#Audix

[musicmags]

[ewyband]

EWY BIG Q&A

hi!! recently i did a q&a on instagram about SLAD. unfortunately (or fortunately?) there were too many questions to answer purely on instagram stories without spamming. here's the ones i couldn't answer on instagram, answered here!

MERLOT, both in terms of my favourite composition and performance

my partner and i were on a break whilst they were studying abroad ("we're only on month 1 of 4"). I just kinda word vomited my feelings. I was feeling pretty depressed at the time I wont lie.

yes i DID!!! this EP was MADE for fun. i wrote the songs specifically to make fun songs to play live. (aside from HOLLOW DRUG)

"And I could be displaced from my home And it could be seen on all your phones Is it real? Or is it fake? Look close, do my arms look like legs?"

probs the most lyrically dense I've been?? i'm not sure.

first of all, thank you so much!! second, some songs i write it all in one day but others can take a week or so before i'm fully happy with how its sounding. that being said, i always end up changing something before recording (usually around a month after writing, but in the case of MERLOT, that was recorded only a week after writing).

if i had to just name one, it'd be Nirvana. I wrote a 3000 word essay on In Utero for uni and that genuinely inspired me to make these songs. I really loved how Nirvana performed and I thought 'man, if only I had songs like that where I'd have an excuse to go crazy' other influences would include Jeff Rosenstock (my #1 fav artist) and PUP (greatest live show I've ever been to) btw, thank u sm!!

yes,,, very much

unfortunately i havent learnt proper scream technique so all of my screams were done at the very very end of my recording sessions. i think it worked out because that meant i had a lot of pent up frustration

i will start by saying my uni lets me hire out all of these microphones for free (if you don't count the student loan) vocals: SM7b & RE20 (only on sociopathic leech) guitar: AKG C414 matched pair (acoustic and electric) bass: my takes were originally done with an RE20, pretty sure fern just DI'd drums: Audix DP7 + SM57 (for hi-hat) + C414 for room mic's

i'll try get this done tomorrow!

i was in a guitar lesson at uni and we were talking about chromatics in the blues scale. my guitar teacher suggested i try to make a riff using the blues scale and particularly the chromatic part. that riff ended up being the middle 8 section of RIGHTS TO MY WRONGS. the rest of the song basically acted as a vessel to transport this breakdown middle 8 section. hopefully it doesn't come across that way !!!!!! but that was the main idea.

it felt very natural. i'll probably continue to go this direction in my future releases.

its mainly a reference to SOCIOPATHIC LEECH! 'i could beat you with a bat'. i just wanted something that felt visceral and angry and i feel like izzie really captured that.

yes and no! brett romnes is a super nice guy and very fun to work with. i obviously had my own mixes so he could see what i preferred and essentially made it better. i think there ended up being 4 drafts before we reached a final master.

these were my original mixing notes! i think the only thing that really got lost in translation was i added some really subtle vocal distortion at the end of HOLLOW DRUG in my original mix. in the end, i feel empowered by brett because he made it sound like what i felt it should sound like in my head (DOES THIS SENTENCE MAKE SENSE!?)

after i wrote SOCIOPATHIC LEECH and RIGHTS TO MY WRONGS, i was like 'okay, this is the style we're going for, lets do some sort of project in this particular style' i was pretty dead set on an EP since i'd just done an album. so to answer your question, yes and no!

i wish i could put something significant here. im sure theres some psychologist out there who could tell me that the song represents something about me. i was feeling alienated at the time, hopefully this helps? "confess your sins to the crowd, no-one can hear you when you're talking so loud" is definitely about my frustrations with song meanings though

hi mikey!

this person was the GM for a cyberpunk TTRPG game i played in. i wanted to write a cyberpunk themed album at one point but i guess that one merlot line is the closest we'll get.

i have semi answered this question but I WANTED TO WRITE SONGS THAT WERE FUN TO PLAY LIVE !!!!! and i think it worked out in the end

THANK YOU EVERYONE WHO WROTE IN !!! MY ASKBOX IS ALWAYS OPEN!!!

