Tom brought his hand to his chest, hurt. “Henry; now why would you say that to me? Thought we were friends.” 
You chuckled and turned to Tom, “Love in The Time of Cholera, Gabriel Garcia Marquez,” you said. “That’s the book—I thought it would be here.” 
Tom turned to you, his eyes were even prettier than you thought they were. No, you had to stop. You couldn’t be attracted to him. 
“Oh,” Tom was surprised by your statement. “Yeah, yeah, he’s… mexican, right?” 
“Colombian,” you corrected. 
“Yeah, yeah, it should be--” Tom recalled and then walked to the other side, he searched through the titles and then finally found it in the language section.  “There, this one?” 
“This is not in the right section,” you said. 
“Why not I put it there myself this morning—“Tom chuckled, handing over the book to Henry. “Another one, or shall I help you check out, Henry?” 
Henry smirked. “No, I want to know why she believes is in the wrong section.” 
“This is romance,” you cleared up, as if it was obvious already. 
“Oh?” Tom raised his brows. 
“It’s in the Spanish section,” you continued. 
“He… speaks spanish,” Tom said. 
You only stared at him, in shock. Any kind of sign of attractiveness had been completely erased. 
“Besides,” Tom smirked. “You were looking for it at the poetry section, not romance novels,” he pointed out. 
“I…” You blinked. You had said that particular book for another reason. It was the book where Sophia had told you she’d hidden the key. She told you she’d moved the book from the romance novels to the poetry section. 
Tom reached the counter, holding the book himself. You tried to reach for him, 
“Ah, er, can I see it for a second?” 
Tom furrowed his eyebrows, and grimaced. “Hm?” 
“Yeah, let me see if it’s… The one I meant,” you lied. 
He watched you skeptically. “Umm… why wouldn’t it be?” 
Henry watched between you both, humored. 
“I….please?” You begged. 
“Oh, don’t be rude to the pretty lady,” Henry pushed. “Let her see the book.” 
Tom opened his mouth but defeatedly handed you the book. You mouthed a quiet thanks and then skimmed through it, trying to find the keys. They were not there. 
Weird. There was no key. You blinked with surprise and looked up at Tom, who seemed pleased. 
“Is it?” Tom asked. 
“Yeah—It is,” you handed it over. Tom had a mischievous look on his face, he was humored by this situation. 
“She’s American, and looking for a story of adventure,” Henry said to Tom. 
“We all are, aren’t we?” Tom mentioned. 
Henry looked between the both of you. “Are you here for the holidays, ma’am?” 
So formal. “I am.” 
“Traveling with your significant other, I presume,” Henry said while Tom was checking the book out. 
“I—Well,” suddenly you felt lonely. “That position hasn’t been filled at the moment.”
Henry smirked, and then looked at Tom quickly then back at you. “With family, then?” 
“I—No, I came here alone,” you explained. “
“So, it’ll be £11.03, Henry,” Tom interrupted as he put the book in a bag. 
Henry looked at Tom, “where’s lovely Sophia?” 
“I’d like to know, too,” Tom answered. “It’s not like her not showing up. She hasn’t called me back.” 
Henry nodded. 
You were confused. Had Sophia not told Tom she’d left? It  felt like it was your time to intrude, but before you could explain, Henry looked at you and said. “Go give this young lady a story, Thomas.” 
The man left. 
“I—“you coughed. “Sorry, uh—“
Tom had a wide smile. “So… what can I actually help you with? Miss y/l/n, Any book in—“
“I well, I—“ you couldn’t speak. 
Tom chuckled. “Yeah? Or are you going to complain about another book arrangement.” 
“I wasn’t complaining, I'm just… very observant, alright?” 
He grinned. “Well, did you observe anything misplaced?” 
“Well, I did see a fairytale on the autobiographies sections,” you admitted. 
Tom blinked, perplexed. “Huh we did that yesterday,” he was surprised. “Oh right but--” He coughed. “So, well, you’re seeking for an adventure book-” 
“Not exactly,” you answered. 
