Perceptions of Junjou Romantica pt.1
I reread Junjou Romantica.
And I liked it, I know it's a red flag; I admit it, and I don't regret stating this.
Okay, so last Saturday, December 03, between these midnight slumps, moments where everything you consider right starts to be questioned, is that Junjou Romantica came to my head, as a blurry idea.
I listened to the thought and after at least 30 minutes of online research, I found a translation page that updates the Manga, more or less up to date and without spelling mistakes, something that is always appreciated.
Before reviewing (this is going to take a long time) then I think it is appropriate to give the respective credits to this translation group:
Credits for the small screenshots I'm going to post to @hibonbl-scan on Tumblr and link to his page where I read the manga (at least the last few caps):
(in Spanish, bc I'm lazy man. Please see the image descriptions (ALT) to read the English translation of the cartoons)
BTW: This post is a translation for a last ONE.
I read the chapters before act 40.5 in TMO and Manga Dogs; please support @hibonbl-scans in their official pages and do not resubmit the manga to these platforms, because it is a demerit to the hard work that this group does for the readers.
Anyway, I'll stop chitchatting because this is coming for a long time, because it is about the avalanche of thoughts both good and bad, of what Junjou Romantica has meant to my life.
On goodreads I rated my review 4.4 out of five stars but… objectively it doesn't deserve more than 3.
Is Junjou romantica a bad manga?
The short answer is: Yes.
But then why did I score it so high?
Because the moment you put aside the bad time the first few chapters put you through, is when you start to highlight the good stuff.
So, a little context for you to understand the crossroads of my life:
My first BL anime, was Junjou Romantica, like a lot of the people who started watching yaoi. I watched it believing that Misaki, the main character, was a girl.
And I was shocked to realize that there could be a genre specific to gay relationships in anime. At that time, I only watched shojo (I also watched kuroko no basket, but I should dedicate another post to that), my epitome of romance was Adrian and Marinnete's relationship from miraculus ladybug, and I was 12 years old.
If I were to go back in time, I would have said to myself, don't watch Junjou Romantica until you understand that the attitudes Usagi exercises with Misaki are not romantic. THEY ARE TOXIC, THEY ARE WRONG and SHOULD NOT BE ROMANTIC.
I was one of the many girls who somehow approached yaoi believing that gay relationships, in real life, were based on abuse and possession which in manga/anime, looked good, but in real life is BAD.
Well, anyway, back then, as soon as I finished the bl anime page, I read the junjou Romantica manga, but I didn't remember anything, so I decided to reread it.
Current context:
I introduce myself; I'm a 17-year-old Chilean girl, who writes BL fanfiction since she saw junjou romantica. My romantic experience is not null, but the truth is that I've never felt in love. Nowadays, I can clearly differentiate the harmful attitudes of my environment and I can say that I managed to say NO to a relationship that was going to become something extremely toxic.
Disclaimer: the manga is not finished yet. But at this point the ending is pretty easy to guess and almost all the main conflicts are settled, so I don't think my opinion will change with the ending.
Also: Too many spoilers.
With this in mind, I can start commenting: Bring your beverage of choice, make yourselves comfortable because this started long and will go on long.
The plot: Usagi is a traumatized novelist, Misaki a traumatized boy but with a cool brother. Usagi and Misaki love each other. 💕
That the easiest plot summary.
I'm going to start with the good and the bad I'll analyze it later.
My favorite character is: MISAKI 🤧
I give a trophy to Misaki, for achieving this position in my heart. A real shame that within the fandom you are so underrated, all because of Usagi's sexy face. However, I didn't fall for Usagi's charms, and I can say that Misaki is one of the best developed characters I've encountered in manga.
WHAT????
When I was 12 I didn't appreciate it, but now. OMG.
Misaki needs real recognition, and so I'm going to start by highlighting what makes him such a mind-blowing character.
Misaki is an orphan boy, and he still blames himself in his 20-something years for this event, for this very reason is that he grows up to become an insecure man with low self-esteem and even comes to believe that he doesn't deserve to be loved.
It gives me certain vibes of Charlie from heartstopper, but worse.
HOW?
Now they're going to want to kill me, I get it.
Misaki, has all these complexes, besides being an orphan, having clear homosexual preferences that he represses and his older brother who has taken care of him, since his parents died, is getting married and, therefore, Misaki must become independent to not disturb the family environment that his brother will begin to form with great effort.