[thekingofgear]

Hi, I have a full jonny-inspired board that I mainly use the Fender 85 with my Tele Plus. I have been using this combo for 2 years now and I am aware that the distortion sounds never sound a like unless I mic it up for recording. I am mainly a bedroom player and I am wondering if there are anyways in which I could replicate this tone in the room? Maybe an equaliser pedal, or a different but similar amp to the 85, or even a speaker swap?

Many thanks,

We addressed this question in detail in this post, though it sounds like you may have seen that.

We rarely hear Jonny's heavy distortion tone in isolation. There's almost always a rhythm guitar, some bass, some drums, etc. These other instruments simultaneously fill out the distortion sound and mask some of its detail. Jonny's distortion tone definitely has some low-end, but on a recording it's hard to hear exactly how much when we also hear Colin's bass. The producer might even have cut some of the low-end to give Colin's bass more space.

Half of Jonny's live pedalboard in 2006 (the edge of the other half can be seen in the bottom left corner). He's used these Marshall Shredmaster settings pretty consistently since the 2000s, but in the earliest days of the band he likely used a wider range of settings, especially when recording.

Before you add any new gear, you should first consider whether you can get those sounds with your current setup. The Marshall Shredmaster and the Fender Eighty-Five both have powerful EQ sections — have you tried adjusting those? I can only assume you have them set to match Jonny's settings, but have you tried adjusting them until you get closer to the sound you want? Jonny sets both the Shredmaster and the Eighty-Five to be a little dark, which sounds great when mic'd up. But you can always boost the high mids and/or treble on your own pedals and amp for a more "direct" sound.

I wouldn't recommend modifying a Fender Eighty-Five. The Eighty-Five's speaker is actually pretty clear, definitely more so than most guitar speakers which heavily cut low bass and upper treble. And for the cost of a new speaker, you could simply buy a powered PA speaker, for example a used JBL Eon 10" or Yamaha BR10. Connecting the Eighty-Five's preamp output to a PA speaker will give an extra punchy sound. Perhaps that will get you closer to Radiohead's early live shows, since Jonny used both the preamp output and the mic'd speaker at those shows.

A simpler option is to put an EQ pedal in the effects loop of the Eighty-Five, so you can take on the role of the mixer/producer a bit. The MXR Ten Band EQ is a good option: fairly inexpensive (especially used) but still very powerful. As mentioned, the Eighty-Five speaker has a fairly clear sound, so you can take full advantage of the EQ's frequency range. As for settings, perhaps some upper mids would help for that really cutting sound. But ultimately, you'll need to use your ears.

Jonny playing his Fender Telecaster Plus in 1997 (photo by Gene Shaw). Note that the Eighty-Five is mic'd with an Audix OM3, but there's also a cable connected to the preamp output. On the Eighty-Five, the power amp stays connected when you plus into the preamp out, so the preamp and speaker can be used simultaneously.

[bowmanstudios]

GEAR

Microphones:

Sure sm57

Sure sm58

Audix i5

Sure Beta 52

Blue Snowball

Behringer C-2 (pair)

Samson C01

Rode NT1A

Hardware:

Scarlett 18i0 audio interface

Mackie 1402-VLZ PRO 14 channel mic/line analog mixer

Guitar amps and pedals:

Helix HX STOMP

Ibanez Turbo Tube screamer

Guitars:

Fender GC140SCE Concert Acoustic-Electric

Yamaha FX335C Dreadnought Acoustic-Electric

Ovation 1311 Natural Acoustic

Fender Nashville Telecaster

Fender Squire Bullet Telecaster

Fender Squire Jazz Bass

Mitchell MU40 Soprano Natural Ukulele

Yamaha CGS 102A Classical Guitar

Keyboards:

Nektar Impact LX61+

Roland U-20

Drums and percussion:

1 big tambourine

1 small tambourine

LP Medium twist shakers

Simmons Titan 50 electronic drum set

Sound Monitoring:

JBL Professional Linear Spatial Reference 3 Series powered studio monitors (pair)

Sony Professional MDR-7506 studio headphones

Sennheiser HD 201 studio headphones

KRK Classic 5 studio monitors (pair)