“What then, romance?” 
You blinked. What did he mean by that? 
“You seem like you read romance,” he pointed out. 
“What is that supposed to mean?” You questioned him, chuckling lightly. 
He grinned. “Nothing, you just--suggested a romance book easily to Henry,” he pointed out. “It’s a good one, it broke my heart, in a good way.” 
“You’ve read it?” You asked. He didn’t seem like someone who’d read romance. He… honestly didn’t look like someone who read, at all. Of course, you should never judge a book by its cover but of course the cover always tells us a lot, a name and an author at least. You knew his name, who was the author? 
He smirked. “It’s ugly, and it’s sad-” 
“But it’s love,” you finished his sentence, quoting the book. “Yeah,” you smiled, not believing he had actually read it. “Great book. You don’t seem like someone who’d read that.” 
“I’m a sucker for those kinds of stories,” he admitted. “Don’t look like it, but I love that, soulmates and everything.” 
You chuckled. “Me too,” you said. 
“To think that two people are destined to find each other even when life pulls them apart,” he said. “And I mean he… waited 50 years.” 
“Yes, he did, even when she’d made the mistake to reject him.” 
“Sometimes that’s how love is,” he shrugged. And it was, you knew that. 
“It is,” you said. “It’s complicated.” 
“The book? Or love?” He looked into you, with a certain mischief. 
“Both, I guess,” you said,calmly. “But I mean that’s the magic of that book, love is complicated and so is the book.” 
“But also, it’s not-I mean, I loved it, don’t get me wrong but I couldn’t… I understood their love but I’ve-I mean it’s old love.” 
You laughed. “Old love?” 
He laughed softly to himself, “I mean, it’s not-Something I could relate to.” 
“Well, no, because although love is something universal, not one love can be duplicated, love is unique.” 
He watched you perplexed. You wondered if you had said something wrong, or if your way of talking about love with a stranger had bothered him. It bothered most people, most people were afraid of love and were confused by the way you saw it, and confused because you’d lost it so many times. Everyone wondered how you kept believing in it after so much pain, but that’s the thing about love, though there is one love, you can truly feel love for. 
“I’ve never heard someone putting it that way,” he chuckled. “Love being something we all feel but at the same time… it’s different, yeah.” 
Why were you talking about love with this man? 
“That’s what I’ve gathered from all the romance novels you assumed I read,” you chuckled. “Love is universal but it’s personal.” 
He chuckled and nodded in agreement. “No, I guess… You’re… right, huh, I’ve never seen it that way,” he said. “So do you want another romance novel?” 
Was he flirting? 
You shook your head. “No,” you smiled. “I’m actually-that book.” 
“No, wait, actually…” He interrupted, as he shook his head, probably backing away from flirting. “Sorry...This is bothering me, care showing me where the misplaced book was?” He asked. 
You had just told him, was he flirting? You’d never known how to flirt so you wouldn’t know. But you guessed it harmed nobody showing him, you lead the way, still carrying your whole luggage. 
But why the hell had you talked about that with a stranger. It felt weird, but he didn’t feel like one. Probably because you’d already known his name. There was something so incredibly familiar to him. So easily had you blurted out the whole love thing, and he probably was scared of it. Most people were, you would understand if he was, too. 
“So--here,” you headed and tried to reach for the misplaced book on top of the shelf, as you had some stray sticker had flown and landed directly on your eyes, for your own luck. “Ow!” You tried to get it out but you couldn't. 
“Oh, wait, wait, let me help,” he said before. “May I?” 
“Yes, please,” you said, You only looked up, he held your chin, which definitely made you nervous, but he stared into your eyes and finally got the sticker out of your eye. 
“I’m so sorry, sometimes they get stuck and we don’t see them-“ He said quickly getting his touch out of you.
“No, you’re good, don’t worry,” you said. “So, here’s the lost book.” 