And I emphasize that bother, because Misaki throughout the manga we see him constantly repressing himself for fear of being a nuisance. He shuts up his opinions, his own desires, for the sake of the other person. He is too humble, so much so that it becomes painful. But Misaki grew up like this, it's the way he lives.
But everything I said, it doesn't end there, because the Misaki of vol. 1 changes too much to the Misaki we meet in vol. 27.
Misaki is my favorite character because we see him grow too much, so much so that I ended up in tears of pride just for him.
In the beginning he is, as I said, a snowball of insecurities, which if not healed, is going to end up getting bigger and bigger. His motivations (at the beginning) are basic: finish college, get married, work, and die. A life scheme that she considers boring, but at least it won't cause problems for the people around her.
Misaki, too, has a big issue expressing his feelings, he gets a mental circuit breaker and runs out of words even though he knows them well. He cannot express what he likes and dislikes; something that also contributes to the misunderstandings that occur throughout the saga
(and which add to the toxicity of the main relationship, at the beginning).
But in the end, Misaki not only accepts that he wants to be with Usagi for life, but is also able to express this clearly to her most important circle of people. He is confident enough in the decisions he makes that he can fearlessly reject people who want to go overboard with him. And furthermore, he brings to the relationship he has with Usagi no longer just as a stereotypical "tender Uke" figure BUT now he does so by supporting the very "super strong Seme" that Usagi is supposed to be.
Exactly. Misaki acknowledges that he's pivotal because without him, Usagi would be dead. At first, he says it as a joke, but now we realize that it's true. That their relationship works for the simple reason that they complement each other like a glove.
This is true love 💓. Because we are into something that is mutual.
Misaki can convey that he doesn't like something, maybe with a little more effort than everyone else; but he CAN. He is a boy who has grown into an adult who intelligently recognizes desires, ambitions, fears, and affection.
He transmits and receives love; in all spectrums of the word. As we see in the last vignette. If you only saw it you wouldn't know who Usagi or Misaki are, because they are equals. They consider each other as equals and respect each other as one.
Do you know how much it took for Misaki to identify herself as someone just as valid as Usagi?
Junjou romantica, to me, more than a romantic story is the journey of overcoming a troubled boy through sincere love. It's Misaki's journey, and how this is just beginning, assuming that it will hurt many times and cost; but with Usagi by her side she will be able to overcome the gaps.
There is a reason why the story begins when Misaki is so young. He is 22 years old, just finished college. That is to say, he has all his life and is going to keep learning. Junjou Romantica is the beginning of Misaki's journey.
My favorite scene with Misaki as the main character is when he talks to his sister-in-law about his relationship with Usagi. That explosion of information and feelings they had inside her for years is something magical. I was in tears from how proud I was.
Maybe it wasn't the best confession, but he told her everything he felt, he conveyed to his sister-in-law all the time he has invested in the relationship with Usagi. That it would be for life.
I was with Misaki, supporting him through everything, hoping for the best. I am amazed at how much he was able to convey with those words.
I felt his nervousness. At that point I was already crying, but I had to take a break when I read the following:
So short. So sincere and so meaningful.
I don't think I need to say anything else. Misaki as the best character in the whole manga. First point finished 😉
Now, I know what they're waiting for.
Who they're waiting for.
Usagi-San.
Is he a good character or a bad character, are his actions justified, should he be forgiven?
First, a little vignette of the men we're here to analyze.
One good thing I should point out: His obsession with teddy bears. That has a charm that's hard to ignore. Seeing a guy carrying a teddy bear all the time is wonderful.
In short; Usagi is a novelist, who has a bad relationship with his family and, in reality, knows little about human relationships. We realize this in the first moment, when he attacks Misaki, just for seeing him meddling in her things.
If I'm not mistaken, Usagi never had a steady partner before Misaki, but I want to sound like there was a thing with Hiroki, but I don't remember too well and, I don't really care either (I'll talk about my complicated relationship with secondary partners later).
Okay, so with that in mind, let's start with the bad stuff, just to get it out of the way.
What's up with falling in love with the brother of your biggest crush?
The younger brother, to boot.
I consider that to be the least realistic thing about Misaki and Usagi's relationship, because we're dealing with a replacement dynamic; which ends up affecting Misaki later on.
However, I think that if Nakamura, had the opportunity to remake the first volumes, that would be something that would change; because it is NOT necessary that in order to form a strong relationship between two characters it is mandatory that one has a crush on the other. Misaki's brother himself, is a living image of this. He never had any interest in Usagi in that way and yet, he considers him as her best friend.