Computers and visuals:

Apple MacBook Pro 13 inch

Dell flat panel monitor

DAW/software:

Logic Pro X

Pro Tools 12

GarageBand

Avid/Apple/Native Instruments/SoundToys/FabFilter/Waves plugins

Helix HX Edit

Plugins:

Digital EQ’s:

Waves V-EQ4

Fabfilter Pro-Q

Digital Reverbs:

Waves Abbey Road Chambers

Waves H-Reverb Hybrid Verb

Waves Renaissance Reverb

Waves Manny Marroquin Reverb

Relab Development LX480 Reverb

Digital Compressors:

Waves Renaissance Compressor

Waves CLA-3A Compressor/Limiter

Waves Smack Attack

Waves DeEsser

Extras:

Waves SSL G-Channel

Waves Nx Ocean Way Nashville

Waves Z-Noise

Waves WLM Plus Loudness Meter

Waves Tune Real-Time

Waves Vocal Bender

Waves Torque

Waves CLA Bass

Waves Abbey Road J37 Tape

SoundToys Echoboy

VST’s:

Spectronics Keyscapes

Native Instruments Battery

Toontrack EZdrummer 3

Native Instruments Kontakt Electric Guitar

Accessories/miscellaneous/other studio features:

4 XLR cables

4 1/4 inch jack cables

Power supply cables

USB outlet strip

High speed internet and free WIFI

Pencils, pens and paper

Wireless printer available

5 mic stands

Shock mount, pop filter, and 3 windscreens

HEAROS Ultimate Softness earplugs

Mini Samsung T.V. with Roku entertainment

RIF6 electric record player with built-in speakers

Dean Markley Pro Mag humbucker pickup

Culilux 1/4” audio splitter

Rioddas external ODD&HDD disc drive

Pack of CDs for burning

Guitar pick maker with appropriate paper

3 microphone clips

Alesis sustain pedal

Radial PRO-DI passive direct box

DeltaLab digital metronome

AKAI MPD218 beat pad

GiveBest electric heater

Behringer ULTRAACOUSTIC AT109 15-WATT acoustic guitar amplifier

OWC thunderbolt USB-C dock

APC surge protector

MOONGEL damper pads

Pick holder filled with guitar picks (floppy and hard) and a set of thumb picks

2 capos and clip on tuner

KORG TM-50 combo tuner and metronome

Mackie 1402-VLZ PRO 14 channel mic/line analog mixer

NEXIGO web cam

Big Knob passive monitor controller

The Bowman Studios, Dallas, Texas

Producers: Mason Bowman

[maximuswolf]

Whats the Best 'High end audio interface' with 8 channels?

Whats the Best 'High end audio interface' with 8 channels? Hi guys! I currently own an "RME baby face pro fs" in my home studio. Looking to upgrade to an '8 channel audio interface' to record our band live.Setup will be:Drums: 2 mics: (Eden LT- 386 hanging overhead and sm7b kick)Electric: 2 mics: (sm57 through a Twin Finity, 'NOS Tunsgram Tube'(Taming those mids) and Beyer m160) Mullards are crazy-ass expensive, FMLBass: 1 mic on the amp (Beyer MC 930) and DI'd through an Avalon U5 (**Recommendations on your favorite bass amp Plugin?)Lead Vox: Audix VX5This is my first big jump into a new terrain. Honestly, this is my first band ever joined, and it's all friends who play music, but we haven't jammed in a room together yet. Royalty splits will all be even, that way our egos are balanced, and each band member has equal power. I'm trusting my gut, though.. not too sure if the band will work, but heck, I'm only gonna live once and would love to make a career out of this. LET ME DREAM YOU PIECES OF SHIT! Where was I? Oh.. I love audio engineering and singing, so I was down. On that pussy. Hmm, I'm not too sure on how Imma get IEMs to all band members (hopefully the device posted has that), but I'll save that for another post if need be. Srry mamma

[777durt777]

You are now tuned in to LXRD AUDIX!