He watched you with curiosity and for a brief moment your eyes were locked into one but you quickly looked away. You were not doing this. This was so stupidly cliché, the love conversation with him, having to directly look into your eyes, it was so stupidly cliché and obviously not as romantic as you thought it was going in your head.. You hated it. Because you were not a stupid main character, this was so stupid. This things, in novels, would lead to some kind of romance, but you were not the main character and this was just stupid. 
“Yeah, right,” he coughed. “But uh, wait, so for Love in The--eh, the book, yeah, how did- Why were you looking for it in the poetry section? I mean it is… very poetic but,” Tom was confused as he watched you. Felt weird he was looking at you, his eyes had this charm that made you feel like he only was fixated on you. 
“I—Well, there were supposed to be some keys in that book,” you explained. 
“Hm? Were there?” He asked with fake surprise, but he actually seemed confused. 
You frowned. “They were, in that book and it’d be on that section—“
“Hm, doesn’t ring a bell,” he shrugged with a smirk.
“Yeah, in that book, Love in The Times of Cholera,” you pushed. “So—“
“Yeah, I do remember some keys,” he coughed, shaking his head. “But I’m not giving them to you,” he mumbled. 
“Sophia told me—wait you’re not—?”You blinked. 
“Sophia?” he seemed doubtious. 
“Yeah, Sophia, your friend, right she is—in America, at my place, we—switched homes and so she left me the key there—“
“She did now?” He wasn't buying it. 
“Yeah,” you continued. “She left, we exchanged homes for the holidays.”
“I--” He chuckled. “What?” 
“Didn’t she tell you?” 
“Tell me what, exactly?” 
“She went on vacation, to my place in America, we switched homes for two weeks.” 
He laughed. “I don’t believe you, Sophia doesn’t go anywhere.” 
“Yeah, we have that in common,” you pointed out. “But—But—okay, so she’s in America, in Oregon.” 
“Why would she go to Oregon?” Tom asked. “Of all places—“
“Yeah, look,” you cleared your throat. Did seem suspicious. “I—we both needed to get away so we switched places, and well—Why don’t you give me the key?” 
“So, tell me, miss y/l/n, sorry I’m calling you that it’s what dear old Henry called you, but you’re expecting me to give you the key, to you, a stranger, to my best friend’s home?” 
“Yeah...” you heard how it sounded. 
“You’re expecting me to believe that?” 
Well, he did have a point.  “Well, yeah—I— thought she’d told you.“ 
“Sophia would never do that,” Tom said. You’d learned he was also annoying. 
“Yeah, and neither would I, but here I am in London in a bookshop talking to you while holding my luggage, you really think I’m lying?” 
He stared at you. “Yeah.” 
And there it went, the fantasy had ended. Because you were not a main character in a stupid romance novel. 
“You—Look, I know she—But look, she broke up with Danny, and she needed to get away and we—“
“Yeah but this is mental,” Tom said. 
“It is,” you admitted. “And I might regret it, alright but I’m already here, thousand miles away and please, can I just have the key? I need a break, I need to-” 
“I’m not, I can’t… I’m sorry I just can’t give it to you.” 
“Well—Why—Look, we can call her? I don’t know if she’s there yet? But she can prove we actually did this?”  
“Still I… Look, I would… recommend you a hotel, I mean-Look. There’s this hotel right beside--It’s on Notting Hill,” 
“Please, let’s just… I’ll call her,” you said, taking out your phone. This was stressful enough. 
“Oh, no, no, I’ll call her, how do I know it’s not a crazy friend of yours-” 
“Crazy?” You frowned. If you had been attracted to the man in front of you, you definitely weren’t now. 
“I’m-” He knew he had screwed up. “This is mental,” he whispered. He took out his phone, “She hasn’t answered all day- so-” 
“She was on a plane.” 
“Uh, huh, for all I know you could be a criminal,” Tom pointed out. 