(I will also talk about Misaki's brother later but wait).
The second thing I don't like are the attitudes Usagi has, I'll leave a little sequence, so you can realize this by yourselves.
Context: Misaki is talking to Usagi's family and Usagi appears out of nowhere.
I mean, I know it's a joke, but it gets a little murky when we actually realize that Usagi is the kind of partner who would put her boyfriend on a damn GPS, so she knows where he is.
It's controlling.
Still, we can salvage a bit of the reasons why Usagi is that way, so distrustful even of the person he loves; but I must stress that this doesn't justify his actions either. His controlling behavior stems from how much he has struggled to form stable relationships in the past.
See, in the manga itself we are told how for Usagi, Misaki is the first person to cry for him. We are even told that this is what caught Usagi's attention, how Misaki's empathy was so high that he expressed all the pain that Usagi held back, all by himself; despite the two of them getting along “badly” at the beginning of the story.
That's the word: “Irreplaceable”. The main reason Usagi controls Misaki so much is that he knows that he will never find someone who feels the same things, at the same intensity as Misaki does.
Now, does this justify his actions?
NO, NO AND NO.
Let's not confuse motives with justifications, they are very different things, but that we have to realize in order to understand the characters a little more. Because if we start defending toxic attitudes we will be in front of a red flag, and maybe we should start rethinking what we consider love and respect.
Now, let's talk about being possessive, and we don't have to go too far in the manga for the first signs of this attitude to come to light.
This character, who has been almost forgotten, was Misaki's first friend in the uni, when everyone ignored him.
And, in fact, he behaved as a cordial person with Misaki, he made him feel understood and integrated into that micro society that is the University. He even helped Misaki forget for a moment the insecurities that haunted him because he considered himself as his brother's replacement.
In other words, what I said in the first place. Direct effect.
Now. What ends up happening? That Usagi almost wants Misaki to be his. He stresses this to her on occasions where he tells him that he would prefer him to stay in the house 24/7, or in this house itself. Interfering in Misaki's personal relationships.
The good thing is that they're manga characters, so we're dealing with people who function on a scripted basis, but if the situation happened in real life, Misaki's friend would most likely have turned the other way.
Misaki wants to go out to eat with his new friend, but Usagi refuses because he finds himself jealous no longer that he has friendships, but that he is a man. He hates it when Misaki talks to other people, because in Usagi's mentality, that action in itself expresses a sexual interest on Misaki's part.
Which brings us to one of the first major conflicts.
Misaki, for the first time claims that he wants it and Usagi what does he do?
He represses it.
That contradiction is what I hate most about Usagi, who then later complains that Misaki isn't clear with his feelings, that he doesn't hide things from him, what-the-hell-doesn't-he-do. Dude, you in Act 2, when the two of you, in reality, were nothing, not even an official couple; you silenced Misaki.
How does the situation end? With sex and Usagi imposing himself as someone who has greater authority with Misaki and, therefore, must obey him.
I tried to cut the scene as best I could, because it is very explicit.
Honestly, this accumulation of attitudes is what makes Usagi a pretty despicable character to me.
It's a strong word, but unfortunately his pretty face doesn't help us to save points.
But well, not everything is bad with Usagi. But in order to highlight the good, it was necessary to identify how this character started in the story.
Because what I like most about Usagi, is how he recognizes that his past actions were wrong and tries to repair the damage caused in the future. Without repeating the same mistakes again.
For this we have to get to the beginning of the current arc, which I have called as “Confession arc” where the relationship of both, can no longer continue to be kept hidden and, therefore, Usagi understands that in order to form a relationship that is already “for life”, he can not continue to mistrust Misaki in such small situations.
It's not for nothing that the relationships that last the least are the ones with trust bumps. It ends up tiring both parties, and they fail as fast as they ascend.
So, the situation is as follows. We have Ijuiin Sensai, who is a mangaka that Misaki adores with all his life. He admires him greatly, but the only problem is that Ijuiin does harbor romantic feelings for Misaki.
This triggers several conflicts, as Usagi, again with his trust issues tries to “mark territory” with this mangaka. But this does not end up making Ijuiin himself see Misaki as a more “desirable” target. Following the logic that when you are forbidden something you end up wanting it more.
The interesting thing happens during Misaki's 22nd birthday, when Misaki and Usagi decide to travel and by the vagaries of life, Ijuiin meets Misaki. He confesses to him and even tries to kiss him.