[mkgtweety]

View this post on Instagram

A post shared by mkgtweety (@mkgtweety)

VID MADE ON: 07/02/2022!!!! IN THIS VID PART 2, I {mkgtweety} UR "ROADIE CORRESPONDENT" TAKES U BEHIND THE SCENES AT HEMPFIELD TOWNSHIP'S {WHICH IS NEAR WHERE I LIVE AT IN THE PITTSBURGH, PA AREA!!!!} "CONCERTS IN THE PARK"!!!! FILMED DURING "SOUNDCHECK" U'LL GET 2 C MY, DAD "USING" HIS "SUPERPOWER": PLAYING DRUMS IN THE BAND CALLED: "THE VOGUES"!!!! {U CAN LOOK THEM UP ONLINE!!!!} 4 ALL THE MUSIC/DRUM NERDS OUT THERE, MY DAD PLAYS BIRCH CUSTOM YAMAHA DRUMS {WHICH THEY DON'T MAKE NE MORE!!!!}, HE HAS 3 RACK TOMS, 2 FLOOR TOMS, & THE BASE DRUM!!!! HIS SET UP IS LIKE UR BASIC "R'n'B DRUM KIT"!!!!, ZILDJIAN & SABIAN CYMBALS, ZILDJIAN LAMINATED BIRCH DRUMSTICKS, DW DOUBLE PEDALS, & AUDIX DRUM MICS!!!! I'M MY DAD'S ROADIE!!!! I HELP HIM SET UP AND TEAR DOWN HIS DRUMS!!!! "BIG" SORRY DIGITAL PEEPS IF U CAN "BARELY" HEAR ME!!!! W/ THE BAND PLAYING/WARMING UP, IT CAN B SUMTIMES HARD 2 HEAR ME!!!! THE SONG THAT THE BAND IS DOING/WARMING UP W/ IS A COVER OF THE SPINNERS SONG CALLED: "WORKIN' MY WAY"!!!! {THE SONG WAZ ORG. DONE BY: FRANKIE VALLY!!!!} THE VOGUES PLAY AT HEMPFIELD TOWNSHIP'S "CONCERTS IN THE PARK" EVERY YEAR DURING THE SUMMER IN JUNE OR JULY ON A SATURDAY OR SUNDAY!!!! I HOPE U DIGITAL PEEPS LIKE IT!!!! P.S. DIGITAL PEEPS: "HAPPY THANKSGIVING"!!!!

[444names]