Criminal, he had just been flirting with you second before. “Ah, yeah, I am a criminal,” you snapped. You didn’t like him anymore.
He seemed angry, you didn’t know why. 
“If you’ll excuse me,” he said before walking away from you to hear. Of course. You technically didn’t blame  him. Still he was rude. 
You felt like crying. Again, this wasn’t right. This was the one thing why you’d left. Was this a mistake? It probably was, why else would you feel so small. He was right, this was.. A stranger, you were a stranger. And not in the way one would think, you were a stranger to yourself. Why were you there? 
Honestly, you wanted to leave. It… was weird. You wondered why he didn’t believe it. Of course, he wouldn’t believe someone like Sophia would do this, Sophia seemed to be very calculated. Like someone who always knew what she was doing. You guessed you understood that. 
But he seemed worried about her. Really Sophia had everything, at least someone was asking her what she was doing. No one questioned you. You watched him, he was angry, or worried or upset, or everything at once. 
You could overhear him, just a few lines, you didn’t want to seem like you were intruding. 
“The—Well, y/n? I don’t know her name—” He said and turned to you, he watched you from agair and you just nervously looked away. This was unbelievably awkward. “Henry called her—Whatever, no, she doesn’t have them, I have them, who is she?”
Henry had called you ‘Miss Y/L/n”, yes. But now  he knew your name. He didn’t know you knew his. 
You overheard again. “She is a stranger.” 
And then it crossed your mind, Sophia was a stranger. Why the hell had you done this? How had you done this? And you felt it in your stomach, this wasn’t like you. You never did anything. This was risking everything. This was getting out of your shell. 
“I… I don’t trust her. I’m… tell her to get a hotel,” you heard him. 
This was just not it. You felt dizzy, and anxious and this wasn’t how it was supposed to go. This was supposed to be your fairytale and it felt like the worst nightmare. How was Sophia doing? 
At least she didn’t have to deal with anyone closing the door to your place, she’d have Tommy and you were sure the pup received her well. 
Tom watched you and turned to his phone and then you knew he was speaking at a lower volume, he probably knew you had overheard him. 
Tom was not happy, you could tell. Maybe this was his nightmare, after all, you assumed, he was in love with Sophia. 
He walked back to you, still staring at his phone. 
“Well, she’s gonna kill me if I don’t give you the keys,” he said, not still sure of it. “Look, I’m-” 
“I know you don’t trust me, I get it, but-Look, I am already here, I’m tired, I honestly feel like crap and I’m on a foreign country trying to remain as calm as I coul, look, I get it, I’m doubting it myself, but I trust her, she’s on my place, with Tommy-” 
“Who-?” 
“My dog, and I’m trusting her with that, so I know, I know, it is...mental or whatever fancy british ass word you used, and I myself can’t quite put my head as to why I did this, I don’t do this kind of stuff, I never do anything like this, and I know, it’s-Weird, and crazy but-You don’t have to be rude, alright? I’m not a criminal, I’m not- I’m just a girl whose heart was broken and needed to escape, and I-and Sophia was, too, okay? So maybe we just-I don’t know, I need to...” You knew your voice had broken a litte, and it surely pissed you off. “And Sophia, if she’s your friend, you’d understand why she’s doing this, she got her heartbroken, she was destroyed, someone made her believe it was her fault she was cheated on,” you pushed. “You know, when I talked to her-” 
“You don’t know-” 
“Maybe I just met her but I seem to understand her better than you,” you said. “And-and and before you say anything,” he had opened his mouth to complain. “I know, she is calculated, and I know she makes the right decision, but you don’t…Do you know how she feels with the breakup?” 
He didn’t answer. 
“Look, I don’t… That’s between you and her, alright-I-” 
You’d been saved by the bell, literally. A customer had walked in and Tom had to help them out. 
He closed his eyes, took a deep breath and then dug in his pocket. He hesitantly handed them to you, but he didn’t let go as you had your hand reaching for them. 