At this point, we realize that Usagi, is watching everything from afar, seeing when he considers it an appropriate time to intrude.
The great thing is, Usagi doesn't intrude on this conversation. He does not decide to show himself, as he is confident that Misaki will be able to reject Ijuiin Sensei without further complications.
I think at this point, Usagi starts to put his toxic attitudes aside, and tries to carefully follow Misaki's actions. Something that is really appreciated, because up to this point, I always felt that Usagi, on certain occasions "happened to carry" Misaki, for and for his own benefit.
This vignette actually has more meaning than you think; it shows us that Usagi, despite being able to have it all, what makes her most happy is knowing that he is able to fully trust Misaki.
It makes him happy to know that the person he loves also fights for the same ideals.
Usagi is not a humble person, but we do not realize how in reality, the only thing he always looked for was that; love. Reciprocal and on firm pillars of trust.
My favorite Usagi moment is this one:
If someone says something similar for me, I would hold on to this one without a second thought.
In this sentence, all possibility of failure is left out. Usagi throughout the manga has shown us that he does not intend, for anything in the world to let Misaki leave his side. He has fought against the ups and downs, for that.
To go through this life with him.
That perfectly condenses the character's purpose and how something as human as living can be made better if shared with the right person. Usagi already met him, and this is Misaki, and he is not willing for anything in the world to let go of him.
The Japanese don't have a particular and defined religion; they actually share traits of various religions they have in their daily lives, and JR as such has never really shown too marked religious references other than the typical anime/manga ones, such as the New Year's celebration. But I could say that this is the first sentence that has such a marked religious meaning.
There are various beliefs of death; the Catholic one is that we ascend to heaven and live in paradise, in others there is reincarnation, Shintoism, where humans become kami.
But the fact that Usagi has referred to “this life” transcends the religious, because he makes it explicit that he believes that in the next life he will be a completely different person.
The great thing comes when we realize that one life is full of experiences and hardships and he is willing to spend it with Misaki no matter what. Usagi believes that when he dies, in the next life he is not going to have Misaki and that makes him make the decision to live his current life with Misaki as much as he can.
Therefore, I consider this to be one of Usagi's best moments, for the simple fact that it tells us as readers that this is his final decision and that he doesn't plan to change for anything in the world.
A true: "Till death do us part".
In short. Usagi gives for a lot to talk about, considering all the background of the Usami family behind, but I prefer to leave this section up to here to go to another point.
The best brother in the world?
As I was commenting throughout the post, Misaki comes as a package, so to speak. In fact, there would be no Junjou Romantica without Misaki's brother.
Takahiro Takahashi.
I'm bad with names, so I'll just call him Takahiro or brother, just so we understand each other.
I consider Takahiro to be too good a person, and you can understand at a glance where Misaki got all the humility from: From her older brother.
Takahiro instilled in Misaki the values of hard work, honesty, and simplicity.
From the very first moment, we realize that this character is completely devoted to Misaki, to the point of putting his own dreams aside to take care of his little brother.
Takahiro is aside from this, the biggest hero to Misaki, as he is always the first person he looked to for a second opinion or support.
However, I consider Takahiro, starting from the last arc becomes such a cool character that would lead me to rank him as one of the best siblings I've seen in manga.
Starting with the point that it is not too common for the main characters to have siblings.
THIS CARTOON IS TOO CLEVER.
Takahiro's main flaw is what you see up there; he still sees his younger brother as a child, who is not ready for the adult world. His wife tells him. That Misaki is no longer a child, that he should start seeing him as the independent adult he is.
This of course is going to reflect a shock to Takahiro, who has always sought for Misaki's welfare. Fighting for this with blood, sweat, and tears; defending Misaki from the obstacles that may come his younger brother's way.
But this made Misaki end up, in a subjective way; drowned.
Takahiro is overprotective, that's his biggest problem. Misaki is too important to him and for that very reason, he would like to be aware of everything that happens in his brother's life. He faithfully believes that he knows Misaki too well and trusts that Misaki could never hide information from him because Misaki, in one way or another, is "indebted to him".
Misaki, however, believes that the best way to settle that “debt” (which is the time Takahiro invested in Misaki's childhood), is to get away from Misaki. Letting his brother live a solitary life; with his own family, while Misaki tries to live the best life possible.
Now, clearly they will remain close siblings. I really love the brotherhood between the two because it looks too sincere.