the entire article on "nom" from the english wiktionary

Acogoks Acold Adjec Adjection Adved Afreinal Alend Alictitiu Ancan Anicfr Annese Announew Anounsu Antesah Apeatan Apeeng Apellogon Appean Appeanne Appee Asage Ascatinat Atalataby Atencent Audix Aurantri Ausan Austrông Babasfred Bacol Bahas Bahasey Bally Balter Bikotond Borms Cadves Cated Cater Catif Catitalse Cativerb Cenggil Cented Cesan Chfres Cició Clawa Clectized Clemmal Cliat Clopee Coccianes Colle Coman Comanate Comasoma Combe Comes Coming Comusan Conager Cookbiko Cooksh Courophon Creferja Crencites Crionso Crist Culants Culaît Dansian Dencian Derbsperb Dicadjern Dicfrunch Digily Diging Digink Dinal Dinclect Dinish Dioterbs Drianew Dright Eanguish Eantanat Encen Encoldi Esame Esenciane Esente Eserjeco Estreold Eurasa Eurom Europerma Europhean Eutes Exama Exame Exames Exammani Fanta Ferinhon Forjectre Forma Formasold Formau Forth Fortio Frenció Freng Frent Freput Frety Front Furon Galaît Gicatah Gorms Graby Graka Gralis Gralà Gramen Grandanot Granonnow Grasawi Grasi Greanmast Grengul Gruital Guaged Guese Guesese Guesey Gueskary Hasbikol Hasfrase Homese Honal Honalesey Honnoulan Honnounch Hopetnat Hotran Howes Hyphraish Hyphrase Illemman Illis Inalu Inamed Inese Ingling Inglinsa Inglish Ingua Inguese Inhom Ippopèdis Ishish Italance Italenca Itancent Ition Ittesmt Koloun Kotrase Krinsmt Laban Lanch Lancia Lanisbn Lanou Lanterb Laresel Lasmt Latal Latale Lectinom Lectintan Lectionun Lectish Legal Lemmal Lemmalan Lemman Lemmarch Lemmarish Lemmas Lemmast Lench Lencial Lendigild Lerjec Licitan Licti Llemman Llend Llinka Loquot Loquotera Louncan Madve Mangse Manom Mançaina Masman Matil Mesch Minglican Minon Molle Monbikot Monymsed Mrhymese Mrhyponly Murbalf Musan Namplan Narian Nenclish Nglist Nimunsnom Noccià Nomal Nomalan Nomale Noman Nomench Nomer Nomeska Nomilly Nommon Nomond Nomple Nomplent Nomplu Nomplur Nomup Nomur Nomuroved Nomus Nonunch Nordsms Norks Norkst‎ Normar Norsobre Northe Northil Nortived Norts Nortue Nortugues Noterjawi Noulan Nounceng Nounch Nounche Nound Noungsee Nounright Nouns Nounse Nounsid Nounted Nourengue Nouster Nowed Nowes Noyine Noying Nsubsa Numbel Number Numed Numencese Nument Nèming Objech Objer Obreps Occian Occiater‎ Olease Omesfre Onarish Onsman Ordse Panish Parionom Parons Parowes Partan Partiverb Partugues Pasesey Passage Paudia Pauto Peana Peast Pellorman Pheadjer Phrakayan Phramine Phran Phrippi Plaroonum Plemmasif Plengly Plumench Pocciatal Poeian Poeinkan Popul Preepulin Prence Prench Preold Prold Promasar Pronly Pronstic Pronymese Propeat Propechí Prophral Proports Propuld Proputer Propèdi Propèdic Prote Prénorts Prénounrf Présoc Présoccia Présoccit Querb Quota Quoterbst Readix Reold Ressakan Retese Ricianció Rindic Rippish Romos Roperun Sarom Sasey Scatin Scriet Sculable Sculd Sculened Sence Senchí Sendicnom Showebool Slarit Sonouns Spean Sports Sportsh Stalanian Subst Surized Syllanish Sylle Synom Talish Teralsold Termase Tesed Thantish Thase Therject Thiveseb Thwee Thwes Tonch Tonnom Topeate Trampa Trencian Trhym Trhyms Trion Tuguestin Tugule Uncian Uncist Unsix Uroduiase Uropish Ustal Valish Valse Vancat Vantive Vanton Varcato Varish Varonsman Veran Verence Veskayant Votrion Walatah Walish Wally Whenceng Whipa Whish Whister Wordscar Worma Wormalu Worman Wormangto Worms Worseb Worthwed Wortue Wortuguia Wrion Yeasfrest Yogorman Yogyakar Youlacon Younch Younco Yound Yousakan ±insonym Ímjaviese Ónomi Ónonto

[dennisprojectblog]

Mixing with a 76

I recently recorded a live band session at Studio One. It was a five-piece band having vocals, two acoustic guitars, bass & drums. The recording was a good session and I used the Audix drum mic set to record the drum kit. The kit was a Gretsch Catalina Club Jazz 18".

I tried mixing the kick and snare with analog gear using Studio Two. I first wanted to compress my kick to make the level of the recorded signal balanced and even as there were few loud transients. I ran the kick through the Klark Teknik 76 compressor which is a clone of the 1176 FET comp. It did a nice job of making the signal balanced and giving a slight distortion in its tone.

The green track shows the signal of the kick drum after compression by the Klark 76.

I tried the same with the snare this time and I tried pushing all four ratio buttons on the unit to see what happens. This gave an incredibly fast attack and release on the snare which I could observe on the VU meter. Apparently according to an article by Sweetwater, an unknown engineer discovered that pressing down all four ratio knobs gives you a slightly overdriven tone and it says that the ratio falls in between 12:1 to 20:1 and the bias points change in the circuit thus changing the attack and release time.