“It—uh, the red one is—“
“From inside the bookshop and the blue one outside,” you nodded. “Yeah, she told me.” 
Tom sighed before finally letting the keys fall on your hand. His fingers had brushed lightly, something you would’ve noticed and dreamed about 10 minutes ago, but you weren’t so fond of him now. 
“Thank you,” you said and headed to the door where Sophia had told you it would be. At that point you realized, you hadn’t even properly introduced yourself to him. 
You didn’t want to, honestly. 
You had trouble opening the door but as soon as Tom had turned to you, you managed to open it. You walked in, and as soon as you’d closed the door, you wanted to cry, because it seemed like it was your only talent. 
But you went upstairs and found the place, it was so neat, and organized and perfect and… Very office-like. Everything was where it was meant to be, so perfectly organized. Everything had a place. It was so clean. Nothing, nothing out of place. With plants, she’d told you about her houseplants. Elegantly and modernly decorated. 
Perfect. So elegant, with a dining table that had stationery on top. Dining table that was used to work? Sophia really didn’t know how to separate her job from her life. You’d known it since she’d told you she lived above her bookshop. Which honestly, you couldn’t blame, your job was writing and you were sure all your writings were scattered around your house. Your place was a mess, really, compared to Sophia’s squared house. 
Everything was so in place. The order you needed after the mess you had of a life. Just a glance and you felt… great. You’d even forgotten the whole issue with that random british dude, who, you’d avoid. 
This was incredible. You dropped the bags in the middle of the place and ran around her house to discover every little detail, because you knew you’d get to know who Sophia was better by her place. 
Her kitchen was impeccable, and her fridge was filled not with any comfort food that you’d been having since Chad, but everything was perfect. You loved to cook, and you’d end up using this kitchen, but you saw it was barely used, you could tell. She probably didn’t cook much. 
There was another room, another office, you presumed, though the whole place seemed like an office, too formal and ordered,  so organized again, with a small bookshelf, classic books and new ones, never opened. You wondered if she was like you, that couldn’t get to read them. She was a fan of stationery it seemed, and organizers, and post it here and there, color coded. Like everything was there for a reason. 
Three pictures, one of her and her family, one with Danny and another one with Tom. He definitely was in love with her. 
You explored a bit more. You even feared to be stepping on the floor, fearing you’d ruin it. The place seemed incredibly arranged. You didn’t belong there, but at the same time it was soothing. It was bright, and it helped. As if seeing so much order would help put some order in your own life. The place felt like it was cleaning your mind. 
You headed upstairs to the bedroom, and a big bed welcomed you, with a perfect white duvet and plush pillows. You, excitedly ran and jumped to lay down on it. 
This was just what you needed. 
However, you’d noticed that even though she’d told you you lived with Danny, there was no sight of anyone else living here. It didn’t feel like a couple’s place. It felt… Lonely. There was no sign of someone else who lived there. No home. 
But her bed was comfortable. And you were so, so tired. And then again… the bed was so, so comfy. Besides if the math was right, it was 2am back at home, so a nap wouldn’t be so bad. You stared at the ceiling, waiting for an answer. This was it. No, whatever doubt you'd had before, it was erased. This was your chance, sure it was completely crazy, but this… You needed to escape, and you were in a nice place, in Kensington, London. Not in boring Oregon anymore.  What was Sophia doing? Was she going through the big mess you were going through? 
She probably didn’t feel small. But you decided this was no time to feel small. Though, you were tired, this was no time to pity yourself. So you took a shower, put in some nice clothes and decided to enjoy the day. You were away, you didn’t have to feel sorry for yourself. You’d have time for that later, you were in London, you didn’t need to cry on the other side of the world. You’d done enough crying already. Over a guy named Chad. 
You needed to explore London, for God’s sake, you were in Notting Hill, you were no Julia Roberts but who was to say you wouldn’t find your Hugh Grant? 