On the other hand, let's have the conflict that occurs when Takahiro discovers his relationship with Usagi and his reaction.
IT WAS SPECTACULAR.
Because it was realistic, he didn't accept everything at the first time. He even gave a look of pure hatred to Usagi, who is his best friend, and took his little brother elsewhere.
I feel, somehow or other this is no longer about gender. Takahiro doesn't care about the issue of Misaki being with another man, but the simple fact that Misaki has managed to make a person who is not him, become someone precious leaves him too shocked.
I feel that if Usagi were a woman, the same reaction would happen. Takahiro doesn't understand how this guy was able to get Misaki to express his likes and dislikes with such conviction, something that even he couldn't achieve.
This hurts Takahiro, because he hates to know that despite all the effort he made, Usagi managed to bring out a part of Misaki that even he, as an older brother, did not know. It is hard to assume and for that very reason he is perplexed.
Also, there's no denying that he even feels guilty, since it was thanks to Takahiro that Misaki stayed to live with Usagi and, consequently, the relationship was established.
Which brings us to this other thing:
I applauded at this moment.
Simply spectacular.
Are we in front of one of the best sentences in the whole manga? I think so, because in this sentence Takahiro shows us that even he himself feels guilty of what Misaki has suffered.
He knows that one of Misaki's shortcomings is to apologize even for breathing, besides being aware that the reasons for this behavior are a result of the difficult childhood he had. And more than that, is the issue that Misaki is never going to feel totally “forgiven” for the death of his parents; we all know that they passed away from driving fast because Misaki was sick and this fact ended up marking Misaki for life.
Takahiro is aware that the weaknesses Misaki has are because of that. He never expresses what he feels for fear of a similar situation happening again due to a need of his, he apologizes for everything and tries to cope with difficulties too great for anyone.
The simple fact that Takahiro told Misaki that if he has a conviction (love for Usagi), he should hold on to it, is extremely important. Because it is the biggest gesture in which Takahiro realizes Misaki is letting go of that feeling of guilt little by little.
Now how does it affect him to know that his best friend betrayed his trust?
One image speaks for itself:
You know what? The fact that Takahiro hit Usagi made me infinitely happy. Partly because it was the punch I wanted to give him in the first few chapters, but in another because it seems like a very human reaction to me.
Yeah, I guess I'm a fan of human reactions.
Now, let's understand Takahiro a bit. He fully trusted his friend, for Misaki to study in the desired university; no one would ever think that your best male friend would end up with your little brother, who is the light of your days.
In Takahiro's own eyes, Usagi took advantage of Misaki; of Misaki's shortcomings when he was still “innocent”.
Something he's not entirely wrong about because coff coff first chapter coff coff.
At this point Takahiro would feel too guilty if Misaki's relationship leads to having painful consequences for his little brother, because he somehow “introduced” Usagi.
I love that Takahiro has told him that he will never forgive Usagi if she hurts Misaki, because that makes family a priority for Takahiro and that no matter what, he will always support Misaki. He treasures him, and as he has continuously repeated; Misaki is his greatest pride.
Anyway, Takahiro of my favorite characters 💖
-✦───────────-✧
Choice of favorite chapters/moments pt.1:
To no one's surprise, I consider the best scenes to be from the 3rd season equivalence of JR's anime.
So I'll give a brief description of the situation, my feelings, and the importance in the plot.
Misaki's 22nd birthday.
It is not difficult for me to infer why this moment is transcendental. First of all, there is the simple fact that during this moment Usagi understands that the fundamental thing is the trust he must build with Misaki and, on the other hand, there is the mere fact that it is a birthday celebration.
Birthdays, although they may seem stupid to many people, are actually something all too human that people do to get closer to each other. It celebrates one more year of the birthday boy or girl's life and wishes for many more.
Misaki's 22nd birthday, marks the beginning of the last arc, where important issues end and begin; such as college and the Usagi/Misaki relationship is put into further question by Misaki's older brother.
Marbles
It happens during Misaki's 22nd birthday itself, but I consider it a beautiful moment to ignore.
Basically, Misaki teaches Usagi that with marbles you can make 3 wishes and Misaki later realizes that she made the same wish as Usagi.
This makes it clear how such a simple custom as making wishes on marbles can actually have a big impact on a person's relationship.
Without a doubt, Misaki always surprises us with how much he makes us feel, with things as simple as that. Nothing extravagant, just sincere love.
Misaki realizes that he wants to live with Usagi.