[fnafagainstmodernfnaf]

If we get xne mxre death threat I’m gcnna drink Cajun hxtsauce and uplxad the audix

-Mxd BB👦🎈

[global-research-reports-2023]

Top Companies Of "Fashion Maternity Clothing Market" in 2023 Are- Sennheiser, Yamaha, Audio-Tehcnica, Shure, AKG, Blue, Lewitt Audio, Sony, Takstar, MIPRO, Allen&heath, TOA, Wisycom, Beyerdynamic, Lectrosonic, Line6, Audix, DPA, Rode, Shoeps, Electro Voice, Telefunken, Clock Audio, Biamp, Symetrix, QSC, Polycom, Extron, Crestron, BSS

[hiphopnewssources]

New video New from Audix: PDX-720 Large Format Dynamic Microphone – NAMM 2023 @SweetwaterSound on @YouTube

Via Sweetwater @The65Connection Get up-to-date news on exciting new releases, information, and all things NAMM 👉 https://sweetwater.sjv.io/NAMM2023 Feeling inspired? Shop the latest gear at Sweetwater👉 https://sweetwater.sjv.io/shop #NAMM2023 #Sweetwater Submit Content To be featured.

[chemicaltech]

Discussion System Market Industry Analysis, Regional Outlook, Competitive Market, Forecast To 2031

Global Discussion System report from Global Insight Services is the single authoritative source of intelligence on Discussion System market. The report will provide you with analysis of impact of latest market disruptions such as Russia-Ukraine war and Covid-19 on the market. Report provides qualitative analysis of the market using various frameworks such as Porters’ and PESTLE analysis. Report includes in-depth segmentation and market size data by categories, product types, applications, and geographies. Report also includes comprehensive analysis of key issues, trends and drivers, restraints and challenges, competitive landscape, as well as recent events such as M&A activities in the market.

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Market Segmentation

The discussion system market is segmented on the basis of type, application, and region. By type, the market is divided into wired and wireless. On the basis of application, the market is segmented into meeting rooms, press centers, classrooms, and others. Region-wise, it is studied across North America, Europe, Asia Pacific, and the Rest of the World.

Key Players

The key players of discussion system market are Audio Technica US, Inc., AUDIX, Beyerdynamic GmbH & Co. KG, Bosch Sicherheitssysteme GmbH, Brähler Systems GmbH, Sennheiser Electronic GmbH & Co. KG, Shure Europe, TAIDEN INDUSTRIAL CO., LTD., Televic, and TOA Electronics, Inc

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Key Drivers

The key drivers of the discussion system market are the increasing need for effective communication and collaboration among employees, the need for better customer service, and the need for better decision making. The discussion system market is expected to grow at a CAGR of 8.5% from 2014 to 2019.

The discussion system market is driven by the need for effective communication and collaboration among employees. The discussion system provides an effective platform for employees to communicate and collaborate with each other. The discussion system helps employees to share information and ideas, and to solve problems.

The discussion system market is also driven by the need for better customer service. The discussion system helps organizations to provide better customer service by providing a platform for customers to interact with each other. The discussion system helps organizations to resolve customer queries and complaints.

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[phazerville]

New microphone, who dis? One of several recent #upgrades for the #phazerville studio arsenal... #audix @audixmics #audixom7 #microphone #recordingengineer #audionerd #vocalist #livelooper #becauseineededanothermicrophone #marcrebilletisstillcoolerthanme #hashtagsareweird https://www.instagram.com/p/CS347hjL1Tn/?utm_medium=tumblr

[thedrumheads]

Time to mic up. @audixmics 🎙🥁#audix #audixmics #drumheadspod #drum #drums #drummer #thedrumheadspod #percussion #music #musician #drumming #drumfam #bateria #drumlife #drummerlife #instadrums #drumcommunity #drumsharing #drumsoutlet #drummingco #snaredrumfreakz #drumeo #drumsdaily #drumset #drumsetup #schlagzeuger #828isgreat #asheville @visionarydrum @bigfatsnaredrum (at Asheville, North Carolina) https://www.instagram.com/p/CJuu0oDj6K7/?igshid=9mqpj2hjto1z