You were sure to bring the keys and made sure to walk out over the exit that was not inside the bookshop. You didn’t want to face Tom. But when you’d walked out, you’d seen him, not as cheerful as the first time you’d seen him. He was pinching the bridge of his nose, and running a hand through his face. He did look out when he’d seen you, you decided, once again, to ignore him. Even though you were sure he had tried to reach for you. But no, you ignored him. 
And you would keep ignoring him, this was not time to deal with a british man who was not Hugh Grant.
Timmy fic (Phonecall Tom has) 
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wtfamidoing-andrade · 2 years ago
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Well done, past me, you got popcorn grease on two lil spots of the leather jacket, good fucking luck w/ figuring that out.
And now onto the movie:
!Spoiler alert be warned read at own risk!
⭐️⭐️⭐️(⭐️?) three (four?) stars-> is my personal score, welcome to my ted talk
So. Hear me out.
One star goes solely (id give it two) for the soundtrack and cinematography imo, the colors got all my attention to the screen, and recognizing most songs has got me feeling happy! It was all really beautiful and bright, thank you very much. I watched the movie with my uncle, the metalhead of the family, and we were thrilled with the soundtrack i mean cmon!! On ragnarok we had Led Zeppelin, and now on love and thunder we’ve got A LOT of guns n roses and weve even got rainbow in the dark (from dio) i also like how they put the fastest ending of November rain in the what, the battle song with the lil punks army? I counted also paradise city, welcome to the jungle, SWEET CHILD O MINE ooooo we got the swweeet guitar solo! (Call me out on being a poser, i just like the song) And cmon thor rocked the metalhead aesthetic, from the start!
The second star is Props to the reliigious and questioning towards believing and not believing in deities, the sense of loneliness of not having your needs met and the absence of a response from the universe (or said deity): both on the early start and towards the ending,(on zeus(personally theykinda painted zeus as an ass, but as a pjo fan i kinda haave to agree just a little bit.)about we only ever reaching out for the gods on times of need and all that) (also, i like the villain, like, i mean he’s not entirely wrong, who’s never wanted to kill the god that’s wronged you, cast the first stone!) I personally really like the dialogue of reasoning the first god gives out to the villain(not yet villain) (btw did we ever learn his name? That’s was not what my focus chosen to latch onto) anyways, i find that dialogue pretty much veeery fitting for an accurate description of a certain popular deity, (some offense intended) also love the questioning at the post credit scene, and ohh boy i need to see how’ll that’ll play itself out.
The third star, maybe a half? Idk! Goes to the constant attempt at representativity (heimdall’s kid, korg[twice], valkyrie(much to nobody’s surprise) zeus? Idk, it was nice, some chemistry between val and jane? Like🤨📸 oh ok jk, i mean, sadly it’s still a long way before its talked about without it being almost exclusively in a comic sense.. we’re still a long way to go, its a start! Nice! Personally identified w heimdalls son offspring? Kid, nice! I like thor as a single dad, i like jane being admitted in valhala(was she there for losing the battle as lady thor or losing the battle against cancer?) either way i like how they showed the side of a cancer patient (personally identified with that, but hey) without painting them as too weak, but like, sick? Idk?? I liked it.
However though, i think this movie went out of marvel’s sad depressing era, with (some may argue what was waay too much) comedy. Comedy, lots of it, even for the thor sequels.. my main problem with that is that I couldn’t grasp at all them, joke after joke after joke (the script also seemed to be a little bit off too.) and personally (spoiler!) i was hoping for more guardians of the galaxy content
That switched up the theme of the movie completely, amd im not a big fan of comedy comedy.
But overall, really nice. A break from the all depressive past series of events. Nice. Liked it. Not the best, but really enjoyable, will absolutely gatekeep. Its a comfort movie now. :)))
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On my way to the movies for Thor love and thunder, looking like the supposed (prolly poser alert, because no one is original anymore and neither am i, that’s just how life is) target audience
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cobrienba1b · 6 years ago
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Narratology Week 6 - Visual Storytelling
Today we learned about animation being a uniquely visual medium, the language of animation and visual storytelling. This is our last lecture on Narratology so after this it will be group tutorials and working on the essay.