Then Misaki's older brother starts to pressure him, saying that it is no longer appropriate for a boy, who is finishing college, to continue living as a “kept man” in Usagi's house.
In this context, Misaki is forced to spend a weekend with his brother and family, realizing how much he misses Usagi.
This chapter is actually very important, as something rather peculiar happens. We know that Misaki's older brother is one of the most significant people in her life and, despite having lived with him all her childhood, we realize that the four years or so that he has lived with Usagi have been enough for Misaki to no longer feel comfortable living in her older brother's home life.
Misaki realizes how much Usagi is missing in his daily life, how such a small action as spending a couple of days without each other is already too much.
They will say it's dependency… But I would call it.
Coexistence.
Misaki no longer sees Usagi's apartment as something foreign to his life, before it even felt uncomfortable. Now, he sees that place as the home he needs to recharge his strength. Misaki now realizes that he no longer wants to keep lying to his family about his reasons for living with Usagi.
Misaki wants to live his life with Usagi, in that home that the two of them have been forming little by little.
Clad in fond memories and overflowing emotions.
Which ends up triggering the following vignette, which I decided to include at this point because it is a direct effect of the above.
Bonus: Misaki with kiki.
I include this bonus because it is too adorable. It makes for a total icon. Just that, Misaki with a bow tie is the best. It's in these moments that I understand why Usagi is so crazy about him.
Who wouldn't be!!!
-✦───────────-✧
Honorable Mention:
Okay, this is the third ending of the anime and my favorite song of the anime. Simply spectacular. I highly recommend not only this song but all the Luck Life songs that are available on Spotify and on YouTube itself.
Now, a brief analysis of the song and its relationship with JR.
This is Misaki's song.
Maybe that's one of the reasons why I like it so much.
I could imagine Misaki in a karaoke singing it to Usagi. Because the song reflects how hard it is to express what he feels.
Even if I can't find the right words/ I want to tell you/ 'Cause just wishing won't change a thing./ I can't put it well,/ But I'll pour my heart into this voice/ So don't laugh - just listen.
This refrain aside, it reminds me a lot of the marble episode, how Misaki wants to be with Usagi forever. Sure he wants it, but even so he knows it won't change anything, so he decides to pluck up his courage and take the bull by the horns. He realizes that he can no longer be ambiguous or delay the inevitable.
Me pregunto si tú también/ tienes noches en las que piensas en mí.
We go back to the chapter of Misaki spending the night at his brother's house, feeling devastated at not being with Usagi. We all know that Usagi also felt the same way. In itself, I think this perfectly reflects the comfort level they have reached.
In this changing world, with the two of us unchanging/ You'd be by my side.
I have analyzed it throughout the post, but in short this is the main goal of the characters. To stay by each other's side forever no matter how much the world changes, even if they get older, even if there are new conflicts.
To stand by each other and face the modern world that changes without waiting for anyone. No matter what happens, Misaki wants to face that future with Usagi.
Do you see how much can be extracted from such a great theme song as this one?
┊ ┊ ┊ ┊ ┊ ┊��°•
┊ ┊ ┊ ┊ ✧。˚ ✦¤
┊ ┊ ┊ ✫•○
┊ ┊ ✦°•
┊✦° ┊
✧ °¤ ┊ . ˚
˚✩
Okay, so Tumblr won't let me post so many images and this is getting too long. I can say that this is the end of this first part of the exhaustive analysis of Junjou Romantica.
I'll be glad if you tell me if you share my opinion, if you think there's something I left out or, by the way, I'm wrong. I tried to make this publication looking at various perspectives and from a rather critical point of view, although, clearly, there are many things that I was influenced by due to my preferences.
In the next part I will continue with my favorite moments, I will talk about the secondary couples, I will make my predictions, I will also say other things I don't like and conclusions. If you have any suggestions or want me to take any specific topic from the anime/manga, in the next post.
I'll be happy to elaborate on it!
I hope you liked it! If so a reblog and a heart is appreciated.
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Parker Luck Part 1
This is going to be a little different from what I usually do… but dammit if I haven’t fallen in love with Peter Parker Angst and Tony Stark being an overprotective Iron Dad. I love it. I love it too much. Don’t worry thought starlings! Langst will still come! I will only add to it! (Maybe some Ereri one shots too. If it’s yaoi, or angst, it will be full game on this account!) I hope you enjoy!