It is said that animation is a medium, not a genre, Brad Bird (director of the incredibles) addressed this.
We learned that a medium is the means or method through which the information is conveyed. So basically this means the type of art or the materials used to make the art.
‘Implicit in the study of the animated form is how meaning is generated by the unique vocabulary available to the animator which is not the province of the live-action film-maker’ (Wells,1998,p1)
Unique vocabulary means that you have your own language.
We also learned about substance and content and the difference.  Animation encompasses an extraordinary range of styles and stories.
Substance = The story = What is told
The piece of marble, the canvas with the pigment dried on it, the airwaves vibrating at certain frequencies, the pile of printed pages sewn together…’ (Roman Ingarden as quoted in Chatman)
This means that substance can be literally anything, allowing the animation to tell unique stories or tell it in unique ways.
Content = Discourse = How it is told
Wee learned also about metamorphosis, it being one of the key thing we see in animation history, being appealing to people who watch fairy tales. Metamorphosis is one image transforming into another.
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We then watched a clip of betty boop snow white utilizing the rubber hose style by the Fleischer brothers . Snow white was the story and this was the discourse. This utilizes a lot of metamorphosis in a very cartoony and fun way. There is also a rotoscoped section in the dancing scene, an animation style that the Fleischer brothers actually invented.
We also learned about another key vocabulary, which was a fabrication. This means taking existing materials from the everyday world and repurposing them with an animated film.
We then watched another short film called Bottle by Kirsten Lepore (2010)
In this film, there was a good use of fabrication. This was about two creatures, each sending a botte to one another containing something from their “world”, and then when receiving it, they apply that to themselves in a form of facial features or clothing etc.
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This is the kind of film that could only be told through animation aesthetically, although through symbolism, the narrative is quite universal.
I also feel like the characters are anthropomorphized because we would build a deeper connection rather than if it were real humans.
The relevance using sand and snow as it was taking two different world and unifying them.
Early stop motion was best known in stories such as the haunted house films. We watched James Stuart Blackton’s “The haunted hotel”. Where audience didn’t know how it was done and an extra level of intrigue was added.
Wladyslaw Starewicz was seen as the first true puppet animator. ‘He took the carcasses of two dead beetles, removed their extremities and reattached them with sealing wax, soon gad two fully articulated models.’ (Kewley,2010) This animation was the Beautiful Lukanida, made in 1912. The story is very melodramatic and human, however with using insects, the tone is given a completely different feel.
Relating this back to substance and content, the substance would be the (re)animated insects and the content is the love triangle melodrama. It could have easily been made with humans, but the substance is what really makes the film special.  
Prior to 1937, no one would know if audiences would care if a drawing killed another drawing.
 ‘The very language of animation seems to carry with it an inherent innocence which has served to disguise and dilute the potency of some of its more daring imagery.’ (Wells, 1998)
 We then got shown another short film called the cat that hated people. The things that are happening are very disturbing, everything is safe and silly due to the 2D aspect of this animation because we are so used to seeing cartoons in this way that we don’t think beyond the actions.
We also watched a short film called Bob’s Birthday. Nudity was in this movie but due to the childlike cartoon feel dilutes the shock of full frontal nudity. If it was live action, it would have been cleverly hidden.
South Park and family guy are also very good at using sensitive controversy in a cartoon manner, that would normally be unacceptable (even though there is controversy sometimes) is seen as quite funny.
 Then we looked at visual storytelling
“If it is a good movie, the sound could go off and the audience would still have a clear idea of what was going on.” Alfred Hitchcock
This is a big rule of cinema, it has to tell the story visually before sound comes into play. This could also make the language unique and universal, it didn’t matter what country watched it, everyone understands.
Some images seem like the beginning of the story, some seem like we’ve jumped into the middle of the story and somewhere the story has already ended.
Roland Barthes (1974) identified 5 narrative codes, one is the hermeneutic code, which helps build mystery or suspense. Narrative statements build suspense by posing questions which can only be answered through the narrative.
 Compare and contrast
What happens when we die? - Not hermeneutic, we can seek to answer this question through various means
After her death, Jane found that her day-to-day activities became much more interesting.  – Hermeneutic.
WE can also thing of these as narrative questions.
“It was a bright cold day in April and the clocks were striking thirteen” (Orwell,1984), this is an enigma, something we can only figure out why through text.
We were also taught that when an image moves, the narrative capacity increases.
Psychologist Daniel Kahneman conducted a test (as quoted in Yorke 2013) which allowed for casual connections in the brain between two random objects or words. The brain works to add in what we are not being physically told.
Mehring suggests that ellipsis is the single most important technique for a screenwriter to master, deliberately omission of plot details or events that can be inferred through contextual clues and/or surrounding actions.
Explanation kills drama (Yorke 2013) Less is more.
When this happens the viewer becomes the screenwriter and you have become merely the supplier of stimuli.
In the earlier 20th century, Lev Kuleshov, a Russian director, filmed an actor staring in turn at a nowl of soup, a coffin, and a girl. Audiences were amazed by his ability to evoke hunger, grief and desire..
We then saw how Hitchcock explains the Kuleshov effect. He explains that the assembly of film is important, and how meaning is achieved through that assembly of shots. It also does depend on the cultural code as ellipsis relies on this. We may have a harder time to read older texts because we might not get cultural cues and clues the author could take for granted in their contemporary audience.
 We then talked about Narrative statements.
‘Narrative discourse constist of a connected sequence of narrative statements’ (Chatman, 1980,p.31)
There are process statements and stasis statements
Process statements is something done or something happens. Stasis is something simply exists, or ‘is’.
We then looked at a small comic strip called Short Ribs, Chatman expresses that the story may be verbalised one way. Saying that the king lost at the casino, even though that the frame of him losing but we can piece this together.
We then looked at how Chatman decodes this entire comic strip in pieces.
We gain interpretations and infer what each frame says and apply a story to images even though there is no text.
Chatman describes this as reading out, rather than simply reading text, we learn at a young age how to interpret text.
We then looked at the Old Lady and the Pigeons (1997) by Sylvain Chomet. This film is almost entirely dialogue-free, but the proof of success is that you don’t even notice.
During the film, we can see the process and stasis statements that are being shown, giving us the implication of mood, circumstance, and temperament etc.
Don’t give the audience the answer, give the audience the pieces and compel them to conclude the answer.
I would need to watch Andrew Stanton’s Ted talk for more knowledge of storytelling.
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coachbeards · 1 month ago
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So how should the show have ended?
well idk about the SHOW bc. Like. That’s up to every other character lmao but
Beard wise …
I think he should’ve stayed in richmond, since I truly do think space away from ted would be good,,, beard has devoted his entire life and identity to being an assistant coach as it was a lifeline after prison and drug addiction. I think he’s very much blurred the lines with this job and his duty to Ted… he loves Ted so much please do not get me wrong he loves Ted SO much. But he’s never fully be away from him or on his own. like brendan has said beard was more willing to ride with Ted than be with other people.
I think he deserved to be completely single by the end of the show…no ted, no jane. Finally just. BEARD. learning to like himself, then hopefully he could find out how to love himself.
either he quits fully from coaching, or steps back in order to evaluate his life and feelings regarding the job. I firmly think he needs a lot of therapy and healing, both from jane and just in general. he is…a miserable guy. I think maybe he takes time off to figure himself out, and maybe he returns to coaching, maybe he doesn’t. One of my favorite little thoughts is beard going back to school to either finish his degree or get a new degree….or even going there to teach! Transfer coaching skills into teaching, since he’s incredibly smart ,,, yeah.
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