—
Honestly, where ever Peter did something, it was all in, or nothing. It was either done so seamlessly and so well, you could mistake it as mastery or art. Or he failed so bad it was like a bard rolling a one on a stealth check. A complete failure.
He would stop a robbery, either coming out unscathed and looking amazing while doing it, or he barely managed to stop the robbery, limping awkwardly away with multiple bruises and sometimes if he got lucky enough, broken bones. Those were the nights he had to play doctor and set his own bones without telling Aunt May- there were only so many times you could claim you got mugged before people start wondering if everything’s alright at home- and then it would be rinse and repeat for the next crime he stopped.
School, he either was perfect. Grades all hundreds, nothing phasing him at all, gym going pretty well, and he was able to sneak under Flash’s radar and come out fine. Melting into the scenery and lockers like a ninja and making it out with not a hair out of place. Other times. He scraped by with nineties, gym kicking his ass, and Flash making him a public spectacle of humiliation. Multiple times per day.
And the most unpredictable and inconvenient give and take. Secrets. Either, his secrets stayed in the dark for many years. Never to see the light of day even to Aunt May. Or they stayed under loose wraps, slowly unraveling and choking Peter in a tight hold. The lies wrapping and shoving their toxic words down his throats and trying to expose as much of themselves as possible to the truth and light. Slowly gaining attention from the ones he cared about until he could get it under control again. Shove it into the dark. Nothing’s gotten away from him yet. But honestly. Things never stayed away forever. And that terrified Peter.
But through it all, Peter always had one. Consistent. Constant. Little thing.
Rotten luck.
That’s probably what true to god ended him up in this situation in the first place. Sitting in a hammock made of web on top of his apartment building and going through his head on how long he could make twenty dollars last on a New York City street.
Honestly, he didn’t blame Aunt May. Not at all. Not one single piece of him did. Her nephew was staying out at night, coming home rarely and at all hours. Usually acting suspicious and weird-from his hidden injuries-. Acting skittish and jumpy, as if something were coming to get him constantly, never explaining anything to her, and always waking up in the middle of the night clammy, shaky and pale. Mouth wide in a silent scream that never leaves his lips. It wasn’t a surprise to him that she’d think up theories to her beloved nephew’s behavior.
It was a surprise however when she accused him of being on drugs and kicking him out of the house until he proved her could “get clean” or explain himself to her; why he was going and doing this to her, their family. And Peter honest to god did want to tell her. More than anything. The secret itched and bubbled underneath his skin. Begging to be told. But guilt and worry kept it down. Now, Peter was sure that if he tried to explain himself it wouldn’t make things much better. After all, what Aunt/Mother figure would believe something that would go a little like this?
‘Hey Aunt May, the reason I’ve been lying to you for almost a year now is because I’m sneaking out to fight crime in the dead of night with inhuman abilities given to me by a spider bite on a school field trip and web slingers I made in chemistry class. I also have a multi-million-dollar suit from Tony Stark as part of the internship I got for doing this. Do you know Spider man?’
Yeah, that would go over well. It would more likely end him up locked away in some rehab recovery center or a mental health care facility than get him home. Which was not good his school work or the ‘internship’.
Though, it might be a little bit warmer in the rehab center right now. His body shuddered, curling his limbs closer to his chest and huddling into his little homemade hammock on the roof and him and May’s apartment building. At least it was only spring, May wouldn’t be mad forever, she would take him back in soon. She always did. When things got bad like this she only disappeared for a day or two. This time it was his turn to stay away he guessed. But she’d let him come home soon after she cooled off.
If she didn’t cool off soon though… Peter wasn’t going to think about that. May wouldn’t leave him out forever. She wouldn’t let him go hungry and cold on the streets. May was good to him, she’d let him come back in a day or two and everything would get sorted out. Right now, Peter just had to survive temperature sensitivity -along with his other enhanced senses-, a heightened metabolism, and twenty dollars.
Rotten luck.
Luck wasn’t a lady; she was the old lady that smacked you with her hand bag.
At least he had twenty dollars though. He’d gotten lucky to find it just blowing in the wind as he went on patrol. Otherwise he would have had to just pray May let him come home, beg if he had to. Though, begging might make it worse. Peter knew when he could press his boundaries. Now, he knew it was like the times before May and Ben. Stay at arm’s length and cross his fingers.
The anxiety and worry was melting away as the seconds ticked by though, sluggishly crawling into acceptance and drowsiness as the night sky and familiar sounds of traffic sunk into his body. Pulling his eyelids to droop, trying to make them shut tight on him. Urging his tired and overworked body and mind to take a breather, make a plan to sort things out in the morning. And it honestly sounded like a great idea. Peter giving into it and just praying for one night with a dreamless sleep. He was tired enough to not dream anyway.
He should have realized he couldn’t be that lucky.
Loudly blaring and vibrating against his chest, Peter felt like he’d been electrocuted as his body jolted him awake and alert at the stimuli. Slapping him awake with a shot of adrenaline, wiring him so any sleepiness danced away from even his farthest-reaching fingertips. Peter contemplated ignoring and rejecting the call. It was tempting.
But what if it was May calling him back?
It wasn’t very likely, but that didn’t mean Peter’s hands didn’t struggle getting his hands on the old flip phone to hit the answer button, desperately pulling it to his ear. Almost hearing her voice, the moment, he answered and his voice spilled out a few words before he could even stop them.
“Aunt May?” A deeper and rougher tone than her soft voice exited the phone speaker right after the words had been said. Making Peter internally curse at himself as the realization hit him that May wouldn’t call after only two hours. It was stupid of him to assume that.
“Nope. You disappointed kid? Either way, you’re supposed to be home by now, don’t you have a curfew? A curfew I’ve painstakingly made for you?” There was an amused tilt to his voice that made Peter’s lips quirk up and his chest to fill up with some warmth. A soft chuckle bubbling up in his chest. Tony Stark.
Oh shit. Tony Stark.
His nerves lit up like a firecracker in his body. Exploding and causing tingling worry all the way to his slightly numb toes. Perfect or a failure. Either he was going to be about as see through as a window, or he will be the door that blocks everything. Well, time to make up an excuse on the fly. Luckily, he had a little practice with that, maybe he had a chance with not looking like a stupid whiny kid on the phone with Mr. Stark.
“Am I hearing the silence right? Is Mr. Peter ‘Golden Boy’ Parker breaking the rules,” A sarcastic gasp. “I never thought the day could exist.” Peter snarked back.
“Haha, Mr. Stark, but I am home.” On the roof of May’s apartment building. So not a lie yet? Technically? The hammock would be his home for a small while anyway too. And the tracker couldn’t tell heights. It didn’t have an altitude check yet. Peter would have to make sure to get Ned to help him disable that if that ever became a thing. He was sure Ned would help him out without questioning it. Much. “I’m just waiting for May to get back, why? Do you need me?”
The excitement in his voice was fake to his own ears, but he forced it through his throat anyway. Forced himself to try and do his nervous word ramble, but a sentence was all that would come out. A bad try was better than nothing at all. Anything was better than nothing honestly at this point. But he was hoping that it really wasn’t anything. He was tired, confused, and definitely not stable enough or in the right mind set to be the wild, quipping, friendly neighborhood everyone knows and loves.
Spiderman was just not going to come out though. Not naturally at least. Peter just crossed his fingers that he wouldn’t have to force that out too. Forced wit was never as funny natural jibes. Not to mention Tony could read him like a book when he was Spiderman.
“Hold your enthusiasm, but yes, I may only slightly need your help in tuning up with suits with a few concept designs. So, are you free this Friday? Happy can come to pick you up, the subways are way too slow. And seriously? Does it really take two hours to get here from Midtown?” Peter nodded with a small laugh.
“Yeah it kinda does. But yeah! Friday will work, that work great!” He should be back with Aunt May by then. She never stayed angry or left him alone for longer than two days. And it was only Tuesday today. Yeah, he’d be fine. Nothing would happen to him in such a short amount of time.
“Good, see you then kid. Don’t die or do anything I would do until then.” And Tony hung up the phone after Peter bid his own farewell and Peter couldn’t put the phone down. His chest constricting and his breath hitching as the old anxiety crept back in. Surprising Peter when he realized just how much better even the short conversation had made him feel. And how easily the loneliness clawed back into his skin as the silence settled in. Peter shook the thoughts out of his head and just squirmed deeper into his hammock, phone pressed around his chest as his arms curled around it protectively.
He’d be fine. He could hold out for a day or two. May always left and she was always fine when she came back. And he was what? Fifteen? He could take care of himself for a couple days, it wouldn’t be that bad. Peter swallowed down the pit that sank into his stomach, it burned uncomfortably from his torso to his throat and chest. A stark contrast to his cold skin. His heart thrumming and threatening to leap out of his chest. It was almost painful. Peter took a deep breath. He’d be fine.
Probably.
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